Review: This is not our first time falling for Jenny Hval. We might have been a little late to the party than some, initially encountering the angelic-voiced Norwegian singer-songwriter with her 2019 effort on Sacred Bones, The Practice of Love, but lost time has been made up for since. Landing again on 4AD, the label that hosted her preceding effort, 2022's Classic Objects, this latest is similar and yet different to what has come before. Tracks like 'Lay Down', which opens things here, present the Scandinavian voice at its sweetest, set against a backdrop of birdsong, fine-tuned for melody. Other moments take us into a dreamy otherworld, blissful harmonies and siren calls, ambient refrains invoking the great adventure that awaits us after this one. Or maybe that's just because the track in question is entitled 'I Want The End To Sound Like This'. Either way, so do we.
Review: This expanded edition of Pale Saints' third and final album Slow Buildings is a real doozy for fans of the English alt-rock and shoegaze outfit. The original is a long-out-of-print classic that has been sympathetically remastered here after originally arriving back in 1994. The album captures their transition into more open, melodic territory while retaining the dense guitar textures and experimental spirit of their earlier work. Meriel Barham's vocals shine as caller as always, particularly on standout single 'Fine Friend,' which was adapted from Persian Rugs' 1981 track. This two-disc reissue includes the Fine Friend EP and a curated trove of unreleased demos and tracks that make it an essential addition for completists.
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