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Home  Four Weeks  Studio Equipment  Studio Equipment
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Analog Cases Akai Professional APC64 Pulse Case
Cat: 1001821 Rel: 14 Jun 24
 
Case designed to fit the Akai Professional APC64
Notes: The PULSE case is the perfect case for your Akai APC64: an ideal travel solution for mobile producers and musicians.

PULSE cases are made of rigid moulded EVA material that is durable and lightweight, while providing excellent protection. The 100% premium materials include a ballistic nylon exterior, super-soft velvet interior, and an ultra-smooth zipper.

With a spacious storage pocket for cables, and a comfortable handle, this case comes equipped with all the features you'll need for travel. Ultra-compact and totally flat, it can also pack easily into your backpack, carry-on, or a larger flight case.

PULSE Case For Akai APC64
Perfect fit for the Akai APC64
Rigid moulded case that provides excellent protection
Super-soft velvet interior and spacious pocket for cables
Compact and lightweight

Specifications

Perfect fit for your Akai APC64
Versatile and lightweight
Spacious and comfortable handle
High-quality Analog Cases logo zipper puller
Exterior Dimensions: 17.90 x 13.20 x 2.00 Inches

***Please note: the APC64 is not included, it is shown in the pictures for demonstration purposes only. ***
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 1 in stock $59.16
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Analog Cases Trakpack Producer & DJ Backpack
Cat: 1007639 Rel: 14 Jun 24
 
Backpack designed for producers & DJs
Notes: Introducing the TRAKPACK: the ultimate backpack for producers, DJs and creatives.

This rugged and spacious bag delivers maximum versatility, with 3 storage layers and 11 pockets. The separate padded layers protect your gear, and are precisely designed to fit the top production tools.

With interior dimensions of 19.1" x 12.6", the TRAKPACK's largest storage layer offers a massive 5" of depth for your sampler, mixer, DJ controller, or vinyl records. It's a perfect fit for the MPC Live 2 or Push 3, and can also fit up to 5 smaller machines like the Digitakt or SP-404.

The 2nd layer is 3" deep, and can hold other large drum machines and synths, and the 3rd layer has a laptop pocket with a soft velvet lining, plus extra space for your cables or iPad.

There are 5 interior pockets for organizing your accessories and FX, plus 5 exterior pockets that can fit headphones, audio interfaces, or even a MIDI controller keyboard. The exterior storage pockets are enhanced with an expandable design that can increase to a depth of 2.5".

With so much storage space available, this could be the only bag you'll need on the road. The premium materials include padded shoulder straps, cushioned back support pads, and a spacious and comfortable handle. There's even a luggage pass-through for attaching to your carry-on, and the straps can be detached and stowed when you're using this feature.

The TRAKPACK is engineered with a rigid structured frame, so the bag can rest in a standing position with total stability, and the waterproof zippers, ballistic nylon material, and shock-resistant rubber padding ensure complete protection for your gear
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 1 in stock $234.55
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Artiphon Corda USB-C MIDI Polyphonic Expression Controller/Synthesiser/Sampler (blue)
Cat: 970209 Rel: 03 Jun 24
 
A smart synth, looper and MIDI controller that adapts to the way you play: strum, tap, slide and tilt any sound in the world.
Notes: Chorda by Artiphon is a versatile, all-in-one musical instrument that combines the features of a guitar, piano, drums, and synthesizer - making it easy for anyone to create a wide variety of music. It's user-friendly, offering over 100 different sounds and touch-sensitive pads for expressive playing, ideal for both music enthusiasts and beginners.

An instrument built for you.

Chorda is the all-in-one instrument that adapts to the way you play. Whether you strum it like a guitar, play it flat like a piano, or hold it over your shoulder like a violin, Chorda will adjust to your style, making it the perfect instrument for both music enthusiasts and beginners alike.

Play every part of the song.

With Chorda's built-in synthesizer, you can easily create full songs by switching between the four instrument parts (Drum, Bass, Chord, and Lead) directly on the device. Each mode has unique capabilities, with hundreds of sounds to choose from.

Loop and layer.

Chorda's built-in looper lets you record and layer the four instrument parts, creating songs in seconds. Start with a drum beat, add a groovy bass line, throw in some angelic chords, and improvise a solo with a lead melody for as long as you want.

Adapts to the way you play.

Play Chorda like a guitar, flat like a piano, or hold it over your shoulder like a violin -- Whatever your style may be, Chorda will adjust to you.

Go beyond the touchscreen.

Use Chorda as a Bluetooth MIDI Polyphonic Expression (MPE) controller to take your production to new heights. Controlling your favourite music apps and software like Ableton, Garageband, Logic Pro, and more. You can even use MIDI to control your hardware instruments.

Smart playing modes

Chorda boasts a Strumable smart bridge, built-in arpeggiator, snap-to-grid and groove quantization, traditional set keys, an array of customizable settings, and effects to take your musical production to new heights!

Choose from hundreds of sounds.

Change sounds with the Artiphon Connect companion app. The app offers a diverse selection of over 100 sounds, drawing inspiration from various genres like Hip-Hop, EDM, Rock, and even traditional instruments such as violins and horns.

Or sample your own.

Create your own sounds and instruments with audio sampling in the app. Load them into Chorda, and it automatically adjusts to your chosen scale, allowing you to craft the perfect song with your own unique sounds.

On-the-go playing.

With Chorda's built-in speaker, onboard sounds, headphone jack, and rechargeable battery you can play anywhere creativity strikes.

Tech Specs

What's in the box?

Chorda
USB Cable
Quickstart Guide

Dimensions
440 mm (W) x 59mm (D) x 29mm (H)

I/O
USB-C (USB 2.0 Class Compliant Audio/MIDI)
3.5mm (1/8") TRS Analog Headphone Stereo Out

Features

Multi-coloured LEDs
12 capacitive sense/ touch-sensitive pads
Built-in accelerometer
Built-in Gyroscope
Embedded Haptic feedback
Smart-strum bridge with 6 triggers
(A) menu button
Power + volume button
Built-in battery (up to 5 hours of battery life)
MIDI Polyphonic Expression (MPE) Support

Bluetooth
Bluetooth LE MIDI (MIDI only)
Note: Windows 10 does not currently support Bluetooth LE MIDI

Speaker System
3W built-in active speaker system

Compatibility
iOS 11 and newer
Android 9 and newer
macOS 10.12 and newer
Windows 10 (64 bit)
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 1 in stock $238.78
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quote 970209
Artiphon Corda USB-C MIDI Polyphonic Expression Controller/Synthesiser/Sampler (white)
Cat: 970201 Rel: 04 Jun 24
 
A smart synth, looper and MIDI controller that adapts to the way you play: strum, tap, slide and tilt any sound in the world.
Notes: Express yourself freely with this all-in-one tool, combining elements of various instruments to create something altogether new and original. Strum it, play it like a piano, switch between drums and melodic elements... Unique.

Supplier's Notes:
Chorda by Artiphon is a versatile, all-in-one musical instrument that combines the features of a guitar, piano, drums, and synthesizer - making it easy for anyone to create a wide variety of music. It's user-friendly, offering over 100 different sounds and touch-sensitive pads for expressive playing, ideal for both music enthusiasts and beginners.

An instrument built for you.

Chorda is the all-in-one instrument that adapts to the way you play. Whether you strum it like a guitar, play it flat like a piano, or hold it over your shoulder like a violin, Chorda will adjust to your style, making it the perfect instrument for both music enthusiasts and beginners alike.

Play every part of the song.

With Chorda's built-in synthesizer, you can easily create full songs by switching between the four instrument parts (Drum, Bass, Chord, and Lead) directly on the device. Each mode has unique capabilities, with hundreds of sounds to choose from.

Loop and layer.

Chorda's built-in looper lets you record and layer the four instrument parts, creating songs in seconds. Start with a drum beat, add a groovy bass line, throw in some angelic chords, and improvise a solo with a lead melody for as long as you want.

Adapts to the way you play.

Play Chorda like a guitar, flat like a piano, or hold it over your shoulder like a violin -- Whatever your style may be, Chorda will adjust to you.

Go beyond the touchscreen.

Use Chorda as a Bluetooth MIDI Polyphonic Expression (MPE) controller to take your production to new heights. Controlling your favourite music apps and software like Ableton, Garageband, Logic Pro, and more. You can even use MIDI to control your hardware instruments.

Smart playing modes

Chorda boasts a Strumable smart bridge, built-in arpeggiator, snap-to-grid and groove quantization, traditional set keys, an array of customizable settings, and effects to take your musical production to new heights!

Choose from hundreds of sounds.

Change sounds with the Artiphon Connect companion app. The app offers a diverse selection of over 100 sounds, drawing inspiration from various genres like Hip-Hop, EDM, Rock, and even traditional instruments such as violins and horns.

Or sample your own.

Create your own sounds and instruments with audio sampling in the app. Load them into Chorda, and it automatically adjusts to your chosen scale, allowing you to craft the perfect song with your own unique sounds.

On-the-go playing.

With Chorda's built-in speaker, onboard sounds, headphone jack, and rechargeable battery you can play anywhere creativity strikes.

Tech Specs

What's in the box?

Chorda
USB Cable
Quickstart Guide

Dimensions
440 mm (W) x 59mm (D) x 29mm (H)

I/O
USB-C (USB 2.0 Class Compliant Audio/MIDI)
3.5mm (1/8") TRS Analog Headphone Stereo Out

Features

Multi-coloured LEDs
12 capacitive sense/ touch-sensitive pads
Built-in accelerometer
Built-in Gyroscope
Embedded Haptic feedback
Smart-strum bridge with 6 triggers
(A) menu button
Power + volume button
Built-in battery (up to 5 hours of battery life)
MIDI Polyphonic Expression (MPE) Support

Bluetooth
Bluetooth LE MIDI (MIDI only)
Note: Windows 10 does not currently support Bluetooth LE MIDI

Speaker System
3W built-in active speaker system

Compatibility
iOS 11 and newer
Android 9 and newer
macOS 10.12 and newer
Windows 10 (64 bit)
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 1 in stock $240.89
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quote 970201
Arturia KeyLab Essential 3 49-Key USB MIDI Keyboard Controller (limited Alpine edition)
Cat: 1015699 Rel: 21 Jun 24
 
49-key USB MIDI keyboard controller
Notes: The music-making essentials

Whether you're a beginner producer, an experienced music maker, or anyone in between, unlock your full creative potential with a MIDI controller that breaks down all the barriers between you, your DAW, and your perfect sound.

Find joy in your workflow

Find the right sound faster than ever. Customise your mix in real-time. Finish that track with ease. Music-making shouldn't feel like work; KeyLab Essential removes barriers and puts the joy back into your workflow.

Your DAW, upgraded

Your favourite synth sounds, your DAW transport, and your mixing desk all in one. Enjoy next-level control over your sounds & DAW projects, seamless communication with Analog Lab, and a bundle of pro creative software to supercharge your sound.

Quickly inspire new ideas

KeyLab Essential doesn't just help you play & navigate your projects - it's also built to inspire. Summon catchy melodies, curious rhythms, and moving chord sequences with its array of creative features, and see where it can take your sound.

That quality feeling

You want the feeling of a premium instrument, the flexibility of a top-class controller, and the ease-of-use of a beginner keyboard. KeyLab Essentials sensitive controls, hybrid synth-feel keybed, and smart layout puts it all at your fingertips.

Your keys to creativity
However you choose to make music, KeyLab Essential has all the creative answers - before you've even thought of the questions. This controller fits right into your setup to become an extension of your creative identity.

Control any DAW

Enjoy plug-and-play connectivity and ready-mapped controls with your DAW of choice. KeyLab Essential doesn't just feature familiar MCU & HUI compatibility; it also has custom scripts for major DAWs for next-level integration.

