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Four Weeks: Studio Equipment

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Cat: 775080 Rel: 22 Jun 20
 
sampling module
Notes: Bitbox micro provides Eurorack sampling for smaller racks and smaller budgets. In only 18 HP of rack space you can get a touch screen based sampler with support for 8 stereo sample pads. Now you can record samples directly into the module or load them from the microSD card. Trigger your samples via CV or MIDI, then apply effects and mix the outputs. Save your configurations to multiple presets for later reuse.

Sample Playback

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card
Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI and CV
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

Sample Modes
Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode

Inputs and Outputs
Use the 8 inputs the way you want: assignments include a stereo audio input, up to 8 gate inputs, up to 8 CV inputs and 1 clock input.
Route the audio from each pad out to one of 3 stereo audio outputs or one of 6 mono audio outputs
Listen to all of the pad outputs combined on the master stereo output

External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode - no need to look up CC numbers
Module Features
Use the 2? diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Refine your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Inputs and outputs are DC coupled so you can record and play out CV signals
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MRP:$521.07 SAVE 20%
 9 in stock $416.43
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quote 775080
Cat: 775085 Rel: 22 Jun 20
 
sampling module
Notes: Updated version of the excellent Bitbox sampler module offers more powerful sound processing and an improved touch screen. Improved effects and mixing with all the same creative power of the original.

Supplier notes:
Bitbox mk2 delivers powerful sampling and mangling for Eurorack. With this module you can add recording, sample playback, clip launching, slicing, granular sounds and musically intelligent looping capabilities to your Eurorack rig. With a 3.5 inch touchscreen, bitbox mk2 makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via CV and MIDI. Tweak your configurations to get them just right, then save them to multiple presets for future reuse. With the new bitbox mk2 hardware, you can now do more with the new more powerful processor.

Sample Playback
Play up to 24 polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger samples streaming directly from the microSD card
Configure 16 sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Use MIDI for polyphonic playback of samples or slices
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer
Sample Modes
Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode
Inputs and Outputs
Connect up to 8 CV modulators to control numerous sample parameters
Trigger each of the 16 pads with a dedicated gate input
Record through the dedicated stereo audio input pair
Use CV to keep time through the dedicated clock input
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Route the audio from each pad out to one of 2 stereo audio output pairs or any of the corresponding single channels
Inputs and outputs are DC coupled so you can record and play out CV signals

External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Trigger each pad independently through a dedicated gate input
Use MIDI to trigger pads via a note per pad
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode- no need to look up CC numbers
Module Features
Use the 3.5? diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Fill out your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Select Flipped UI mode to mount the unit with the screen on the bottom and use the screen, knobs, buttons, and CV jacks as you normally would
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MRP:$777.22 SAVE 22%
 7 in stock $604.77
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quote 775085
2hp
Cat: 766649 Rel: 13 Jul 20
 
Compressor module
Notes: Compressor with side chain functionality.
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MRP:$154.44 SAVE 17%
 2 in stock $128.69
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quote 766649
2hp
Cat: 766648 Rel: 13 Jul 20
 
Compressor module
Notes: Compressor with side chain functionality.
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MRP:$154.44 SAVE 17%
! low stock $128.69
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quote 766648
ACL Pan Mix Mixer Module (synth module)
Cat: 776671 Rel: 30 Jun 20
 
mixer module
Notes: The ACL Pan Mix module mixes up to four different mono sources into a stereo output with panorama and gain control. It also includes an stereo aux input, which will be added unity gain to the sum for cascading purposes.
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MRP:$253.63 SAVE 17%
 2 in stock $211.36
ACL Sum Sum Mixer Module (synth module)
Cat: 776668 Rel: 30 Jun 20
 
mixer module
Notes: The ACL SUM SUM consists of two rows of six inputs that are summed into one output each.

It can be used as a stereo signal summer or two mono signal summers, either audio or CV.

The internal gain of each row can be switched between Unity gain, a gain of 0.5 (-6dB) or 0.33 (-9.5dB) using convenient dip switches on the back of the module.
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MRP:$169.51 SAVE 17%
 2 in stock $141.24
Cat: 780138 Rel: 08 Jul 20
 
Voltage controlled amplifier module
Notes: The AION MODULAR 902 VCA is an Eurorack clone of the classic Moog Modular 902.

The 902 is a Voltage Controlled Amplifier with balanced directly coupled inputs and outputs.

The 902 VCA can be used in any circumstances a voltage controlled variation of gain is desired.
Both audio or CV sources can be modulated by this module.

Both linear and exponential gain response are avaliable.

Specifications:
Power: +12 (50mA), -12 (30mA)
Depth: 20mm
Doepfer compatible

50 mA +12V
30 mA -12V
0 mA 5V
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MRP:$237.31 SAVE 19%
 1 in stock $191.47
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quote 780138
Cat: 780153 Rel: 08 Jul 20
 
Voltage controlled low pass filter module
Notes: The AION Modular 904A Low Pass filter is an Eurorack clone of the classic Moog Modular Low Pass filter (should not be confused with the Mini Moog Low Pass filter).

The 904A Low Pass filter attenuates frequencies above the Fixed Control Voltage (cutoff frequency) point at a rate of 24dB per octave. The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Regeneration knob (resonance) varies the amount of internal feedback, creating a resonant peak at the cutoff frequency.
The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
(sets the frequency band in two-octave steps)
1- 1Hz to 5kHz
2- 4Hz to 20kHz
3- 16Hz to 80kHz

Specifications:
Power: +12 40mA, -12 25mA
Depth: 40mm
Doepfer compatible

40 mA +12V
25 mA -12V
0 mA 5V
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MRP:$317.67 SAVE 20%
 1 in stock $255.30
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quote 780153
Cat: 780136 Rel: 07 Jul 20
 
Filter coupler module
Notes: The AION Modular 904C Filter Coupler is an Eurorack clone of the classic Moog Modular 904C.

The 904C Filter Coupler connects the 904A Lowpass and the 904B Highpass together to produce a Bandpass or a Band Reject filter response.

Bandwidth can be extended to three octaves and Center Frequency ranges from 5Hz to 20KHz. Both can be controlled manually or via control voltage.

The 904C provides a wide variety of signal processing and we strongly encourage experimentation but we advise to start with the following settings:

904A Fixed Control Voltage +6
904A Frequency Range 2
904B Fixed Control Voltage -1
904B Frequency Range LOW

The 904A and the 904B are required to use the 904C.
In the "OFF" position, the 904A and 904B are disconnected from the 904C an can be used independently.

