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Coming Soon: Studio Equipment

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FORTHCOMING
Edifier 4002557 R980T 2.0 Active Compact Desktop/Bookshelf Speaker System Pair (Black)
Cat: 794297
 
24W paired speaker system with built-in amp & dual RCA inputs
Notes: Edifier 4002557 R980T 2.0 Active Compact Desktop / Bookshelf Speaker System Pair 24 Watts With built in Amp and Dual RCA inputs (black).

The R980T powered amplified bookshelf speakers offer a sound that is full of presence and depth. Designed for enhanced bass, the R980T bookshelf speaker system is calibrated with a flared bass reflex port. Resulting in rich detailed sound that will take your breath away. This flared bass reflex port is encased in a 100% medium-density fiberboard wooden enclosure. The wooden accent encompassing the full package of the R980T bookshelf speakers compliment both a home, studio and office setting. The classic wood finish enclosures are brilliantly designed to minimize acoustic resonance while simultaneously producing a clean finish any audiophile will enjoy. Studio-quality 2.0 speaker system with dual RCA input.

Includes cables.

TOTAL POWER OUTPUT: RMS 12W × 2

SIGNAL-TO-NOISE RATIO: =85dBA

INPUT TYPE: Dual RCA input (RCA - RCA and RCA to AUX)

INPUT SENSITIVITY: PC: 700i50mV AUX: 550i50mV (THD + N=1%)

TWEETER UNIT: F13mm silk domed tweeter, 4O

THD + N: 10%

DISTORTION: =0.5%

FREQUENCY RESPONSE: 70 HZ-20 kHz +/-9db

BASS UNIT: BASS UNIT

DIMENSION:140(W) × 226(H)× 197(D)mm
Read more
coming soon $75.04
FORTHCOMING
Edifier 4003653 SS02 Speaker Stands For S2000Pro /S1000DB/S1000MKII (pair, brown/black)
Cat: 794311
 
Paired 26.5" wood grain speaker stands for S2000Pro /S1000DB/S1000MKII
Notes: The S2000Pro/S1000db/S1000MKII stands are a great addition to any home or studio audio set up. It adds style and functionality all in one. The S2000pro/S1000db/S1000MKII stands are a breeze to set up and enhances the look and feel of any environment its in. The atmosphere changes once we set our eyes on the clean lines and wooden finish of these speaker stands.

The well-designed S2000pro/S1000db/S1000MKII speaker stands place the speaker on a solid platform, which helps achieve the best overall sound quality, especially bass. The elegant design negates the effect that vibrations may cause.

Hollowed design - ready to fill with sand to increase stability and eliminate resonance.
Read more
coming soon $164.90
FORTHCOMING
Edifier 4004964 R1280DBs Bluetooth 5.0 Wireless Desktop/Bookshelf Speakers (black)
Cat: 794321
 
42-watt paired Bluetooth 5.0 speakers
Notes: Edifier 4004964 R1280DBs Black Powered Bluetooth 5.0 WirelessDesktop/Bookshelf Speakers Pair 42 Watts With Built in Amp and MultiInputs Includes Remote Control and Cables (Black)

Multiple Inputs: Optical, Coaxial, Bluetooth, Dual RCA, Subwoofer output

Removable Mesh Grille - The protective grill can effectively protect your speakers from dirt and other particles and can be easily removed for careful cleaning of speaker face.

Sub-out & OPT/COAX Inputs - When connected the sub-out automatically detects the subwoofer and activates the digital crossover. Optical and coaxial inputs make sure you will always enjoy music with lossless sound quality. Dual RCA inputs allow you to connect to two devices at the same time. Connect to your devices such as phone, PC, laptop, tablet or gaming console with included Fiber Optical input cable, RCA to RCA audio cable, and 3.5 mm-RCA audio cable, eliminates the need to switch cables.

Classic Wood Finish - These impressive speakers are made from MDF wood, designed to effectively prevent resonance. You will love how perfect it fits into your living room, study room, or bedroom.

Precise Control - The adjustable knobs on the side panel of the speaker allow you to adjust the bass, treble, and volume more accurately, press the volume dial to toggle input sources.

Wireless Remote - Adjust volume, mute/unmute, switch OPT/COAX mode, switch line-in, Bluetooth mode and switch sound field extension with the wireless remote, no longer need to heft yourself off of the couch every time you want to make some adjustments.

TOTAL POWER OUTPUT: R/L: 21W+21W RMS

BLUETOOTH VERSION: Qualcomm 3003 V5.0

FREQUENCY RESPONSE: 51Hz-20KHz

INPUT: LINE IN 1, LINE IN 2, Optical, Coaxial, Bluetooth

DRIVER UNIT: F13mm tweeter unit + 4-inch mid-woofer

SIGNAL-TO-NOISE RATIO: =85dBA

INPUT SENSITIVITY: LINE IN1 R/L:500i50mV, LINE IN2 R/L:600i50mV, Optical /Coaxial R/L:350i50mFFS,Bluetooth R/L:700i50mFFS

Includes RCA to RCA cable, RCA to 3.5mm cable, Fiber Optic input cable, Speaker Connnecting cable, Remote Control
Read more
coming soon $148.97
FORTHCOMING
Edifier 4004971 R1700BTs Bluetooth 5.0 Wireless Bookshelf Speakers (pair, brown)
Cat: 794344
 
Paired 66-watt bookshelf Bluetooth 5.0 speakers
Notes: Edifier 4004971 R1700BTs Powered Bluetooth 5.0 Wireless Bookshelf Speakers Pair 66 Watts With Built in Amp and Multi Inputs Includes Remote Control and Cables (Brown)

Rich and Detailed Sound

Soundfield Spacializer - Soundfield Spatializer simulates a larger soundstage with the touch of a button. This unique feature creates wide-filed sound by optimizing each channel, sending out opposite signals to eliminate mutual interference and improve separation.

Impressive Wood Finish - MDF wood with walnut wood finish-vinyl makes it a perfect addition to your living room, office, or study.

Bluetooth 5.0 with Qualcomm aptX - No wires required! Connect to devices using Bluetooth 5.0 technology. Enjoy listening from your phone, laptop, or tablet with wireless connection, works with iOS, Android, Mac, or Windows devices.

Eagle Eye Tweeter - 30W + 36W RMS undistorted power, 4 inch woofer, and 19mm silk dome tweeter, the Edifier R1700BTs active Bluetooth bookshelf speakers make even the hardly-noticeable sounds very clear. And the DSP(Digital Signal Processing) and DRC (Dynamic Range Control) helps to minimize distortion for improved audio even at low volume.

