Synth modules

Notes: The most complex modulator is you. The Planar 2 puts macro control over six outputs - including a quad panning mixer - into your hands with a buttery smooth joystick. Record up to 30 seconds of your own movements, stretch it or mangle it with scan mode, use a trigger for playback, or just loop it - synced or not. Add yourself to your patch.

With its smoothly responsive precision joystick, Planar 2 facilitates hands-on vector control of two entirely independent sets of outputs (quadrants A-D, and axis X/Y), plus the ability to capture and playback your gestures. Recording your joystick movements enables the creation of organic and complex envelopes, wild and wobbly LFOs, or extended sonic evolutions. It mixes, morphs, routes and pans audio inputs; triggers gates; outputs control voltages and is itself, CV-controllable. Planar 2 puts the 'joy' back in 'joystick,' and the 'fun' back in 'function generator.' Its multitasking and tactile interface makes it a flexible and unique control device, no matter what your musical genre.

Notes: Successor to the excellent Metropolis, the Metropolix is a performance-focussed step sequencer with some really neat features, including modulation and sub-sequences in Loopy mode.

Supplier's Notes:
The Intellijel Metropolix is a unique and powerful Eurorack format musical sequencer. With an abundance of hands-on, tactile controls and a wealth of modulation possibilities (both internal and external) you can quickly and easily create infectiously musical sequences that are never boring. Even the simplest riff can be brought to life with seemingly endless options to create variations or real-time manipulations. Equally at home in the studio or a live improvised performance, the Metropolix is sure to become a staple source of fresh ideas and killer riffs in your creative process.

Width: 34HP
Depth: 25mm
Power: 95mA @ +12V 10mA @ -12V

On first blush, it appears to be a simple 8-stage sequencer - but there is far more functionality than first meets the eye:

There are two tracks (TRK 1 and TRK 2) that are variants of the single master pitch/gate sequencer, which is programmed via the PITCH sliders, PULSE COUNT and GATE TYPE switches. Each track interprets the master sequence in a variety of ways - creating complementary sequence variations that enable you to generate counterpoint, polyrhythms, and all manner of sonic movement (both subtle and extreme). Each of these tracks has its own playback ORDER, sequence LENgth, clock DIVision, SWING amount, SLIDE time, and track GATE lengths. Other track-based sequence variables are accessible from the TRACK MENU, and include Pitch Slider inversion; sequence note range; track transposition; and more. In addition, Tracks 1 & 2 both have multiple lanes of per-stage playback parameters, including: GATE override; PITCH override; RATCHet count; PROBability of playback; ACCUMulating transposition, and a dedicated CV lane. Each stage also has a SKIP feature, and a pitch SLIDE option.

8 separate and individual MODulation lanes are accessed via the MOD button. Each MOD lane has 8-stages of modulation values and its own playback ORDER, LENgth, and clock DIVision; and each lane is routable to one of Metropolix' two assignable outputs or to dozens of internal destinations, allowing for some sophisticated and powerful self-modulation.

A trio of AUX inputs allows for external modulation of user-assignable sequencer parameters for even greater variation, while two assignable CTRL knobs give you direct access to the parameters you want to adjust most frequently during a performance. With dedicated Pitch/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.

Metropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even "play" the stage buttons directly (like a 'keyboard').

Metropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored in EPROM, ensuring that your Metropolix will always power up exactly as you left it - even if you haven't saved them to a preset. By default presets can change all the structural (menu-based) elements of your sequencer without overwriting the front panel controls, but full recall is also available.

The operation of the Metropolix is optimized for live performance and jamming, with quick access to all the most important performance parameters, and the ability to greatly affect your sequences with a single slider or switch.

Notes: Nicely thought out four-voice sample playback module from Parisian innovators Squarp. Load up a microSD card with samples (up to 2600 kits), then trigger and process. Neat.

** Firmware update- February 2024 ***

Thanks to a major rework of the OS, this upgrade includes an overall better sound quality and an improved latency.

Moreover, the effects Freeze and Bitcrusher have been redesigned, and the parameters Start and Sample Length are now exponential to facilitate the fine-editing of your samples.

Supplier's Notes:

Rample waves system

Eurorack 4-voice sample player & audio processor

Versatile sample machine

From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :

These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.

Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms.

Effects rack

Each voice has its own "rack" of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!

pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.

bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.

filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.

freeze - sample and loop a fraction of the played waveform, creating a glitching effect.

levels - decrease the gain or drive the signal.

It's also possible to edit 'advanced parameters' like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.

Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!

Multi-layer sampling

One of the key feature is the ability to "multi-sample" your kits, multiplying Rample's potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It's a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).

As an example, Squarp are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.

Another kind of multi-layered acoustic drum kit is also provided, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.

Of course, it's very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats, ...

CV/Gate and Midi interface

Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.

You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a 'stereo jack to midi DIN' and 'stereo jack to jack' adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

SD card preloaded with 200+ kits from artists and sound designers, covering a large range of audio samples

Notes: The Mutant Brain is the central nervous system connecting your modular analogue eurorack system to MIDI gear, especially for percussion, polyphonic notes and sync duties! It packs 16 eurorack compatible outputs into a tiny, super affordable 8HP package.

The 4 CV outputs and 12 Gate/Trig outputs are all universally reconfigurable. Triggers, gates, clock divisions and sync signals, polyphonic keyboard playing, velocity, sequencer transport, LFOs - you name it!

Configuring your patch is easy - just assign each output as you like in the Mutant Brain Surgery configuration utility, then send the MIDI SysEx file to the module and forget about it - the Mutant Brain remembers it all for you.

Hexinverter supply a convenient download pack of pre-configured, ready to use Mutant Brain patches for some select sequencing and drum machine devices on the market today, easily turning those sequencers and drum machines into a modular control powerhouse!

Designed with live and studio performance in mind, the Mutant Brain does away with wasted panel space and complex menu-diving interfaces, while freeing you from the limited "auto-learn" type MIDI interface. An auto-learn interface sometimes doesn't play well with the limitless combinations of different gear setups which today's modular performers play live with.

4 CV Outputs (0V to 8V) can be

Notes (Mono or Polyphonic, V/Oct or V/Hz)
Pitch Bend, Velocity or Aftertouch
MIDI CC values (LFOs, modulation, etc.)
Fixed Voltage Values
12 GATE Outputs (0 to 5V) can be

Note Gates and Triggers
Drum Triggers, Retriggers
MIDI Transport (Start, Stop, Run, Resets)
MIDI Clock Ticks (Divisions)
CC Value Above/Below Threshold
Each GATE output has an adjustable trigger length between 1 and 120ms

Dimensions
8 HP
38 mm deep

Current Draw
19 mA +12V
4 mA -12V

Notes: Pressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.

Notes: Small and efficient MIDI to CV courtesy of Intellijel's 1U series. Works in conjunction with an Intellijel case or the MIDI IN Jacks 1U module to give you Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset.

Supplier's Notes:
The MIDI 1U system provides all the essentials to control and sync your Eurorack modular from your computer, mobile, or hardware MIDI device with a minimum of fuss. Several of the module's most important features can be changed using the two front panel buttons, with full configuration capabilities offered via the Intellijel Config app, which is available for both Mac and Windows. The connectivity, feature set, expandability, and compact size make the MIDI 1U system ideal for integrating your modular gear with the rest of your rig.

Intellijel's MIDI 1U system comprises several elements, which work together to provide flexible, programmable MIDI-to-CV conversion to your Eurorack modules: The system comprises two mandatory components, and one optional component:

MIDI 1U module - This 14HP 1U module receives MIDI from an attached, external MIDI input connector (7U case, Palette case, or MIDI IN Jacks 1U module), and extracts (by default) Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset messages i sending the proportional voltages to individual 3.5mm jacks for patching.If desired, the CC and MOD jacks may be configured to respond to either Channel Aftertouch or High Resolution CC, and the Reset jacks can be configured as a Run jack, instead. Additionally, MIDI 1U features an alternate Dual Mode, which maintains the Clock & Reset functionality, but uses the other six jacks to transmit Pitch, Velocity and Gate messages derived from two separate MIDI channels.
MIDI input connector - the MIDI 1U module does not have its own MIDI input jack. This enables you to use the MIDI/USB inputs built-in to your Intellijel 7U Performance Case or Palette Case. If you don't own one of these cases, you can purchase the MIDI IN Jacks 1U module to connect an external MIDI device.
MIDI Expander 1U module - This optional 14HP 1U module connects to the MIDI 1U module and adds an additional eight 3.5mm CV outputs. These outputs are fully programmable using the Intellijel Config app, and greatly expand MIDI 1U's ability to control your entire Eurorack system.

Width: 14HP
Depth: 14mm
Power: 34mA @ +12V
2mA @ -12V

Notes: Multi-function eight-channel LFO, joystick, movement recorder and drone oscillator that packs in lots more functionality than you might expect. A real modulation powerhouse in a compact format.

Supplier's Notes:
Erica Synths Black Joystick2 is 8 channel multi functional CV and sound source - joystick, movement recorder, distinct LFO and drone/noise oscillator. It provides great interaction with the modular system and allows to develop unconventional modulation patterns instantly.

Notes: Really impressive sequencing module with a few clever tricks up its sleeve. Eight tracks of CV/gate with built-in effects (quantise, swing, arpeggiator, etc) for processing MIDI or CV inputs. Real-time recording, step sequencing, looping and much more.

Supplier notes:
Hermod brings together a powerful step sequencer, a CV looper, a real-time effect processor, LFO generators and a complete bi-directional MIDI-USB-CV input/output interface.