The connection cables are provided with the module.

30 mA +12V
15 mA -12V
0 mA 5V


Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible.
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MRP:$316.41 SAVE 19%
 1 in stock $255.30
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quote 780136
Cat: 780111 Rel: 07 Jul 20
 
Reverberation module
Notes: When a dynamically varying signal is applied to the input of the 905, the output will consist of a series of closely spaced echoes, the subjective effect of which is similar to that of reverberation of sound. If a small amount of "echo signal" is mixed with a larger amount of "direct signal" (Reverberation Control set slightly clockwise), the effect of a typical concert hall is obtained. If the echo signal only is passed (Reverberation Control is set fully clockwise), an exaggerated echo suggesting a cave is obtained. The relative amount of echo signal and direct signal can be continuously changed from 100% direct signal to 100% echo signal.

Specifications:
Power: +12 (25mA), -12 (25mA)
Depth: 40 mm
Doepfer compatible
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MRP:$316.41 SAVE 30%
 1 in stock $222.86
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quote 780111
Cat: 780134 Rel: 08 Jul 20
 
Filter bank module
Notes: The 907A Fixed Filter Bank is a non-voltage controlled modifier which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cut-off points from low pass and high pass filters at either frequency extreme. A total of 10 overlapping filter networks are included.

Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible.
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MRP:$462.06 SAVE 19%
 1 in stock $372.49
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quote 780134
Cat: 780140 Rel: 07 Jul 20
 
Envelope generator module
Notes: The AION MODULAR 911 Envelope Generator is an Eurorack clone of the classic Moog™ Modular 911.

The 911 Envelope Generator (ADSR) generates the Control Voltage contours required for producing envelopes in conjunction with a voltage-controlled amplifier or a voltage-controlled Filter.

Attack time (T1), Decay time (T2), and Release time (T3) are all independently variable over a 2 millisecond - 10 second range, making the module suitable for very fast percussive sounds or long and evolving sounds.

The 911 Envelope Generator can be triggered by an external gate signal via the Trigger Input or manually by a push button.

Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible
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MRP:$237.31 SAVE 19%
 1 in stock $191.47
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quote 780140
Cat: 780115 Rel: 08 Jul 20
 
Envelope follower module
Notes: The Envelope Follower produces two functions which can be used separately or in conjunction. The follower circuit Signal Input presents a control voltage output (DC) proportional to the average amplitude of the AC input signal. The second function, a Schmitt trigger, generates a V-trigger above a threshold voltage (comparator), when a slowly varying or DC voltage is introduced at the control input jack. The normalling of the control input of the follower circuit to the control input of the Schmitt trigger circuit allows both control voltage and trigger to be generated from a single variable source.

Specifications:
Power: +12 (40mA), -12 (8mA)
Depth: 40mm
Doepfer compatible
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MRP:$257.40 SAVE 20%
 1 in stock $207.16
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Cat: 780149 Rel: 07 Jul 20
 
Voltage controlled oscillator module
Notes: The AION 921 VCO is a variable waveform generator which produces frequencies ranging from sub-audio (LFO) to 40.000 hz. Four waveforms are available: sine, triangular, sawtooth and rectangular (with variable duty cycle A.K.A. pulse width modulation).
Both fixed and variable levels can be obtained from the front panel output jacks. Nominal frequency and range controls (octave) are found at the top of the module.

Voltage controlled rectangular width (VC-PWM) is set by the knob in the upper center (left) with the accompanying voltage input jacks.
Multiple frequency control inputs 1 and 2 can be plugged into this module in parallel. Control input 3 is used via the pot for linear frequency response (Liniar FM). All waveform outputs can be used if desired.

This is what we consider an improved version of the Moog 921 VCO, not a direct clone. Improvements were made concerning tuning and stability issues.

Frequency range:
0.01 hz - 40.000 hz

Range switch:
sub audio - 0.01 - 400 hz
audio - 1 - 40.000 hz

Scale switch:
2 or 12 octave frequency span.

Auxiliary outputs:
2 jacks (one normal, one inverted) with selected waveforms (sine, triangle, sawtooth, inverted sawtooth rectangular and inverted rectangular).
Waveforms amplitude controllable from 0 to maximum.

Hard and Soft synchronisation selectable via a switch.
Synch must be "OFF" (center position) when synchronisation is not beeing used, otherwise it will sound out of tuning.

Specifications:
Depth: 40mm
Doepfer compatible.

30 mA +12V
30 mA -12V
0 mA 5V
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MRP:$462.06 SAVE 19%
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Cat: 780127 Rel: 07 Jul 20
 
Voltage controlled oscillator module
Notes: The AION 921ABB is a VCO-bank with two variable waveform generators which produces frequencies ranging from sub-audio (LFO) to 40.000 hz. Four waveforms are available: sine, triangular, sawtooth and rectangular (with variable duty cycle A.K.A. pulse width modulation).
Both oscillators are controlled by the driver on the left side of the module. 3 control inputs for frequency and 2 control inputs for PWM, as well as manual operation for frequency and pulse width. Each of the two oscillators has a frequency adjust pot, an octave switch, the 4 waveform outputs and one exponential and one linear input for frequency control. A switchable synchronization input for each oscillator completes the operability.

Frequency range:
0.01 hz - 40.000 hz

Range switch:
sub audio - 0.01 - 400 hz
audio - 1 - 40.000 hz

Scale switch:
2 or 12 octave frequency span.

Specifications:
Power: +12V (45mA) -12V (45mA)
Depth: 40mm
Doepfer compatible
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MRP:$725.74 SAVE 19%
 1 in stock $584.90
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quote 780127
Cat: 780146 Rel: 07 Jul 20
 
Noise & filters module
Notes: The AION MODULAR 923 Noise/Filters is an Eurorack clone of the classic Moog Modular 923.

The 923 Noise/Filters module provides a white noise and a pink noise source along with a manual Lowpass and a 6dB Highpass filter.

The two manual sweep filters, are single pole circuits with a frequency cutoff slope of 6dB per octave and a frequency range of 10Hz to 10KHz.

Any kind of noise color can be achieved using the white noise and filters together.

