New releases last four weeks: Classical

Review: A series of vivid, nocturnal transmissions blending altered-state refinements and rich storytelling as Canadian composer and producer Coverdale merges synthesis with live instrumentation, creating a multi-dimensional sound that feels both intensely personal and universally resonant. Drawing on a wide range of influences, including 19th-century programmatic music - that's music with spoken narrative, like Provokiev's Peter & The Wolf - and mid-70s jazz, her compositions balance improvisation with deeply emotional content. Each track explores a range of textures, from the ethereal, soaring flights of 'Daze' to the grounded, material energy of 'Freedom.' The use of strings, woodwind, brass and modular synthesis intertwines with Coverdale's voice to create a language that feels alive and constantly evolving. Whether navigating the turbulent gales of 'Coming Around' or finding catharsis in the drummed sequences of 'Offload Flip,' the music speaks to the physicality of sound and the emotional charge it carries. The narrative arcs throughout, painting an intricate portrait of grief, dislocation, and the quest for self-connection, each track embodying a different facet of this deeply personal yet expansive journey.

Review: Daniel O Sullivan, known as a producer for the likes of Tim Burgess and for his astounding art pop band Grumbling Fur, makes his first foray into classically informed chamber music. With some sort of superhuman genius mind, the unassuming Mancunian wrote these arrangements for a 14-piece ensemble and nailed it. 'Golden Verses' is stately, pastoral, yet menacing. Another highlight, 'Painting Rose' is some of the most psychedelic classical music you'll ever hear. So, if you're looking for chamber music that spans eras, genres and takes you on a transcendent journey, then look no further.

Review: Secret Garden is the Norwegian-Irish duo of Rolf Lovland and violinist Fionnuala Sherry and here they celebrate the 30th anniversary of their iconic debut, Songs from a Secret Garden. First released in 1995, the album won over global audiences with its blend of classical and folk, laced with Celtic and Norwegian emotion and some subtle new age undertones. It features the Eurovision-winning track 'Nocturne', which helped launch the duo into international acclaim. Elsewhere, there are whimsical melodies, ancient flutes, Lord of the Rings style Middle Age soundscapes, heartfelt emotions and plenty of clean, serene and timeless sounds that still offer great catharsis three decades on.

Review: Mark Springer - long a restless force in post-punk, free jazz and modern composition - joins Neil Tennant for a cool-headed meeting of minds, fusing Springer's jagged piano suites with Tennant's metrical lyricism and raw delivery. The pair orbit very different creative poles: Springer, known for his time in London punk funksters Rip, Rig and Panic, often works in extremes; whereas Tennant brings a crisped, measured sensibility honed over decades of pop songcraft. Here they land somewhere unexpected, in a padded set of chamber-style pieces for piano, quartet and quintet, wrapped in a dry mist of vocals trading in reflection, dislocation and dream logic.