Customize your workflow

KeyLab Essential easily adapts to your creative needs; recall your favourite 'liked' presets from Analog Lab, navigate your custom-made playlists, activate custom User programs for your own control assignments, and more.

At one with Analog Lab

Turn Analog Lab into a hardware synth and get hands-on with your sound thanks to KeyLab Essential's seamlessly mapped controls. Adjust sound parameters, tweak FX, and browse presets without ever needing to touch your computer.

Main Features

Premium Keybed quality:

49-note velocity-sensitive keyboard with hybrid synth-piano feel

Pads & controls:

1 clickable encoder
9 rotary encoders
9 x 30mm faders
8 transport switches
4 command switches
1 modulation wheel & bend wheel
8 touch & pressure-sensitive pads

Display control:
2.5" LCD display with contextual buttons
Real-time feedback on tweaks and controls

Smart features:
Multi-mode arpeggiator
Chord mode
Scale mode
Hold function
Semitone transpose

Software integration:
Seamless integration with Analog Lab V: select sounds, browse presets, smart-assigned controls
Custom DAW scripts for FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services:
Analog Lab V software with 2000+ sounds
Ableton Live Lite
Native Instruments' The Gentleman
UVI Model D
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity
USB-C connects to computers and MIDI Control Center
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, expression, or footswitch
USB-C powered

Platform specifications

Windows:
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple
Mac OS 11+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box
Box content
KeyLab Essential Unit
USB-A to USB-C cable
Registration card

Dimensions for 49 keys
Size : 31.1 x 9.45 x 2.76 inches (790 x 240 x 70mm)
Weight : 6.1 lbs. (2.76 Kg)
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MRP:$199.69 SAVE 13%
 2 in stock $174.32
Arturia MiniFreak 6-Voice Polyphonic Hybrid Keyboard Synthesiser (Stellar edition)
Cat: 1014298 Rel: 21 Jun 24
 
6-voice polyphonic hybrid keyboard synthesiser, Stellar Edition
Notes: Dark sky synthesis

MiniFreak Stellar is a special edition of the mighty polyphonic hybrid keyboard. The same dual digital sound engines, gnarly analogue filters, advanced modulation, sequencing and stereo effects, but with a dark intergalactic edge that will take your sound into deep space and beyond.

T Minus

2 Engines, 6 voices

The same powerful hybrid instrument loved the world over, redesigned to take your studio beyond convention and your sound, beyond the stratosphere.

Space age look

Discover a synth with a striking all-black exterior, decorated with stylish and characterful graphics that reflect the controls.

Hybrid polysynth power

With 2 engines, 6 voices and 23 oscillator modes, MiniFreak stellar is a compact synth powerhouse that just keeps getting better with ongoing free firmware updates.

Mirrored in software

Enjoy the same wild hybrid sound in your DAW of choice, complete with modelled analogue filters, with MiniFreak V, a like-for-like VST. Use the same presets physically or virtually, and tweak the VST with MiniFreak Stellar's controls for a seamless creative flow.

Outer space free bank

MiniFreak Stellar comes with a free sound bank designed for outer space sonic exploration.

Featuring a range of synths, leads, sequences and SFX - travel beyond the event horizon and discover an otherworldly realm of ambient and atmospheric sounds.

Dark Sky style

From the resonance UFO to the ADSR rocket launch - take command of your sound with an out-of-this-world attitude.

It's not just the sleek all-black keys that stand out. MiniFreak Stellar is adorned with playful graphics that bring the signal chain to life and symbolize the unique effect of each control.

Extraterrestrial Sound

MiniFreak Stellar comprises a vast constellation of sounds that unite, merge and mutate for totally playful and daring results.

From ethereal wavetable sweeps to gritty noise-driven textures, 8-bit superwave basslines to crisp Karplus-Strong plucked strings, combine MiniFreak Stellar's arsenal of 23 distinct engines in any way you see fit, for an impressive array of synthesis.


Between the proprietary algorithms and exclusive oscillator modes crafted by module-masters Noise Engineering and Mutable Instruments, a plethora of impactful and inspiring sounds await your discovery.

More than meets the eye

MiniFreak Stellar packs a punch with a range of scintillating digital and wavetable oscillators, cutting-edge FX and a simple-yet-powerful modulation matrix. But that's not all.

Inject movement and momentum into your sound design with advanced sequencing and arpeggiation, and seamlessly integrate with any DAW using MiniFreak's VST-twin.

Melodic propulsion

Effortlessly take your sound in a new direction.

MiniFreak Stellar's sequencer and arpeggiator allows you to lock variety into your patterns, introduce dramatic octave jumps, and drop-in repeats and mutations on the fly.

A sequence that never fully repeats, thanks to MiniFreak's Spice & Dice randomization and one-touch mutations.

Virtual Doppelganger

Explore the power of MiniFreak Stellar in your favorite DAW with mirrored sound and architecture.

MiniFreak V is a comprehensive standalone instrument, perfect for taking your Freak-infused production on-the-go, as well as offering seamless integration between hardware and software for a workflow that can suit your every need. Simply click Link to MiniFreak, and you're all set!

Platform Specifications

Windows
Win 10+ (64bit)
2.5 GHz CPU
4 GB RAM
2GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments

Required configuration
VST, AAX, Audio Unit

What's in the box

Box content
MiniFreak Unit
Universal PSU - 12V 1A
USB A to USB 2.0
Registration card

Instrument dimensions

Size: 22.75 x 9.09 x 1.57 inches (578 x 231 x 55mm)
Weight: 6.48 lbs. (2.94 Kg)
Read more
MRP:$590.63 SAVE 12%
 8 in stock $521.94
Blue Lantern Modules Hats Analogue High Hats Module
Cat: 980377 Rel: 18 Jun 24
 
Analogue hi-hats module - 8HP
Notes: This is a self contained analogue high hat module. This is a Transistor based VCA design. It is influenced by the DR110 drum machine. The original circuit used 4 oscillators to make the metallic audio sound. I added the original 4 oscillator, and an extra 6 oscillator circuit. The 6 oscillator version is doing a double XOR ringmod (internally). You select that by switch.

The 4 oscillator design sounds more crunchy, where as the 6 XOR circuit sounds more polished with sheen. You can blend in the amount of white noise in the mix labeled 'sizzle'.

Internally, the audio is passing through a few high pass filters, making the output sound very high in frequencies.

The module by itself is not exciting. But in the mix, with other percussion modules, this is your favorite-go-to module. It sits almost perfect in the mix.

There are two triggers. One is for 'Open' sound. The other is for 'close' sound. Both open and close have there own decay knob to adjust the length of the audio tail.

There is a tone control, labeled LPF. Use this to taper off some of the high frequencies.

Instead of adding an 'accent' control. Both triggers have been made to voltage variable. 5V triggering is the normal expected input. So a 3V trigger will sound softer in volume. 10V trigger signals will sound louder.

This module is as simple as it gets, just patch your Arturia Beat Step Pro and use the drum track.

Features

-Both trigger inputs are voltage variable. You can get softer audio, with softer trigger voltage.
-2 voice metallic noise generator
-2 decays (open and close)
-2 Flavors select by switch.
-Normal mode, and Sustain mode, selected by switch.
-frequency adjustment of the internal XOR ringmod.
-classic roland sounding transistor based VCA.

Why get this module over the Shimm module, or other high hats modules?

-Ease of use, ready to go. No sound exploring needed.
-Want the classic transistor based, crunchy sound.
-lower budget
-Sits very well in the drum mix.

Dimensions
8 HP
32 mm deep

Current Draw
21 mA +12V
13 mA -12V
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 1 in stock $114.11
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quote 980377
Blue Lantern Modules SEM VCF Analogue Filter Module
Cat: 1023506 Rel: 18 Jun 24
 
Analogue 1974 SEM filter module - 10HP
Notes: What does this do?

This is an analogue filter based on the 1974 SEM filter. The original early design did not self oscillate into a sine wave. This one also does not self oscillate. The sound, however, makes up for that. You get the original notch sweep, and incredible band pass mode at such a low friendly price.

Added Features

-Onboard VCA
-Onboard envelope generator (decay)
-Variable trigger input circuit. Emulates a Vactrol.
-Dual audio input possible

Width: 10HP
Depth: 1 PCB stack, skiff compatible
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 1 in stock $123.09
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Blue Lantern Modules Shimm Fully Voiced High Hat Module
Cat: 980379 Rel: 18 Jun 24
 
A metallic shimmer generator that contains all the onboard processing needed to complete a percussive voice
Notes: What does this module do?

This is a sound generator, specifically, a metallic shimmer generator. This module contains all the onboard processing needed to complete a percussive voice. There is a manual XOR shimmer generator, and a static cowbell like generator. You can also turn those two off, and just use the internal white noise (sizzle).

There is an onboard High Pass Filter with two resonant peaks. One is controlled by knob, the other is selected by toggle switch. Labelled Q1 and Q2. An Auxilary input has been added so that you can process sound through the high pass filter.

There is also a Sweep Knob which internally patches the decay to the high pass filter.

A white noise generator is used to blend in with the shimmer generator. Labelled SIZZLE.

There are two triggers. One is for 'Open' sound. The other is for 'close' sound. Both open and close and have their own decay knob to adjust the length of the audio tail.

Instead of adding an 'accent' control. Both triggers have been made to be voltage variable. 5V triggering is the normal expected input. So a 3V trigger will sound softer in volume. 10V trigger signals will sound louder.

This module is as simple as it gets, just patch your Arturia Beat Step Pro and use the drum track.

Width: 10HP
Current: +55mA,-32mA
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 2 in stock $141.05
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quote 980379
Boss Katana-100 Gen 3 100-Watt Combo Amplifier
Cat: 1022040 Rel: 04 Jun 24
 
100-watt combo amplifier
Notes: Katana-100 Gen 3 Guitar Amplifier

The Next Generation of a Modern Classic

With Katana Gen 3, the acclaimed BOSS stage amplifier series evolves to take your guitar ambitions to the next level. New Tube Logic enhancements enrich the core platform with even greater sound, feel, and response, including an expressive Pushed amp character that edge-of-breakup fans will love. The BOSS Tone Studio app has also been updated, making your remote amp and effects editing workflow more intuitive than ever. Loaded with inspiring tone tools and diverse connectivity options, Katana Gen 3 is your indispensable centrepiece for studio recording, live performance, and daily practice.

Equipped with 100 watts of Class AB power, the Katana-100 Gen 3 model delivers big, stage-ready sound in an easy-to-carry 1x12 combo.

Katana Gen 3: Inspiration Unbound

Backed by advanced Tube Logic amplifier architecture and reactive Class AB power, the BOSS Katana series has become a standard for guitarists everywhere since its introduction in 2016. Katana amps embody decades of BOSS development knowledge, providing professional, tube-inspired sound coupled with modern advantages like onboard effects, one-touch memory recall, deep sound customization, and reduced weight. Katana Gen 3 elevates the lineup with even more range and versatility, bringing you a playing experience that goes where no other amps can.

Refined Tube Logic Tones

Tube Logic recreates tube circuitry and all its complex interactions at a component level, putting the coveted tone and feel of classic tube amp designs under your fingers. BOSS' approach continues to evolve with refinements to the five amp characters available in previous Katana models, including the iconic high-gain Brown type. The new Pushed character spotlights internal dynamic enhancements with the pleasing touch-responsive gain of a clean combo driven into harmonic saturation. All six amp characters include a selectable variation, giving you 12 distinctive tones to support every musical style.