Specifications:
Power: +12 (35mA), -12 (35mA)
Depth: 40mm
Doepfer compatible
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MRP:$251.12 SAVE 20%
 1 in stock $201.94
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Cat: 780106 Rel: 07 Jul 20
 
Four channel mixer module
Notes: The 984 Four Channel Mixer is an AC coupled 4-input, 4-output matrix with bass and treble tone controls for each output channel. Each input has a separate attenuator for each of the four channels. Thus a mixer of 16 input attenuators provides maximum channel separation, or variable combinations of volume balance. Tone controls for each of the output channels can attenuate or emphasize bass or treble signals. Flat signal response is archieved with the control settings kept at "5" on the potentiometers. These are 2-pole active tone controls.

Input Impedance: 25k ohms
Output Impedance: 5k ohms
Inputs: Four input potentiometers per channel
Outputs: Four
Frequency Response: Audio only, AC couplet, DC and Low Frequencies are blocked.

Specifications:
Power: +12 (45mA), -12 (45mA)
Depth: 40 mm
Doepfer compatible
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MRP:$639.10 SAVE 19%
 1 in stock $515.84
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Cat: 780121 Rel: 07 Jul 20
 
Filter & attentuator module
Notes: The 991 contains 2 passive filters, one 6dB High Pass Filter and one 6dB Low Pass Fillter switchable in 6 positions. On the lower part of the module one finds an Attenuator. No power is required.

Specifications:
Depth: 30 mm
Doepfer compatible
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MRP:$190.85 SAVE 19%
 1 in stock $153.80
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quote 780121
Cat: 780130 Rel: 07 Jul 20
 
Attenuator module
Notes: The 995 Attenuator panel consists of three "passive circuits", each made of a 25k potentiometer between input and output. The signal input to the top attenuator is chained to the bottom two in series. Introduction of a plug into middle or bottom input breaks the normalling system: 1 to 1-2-3, 1-2 to 2-3, 1-2-3 to 1-2-3.
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MRP:$111.75 SAVE 19%
 1 in stock $89.98
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quote 780130
Cat: 780123 Rel: 07 Jul 20
 
Mixer module
Notes: The CP3 module is a 4 x 1 mixer with positive and negative outputs and a maximum gain of two. This mixer can combine both AC and/or DC voltages. The module has a switch which, in the ON position, allows unwanted spikes to be removed from the waveforms. There is also a passive multiple.

Input Impedance: 25k ohms
Output Impedance: 100 ohms
S/N Ratios: better than 60dB
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MRP:$323.94 SAVE 20%
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quote 780123
Cat: 777032 Rel: 26 Jun 20
 
filter module
Notes: Genuine EMS synthi filter, with redesigned faceplate!

This legendary filter can be switched between pre1974 and post 1974 filter type and response. For the first time response can be voltage controlled which was designed on the circuit board but not available on the matrix. This module is made under license from EMS. The only officially licensed remake of the EMS diode lowpass filter used in the VCS3 and AKS synths. It´s a faithful recreation of the original circuit, featuring some modifications that are also done on vintage EMS equipment, like a switchable faster CV response option for very quick modulations. Another switch determines if the filter has 18dB/oct slope as used by EMS pre-1974 or 24dB. The cutoff frequency and also the resonance are voltage controllable. Signal inputs and outputs have level controls.
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MRP:$263.68 SAVE 16%
 1 in stock $220.77
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quote 777032
Cat: 777036 Rel: 02 Jul 20
 
LFO/envelope generator module
Notes: The Synthishaper module is made under license of the EMS and is a remake of the EMS envelope shaper known from VCS3, Synthi A and AKS.

It is a very unique modulator which can be used as a trapeze or triangle shape LFO and/or a attack-hold-decay envelope generator. For the real EMS feeling combine the 500e Filter with the 510 Trapezoid. The Trapezoid Generator has Attack, On, Decay, Off parameters. The "Off" parameter can determine a amount of time until the envelope can be re-triggered. A very short "off" time will make the unit loop, changing it into a LFO. VC of Decay time, Gate input and a manual trigger button. Two signal outputs that can be adjusted in level in polarity with one common knob. Additionally the module has an internal VCA which explains the Signal in- and output and is being controlled by the trapezoid signal.
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MRP:$341.52
 1 in stock $310.75
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quote 777036
Cat: 776867 Rel: 26 Jun 20
 
oscillator module
Notes: The RS-95N oscillator is a premium, british sounding VCO with waveshaping possiblities. It has a new front panel design with elongated holes.

It is based on the RS-90 but has more features, predominantly a very special sine wave.

The RS-95N presented here is technically identical but instead a normal frequency control it features a gorgeous, lockable potentiometer with ten turns. This allows precise fine tune control and adds the look of an EMS synthesiser to the VCO.

The module has three audio outputs: pulse, triangle and sine.

The upper shape control affects the pulse width. The lower shape control not only morphs from a falling sawtooth over triangle to a rising saw (or ramp) but simultaneously alters the sine wave and produces a kind of smoothed, softer sawtooth. Additionally the saw/sine output is a CV-INPUT for the symmetry of the sine. Very extraordinary feature that all are voltage controllable.

The oscillator sync is "soft" and not only reacts to square waves but works with all waveforms.

The frequency control has three switchable modes:

STD (standard) with a range of two octaves.
2 is two octaves lower than STD.
WIDE mode gives a range from 0.3 Hz - 17kHz and thus allows use of the RS-95 as VC-LFO with waveshaping options!
The "vary" control not only attenuates but also can amplify the pitch CV. It controls linearly from 0V over 1V/oct to 0.4 V/oct.
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MRP:$313.90 SAVE 17%
 1 in stock $261.58
Cat: 772856 Rel: 19 Jun 20
 
dual VCA module
Notes: This is the Behringer SYSTEM 100 130 DUAL VCA. An authentic reproduction of the original System 100M circuitry from the 80's that can fit in a standard Eurorack case- at a very affordable price. Mix the 130 DUAL VCA in with your existing rig or start your modular synth journey from here.

Each VCA in the 130 DUAL VCA comes equipped with three Sig In signal input jacks with their own gain controls. These inputs can accept audio signals via a 3.5 mm jack. The VCA's in the 130 also have a manual gain control, a low and high output as well as signal and clip indicators to keep an eye on your signal's levels. The low output can be connected to guitar amplifiers or mixers while the high output can connect to line level inputs in mixers or powered speakers. The outputs can be further modified to be linear or exponential via a switch located next to the gain knob.

The 130 DUAL VCA can also accept signals from other modules via the 3.5 mm Mod In jacks to shape the waveforms of the Sig In signals. These inputs have also have their own Mod In Knobs that control the amount of signal that goes through the Mod In jacks.

