104HP 7U powered enclosure case for modular synthesisers
Notes: 104hp wide with two 3U rows and a 1U row.
Powder coated aluminum construction
VESA mount compatible (100mm x 100mm)
Plastic handle for easy mobility
Metal feet can be installed to support multiple angles of jamming.
Secure latching lid with enough depth to keep your patches patched
Expandable
Lid - when you're ready to add more space, the lid can be expanded to be another 104hp x 7U. You can add another set of rails, power supply and power jack and double your available space. (Kit available)
Metal feet - The metal feet can have a pair of rails and rack mounted power added to support another 3U row of 104hp. (Kit available in future)
Connectivity
Audio jacks - set of four jacks for stereo in and stereo out.
MIDI jacks - DIN jacks to support IN, OUT, and THRU MIDI.
USB power - can be used for a lamp to light your case or to charge your phone while recording your set.
Dimensions
557mm x 334mm x 169mm
74mm depth for 1U and bottom 3U row
52mm depth for middle 3U row
Power
+12V - 3A (with plenty of allowance for in-rush current)
-12V - 3A
+5V - 3A (shared with USB power)
36 shrouded power headers
In The Box
Main case
Lid
Metal feet
Power adapter 20V at 6A
Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.
Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.
Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.
Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.
Notes: Alan (micro Turing Machine) Shift Register Based Sequencer
The randomness of the Music Thing Modular Turing Machine, shrunk down to 6HP. Alan retains all of the same functionality as the original including the connectors for the expanders.
While this module has little to do with the original Turing Machine (by Alan Turing), it is a shift register based sequencer. You cannot program this sequencer, instead it builds random sequences that can be locked in.
Alan comes tested, calibrated and ready to bring random voltages.
The After Later Audio panel is black and gold and made from FR4. The package will include a power/ribbon cable and a one year warranty.
Notes: The full power of Mutable Instruments Elements packed into 18hp. It features jack lights that can be turned on/off via a jumper on the back. This module comes loaded with the most recent firmware, with the new Chords mode that unlocks a whole new world of potential.
Based on open source designs by emilie gillet under Creative Commons (CC-BY-SA) license.
Notes: A 6HP version of Mutable Instruments Peaks that adds CV inputs and attenuverters for each of the four parameters.
It can be an ADSR-style envelope generator, an LFO and a drum emulator. By default, the Dead Man's Catch (DMC) firmware will be loaded, which adds the Alt ENV, ALT LFO, ALT Tap, Alt Drum modes below.
The module is calibrated, comes with a power cable, and a one year warranty.
Notes: Third-party clone of the open-source Mutable Instruments Plaits oscillator/sound source. All the same functionality in a compact 8hp format with full-size knobs for the key functions.
Supplier's Notes:
Functionally identical clone of the Mutable Instruments Plaits. Beehive strikes a nice balance between size, reducing 12hp down to 8hp, and playability by offering full size knobs for the four main functions. Beehive also retains the same depth of the original module at 25mm. This module uses After Later's new aluminum knobs which have a nice non-slip texture and allow for more finger space over the standard 1900H Davies knobs.
Notes: Revised take on the excellent Benjolin dual oscillator and filter from Rob Hordijk, featuring the 'rungler' stepped CV generator and extensive output options.
Supplier's Notes:
Benjolin V2 - Rob Hordijk's latest revision of the classic Benjolin. The core of the Benjolin continues to be two oscillators, the rungler (stepped CV generator), and a multimode filter.
A hardware replica of the Mutable Instruments Veils 2020 module in 10HP.
Notes: This is an exact hardware replica of the Mutable Instruments Veils 2020 module. After Later used the "hard-to-find" OPA1679 opamps, but we did switch the package from TSSOP to SOIC, to keep costs down. It is the same part/specs, just a different package.
Based on open source designs by emilie gillet under Creative Commons (CC-BY-SA) license.
An interface for the case 1/4" jacks in Intelljel cases
Notes: An interface for the case 1/4" jacks in Intelljel cases. The jacks are marked as if they are part of the case, so the jacks marked out, require an input.
The module sports both input and output for either a consumer line level (0.447Vpk) or a professional line level (1.095Vpk). These levels are controllable via jumper on the back of the module. It can also have a single input and output channel switched to pedal level. The case output is fed to the headphone amp that has a corresponding level control. The module otherwise does not have any level control and relies on using a VCA or other module to perform any level controls.