"Sweet Spot" Sound at Any Volume

As every tube amp lover knows, the sound becomes richer, fuller, and more responsive as you turn up the volume. Unfortunately, it also gets way too loud for many playing situations. An external power attenuator is a common solution, but it can introduce artifacts that colour the amp's tone and feel. The integrated Power Control in Katana Gen 3 delivers the best of all worlds, letting you dial in cranked-amp inspiration with no adverse effect on the sound. Just turn the panel knob to transparently harness the level for everything from live stage playing to daily bedroom jams.

Famous BOSS Effects

Katana Gen 3 features five simultaneous effect categories loaded with essential selections from the historic BOSS library. Booster, Mod, FX, Delay, and Reverb sections offer enhanced sound quality, grab-and-go parameter controls, and three variations each for access to 15 unique effects. BOSS Tone Studio unlocks additional possibilities, allowing you to customize the onboard effects from 60 different types and tweak deep options not available from the amp's panel. And when the optional Bluetooth Audio MIDI Dual Adaptor is installed, you can wirelessly edit sounds on the gig using the BTS editor app on your smartphone.

Unrivalled Sound Shaping

BOSS Tone Studio for Katana Gen 3 offers new visual enhancements and graphic customization options that make crafting your tone faster and more intuitive. Explore amp and effect editing tools, change the effect order, and shape the overall sound with the three-way Contour control and multiple EQs. Dial in system-wide settings and behaviours. And organize custom setups for all your gigs. You also have access to BOSS Tone Exchange, where you can download pro setups and share sounds with the worldwide Katana community.

Complete Stage Command

Katana-100 Gen 3 features a host of powerful tools for modern performers. Eight Tone Setting memories let you store and recall complete amp/effect setups, while rear-panel jacks support remote control with footswitches and an expression pedal. The GA-FC and GA-FC EX Foot Controllers extend your capabilities even further, providing complete stage control solutions for your Katana Gen 3. Switch Tone Settings, turn effects on/off, integrate multiple expression pedals, and more. The GA-FC EX model also includes an expansion option to double your footswitches or control two Katana amps at once.

Expand Your Range

Katana-100 Gen 3 flows with all your creative journeys. Easily link two amps via the Stereo Expand* function, with master control from the main amp and stereo effects like chorus, delay, and reverb distributed across both amps for a wide, immersive sound. Or connect to the Power Amp In jack to bypass the Katana preamp and use the reactive Class AB power section to amplify a modeler or an external preamp.

*Stereo Expand is supported on all Katana Gen 3 and MkII models except the Katana-50 Gen 3 and Katana-50 MkII.

Get Connected

Katana-100 Gen 3 includes connectivity to meet every need. Plug in headphones to practice quietly with stereo sound. Send a feed to a house PA via the Line Out jack. And record to your favourite music software on computers and mobile devices over USB-C. All audio outputs feature IR-based cabinet sound for great direct tone, with three Air Feel types and two customizable settings in BOSS Tone Studio.

Specifications

Rated Power Output: 100 W

Nominal Input Level:
INPUT: -10 dBu (1 M ohms)
AUX IN: -10 dBu (20 k ohms)
RETURN IN: -10 dBu (100 k ohms)
Speaker: 30 cm (12 inches) x 1

Controls: POWER switch, PRESENCE knob, MASTER knob, SOLO button, POWER CONTROL switch (STANDBY, 0.5 W, HALF, MAX)
CAB RESONANCE switch (VINTAGE, MODERN, DEEP)

[AMPLIFIER]: VARIATION button, AMP TYPE switch (ACOUSTIC, CLEAN, PUSHED, CRUNCH, LEAD, BROWN), GAIN knob, VOLUME knob

[EQUALIZER]: CONTOUR button, BASS knob, MIDDLE knob, TREBLE knob

[EFFECT]: BOOSTER button, MOD button, FX button, DELAY button, REVERB button, TAP button, BOOSTER knob, MOD knob, FX knob, DELAY knob, REVERB knob

[TONE SETTING]
CH1 button, CH2 button, CH3 button, CH4 button, PANEL button

[STEREO EXPAND]: STEREO EXPAND switch

Indicators: VARIATION, ACOUSTIC, CLEAN, PUSHED, CRUNCH, LEAD, BROWN, CONTOUR, BOOSTER, MOD, FX, DELAY, REVERB, TAP, SOLO, CH1, CH2, CH3 CH4, PANEL

Connectors:
INPUT jack: 1/4-inch phone type
POWER AMP IN jack: 1/4-inch phone type
LINE OUT jack: 1/4-inch phone type
SEND jack: 1/4-inch phone type
RETURN jack: 1/4-inch phone type
STEREO PHONES jack: Stereo 1/4-inch phone type
EXP PEDAL jack: 1/4-inch TRS phone type
GA-FC/CTL CH1/CH2 SOLO jack: 1/4-inch TRS phone type
AUX IN jack: Stereo miniature phone type
USB port: USB C type
BLUETOOTH ADAPTOR SLOT: Bluetooth Audio MIDI Dual Adaptor
AC IN jack

Power Consumption: 77 W

Accessories:
Owner's manual
Power cord
GA-FC sticker

Options (sold separately):
Footswitch: BOSS FS-5L, BOSS FS-6, BOSS FS-7
Expression pedal: Roland EV-5, BOSS EV-30, BOSS FV-500L, BOSS FV-500H
GA FOOT CONTROLLER (GA-FC,GA-FC EX)
Bluetooth Audio MIDI Dual Adaptor (Model BT-DUAL)
Amplifier Stand: BAS-1

Size & weight (includes handle & rubber feet)
Width: 530 mm / 20-7/8 inches
Depth: 248 mm / 9-13/16 inches
Height: 445 mm / 17-1/2 inches
Weight: 14.8 kg / 32 lbs 11 oz
* 0 dBu = 0.775 Vrms

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quote 1022040
Cosmotronic Messor Stereo Compressor & Transient Shaper Module (silver)
Cosmotronic Messor Stereo Compressor & Transient Shaper Module (silver) (dynamics/dual/stereo/envelope follower/expander/VCA module)
Cat: 995681 Rel: 20 Jun 24
 
Stereo compressor & transient shaper module - 8HP
Notes: Messor is an analogue stereo compressor with lots of tricks up its sleeve, in only 8HP.

From squashing drums, sidechaining kicks and sculpting transients, to glueing a mix together, it's a very versatile dynamics manager.

At its core it's a VCA based feed-forward compressor with a low noise signal path. The magic is in the internal sidechain that shapes the gain reduction envelope. This starts with a a switchable high-pass / low-pass filter, before going into a precision envelope follower, controlled by familiar parameters: the attack, release, threshold, ratio and makeup gain.

The ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.

Being modular, of course there are CV inputs for Attack, Release and the side-chain Filter cutoff. The Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob turned fully CCW.

The gain reduction envelope is also available as an output, for turning filters or other VCA's into compressors for example, or as a standalone envelope follower.

There's a bypass switch, and a Warm mode, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.

Lastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.

Dimensions
8 HP
25 mm deep

Current Draw
45 mA +12V
26 mA -12V
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Critter & Guitari Kaleidoloop Customisable Sound Collector & Looper
Cat: 1014965 Rel: 06 Jun 24
 
Customisable sound collector & looper
Notes: Lovely creative stuff here from the ever-reliable Critter & Guitari. Based on the idea of 'collecting' sounds, the Kaleidoloop allows you to record, loop and layer, manipulating in real time and saving to internal memory for later processing.

Supplier's Notes:
The Critter & Guitari Kaleidoloop is a compact yet powerful looper designed for musicians seeking unparalleled creative exploration.

With its intuitive interface, you'll find it easy to manipulate and layer loops, and craft intricate soundscapes on the fly. Featuring a variety of playback modes and effects, the Kaleidoloop offers endless sonic possibilities. Discover new textures, harmonies and rhythms in your favourite sounds.

Rugged construction ensures reliability - making it an essential tool for capturing and manipulating sounds on the go or in the studio.

Everything you record with the Kaleidoloop is saved to internal memory and is easily accessible from your computer.

Whether you're a seasoned performer or just starting your musical journey, the Critter & Guitari Kaleidoloop is your gateway to boundless musical adventures.

Key feature:

Let's (Inter-)face it... you can do a lot with a little!

The Kaleidoloop features six playback modes, a record button, and track navigation buttons. While compact in design, these controls offer extensive capabilities.

Start with a fresh recording - use the microphone to capture anything from drums to acoustic guitar, the radio, to random ambient sounds in your home. The sound will begin playing in a loop. Use the playback mode button and the two playback controls to manipulate the sound. The Kaleidoloop ships with six playback modes: three speed manipulation modes, and three effects.

The playback modes are coded in Pure Data. Users can create their own modes or upload modes shared with the community. Modes utilize two control knobs. Craft new edits by adjusting the control knobs and/or selecting different playback modes.

Evolving Sound

Sonic Journey

Playback continues during recording. With the microphone & speaker combo you can build on existing tracks in any or all of the following ways:

Select different playback Modes
Use Knobs to change mode parameters
Play different recordings
Adjust the volume of the playback

...so something as straightforward as a single guitar chord strum can get looped, stretched in time, reversed, have a melody recorded over it, effected, reversed again, sped up, and so forth. Along the way, each recording is saved so you can revisit that musical idea at any time and/or save it to your computer for further creation.

Microphone & Speaker

Capture the Room/Get in Close - Fill the Air/Whisper

The microphone is clear. The speaker gets loud. How to use them is up to you! The Kaleidoloop's hardware lets it flip between 'documenting the space' to being an instrument adding its sound to the world.

It is flexible in this regard: want to record everyone in the jam or focus on the drums?... position the Kaleidoloop mic accordingly. During playback - do you want its speaker to be a major feature or more of an accent in the mix? Dial up the volume and playback modes to suit!

Portability

Battery Power = Creative Power

Get out of the studio, off the couch, etc., and explore the wide world of sound!
With battery power, take the Kaleidloop anywhere and everywhere and collect any sound and every sound!

File Freedom

Disk Mode makes it easy to manage modes and tracks.

The USB-C port is used for both power and data transfer. Connect to your computer and copy your recordings for posterity and/or additional editing.

Playback modes can be swapped out for different ones. Maybe you want six effects or perhaps a variety of speed control modes - either is possible!

You can also copy existing audio files onto Kaleidoloop. Use these files as the beginnings of new tracks or use Kaleidloop's modes as a way to re-envision and remix your prior tracks!

Design/Specs
Audio input/output:
1/4" Monophonic Audio Input
1/4" Monophonic Audio Output
Omnidirectional Analog Electret Condenser Microphone
3W Output Speaker

Audio format:
Recording File Type: .wav
Recording Sample Rate: 48KHz
Recording Bit Depth: 16-bit
Recording Channel Count: 1 (monophonic)

Included storage:
An 8GB microSD card holds the operating system and audio storage.
There is ~7GB for available for audio storage.
This is about 20 hours total record time.

Physical characteristics:
Size: 6.06 x 4.71 x 2.13" / 15.4 x 12 x 5.4 cm. Height includes knobs.
Weight: 1.03 lb / 0.47kg
Microphone:
~7.125" x 0.5" / 18.1 cm x 1.27 cm
1oz. / 20g
Powder coated aluminum enclosure

Included items:
Microphone
Power Supply:
Input: 100-240VAC @ 50/60Hz.
Output: 5VDC
USB-A port
North American Plug
Power / Data Cable
USB-A to USB-C
Length: 40" / 101.6 cm

Battery power specs:
Requires 3x 'AA' batteries. (Not Included)
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DAP HP-280 Pro Semi-Open Studio Headphones
Cat: 1022558 Rel: 05 Jun 24
 
Semi-open studio headphones
Notes: The DAP HP-280 Pro are professional semi-open studio headphones with a comfortable fit. The HP-280 Pro has an extended frequency response in the low and high range. Whether you're monitoring, mixing, or just listening to music, the HP-280 Pro gives you comfort and a natural and deep sound. The headband is self-adjusting and the ear pieces are large with a vinyl finish.