Record a performance at any time thanks to the CV inputs, the USB HOST, the USB DEVICE and the MIDI input. Create and edit your tracks with the STEP mode and its piano roll and automation view. Generate crazy patterns with the randomization tool.

Hermod is polymetric, it means that each track can have a different length, from 1 step to 64 steps. Moreover, you can zoom in to increase the resolution of the step sequencer (up to 512 steps).

Polymorphic tracks:

Thanks to Hermod architecture, a track can be a simple mono CV/GATE voice, but can be easily configured as a polyphonic track (up to 8 voices), a CV/GATE + velocity + aftertouch track, a modulation + clock track... in order to perfectly fit your Eurorack system!

Sequences and Projects:

The 8 tracks are grouped into one of Hermod's 8 sequences. Every sequence is totally independent and contains a new set of tracks to be played with, for a total of 64 tracks in a single project.

Dynamic effects:

All the fun in Hermod resides in its effect system, allowing you to transform input signals, whether it's MIDI or CV. You can stack on each track up to 8 real-time effects: Quantize, Swing, Arpeggiator, Ratchet, Random, Euclid, Glide, Harmonizer, Delay, Chance, Scale, LFO... Experiment with the effects position and parameters to generate eccentric melodies!

MIDI-USB-CV interface:

Full connectivity: control Hermod with plug-and-play midi USB devices, midi keyboards, computers or other Eurorack CV systems.

Hermod is also a great midi hub, allowing you to sequence midi synthesizers/drum machines and computer's virtual instruments. Of course, Hermod can be perfectly paired with Pyramid or other hardware and software sequencer, in order to benefit from its CV/GATE outputs.

With Hermod's rock-solid clock, this module becomes a great synchronization tool for all your setup! Thanks to its powerful CPU, even when synced/slaved, Hermod allows an ultra-low latency to make the perfect link between the digital world and the analog world.

The package includes:

- Hermod "Modular Brain" Black Edition
- 1GB micro SD card + SD adapter
- Power ribbon cable
- User guide (English)

Notes: Simple but effective four-channel module, allowing you to attenuate or offset CV or audio signals. Normalled 5V source on each channel allows you to generate a standalone CV signal without an input.

Supplier notes:

4TTEN (pronounced either ATTEN or FOUR-TEN) is a four channel attenuator and offset generator.
Use 4TTEN to attenuate any CV or audio signal by running through the ins and outs.
A +5V voltage source is normalled to each input, making it a standalone offset when there is no cable patched into an input.
Each channel is completely independent.
Ever-so-useful in live performance, we designed this module with 4 sliders for easy maneuverability, visual feedback, and enjoyable to play interface. Make your eurorack modular synthesizer system more playable with 4TTEN!
*** 4TTEN's PCB is 113mm (4.45") tall and may be a tight fit in some cases ***

Highlights

- 4 independent attenuators for Control Voltage and Audio signals
- Performance friendly sliders
- Can be used as 0 to +5V Offset
- Comfortable fader caps from the Performance Mixer
- Only 4 hp!

Specs:

Size: 4hp
Depth: 30mm(with cables)
Power: +5mA , -5mA
Virtually no drop on 1V/Oct signals.
VERTICAL PCB LENGTH: 113mm (4.45")
IMPEDANCE = (SOURCE + 100ohm ) / 100kohm
UNBUFFERED

Notes: AXON-2 is an 8HP expander module for the SQUID SALMPLE, MFX and Pamela's PRO Workout that like the AXON-1 provides 4 additional freely assignable CV inputs but additionally adds manual offset controls and 2 additional 'performance' buttons.

The addition of AXON-2 increases the Squid, MFX or Pam PRO's total number of CV inputs by 4, greatly increasing the possibilities for vast modular manipulation. Each of the CV inputs includes an offset for hands on control over parameters assigned to CV. Per assignment digital attenuation and offset via the host module is also available for fine tuning the modulation or control over parameters.

The AXON-2's large buttons are great for controlling select functions in a live performance environment or adding convenient quick navigation shortcuts when making edits. The buttons functionality and assignability are dependent on the host module. See respective manuals for details.

NOTE: AXON-2 support requires the latest firmware be installed for Pam Pro (120 or newer), Squid (187 or newer) and MFX (105 or newer).

Features
4 Additional freely assignable CV inputs for the SQUID SALMPLE, MFX or Pamela's PRO Workout
Manual offset knob controls
Two Assignable performance buttons for mutes, tap tempo, navigation, etc (dependant on module)
Powered directly from the module, no additional power header required
Made in England
Skiff friendly
Technical Specifications
Power: Additional approx 10mA on +12V

Size: 8HP

Depth: 38mm

Notes: Maestro is a 6 channel clocked modulation controller inspired by the automation lanes found in digital audio workstation software, brought into eurorack and made playable and performable. Maestro will push and pull the parameters of your other modules with rapid or slowly evolving voltages, always in perfect sync with eachother and the rest of your system.

Details:

20hp

25mm deep

65mA on +12, 18mA on -12, 0mA on 5V

Notes: *** Firmware update- February 2025 ***

Hermod+OS2.00

Again, a major firmware upgrade packed with exciting new features. This update offers a wealth of new creative tools and improvements.

Audio tuner

4 internal automation per track - MOD, MOD2, MOD3, MOD4

Automation per track : 7 (4x modulations + pitchbend + aftertouch + sustain

***

Parisian sequencer specialists Squarp turn up the goods once again with the updated Hermod+ module. Huge sequencing power for both MIDI and CV, with a range of monophonic and polyphonic features to get the most out of your sound sources.

Supplier's Notes:

Hermod+ adds so much to your system.

Based on the established Hermod workflow and keeping the same form factor, Hermod+ offers a lot of new features, and a refined, more playful interface with extended connectivity.

Record CV/Gate, MIDI notes and modulations on 16 polyphonic tracks. Compose melodic variations across 16 patterns per track, and take advantage of the advanced step sequencer and the new effects to gain efficiency and creativity in studio and on stage.

8 CV/Gate and 8 MIDI tracks

Hermod+ offers 8 CV/Gate tracks (that can also output midi) and adds 8 dedicated MIDI tracks for your extra gear.

CV inputs

Record, edit and loop analogue modulations or CV/Gate using the 4 CV inputs, and use them to synchronize Hermod+ to an incoming analogue clock.

Record live

With an improved resolution of 96ppqn, record and playback your CV/Gate or MIDI performance seamlessly without any noticeable note shifting, for up to 16 bars per pattern.

Polyphonic step composer

The revisited piano-roll now allows intuitive polyphonic editing. Edit or program chords, melodies and rhythms using the 16 built-in pads for a quick and playful composition process.

Automation

Program or record automated modulations (CV and/or MIDI) for each track, in addition to midi aftertouch, pitchbend and sustain voices.

Dynamic effects

Add up to 8 real-time CV/MIDI effects per track. All effects are non-destructive, so they can be edited at any given time to add some variations to a performance.

Advanced ModMatrix

Use the modulation matrix to link incoming CV or CC messages to effect parameters. Each modulations can be attenuverted and offsetted.

Playable song mode

Build your song structures using up to 16 sequences per project. Play them into a predefined order or launch them manually for improvised performances.

Synchronized project swap

Quickly save and recall your projects on the SD card. Project loading can now be done in sync, without interrupting your performance.

Boosted connectivity.

The missing link between your eurorack system and the rest of your studio.

Editing made simple.

Fluid workflow with a redesigned Step mode

Step mode is where you can edit notes, modulations and gate events. Hermod+ offers quick ways to write melodies and rhythms. Zoom in and out to visualize and edit portions of your track precisely and break free from rigid grid sequencing.

The re-designed piano roll editor makes the vertical and horizontal scrolling easier and faster, while the new "row edit" feature allows for quick chords and drum patterns programming.

Create modulation curves by programming them directly on Hermod+ or by recording incoming signals, and send those curves via CV or MIDI to other parts of your system.

Versatile interface.

Polymorphic layouts for perfect integration

Hermod+ can adapt its voice layout to any patching scenario. Depending on your needs, any track can become a modulation output, a monophonic CV/Gate track, a polyphonic MIDI track...

For a track of CV/Gate note + velocity + aftertouch, or for a polyphonic CV/Gate track, simply group voices using the desired layout.

Take advantage of the 8 dedicated MIDI tracks, that can record and be programmed independently from the 8 CV/Gate tracks. Up to 8 real-time effects per track with creative parameters and generative features. Hermod+ is the canvas, the paint and the brush of your setup.

Specifications

Sequencer
Tracks: 8 CV/Gate + 8 MIDI
Patterns: 16 per track
Recording resolution: 96ppqn
Track length: 1/16 note to 16 bars
Automation per patterns: modulation + pitchbend + aftertouch + sustain

Projects
Amount of projects: unlimited
Tempo: 10 to 280 BPM
Global transpose track: yes
Double project architecture: yes
Song chain length: 64 sequences

Piano roll
Zoom min: /4 (1 step = 1/4 note = 1 beat)
Zoom max: X8 (1 step = 1/128 note)
Note/gate width: 1/32 (1/512 note) to 8 bars
Maximum polyphony per step: 24
Row edit (polyphony editing): yes
Note pitch: C0 to C10
Note velocity: 0 to 127

Synchonization clock speed
Max input rate: 1/96 = 24ppqn
Max output rate: 1/96 = 24ppqn

Input
MIDI: TRS type A + USB host + USB device
CV: 4x [-5V to +5V]

Output
MIDI: TRS (type A) + USB host + USB device
CV: 8x [-5V to +5V]
GATE: 8x [0V / +5V]
Dedicated Clock port
Dedicated Reset port for transport

Power
Note: the use of your eurorack +5V rail is configurable with a switch on the back of Hermod+
Consumption (using +5V rail): -12V 20mA, +12V 20mA, +5V 820mA (add up to +500mA when attaching a controller on USB host)
Consumption (not using +5V rail): -12V 20mA, +12V 400mA (add up to +220mA when attaching a controller on USB host)

Hardware
Width: 26HP
Depth: 20mm
Weight: 285gr (0.63lbs)
CV inputs resolution: 16-bit
CV outputs resolution: 16-bit
Display: OLED 58 x 16mm
SD card: microSD high speed (provided)
CPU: ARM 480MHz

Notes: Black version of Bitbox's excellent sampling module. Touchscreen-based design allowing up to eight stereo samples, recording directly or loaded from SD card.