Installing the 130 DUAL VCA is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 130 to be mixed with other synth modules for a truly unique set up.
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 1 in stock $103.57
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quote 772856
Behringer 902 VCA Module (eurorack module)
Cat: 772937 Rel: 19 Jun 20
 
VCA module
Notes: Enter the Behringer 902 VOLTAGE CONTROLLED AMPLIFIER. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 series attenuators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 902 module features two signal inputs and two signal outputs that can be used to amplify two sources, either audio or control voltage, at the same time via a 3.5 mm connector. A rocker switch allows you to toggle between linear and logarithmic response modes while you can manually set the control voltage with the Fixed Control Voltage knob. Control inputs at the bottom of the module can accept control voltage signals from other modules to be change the amplification level.

Installing the 902 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 902 to be mixed with other synth modules for a truly unique set up.
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 5 in stock $55.45
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quote 772937
Cat: 772780 Rel: 19 Jun 20
 
low pass filter module
Notes: Enter the Behringer 904A VOLTAGE CONTROLLED LOW PASS FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55, 35 & 15 Series from the 70s used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55, 35 & 15 Series from the 70s used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 904A VOLTAGE CONTROLLED LOW PASS FILTER features a cutoff frequency knob that lets you decide which frequencies to attenuate. The resulting frequency is determined by this knob giving you the ability to change your sound with one turn.

Three Control Inputs plus audio ins and outs are available to send the processed signal to other modules and to connect voltage signals from other modules to affect the cutoff frequency.

The 904A VOLTAGE CONTROLLED LOW PASS FILTER provides you control of the resulting frequency and internal feedback with the Fixed Control Voltage and the Regeneration knob. A switch also allows you to command the frequency range by letting you decide which frequency band you want to operate in. This gives you real-time access to all important parameters with one module.
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 7 in stock $102.53
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quote 772780
Cat: 772936 Rel: 19 Jun 20
 
envelope generator module
Notes: Enter the Behringer 911 Analog Envelope Generator. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 series envelope generators used by the world's most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth to complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 911 Module allows you to create a deeply contoured signal with its 4 independent controls for Attack (T1), Decay (T2), Release (T3) and Sustain levels from 0 to +5 Volts. Create snappy and percussive sounds or long evolving drones perfect for a funky groove or a brooding soundtrack to your latest cyberpunk epic.

For a more flexible setup, the 911 features a trigger input where you can connect an external trigger system like a keyboard via a 3.5mm TS cable as well as an output to send the envelope to another module

Installing the 911 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 911 to be mixed with other synth modules for a truly unique set up.
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 8 in stock $50.21
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quote 772936
Cat: 773000 Rel: 19 Jun 20
 
dual trigger delay module
Notes: Enter the Behringer 911A DUAL TRIGGER DELAY. An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 911A comes with two delay triggers with their own delay time controls ranging from 2 ms up to 10 seconds and their own 3.5 mm S-Trig ins and outs. Connect the 911A to the Behringer 911 ENVELOPE GENERATOR module and turn your Attack/Decay/Sustain/Release (ADSR) module into a Delay/Attack/Decay/Sustain/Release (DADSR) module. Rather than just playing the note when the signal is triggered, the 911A creates a nice volume swell effect, rising from 0 until the peak volume then going through the rest of the phases set in the envelope generator.

The delays in the 911A can be coupled in three different ways. In the Off setting, the delays are triggered separately via the trigger inputs. In Parallel mode, the trigger connected to the input at the top section will activate both delays at the same time. Switching the knob to Series will trigger the top section first then the lower section after.

Installing the 911A is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 911A to be mixed with other synth modules for a truly unique set up.
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 More than 10 in stock $59.63
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quote 773000
Cat: 772998 Rel: 19 Jun 20
 
oscillator driver module
Notes: Enter the Behringer 921A OSCILLATOR DRIVER. An authentic reproduction of the circuitry from the Modular 55 and 35 series oscillator drivers used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 921A OSCILLATOR DRIVER module features a frequency knob that can adjust between either octave or semitone frequencies. The included rocker switch can be used to select between the two frequency types. The width of the rectangular wave is adjusted via a control knob that goes from 10% up to 90%. You can also connect any incoming control voltage or modulation signal into either of the 3.5 mm Frequency or Width inputs.

The 921A not only controls just one 921B Oscillator, but 12 of them- providing you with more flexibility and more nuanced waveforms.

Installing the 921A is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921A to be mixed with other synth modules for a truly unique set up.
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 8 in stock $81.60
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quote 772998
Cat: 772888 Rel: 19 Jun 20
 
sequential switch module
Notes: Enter the Behringer 962 SEQUENTIAL SWITCH Module. An authentic reproduction of the discrete circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 962 is used as a latch, shifter and signal selector. Depending on the number of input jacks plugged into the module, the 962 can alternate between two or three signal inputs. It can also be used to expand the Behringer 960 SEQUENTIAL CONTROLLER from an 8-step sequencer up to a 24-step sequencer.

The 962 SEQUENTIAL SWITCH features 3-channel V-Trig inputs for selecting CV input channels and separate V-Trig outputs per channel. Triggers from other modules can be connected via 3.5 mm cables and can be manually selected with the Trigger buttons.

The SIG IN jacks are what allow the 962 to alternate between inputs. Connect an input signal to input 1 or 2 and the 962 will alternate between these two inputs. If all three inputs are used, then the module will automatically alternate between the three stages.

Installing the 962 SEQUENTIAL SWITCH is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 962 SEQUENTIAL SWITCH to be mixed with other synth modules for a truly unique set up.
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 8 in stock $50.21
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quote 772888
Cat: 772814 Rel: 19 Jun 20
 
Control voltages module
Notes: Enter the Behringer 992 CONTROL VOLTAGES Module. An authentic reproduction of the circuitry from the Modular 55 & 35 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 992 CONTROL VOLTAGES features 4 channels for CV signals routing to the 904A LPF module. This allows your sound to be freely connected/disconnected with a flip of a switch. Putting the switch in its up position means that you are allowing your signals to connect to other modules and vice versa.

An external input is available If you have an additional input you want to connect to the 992 CONTROL VOLTAGES module. And with the inverting Attenuator knob, you can adjust the CV level of this signal by turning it clockwise to adjust the CV level from 0 to 10 or counterclockwise to change it from 0 to -10.