Is it important for you to mute background noises when monitoring, mixing, or listening to music? Then you might prefer the DAP HP-290. This is the same model but with a closed back and designed for reducing background noise.

Semi-open headphones
Natural & Deep sound
Extended frequency response in the low and high ranges
Self-adjusting headband
Comfortable fit

Specifications

Inputs

Stereo Inputs: 1
Stereo Input Connector: TRS balanced 3.5 mm, TRS balanced 6.3 mm
Stereo Input Impedance: 32 O

Audio Specifications
THD Level: < 0.5 %
Max. SPL: 117 dB
Frequency Response Minimum: 10 Hz
Frequency Response Maximum: 30000 Hz
Speaker Driver Diameter: 50 mm
Sound Coupling to Ear: Circumaural
Headphone Shell Structure: Semi-open

Electrical Specifications and Connections

Cable Length: 2 m

Mechanical Specifications

Height (mm): 200 mm
Width (mm): 187 mm
Length (mm): 107 mm
Weight: 0.28 kg
Colour: Black

Included Accessories

Adapter, Bag
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 1 in stock $31.68
DAP HP-290 Pro Closed Studio Headphones
Cat: 1022563 Rel: 05 Jun 24
 
Closed studio headphones
Notes: This model is designed to reduce background noise as much as possible. If you don't want to completely cut yourself off from the outside world, you might opt for the DAP HP-280. This is the same model but with a semi-open back.

Closed back headphones
Natural & Deep sound
Extended frequency response in the low and high ranges
Self-adjusting headband
Comfortable fit

Specifications

Inputs

Stereo Input Connector: TRS balanced 3.5 mm, TRS balanced 6.3 mm
Stereo Input Impedance: 32 O

Audio Specifications

THD Level: < 0.5 %
Max. SPL: 117 dB
Frequency Response Minimum: 10 Hz
Frequency Response Maximum: 30000 Hz
Speaker Driver Diameter: 50 mm
Sound Coupling to Ear: Circumaural
Headphone Shell Structure: Closed

Electrical Specifications and Connections

Cable Length: 2 m

Mechanical Specifications

Height (mm): 200 mm
Width (mm): 187 mm
Length (mm): 107 mm
Weight: 0.28 kg
Colour: Black

Included Accessories: Adapter, Bag
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 1 in stock $29.85
EarthQuaker Devices & Death By Audio Time Shadows II Subharmonic Multi-Delay Resonator Effects Pedal
Cat: 1021210 Rel: 06 Jun 24
 
Three-mode, space-time warping delay
Notes: The latest EarthQuaker Device actually is the same as the latest Death By Audio device - the TIME SHADOWS II - Subharmonic Multi-Delay Resonator. This new pedal is a joint collaboration that brings their sonic soundscape trips to your melted mind.

With the switch to the left Time Shadow's controls are completely the brainchild of EarthQuaker Devices resident genius Jamie Stillman. Flip the switch to the right, and you enter the head of the madman Oliver Ackermann from Death By Audio barely clutching to reality. Place the switch in the middle and enter a whole new realm of pitch warping delays brought to you by a telepathic mind-meld with a 5th dimensional dream being.

All three sounds are wildly different from each other and yet share a perfectly designed harmony to be completely complementary and suitable for every style and genre of music.

The EarthQuaker Devices side transforms whatever you play into the sound of a jazz space bazooka! It's a pitch morphed fuzz delay filter with so much attitude that you are actually intimidated. It takes the input signal, blows it out with power of digital distortion, blends it with a polyphonic sub octave, feeds it into a delay, then spits it out into a highly resonant envelope controlled lowpass filter.

The Death By Audio side is a multi-delay filter remorphinator that goes from icy shimmers to cosmic space caves of bouncing repeats.

The middle position is an energy beam that brings your earthly transmissions repetitively closer to the heavens while simultaneously diving deep into the hells.

In addition to all this madness we also bring you a user assignable expression jack and 6 preset slots to save and recall your favourite settings!

With these three unearthly delights, you should have everything you need to break brains and destroy monotony!
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 3 in stock $209.19
Electro-Harmonix PicoBoard Nano & Pico Pedalboard
Cat: 1022877 Rel: 07 Jun 24
 
Pedalboard designed to fit up to 6 Pico-sized or 4 Nano-sized effects pedals
Notes: The EHX PicoBoard is a sleek, lightweight pedalboard tailored to fit a compact rig that's easy to carry around town and won't clutter the stage. At 15" wide, the board is able to fit 6 pico-sized or 4 nano-sized pedals and is perfect for any gig or event. The included durable carrying case built to protect your pedals from the elements and features adjustable straps that can be configured to sling over the shoulder or attach to the neck of your guitar's gig bag.

Specifications

Dimensions (in): 14.75 x 5.75 x 1.25
Year Released: 2023

*** Please note: the pedals are not included, they are shown in the photos for demonstration purposes only. ***
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Endorphin.es Autopilot 1U Tuner Module (black)
Cat: 1021154 Rel: 19 Jun 24
 
Tuner module - 6HP
Notes: AUTOPILOT 1U is an innovative tuner module. Tune your oscillators fast, just apply the AUTOPILOT 1U in between the pitch CV and apply the reference waveform. Previously available as a dual autotuner AUTOPILOT in 3U version (4hp) and now as a single autotuner 1U Intellijel format version (6hp).

440 A-note or 261.62 Hz C-note scales: selected mode saved on next power up

Tune your oscillators instantly, just apply the Autopilot in between the pitch CV and apply the reference wave

Play the reference note from your sequencer or CV keyboard. Now a single tap on the button tunes your oscillator to the closest A/C note.

Power consumption:
20 mA +12V
10 mA -12V
0 mA 5V

Dimensions
6 HP
35 mm deep
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Erica Synths Logo T-shirt (large)
Cat: 1023586 Rel: 30 May 24
 
T-shirt with white Erica Synths logo printed on front & back
Notes: Black, 100% cotton T-Shirt with white Erica Synths logo printed on front and back.

!NB! Do not tumble dry!

!NB! Do not bleach!
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 2 in stock $20.07
Erica Synths Logo T-shirt (medium)
Cat: 1023583 Rel: 30 May 24
 
T-shirt with white Erica Synths logo printed on front & back
Notes: Black, 100% cotton T-Shirt with white Erica Synths logo printed on front and back.

!NB! Do not tumble dry!

!NB! Do not bleach!
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 1 in stock $20.07
Feedback +/- 18dB Signal & CV Amplifier/Attenuator Module
Cat: 1019353 Rel: 12 Jun 24
 
Signal & CV amplifier or attenuator module - 4HP
Notes: +/-18dB is an active amplifier module, capable to amplify or attenuate signals up to +/-18 decibels.

The circuit is highly optimized to work well both with audio and CV signals.

It is useful in the following situations:

- to amplify audio signals from various external sources like IPODs IPADs, portable recorders, desktop synths or drum machines to eurorack levels.

- to amplify CV signals to produce stronger modulations. For example applying a slew limiter with long attack and decay times to noise, will reduce the amplitude of the resulted signal so in many cases you may need to amplify it to produce the right modulations.

- to clip signals. For example transform a triangle signal to a trapezoid signal.

- to change the shape of an ADSR. You can clip the point where the Attack meets the Decay and modulate the audio VCA to produce a more impactful sound.

- and many more applications.

Unity amplification (what goes in equals what goes out) is when the potentiometer is at the 0 position.

+/-18dB is for line level signals so it is not optimal for microphone level signals.

CMS-LAB module

Tech specs:

-Width: 4HP
-35mm depth behind the panel
-Standard 10 pin euro power (+12V / -12V)
-Power consumption: e+12V 10mA , -12V 10mA
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Feedback 4xMute 4-Channel Audio/CV Signal Mute Module
Cat: 1019361 Rel: 12 Jun 24
 
4-channel audio or CV signal mute module - 6HP
Notes: This module is passive!

Four individual mutes for audio/CV signals.

A great utility module that will allow you to:

- mute individual drum sounds like on a hardware drum machine (or other sound sources)
- stop/start individual trigger/gate signals
- instant start stop of CV signals from modulator modules to VCOs, filter, wavefolders, etc.

CMS-LAB module

Tech specs:

-Width: 6HP
-20mm depth behind the panel
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Feedback Magic Ring Ring Modulator Module
Cat: 1019372 Rel: 12 Jun 24
 
Ring modulator module - 4HP
Notes: A ring modulator based on logic chip but with a twist.

Magic Ring will produce sounds ranging from familiar ring mod sounds to complex evolving modulated timbres.

This ring modulator is really magic because it will work with sine, triangle, saw, ramp, etc. waves, but that is not everything.

The real magic is that it will change its timbre (spectral content) depending on the position of the two SHAPE pots and/or by modulating the CV inputs.

CMS-LAB module

Tech specs:

-Width: 4HP
-35mm depth behind the panel
-Standard 10 pin euro power (+12V / -12V)
-Power consumption: +12V 20mA , -12V 15mA
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Feedback Reset Power On/Off Module
Cat: 1019375 Rel: 12 Jun 24
 
Power on/off module - 4HP
Notes: A simple but very useful power ON/OFF module

Did the following situation ever happen to you?

You are in the middle of a jamming session and suddenly one of your digital modules freeze or starts to make some digital noises that affects all the modules. You need to shut down your eurorack setup to restart the problematic module, but you have a complex sound textures in the volatile memory of your granular module or an interesting sound you just sampled, or a great feedback sound in your tape delay module. If you shut down the setup to reset the module all those great unique sounds will disappear forever without the chance to be recorded.

RESET is the module that will save your sounds.

Reset is useful to pair it with modules in the following cases:

- modules that freeze or have erratic behaviour and needs a restart
- modules that need to shut down in case of firmware upgrade by connecting with USB cable to a computer
- modules that need to be shut down to change USB sticks or SD cards.
- digital modules that produce digital noise and affect the power rails (sometimes you would prefer to make subtle sounds that would benefit from the noiseless power)

How it works?

It goes between the module you want to have individual power ON/OFF and the power bus. Simple as that.

CMS-LAB module

Tech specs:

-Width: 4HP
-25mm depth behind the panel
-Power consumed is equal to the power of the linked modules
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Feedback Slosines Quad Analogue LFO Module
Cat: 1019366 Rel: 12 Jun 24
 
Quad analogue low frequency oscillator module - 6HP
Notes: Four free running analogue LFOs that produce slow sine waves.

Eight individual sine outs, two for each oscillator, 4 normal and 4 inverted signal.

You can produce constantly evolving sounds, pads, evolving textures by modulating eight individual destinations. LFO TIME for all LFOs are from 35sec to 4Hz

CMS-LAB module

Tech specs:

-Width: 6HP
-35mm depth behind the panel
-standard 10 pin euro power (+12V / -12V)
-power consumption +12V 25mA , -12V 20mA
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Feedback VCA100 Voltage Controlled Amplifier Module
Cat: 1019384 Rel: 12 Jun 24
 
Voltage controlled amplifier module - 4HP
Notes: A snappy, nice, colourful sound VCA.

This is probably one of the snappiest and most colourful in sound VCA in Modularland.

Why? Because it is based on the classic Japanese VCA from the seventies that everyone loves.

Most clones use CA3080 or LM13700, this uses the original clone of BA662A made by Alfa RPAR.

This VCA will give the classic rubbery sound of the modular, SH and JP series.