Multiple ways to connect - When connected the sub-out automatically detects the subwoofer and activates the digital crossover. Dual RCA inputs allow you to connect to two devices at a time. Connect to your devices such as phone, PC, laptop, tablet, or gaming console with RCA to RCA audio cable, and 3.5 mm-RCA audio cable, eliminates the need to switch cables.

Built-in Controls - Convenient dials on the side panel of the speaker allows you to adjust the bass, treble, and volume, press the volume dial to toggle between inputs.

Wireless Remote - Adjust volume, mute/unmute, switch inputs, Bluetooth, select sound field extension, and line-in mode with the wireless remote, no need to leave the couch.

Removable Grill - Protects your speaker drivers, easy to remove for cleaning.

TOTAL POWER OUTPUT: R/L(high): 15W+15W, R/L(mid-low): 18W+18W

BLUETOOTH VERSION: Qualcomm 3031/V5.0

INPUT SENSITIVITY: LINE IN 1: 700i50mV, LINE IN 2: 550i50mV, Bluetooth: 400i50mV

INPUT: LINE IN 1, LINE IN 2, Bluetooth

DRIVER UNIT: F19mm tweeter unit + 4 inches woofer

SIGNAL-TO-NOISE RATIO: =85dBA

FREQUENCY RESPONSE: 52Hz-20KHz

Includes: RCA to RCA cable, RCA to 3.5mm cable, Speaker Connecting cable, Remote Control, User Manual
Read more
coming soon $168.31
FORTHCOMING
Edifier 4004988 S1000DBMKII Bluetooth 5.0 Wireless Active Bookshelf Speakers (pair, brown)
Cat: 794392
 
Paired 120W Bluetooth 5.0 powered bookshelf speakers with built-in amp and multi inputs
Notes: Turn on the Speaker, Juice up the World - S1000MKII Audiophile Active Bookshelf 2.0 Speaker.

Includes Remote Control and Cables

120 Watts Stunning Sound Performance - A new Class D Amp boosts the system's already impressive power to a new height, crank the volume while still maintaining crystal clear audio.

Bluetooth 5.0 with aptX HD Decoding - Stream high-quality audio wirelessly with reduced latency and increased stability.

Titanium Dome Tweeter - A titanium dome is a high-quality unit that can only use in hi-fi level high-end speakers. Restore high-frequency signals up to 40KHz to obtain a clearer, brighter, transparent, and pure tone.

Simpler but Much More Stylish - Aluminum bass speaker for surge and wave bass, pure sound with advanced titanium dome tweeter. Designed with classic wooden side panels, the S1000 MKII is angled to ensure front-facing drivers positioned for optimum performance without compromise.

Metal Diaphragm, Medium Bass Unit - The 5.5-inch aluminum alloy mid-woofer unit has the characteristics of high strength and low distortion. By the precise analysis of the KLIPPEL system in Germany and the advantages of DSP full digital electronic frequency divider, the performance of the unit is more accurate, faster, cleaner, and more powerful.

DSP Digital Audio Processing - Built-in Texas instruments DSP professional audio processing chip TLV320AIC3254, and use its miniDSP to complete electronic frequency division and dynamic management for accurate control of frequency division point, so that the speaker can better display the sound details.

Multiple Inputs Connection - With its optical, coaxial, and auxiliary inputs, it can connect to multiple devices such as TV sets, TV boxes, Blu-ray player, game console, CD player, DVD, mobile phone, computer, tablet, or other devices.

Wireless Remote Control - Swap inputs, playback, or adjust the volume with the included remote while still able to sit on the sofa, help you to take full control of your sound wirelessly.

TOTAL POWER OUTPUT: RMS 25W×2(Treble) +35W×2(Mid-range bass)

FREQUENCY RESPONSE: 45Hz~40KHz

MIDRANGE / BASS UNIT: 5.5 inch

SIGNAL-TO-NOISE RATIO: = 90dBA

INPUT SENSITIVITY: Line in 1:750i50mV / Line in 2 :900i50mV OPT, COX: 350 mFFs i 50 mFFs Bluetooth: 450i50mV

Treble Unit: 1 Inch

Includes: RCA to RCA cable, RCA to 3.5mm cable, Speaker Connecting cable, Remote Control, User Manual
Read more
coming soon $369.60
FORTHCOMING
Edifier 4005046 R1280DBs Bluetooth Desktop/Bookshelf Speakers (pair, brown)
Cat: 794466
 
24W paired desktop/bookshelf Bluetooth 5.0 speakers with built-in amp and multi inputs
Notes: Edifier 4005046 R1280DBs Brown Powered Bluetooth 5.0 Wireless Desktop/Bookshelf Speakers Pair 42 Watts With Built in Amp and MultiInputs

Includes Remote Control and Cables

Classic Design

Bluetooth 5.0 - Experience true freedom from wired connections with this Bluetooth speaker and enjoy the best audio. You can connect it to devices wirelessly using Bluetooth 5.0, suitable for iOS, Android, Mac, or Windows devices.

Soundfield Spacializer - Built-in Soundfield Spatializer simulates a larger soundstage with the touch of a button. This unique chipset creates wide-filed sound by optimizing each channel, sending out opposite signals to eliminate mutual interference and improve separation.

Removable Mesh Grille - The protective grill can effectively protect your speakers from dirt and other particles and can be easily removed for careful cleaning of speaker face.

Sub-out & OPT/COAX Inputs - When connected the sub-out automatically detects the subwoofer and activates the digital crossover. Optical and coaxial inputs make sure you will always enjoy music with lossless sound quality. Dual RCA inputs allow you to connect to two devices at the same time. Connect to your devices such as phone, PC, laptop, tablet or gaming console with included Fiber Optical input cable, RCA to RCA audio cable, and 3.5 mm-RCA audio cable, eliminates the need to switch cables.

Classic Wood Finish - These impressive speakers are made from MDF wood, designed to effectively prevent resonance. You will love how perfect it fits into your living room, study room, or bedroom.

Precise Control - The adjustable knobs on the side panel of the speaker allow you to adjust the bass, treble, and volume more accurately, press the volume dial to toggle input sources.

Wireless Remote - Adjust volume, mute/unmute, switch OPT/COAX mode, switch line-in, Bluetooth mode and switch sound field extension with the wireless remote, no longer need to heft yourself off of the couch every time you want to make some adjustments.