Supplier's Notes:
Bitbox micro provides Eurorack sampling for smaller racks and smaller budgets. In only 18 HP of rack space you can get a touch screen based sampler with support for 8 stereo sample pads. Now you can record samples directly into the module or load them from the microSD card. Trigger your samples via CV or MIDI, then apply effects and mix the outputs. Save your configurations to multiple presets for later reuse.

Powerful Sampling Capabilities in a Smaller Form Factor

With the sampling features of Bitbox micro you can add interesting new ways of generating sound and music to your Eurorack. Trigger one shots, play time synched loops or record live looping. Bitbox micro is equally at home in your studio or as a component of your live performance.

Features

Sample Playback
Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card
Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:
Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI and CV
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

Sample Modes

Find creative ways of using your samples with our 5 sample playback modes:
Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode

Inputs and Outputs

Use the 8 inputs the way you want: assignments include a stereo audio input, up to 8 gate inputs, up to 8 CV inputs and 1 clock input.
Route the audio from each pad out to one of 3 stereo audio outputs or one of 6 mono audio outputs
Listen to all of the pad outputs combined on the master stereo output
Inputs and outputs are DC coupled so you can record and play out CV signals
External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode i no need to look up CC numbers

Module Features

Use the 2" diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Refine your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Compare to Our Other Samplers
Our Sampler Selection Guide shows you how bitbox micro compares to our other samplers.

What Is Included

When you purchase bitbox micro, you will receive:

a bitbox micro Eurorack module
a microSD card with a bank of demo presets and samples loaded on it
a Eurorack power cable
a bitbox micro Quick Start guide
a MIDI Adapter
Firmware Updates
Get new features by downloading firmware updates from forum.1010music.com.

Documentation and Video Tutorials

The Bitbox Micro Support page has links to videos, the quick start guide and the full user manual to get you up and running quickly and answer your detailed questions. If you can't find answers there, reach out to the community with questions on the 1010 Music forum.

Notes: Module A-160-5 is a voltage controlled clock multiplier. The incoming clock signal (socket Clock In) is multiplied by a factor that depends upon the control voltage on socket CV In (0...+5V) and the position of the Mode switch. The multiplied clock signal is available at the socket Clock Out. According to the position of the Mode switch different clock multiplying factors are assigned to the control voltage. With 0V CV no clock output is generated. This state is indicated by "all LEDs off". With increasing CV integer factors (left position of the mode switch), power of two factors (middle position) or a mix of both (right position) are obtained. Nine LEDs are used to show the currently selected multiplying factor. In addition two LEDs are used to display the incoming and outgoing clock signal.

A manual control is used to adjust the clock multiplication factor manually without the need of an external control voltage. The voltage generated by this control ("Manual") is normalled to the CV In socket. As long as no plug is inserted into the CV In socket the clock multiplication factor is adjusted by means of the manual control knob and displayed by the LEDs. For dynamic applications (like the ratcheting function described below) the manually generated CV is overwritten by the external CV which has to be fed into the CV In socket.

The module can be used for all kind of clock multiplying applications. One important example is the generation of so-called ratcheting sequences. The band Tangerine Dream is famous for this kind of sequences. A normal sequencer generates only one gate signal per step. A ratcheting sequence may have also more than one gate pulses per step. This function can be obtained by using the A-160-5: one CV output of the sequencer is used to define the number of gate pulses per step. If the control of the step in question is fully CCW the generated CV is 0V and no gate signal is generated (mute of the step). When the control of the step in question is turned clockwise one, two or more gate pulses are generated depending upon the position of the mode switch and the voltage generated by the CV at this step.

Technical note: Due to the nature of clock multiplying it takes a few input clock pulses until the clock output is stable. One has to average a few input clock pulses to generate the multiplied clock output signal. Even when the input clock frequency changes it will take a few cycles until the output clock signal is correct as the module cannot foresee the future of the clock input signal. The generated clock output signal is derived from the last few cycles of the clock input signal. Consequently the module should be driven only by a clock signal with constant or slowly changing frequency.

Notes: Tetrapad is a versatile, multi-dimensional, touch-sensitive control surface for Eurorack. Each of its four pads use force sensing resistors to respond to both the vertical position of your finger and its pressure. Four push encoders and a shift function give you even more tactile control over your modular system.

Tetrapad operates in numerous modes - each of which configures the module to perform a specific control task. Through these modes, Tetrapad can emulate a bank of faders; a voltage storage device; a finger drumming surface; a chord generator; an 8-key keyboard; four independent LFOs; or an 8-switch panel. The chosen mode determines what type of signal (CV, note, trigger, gate, etc.) is sent from each of Tetrapad's eight independent outputs, while its multitude of multi-coloured LEDs keep you informed of exactly what's happening within each mode.

Tetrapad automatically remembers how you've configured each of its modes and retains these settings when powered off. By default, Tetrapad automatically saves these settings every minute, or whenever you change modes. This makes Tetrapad ideal for live performance, since you know it will always power up with your configurations intact.

Notes: Module A-192-2 contains two independent CV/Gate-to-Midi/USB interfaces. For each of the two sub-units these inputs are available:

- Gate Input (min. +5V)
- CVN Input (defines the Midi note number), 1V/octave standard, range 0...+10V (i.e. 10 octaves)
- CVV Input (defines the velocity value assigned to the Midi note message), can be used alternatively for Midi volume (CC#7), range 0...+5V
- CVC Input (free assignable to any Midi control change number), range 0...+5V

For both sub-units a common CV Transpose input is available (1V/octave, range 0...+10V). The voltage applied to this input is added internally to CVN before the Midi note number is generated. It can be used e.g. to transpose two sequences simultaneously by one voltage.

How it works:

Whenever the rising edge of the Gate input is recognized a Midi note on message is generated. The note number corresponds to the sum of the voltages applied to the CVN input and the common CV Transpose Input that is present at the rising edge of the gate signal.

Notes: The hands-on control of hardware meets the versatility of software. Bridging the gap between Eurorack and VCV Rack, the MetaModule includes over 160 built-in modules plus access to over 200 third-party options.

Supplier's Notes:
The MetaModule puts real knobs and jacks on virtual software modules. Step back from the computer and make music with hardware, while keeping the flexibility and expandability of software.

The MetaModule comes with over 160 built-in modules from 4ms Company, Befaco, HetrickCV, NonlinearCircuits, and Scanner Darkly, plus clones of popular classics such as the Mutable Instruments eurorack modules, fun physical modeling algorithms, and lots of handy utilities.

All of the included modules are also available on the computer using the free program VCV Rack. Whether you make patches on VCV Rack and transfer them to the MetaModule, or if you just create patches directly on the MetaModule, there are plenty of creative modules to inspire new ways to make music.

MetaModule Plugins

If the 160+ built-in module aren't enough, you can load more modules as plugins. Already there are over 200 modules in third-party plugins from Bogaudio, Valley, ChowDSP, NANO Modular, and the list is growing. 4ms have an SDK available to make it easy for VCV Rack plugin developers to convert their plugin to a MetaModule plugin. 4ms' licensing terms are non-restrictive: developers are welcome to distribute their plugin in any way they wish, commercially or not.

Mapping Knobs and Jacks

The MetaModule has 12 knobs that can be mapped to virtual knobs. Each knob can be mapped to up eight virtual knobs, and each mapping can have a different range and offset. You also can save a group of mappings as a Knob Set and switch between Knob Sets with the encoder. You also can map the 8 inputs and 8 outputs to virtual module jacks. Also, the MetaModule is a USB MIDI host, so you also can map MIDI CC, note, gate, and other parameters to knobs and jacks.

Expanders

There are lots of ways to customize your MetaModule. A Wifi expander allows you to wirelessly transfer patches from your computer. Add eight more knobs with the Knob expander, or buttons with the Button expander. A CV/Audio expander adds more high-resolution inputs and outputs, and the Gate In/Out expander adds not only gate jacks but also TRS MIDI and I2C.

Under the Hood

There are six CV/Audio inputs, two gate inputs, and six CV/Audio outputs. The CV/Audio jacks are all 24-bit, 48kHz DC-coupled, -10V to +10V. A USB-C jack accepts MIDI devices and thumb drives. Patches and plugins can be loaded via a USB drive or microSD Card, and internal flash memory lets you save patches you always want to come back to.

The processor is more advanced than anything 4ms has used in the past, and is among the most powerful processors found in Eurorack. Startup time and latency are blazingly fast.