Tech specs:

- Panel width: 4HP
- 35mm depth behind the panel, including the power connector
- 3 control pots: Input, Gain, CV attenuator
- 1 type switch: Linear or Logarithmic
- 3 jacks: Audio in, Audio out, CV in
- Standard 10 pin euro power +12V/-12V
- Power consumption: +12V 20mA , -12V 15mA
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Flame C-3 MK2 Knob Rekorder Module
Cat: 796075 Rel: 19 Jun 24
 
3-channel knob recorder module - 6HP
Notes: The FLAME "C-3 MK2" is a three-channel module for recording and playing back movements of controllers.

Those can be recorded with each channel's individual knob. The movements will be output as control voltages.

The recording time per track is over one minute. The playback speed is adjustable.

All three tracks have a common reset input. The track data remains permanently stored (battery-backed memory).

The module can be globally switched to bipolar or unipolar voltage range (switch on the PCB).

Inputs and outputs:

3 CV outputs bipolar +/-5v or unipolar 0-10v
additional CV input on track 1: bipolar +/-5v or unipolar 0-10v
common reset input for all three tracks
http://flame.fortschritt-musik.de/flame2/instruments_modular.html#automix

Power consumption: 30mA at +12 V and 5mA at -12 V
Depth: 33mm
6 HP
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Flame Ton Melody Looper Module
Flame Ton Melody Looper Module (modular synthesiser)
Cat: 973767 Rel: 21 Jun 24
 
Duophonic melody looper & quantizer module - 12HP
Notes: "TON" is a 12HP wide Eurorack live sequencer module for creating two note sequences. There are two 1V/octave outputs with GATE/NOTE/VELOCITY. Notes can also be sent via MIDI. Both note tracks are independent of each other and can be used in different octave spreads. In addition to the analog connection, the module has full MIDI functionality. It can be synchronized via analogue clock or via MIDI.

The sequencer is designed as a looper. It plays a pattern of up to four bars in a loop. The notes can be played (or deleted) quantized with two buttons. One button is used for note repeats, another for setting individual events. The pitch is determined by either the potentiometer or the built-in distance sensor. The sensor works in a range of about 1 to 40 cm and is independent of extraneous light. Even bright sunlight does not affect it.

A 1-octave mini-keyboard allows transposing on the fly and setting a scale. Since the module has two CV inputs, it can also be used as a two-channel quantizer or arpeggiator. All settings of the current pattern are simply saved together in a patch. There are 5 banks with 7 seats each (per mini-keyboard) available. This allows up to 35 patterns to be managed. The patches can also be selected via CV or MIDI program change and can be saved and reloaded on the fly.

The pattern can be manipulated during and after the import with eg: gate length, velocity, random, last step, hold, mute, glide, scale and transposition. Both tracks can have different settings. With TRACK-Link, however, parameters can also be applied to both tracks at the same time. This is helpful, for example, with transpositions or duophonic playing.

Dimensions
12 HP
45 mm deep

Current Draw
80 mA +12V
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Frap Tools 411 Quadruple Linear VCA Module
Cat: 1020297 Rel: 13 Jun 24
 
Quadruple linear voltage controlled amplifier module - 6HP
Notes: The 411 is a quadruple linear VCA, mixer, and multiple for audio and CV.

It consists of four linear VCAs with semi-normalled inputs and CV inputs, -6 dB attenuation switches, a mixed output, and an unpatched output.

The 411's architecture allows to use it in many ways, for example:

Processing four signals independently;
Modulating one signal with four CVS and sending it to four different destinations;
Mixing up to four signals and modulating them with the same CV;
Mixing two audio signals and modulating them with a modulated CV...

Key Features

Four DC-Coupled Linear VCAs

The 411 has four linear VCAs perfect for modulating audio signals and control voltages.

Semi-Normalled Signal and Control Inputs

The signal inputs and the CV inputs have cascaded semi-normalled connections. Every signal patched to an input also feeds the following ones, allowing for infinite combinations of sources and modulations.

Mixed and Unpatched Outputs

The 411 features an All output and an Unpatched output, just like the popular 321 module. The All output mixes the four sections, while the Unpatched only those whose local output is not going anywhere.

-6 dB Switches

The switches halve the CV input, allowing the 411 to work with both 0-5 and 0-10 voltages.

Open by Default

The VCAs are designed so that they stay open even if nothing is patched to the inputs.

Specifications:

Size: 6 HP
Depth: 38 mm

Current draw: 35 mA @ +12 V / 25 mA @ -12 V
Recommended warmup time: 30 min
Audio Input impedance: > 45 KO
CV Input Impedance: > 40 KO
Output impedance: ~ 100 O
Global CV offset per section: -20 to 20 mV
Frequency response: DC to 30 KHz
Harmonic distortion (THD+N): < 0.1%
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Herzlich 4x4 Switch Matrix Mixer Module
Cat: 1023564 Rel: 30 May 24
 
4x4 switch matrix mixer module - 8HP
Notes: A 4x4 Matrix Mixer without the pesky knobs that get in your way

Do you like getting... mixed up? Perhaps you will enjoy the new 4x4 Switch Matrix from Herzlich Labs. It's a 4x4 matrix mixer, but not quite like how you usually see them. You see, all the pots are gone from this one, and replaced with switches. A daring innovation from your friends at the Laboratory, and an excellent partner for the the newly released mApnea.

Use it with triggers, gates, CV or, yes, even audio. The Switch Matrix will not be particular about the input, though who can say what output you will get? With neatly arranged rows and columns, this matrix mixer takes up only 8hp, and shimmering LEDs make it easy to determine what's live - and what's not - even in the pitch darkness of your chambers.

Explore what other matrix mixers dare not: developing rhythms, unusual trigger sequences, strange gates and combined LFOs, or patch in audio for the ultimate thrill: that which has no volume control.

Dimensions
8 HP
12 mm deep

Current Draw
20 mA +12V
20 mA -12V
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Herzlich mApnea Passive Performance Attenuator & Mute Module
Cat: 1023569 Rel: 30 May 24
 
Passive performance attenuator & mute module - 2HP
Notes: Passive Performance Attenuator and Mute with Reversible Front Panel

The mApnea is designed in cooperation with Rakt to create a simple, modular and extensible utility mixing system. The features are numerous and the use cases multitudes, among them:

Apnea-style performance mute for quick and silent muting of both audio and control signals during performance.

Long slide attenuator for fine attenuation control.

Reversible front panel and slide pot: easily flip the orientation of the double-sided front panel, or switch the direction of the slide pot with a microswitch on the back.

Passive design and 2hp width makes integration easy and flexible in any system, even in an auxiliary pod.

Integrates seamlessly with audio interfaces, mixers and other modules: combine them with any module like the Expert Sleepers ES-9 or Herzlich Labs Active Mix to create performance mixers of any size, or use it alone as a performance attenuator or master volume control.

Why bother shopping for one massive performance mixer after the other, when you can simply build the exact solution to match your needs, with Herzlich Labs.

Dimensions
2 HP
9 mm deep

Current Draw
Module does not draw current
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Intellijel Robot & Bones T-shirt (large)
Cat: 1022176 Rel: 06 Jun 24
 
White 'Skull & Bones' print on black Bella+Canvas t-shirt.
Notes: Dual-colour screen print

Bella+Canvas 3001CVC Super soft Airlume combed and ring-spun cotton, and poly blend.

Custom red intellijel woven clamp tag on the bottom left hem

"Made with love by robots in Canada."
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 1 in stock $30.65
Intellijel Robot & Bones T-shirt (medium)
Cat: 1022172 Rel: 06 Jun 24
 
White 'Robot & Bones' print on black Bella+Canvas t-shirt.
Notes: Dual-colour screen print

Bella+Canvas 3001CVC Super soft Airlume combed and ring-spun cotton, and poly blend.

Custom red intellijel woven clamp tag on the bottom left hem

"Made with love by robots in Canada."
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 1 in stock $36.45
Joranalogue Dim 2 Dual BNC Lamp Dimmer Module
Cat: 945826 Rel: 04 Jun 24
 
Dual BNC lamp dimmer module - 4HP
Notes: For anyone who has ever struggled with finding their way around a Eurorack synthesiser on a dark stage or a dimly lit studio, Dim 2 presents an illuminating experience. In just 4 HP, it provides a complete solution to upgrade your modular system with a pair of dimmable console lights.

The high-efficiency PWM dimmers run at high frequency, ensuring flicker-free and noise-free operation. Additionally, extensive line filtering keeps your Eurorack power supply happy and clean.

Not limited to just manual control, both dimmers also feature control voltage (CV) inputs, turning the connected lamps from simple light sources to voltage controlled audio-visual spectacles.

While the use of the included BNC LED lamps is recommended in order to keep power consumption low, halogen lamps may be used as well. Provided your power supply is beefy enough, up to 6 W of power may be drawn from each output. This even makes it possible to drive 12 V LED strips, truly making your patches shine bright.

4 HP | +12: 150 mA, -12: 5 mA | JORD2
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Klavis CalTrans Programmable Voltage/Octave CV Calibrator & Transposer Module (black)
Klavis CalTrans Programmable Voltage/Octave CV Calibrator & Transposer Module (black) (quantizer/tuner/utility/quad/slew limiter synth module)
Cat: 951637 Rel: 20 Jun 24
 
Programmable voltage and octave CV calibrator and transposer module - 6HP.
Notes: Programmable Volt/Octave CV calibrator and transposer

Clever four-channel utility module designed to make it easier to achieve perfect oscillator tracking and transpose CV signals. Also includes some neat quantising and portamento features.

The CalTrans solves issues encountered when playing tonal music with a modular system: tracking problems, curves unrelated to Volt per octave ratio, limited octave range, cumbersome transpose, ...

The CalTrans corrects and expands the range of troublesome VCOs and brings V/Oct tracking to anything that oscillates.

Besides calibration, the CalTrans offers live play features. Each channel can be quantized and any combination of them transposed jointly.

A pair of rotary encoders with detent allow an precise selection of octaves and semitones.

VCOs whose tracking doesn't go high enough to follow the leader will see their pitch repositioned in their highest possible octave so that the global harmony is unaffected.

You can add a pinch of portamento and glissando to each channel and save the whole in user presets.

Firmware 1.17 offers:
* User editable input scaling to match sources that don't generate perfect 1V per octave signals.
* Complete rewrite of the main processing with higher precision.
* ... and the unavoidable fixes and tweaks ;-)

The updated user manual 1.4 is much expanded with operations described in exquisite details :-)
.. and a version 1.5 corrects a mistake in the input calibration description and eases the reading elsewhere.

Dimensions
6 HP
36 mm deep

Current Draw
44 mA +12V
8 mA -12V
0 mA 5V
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Klavis Flexshaper CV-Controlled Voltage Mapper & Waveshaper Module (black)
Klavis Flexshaper CV-Controlled Voltage Mapper & Waveshaper Module (black) (attenuator/distortion/polarizer/utility/waveshaper synth module)
Cat: 951621 Rel: 20 Jun 24
 
CV-controlled voltage mapper & waveshaper module - 6HP.
Notes: The Flexshaper is a highly versatile module when it comes to modify evolving voltages in other directions and levels.

Five settings allow you to fold/expand/clip/compress/invert partially or completely any CV or audio signal.

The module can act as an envelope-shaping tool, frequency multiplier, waveshaper, clipper, distortion, limiter, curve changer, and more.

Five CV inputs offer limitless control over the placement of the voltage points for dynamic signal sculpting.

Birth of the product

The idea of the Flexshaper comes from a feature in the Oberheimr Matrix synthesizers called Tracking Generator.