TOTAL POWER OUTPUT: R/L: 21W+21W RMS

BLUETOOTH VERSION: Qualcomm 3003 V5.0

FREQUENCY RESPONSE: 51Hz-20KHz

INPUT: Bluetooth, LINE IN 1, LINE IN 2, Optical, Coaxial,

DRIVER UNIT: F13mm tweeter unit + 4-inch mid-woofer

SIGNAL-TO-NOISE RATIO: =85dBA

INPUT SENSITIVITY: R/L:350i50mFFS , Bluetooth R/L:700i50mFFS, LINE IN1 R/L:500i50mV, LINE IN2 R/L:600i50mV, Optical /Coaxial,

Includes: RCA to RCA cable, RCA to 3.5mm cable, Speaker Connecting cable, Remote Control, User Manual
Read more
coming soon $148.97
FORTHCOMING
Joue Water Drum Pad For Board Play Modular MIDI Contoller (blue, green)
Notes: Drum pad- Water colour scheme.
Read more
MRP:$47.76 SAVE 17%
coming soon $39.79
FORTHCOMING
Beats Studio3 Bluetooth Wireless Noise Cancelling Over-Ear Headphones (blue)
Cat: 794254
 
Bluetooth wireless noise-cancelling headphones
Notes: Beats Studio3 Wireless headphones deliver a premium listening experience with Pure Active Noise Cancelling (Pure ANC). Beats' Pure ANC actively blocks external noise and uses real-time audio calibration to preserve clarity, range and emotion. They continuously pinpoint external sounds to block while automatically responding to individual fit in real time, optimising sound output to preserve a premium listening experience the way artists intended.

Incorporating the efficient Apple W1 chip brings seamless setup and switching for your Apple devices, up to 22 hours of battery life for all-day fully-featured playback with Pure ANC on, and Fast Fuel technology for 3 hours of play with a 10-minute charge. Pure ANC-off for low-power mode provides up to 40 hours of battery life.

Take calls, skip songs, control volume and activate Siri using the convenient multi-function on-ear controls. The Apple W1 chip features Class 1 Bluetooth connectivity - the industry-leading classification for range and signal strength. With best-in-class performance, Beats Studio3 Wireless seamlessly syncs to your devices, so you can easily move about, keep the music going and stay productive all day.

The Beats Studio3 Wireless headphone is designed for long-term comfort to match its impressive battery life of up to 22 hours for all-day play. The soft over-ear cushions feature advanced venting and signature ergonomic pivoting for a custom, flexible fit for any head shape. The holistic design is lightweight, durable and comfortable, so you can get lost in your music.

Read more
coming soon $481.04
FORTHCOMING
Beats Studio3 Bluetooth Wireless Over-Ear Headphones (Skyline Collection) (midnight black)
Cat: 794266
 
Bluetooth wireless over-ear headphones
Notes: Beats Studio3 Wireless headphones deliver a premium listening experience with Pure Active Noise Cancelling (Pure ANC). Beats' Pure ANC actively blocks external noise and uses real-time audio calibration to preserve clarity, range and emotion. They continuously pinpoint external sounds to block while automatically responding to individual fit in real time, optimising sound output to preserve a premium listening experience the way artists intended.

Incorporating the efficient Apple W1 chip brings seamless setup and switching for your Apple devices, up to 22 hours of battery life for all-day fully-featured playback with Pure ANC on, and Fast Fuel technology for 3 hours of play with a 10-minute charge. Pure ANC-off for low-power mode provides up to 40 hours of battery life.

Make calls, skip songs, control volume and activate Siri using the convenient multi-function on-ear controls. The Apple W1 chip features Class 1 Bluetooth connectivity - the industry-leading classification for range and signal strength. With best-in-class performance, Beats Studio3 Wireless seamlessly syncs to your devices, so you can easily move about, keep the music going and stay productive all day.

The Beats Studio3 Wireless headphone is designed for long-term comfort to match its impressive battery life of up to 22 hours for all-day play. The soft over-ear cushions feature advanced venting and signature ergonomic pivoting for a custom, flexible fit for any head shape. The holistic design is lightweight, durable and comfortable, so you can get lost in your music.

Read more
coming soon $481.04
FORTHCOMING
Jensen JTA-315 Dual Receive/Transmit Bluetooth Wireless Turntable3 -Speed With Stereo Speakers & Headphone Jack (black)
Cat: 797738
 
Bluetooth wireless turntable with stereo speakers
Notes: Works as a stand alone music system or stream music from your phone to the systems speakers or from the turntable to your Bluetooth enabled speakers or headphones.
Read more
coming soon $95.52
FORTHCOMING
2hp Loop Module (silver faceplate)
2hp
Cat: 766646
 
Sound looper module
Notes: Sound on sound looper with 5 minute audio buffer.

Audio specs: 48kHz, 24 bit.
Read more
MRP:$188.33 SAVE 17%
coming soon $156.94
FORTHCOMING
2hp Loop Module (black faceplate)
2hp
Cat: 766647
 
Loop module
Notes: Sound on sound looper with 5 minute audio buffer.

Audio specs: 48kHz, 24 bit.
Read more
MRP:$188.33 SAVE 17%
coming soon $156.94
FORTHCOMING
2hp Pitch Module (black faceplate)
2hp
Cat: 766655
 
Pitch shifter module
Notes: Time domain pitch shifter with flutter control.
Read more
MRP:$150.12 SAVE 17%
coming soon $125.10
FORTHCOMING
2hp Lunchbox 42HP Portable Eurorack Modular Powered Case
2hp
Cat: 793124
 
Portable modular case
Notes: This 42HP case comes fully powered and ready to go with a latchable lid. Whether you're in the studio, on a plane, or performing at your next modular picnic, Eurorack has never been so portable.

2HP are also selling four powerful systems packed in the new Lunchbox case:

Picnic Basket, Synth Voice, Drum Machine, and Effects Box.

These systems are sure to become the bread and butter of your creative process.

Available as a standalone case (powered/unpowered), full of modules, and as a lunchbox for your lunch!
Read more
MRP:$438.07 SAVE 24%
coming soon $334.34
FORTHCOMING
2hp Pitch Module (silver faceplate)
2hp
Cat: 766651
 
Pitch module
Notes: Time domain pitch shifter with flutter control.
Read more
MRP:$150.12 SAVE 17%
coming soon $125.10
FORTHCOMING
Moog Grandmother SR Series Case
Cat: 792865
 
Case for Moog Grandmother
Notes: Moog SR Series Cases are here to safeguard your Moog Grandmother synthesizer where you need it most and ensure your sound travels far and wide.

Musician's report the most important performance a case can offer are protection from impact and protection from water - in that order. With that in mind, Moog SR Series Cases have been developed to be the first line of defense for your synthesizer.

