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Hexinverter Electronique

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Items 1 to 13 of 13 on page 1 of 1
Cat: 655336 Rel: 31 Jul 17
 
Analog bassdrum & distortion module - 13HP
Notes: Like all modules in the "Mutant Drums" series, the bassdrum takes a reverend circuitry and mutates it. In this case it is an 808 BD expanded by a pitch parameter, voltage control of pitch and decay as well as a proper voltage controlled distortion you can use independently for other sounds like a synth lead.

The Tone potentiometer controls, as in the original 808, the timbre of the bassdrum. The decay parameter allows for generating snappy short to very long bassdrums and goes up to self-oscillation. The range of the pitch parameter is very wide, it ranges from sub audio to frequencies suitable for tom sounds. The pitch can be voltage controlled in addition; although the input is not 1V/octave you can still play basslines easily.

The bassdrum is played after having received an impulse at the Trig input. Accenting the sound is possible due to the accent input. An LED indicates when the bassdrum is played.

The bass drum sound is internally routed to the distortion input and is available in its distorted version at the Dist output. As there's an audio input as well, you can distort any sound you desire. Both input level and amount of distortion are adjustable, the latter one is voltage controllable. Distortion activity is visualized with an LED.
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 3 in stock $215.54
Cat: 682347 Rel: 31 Jul 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Like all modules in the "Mutant Drums" series, the bassdrum takes a reverend circuitry and mutates it. In this case it is an 808 BD expanded by a pitch parameter, voltage control of pitch and decay as well as a proper voltage controlled distortion you can use independently for other sounds like a synth lead.

The Tone potentiometer controls, as in the original 808, the timbre of the bassdrum. The decay parameter allows for generating snappy short to very long bassdrums and goes up to self-oscillation. The range of the pitch parameter is very wide, it ranges from sub audio to frequencies suitable for tom sounds. The pitch can be voltage controlled in addition; although the input is not 1V/octave you can still play basslines easily.

The bassdrum is played after having received an impulse at the Trig input. Accenting the sound is possible due to the accent input. An LED indicates when the bassdrum is played.

The bass drum sound is internally routed to the distortion input and is available in its distorted version at the Dist output. As there's an audio input as well, you can distort any sound you desire. Both input level and amount of distortion are adjustable, the latter one is voltage controllable. Distortion activity is visualized with an LED.
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 1 in stock $214.42
Cat: 655315 Rel: 31 Jul 17
 
Analog bassdrum synthesis with sub-oscillator - 13HP
Notes: Not just another clone or continuation of the 808-esque, acid-style kicks of the Mutant Bassdrum - the Mutant BD9 seeks to explore uncharted bassdrum territory by having an integrated sub-oscillator for maximal auditory obliteration.

Parametric bassdrum synthesis offers creative control of the core sound:
- The primary analog VCO offers classic 909-esque sinusoidal bassdrums, but can also be switched to generate a square wave bassdrum
- The PITCH of the VCO spans several octaves, from about 30Hz to 240Hz, and can be modulated with voltage control
- A novel PITCH DECAY circuit allows you to adjust the duration and AMOUNT of the pitch-modulation envelope applied to the bassdrum, from short blips to exaggerated tom-like sweeps
- The AMPLITUDE DECAY allows adjustment of the length of the bassdrum, from short punchy kicks to massive booms. This parameter is voltage-controlled with a snappy CV response time, allowing you to modulate the duration of your kicks per step.
- The CLICK generator is responsible for the attack intensity of the BD9. A fair amount of circuitry goes into creating this subtle punch at the beginning of the kick. The level of this effect is adjustable up to a fairly dramatic extremity.
- The overall timbre of the BD9 varies with the DRIVE control from warm, analog bassdrums at low settings to speaker-shattering overdriven sounds at high settings. Output levels are modular-level signals, unlike many classic line-level percussive devices.

Still not heavy enough? Try the sub-oscillator:
- A square wave sub-oscillator derived from the primary oscillator's pitch can be mixed in (manually and with voltage control) to the BD9. The effect can be subtle deepness or extreme timbre changes.
- A jumper on the back of the module allows you to select between the sub-osc being a raw square wave or having some of the high frequency components removed with a lowpass filter.
- At high OUTPUT DRIVE and SUB LVL combinations, the sub-oscillator can be modulated with CV to saturate the BD9 output in evolving ways.
- The SUB OCT can be set to 0, -1 or -2 octaves down from the primary oscillator. A drop of 0 means that you can mix an equal-pitch square wave with a sinusoidal primary wave.