3 switched and summed CV inputs are present for the frequency control of VCF modules which can be connected via 3.5 mm TS cables. The 992 CONTROL VOLTAGES allows you to send out the combined voltage from all 4 inputs via 3 parallel CV outputs; which can drive multiple 904A LPF and 904B HPF modules for an unlimited number of sonic combinations.

Installing the 992 CONTROL VOLTAGES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 992 CONTROL VOLTAGES to be mixed with other synth modules for a truly unique set up.

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 9 in stock $48.13
Cat: 772983 Rel: 19 Jun 20
 
condenser microphone
Notes: The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level.

The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy.

Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack.
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 More than 10 in stock $54.41
Cat: 772818 Rel: 19 Jun 20
 
attenuators module
Notes: Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - 8 to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.

Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!

Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.
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 1 in stock $79.52
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quote 772818
Cat: 772823 Rel: 19 Jun 20
 
oscillator controller module
Notes: Enter the Behringer CP3A-O OSCILLATOR CONTROLLER module. An authentic reproduction of the circuitry from the Modular 55 and 35 series mixers used by the world's most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The CP3A-O Module features 4 routing switches that enable you to send Control Voltages to one or more oscillators. Switches 1 to 3 are connected to Control Inputs 1, 2 and 3; switch 4 can be used to route an external Control Voltage signal via a 3.5 mm TS plug and can be controlled by an attenuator knob.

You can route up to three external control voltage signals to any of the three summed Control Inputs. Signals from these inputs can be combined by flipping any of the matching routing switches on. The parallel jacks at the bottom will route the final combined voltage signal to any module they're connected to. A great way to utilize the CP3A-O is to have it drive multiple 921A or B oscillator modules which can allow you to create more intricate patches and hours and hours of fun.

Installing the CP3A-O is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the CP3A-O to be mixed with other synth modules for a truly unique set up.
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 9 in stock $44.99
Cat: 688736 Rel: 19 Jun 20
 
Analog semi-modular synthesiser based on Korg's legendary MS20
Notes: Channelling the Korg MS20, Behringer serve up a desktop module with attitude. Semi-modular design plays nicely with Eurorack gear to add a dose of the aggro MS sound to your rig.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the K-2 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 4 selectable waveforms each, plus extremely flexible VCF and VCA filters, the K-2 is sure to become your favorite keyboard. Owning the K-2 is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Your K-2 comes ready to rock, thanks to its default signal routing that doesn't require lifting a single patch cable to instantly create amazing sounds. The semi-modular architecture lets you easily tap into the inspired sounds of 1980s and '90s progressive rock, wave, EDM and synth-pop music synthesizer tracks that made rock and roll history - or to design incredibly fat and original sounds that will make you a legend in your own right!

The very heart of K-2's sound is its versatile 6 dB High/12 dB Low filter, which lets you freely experiment with the High and Low-Pass Cutoff Frequencies and their respective peak (resonance) settings to dial in the perfect sound. The high-pass filter sets the level of signals below the cutoff frequency, effectively reducing the fundamental and lower-order harmonics levels. The low-pass filter controls the level of signals above the cutoff, which reduces higher-order harmonic content. K-2's VCF Peak controls provide emphasis to the signals at the crossover frequency.

K-2's authentic Voltage Controlled Oscillators (VCOs) provides an incredible range of 4 variable oscillator shapes with variable pulse widths and ring modulation for the ultimate in sound creation. VCO 1 waveform choices include triangle, reverse-sawtooth, noise and pulse, where the pulse width can be adjusted from square wave to narrow across a 4-octave range (32', 16', 8', or 4'). VCO 2's waveform can be selected from reverse-sawtooth, square, narrow pulse and ring, where both oscillators are operating. VCO 2's pitch can also be varied independently across a 4-octave range (16', 8', 4' and 2'). The VCO Mixer allows you to adjust the levels of VCO 1 and VCO 2 to create an overall mix and a wide range of amazing effects.

K-2's Low Frequency Oscillator (LFO), the Modulation Generator, features a selectable Waveform (reverse sawtooth, triangle, sawtooth) with a sweepable frequency range from 0.1 to 22 Hz - and 2 separate Envelope generators to help you craft incredible sounds! Envelope Generator 1 affects the frequency modulation via controls for Delay, Attack and Release Time, while generator 2 adjusts the cutoff frequency modulation, as well as amplitude modulation of the Voltage Control Amplifier (VCA). Dials for this generator include Hold, Decay, Attack, Sustain, and Release for unparalleled envelope-shaping control.

While it is a monophonic instrument (one note at a time), K-2's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.

Designed to handle the rigors of life on the road or in the studio, your K-2 can easily be transferred into a standard Eurorack case for the perfect integration into your existing system.

For those who want the numbers, K-2 has 36 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand K-2's tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices at virtually any point in the signal path!
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 More than 10 in stock $294.01
Cat: 688722 Rel: 19 Jun 20
 
analog synthesiser
Notes: Blue version of Behringer's tribute to the legendary Roland SH-101. Classic Roland-inspired 80s analogue sound with a gorgeously squelchy resonant filter and powerful oscillator with beefy sub.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BU is sure to become your favorite keyboard. Owning the MS-1-BU is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the MS-1-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BU lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

MS-1-BU's authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.

The very heart of MS-1-BU's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BU's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

MS-1-BU's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BU are fun, mesmerizing and totally addictive.

When you're ready to strut your stuff and get a little centerstage time, the MS-1-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level.

In addition to the great sound-sculpting features already mentioned, the MS-1-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BU's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually - for sounds ranging from mild to wild!

For those who want the numbers, MS-1-BU has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.

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 More than 10 in stock $301.33
Cat: 688717 Rel: 19 Jun 20
 
analog synthesiser
Notes: Inspired by the amazing Roland SH-101, Behringer's MS-1 is a peach of an analogue mono synth, excelling at deep, elastic basslines but also amazing for arps, leads and FX.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BK lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BK is sure to become your favorite keyboard. Owning the MS-1-BK is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the MS-1-BK, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BK its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BK lets you recreate all of that magic - or design incredibly fat and original sounds.


The very heart of MS-1-BK's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BK's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

MS-1-BK's Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.

MS-1-BK's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BK are fun, mesmerizing and totally addictive.

When you're ready to strut your stuff and get a little centerstage time, the MS-1-BK has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level.

In addition to the great sound-sculpting features already mentioned, the MS-1-BK has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BK's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually - for sounds ranging from mild to wild!