Moog SR Series Cases feature generous padding around a semi-rigid ABS shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument. Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.

Moog SR Series Cases are a perfect fit for your Moog Grandmother Synthesizer.

PLEASE NOTE: The Moog Grandmother is not included in this purchase, it is for demonstration only.

MATERIAL:

INTERNAL: Padded plush liner
EXTERNAL: Durable abrasion resistant 1680D Cordura, water-resistant
Laminated zippers, reinforced stitching and metal rivets

PADDING: Semi-rigid ABS, generous foam padding

HANDLES/STRAPS:
(2) Smooth and durable webbed handles (top and side) with reinforced stitching
Removable anti-slip shoulder strap,
Removable air-mesh padded backpack straps

POCKETS:
External Pockets
Multi-compartment Exterior Pocket
Rear pocket for storing tablet or laptop
Internal Pockets
Zippered pockets
Velcro pocket
Pen holders

WHAT'S IN THE BOX:
Grandmother Semi-Rigid Bag
Removable Backpack Straps
Removable Shoulder Harness

DIMENSIONS:

INTERNAL IMPERIAL (in): L 23" x W 14." x H 5.5" (tapers down to 3")
EXTERNAL IMPERIAL (in): L 25" x W 16" x H 7"
Read more
MRP:$271.58 SAVE 17%
coming soon $226.31
FORTHCOMING
Moog Matriarch SR Series Case
Moog Matriarch SR Series Case (synthesiser case)
Cat: 792869
 
Case for Moog Matriarch
Notes: Moog SR Series Cases are here to safeguard your Moog Matriarch synthesizer where you need it most and ensure your sound travels far and wide.

Musician's report the most important performance a case can offer are protection from impact and protection from water - in that order. With that in mind, Moog SR Series Cases have been developed to be the first line of defense for your synthesizer.

Moog SR Series Cases feature generous padding around a semi-rigid ABS shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument. Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.

Moog SR Series Cases are a perfect fit for your Moog Matriarch Synthesizer.

Material:

INTERNAL: Padded plush liner
EXTERNAL: Durable abrasion resistant 1680D Cordura, water-resistant
Laminated zippers, reinforced stitching and metal rivets
PADDING: Semi-rigid ABS, generous foam padding
HANDLES/STRAPS:
(2) Smooth and durable webbed handles (top and side) with reinforced stitching
Removable anti-slip shoulder strap,
Removable air-mesh padded backpack straps

POCKETS:
External Pockets
Multi-compartment Exterior Pocket
Rear pocket for storing tablet or laptop
Internal Pockets
Zippered pockets
Velcro pocket
Pen holders

WHAT'S IN THE BOX:

Matriarch Semi-Rigid Bag
Removable Backpack Straps
Removable Shoulder Harness

Dimensions:

INTERNAL IMPERIAL (in): L 32" x W 14.5=25" x H 5.5"
EXTERNAL IMPERIAL (in): L 34" x W 16" x H 7"
INTERNAL METRIC (cm): L 81.28cm x W 36.2cm x H 13.97cm
EXTERNAL METRIC (cm): L 86.36cm x W 40.64cm x H 17.78cm
Read more
MRP:$394.40 SAVE 17%
coming soon $328.66
FORTHCOMING
Electrosmith Micro USB To USB Type A Cable
Cat: 792042
 
USB cable
Notes: Flash your Daisy, send MIDI, and more with the Electrosmith Micro USB cable! This braided cable is built to last, and is easily distinguishable between other workbench cables due to its orange finish. Flashing programs just got brighter with the Electrosmith Micro USB cable.

. Micro USB to USB Type A
. Protected with braided cable enclosure and silicon supports.
. Length: 36"
Read more
MRP:$15.01 SAVE 17%
coming soon $12.50
FORTHCOMING
Electrosmith 3.5mm TRS To 5-Pin DIN MIDI Type A Adapter Cable
Cat: 792036
 
DIN/MIDI cable
Notes: Get your Daisy connected with your gear faster with the Electrosmith 3.5mm to 5-Pin DIN MIDI cable adapter. This braided Type A cable is the go to solution for utilizing MIDI with your Daisy Patch and Field, as well as a plethora of MIDI compatible gear, such as the Make Noise 0-Coast, Akai MPC Studio, Korg SQ1, IK Multimedia's iRig, and more. Sync up your projects with the Electrosmith MIDI cable.

. 3.5mm to 5-Pin DIN
. TRS To MIDI Female
. Type A compliant
. Braided
Read more
MRP:$8.19 SAVE 17%
coming soon $6.81
FORTHCOMING
Qu Bit Cascade Ratcheting Envelope Generator Module
Cat: 766031
 
envelope generator module
Notes: Cascade is a ratcheting envelope generator featuring burst generation, a flexible curve parameter, and two discrete level controls. Freeze allows you to lock the output voltage exactly where it is with the press of a button or a gate input. The Cascade can be transformed into several other modes, including ASR, ADSR, dual AD, and a gravity-based bouncy-ball mode.
Read more
MRP:$271.58 SAVE 17%
coming soon $226.31
FORTHCOMING
Malekko Quad LFO Module (black faceplate)
Cat: 766096
 
LFO module
Notes: An LFO, or low frequency oscillator, sends control voltage out in the shape of a waveform. The Quad LFO available shapes include sine, ramp, saw, triangle and pulse and moves through these shapes using the SHAPE slider. You can send these 4 distinct LFOs directly out or to other modules for frequency modulation, VCA control, filter control, etc.

What makes this Quad LFO module different is that it also includes a 16 step automation sequencer for each channel, as well as autosave or expanded preset functions when used in conjunction with Varigate 4+ and Varigate 8+.

Multiple Quad LFOs can be controlled by one Varigate 8+ or Varigate 4+ on the same bus to instantly save/recall presets.

To create a sequence of automation for an LFO, select a channel and then hold the RECORD button and move the sliders for Frequency, Phase, Shape, Distort and Level and those slider movements will play back automatically as the Quad LFO cycles through the sequence. This sequencing feature allows for a multitude of dynamic possibilities for live performance and recording.

Set each LFO to trigger via one of the 4 individual gate inputs, or set channels 2 through 4 to follow channel 1 for quadrature and phase modulation. Change the direction of each channel of sequenced automation to Forward, Reverse, Pendulum or Random. Switch the playback speed and style between Fast, Slow or Tempo Sync. There are also inputs for both Clock and Reset.