This signal processor was part of the modulation matrix and meant to be virtually inserted between modulation sources and destinations in order to change the shape of the controlling signal.

The Flexshaper applies the same concept using the same 5 shaping points. However, it goes beyond Oberheim's implementation on two main aspects:

It goes fast enough to process signals at full audio rate
The 5 points are dynamically adjustable (CV) in real-time
Besides, the Flexshaper can process adequately bipolar and unipolar Eurorack signals, even changing them one another.

Dimensions
6 HP
21 mm deep

Current Draw
6 mA +12V
7 mA -12V
32 mA 5V
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quote 951621
Klavis Mixwitch Mixer & CV/Clock-Controlled Switcher Module (black)
Klavis Mixwitch Mixer & CV/Clock-Controlled Switcher Module (black) (attenuator/mixer/polarizer/switch synth module)
Cat: 951655 Rel: 20 Jun 24
 
Mixer and CV/clock-controlled switcher module - 8HP.
Notes: Mixer & CV/clock-controlled Switcher

Focused versatility seems an oxymoron when describing the features that led to the design of the Mixwitch.

With only a pinch of mixing, inverting and controlled switching, Klavis Electronics brew up a plethora of combinations and uses.

This is voltage processing magic!

The Mixwitch design comes from a frustration with attenuvertors (bipolar attenuators-inverters) whose off (neutral) position is difficult to retrieve, especially in live situations.

Klavis went for a digitally-controlled analogue path where polarity inversion would be at the touch of a button. So, the usefulness of attenuating/inverting can be realized by turning the pot down, swiftly pressing the inversion button and reopening the level. The zero level is where you expect it, with the pot full down.

Once a clean polarity control was established, a mute function was added, offering the benefit of pre-adjusted pot settings ready to be activated at will.

The next step was to bring something extra, useful and creative. There are plenty of analogue switches controlled by a clock; but arbitrarily selecting an input with a voltage is less known. Having both control capabilities combined with Klavis' specific mixer features creates a unique fusion: welcome to the Mixwitch!

Dimensions
8 HP
25 mm deep

Current Draw
39 mA +12V
24 mA -12V
0 mA 5V
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Landscape Noon 8-Channel Analogue Drum Synthesiser (green)
Cat: 1012570 Rel: 24 Jun 24
 
8-channel analogue drum synthesiser
Notes: NOON is a passive analogue drum/synthesizer. Each of the eight channels uses a unique analogue circuit with its own characteristics. No power supply is needed. Each circuit is triggered and powered individually from incoming gates or control voltages provided by voltage sequencers or modular systems. By using this unique method, we can increase instability and magnify organic aspects of traditional analogue electronic instruments. The sound of analogue, at its core, is the sound of sculpted electricity. By removing the stabilizing elements of a constant power source, we can listen to the sound of electronic circuits loading and unloading, powering up and powering down, and we can increase the natural chaotic movement of electricity. The loading of circuits creates natural ways to access swing and groove or ways to deconstruct a programmed rhythm sequence to make surprisingly new ideas.

Each channel is represented by a tuning fork. Incoming voltage can be thought of as a way to "strike" each fork with momentary voltage. Between every channel there are Link buttons which allow voltage sharing between channels. Linking them provides a wide mix of results depending on incoming voltage, active or inactive channels, slider settings, gate lengths and multichannel linking. The results can be described as cross modulation, growth (creating a larger and more complex circuit), or processing (filtering, distortion). Due to the cycles of voltage and this inherent instability, a definition of what is actually occurring between channels can be hard to pin down. The eight Mod buttons, which are located at the bottom of each tuning fork, change the behaviour and sound of each circuit. The eight latching CV buttons along the top allow the "crescent" Even and "moon" Odd CV modulation inputs to route to even and odd channels. When incoming CV is unmuted, a channel's behaviour can change drastically and this behaviour can change further when channels are linked. These CV inputs are a way to add microtonal pitch changes and/or large textural movement to voices. The Even and Odd CV inputs are summed to their respective channels to provide a rhythmic modulation reference between multiple channels.

Which Sequencers/Control Voltage Sources Work

Each model of voltage sequencer will have different effects on the tonality of the instrument due to differences in power and feature sets between manufacturers. NOTE: The strongest recommendations for Noon are currently the Arturia Beatstep Pro and Eurorack modular systems. This is due to the strength of power provided and quick access to gate/control voltage variations. Noon has shown great results with these sequencers (and voltage source examples) thus far:

-Sequentix Cirklon / Arturia Beatstep Pro & Keystep Pro / Ableton Push 3 / ALM Busy Circuits Pamala's Workout / Make Noise 0-ctrl / Westlicht Per Former / Motu Ultralight as CV interface / Qu-Bit Contour / Schlappi Engineering Angle Grinder / Music Thing Turing Machine + Pulses mkii / Polyend Poly 2 / Sixty Four Pixels CV.OCD / Social Entropy Engine / Making Sound Machines Stolperbeats / Soma Ornament-8 / Soma Pulsar-23 / Acid Rain Technology Constellation / Five12 Vector Sequencer / Mannequins Just Friends / Mutable Instruments Marbles & Stages / Expert Sleepers ES-9 & FH-2 / OXI One / monome teletype + meadowphysics / Meng Qi Voltage Memory / vpme.de Euclidean Circles v2 / ET Levit8 / MPC One / WMD Metron / Tiptop Audio Trigger Riot / Shakmat Four Bricks Rook / Frap Tools Falistri / Lorre Mill Double Knot / various audio rate oscillators

Which Sequencers/Control Voltage Sources Don't.

Given the very close relationship between Noon and what's driving it you could experience non-flattering results in some cases. Mostly, USB powered sequencers (other than the BSP) provide less power. Please Note: two of these were listed in the working category previously but after some circuit changes and further testing, it is recommended that you don't use these without using an external MIDI to CV converter for additional power. Note II: you can still get some good sound out of them!

-Korg SQ-64 (low power, **However, using a Volca power supply and updating to the newest firmware is a big help)

-Synthstrom Deluge (low power, can activate some voices but not all)

-Torso T-1 (low power, can activate some voices but not all)

Audio

The sound examples below were sequenced/powered using the Arturia Beatstep Pro, unless otherwise noted. Some examples use 12v, 10v and 5v gates.

No swing is used in the examples and all pattern examples are quantized.

No compression, limiting or effects are applied. Please use caution when listening at louder volumes.

Recommendations & Limitations

A voltage sequencer, modular system or some form of external control voltage is required for use. This is a powerless instrument which relies upon receiving voltage and control from external sources.

Using sequencers which have the ability to vary gate length is highly encouraged due to the increase in sound possibilities and rhythmic movement.

Given the passive design of the device the reaction of the touch plates will vary greatly based upon what voltages are being received in which channel, how many channels are being touched, skin moisture and gate lengths. Using only trig signals can significantly lessen touch plate response.

Noon's volume controls and mixing are done passively which can create situations for non-linear behaviour, interaction between channels, audio bleed and at times affect overall chaos during droning patches. To fully mute a channel the mute buttons should be utilized because the individual sliders will still allow some audio through at the lowest setting. Noon's two dedicated CV inputs are also passively summed to the even and odd channels. This can create cross talk, audio bleed and interaction between even and odd channels when utilized- however these additional interactions can be viewed as a feature rather than a limitation.

Sequencers with USB power should be used with a USB wall adaptor because powering via a computer can create background noise in Noon. Sometimes that extra noise sounds nice and sometimes a bit annoying.
Channels 7 & 8 (Larynx & Bacid) will give best results being fed gate and cv voltage simultaneously. Sending trigs instead of gates to these channels may have less interesting results than found in other channels.


Specifications

Dimensions: 32cm x 18cm x 2.5cm / 12.5" x 7" x 1"
Materials: Gold plated PCB (2mm fiberglass) / routed Birch plywood case with clear coat / metal shaft sliders with rubber caps / concave and dual LED latching push buttons
Weight: 0.9 kg. / 2 lbs.
CV Inputs: 10 x 3.5mm jacks
Audio Input: 1 x 3.5mm jack
Audio Outputs: 10 x 3.5mm jacks
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Ohm Force Ohmicide Multi-Band Distortion Module
Cat: 1020412 Rel: 12 Jun 24
 
Multi-band distortion module - 14HP
Notes: Ohm Force's genre-defining 'shaper' distortion plugin comes to Eurorack in this neatly designed module. Over 100 distortion programs in full stereo, with plenty of hands-on control and extensive CV modulation options.

Supplier's Notes:
Time to get away with murder

From the plugin that redefined distortions forever

111 different distortions and shapers in one single 14hp module

Full stereo

Advanced performer modes

Back on Eurorack

Ohmicide Eurorack is an adaptation of the legendary distortion plugin that defined the now well populated category of "shaper" effects. Amongst the numerous things that made it a hallmark plugin was the carefully crafted distortion library covering all things known and many more unknown. All of those 111 distortions are now ready to burn your finger tips in a remarkably versatile module delivering huge sonic possibilities. ant let you change the texture of your VCOs, drums and samples in subtle or brutally unsubtle ways. Use all sorts of distortions, including bitcrusher, freezer, filtering and jellyfish variety.

Wiggle. Listen. Drool.

With a routing redesigned for Eurorack you'll need little learning to go straight to soundscape heaven (or hell, preference may vary). Shape the frequencies you want with the XOVER and the two Low Pass Filters. Explore the impact on all of your sounds, from mono VCO to stereo drums loops. Cycle through TYPE to find a fit or get nice surprises then tweak BIAS and MOD to explore new forms of madness.

It's alive

Ohmicide Eurorack features CV for all of its parameters including four with attenuverters. It also has automatic gain staging that is essential to the distortion delivering texture, not just loudness. And for your live experience we incorporated a performer mode that let you store and even automate preset switching. Ohmicide is lovingly crafted based on decades of experience in distortions. It's a module to lose yourself in for long sessions of sound exploration - or simply to get uniquely aggressive leads and drones.

Specifications:

Width: 14HP
Depth: 26mm
+12V: 120mA
-12V: 10mA
+5V: 0mA

Audio

Sample Rate: 48kHz
Hardware audio converters bit-depth: 24-bit
Internal processing bit-depth: 32-bit floating point
True Stereo Audio
High fidelity Texas Instruments Burr-Brown audio converters

Controls

Knob resolution: 16-bit (65536 distinct values)
CV inputs
Voltage: +5V (0..5V compatible)
Resolution: 16-bit (65536 distinct values)

Memory

Current distortion type, screen contrast and saver mode, TYPE and FAM CV +5V or 0..5V options
16 sequences
8 steps, each step being a snapshot of all knobs and switches
All knob options
Sequence length
Step reset mode

USB Port

Type: Micro-B
The USB port is only used to update the module firmware.
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quote 1020412
Patching Panda Etna Triple Analogue Multimode Morphing Filter Module
Cat: 1024253 Rel: 20 Jun 24
 
Advanced triple-control analogue multimode morphing filter & digital control module - 20HP
Notes: Etna is an advanced triple-control Analogue Multimode Morphing Filter & Digital Control, that has been meticulously designed for precise and dynamic sound shaping. It allows for rapid or smooth transitions between diverse filter settings, known as snapshots.

Each snapshot comprehensively defines all of the filter's parameters, which can be adjusted either swiftly or gradually. These transitions are controlled through an applied voltage or clock and triggers, with the flexibility to use up to eight distinct stages for creating complex filtering effects in various audio applications.

In addition to its morphing capabilities, Etna incorporates analog controls that enable real-time, expressive modifications to the parameters of each saved snapshot. This enhancement not only enriches the morphing process but also provides a tactile, live experience that adds significant depth and nuance to the audio output, making it a powerful tool for both studio and live performance settings.