Modules

160 built-in modules
Over 200 3rd-party module plugins available so far, and the ecosystem is growing
Create patches using VCV Rack or directly on MetaModule

Patches

Patches are loaded from microSD Card, USB drive, or via the Wifi expander
Patches can be optionally saved onto internal flash memory
Create patches using VCV Rack or directly on MetaModule
Patches can be given a name and description

Mappings

Map each physical knob to up to 8 virtual knobs
Set range and offset for each mapping, including inverted control
Knob mappings are grouped into Knob Sets, and changing Knob Sets can be done quickly without menu-diving
Map physical jacks to virtual jacks, seamlessly making splits/mults
Add or edit modules, cables, and mappings in real-time while the patch is playing
Create alias names for mappings like "Kick Drum Level"

Interface

Simple, intuitive graphical interface lets you zoom in on details, or zoom out to get a big picture
Patch View displays the patch as faceplates and cables, with knobs, buttons, and lights animating in real-time
Knob Set View simplifies the display, showing only the mapped knobs for the current Knob Set
Module View shows just one module and lists the names of each jack, knob, and control legibly
Mapping View lets you adjust details of a knob mapping
Adjust styles and visual preferences to your liking
Save, rename, duplicate, and delete patches
Firmware updater and plugin loader read from microSD Card or USB drive

Hardware

12 Knobs
8 CV/Audio outputs, 24-bit 48kHz, -10V to +10V, DC-coupled
6 CV/Audio inputs, 24-bit 48kHz, -10V to +10V, DC-coupled
2 Gate inputs
USB-C jack: MIDI Host or MSC (External drive) Host
microSD Card slot
Internal Flash RAM for additional patch storage
Dual-core 800MHz Cortex-A7 plus Cortex-M4 co-processor
512MB DDR3 533MHz RAM
Bare-metal operation for fast startup and low latency

26hp

Notes: Long-awaited sequencer module from Endorphin.es, offering four tracks (three melody CV/gate, one for drum triggers) with lots of live performance options and MIDI support.

Supplier's Notes:
Ground Control is a 42 hp Eurorack performance sequencer announced at Superbooth 2019.

The sequencer has 4 tracks: three melodic tracks and a drum track consisting of 8 drum triggers and modulation/accent output. There are also dedicated mute buttons for each track, MIDI and USB-MIDI I/O, external CV and a 2-octave piano-style keyboard.

The keyboard serves for playing the melodies as well as entering the menus - in that method the module eliminates tedious menu diving.

Each track can contain 24 patterns, which can be played separately or chained together in any order. All those tracks are organized into 24 projects. The number 24 is associated to the 24 letters of the Latin alphabet.

Ground Control features a very stable internal analog and MIDI clocks preserving low jitter operation, which is crucial for tight sequencing.

The patterns are entered either in 101-style step input or live recording and can be adjusted using the 303-style editor.

The drum sections features a X0X-style sequencer.

Depth: 25 mm (with ribbon cable connected)
HP : 42

Notes: A whole lot of module for the money. Eight-track trigger sequencing with built-in drum synth, sample player and MIDI. Amazing value for studio use or live performance.

Supplier's Notes:
Trigger sequencer with audio and midi

TUKRA is an 8 track eurorack trigger sequencer with drum synth, sample player and midi.

This module can be an 'all in one' solution for drums, but also has great integration capabilities with other gear (eurorack modules, drum boxes, DAWs, midi devices and midi surface controllers).

There are no submenus, all functions and views are accessible all the time.

Brief overview:
- Up to 64 steps per pattern, 64 patterns, 64 parts and 16 songs per project. 64 projects in the microSD card.
- Play mode, clock divider, length & choke settings independent per track & pattern.
- Step value (can be used for modulation, to define the midi velocity, midi note & drum synth pitch or sample selection).

Ins & outs:
- 8 trigger/gate, clock & reset outputs. Clock & reset inputs.
- 4 CV inputs with offset potentiometers (so they're manual controls when no CV is plugged in).
- Audio L & R out (6 additional ones with the expander for independent track output).
- Front panel midi TRS in & out, and USB host for midi controllers.

Midi and audio:
- Midi note and channel configurable per track & song, midi note and velocity can be set by the step value.
- Drum synth, noise with envelope and 'one shot' sample player (factory and user banks) per track.
- Flexible sample selection (each track can play up to 128 samples).
- Mixer with volume, balance, reverb, bit crusher, filter cutoff, resonance and type (smoothly crossfades LP - BP - HP).

Modulation:
- CV & assignable midi CC plus 8 internal LFOs, 3 stepped random sources and step value.
- Modulation matrix for almost all parameters.

Rhythm variation:
- Probability for step, gate and roll.
- Euclidean Rhythm Generator.
- 'Ramifications' generative tool.
- Live view with solo, mute, fill, roll, invert pattern, reverse play direction and rotate.

Time:
- High precision clock source and low latency.
- External sync (via trigger, midi TRS or USB).
- Triplets and swing (aka 'shuffle'), triplet and swing can be generated from a straight clock input or midi clock.
- Micro grid edit, each step has 6 micro steps (24 ppq).
- Half and double tempo functions.

Notes: Performance-focussed four-channel attenuverter and offset module, with built-in voltage generator for 0-5v or i5v voltages. Simple but effective.

Supplier's Notes:
Lapsus Os is a four channel attenuator/attenuverter and offset. Designed with performance in mind, each channel can be set to either attenuate or attenuate/invert an incoming signal, adjust offset of an incoming signal, or with nothing patched to its input, generate a 0-5v or i5v offset. Switches on the back of the module invert the fader behavior, allowing for the module to be mounted in either direction, for further customization and ease of use.

Etymology
Lapsus -- from latin lapsus : 'sliding' Os -- from latin os 'bones'
"Translation: Dancing Corpse"

Interface

Faders 1-4: The main controls of LO. The LEDs in the faders show the CV that is being passed through. When in attenuverter mode, the LED will be off at 0, allowing each fader to easily be set near 0.

Offset inputs 1-4 (+): Sending a signal to these inputs adds an offset to the input, controlled by the fader and the mode switch.

Outputs: Each channel has a pair of identical outputs. If nothing is sent to either input of a channel, an offset will be generated and output here, useful for controlling parameters on other modules with a single fader.

Uni/Bi Switches 1-4: In the Unipolar position (left), the corresponding channel attenuates the input signal. In the Bipolar position (right), the upper half of the corresponding channel fader attenuates the input signal, the lower half of the fader inverts and attenuates the signal.

Attenuating/attenuverting inputs 1-4 (x): Sending a signal to these inputs attenuates/attenuverts the signal, depending on the position of the channel fader and switch.

Rear-board switches: Below, in red. Inverts the corresponding channel, allowing for creative mounting in either direction. Note that each channel must be switched independently to fully reverse the functionality.

Patch Tutorial

Patch 1: Set a channel switch to the left position and patch the outputs to CV inputs on another module (for instance, Loquelic Iteritas). The fader becomes an easy-to-use controller for those parameters. Patch the rest of the LO channels to other parameters in your system to create an expressive and intuitive interface.

Patch 2: Patch a CV signal (such as an LFO) into the attenuverting input of a channel. Set the channel switch to the right position, and patch the output to a bipolar CV input in your system. Tweak the fader to attenuvert and dial in the perfect amount of modulation on the fly.

Patch 3: In a case with four voices route each LO channel to the decay control for each voice. Use for centralized control over voicing.

Size: 10HP Eurorack
Depth .8 Inches
Power 2x5 Eurorack
+12 mA 60 mA
-12 mA 50 mA

Inputs: i10v
Outputs (without voltage applied):
Unipolar: 0-5v
Bipolar: i5v

Notes: EME (Eloquencer MIDI Expansion) is the perfect companion for the Eloquencer, adding capabilities to sync with MIDI devices, control most of the eloquencer parameters with MIDI interfaces, generating MIDI voices from the eloquencer tracks, and converting MIDI signals to the eurorack world.

Description:
MAIN FEATURES
IN / OUT
DIN-5 MIDI Input, DIN-5 MIDI Output, USB Host.

BUTTONS
4 freely assignable buttons. They can be assigned to:

Next/previous pattern
Next/previous part
Direct access to Pattern mode, Play parts, Duplicate, Project, Gate REC, CV Key REC, MIDI key REC, Free Play...
Save current project
Random 1 to 3 layers of selected track
Reset LFO of selected track
On/Off LFO of selected track
Freeze
Revert
Fill A to H or selected track
Mute A to H or selected track
DJ Nudge FWD/BCK fine/coarse

MIDI CLOCK
Eloquencer can receive 24ppqn sync from MIDI device from its DIN-5 MIDI Input, and can send 24ppqn MIDI clock through its DIN-5 MIDI out.
When working as 'internal' it will send the internal clock to the MIDI output.
When working as 'external' will send the eurorack incoming clock to the MIDI output transformed into 24ppqn.

MIDI OUT
The Eloquencer tracks can be independently assigned to:
- Voice events (note on/off, velocity, ch pressure...) For example Track A can be assigned to Channel 1 Note on/off and Track B can be assigned to Channel 1 Velocity, so track A gates and CV control Channel 1 notes and pitch, and track B controls Channel 1 Velocity.
- Control Change (CC)
- Program Change (PC)

The gate and CV output will work as usual when a MIDI OUTPUT is assigned, so voices can be doubled using the modular and an external synth.

There's a particular execution order for MIDI out events, so the first to be launched is the Program Change, followed by the CC and then the voice events. This way, we can launch program changes before the note on message is received allowing preset changes for each step.

MIDI IN
Both, the DIN-5 MIDI in and the USB can be used to change eloquencer parameters using controllers or to introduce notes in REC MODE using a keyboard.