Read more
MRP:$375.29 SAVE 17%
coming soon $312.75
FORTHCOMING
Malekko Varigate 4+ Module (black faceplate)
Cat: 766093
 
Sequencer module
Notes: The Varigate 4+ is a 4-channel, 8-step sequencer that includes most features of the original Varigate 4, PLUS the new option to output both CV (quantized or unquantized) and gates simultaneously. Other new features include a Play/Stop function, Preset Banks (4×4), Glide Per Step, Scales and can also be configured as master for the Malekko Voltage Block as well as a slave to the Varigate 8+ if you're looking to expand your total channels and presets (up to 14 channels and 100 presets with V8+).

Each Channel (or Track) correlates with it's own sequencer (so 4 independent sequencers). The addition of the Gate/CV Switch allows for switching between 4 channels of CV, 2/2 for 2 channels of CV and 2 channels of gates, or all 4 channels to output only gates. Additionally, each step of a sequencer can be programmed with Probability for gates, Repeats, Glide and Notes (when in a CV mode). There is a also a Randomization feature for Repeats, Notes and Glide. Channel parameters for Scales, Sequence Direction (Forward, Reverse, Pendulum and Random), Sequence Length, Division, Multiplication and Pulsewidth are all easily accessible using Track Mode.

Easy Preset Recall makes the Varigate 4+ perfect for live performance. Pair it with the Malekko Voltage Block for maximum control.
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MRP:$348.00 SAVE 17%
coming soon $290.00
FORTHCOMING
Flame uMLFO MIDI Clock To Analog LFO Module
Cat: 781484
 
MIDI clock to LFO analog LFO module
Notes: The Flame uMLFO consists of 14 MIDI LFOs which are synchronized to the clock. The module also works with analog clock.

Additional analog clock and reset inputs allow to create pingable LFOs.

It is possible to adjust the frequency, waveform and phase of each LFO. 12 presets are selectable via MIDI keyboard. Thanks to Sysex it is possible to program new setups.
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MRP:$232.00 SAVE 17%
coming soon $193.32
FORTHCOMING
Soma Laboratory Pulsar-23 Organismic Drum Machine (black)
Cat: 781129
 
analog synthesiser/drum machine
Notes: Pulsar-23 is a multi-functional analog synthesizer and generator of complex rhythmic patterns.

The Pulsar consists of 23 different modules, including four flexible sound generators with completely different structures, four envelope generators, four looper-recorders, a clock generator with dividers, a controlled chaos generator, an LFO, a two-channel CV-controlled effects processor, distortion, two controlled amplifiers, an inverter, a controlled inverter and two controlled analog switches. In addition to these 23 main units, the Pulsar also contains 13 auxiliary units, such as a four-channel MIDI to CV converter, a noise generator, four attenuators, two dynamic CV generators with sensory control, two impulse converters and single passive electronic components for live circuit bending.

Pulsar-23 can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage. The Pulsar functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination. Additionally, Pulsar offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations.

Pulsar continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
Read more
MRP:$2,183.52 SAVE 17%
coming soon $1,819.60
FORTHCOMING
Zlob Modular Glow In The Dark Right Angle Patch Cables (15cm, pack of 5)
Cat: 793643
 
Pack of 5 right-angled patch cables
Notes: Right angle cable length is not including the connectors (plugs).

6"= 15 cm

Glow in the dark cables have to be exposed to around 10 minutes of natural light before they will glow properly.
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MRP:$13.65 SAVE 17%
coming soon $11.37
FORTHCOMING
Zlob Modular Glow In The Dark Right Angle Patch Cables (30cm, pack of 5)
Cat: 793648
 
Pack of 5 right-angled patch cables
Notes: Right angle cable length is not including the connectors (plugs).

12"= 30 cm

Glow in the dark cables have to be exposed to around 10 minutes of natural light before they will glow properly.
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MRP:$16.38 SAVE 17%
coming soon $13.63
FORTHCOMING
Critter & Guitari TRS-MIDI Cable (26cm)
Cat: 792194
 
TRS to DIN adapter
Notes: Male 3.5mm (1/8") TRS to Female 5-pin DIN adapter.

This adapter cable will connect the Organelle M's TRS-MIDI In or Out ports to another device with a 5-pin DIN MIDI port.

This adapter cable is TRS-MIDI Type A as set by the MIDI Manufacturers Association. Type A is the adopted standard of the MMA.

Overall length: 10.25" (~26cm)
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coming soon $5.98
FORTHCOMING
Critter & Guitari Stereo Mini Cable (68cm)
Cat: 792193
 
Male-to-male TRS cable
Notes: Male-to-Male TRS cable with 3.5mm (1/8") plugs.

This cable is great for TRS-MIDI connections. Use it to connect the Organelle M's MIDI In or Out ports to the opposite port on another Organelle M or another device with TRS-MIDI Type A connections.

Overall length: 26.75" (68cm)
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coming soon $3.75
FORTHCOMING
Solid Gold FX Spanish Castle Dual Vintage Fuzz Effects Pedal
Notes: The year 1969: Not only was Led Zeppelin's eponymous album released, but Woodstock took place in August. 1969 marks a turning point in the gear world also; it was the year that Dallas-Arbiter switched Fuzz Face production from the lower-gain germanium transistor core to readily available higher-gain silicon devices. The Spanish Castle pays tribute to this year.

Packed to the turrets with fuzz spread across two separate and footswitchable If 6 Was 9 circuits, the Spanish Castle is the perfect device for the fuzz-crazy and fuzz-curious alike.

The right side of the Spanish Castle represents the warmer pre-'69 circuit and is equipped with low-gain silicon transistors that emulate the rich character of germanium with more stable and consistent operation. Carbon-composition resistors further round everything out for a sound that is just like they used to roll them off the line. Unlike the Faces of yore, this circuit is equipped with a bias circuit to dial in just the right flavor, and cleans up like a champ. The original tenant of the Spanish Castle would have loved it.

On the left side, the post-'69 If 6 Was 9 circuit lies in wait. This wing of the Spanish Castle offers up higher-gain silicon transistors for a more buzzsaw-like grind, metal film resistors for tighter tolerances and an extended bias range for dialing in ripping gated fuzz textures as well as full-bodied snarl.

Each side offers up two toggle switches- Colour is a three-position switch that adjusts the EQ of its respective side, from flat EQ to two settings that shave off treble and mids. The Input toggle is also a three-position switch, changing gain and bass values that make the Spanish Castle adapt better to your wahs and other pedals.

If that's not enough control for you, each side contains an internal switch that changes between Bold and Comp modes, the former increasing the output and midrange, and the latter offering a softer, more compressed tone.

