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Bestselling All genres vinyl
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Review: Bristol's heavy post-punk groups Idles present their first full length album after a slew of records dating back to 2012. Brutalism collects the best of the bands antics, from vocals that shift from wailing snarls and smokey mob calls to punkish drawls, or the more spoken word and poetic emotional ballad that is album closer "Slow Savage". Guitars can thrash away or chill out melodically in the background, with the character of this album's songs striking up a familiar feeling of late-'90s punk to mid-2000s indie. Album highlights for us include "Mother", a song championing one woman's die hard working week, to the screeching, distorted anthem "Stendhal Syndrome".
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Played by: Juno Recommends Rock/Indie
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For You (reissue) (limited hand-numbered transparent yellow vinyl LP repress)
Cat: FTM 201901. Rel: 16 May 25
Disco/Nu-Disco
Review: It would be fair to say that great Italo-disco albums are few and far between. Ago's 1982 debut album, "For You", is undoubtedly one of the rare examples of an Italo-disco artist getting it right across an entire LP. As this timely reissue proves, the artist (and his production team) was more heavily influenced by U.S disco, boogie and early electrofunk than many of his synth-pop and new wave-loving peers, giving the set an authenticity and warm instrumental feel often lacking in similar Italian exercises. You may find the accented vocals a touch tongue-in-cheek, but the choruses are great, the instrumentation brilliant and the production spot on.
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Review: Given the hype that surrounded the release of the first Moderat set back in 2009, we can surely expect more of the same for this second outing from Apparat and Modeselektor. Those familiar with the first album's woozy blend of IDM, Thom Yorke indebted vocal dreaminess, porchlight techno and post-dubstep rhythms will immediately feel right at home. Online reviews have focused largely on II's atmospheric warmth, and the way in which the Berlin-based trio seems to have refined their sound. Both are valid critiques; certainly, there's a maturity and musical complexity to the album that betters much of their previous works. It's not much of a dancefloor set, but that's entirely the point; this is locked-in headphone listening for the wide-eyed generation.
… Read morePlayed by: Toki Fuko
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Played by: Ekoplekz, Resident Advisor
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Gilles PETERSON presents SUN RA & HIS ARKESTA
To Those Of Earth & Other Worlds (gatefold 2xLP)
Cat: STRUT 125LP. Rel: 28 Oct 15
Jazz
Review: Given the sheer amount of material released by spiritual jazz maestro Sun Ra over the years - 120-odd albums and counting - it can be hard for new listeners to know where to start. Gilles Peterson and Strut have come up with an answer: a two-LP Sun Ra primer, which casts a critical eye over his whole career in order to gather together some stone cold aural gold. Peterson has long been a Sun Ra obsessive, and does a superb job in representing the different sides of his career. Check, for example, the doo-wop sweetness of "Dreaming" (a 1955 collaboration with The Cosmic Rays), the African influenced weirdness of "Adventure Equation", and the outer-space brilliance of "Cluster of Galaxies".
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Fugazi (remastered) (red vinyl LP + MP3 download code)
Cat: DISCHORD 30LP. Rel: 23 Sep 10
Punk/Hardcore
in stock $16.06
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Review: This is the third full-length album by veteran Swedish producer Ola Obergman who has been producing since the turn of the millennium on respected imprints such as Skam, Borft and Futhur Electronix. A heavy collection of 808-based fusion in classic Pariter style, Mirror Counterpart is a cohesive effort featuring some truly impressive productions; from the early proto-house sound of the title track, to the Detroit influenced hi-tech soul cuts on the second disc - 'Indeterminacy' and 'Stellar Triangulation' respectively - going into 4/4 robot funk on the second disc with 'Alice Matter' and 'Uncertiny Principle' being the highlights. Superb.