There are 3 different groups of controls associated to MIDI channels:
- Channel : 8 MIDI channels to control parameters of specific tracks from A to H
- Global : 1 MIDI channel to control Global parameters.
- Focus: 1 MIDI channel to control the parameters of the currently selected track (track in focus). That means that if Track A is selected and we send CC 38, we will be shifting track A, but if we select track B and we send the same CC 38, we will be shifting track B.

When using the USB host input, the EME can send feedback information in case the controller that is being used has LEDs to be updated.

There is a big amount of eloquencer parameters that can be controlled using an external MIDI interface / controller. For example:

Non-destructive track parameters addition/subtraction (CV, CVP, CVR, GL GLP, R...)
Track length
Step mode / Step mode DIV / Step mode REP
Track shift
LFO on/off / Type / Length / amplitude.
Fill
Mute
Random
CV Gate link
Scale group and root
Tempo
DJ Nudge
Shuffle
Clock out
Play / Stop
Direct access to modes (Pattern, Project, Live REC...)
MIDI INTERFACE

A MIDI Channel can be assigned to an Eloquencer Track, so the gate and CV outputs will stop listening to what is sequenced and start listening all note on/off messages coming from the chosen MIDI channel.

Notes: The Flame u16MCC is a compact MIDI interface, which converts received MIDI control change commands on 16 outputs into CV voltages between 0 and + 5V. The resolution of the data bytes is 7bit. The outputs each have a passive lowpass filter, which smoothes the output voltages.

Each of the outputs can be assigned a separate control change number between 0 and 127 on its own MIDI channel. The module is programmable via the LEARN function with a MIDI keyboard and MIDI controllers, or via SYSEX commands. Some SYSEX files with default settings already exist.

The module has two MIDI sockets (mini jacks in TRS-B standard) INPUT and THRU. The data received at MIDI-IN is forwarded via MIDI-THRU. Additional MIDI modules can then be connected there.

MIDI/USB to CV/Gate/Sync

Features:

16 ControlChange to 16 CV outputs 0..+5v
programmable via MIDI keyboard/DAW/computer
MIDI start/stop trigger outputs
MIDI input and THRU (TRS MIDI B standard)

Power consumption: 50mA at +12 V and 30mA at -12 V
Depth: 40mm
5 HP

Notes: Module A-198 is a Trautonium Manual resp. Ribbon Controller. The controlling element of the A-198 is a linear position sensor (length about 50 cm) that has available a pressure sensor too.

Touching the sensor with a finger generates a control voltage CV1 that is proportional to the position of the finger. The scale (i.e. the relation between position difference and voltage difference) is adjustable with a potentiometer at the front panel. A hold switch is used to determine if the CV voltage is held after removing the finger (hold = on) or if the CV voltage jumps to 0V (hold = off). In the last case (hold = off) a gate signal is derived from the CV voltage whenever a finger touches the sensor (e.g. for triggering an envelope generator).

A sensitive pressure sensor located below the position sensor generates a second control voltage CV2 that increases with higher pressure of the finger. Even for CV2 the scale is adjustable. A second gate signal is triggered as soon as the pressure exceeds a certain value. The gate threshold is adjustable at the front panel.

The sensors are located in a separate metal frame (length about 600 mm, width about 30 mm, height about 18 mm, weight: about 900 g, colour: silver-grey). The connection between the module and the sensor frame is made by a 4 pin cable (same as used for USB connections).

Typical applications:

- Trautonium manual, the string is replaced by the position sensor that is much easier to use and cheaper than the string. In combination with the Subharmonic Oscillator A-113, the Trautonium Filter A-104 and some auxiliary modules a complete Trautonium replica may be realized. In combination with the Quantizer A-156 exact semitone intervals are possible.

- Ribbon Controller for any A-100 parameter

Notes: Theremin module for generating a variable control voltage by approaching/removing hand to/from an antenna.

The distance range is about 30 cm. Additionally the module is equipped with a Gate output with adjustable threshold level. To simulate the original Theremin two A-178, a VCO (e.g. A-110) and a linear VCA (e.g. A-130 or A-132) are required. But of course the A-178 can be used to control other functions in the A-100 (e.g. filter frequency, modulation depth and/or speed, tempo, attack/decay time and so on).

The CV output voltage of the A-178 can range - according to the setting of the front panel controls - from -10V...+10V.

The gate output switches from 0V to about +10V.

Power consumption: 60mA at +12V and 20mA at -12V

Depth: 40mm

HP : 8

Notes: Welcome to the DROID X7 expander. The X7 gives you USB and MIDI connectivity for your master and also four gate outputs with modular levels.

You can process incoming and generate outgoing MIDI streams, both via classical DIN cables and via USB. Both the in and the out direction support polyphony with eight or even more voices in parallel.

For size reasons the X7 uses 3.5 mm TRS jacks for MIDI instead of the classical DIN jacks. But it comes with two DIN to TRS adapters, so you are free to use either form factor.

As a bonus feature, the X7 provides super fast loading of DROID patches via USB - without any need for putting the SD card in and out anymore.

Here are some examples of what you can do with the X7:

Attach an external keyboard to your modular.
Use an external hardware sequencer for playing melodies and beats in your modular.
Use an external MIDI controller to influence your DROID patch.
Do the same with a MIDI controller app on your tablet or phone (via USB).
Use your modular for playing polyphonic music and beats on your hardware synths or software synth plugins in your DAW, tablet or phone.
Connect two DROIDs (both with X7) and exchange real time CVs and triggers.
Use the four additional gate outputs on the X7 for sending clocks, gates and triggers and free your valuable CV outputs for other things.
Access the SD card in your master just like a USB stick for direct access to it via your PC, Mac, phone or tablet.
Alternatively load new patches to your master via MIDI sysex from your PC - and get your new patch ideas up and running in less than a second.

Dimensions
4 HP
23 mm deep

Current Draw
94 mA +12V
0 mA -12V
0 mA 5V

Notes: mBrane is a 4 channel midi to CV interface based on opensource Yarns. The device includes a 1.5m 3.5mm TRS to Midi male cable (Type B). This is the brand new Rev1.1 of the device which now features PSImidi which allows ANY type of TRS midi cable to be used on the input. Type A or B, male or female, all will work.

Running firmware 1.5
Multichannel MIDI to CV/Gate conversion

Yarns is a MIDI interface providing up to 4 channels of very accurate CV/Gate conversion, which can be assigned to up to 4 voices.

In single voice mode, note, velocity, modulation and aftertouch (or other CC) CV are produced, along with a gate, a trigger, and a clock/reset output.

In two voices mode, two channels of note, modulation or aftertouch CV are produced, along with two gates, and clock/reset outputs.

Finally, in four voices mode, four pairs of CV/Gate outputs are provided.

Each voice has a built-in digital LFO to interpret modulation wheel messages as a vibrato; can respond to pitch-bend messages; or can be smoothed with a glide/portamento control - no need for a dedicated module and patches to get the right response from a MIDI keyboard!

Monophonic and polyphonic

The 2 and 4-voice modes are available both in a "polyphonic" and "multitimbral" flavour. The former receives chords from one single MIDI channel and dispatches them to the voices; while the later provides independent monophonic parts - which can be addressed to different MIDI channels, keyboard ranges, or even velocity levels.

Various note priority modes (low, high, last) and polyphonic allocation schemes (voice-stealing, random, cyclic) allows you to fine-tune the CV/Gate conversion to your playing style.

With sequencing and note transformation...

Each part can generate sequences either through an arpeggiator/euclidean sequencer combo; or with a SH-101 style sequencer with step-by-step recording, storing up to 64 notes. The module can sync to an external MIDI clock, and generate a clock/reset output at any subdivisions of the MIDI clock.

...and even more advanced features.

Other unique features include support for microtunings (either through standard MIDI messages or from a selection of historical tunings or indian ragas), just intonation, and an audio output mode which can transform one, two, or four of the CV outputs into simple digital oscillators.

Notes: Saturation is a sound designer's best friend. As applying saturation to a sound can make it sound warm, rich and defined. But without any other processing the opposite can happen; making the sound harsh, destroyed and undefined. An often used technique in music production is to saturate specific parts of the spectrum, adding harmonics to enrich the sound but not lose its original quality.

Wyvern takes this technique and makes it a creative sound design tool. When deconstructed Wyvern is built out of a specific chain: Filter EQ, Saturation, VCA, Dual Filter, Dry/Wet Balance. Different combinations of these stages can be used for a variety of sound design and patch situations. And it is all in stereo, so you can apply it to your final mix and stereo signals with ease too!

The Filter EQ stage has a high-shelf, low-shelf and bell curve to boost or diminish parts of the spectrum. When the gain is set to a minimum the EQ curves turn into low-pass, high-pass and notch respectively. A Resonance control puts emphasis on a certain frequency, or it can be used to make Wyvern scream. This is then sent to a Saturation stage. The Drive control sets the amount of Saturation of one of the three

Saturation types

Soft clipping puts more emphasis on the third harmonic and compresses the sound.

Hard clipping puts emphasis on odd harmonics. Finally an Allpass distortion adds phase shifts and distortion. The Saturation stage also has a level control which can be used to decrease the gain after saturation is applied and can function as a unipolar VCA. The Saturation stage is also accompanied with a clip indicator led and a boost switch to scale input signal correctly or simply add more or less harmonics.

The Post-Saturation stage is a high-pass and low-pass combo. Allowing you to select a frequency band from the previous stages. Along with a balance control to adjust the balance between the dry and wet signal.