Designed for the contemporary modular synthesizer:
- Plenty of Eurorack-compatible control voltage inputs with bipolar attenuverters allow synthesis of dynamic percussion
- A practical analog trigger circuit allows activation of the BD9 from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant BD9.
- An accent input accepts analog voltage control (0 to 5V will fully modulate the volume from low to high)
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 3 in stock $229.91
FORTHCOMING
Hexinverter Mutant Brain MIDI To CV & Gate Converter Module
Cat: 690914
 
16 output ultra-flexible MIDI to Trigger, Sync, Polyphonic CV, Gate & more
Notes: The Mutant Brain is the central nervous system connecting your modular analogue Eurorack system to MIDI gear, especially for percussion, polyphonic notes and sync duties! It packs 16 Eurorack compatible outputs into a tiny, super affordable 8HP package.

The 4 CV outputs and 12 Gate/Trig outputs are all universally reconfigurable. Triggers, gates, clock divisions and sync signals, polyphonic keyboard playing, velocity, sequencer transport, LFOs - you name it!

Configuring your patch is easy - just assign each output as you like in the Mutant Brain Surgery configuration utility, then send the MIDI SysEx file to the module and forget about it - the Mutant Brain remembers it all for you.

Hexinverter supply a convenient download pack of pre-configured, ready to use Mutant Brain patches for some select sequencing and drum machine devices on the market today, easily turning those sequencers and drum machines into a modular control powerhouse!

Designed with live and studio performance in mind, the Mutant Brain does away with wasted panel space and complex menu-diving interfaces, while freeing you from the limited "auto-learn" type MIDI interface. An auto-learn interface sometimes doesn't play well with the limitless combinations of different gear setups which today's modular performers play live with.
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e-mail me when released
coming soon $164.69
Cat: 655334 Rel: 31 Jul 17
 
Feature-rich, analog handclap percussion synthesis reminiscent of the 909
Notes: Just like the other Mutant Drums, the Clap is a highly versatile module. It is actually a voltage controlled LFSR noise oscillator as well as a powerful percussion synthesis engine!

- Pitch control of noise generator means you can create everything from vanilla 909 claps to broken, chiptune-like alien sounds
- Doubles as a voltage controlled, Commodore64-sounding noise VCO via the NOISE output and PITCH CV input
- SUSTAIN control lets you crank up the clap's sustain and use the module as an abstract synth voice with external inputs!
- External input allows you to synthesise claps from virtually any sound source you plug in
- Built in internal reverb effect derived from clap tone
- Reverb decay forms the decay of the clap sound, and is fully voltage controllable from short reverb "snaps" to long, whooshing tails!
- You can select between internal and external noise sources as the source for the reverb sound generation, opening up really interesting sounds
- DRIVE control lets you dial in anything from clean to extremely overdriven sounds
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 1 in stock $231.01
Cat: 655335 Rel: 31 Jul 17
 
Powerful dual hi-hat generator module - 13HP
Notes: A classic electro percussion synthesis design reborn as something completely different. Hexinverter wanted to recreate a classic hihat synthesis design as something new and exciting, so they took the super electro 808 circuit and transformed it into a powerful creative tool for modular synthesis!

Featuring:

- Analogue hihat circuitry capable of synthesising vanilla TR-808 open and closed hihat sounds (simultaneously)
- External audio input lets you synthesise hihats from virtually any sound source (Jupiter Storm, vcNOIZ, etc.)
- Lo-fidelity original VCAs replaced by OTA-based modern VCAs
- VCA DRIVE control for each hihat allows you to dial in anything from soft metallic hihats to extremely overdriven, crunchy hihats
- Exclusive switch lets you select how the two hihats (open/closed) interact with each other when triggered at the same time
- Cutoff frequency control for internal resonant bandpass filter
- Resonant filter can be switched on/off
- Modular level mutual accent input (0-5V CV)
- Trigger input accepts almost anything as a trigger signal
- Non-invasive analogue optocouplers used for voltage control, thus, completely vintage sounds can still be had if that's what you're after!
- Completely redesigned, hi-fi signal chain spares no expense by replacing cheap transistor amplifiers with low noise op-amp and OTA equivalents
- You can dial in super hot, modular level output levels (up to 20Vp-p!)
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 4 in stock $215.54
Cat: 655331 Rel: 31 Jul 17
 