… Read more in stock $18.02
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Cat: ES 1042V. Rel: 19 Nov 14
Dub
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Review: Soulful pop trio Gabriels hail from LA and the UK and make gospel-tinged electronic music that takes you to a higher plane. After some epic singles and a recent standout performance at Glastonbury which got everyone talking - not least because of the magnificent outfits of the lead singer - they have finally put together a debut album. The first part was widely acclaimed and this seance part is no different. The music has been produced by Beyonce and Kendrick Lamar collaborator Sounwave and as well as lead single 'Angels & Queens' this is a treasure trove of warm, soul fuelled sounds that draw on the sounds of legends like Prince and Luther Vandross to cook up a throng record that will blow you off your feet.
… Read morePlayed by: Smoove, Juno Recommends Soul
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Review: Canadian minimal veteran Tomas Jirku has been a little quiet of late, but now he makes a welcome and unexpected return with something quite different for Silent Season. You can hear echoes of his earlier work in the soundscapes he's sculpted across Touching The Sublime, as high-definition sonic manipulation draws on his experience and eye for detail in wielding music technology, but rather than creating pointillist rhythmic structures, he's more concerned with billowing clouds of ambience. It's easy to draw parallels with the likes of Tim Hecker, but there's space for more techno-oriented productions in the midst of the maelstrom. Epic in scope and powerfully rendered, this is an album that will feed your head for a long time to come.
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Played by: Juno Recommends Leftfield
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Review: Last spotted cavorting with his Nirvana-covering side project Blue Mode and previous operating as Kid Costa, killer flautist and composer Chip Wickham (real name Roger) delivers his debut LP on Lovemonk. Ranging from gentle wave lapping spiritualism of tracks such as "Tokyo Slow Mo" and the cinematic "Pushed Too Far" to much more frenetic, energetic cuts like "Le Leyenda Del Tiempo" by way of funkier, lolloping grooves like "The Detour", it's a beautiful, vibrant snapshot of Wickham's skills that will grow as the months get warmer. Stunning.
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Review: Moon B takes it back to the old school that is PPU! Atlanta-based analogue funkateer Wes Gray made his debut proper as Moon B back in 2012 on People's Potential Unlimited, and has since found further acclaim with a killer EP for London label Going Good and releases as Vaib-R and Sean Sanders for Nous and Hot Mix. Andrew Morgan's PPU has always been something of a home base for Moon B material however, with several other cross format releases in recent times. The suitably titled II is the second Moon B long player and pulls eight tracks from the home studio recordings of Wes Gray made over the past few years with that signature "slank rhythms and cutting basslines you've grown accustomed to" present and correct!
… Read morePlayed by: Patrick Luca (Island Issues), Lexx, Al Bradley (3am Recordings), Lawrence Le Doux, Alex Boogie Cafe, Piers Harrison, Mannmade music, Jacques Renault, Randy "Hotthobo" Ellis, Superbreak, Dreamtime Records, Juno Recommends Disco, Riccio, Marsman, Nicholas, I Love Disco!, Giorgio Luceri, Peoples Potential Unlimited, DJ PayAndrewBurgerDotCom, Harvey Sutherland, Fantastic Man, Roberto S, Andrew Emil / Change Request, Kastil (Soul Notes/Stale), Tommy Finger Jr., Joe Drive, Anaxander, Tomasz Guiddo, Matt Weiner (TWINS), ADJOWA, Giovanni Damico, Cermakk (Cherries Records)
… Read more in stock $17.19
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VARIOUS
Cat: 337506 6. Rel: 21 Aug 20
Dub
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Review: Over his long and illustrious career, Dennis 'Dego' McFarlane has made music in many complimentary styles, but it's been broken beat with which he's been associated with for the least two decades. Alongside his friend and regular studio partner Kaidi Tatham, he's developed a particular strain of "bruk" that incorporates elements of jazz, electrofunk, soul, boogie, jazz-funk and, more occasionally, hip-hop. It's this fluid, attractive, synth-heavy sound that's at the heart of The Negative Positive, his first solo full-length for two years. It's as well-made, soulful, slick and musically rich as you'd expect, with a series of stellar vocal numbers joining a swathe of similarly impressive instrumentals.