The module can essentially be run in one of three modes:
1) Stereo line level in and out
2) Stereo line level in and out via the left side and mono pedal in and out on the right side. In this mode the stereo line levels leverage TRS on the 1/4" jacks. You can use the included 3.5mm couplers to get TRS on the 3.5mm side.
3) Mono line level in and out via the left side and mono pedal in and out on the right side.
For Palette 64hp users only have two 1/4" jacks. You can choose if you want to use the case jacks as either inputs, outputs, or one input and one output.
Notes: Two fuzz channels based on the fuzz face circuit with a built-in pickup simulator.
Gnarly is a 7 knob beast that will destroy whatever you throw at it. It has many dead zones in the pots that will adjust based on the position of other pots. It's all about finding the sweet spots and living on those fine edges. The transistor pairs on this section are replaceable.
Oomph is a 5 knob bass friendly take on the fuzz face and compliments the upper harmonics of the Gnarly section.
Pickup simulator - Fuzz circuits offer unique sound when paired with the inductance of the pickup coils in a guitar. This why it is often suggested to have fuzz pedals as your first in a pedal chain. So After Later built-in a coil to simulate your eurorack signal being emitted by a guitar pickup. After Later also included a pickup simulator output so you can use it to interface with other fuzz instruments (pedals, modules, etc.).
As an added oddness - you can also input your guitar into the pickup sim output (just don't plug anything into the normal input). This will still get you Eurorack level output. Please don't input Eurorack levels into the pickup sim output.
Tips - Experiment with the pickup simulator and buffered signal. Use the PS.Level to keep the signal low, borderline on cutting out. You find lots of joy in the gnarly section by keeping this level at the edge.
4x4 matrix mixer & voltage controlled amplifier module
Notes: Keanu is a partnership with Tim Held and Podular Modcast. At its core, Keanu is a standard 4x4 matrix mixer and VCAs on each output and switch to choose between unipolar or bipolar controls. After Later have also added modulation sources normalled into each channel. So you get some great modulation variety, but can also mix in your external sources.
Channels 1 & 2 CVs are clockable looping function generators with controls for rise/fall lengths, and equipped with end of rise/fall trigger outputs.
Channels 3 & 4 are each a "meandering" voltage source, created by 3 LFOs that are all at different frequencies. There are 3 CV inputs (total) to control their individual rates. You can also add slew to each channel individually to change the oscillators from square to triangle, and this slew also applies to external voltages sent into their channel.
8-channels audio or modulation over ethernet modules
Notes: 8 channels of audio or modulation over ethernet. There are two modules and a 3' CAT7e cable to connect them together. There are 8 total channels that are unbuffered and bi-directional. The primary usage is to connect two cases or just send a bundle of signals from one part of your larger case to another. You also get the option of buffering up to four channels on each side. This gives you a local copy of the signal and sends buffered copy to the other module, saving you from having to use a MULT to keep a local copy.
Some notes:
When one side of the Light Rail is in buffered mode, you cannot send signals from the opposite side on those 4 buffered channels (the other 4 channels can still be used in bi-directional mode)
If you are after a different longer/shorter cable, you will get the best performance with CAT7e as it offers the shielding, which is used for the ground.
While the cross channel bleed is minimal, you will notice some very minor cross talk between the channels.
Notes: This is a new build of a Monsoon, which is a variation of Mutable Instruments Clouds with separate CV and controls for the 4 "blend" functions. The 4 LEDs on the sliders indicate incoming control voltage for the 4 main parameters. The button which was used to select blend parameters now simply switches what the 4 LEDs display (audio input monitoring or monitoring the 4 blend amounts.) Parasites 2.01 firmware is loaded by default. Alternative firmware can be loaded by request.
The module is fully assembled, tested, and calibrated. Eurorack power cable is included.
Width: 12HP
Depth: 22mm
Height: 3U
Power Consumption: +12V:120mA -12V:10mA
This is a buffered/active mult with LED indicator. You get two channels of 1 to 3 multiples within a 2HP module. The output of channel 1 is normalled to channel 2 so it can also be treated as a 1 to 6 multiple as well.
Active vs Passive mults:
With a passive mult you are effectively just plugging multiple things into the same jacks. This will often cause some voltage drop in each of the signals. With an active (or buffered) mult you will not get any voltage drop from the original signal.
Comes with a black and gold panel, power cable and one year warranty.
Usage note:
The red stripe of the power ribbon cable goes towards the top of this module.
Resonator module/rebuild of Mutable Instruments Rings
Notes: nRings
This is a new build of a micro version of Rings from Mutable Instruments. MicroRings, also called NanoRings, retains all the same functionality as a full-size Rings module.