Analog bus mixer with effects - 24HP
Notes: The Mutant Hot Glue is a powerful bus mixer for analog effects chain design. The included high quality analog compressor offers series or parallel compression, and a sidechain input, making it well suited for drum processing. The voltage controlled distortion is based on the batteryACID: IDOW Edition design, but improved for better signal fidelity and performance. It can be used in its default position, normalized to the effects send, or like every other part of the module, broken out and used elsewhere in your modular system.

By default, the 4 channel mixer's output conveniently feeds into the compressor's input, giving access to easy New York style parallel compression by way of the compressor blend control. The dedicated output and mixer bypass switch for channel A allow you to easily use it as a sidechain source for the compressor. An effects send and return allow you to create complex effects routings within your modular system. With the number of excellent DSP and other effects modules on the market today, this makes it easy to combine modules to great effect, all within the Eurorack modular domain.
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 1 in stock $370.29
Cat: 655333 Rel: 31 Jul 17
 
Dynamic & versatile analog percussion engine - 29HP
Notes: The Mutant Machine is a dynamic analog instrument capable of generating a wide palette of sounds, ranging from various forms of analog percussion to complex drones and oscillations. To achieve this, the Machine features two synthesis sections which are summed together at the final output: MEMBRANE and SNAPPY. Like the other Mutant Drums, the MEMBRANE and SNAPPY circuits began their mutation as classic analog percussion techniques and have been reimagined for 21st century modular synthesis.

The MEMBRANE forms the main body of the sound by way of two analog VCOs, and the SNAPPY section further adds to the timbre by contributing noisy elements to the mix. A noisy CLICK which occurs at the beginning of the SNAPPY sound can have its volume adjusted independent of the main decaying SNAPPY texture.

The waveforms which make up the MEMBRANE can be selected manually by button press, or the WAVESCANNER can be used to automatically scan through the available analog waveforms. By modulating the frequency through which waves are scanned, unique, complex sounds are created.

Experimentation is encouraged by the many modulation inputs and outputs available to you. The Machine features 8 CV and gate inputs for modulation as well as two external audio inputs, for bringing other modules into the Machine's core. There are many audio outputs for maximum versatility, allowing you to use the Machine to create drones and alien timbres for use elsewhere in the modular analog system.
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 1 in stock $441.03
Cat: 677162 Rel: 31 Jul 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Mutant Machine is a dynamic analog instrument capable of generating a wide palette of sounds, ranging from various forms of analog percussion to complex drones and oscillations. To achieve this, the Machine features two synthesis sections which are summed together at the final output: MEMBRANE and SNAPPY. Like the other Mutant Drums, the MEMBRANE and SNAPPY circuits began their mutation as classic analog percussion techniques and have been reimagined for 21st century modular synthesis.

The MEMBRANE forms the main body of the sound by way of two analog VCOs, and the SNAPPY section further adds to the timbre by contributing noisy elements to the mix. A noisy CLICK which occurs at the beginning of the SNAPPY sound can have its volume adjusted independent of the main decaying SNAPPY texture.

The waveforms which make up the MEMBRANE can be selected manually by button press, or the WAVESCANNER can be used to automatically scan through the available analog waveforms. By modulating the frequency through which waves are scanned, unique, complex sounds are created.

Experimentation is encouraged by the many modulation inputs and outputs available to you. The Machine features 8 CV and gate inputs for modulation as well as two external audio inputs, for bringing other modules into the Machine's core. There are many audio outputs for maximum versatility, allowing you to use the Machine to create drones and alien timbres for use elsewhere in the modular analog system.
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 1 in stock $477.50
Cat: 655314 Rel: 31 Jul 17
 
Analog rimshot & clave generator with built-in filter - 8HP
Notes: The Mutant Rimshot is an analog rimshot and clave percussion synthesis module inspired by analog drum machines of the past. Like the other Mutant Drums, the Rimshot is capable of going above and beyond vanilla sounds. Expressive CV options, an external input and a multi-mode analog filter let you create unique percussion sounds in your modular synthesizer.

