Review: Counting Crows' sequent 2021's Butter Miracle: Suite One with The Complete Sweets! Now expanding on the themes of its predecessor, the record hears all four tracks from Suite One alongside five new songs, blending this heartsick Berkeley, CA band's signature storytelling with sweeping melodies and raw emotion. Leading the charge is 'Spaceman In Tulsa', a striking single that not only marks their first new music in nearly five years, but appropriately concerns itself with the theme of metamorphosis - "the way music breaks down who we were and spins us into something new. It's about broken lives becoming something better," in the words of frontman Adam Duritz. The record coincides with a fresh tour kicking off in Nashville in Spring 2025, with stops across North America and Europe.
Review: Angus from Australian indie folksters Angus and Julia Stone has an unearthly beauty to his voice so we're always partial to checking out what he's turned his hand to. This is his fifth studio album under his moniker Dope Lemon and it follows his acclaimed 2023 album, Kimosabe. There's certainly an axis between 'Golden Wolf' and some of the early Angus and Julia Stone, but with more of a Killers-esque rock engine to it. Elsewhere, 'Electric Green Lambo' takes us on a detour through some funky, soulful grooves that would suit blazing a cigar in the Havana sun. And the sleek 'Sugarcat' has the strongest beat of the set and it's a guaranteed mood bump every time you hear it.
Review: In 1984, Gary Numan launched Numa Records and started a new phase in his career with the release of Berserker. This album introduced a harder-edged digital sound into his canon while maintaining the analogue textures of his earlier work. It's a testament to the fact that Numan's creative evolution never stopped and blends both personal and fictional narratives into haunting tracks like 'My Dying Machine,' 'This Is New Love' and 'Berserker.' The remastered double vinyl edition includes the original album with bonus tracks that add extra perspective to this pivotal period in his career.
Review: Hailing from The Gret White North's Toronto, PUP (Pathetic Use of Potential) are your favourite current punk band's favourite current punk band. Originally formed in 2010, the past decade and a half has seen the group deliver one consistent album of bangers after the next, with their new fifth full-length Who Will Look After The Dogs? arriving three years on from 2022's The Unraveling Of PUPTheBand, proving that prior titular statement to be mistaken information. Expanding their sonics as far as their musical palettes, the LP showcases the debaucherous yet earnest Canadian troubadours pulling simultaneously from both more radio-centric college rock as well as more intense hardcore this time around, while modern punk legend (and once Bomb The Music Industry lynchpin) Jeff Rosenstock makes a standout appearance on the latest single 'Get Dumber'. Gritty, melodic, and sincere, all within the same breath (or verse), it's a tough year for any punk band to compete whenever PUP rear their grimy head.
Review: Toronto's PUP are your favourite modern punk band's favourite modern punk band. Over the past decade, they've delivered one consistent album of bangers after the next, and now they return three years on from 2022's The Unraveling Of PUPTheBand to prove that title as mistaken information. Who Will Look After The Dogs? serves as the fifth full-length from the debaucherous yet heartfelt Canadians, stretching their sonics as far as their palettes, pulling from both more radio-centric college rock and simultaneously much heavier hardcore this time around, while once Bomb The Music Industry lynchpin and nowadays punk rock troubadour legend Jeff Rosenstock makes an appearance on latest single 'Get Dumber'. Not so much the "Pathetic Use of Potential" that PUP still claim to be.
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