Please enjoy your stay in the Spanish Castle. You'd better make yourself at home. You're going to be here a while.

KNOBS:

Fuzz: Most Fuzz Face-style pedals only produce usable fuzz amounts at the end of the knob. Not ours. Each Fuzz knob is designed to give you an even sweep of fuzz throughout.

Bias: These knobs vary the voltage to the collector of of the second transistor, giving you burlier (clockwise) or leaner/gated fuzz tones (counter-clockwise).

Volume: Gives you more output than vintage-style Fuzz Faces. Note: when running both sides at once, Side B's Vol control becomes the "master volume" while Side A's control becomes a "saturation" control.

TOGGLE SWITCHES:

Color: These three-position switches adjust the EQ of the side they're found on. The center position of each switch bypass the EQing, while the "left" positions shave a small amount of treble and scoop a small amount of mids from their respective sides. The "right" positions shave an even greater amount of treble while scooping a greater amount of mid frequencies.

Input: These three-position switches adjust the input attenuation and wah friendliness of the side they're found on. The "right" positions leaves its respective side alone with regards to attenuation. The center positions heavily cut gain and bass, while the "left" positions mildly cut gain and bass. The center and left positions help adapt the Spanish Castle to a more wah-friendly fuzz.

UNDER THE HOOD:Bold/Comp (internal DIP): Each side contains a DIP switch that toggles between Bold and Comp settings. The Bold side increases the output level and the midrange content, while Comp delivers a softer and more compressed tone. The default setting is with Comp on.

AUXILIARY:

Input: Instrument or other pedal goes here (right side).

Output: Amplifier or other pedal goes here (left side).

True bypass footswitches: Turns each side of the effect on and off.

POWER: The Spanish Castle requires a center-negative 9-to-18VDC power adapter with at least 10mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$334.35 SAVE 17%
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FORTHCOMING
Solid Gold FX Surf Rider III Spring Reverb Effects Pedal
Notes: Reverb purists often point to amp reverb as being the pinnacle of spring reverb. That may be all well and good, but what if your amp just doesn't have reverb? What if your amp's reverb isn't good? What if you want more options after a simple "level" control? It is time to ride the waves into the Surf Rider III.

The Surf Rider III is the 'verb sound that Fender's engineers would have put into their Deluxes and Vibroverbs if they had access to today's technology. Solid Gold's finest 'verb box gives you that familiar Level control but then adds a plethora of options, including a boost and some nifty resonance features that adds some juice to your tank without the springs.

Versatility is the name of the Surf Rider's game. The Level control is just the beginning, adjusting the amount of reverb in the total signal. The Surf Rider also offers a Depth knob that adjusts the intensity of the reverberations, for some hauntingly huge verbs that fill the room. The expression jack on the side overrides this control, should you feel so inclined.

The Decay control increases the size of the virtual reverb tank, opening up the pedal and giving you verb tones that go on seemingly forever. Speaking of tones, there's a handy Tone knob that brightens or darkens the reverb signal, which helps tame harsh pickups or beef up flimsy ones. It's especially helpful if the Surf Rider III is your only pedalia splendid idea.

The Resonance switch unlocks the "drippiness" of the reverb tank, giving you a lot (upper position), a little (lower position) or none at all (center). Cracking open the Surf Rider III gives you a trimpot to set the lower level for just the right amount of splash.

The Boost section lets you boost or cut the reverb level. With the LED on, the pedal is in Hi mode, and off is Lo mode. There's another internal trimmer that lets you dial in Lo mode. Surf's up.

KNOBS:

Tone: This knob lightens or darkens the frequency of the reverb signal only, from dark and moody to bright and biting.

Decay: Turning the Decay control up increases the decay time of the reverb signal, giving you access to huge, surf-inspired 'verbs that linger seemingly forever.

Depth: Increases the size of the virtual spring tank and the intensity of the signal. When connecting an expression pedal, you can control this knob hands-free.

Level: Controls the volume of the reverb (wet) signal.

TOGGLE SWITCHES:

Res: This is a three-position switch that alters the resonance of the tank. The upper position adds a high amount of resonance, while the lower position adds an amount that you set via internal trimpot (see "Under the hood" below). In the center position, the toggle adds no resonance.

UNDER THE HOOD:

Res (trimpot): This trimpot allows you to adjust the amount of resonance in the reverb signal while in the "Lo" (bottom) position of the Res toggle.

Boost (trimpot): When the Boost is in the off position (LED off), a portion of the reverb level is reduced. This trimpot lets you adjust how much is reduced to fine-tune the reverb signal.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: Connecting an expression pedal here gives you hands-free control over the Depth knob.

True bypass footswitch: Turns the effect on and off.

Boost footswitch: With the LED on, the Surf Rider III is in "Hi" mode, boosting the reverb signal. With the LED off, the Surf Rider III is in "Lo" mode, and a bit of the reverb level is reduced. You can adjust how much with the Boost trimpot (see above in "Under the hood").

POWER:

The Surf Rider III requires a center-negative 9VDC power adapter with at least 53mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$257.93 SAVE 17%
coming soon $214.94
FORTHCOMING
Solid Gold FX Funkzilla Tap Tempo Envelope Filter Effects Pedal
Cat: 792820
 
Envelope filter effects pedal
Notes: When it comes to envelope filters, there are a funkload of options. Unfortunately, there are plenty of parameters with which to control them, and almost all envelope filters deny you access to at least one. "Let's just not give them a frequency control", some might say. Fear not, funkseeker, as the Funkzilla smashes all preconceptions of what an envelope filter should do and sound like- and it works on everything; guitars, bass, keys, you name it.

The Funkzilla is Solid Gold's take on everything enveloped, filtered or both. While all envelope filters give you the ability to coax that familiar "quack" sound from them, the Funkzilla contains the ability to shift the filtering from envelope control to LFO control. In other words, it's the ultimate funk box.

Attack, Depth and Freq(uency) controls come standard, as does the envelope direction (up or down). Beyond that, the heart of the Funkzilla lies within its Tap/Env switch. This switch toggles between standard envelope filter sounds and more dynamic autosweep sounds that take away the need for dynamics.

With this switch set to Tap, a plethora of options opens up. The Speed and Mode knobs become active, as does the tap switch, along with 1-2-4 and Wave toggles. The Speed knob now controls the speed of the auto-sweep (overridden by the Tap switch), and the 1-2-4 toggle controls the time subdivisions.