Rimshot or clave - take your pick:
- Triple-oscillator analog rimshot core inspired by the legendary 909
- Three modes of percussion synthesis: rimshot HI (classic), rimshot LO and clave (CLV)
- Voltage control of one of the oscillators' pitch
- External input to the filter lets you blend in other signal sources - wavetables and noise make for interesting percussion!
- Rimshot DRIVE control acts as a volume and overdrive control for the rimshot generator

Coupled to an analog multi-mode filter:
- Bandpass, highpass and lowpass modes
- Self-oscillation of the filter plays nicely when mixed in with the rimshot generator
- Resonance clipping enabled by default. Feature can be disabled with a switch on the back of the module
- Voltage controlled cutoff
- Adjustable resonance

Modulation options sculpt the shape of your percussion:
- Eurorack-compatible control voltage inputs (0 to 5V for full modulation) with bipolar attenuverters
- A practical analog trigger circuit allows activation of the Rimshot from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant Rimshot.
- An accent input accepts analog voltage control (0 to 5V will fully modulate the volume from low to high)
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 1 in stock $186.80
Cat: 655329 Rel: 31 Jul 17
 
Analog snare drum synthesis with external input - 13HP
Notes: From classic electro snares to warping, alien percussion, the Mutant Snare is a radical departure from the static sounds of the 808!

MIX and DRIVE:
- MIX lets you blend between the SHELL and SNAPPY tones that make up the overall snare drum
- Turn up the DRIVE to get overdriven snare tones with intense harmonics. The purple LED indicates when the snare begins to overdrive
- Like the other Mutant Drums, signal levels have been normalized for modular level input and output (up to 20Vpp)

SHELL synthesizes the drum skins:
- Analog bridged-t sinewave oscillators, for those organic-sounding tones we've come to love from the 808
- TONE control blends between the two sinewaves of different frequency
- SHELL PITCH lets you tune one of the sine waves, to change the pitch of your snare drum

SNAPPY adds some noise to the snare:
- An analog white noise generator feeds the SNAPPY circuit
- An external input lets you patch any sound source you like into the SNAPPY generator
- Voltage control of SNAPPY decay
- SNAPPY feeds into an analog selectable high-pass or band-pass filter
- Voltage control of filter cutoff frequency
- When nothing is plugged into the cutoff CV input, the SNAPPY envelope OR the adjustable sinewave from the SHELL generator normalize through the CV attenuverter for cutoff CV. A jumper on the back of the module allows you to select which of these internal modulation signals are routed here
- Filter has three resonance settings: classic 808 (low resonance), high resonance, and self oscillation
- Bipolar attenuators (aka: 'attenuverters') on CV inputs
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 1 in stock $231.01
Cat: 655338 Rel: 31 Jul 17
 
4-pole morphing low-pass filter module with unique Soviet-era filter core design - 12HP
Notes: The Red Dragon is a 24dB/oct 4-pole low-pass filter realised with a unique Soviet-era filter core. The curious filter structure of the Red Dragon favours character over precision; sure to impart colourful tone in your source material.

During the 1980's, a Russian electronics designer realised that one could build a musical filter using a fairly unconventional method. Unlike most other filter topologies, this method did not use capacitors to employ an RC time constant in its core filter stages. Instead, the internal properties of a programmable amplifier chip are modulated by a special "programming" input found on these devices. One of the modified properties is bandwidth of the amplifier. Changing this particular attribute over time effectively limits the frequencies that can pass through the amplifier, resulting in filtering!

Because attributes other than bandwidth are also changing at the same time, this filter stage has instabilities at certain frequencies along the audible spectrum, resulting in colourful distortions and a character all of its own. The resonance's character is especially profound, resulting in bubbly and sometimes screeching sci-fi tones. The Red Dragon achieves a 24dB/oct resonant low-pass response by cascading four of these stages. What's more, you can morph between the two pole extremes (6dB and 24dB) to change the slope of the filter on the fly, either manually or through voltage control.
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 1 in stock $231.01
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