The module is fully assembled, tested, and calibrated. Eurorack power cable is included.
These modules use tall bushing potentiometers to offer a more stable feel.
Four channels of function generator, oscillator, slew limiter, envelope, and VCAs.
Notes: A clever hybrid of quad VCA, function generator and more in this chunky module. Four channels of oscillators, envelope generators and VCAs, plus slew, voltage sources and plenty of CV control.
Supplier's Notes:
Four channels of function generator, oscillator, slew limiter, envelope, and VCAs. This module brings the ultimate in flexibility as it can be used as a standalone synth voice, a massive amount of modulation, or a four channel envelope generator w/ mixer. We believe this makes QARV a great first module and a great addition to the largest of systems.
All four channels have the following features:
Uni-polar oscillator mode
Attack and release time control via potentiometer and via input jack
Shape control that controls shape for both attack and release
Output attenuverter
VCAs that normal to each subsequent channel (CH1 -> CH2, etc.). So you can get a mix of all four channels out of the CH4 VCA output (unless you patch a VCA output from an earlier channel)
Channels 1 & 4
Voltage source (CH1 - 5V & CH4 - 10V)
CH1 & CH4 can be switched between IN (slew mode) and TRIG (envelope) mode
RISE and FALL gates. You can use our G&T module to turn these gates into triggers.
Channels 2 & 3:
Bi-polar oscillator mode
Dedicated IN and TRIG jacks (helpful for adding offset to a triggered ENV)
BOTH input jack to simplify patching both the attack and release (also inverts the input to give more standard pitch tracking of higher voltage equals higher pitch)
Notes: A 22hp version of Mutable Instruments Elements. It is functionally equivalent and therefore runs all firmware options and having identical sound characteristics. This version is great compromise between the tight spacing of Atom and full size original, which is a bit large.
Width: 22hp
12V: 130mA
-12V: 10mA
Module power connector can be connected either way on the module side.
This is an exact hardware replica of the Mutable Instruments Blades module.
Notes: This is an exact hardware replica of the Mutable Instruments Blades module.
This model uses the original "hard-to-find" opamps, but After Later have substituted V2164M with AS2164D. All of After Later's products use AS2164D and there should be no measurable change in behaviour.
Notes: After Later's redesigned take on the classic Mutable Instruments Rings module offers all the distinctive resonant synth sounds you'd expect, from strings to percussion. Great value.
Supplier notes:
This is an exact hardware replica of the Mutable Instruments Rings module.
Notes: After Later's first ladder filter is in stereo. You'll get HP, BP. LP2, and LP4 outputs for each side. Please read below on the HP and BP outputs, as they are a bit temperamental.
Along with all of the great traditional sounds of a ladder filter, After Later have added a bias knob which starves ladder transistors of bias current. This can create some fun detuning, glitchy, and warbly sounds. It is recommended that you turn the resonance up slightly in order for it to sound best. Turning the bias will mess with the cutoff frequency and resonance settings so it takes some knob tweaking to master it. There is decent volt/octave tracking for about 3 octaves.
The HP and BP are possible due to pole mixing. When combined with the level control and the resonance it can lead to some atypical behaviours. When keeping the resonance low, and you'll need to manage the level control to get a typical HP and BP responses.
Analogue texture synthesiser/rebuild of Mutable Instruments Clouds
Notes: This is where Storm and Monsoon meet to create the latest improvements on the original Clouds design. With Typhoon you get all of the features of Storm combined with sliders and layout of Monsoon in 16hp. Typhoon runs the SuperParasites firmware, so no more having to swap between Parasites and Kammerl firmware options. Some of the notable features are:
Dedicated blend controls for Feedback, Panning, Mix, and Reverb (similar to Monsoon)
All eight modes from Parasites and Kammerl
Stereo VCAs
input/output mutes
Exponential and linear pitch controls
Universal CV routing and random CV signals
Comes with an exclusive black and gold panel, power cable and one year warranty.
Analogue texture synthesiser/rebuild of Mutable Instruments Clouds
Notes: uBurst
This is a new build of the micro version of Mutable Instruments Clouds. The module retains all the functions of the original Clouds, taking up significantly less rack space.
These modules use tall bushing potentiometers to offer a more stable feel.
The module is fully assembled, tested, and calibrated. Eurorack power cable is included.
An 8hp version of the retired Mutable Instruments Grids.
Notes: An 8hp version of the retired Mutable Instruments Grids. It is an identical functional clone, so it will behave in the same was as the full size version, and will run any firmware that runs on the full size version.
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