Whether you are looking to destroy your sound or go for subtle analogue warmth; Wyvern has got you covered. Even when not used for saturation alone. It can be a Stereo Tone Controller, EQ, Filter, VCA and Phaser, all and anything in between. Making it a very fun and powerful sound design tool!

Features

- Filter EQ with Low-shelf, High-shelf, Bell, Low-pass, High-pass and Notch curves.
- Resonance to add emphasis on a frequency or to make it scream.
- Soft clipping, Hard clipping and Allpass distortion for a variety of flavors.
- Boost switch and clip indicator led to set Saturation scale.
- Level and VCA to adjust level while Saturation amount remains the same.
- High-pass and Low-pass combo to select a part of the spectrum.
- Dry/wet control to dial in the right amount of processed signal.
- Gain with increased and adjustable center detent position.
- V/oct tracking with temperature compensation.

165mA @ +12V // 150mA @ -12V

Notes: An exact hardware replica of the Mutable Instruments Ears, which is based on the Music Thing Modular's Mikrophonie.

The ridges on the panel are less defined than on the Mutable version, so the texture is a bit more subtle.

Notes: WarpEx is an expander module that adds polyphony and MIDI to Warp.

- 4-Voice polyphony
- MIDI input and MIDI Thru
- MPE compatibility (MIDI polyphonic expression)
- Dedicated trigger and V/Oct inputs for each voice
- Illuminated pushbutton to quickly toggle between the MIDI voice modes: Mono, Poly and MPE.

Inputs:

- +/- 8 Volts (V/OCT)
- 0.0 Volts to +5.0 Volts (TRIG and MIDI)
- Overvoltage protection on all jacks.
- 4 TRIG Inputs: Gate inputs for Voices 1-4
- 4 V/Oct Inputs: CV input for pitch of voices 1-4 (i 8V, up to low audio rate ~100Hz)
- 1 MIDI In: Input Type-A for Midi signals. Use provided MIDI-to-DIN adapters.
- Button Toggles between MIDI voice modes: Red = Mono, Blue = Poly, Purple = MPE (Poly)

Outputs:

- Midi-Thru, 5v signal

WarpEx is fully managed by the Warp master

Scope of delivery:

Module, 3mm screws, ribbon cable for connection to Warp, 2 Midi-to-Din adapters Type A

Power consumption: Warp powers this expander via the included grey bus cable
Depth: 30mm
HP : 4

Notes: Updated Eurorack version of one of the most interesting sequencers around, the original version being the inspiration for Intellijel's Metropolis and Metropolix, with multiple steps per stage and versatile gate options.

Supplier's Notes:
The M185 is the most intuitive and playable Eurorack sequencer.

It appeals as a hands-on performance orientated module for easy creation of complex melodic sequences.

It is the original multi-step-per-stage sequencer that inspired the Metropolis and Metropolix modules.

New for 2021: Now you can connect two M185s together to create powerful 16 stage sequences using the new expansion header.

Overview:
- 8 unique gate modes for creative rhythmic possibilities
- A/B split mode for two separate sequences, like having two sequencers in one box
- 2 channels of CV/GATE and MIDI I/O
- 15 Quantise scales [ NEW for 2021 ] OR pure analogue microtonal CV output

Inputs & outputs:
- 2 channels of CV and Gate outputs
- Expansion header to connect two M185s for 16 stage sequences [ NEW for 2021 ]
- Reset input [ shared with MIDI input ]
- Sync output [ shared with CH2 gate ]
- Bidirectional Clock I/O
- MIDI input for MIDI clock in, MIDI note transpose
- MIDI output for MIDI clock out, MIDI note output

Stage Details:
- 8 stages, each with individual 1-8 step repeats per stage
- 8 gate modes per stage [ Off, Once, All, 1/2, 1/3, 1/4, Probability or Programmable, and Long ]
- Programmable gate patterns for 'on the fly' X0X style programming of gate triggers [ NEW for 2021 ]

Even more details:
- AB serial split sequence mode with 1-8 sequence repeats for AAABAAAB sequence structures
- AB parallel split mode, for two separate simultaneous sequences that play at the same time
- Root note offset and reset trigger options from sequence B to A
- 2.5V / 5V voltage range selectable
- MIDI note output including programmable velocity
- MIDI to CV converter mode [wow]
- Programmable glide per stage
- Easy user upgradable firmware using MIDI sysex files.

Technical stuff:
- +12V = 75mA average, 110mA peak
- 12V = 10mA
- Width: 30 HP
- Depth: 25 mm
- Black anodised Aluminium panel, silkscreen in RAL 9002

110 mA +12V
10 mA -12V
0 mA 5V
25 mm deep

The assembled module comes complete with all the cables needed to get started:
1 x TRS MIDI adapter, 1 x TRS CH2 CV/GATE cable, 1 x Euro Power Cable

Notes: Module A-179-2 can be used to convert different illumination intensities into corresponding analog voltages and a gate signal derived from the analog voltage. It's the successor of the obsolete module A-179.
A light sensitive resistor (LDR) converts the illumination of the internal light sensor into a corresponding analog control voltage. The internal sensor is located at the front panel. Instead of the internal sensor a remote sensor can be connected via a standard patch cable to the module (ext.Sens. socket). An external sensor with a 2 m patch cable (A-100C200) is included. The external sensor is mounted on a small pc board which is equipped also with a 3.5 mm jack socket. The nut of the socket can also be used to mount the external sensor.

The module A-179 is similar to the Theremin module A-178 but uses the illumination intensity instead of the distance between hand and antenna for generating the analog voltage.
One can choose between passive control by covering/shading the sensor via hand or body, or active control by using e.g. a pocket lamp or flashlight. For this two versions of output voltages are available (CV Out + und CV Out -).

The module has these controls and in/outputs available:

ext. Sens.: by means of a standard patch cable the external sensor can be connected to this socket. In this case the internal sensor is turned off.

CV Offset: control to adjust the output voltage which is assigned to a certain illumination (e.g. 0V for complete darkness)

CV Level: control that is used to adjust the sensitivity of the generated output voltage (i.e. how much a certain difference in brightness affects the output voltage)

Gate Threshold: control that is used to adjust the threshold for the generation of the gate signal, an internal jumper is used to define if the gate signal is derived from the CV Out+ or CV Out- voltage.

CV Out+: positive control voltage output, increasing brighness causes the increase of the voltage at this output

CV Out+: negative control voltage output, increasing brighness causes the decrease of the voltage at this output

LED CV Out: bipolar LED (red/yellow) as display for the CV outputs

Gate: gate output with LED display

Applications:

controlling any voltage controlled parameter e.g. pitch or pulswidth of a VCO, filter frequency or resonance of a VCF, loudness of a VCA, time of an envelope generator, frequency of a VCLFO
triggering activities via gate with adjustable threshold, e.g. starting an envelope, starting/stopping a sequencer or any switching function (e.g. with A-150-1 or 151).
Conversion into MIDI control change messages is possible with the A-192-2.

Width: 4 HP / 20.0 mm
Depth: 30mm (measured from the rear side of the front panel)

Notes: LOCUTUS is designed to interface Assimil8or with MIDI instruments, controllers, and sequencers to provide multichannel modulation and new polyphonic possibilities.

LOCUTUS includes a special attached cable to connect to the Assimil8or CPU behind the panel.

LOCUTUS is 6 HP wide and 25mm deep.

MIDI sources connected to LOCUTUS’ MIDI IN port can be used to modulate Assimil8or parameters using velocity, channel pressure, and MIDI CC (Continuous Controller) messages, select presets using MIDI Program Change (PC) messages, and/or optionally trigger Assimil8or channels with MIDI notes using user-selectable assignment modes. MIDI Setups can be configured with assignment modes including Dynamic, which intelligently cycles through Assimil8or’s channels to easily create polyphonic patches, Multi assignment modes ideal for playing multitimbral Assimil8or patches with MIDI sequencers, SP-1200 modes designed especially for triggering Assimil8or with SP-1200’s MIDI output, and more.

Locutus’ MIDI OUT port can be used to optionally transmit program messages when presets are changed and/or to send MIDI CC data based on the analog control voltages patched to Assimil8or’s 24 CV inputs. Using the new CV-to-MIDI options, Assimil8or and Locutus can be configured to control and modulate MIDI equipment using a eurorack modular system.

Notes: Touch and Pressure Controller 2HP - Herzlich Man-Machine Interface Micro MMI - passive modular controller for Eurorack systems

The Man-Machine Interface, or MMI, is a passive touch and pressure sensitive controller which allows the user to direct CV and audio signals at will. The MMI consists of three input/output jacks, and five body contact surfaces in glorious gold.

The zig-zag body contacts correspond to the input/output jacks, with the top zig-zag connecting to the top jack, the middle zig-zag connecting to the middle jack, and the lower zig-zag connecting to the lower jack. The spiral patterns in between the zig-zags are comprised of the two adjacent jacks, so the upper spiral is comprised of the upper and middle jack, while the lower spiral is comprised of the middle and lower jack.

In order to operate the MMI, the user can touch any two points with their fingers, patch cables, a piece of fruit or vegetable, or any other conductive substance or object, in order to complete the connection. The degree of contact made with the MMI, and the resistance of the object completing the circuit, will determine the output that is sent along the circuit. For instance, if a user were to patch a VCO into the top jack, and patch the MMI into a filter in the middle jack, the VCO will be sent to the filter when the topmost zig-zag and lower zig-zag are connected by two fingers, for instance.