For those who want the numbers, MS-1-BK has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.
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 More than 10 in stock $311.80
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quote 688717
Cat: 688740 Rel: 19 Jun 20
 
analog synthesiser
Notes: Behringer's tribute to the ARP Odyssey is a pleasingly retro instrument. Fully analogue duophonic goodness with that classic tough ARP sound, great for bass and leads.

Supplier notes:
An ultra-affordable homage to the legendary ARP* synthesizer of the '70s and beyond with all the features of the original and then some including: dual VCOs; 32-step sequencer with onboard storage; arpeggiator and world-class Klark Teknik FX that boast reverb, chorus, flanger, delay, pitch shifter and multi-effects, the ODYSSEY lets you conjure up virtually any sound with incredible finesse and ease. With its 37 semi-weighted full-size keys, pure analog signal path based on authentic VCO, VCF and VCA designs from the '70s, the ODYSSEY is sure to become your favorite keyboard. Owning the ODYSSEY is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the ODYSSEY, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the ODYSSEY its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1970s are etched in the annals of progressive rock, disco and synth-pop music forever, making them truly classic in every sense of the word. The ODYSSEY lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

ODYSSEY's 2 voices are the product of dual analog Voltage Controlled Oscillators (VCOs), which each provide your choice of: sawtooth, square/pulse with pulse-width modulation, or sine/square wave LFO for sculpting the perfect sound. This amazing flexibility gives you the tools needed to be your creative best.

The very heart of ODYSSEY's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: Frequency; Resonance (0 to self-oscillation); and High Pass Filter (HPF) Cutoff Frequency. A feature missing from the original is a new 3-position switch, which lets you choose the VCF filter you prefer from all 3 iterations of the famous synth: 2-pole MKI (4023); 4-pole MKII (4035); and 4-pole MKIII (4075), plus a Drive switch to add a touch of edge to your sound.

ODYSSEY features two easy-to-use Envelope Generators, AR (Attack and Release) and ADSR (Attack, Decay, Sustain and Release) with 2 and 4 faders, respectively to help you craft incredible sounds. Switches are provided for ADSR Gate/LFO Repeat, AR Gate/LFO Repeat or thirdly, Keyboard Repeat/Auto Repeat - which provides a wide range of performance options.

ODYSSEY's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or in Step mode, which allows you to interact while composing the pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the ODYSSEY are fun, mesmerizing and totally addictive.

For those who want the numbers, ODYSSEY has 35 sliders, 25 switches and 3 pressure-sensitive buttons, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI In and Out over USB/MIDI DIN; Pedal; Portamento Footswitch; Low and High Outputs; External Audio In; CV In and Out; Gate In and Out, and Phones with a dedication Volume control.

In addition to the great sound-sculpting features already mentioned, ODYSSEY has still more to offer. There's the pink/white noise generator with sample & hold plus lag processor; Portamento, which lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate; and the 3 pressure-sensitive buttons for pitch and modulation control that provide a total hands-on performance. ODYSSEY is the ideal tone-making machine for creating sounds that run the gamut - from mild to wild!
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 More than 10 in stock $401.79
Cat: 772857 Rel: 18 Jun 20
 
analogue synthesiser
Notes: The Octave Cat isn't the best known synth that Behringer have turned their attention to, but it's well worth a look. Similar in approach to the Odyssey but with an even broader sonic range, going from warm and fat to tough and edgy.

Supllier notes:
Great care has been taken in engineering the CAT, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs that come together to recreate classic tones that are evocative of classic electronic music. This highly-focused attention to detail is what gives the CAT its ultra-flexible sound shaping capability. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads - and all the way to full on dreamy ambience from the far reaches of your imagination.

The synthesizer tracks laid down in the 1970s and 80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists.

The CAT has the ability to accept any keyboard controller via MIDI. The signals generated can be tweaked via the Pitch Bend slider which can bend a note up or down one octave. Bump this up to two octaves by flipping the Octave Shift switch up or down. Use the Glide slider to change how fast a note transitions to another; up is faster, down is slower. Combine that with the LFO Freq slider to control the LFO and ADSR repeat tempo and you can create some amazing pulsating portamentos.

The very heart of the CAT's sound is its two VCOs. The Duophonic/Paraphonic nature of the CAT allows both oscillators to be controlled independently. Use the Fine and Coarse Frequency controls to tune VCO1 to VCO2. Keyboard control on the CAT can be set to either Mono or Poly. Poly mode lets VCO1 generate the highest note played on the keyboard while VCO2 handles the lowest allowing two notes to be played simultaneously. Setting the switch to Mono mode makes VCO1 generate the lowest note depressed on the keyboard.

Waveform switches on both VCOs allow different waveforms to be patched in from the LFO. Choose between Sine, Square, Sample and Hold and even pitch modulation through each VCO. Turning the Modulation Depth knobs in either direction controls the intensity of the effect. VCO2 also comes with a Sync switch that locks VCO1 with it and has them act as one huge oscillator to produce more complex waveforms and dramatic results. Mix VCO1 into VCO2 or vice versa and the CAT can produce some really tasty tones that make themselves at home in your next synth jam.

Each VCO on the CAT comes equipped with their own waveform sliders where you can adjust the volume of each type of VCO wave form. Pump up the Sub Octave, Sawtooth, Square, Triangle or Pulse waves or mix them all together and create some truly unique tones.

The CAT comes with another set of claws in the form of a VCF filter section. Here you can get more complex and robust tones by incorporating VCO1 into the mix. Introduce more waveforms and manipulate the Q slider to emphasize harmonics and Filter Cutoff slider which acts as a low-pass filter. Turn the CAT into a really funky bass machine or an out-of-this-world synth that creates some searing lead tones. You can even create some amazing drum sounds by manipulating the VCOs, VCF and ADSR.

The CAT features a whole slew of Inputs and Outputs that expand its capabilities beyond what you can see out of the box. You can route external control voltages to VCO1 or 2, the VCF and even pump in some external line-level audio into the CAT. You can even connect the CAT to other external synthesizers through the Gate, ADSR, AR or Keyboard Outputs. The CAT's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - and it provides vastly improved reliability and stability over its 1970s and '80s predecessors.

To give the signal even more character, you can use the CAT's Transient Generator to create a detailed voltage transient every time a key is depressed. Adjust the Attack, Decay, Sustain and Release via the matching sliders and to shape your signal. The AR transient generator works similarly to the ADSR but with less detailed control over the envelope. You can also set the ADSR to automatically repeat or only when a key is held down. The Sample and Hold switch can be set so the VCO1 setting is sampled or, when set to Noise mode, produce a random output pattern. Slide the LFO Delay control up or down to determine when the LFO will reach its maximum output after a key is depressed.