You can adjust the Funkzilla's Mode control to one of eight different rhythmic patterns for the utmost expression, and across those patterns, you can choose one of three different waveformsisine, ramp, and square.

An expression jack overrides the Speed control for some truly expressive filtering options, with some phaser and flanger overtones available for the brave.

Even without the bells and whistles, the Funkzilla is one killer envelope box and funks the joint up right out of the box. With the bells and whistles? Look out.

KNOBS:

Speed: When in Tap mode, this knob controls the rate at which the filter sweeps automatically, from near-frozen pulses to hyperdrive.

Mode: This eight-position control cycles through several rhythms and accents when in Tap mode. Because of the different rhythms, it is highly interactive with the standard filtering controls. Turning the Mode control fully left bypasses all functions.

Depth: Controls the intensity of the filter sweep across both Tap and Envelope modes.

Freq: Adjusts the center frequency of the filter sweeps. Turning the knob lower centers the filtering on the dubby side of things while turning it up gets you into Zappa territory. Works across both Tap and Envelope modes.

Attack: This control adjusts the time it takes for the filter to "open." Turning it doesn causes the envelope to open slowly, and turning it up opens the envelope very quickly. This knob works only in Envelope mode.

TOGGLE SWITCHES:

1 2 4: The tempo range of the Funkzilla lives in this switch. In Tap mode, it sets the subdivisions of your tapping. In standard mode, it sets the range of the Speed control.

Wave: A three position switch changes LFO waveforms between Sine, Ramp and Square modes. This switch is only available in Tap mode.

Dir: This switch toggles between forward and reverse envelope operations, and is available across both Envelope and Tap modes.

Tap/Env: Changes between the two main modes: Tap and Envelope. In Tap mode, the filter speed is set by either Speed knob, expression pedal or tap tempo. Each control will override the last one used. Envelope mode works as a standard envelope filter. Make sure that your instrument's volume is set to maximum for best results.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: In Tap mode, connecting an expression pedal gives hands-free control over the Speed knob for some psychedelic filter action. This effect is not available in Envelope mode.

True bypass footswitch: Turns the effect on and off.

Tap tempo footswitch: In Tap mode, sets the tempo of the filter sweeps.

POWER:

The Funkzilla requires a center-negative 9VDC power adapter with at least 15mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$334.35 SAVE 17%
coming soon $278.63
FORTHCOMING
Solid Gold FX If 6 Was 9 - BC183 Fuzz Face Inspired Fuzz Effects Pedal
Notes: If there's one pedal that captures the soul of classic rock, the Fuzz Face is probably it. For those unfamiliar with Fuzz Face lore, as germanium parts fell out of vogue due to reliability issues, Dallas-Arbiter shifted to silicon parts. Both versions were used extensively on thousands of records.

Solid Gold's If 6 Was 9 pays tribute to all the players who contributed to the pantheon of rock, with specially selected components to get your mojo working. We put two BC183 devices in each one, which is widely regarded as a happy medium between the potentially mushy compression of germanium and the brash sawmill-like fuzz of silicon. The tone of the If 6 Was 9 is just thatismooth and refined without falling apart on chords, and with loads of sustain on single-note work.

The specially-selected BC183 parts gives you a thick balanced bass response and a tight fuzz tone- just right. The If 6 Was 9 supplies a two-way tone toggle switch that adjusts the fuzz character to match with the rest of your rig.

Fuzz Face tone has been whittled down to such a precise science that players now know what voltage at which they prefer their Fuzz Face to be run. Eric Johnson famously kept a box full of batteries drained to various degrees. Now you can harness this power with an external Bias controliset the voltage to whatever you wish for full-bodied fuzz or ripping splatty tones that explode when you dig in.

The Fuzz and Bias controls work in beautiful synchronicity with your guitar's volume control, bringing all kinds of flavors to the table. Anything from mild overdrive to almost envelope-like snarl is available with just a couple turns. Set the onboard controls just how you like and leave the heavy lifting to your guitar.

KNOBS:

Fuzz: Unlike the original, this control has range throughout, instead of just the maximum. Go from sparkling harmonic enhancement to blissed-out sustain with one turn.

Bias: This varies the voltage to Q2's collector, giving you a huge range of tones from zippy and lean to full and throaty.

Vol: There's more on tap here than in the stock unit, letting you really give your amp what-for.

TOGGLE SWITCHES:

Tone: This toggle switch delivers two different fuzz voicings. Chose from Tight (left) or Thick (right).

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns the effect on and off.

POWER:

The If 6 Was 9 requires a center-negative 9VDC power adapter with at least 3mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS: 4.77" x 2.6 x 1.39" (121.1 x 66 x 35.3mm)
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MRP:$230.63 SAVE 17%
coming soon $192.19
FORTHCOMING
Solid Gold FX 76 Octave Fuzz Octave-Up Fuzz Effects Pedal
Notes: While the Western world was preoccupied with its Fuzz Faces, Tone Benders and others, the Eastern world was bubbling up with plenty of fuzzes of its own. This very distinct era in fuzz history gave us many treasures that have been crowned fuzz legends - the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others.

The 76 offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks, such as a quiet signal or fragile wiring. On its face, the 76 gives you a multi-voiced germanium-equipped fuzz unit that gives you hints of octave-up snarl while it ruthlessly pummels your amp with hair and fangs.

Aside from standard volume and fuzz controls, and unlike the original Standard Fuzz, the 76 also gives you a texture control that sweeps the midrange, effectively giving you many flavors of fuzz across several positions. A three-way colour switch offers a little frequency scoop, but the center position is off, for full-frequency fuzz madness.

The internals contain two DIP switches that alter the character of the unit. The first, clip, changes the clipping stack from the stock Standard Fuzz arrangement of two germaniums into a hybrid germanium-silicon arrangement. Engaging this switch opens the sound up, increases crunch and definition for a searing lead tone.

The other switch, Dark, engages a treble cut on the input, which helps to prep the incoming signal for the fuzz onslaught. This switch should be engaged if the 76 follows a bright dirt pedal or a jangly set of pickups.

The new Standard Fuzz is here and is a forced to be reckoned with, leveling audiences with its punishing buzzsaw grind and unbridled harmonics. The 76 is your favourite fuzz nerd's favorite fuzz.

KNOBS:

Fuzz: Turning the Fuzz up ranges from a little crunch to more gain than you could ever want.

Texture: This control adjusts the mid frequency of the 76. Go from a deep scoop to a mid-drenched grind with a simple twist

Level: Adjusts the output volume, with more than enough on tap.

TOGGLE SWITCHES:

Color: Switches between three different frequency ranges, from scooped to full-frequency fuzz tones.