The response of each filter has been designed with top-end components, incorporating Q and passband compensation. This enables its use as three multimode filters, with all necessary analog control.

Dimensions: 20 HP
Power consumption: 165mA@+12V, 88mA@-12V
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 1 in stock $409.95
Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (black)
Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (black) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)
Cat: 963504 Rel: 20 Jun 24
 
4x VCA-decay & mute group module - 16HP.
Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.

This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.

Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.

The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.

Key Features:

Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.

Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.

This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.

Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.

AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.

Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.

16 HP
Power consumption 180mA@+12V, 64mA@-12V
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Rides In The Storm BOC Discrete Analogue Oscillator Module
Rides In The Storm BOC Discrete Analogue Oscillator Module (oscillator/frequency divider/ring modulator/waveshaper module)
Cat: 1000348 Rel: 19 Jun 24
 
Discrete voltage controlled oscillator module - 12HP
Notes: BOC

Discrete VCO/LFO with stabile tune, tracking and wide spectral range

Full sound with defined low end and superfast edges for best brilliance

SINE, TRIANGLE, RAMP, PULSE and TRIANGLE-WAVEFOLD OUTS

FOUR SUBOSCILLATOR OUTS: Fifth below: 2/3 (SQU) Fourth below: 3/4 (SQU) One Octave below: 1/2 (PW, SAW, TRI) Two Octave below: 1/4 (PW,SAW,TRI) GRAVITY OUT (TRI and SUB 3/4 with XOR)

PW, PWM for core VCO and SUB 1/2 & SUB 1/4 RESET (SYNC)

Voltage Controlled SOFTSYNC (FALL & RISE edge SYNC)

WAVEFOLDER CV IN

Linear FM and exponential FM with ATTENUATORS

Jumper at the back to switch from BUS CV to PATCH CV and BUS RESET to PATCH RESET

Screwed metal shaft potentiometer

Rackspace: 12HP
Depth: 25mm
Power consumption: +/-100mA
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Rode Interview Pro Wireless Handheld Condenser Microphone
Cat: 1014317 Rel: 04 Jun 24
 
Wireless handheld condenser microphone
Notes: Top quality performance from Rode's Interview Pro, compatible with all Rode Series IV wireless receivers. Up to 200 metres range, with broadcast-standard sound and over 40 hours of on-board recording.

Supplier's Notes:
The Interview PRO is a broadcast-quality handheld wireless microphone that's ideal for capturing professional audio in a wide range of content creation, media and broadcast applications. It pairs seamlessly with all RODE Series IV wireless receivers, utilising state-of-the-art 2.4GHz digital transmission to deliver incredibly stable audio with a range of up to 200m (line of sight). Featuring a high-quality omnidirectional condenser capsule, 32-bit float on-board recording, and intelligent GainAssist technology, it delivers professional results in any recording scenario.

The Interview PRO can be used as a standalone field recorder, but for wireless operation, a RODE Series IV receiver or compatible product is required.

Pristine Wireless Audio in Your Hands

Combining the ultimate flexibility of RODE's cutting-edge wireless technology with the pristine audio quality of a broadcast-grade condenser microphone, the Interview PRO is a compact, versatile and professional solution for capturing your voice in a wide range of applications, from interviews and media to small presentations and content creation.

The Perfect Mic for Your RODE Wireless System

The Interview PRO is compatible with all RODE Series IV wireless receivers. This includes the ultra-versatile Wireless PRO, Wireless ME and Wireless GO II compact wireless systems for recording broadcast-quality audio into your camera, smartphone, or even a computer. It can also be paired directly to the RODECaster Pro II and Duo, just like an XLR microphone - perfect for podcasts and small presentations where you need the freedom of wireless.

The Leaders in Wireless Audio Solutions

The Interview PRO utilises RODE's state-of-the-art Series IV 2.4GHz digital transmission with 128-bit encryption to deliver incredibly stable wireless audio with a range of up to 200m, line of sight, and is optimised for extremely stable close range operation. It pairs in seconds with minimal setup required, so you can get creating right away.

Perfect Sound, Every Time

Designed to be as easy to use as possible, the Interview PRO features RODE's intelligent GainAssist technology, which automatically controls your audio level on-the-fly to make sure it doesn't clip or distort. With two different modes available, GainAssist will ensure your audio is perfect every time.

Broadcast-grade Voice Capture

The Interview PRO's broadcast-grade condenser capsule delivers rich, detailed voice reproduction and its omnidirectional polar pattern makes it very forgiving when it comes to mic placement - the perfect combination for street interviews, presenting and more. Featuring an internal pop filter, an included windshield, and internally shock mounting around the capsule, the Interview PRO is primed to protect against plosives, wind noise and handling noise, keeping your audio pristine.

Present, Interview, Create

Whether you're presenting in the field, conducting street interviews, hosting a casual podcast or creating content on the move, the Interview PRO's unique set of features make it an ultra-versatile and high-quality solution for capturing your voice.

Never Lose a Recording

With over 40 hours of 32-bit float on-board recording, you have the ability to recover any recording in post-production that was too loud or too quiet, so you can always be sure that your interview, presentation or performance has been captured safely. You can even record without the Interview PRO connected to a receiver, making it an ideal portable field recorder.

RODE Central

RODE Central is an easy-to-use desktop and mobile companion app that allows you to configure your Interview PRO anywhere, access and export your on-board recordings (desktop only), and update your firmware. Download it for free to unlock the full potential of your Interview PRO.

Note: OS Requirements - MacOS 10.15 or later; Windows 10 Version 1803 or later; iOS 14 or later; Android 9.0 or later.

Specifications

Capsule: Electret Condenser
Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20Hz - 20kHz
Signal-to-Noise Ratio: 74dB
Dynamic Range: 102dB (as per IEC651)
Maximum SPL: 122dB SPL
Wireless Connectivity: RODE Series IV Wireless 2.4GHz
Transmission Range: Up to 200m (line of sight)
Computer Connectivity: USB-C (USB SuperSpeed 5Gbps)
Power Requirements: In-built lithium-ion rechargable
(charged via USB)
Recording Capacity: 32GB (over 40 hours of recording)
Operating Time: Up to 25 hours
Bit Depth: 32-bit
Sample Rate: 48 kHz

Minimum OS Requirements: macOS 11
Windows 10: iOS 14, Android 11

Compatible RODE Software: RODE Central, RODE Connect, UNIFY, RODE Reporter, RODE Capture, RODE Central Mobile

Mechanical specifications

Colour: Black
Weight (grams): 250
Dimensions (millimetres):
Length: 258
Width: 47
Height: 47

What's in the Box

1 x Interview PRO
1 x RM3
1 x SC34
1 x Windshield
1 x ZP2
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Serge VC Resonant Equalizer Module
Cat: 1027562 Rel: 14 Jun 24
 
Filterbank module with 10-bands - 42HP
Notes: Another classic Serge design comes to Eurorack courtesy of Random Source. The ten-band filter bank can be voltage controlled independently on each frequency band for unique formant effects.

Supplier's notes:
The legendary Serge Resonant EQ is a filterbank with ten bands, designed for electronic sound synthesis and processing, providing formant peaks and valleys similar to those found in acoustic instruments. It is one of the most unique sounding modules with an enormous spectral range. For the VC version, voltage control over each individual band has been added - an attenuverter (CV processor) allows to determine exactly whether the CV applied shall emphasize or decrease each filter band. Each band now also has an individual output.

The CV inputs can also be abused to feed audio signals - e.g. form an external oscillar or one of the individual outputs - into the system.

The eurorack version adds a two-channel mixer with attenuators and a Feedback section which allows to feed back the output signal. A powerful tool for sound processing but also for sound creation!

There are three equalised outputs: the two Comb outputs provide the sums of the two alternate filter bands while the two top outputs are the mix of all filter bands. Please note that there is no sharp separation between the bands, moving any frequency knob will have an influence on both Comb outputs.

Serge VC Resonant EQ for eurorack:

Original Serge
Circuit identical to 4U version ("Siegfried")
Eurorack format (3U), 42 hp
Power consumption: 220mA @ +12V, 200mA @ -12V
Skiff-friendly: < 25mm (1")
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Soundrise Big-5 Desktop Large Monitor Stands (black, pair)
Cat: 1022090 Rel: 17 Jun 24
 
Pair of desktop stands for large DJ speakers or studio monitors
Notes: Heavy Duty Stand for Desk or Floor Speakers

Their flexible top plates and silicone feet eliminate vibrations for clearer sound, while the 5" rise positions tweeters at ear level to widen your stereo image. The C-shaped aluminium frame lifts monitors 5 degrees to reduce desk resonance and declutter your workspace, with cutouts for organized cable management.

Built in the USA, these sturdy, stylish stands fit most speakers 8" or larger and have a 40 lb capacity, improving bass accuracy and mid-range clarity so you get the most out of your speakers.

Get the truest, clearest sound out of your large 8" or bigger desktop studio monitors.

Top Plate: 12 in x 10 in Bottom Plate: 11.5"W x 11.5"D - Vibration Isolation support for large desk and floors speakers, centre channels, and powered subwoofers.

Optimized for 8 -12 in Studio Monitors - Perfect for Kali Audio IN-8, Adam Audio T8V, Yamaha HS80M, KRK Rokit 8 or KRK 8-12 in Powered Subwoofer, Genelec 8351B, Neumann KH 310, Focal Trio 11, PreSonus Eris E8.

Weight Capacity - Each stand can handle up to 40 pound speaker. Angle 5-degrees up or down depending on forward/backward direction of stand.

Single Piece of Laser Cut Aluminium - Each stand weighs 4 pounds, coated in industrial grade powder coat to last a lifetime.

Includes set of 1in rubber circle feet (8-Pack) to protect against sensitive furniture.
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Soundrise Domes 1.25" Vibration Isolation Pads (pack of 4)
Cat: 1022103 Rel: 17 Jun 24
 
Class-A silicone vibration isolation pads self-adhesive
Notes: Reduce Studio Speaker and Equipment Vibrations with Advanced Soundrise Isolation Domes

While you might have the very best audio, stereo, and speaker equipment on the market it often struggles to get the sound quality you deserve because of natural vibrations produced when you turn up the volume. That's why you need a smarter, more effective way to limit or eliminate these vibrations to let the clear, crisp sound quality shine through.

These Soundrise Domes were created to do just that using the highest-quality Class-A Duro-20 silicone possible. Simply stick them under the surface of y
equipment and stop the rattling, shaking, and vibrations and capture premium Hi-Fi sound.

Class-A Silicone

Support Up To 55 lbs per DOME
Self-Adhesive Backing
Thick, Durable Duro-20 Material, Shore-A Hardness
Pure, Uncoloured Design Will Not Harm Surfaces
SKU: 4domes125
Rich Black Finish

The silicone isolation feet are completely blacked out to make them easier to hide under the surface of your equipment, so they look like a more natural piece and not a tacky add-on.

Thick, Durable Material

Soundrise use Duro-20 silicone not only because it offers better sound absorption and vibration elimination but also because it offers stronger, more balanced support if you need to move gear.

All-Purpose Sound Isolation Pads

From your favourite record player in your living room to those studio monitor speakers you use behind your computer, these versatile sound isolating domes can be applied to almost any audio equipment to help you get crisper, cleaner sound anywhere.
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Soundrise Domes 1.25" Vibration Isolation Pads (pack of 8)
Cat: 1022108 Rel: 17 Jun 24
 
Class-A silicone vibration isolation pads self-adhesive
Notes: Reduce Studio Speaker and Equipment Vibrations with Advanced Soundrise Isolation Domes

While you might have the very best audio, stereo, and speaker equipment on the market it often struggles to get the sound quality you deserve because of natural vibrations produced when you turn up the volume. That's why you need a smarter, more effective way to limit or eliminate these vibrations to let the clear, crisp sound quality shine through.