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Review: One of the UK's most distinctive, consistent and authentic male soul voices returns with his eighth album in 27 years... And it's a serious piece of work. Rich in range, warmth, creativity and a keen eye on the dancefloor, everything about him feels refreshed and energised. Highlights include the Dilla-meets-Iz & Diz style "This Way That Way", the glistening Balearic charm of "Feeds My Mind", the syrupy organs and harmonies on "Insatiable". Winding down with the almost filmic narrative "Grey Clouds", it's one of those records that will have you leaping up, flipping to side A and starting all over again. Feel the love.
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Review: We've been waiting for this one for what feels like an eternity. Since his self-titled debut in 2012 Flume has gone from beat-digger's delight to global sensation who has influenced producers in all walks of sounds from hip-hop to D&B. Mercifully Skin delivers and exceeds expectations: from the gritty wonks of "Wall Fuck" and "16.3" to the airwave-ready songwriting of "Never Be Like You" and "Say It" by way of the introspective, fathomless electronic textures of tracks such as "When Everything Was New" and "Like Water", Harley has taken care to explore his widest influences and references points while treading the balance between retaining his signature but not repeating himself.
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Breakfast At Tiffany's (Soundtrack) (limited 180 gram vinyl LP)
Cat: 771740. Rel: 01 Jan 90
Soundtracks
in stock $18.31
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Review: The word is out, EBTG are back. The long-serving combination of Tracey Thorn and Ben Watt have moved through many phases, from their exquisite indie pop era of the 80s to the chart-topping club dalliances and premier league remixes of the 90s. Now they return with a fresh sound on this, their eleventh album, which feels wholly contemporary as well as carrying on their instinct for heart-rending songwriting, all led by Thorn's unmistakable croon. Lead single 'Nothing Left To Lose' sets the tone with a strident, bass-heavy beat that certainly doesn't try to recreate past glories, and it's still a powerful song first and foremost. This revamped approach yields an abundance of magic moments across the whole of Fuse, a stellar return from long time treasures of British independent music.
… Read morePlayed by: Juno Recommends Rock/Indie
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Review: Last year, Amsterdam-based Turkish band Altin Gun delivered one of the most potent - and arguably overlooked - debut albums of the year, "On". 12 months on they return with album number two, "Gece", an inspired fusion of heavyweight Turkish psychedelia, funk, freak-folk and intergalactic rock. While the songs and recordings are brand new, the band's choice of instrumentation - vintage Moog synths, gnarled funk-rock guitars, skittish drums and fuzzy bass guitar - and 1960s style production gives the whole thing a deliciously retro feel. It's a recipe that guarantees thrills and spills, with "Yolcu", "Sofor Bey", "Derdimi Dokersem" and spacey "Gesi Baglari" among the many highlights.
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What's Words Worth? Recorded Live 1978 (heavyweight orange vinyl LP)
Cat: WIKM 209. Rel: 29 Sep 17
Metal
in stock $16.89
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Review: London-based label For Those That Knoe returns with a terrific release by underrated Slovenian producer Vid Vai. He's been slowly yet steadily honing his craft over the last 12 years with releases on respected labels such as Assemble Music, Tvir, Gilesku and Oskar Offermann's White to name but a few. Laminar Flow also happens to be his first full-length, taking in a wide variety of moods and grooves along the way. From the evocative and acid-laced flow of 'Incubation Theory', the sci-fi electro of 'Oort Cloud' to the sublime ambient offering 'Dusk By The Bay' and the saucer-eyed sunrise breaks of 'Shifting Sands' - the result is a timeless piece of liquid-smooth sonic art.
… Read morePlayed by: Juno Recommends Deep House
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Review: Of all his many albums and live shows, A Love Supreme: Live In Seattle is often said by fans to be one Coltrane's greatest works. Until recently, this was a long lost performance from the iconic saxophonist. Recorded in 1964, it is only the second full live performance recording known after one from the Festival Mondial du Jazz Antibes in France from 1965. The quartet for the original recording of one was made up of McCoy Tyner, Jimmy Garrison and Elvin Jones next to Coltrane himself, but this recording was boosted by Pharoah Sanders on tenor sax and Donald Garrett on second bass. It's a suite packed with spirit, power and soul.
… Read morePlayed by: Juno Recommends Jazz
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