But how about the spirals? The spirals offer a way to make a connection with one finger. Using the example from before, the connection will instantly complete when the user touches the upper spiral pattern. Using this principle, it becomes possible to use the MMI in unusual and interesting ways, such as a rudimentary keyboard, a drum controller, a switch and any other number of weird and exciting purposes.

It is also possible to combine several MMI - using two different MMI, it is possible to reach across one zig-zag to another zig-zag, in order to make a different connection, or to place a particularly long vegetable across all the contacts just to see what will happen. The MMI is an unusual patching system for the experimental musician, and lends itself well to all manner of experimentation and weird instruments.

The MMI can bleed a tiny bit of signal when using sharp VCO waves like square waves, while other sounds like sine waves will have softer responses. This can easily be corrected with amplification or attenuation as needed.

The Micro MMI takes up 2HP and is skiff friendly, and is also suitable for installing in external boxes as a passive control unit. You can combine any number of MMI to create increasingly complex keyboard-like arrangements, drum pad matrixes or advanced switch systems.

Dimensions
2 HP
10 mm deep

Current Draw
Module does not draw current

Notes: Mini MIDI
Want to connect your modular system to USB MIDI equipment or computer-based DAWs? Simultaneously? We did too.

With over 20+ modules and three complete modular systems in our portfolio, you'd be forgiven for thinking we're a bunch of purists, roaming the studios of Berlin by night, looking for unsuspecting copies of Ableton Live and Cubase to infect with viruses.

But nothing could be further from the truth. We love analogue hardware, and we also love the power and creativity of DAWs. We love the power and creativity of DAWs, so we've long dreamed of a module to bridge the gap between our computer, modular system, and USB MIDI devices. So we made one.

It's small, and it's MIDI

Mini MIDI draws aesthetic inspiration from a runway model... or a drumstick... or the Taipei 101. Basically it's tall and thin. Nevertheless, this simple, space-saving format contains no less than seven connections: Pitch, Gate, CC, Start, Clock, USB Device, USB Host.

Pitch and Gate are self-explanatory, taking MIDI note information (pitch and note-on/off) from your DAW / keyboard / keytar / USB-whatever, and turning it into something your modular oscillators understand.

CC receives note velocity, aftertouch, or continuous controller information from USB and spits out modular-friendly CV, ready to command anything from filter cut-off to LFO rate.

The CC value to be converted is set using rear panel DIP switches, allowing multiple Mini MIDIs to respond to different CC values from the same DAW / instrument source. You can select from 13 different CC values (if you're superstitious then Mini MIDI is not for you).

The remaining three DIP settings access three additional modes: Note Velocity and Aftertouch modes convert those signals to CV, while Calibration allows precise setting of scale and pitch offset.

Start(stop) and Clock offer no surprises, but if you have a sequencer in your rack you aren't looking for surprises, just a way to trigger it and keep it in time from your DAW and other kit. If this is you, you won't be disappointed.

USB Device lets you connect... wait for it... a USB MIDI device! An obvious use is when you want to use your favourite, gig-friendly, USB controller on stage to control that cut-off, thus keeping your real-estate-guzzling modular rack out of the way (and out of reach of that beer you have perched on a cheap M-Audio controller).

USB Host is the heart of Mini MIDI, bridging the gap between your modular system and a MIDI host device, such as a DAW or hardware MIDI sequencer.

Channel X

We thought hard about MIDI channel assignment. DIP switches are wildly impractical, as you often need to change MIDI channels. A front panel selector would increase the size of a module that's designed to be squeezed into the far left of your rack. (Far left, BTW, because then you can use angled USB connectors and avoid thick cables trailing all over your rack... ). In the end we used 'first come, first served'.

On powering up, Mini MIDI sits patiently waiting for a MIDI signal. Whichever channel it detects first - from Host or Device - is the assigned channel (if your kit is dishing out ALL channels, Mini MIDI will pick the first one... which is 1). And this assignment applies to both USB MIDI connections.

Play nicely with others

Mini MIDI also works perfectly in conjunction with other Mini MIDIs (via multiple computer USB ports or USB hubs). They show up in your system with unique IDs, so each can be triggered by different MIDI channels and/or CC controllers. This can be used to send the same information to different modules/racks in your modular set-up, different information to the same module/rack, or any combination of these. And it can incorporate other USB devices.

Another insanely useful feature is the ability to play your modular set-up live, with a MIDI keyboard or controller, whilst simultaneously recording this information into a MIDI track in your DAW.

Some ultra-modular-types might complain that this is cheating, but they should remember that our grandparents insisted anything made with machines wasn't 'real' music. Chill out and enjoy the possibilities!

Size isn't everything (and other cliches)

Despite its modest appearance, diminutive size, and total lack of front panel controls, Mini MIDI is an exceptionally powerful, highly flexible, and immeasurably useful little module. We designed it to solve the kinds of problems we encountered when using similar modules, and, critically, the kinds of problems our users said they had with other such devices. Consequently, we've exceeded our initial expectations. We hope you feel the same!

Specifications:

DAC: 16 bit

Pitch Output (1V / Octave): -3 V to 7 V

Gate Output: 0 V / 10 V

MIDI CC Output: 0 V to 5 V

MIDI Start / Stop: Active High (5 V)

MIDI Clock: Rising edge (5 V)

USB MIDI Host Interface output current: up to 500 mA

3U Eurorack module, 4 HP wide, compatible with Skiff cases

Current Draw:

+12V: ca. 22mA + current consumption of a connected class compliant USB Device , USB current supply available up to 500mA
-12V: ca. 10mA
0 mA 5V
Installation depth:

30 mm deep

Notes: Stonk it's a joystick controller with 2 channels of CV and 2 of audio. It's a CV generator, looper & audio processor.

Very hands on module which can be a chaos pad or DJ looper.

Features:

2 audio in & out (AC coupled)
2 CV in & out (DC coupled) i5V
2 extra CV outputs +/-10V
12 illuminated push buttons
CV & Audio looper (2:30 per channel)
LFO
Euclidean envelope generator
Multimode Filter
Stereo Reverb
Wave
VCA

The audio AD/DA is 24 bit, 48 KHz, the internal audio handle is 32 bit float.

The CV AD/DA is 16/12 bits, 12 KHz.

The extra CV outputs are the analogue sum and difference of the CV outputs 1 & 2.

Each channel has 6 modes available. By default 2 parameters are assigned to the horizontal & vertical axes but this can be easily tweaked, so it's possible to control any of them (frequency, symmetry, offset or amplitude of the LFO, for example) not only with the joystick but with the 2 CV inputs.

The polarity control & offset of every parameter can also be modified on every mode and every channel.

6 presets for store and recall not only the joystick assignment and settings but all the parameter values for all modes and channels.

Size 12 HP
mA +12V
mA -12V

Notes: Simple to look at but deceptively powerful, Dreadbox's Telepathy is a full analogue synth in a small module, featuring VCO, low-pass and high-pass filters, LFO, envelopes and VCA.

Supplier's Notes:
Telepathy is a full voice analogue synthesizer module with deep modulation options due to its multi-destination LFO and Envelope. From Bass to Lead sounds, to drums and drones, Telepathy has broad and versatile sound design capabilities. It has a Full Analogue path (Typhon VCO, 4-pole low pass / 2-pole high pass filters, analogue VCA) that is digitally controlled for more precision over its parameters, resulting in a warm, present and distinct Dreadbox sound.

With lots of useful and musical features integrated into a compact size (10hp), and its skiff friendly design, Telepathy is a great addition to small or large Eurorack systems.

Features:

1x Analogue Oscillator with saw, square, -1 oct square sub and noise, plus PW control for square, level for noise and waveshape
Automatic tuning for the oscillator and fine tune
Analogue 24db Resonant Low pass filter with Oscillator FM and Noise FM and 6db High pass filter
Analogue VCA
1x LFO with Free/Key/Track/BPM/BPM Key modes, Fade in, Triangle/Saw/Ramp/Square/Random waveforms, that is mapped to various parameters
2x Envelopes, one dedicated to the VCA with Velocity control and one loopable for Low pass Filter, Pitch and PW
CV in patch that can be mapped to all the basic parameters in parallel with dedicated amount for each parameter
MIDI in/out+through
CC in/out, Program Change in/out
Multitimbral Chaining functionality via MIDI up to 8 modules 16 presets
10HP

Notes: The MASTER module is the base of an AE modular system if MIDI control has to be possible; it contains:

The voltage regulation (5V) for the power supply of the modules
A MIDI input (minijack; Breakout cable to DIN-5 socket is available separately); the MIDI channel can be selected between 1, 14, 15,16 or OMNI
In/out-sockets (3.5mm minijack) for audio out and/or interfacing with a Eurorack system
All bus signals (CV, GATE, CTRL, MIDI clock/start/stop) as patch sockets
The power supply is a 9V DC wall adapter (see here).


Note: The MASTER R5 is the latest revision of the MASTER module which is the core of most AE systems; what's new here is:

The bus signals CV, gate, ctrl CV, MIDI start/stop/clock can be connected with / removed from the bus individually with the microswitches

The TRS MIDI input now accepts both types of TRS-MIDI adapters

The mechanical design is changed to be compatible with the QUICKSWAP CASE.

Notes: Polyphonic sequencing from Elektrofon, the Klang allows you to program and perform chords and multi-layered harmonies. Circular clock-style display gives visual feedback and real-time indication of chord progressions.

Supplier's Notes:
«Klang» is a 4 voice polyphonic controller. It stores, traverses and manipulates chord progressions.

Overview

«Klang» is a unique take on polyphonic control within Eurorack.