The CAT has 47 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation.
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 More than 10 in stock $280.41
Cat: 780211 Rel: 22 Jun 20
 
studio monitor
Notes: LYD 5, with its low-volume precision, is the ideal complement for any small studio set-up. It uses the same lightweight aluminium voice-coils in its handmade 5in MSP drive-units as our high-end hi-fi speakers, and pairs them with cutting-edge Class-D amplification as well as a 24-bit/96kHz signal path with advanced DSP.
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Cat: 780219 Rel: 22 Jun 20
 
studio monitor
Notes: The distillation of Dynaudio's extensive speaker knowledge in a compact two-way nearfield design. Bass response as low as 45Hz thanks to DSP bass extension.

Supplier notes:
This monitor uses sophisticated DSP to extend or its curtail low-frequency response by 10Hz, while Position and Sound Balance controls let you fine-tune for total neutrality in your environment. Its larger 7in woofer helps extend bass, while the low-mass aluminium voice-coil, vented ferrite magnet and MSP driver take care of precision.



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Cat: 780221 Rel: 02 Jul 20
 
Studio monitor
Notes: Larger version of Dynaudio's clever LYD series, combining DSP features with the brand's extensive analogue knowledge to create a mid-priced studio monitor with great performance.

Supplier notes:
Precision, power- and properly honest reproduction. With a pair of LYD 8s taking charge of your music, you can be assured a pitch-perfect performance.

With its 8in MSP woofer and state-of-the-art DSP, LYD 8 provides the kind of performance, precision and bass heft that dreams (and maybe hit albums) are made of. Like the rest of the range, these nearfield monitors let you tune their sound for their position in the room, feature handmade drivers, and contain advanced Class-D amps.
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Cat: 781143 Rel: 14 Jul 20
 
Distortion pedal
Notes: The Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!

Since tone is in the hands, the controls of the Acapulco Gold are as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That's it. The rest is at your fingertips. Want less gain? Turn down your guitar's volume knob. Need a darker rhythm tone? Roll back your guitar's tone control. Easy, right?

Big Knob: The big knob sets the output level, sometimes known as Volume. PLEASE BE CAREFUL, the Acapulco Gold is extremely loud!

With your guitar's volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone.

How about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist!

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 18 mA

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 1 in stock $125.55
Cat: 781152 Rel: 14 Jul 20
 
Eurorack module
Notes: The Afterneath Eurorack Module brings the Otherworldly sounds from the effects pedal world right into your modular synthesizer with an expanded feature set. The Afterneath module features one main audio input, one main audio output, an audio send and return for the Reflect feedback path, and nine controls. Four of the parameters are controllable via CV, and each has been equipped with a dedicated attenuverter to process the incoming CV. The Afterneath module has a completely analog dry signal path and a totally digital wet signal path.

1. Input: Adjusts the level of the incoming signal to allow for signals ranging from instrument-level (clockwise) to modular-level (counterclockwise).

2. Dampen: Controls the tone of the wet signal. Clockwise for darker tones, counterclockwise for brighter tones.

3. Reflect: Controls the regeneration of the reverb, turn clockwise for more wash and echoes, counterclockwise for less. This will self-oscillate if turned up high. Acts as an attenuator when there is a signal patched into the Reflect Return jack.

4. Mix: Controls the amount of wet signal that is mixed with the dry signal. Though it does not actually go completely wet, you can achieve a fully wet signal by engaging the Dry Kill switch.

5. Dry Kill: Eliminates the dry signal from the output, leaving only the wet signal.

6. Drag: This digital reverb is made up of a bunch of short delays, Drag separates the delay lines creating a stuttering, pingy effect. This is the coolest control on the Afterneath; we highly advise slowly turning (or modulating) this while you let notes ring out for a cool warped speed effect. The effect is more delay-like as you turn it counterclockwise, and it is more reverb-like as you turn it clockwise. You will achieve shorter delay times as you move the control clockwise, and longer delay times when you turn the control counterclockwise. You will notice a change in pitch when adjusting this control with sound present in the effects buffer, or when the effect is self-oscillating.

7. Mode: Controls the behavior of the Drag control as well as how it responds to control voltage. There are 9 different modes (see the following Modes section for explanations).

8. Diffuse: Smooths and diffuses the delay repeats. Sharper transients with more attack counterclockwise, more ambient, reverb-like and washy as you turn it clockwise.

9. Length: Controls the decay length of the reverb.

10. Mode LED: Visually indicates the current mode.

11. Drag CV Attenuverter: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o'clock position.

12. Mode CV Attenuverter: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o'clock position.

13. Diffuse CV Attenuverter: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o'clock position.

14. Length CV Attenuverter: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o'clock position.

15. Drag CV Input: Allows modulation of the Drag control using external CV.

16. Mode CV Input: Allows modulation of the Mode control using external CV.

17. Diffuse CV Input: Allows modulation of the Diffuse control using external CV.

18. Length CV Input: Allows modulation of the Length control using external CV.

19. Audio Input: Accepts audio signals ranging from instrument-level to modular-level, using the Input knob to adjust the level.

20. Reflect Send: Allows external patching and processing of the Reflect feedback path. Patching from this output does not interrupt the internal feedback path.

21. Reflect Return: Allows return of the externally patched and processed Reflect feedback path. Also, it can be used as an additional audio input if you wish to forgo the feedback. The Reflect knob acts as an attenuator for the audio that is patched to this input. Please note that processing of the Reflect feedback path can easily result in self-oscillation when processing with effects such as distortion or a resonant filter. The Reflect knob can be used to compensate for this factor. Patching a cable to this input will disconnect the internal feedback path, but the Reflect Send will still be active.

22. Audio Output.
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Cat: 781154 Rel: 14 Jul 20
 
Vibrarto pedal
Notes: Aqueduct is a vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind's eye.

Controls
The controls are simple. Rate (1) adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth (2) controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode (3) selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation and make Aqueduct adaptable to nearly any musical situation.

Modes
Sine: The smoothest and most subtle of all waveforms, sine waves are most commonly associated with classic amp-like vibrato. Plug in, turn on, and commence the Chooglin'.

Triangle: Triangle waves have a sharper rise and fall than sine waves with a more pronounced pitch bend at the peak of each LFO cycle.