These Soundrise Domes were created to do just that using the highest-quality Class-A Duro-20 silicone possible. Simply stick them under the surface of y
equipment and stop the rattling, shaking, and vibrations and capture premium Hi-Fi sound.

Class-A Silicone

Support Up To 55 lbs per DOME
Self-Adhesive Backing?
Thick, Durable Duro-20 Material, Shore-A Hardness
Pure, Uncoloured Design Will Not Harm Surfaces
SKU: 4domes125
Rich Black Finish

The silicone isolation feet are completely blacked out to make them easier to hide under the surface of your equipment, so they look like a more natural piece and not a tacky add-on.

Thick, Durable Material

Soundrise use Duro-20 silicone not only because it offers better sound absorption and vibration elimination but also because it offers stronger, more balanced support if you need to move gear.

All-Purpose Sound Isolation Pads

From your favourite record player in your living room to those studio monitor speakers you use behind your computer, these versatile sound isolating domes can be applied to almost any audio equipment to help you get crisper, cleaner sound anywhere.
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 1 in stock $18.49
Soundrise Pro-5 Desktop Monitor Stands (black, pair)
Cat: 1022068 Rel: 14 Jun 24
 
Pair of desktop DJ speaker and studio monitor stands
Notes: You've finally invested in high-end desk speakers. However, as soon as you start playing your mix, you hear subtle but noticeable vibrations and rumbling sounds coming from the surface of your table.

Upon hearing such noises while listening to music, any audiophile is sure to look for ways to improve and optimize their setup. If you want to bring the best clarity out of your audio, placing your speakers on the C-shaped risers is the answer.

Flexible 6" x 5.5" top plate decouples studio monitors before vibrations reach the desk. This avoids unwanted resonance which results in a more accurate bass and tweeter clarity. from your bookshelf or computer speakers.

Zero Desk Vibrations - With their flexible top plate and silicone rubber feet, these C-shaped speaker monitor stands help eliminate shock, bouncing, and vibrations that help reduce sub-bass and resonance from your desk.

Declutter Your Workspace - With a 5" rise and 5- incline these studio speaker stands for desk clear up space under each monitor for storing gear. Cutouts on the guide rail make it easier for you to organize cables.

Stylish & Functional - Showing off an original design since 2015, each aluminium speaker stand for desk is ready for year-round use. Each speaker desk stand has a maximum load capacity of up to 18 lbs.

A Sure Fit - Made in the USA, each desktop speaker stand fits most 5" subwoofers, satellite speakers, or studio monitors.

Here are more reasons to love these desktop speaker stands:

Soundrise Pro-5 Speaker Stands (Pair)
Features 5" Rise with 5-Degree Incline
Optimized for 5" Studio Monitors
Pre-Attached Silicone Rubber Feet
Supports Up to 18 lbs. (Each)
Top Plate: 6.5"D x 5.4"W
Bottom Plate: 7.5"D x 5.5"W
Overall Weight: 1.125 lbs. (Each)
Trusted American-Made Quality
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 1 in stock $115.16
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quote 1022068
Soundrise Pro-9 Desktop Monitor Stands (black, pair)
Cat: 1022084 Rel: 17 Jun 24
 
Pair of desktop DJ speaker and studio monitor stands
Notes: Audiophiles will notice a wider stereo image when the flexible top plate dampens vibrations from the speaker. That's why Soundrise developed the PRO-5 Studio Monitor Stands to do more than just "save space" but open up your sound quality like never before.

Designed to increase speaker base accuracy, improve mid-range clarity, and dampen vibrations with a smart, well-crafted frame that helps you get the most out of your speakers. Audio engineers, and mixing and mastering artists can tell this subtle difference.

Music to Your Ears - Treat your ears to superb sound with the help of these desk speaker stands. Each speaker stand positions the tweeters at ear level to widen your stereo image.

Zero Desk Vibrations - With their flexible top plate and silicone rubber feet, these C-shaped speaker monitor stands help eliminate shock, bouncing, and vibrations that help reduce sub-bass and resonance from your desk.

Declutter Your Workspace - With a 9" rise, these studio speaker stands for desk clear up space under each monitor for storing gear. Cutouts on the guide rail make it easier for you to organize cables.

Stylish & Functional - Showing off an original design since 2015, each aluminum speaker stand for desk is ready for year-round use. Each speaker desk stand has a maximum load capacity of up to 28 lbs.

A Sure Fit - Made in the USA, each desktop speaker stand fits most 5-8" subwoofers, satellite speakers, or studio monitors.

Here are more reasons to love these desktop speaker stands:

- Package Contains 2 Stands

- 9x6.5" top plate, 9x7.75" bottom plate


- Supports up to 28 lbs. each


- Fits most 5-8" speakers


- Ideal present for audiophiles, DJs, or sound technicians
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 1 in stock $170.63
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Suzuki Omnichord OM-108 Power Supply Unit
Cat: 1027942 Rel: 17 Jun 24
 
AC adapter 100-240V
Notes: 100-240V AC adapter for the Suzuki Omnichord OM-108.
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 2 in stock $31.68
Suzuki Omnichord OM-108 Synthesiser (AC adapter not included)
Cat: 1010491 Rel: 10 Jun 24
 
Omnichord synthesiser
Notes: Suzuki's iconic Omnichord returns with the OM-108, a modern update of the classic formula featuring new digital synth sounds alongside the original omni1 and omni2 analogue synth circuits.

Supplier's notes:
Released in 1981, the Omnichord is an electronic musical instrument with an automatic accompaniment function (auto bass/chord) and equipped with a harp sensor. By pressing a chord button and sliding your finger on the harp sensor (strumplate), an arpeggio corresponding to the chord is heard, allowing anyone to easily accompany a song. Omnichord does not require any previous musical experience with an instrument, or even knowledge of staff notation. All that is needed are the chord names required to play a song which is a method commonly known as 'tab'. Combined with its portability, Omnichord became extremely popular, especially in Europe and America as a new musical instrument that anyone can enjoy - anywhere. In addition, due to the unique electronic sounds that are reminiscent of the 80's, and the tactile way musical expressions are achieved, Omnichord has developed cult status around the world. It not only appears in recorded music, but also publicity photos, and has featured in the titles of songs and albums. The Omnichord name was discontinued after the OM-300 (released in 1996), but its popularity as a unique musical instrument has endured the test of time, and now, over 40 years later the Omnichord returns with the OM-108.

Simply press a chord button and slide your finger on the strumplate. In this way, you can play accompaniment to almost any song on the very same day you first try the Omnichord!

Suzuki put a great deal of effort into the design of the Omnichord so that it accurately reproduces the sound of the OM-84, a model that is hailed as a masterpiece for its tone and versatility. To achieve this in the OM-108, Suzuki decided to apply the same method for sound creation as the OM84, incorporating real analogue circuitry into the new model. In total, the OM-108 is equipped with 10 types of strumplate tones, whilst "omni1" and "omni2" reproduce the classic sound of the OM-84, revived for future generations to enjoy.

The OM-108 includes a selection of timeless instrument tones that are both retro and current. The "celeste", "harp", and "piano" featured in previous models. The "FM piano" tone is new, this is an electric piano sound that helped define 1980s music. The OM-108 is equipped with. "omni1" and "omni2" which use real analogue circuitry. Other tones are reproduced using PCM sound generation.

There are 10 tones...omni1/omni2/harp/celeste/A.piano/guitar/FMpiano/organ /vibes/banjo(omni1 and omni2 have the same Main Voice but different Sub Voices).

The model OM-84 was equipped with two electronic harp tones, allowing the tones to be layered and played. OM-108 reproduces this function. A tone that sounds beautiful when layered with the Main Voice has been assigned as a Sub Voice. To control each layer, simply turn the appropriate Volume knob. This enables real time control changes adding expression to your sound.

Even though many rhythms included in the OM-108 share the same names as previous models, they have been updated to incorporate rhythm patterns that are current. Also, for the first time on Omnichord, a trap beat (Hip Hop) has been included. Suzuki have selected "usable" rhythms that will allow you to play a wider variety of songs.

There are 10 kinds of rhythm...rock1/rock2/slow rock/country/swing/disco/hip hop/funk/bossanova/waltz

The "sus4"' and "add9" chords, often used in popular music, have been added. It is now possible to play a total of 108 chord types, hence the model number 'OM-108'. The Omnichord has developed into an instrument that can be played more intuitively without having to substitute other chords.

Equipped with a wide type strumplate similar to models OM-100 onwards. Every corner of the plate responds sensitively to light touch, so you can concentrate on playing without stress.

In addition to the melody keyboard, the OM-108 is equipped with drum pad mode for the first time as a function (when the "KEYBOARD" button is pressed). Owners of the OM-108 will be pleased to note the drum pad is assigned not only to the chord button, but also to the strumplate. This allows for the creation of interesting beats using the OM-108 retro drum kits.

The OM-108 not only sends chords and strumplate data, but also drum performance information from MIDI OUT. Strumplate information can be sent on two MIDI channels, allowing you to layer tones with external MIDI sound sources, or to layer the OM-108 internal sounds with external sound sources. The OM-108 has evolved into an instrument that invites you to explore more creative sounds using MIDI.

The OM-108 includes rhythm voicing from the OM-84, which is extremely popular for its early 1980s retro sound. You can switch the rhythm tones between OM-108 and OM-84 by using a special 'power-on' operation.

Although it has a built-in speaker, the Omnichord is small, lightweight, and battery-powered*, making it easy to carry and play. Connect an external amplifier and headphones, and you can perform anywhere, such as in the studio, performing at a live venue, or just playing in your bedroom! *Powered by 8, AA batteries or dedicated AC adapter (both sold separately).

Using "REAL TIME CONTROL", the OM-108 integrates multiple functions for switching the way chords and rhythms are played. Whether you want to play at free tempo (without rhythm), add bass accompaniment, or start with a drum prelude, you can easily switch in real time even during a performance.

When connecting to an external speaker etc., you can turn on/off the sound produced by the speaker of the instrument. This is useful when you want to monitor your own sound during live performances. This is a new feature included on the OM-108 in direct response to user's requests.

Specifications

Chord buttons: 38
Chords: major, minor, 7th, major7th, minor7th, augmented, diminished, suspended4th, add9th
Voices: 10 tones (main, sub tones) / 4 octaves
Rhythm Pattern: 10 patterns
Control: Master Volume, Chord Volume, Main Voice Volume, Sub Voice Volume, Sustain, Rhythm Volume, Tempo
Button Controls: Power, Chord, KEYBOARD ON/OFF, Voice Select, Rhythm Select, Chord-Manual/Auto, Chord Hold, Rhythm-Start / Sync Start
Other Functions: Instant OFF, Transpose, Octave Shift, ON/OFF SPEAKER, Master Tuning
Speaker: 10cm
Amplifier output: 4.3W
Jack: DC inlet, LINE OUT (monaural standard), headphone output (Stereo mini), MIDI OUT
Power Supply: AC adapter, 8 AA alkaline or Ni-MH batteries (all sold separately)
Power consumption: 3.7W
Continuous battery operation time: Approximately 8 hours
Measurement: W45.7 x D25.0 x H5.18cm(17.99 x 9.84 x 2.04 in.)
Weight: 1.2kg(2.65lb)
Accessories: Melody keyboard overlayer

Accessories (sold separately, not included)

AC adapter 100-240V
AD1-1210A(100-120V)
AD3-1210A(220-240V)
Strap pin OSB-108
Gig Bag OGB-108
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 2 in stock $771.30
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