Displaying chords in a circular clock-like display, and giving the user immediate control over every aspect without "menu diving" makes for an easy to use and inspiring module.

The module can store up to 99 chords, where each chord is made up of 4 voices.

Each voice is represented by a colored indicator on the clock-face which in turn is controlled by an encoder.

The indicators points to notes on the chromatic scale drawn in 360- around the clock-face.

Interface

The big grey encoder in the middle of the module lets you browse the chords - the active chord and total chord count is shown just above the encoder on the display.

The + button lets you ad a new chord. The new chord is added after the currently active chord, and the new chord is then set as the active chord.

The - button removes the current chord.

Inputs

The module has 3 inputs - 1 trigger input and 2 bipolar CV inputs.

Trigger input

The trigger input triggers a chord change.

If the direction input is unconnected, a single trigger results in a single step in the forwards direction.

Direction input (+-5V)

The direction input normalizes to a single step in the forwards direction.

You can feed this input a bipolar CV (+-5V).

Direction maps the total chord count to 5V. This means that +5V results in a single trigger progressing +n steps, where n is the total chord count.

A negative voltage will do exactly the same but resulting in backwards stepping.

0V equals no movement.

Transpose input (+-5V)

This bipolar CV lets you transpose the current chord up or down within 1 octave.

It is therefore a 5V/oct input.

The reason for this is that it is intended to be used with an analoge voltage source like the Pressure Points from Make Noise, or any other analoge sequencer.

It is much easier to fine tune a 5V/oct signal with a regular potentiometer than a 1V/oct signal.

Outputs

Each voice has a separate color coded 1V/oct CV output.

Notes: The HEARTBEAT EXTENDER expands the functionality of the HEARTBEAT module. It is connected to the HEARTBEAT module with a small ribbon cable (included) and offers following features:

Six preset buttons to store and recall different tempos with one button press

MIDI in and out sockets with LED indicators: The HEARTBEAT module can follow incoming MIDI timing data (MIDI start/stop/clock) as an additional option; and the current tempo of the HEARTBEAT is sent out as MIDI timing data if it acts as master clock in a complete system - other MIDI devices will follow it's tempo.

A knob that controls either the swing amount or the transition time when changing from one preset to another (known as accelerando/ritardando).

A lock switch, that disable the save button and other functions that could be an issue e.g. in live situations.

Notes: The "uMM" combines a MIDI merger and two independent THRU distributors in a module that is only 4 HP wide. All sockets on the module are in MIDI TRS-B format.

At the heart of the two-input MIDI merger is a small, powerful ARM processor with plenty of buffer memory. Two MIDI streams are mixed to one output and can also be tapped via an additional second output. Two LEDs signal the operation of the merger: one LED indicates MIDI activity at the inputs, and a second LED warns of too much data at the inputs.

The second group of functions consists of two independent, separate MIDI THRU distributors. The MIDI data at the respective MIDI input can be picked up and distributed at the three THRU outputs. If required, a 1-to-5 distributor can be created from the two units by connecting an output of the left group to the input of the right group.

Features:

4x MIDI IN (TRS-B)
2x MIDI-OUT (TRS-B)
6x MIDI-THRU (TRS-B)
Powered via Doepfer connector

4 HP

Notes: The MASTER18 is a very flexible generic CV processor.

You can think of the MASTER18 as a smaller and cheaper version of the DROID MASTER without CV inputs and LEDs, but with an integrated USB and MIDI, six additional gate jacks, two of which are inputs and four are outputs.

Details:

It has 8 CV output jacks with a voltage range from -10 V to +10 V, driven by highly accurate low jitter 16 bit DA converters:
2 gate inputs switching at 0.1 V
4 gate outputs switching between 0 V and 5 V
2 MIDI interfaces via MIDI standard B (mini jack)
MicroSD card reader and a button for reloading the MicroSD card
USB C to access the SD card from your computer or to send/receive MIDI MASTER18 comes with two interesting bonus features:
It can be connected to the Sinfonion as a follower of the Harmonic Sync.
It has an integrated tuning device for VCOs (can measure their frequency).

The MASTER18 is a good choice if you intend to just create CVs and don't need to process incoming CVs. It's perfect for building sequencers and MIDI to CV converters. MASTER18 can do almost any CV task you can imagine, such as sequencing, melody generation, slew limiting, quantizing, switching, mixing, working on clocks and triggers, creating envelopes and LFO or other fancy voltages, or any combination of these at the same time. While doing this, is very precise both in voltage and in timing.

You can attach several different DROID controller modules, such as the E4, the P2B8, the P10, the B32, the P4B2 or the M4 in order to get direct hands on access to all parameters and values of these patches.

Easily create your desired DROID patch utilizing our simple and easy-to-use editor with built in tutorials - the DROID Forge. It is available for Windows and Mac (both Apple Silicon and Intel).

The file created with the DROID Forge is a simple text file named "droid.ini" and needs to be loaded on the micro SD card that goes into the MASTER18.

Notes: Drawing inspiration from the MMI Maxima, the MMI Helios is intended as a middle ground between the gestural control surface of the Maxima and the fingertip control of the smaller MMI.

Less density, but a much higher degree of patch control is the key point of the Helios, which complements other MMI devices very well, and can be joined with other Helios (Helii?) to form larger and creative control surfaces.

The design is greatly simplified compared to the original MMI, with only two I/O jacks - either can function as input and output, and their interaction with each other is determined by touching both plates simultaneously to form a connection, or in cooperation with other MMI devices.

Available in a "right" and "left" version - one is an exact mirror image of the other, which makes it suitable for having two units adjacent to one another.

Dimensions
8 HP

Notes: OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing.

Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA

Notes: The QSlider black is an analogue CV source with four 60 mm faders.

The control range of the four sliders can be defined with two min/max controls.

The Min controller determines the output voltage at zero position of the slider and the Max controller determines the output voltage at the end position of the slider.

The slider now regulates between these two voltages. This allows you to restrict the control range and still have the entire control path of the slider available.

The reverse voltage is available at a second output socket (min and max are reversed). This means that the slider can also be used as a crossmix fader.

Two common channels can be operated unipolar or bipolar. The voltage ranges are 0..+10V or +/- 5V.

The output sockets are located on an extra 4HP panel for mounting at any point (with approx. 40cm long connection cable). This means that several modules can also be mounted seamlessly next to each other.

Power consumption: 30mA at +12V and 20mA at -12V and 12mA at +5V

Depth: 28mm

18 HP

Notes: Bartender? The power of gate signals at the touch of a button, please - but make mine a narrow one!

You already know what this is: it's a gate signal generator, and it generates gate signals. That's all there is to it. You press the button, the LED indicator lights up, and you get a 5v gate signal! Brilliant!

You get three, in just 2hp! That's 1 1/2 gate signal generators per hp! That's more than [competing product] from [competing brand]! You knew you made a good decision when you decided to look at this product.

All that remains now is to open your heart, and your wallet. Buy this gate generator - this version is the latching model (stays on or off after pressing). In fact, it works really well with the Quad Gate to Trigger Converter, also from Herzlich Labs - now you can generate both gates and triggers with ease! And in such little hp!

Oh, one more thing? Your friends are going to be very envious of this, when you show it off. Gold plated nuts, gold plated front panel, tastefully matte indicator LEDs, pleasantly tactile buttons, black hardware. All the details have received the closest care and attention.

Dimensions: 2 HP

Notes: Bartender? The power of gate signals at the touch of a button, please - but make mine a narrow one!

You already know what this is: it's a gate signal generator, and it generates gate signals. That's all there is to it. You press the button, the LED indicator lights up, and you get a 5v gate signal! Brilliant!

You get three, in just 2hp! That's 1 1/2 gate signal generators per hp! That's more than [competing product] from [competing brand]! You knew you made a good decision when you decided to look at this product.

All that remains now is to open your heart, and your wallet. Buy this gate generator - this is the momentary model (is normally off, and temporarily on when you press it). In fact, this also works really well with the Quad Gate to Trigger Converter, also from Herzlich Labs - now you can generate both gates and triggers with ease! And in such little hp!

Oh, one more thing? Your friends are going to be very envious of this, when you show it off. Gold plated nuts, gold plated front panel, tastefully matte indicator LEDs, pleasantly tactile buttons, black hardware. All the details have received the closest care and attention.

Dimensions: 2 HP

Notes: T-generator takes the concept of merging modulation sources and destinations into a single module.

T-generator is a multi-parameter Thru-Zero FM VCO. Main outputs are a pure sine wave with its warm sounding harmonically rich wavefolder, a triangle and a morphable square oscillator.

Four independent lightstrips engines controlling four sound sculpting parameters

Bring life to your patches with free running or resettable custom drawn modulations.

Maximum automation recording length of 20s for each parameter.

V/Oct, Thru-Zero FM, PWM and FOLD modulation inputs.

Along with Pulse Width, Fold and Saw morphing, you can play with its Vibrato parameter that will generate a wide palette of effects, starting from subtle vibrato to chaotic frequency modulation.

The integrated touch lightstrip controllers can drive four parameters with looping or one-shot recording playback mode on each track with global RESET input.

Current draw: 150 mA (+12 V) / 20 mA (-12 V)
Width: 8 HP
Depth: 34 mm

Notes: Voltator is a 4-channel analog controller designed for precise and versatile CV voltage management. Equipped with an integrated voltmeter, it displays the exact output voltage of each channel in real-time. It is the ideal tool for simultaneously tuning multiple VCOs from one location, generating chords, easily transposing notes and chords, or precisely adjusting your signals.