Ramp: Like a triangle wave with a twist. The Ramp waveform has a sharp sonar pulse followed by a rapid downward slope with a synthesizer-like sustain and release. This is where things start to get a little weird.

Square: Square waves are the most rigid and abrupt of the waveforms. Rather than gliding smoothly between pitches, square waves produce an instant on-or-off transition between notes. Use this mode for trills when you get tired of doing hammer-ons and pull-offs.

Random: This waveform isn't a waveform at all as much as it's a drunken master of modulation who slurs your notes into an unpredictable assortment of greasy pitch-bends before disappearing at last call and leaving you stuck with the tab. It has a "warped record" effect at low Depth settings and becomes sloppier and more randomized as you increase the Depth control.

Env D: This is Envelope-Controlled Depth mode. The waveshape is set to a sine wave, the speed of which may be adjusted using the Rate control. The Depth control sets the sensitivity of the envelope - the point at which the effect kicks in as you play. In this mode, your pick attack sets the intensity of the modulation. The harder you dig in, the more pronounced the effect. Try it during your next motorik jam.

Env R: This is Envelope-Controlled Rate mode. In this mode, the input level (i.e. pick attack) controls the LFO rate. The LFO uses a sine waveshape. Play harder for faster modulation or lay low for slower modulation speeds. The Rate control adjusts the sensitivity of the envelope. Depth selects the LFO intensity.

Env P: This is Envelope-Controlled Pitch mode, which has been lovingly nicknamed "The My Bloody Valentine setting". If your instrument doesn't have a tremolo bar, it does now. In this mode, the LFO is set to a sine waveshape, and frequency modulation is controlled by the dynamics of your pick attack and not the LFO. Do yourself a favor and try this one with Flexi-Switching™.
Depth sets the wet/dry mix. This is the only mode that contains a wet/dry mix and may be set to taste to create touch-sensitive dynamic vibrato, chorus, flanger, or tactile pitch drops. Full counterclockwise is all dry, full clockwise is all wet. With this control set to noon you will get a 50/50 mix with a small amount of phase cancellation.
Rate sets the sensitivity and overall range of the pitch bend.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 68 mA

Input Impedance: 1 MO

Output Impedance: <10 kO
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quote 781154
Cat: 781496 Rel: 14 Jul 20
 
Arpeggiator pedal
Notes: Welcome to the first dedicated compact polyphonic pitch arpeggiator effect pedal for electrical guitar! What does the Arpanoid do? The Arpanoid takes whatever you play and transforms it into an adjustable ascending or descending scale. It features 8 intuitive and expandable modes and will work on complex chords as well as single notes in any key. The Arpanoid has an all analog dry signal, all digital wet signal and true bypass switching. Like all EarthQuaker Devices pedals, this dude is handmade one at a time in sunny Akron Ohio.

1. Rate: Adjusts the speed of the sequence.

2. Up/Up-Down/Down Toggle: Switch to control the direction of the sequence. All the way left is up, the sequence will continually repeat going up. In the middle is up/down, the sequence will continually repeat going up then back down. All the way right is down, the signal will continually repeat going down.

3. Step: Selects how many notes there are in the sequence.

4. Wet: Level control for the effect signal. Unity is around noon.

5. Mode: 8 position selector switch to choose the octave and key:

Major: -1 octave to root.

Major: root to +1 octave.

Major: -1 octave through +1

Major: Random pattern

Minor: -1 octave to root.

Minor: root to +1 octave.

Minor: -1 octave through +1

Minor: Random pattern

6. Dry: Level control for the dry signal. Unity is around noon.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 65 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are generally recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!
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MRP:$287.53 SAVE 22%
 1 in stock $222.86
Cat: 781561 Rel: 14 Jul 20
 
Pre-amp booster pedal
Notes: The Arrows is an all-discrete tone sculpting preamp booster. It was designed with the intention of adding an additional channel of gain to all your dirt pedals as well as brightening up neck pickups. It boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Its simple interface is no nonsense; a single control that will either boost or cut your signal. Use the Arrows to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz. All analog, true bypass and handmade one at a time in the weird pit of Akron, Ohio.

Level: Adjusts Arrows output level. Clockwise is loud, counterclockwise is quiet.

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are generally receommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 8 mA
Input Impedance: 10 MO
Output Impedance: <10 kO
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Cat: 781605 Rel: 14 Jul 20
 
Octave synth pedal
Notes: The Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of olde tyme synths.

Controls:
1. Level: Master volume

2. Filter: Tone control more highs clockwise, more warmth counterclockwise

3. Base: Squared input signal level

4. Sub: Two octaves down level

5. Down 1: One octave down level

6. Up 1: One octave up level

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 25 mA
Input Impedance: 50 kO
Output Impedance: <500 O
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Cat: 781647 Rel: 14 Jul 20
 
Reverb pedal
Notes: You hear that EVP? It's the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is Earth Quaker's spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms - 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you'll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient "depth" that fattens up the sound - and look out, it's right behind you!

Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix.

Controls:
1. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.

2. Dwell: Adjusts the length of the decay. This will start to self oscillate around 3 O'clock, the pitch of the oscillations can be changed by turning the Attack control.

3. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.

Tech Specs:
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 86 mA
Input Impedance: 10 MO
Output Impedance: 1 kO
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Cat: 781683 Rel: 14 Jul 20
 
Dual fuzz pedal
Notes: The Hoof Reaper features Earth popular Hoofr and Tone Reaper fuzz pedals in one handy enclosure with the added bonus of an old school analog octave up. It was originally released as a special limited run item back in 2010 and demand was so high that Earth Quaker decided to reintroduce it back into their line. Capable of creating everything from subtle octave-up overtones through crushing octave squalls that simulate exploding stacks of amps. Each effect can be used individually as well as in series but the order of effects is preset for optimum performance.

Controls:
Hoof
1. Level: Controls the output volume

2. Fuzz: Controls sustain and gain

3. Tone: Treble to the right. Bass to the left

4. Shift: Controls the mid frequencies. More pronounced to the left. Scooped to the right.

Tone Reaper
5. Level: Controls the output volume

6. Fuzz: Controls the sustain and nature

7. Tone: Treble to the left. Bass to the right

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 18 mA

Hoof
Input Impedance: 130 kO
Output Impedance: <10 kO

Tone Reaper
Input Impedance: 47 kO
Output Impedance: <1 kO

Octave
Input Impedance: 160 kO
Output Impedance: <10 kO
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