UNDER THE HOOD:

Clip (internal DIP): When on, the 76 employs germanium diodes for a spongier signal and a harder clipping threshold. When off, a silicon-germanium combo is employed, opening the fuzz signal up a little more. The default is on.

Dark (internal DIP): When on, the 76 cuts a good amount of treble from the input signal, useful for single-coils and wicking away treble from anything before it. When off, the treble cut is lifted. The default is off.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns effect on and off.

POWER:

The 76 requires a center-negative 9VDC power adapter with at least 5mA of current (not included). Almost all power supplies meet this requirement.

DIMENSIONS:

4.77" x 2.6 x 1.39" (121.1 x 66 x 35.3mm)
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MRP:$230.63 SAVE 20%
coming soon $184.22
FORTHCOMING
Solid Gold FX Lysis Poly Octave Down Fuzz Modulator Effects Pedal
Cat: 792822
 
Fuzz/modulation/filter pedal
Notes: If you've ever awoken in a cold sweat dreaming of synthesizers, here's the ticket: Lysis. There's always been something about synth players for which guitarists and bassists alike have yearned. Though they're essentially the same instrument, the onboard accoutrements are what makes all the differenceioscillators, filters, LFOs; these are the makings of true electronic synthesis, and these are all things we stuffed into the Lysis.

All of the bells and whistles of synths are featured in full within the walls of the Lysis. For starters, the Lysis serves up a specially-designed wave-shaping fuzz circuit. This helps the Lysis sound more like a square wave or sawtooth wave.

The DSP-controlled polyphonic octave circuit takes all the clang you've cooked up and sends it south, to a rich two-voice octave-down synthesizer that tracks one note or 88, all at once. Serve Lysis your longest signal chain on a platter, and it will eat it for breakfast.

The Filter section is where things get really interesting. For starters, the Lysis gives you the option to blend the octave/fuzz section with the filtering, so you can enjoy punishing octave-down fuzz, rich, goopy filter sweeps or anything in between. The Lysis also gives you a switchable high-pass and low-pass filter, along with the option to manually manipulate the filter's cutoff or have it automatically modulate.

If you choose the manual path, an expression pedal jack gives you hands-free control of the Freq knob, for a sound-bending filter-wah effect that can absorb the impact of the most well-equipped dirt section. Should you choose modulation, the Freq knob controls the rate of the effect. An expression pedal gives you foot control over the speed for some psychedelic guitar freakouts or smooth undulation.

An onboard vibrato circuit finishes off the signal path of the Lysis. When in fixed mode, Lysis kicks in the vibrato, but in modulated mode, a filter LFO is engaged and Mod controls the rate of that. The two-position Warp switch works in tandem with the corresponding footswitch, either maxing or killing the Mod knob depending on the position.
Much more than a mere effect Lysis is its own future forward entity, a cellular organism of the sonic variety bursting with possibilities.

POWER:

The Lysis requires a center-negative 9VDC power adapter with at least 60mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$334.35 SAVE 22%
coming soon $259.28
FORTHCOMING
Solid Gold FX 76 Plus Octave-Up Fuzz & Filter Effects Pedal
Cat: 792775
 
Fuzz & filter effects pedal
Notes: Introducing the new 76 Plus Octave-Up Fuzz & Filter Effects Pedal. The 76 Plus takes inspiration from the lauded Univox Super Fuzz, Shin-Ei Companion and Ibanez Standard Fuzz. It's a powerful, cutting fuzz with a baked-in octave up that's especially apparent the higher you go up the fretboard. Do you like fuzz? Then you'll especially like this fuzz.

But what really makes this pedal special is the inclusion of an independent wah-like filter that's as tasty as it is useable. The filter section of the 76 Plus offers a mind-boggling number of ways to add movement to your tone, from triangle and sawtooth waveforms, to 2, 3 and 4-step sequences.

This filter speed can be dialed in perfectly via the speed knob or for you control-freaks, you can use an external expression pedal (not included) to give you infinitely variable control. Rather than "boxing you in," the 76 Plus gives you both options.

Knobs & Switches:

Vol Knob (Right): Adjusts the Fuzz output volume, from quiet to your mum yelling, "TURN IT DOWN!"

Texture Knob: This control adjusts the mid frequency of the 76 Plus from a deep scoop to a mid-drenched grind.

Fuzz Knob: When you turn the Fuzz knob up, you get more fuzz- and vice versa.

Speed Knob: Adjusts the speed of the filter (disconnected when expression is plugged in).

Volume Knob (Left): Adjusts the output volume of the filter.

Color Switch: Shaves some top-end for a smoother, woolier fuzz. "Left" rolls off some treble, "Right" rolls off even more treble, and "Center" rolls off no treble.

Clip Switch: "Left" is the original vintage setting (heavy compression & extra breakup), "Right" is a tamer, balanced option, and "Center" is a punchy setting with the compression dialed back a bit.

Mode Switch: Toggles between three available filter modes: Manual (left), Triangle (center), and Square (right). Each mode has 3 corresponding shapes, controlled by the "Shape" switch.

Input/Output:Instrument or other pedal goes on the right side, Amplifier or other pedal goes on the left side.

EXP Input: Enables the Filter to be controlled by an expression pedal (not included).

True bypass Footswitches:Turns each side of the effect on and off.

Power:This pedal requires a center-negative 9-to-18VDC power adapter with at least 10mA of current (not included). There is no option for a battery.

Dimensions:4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$334.35 SAVE 22%
coming soon $261.56
FORTHCOMING
Solid Gold FX Rosie Tone Bending Fuzz Effects Pedal
Cat: 792825
 
Fuzz pedal
Notes: There's no doubt that the Fuzz Face and Tone Bender share the crown for "most important fuzz". Just as many iconic records were cut with the Bender as the Fuzz Face, and each original unit commands scads of money in the used marketplace. And with all the reliability issues that plague vintage models, does there exist a silicon Tone Bender MKII?

Introducing the Rosie. Equipped with silicon semiconductors, you won't hear your tone seize up on a cold or hot day, and you won't get a load of choosiness with regards to your guitar stable. The Rosie works effortlessly across all guitar types and in all conditions.

You're treated to a JFET input section that lets the flavor sing regardless of where you place it, even after a wah. It's not what you might expect from a silicon Tone Bender, but Solid Gold are used to exceeding expectations.

The highly specialized transistor selection ensures smoothness and mojo throughout all knob sweeps, with nothing a hair out of place. And the cleanup is exceptional, with a feel befitting a silicon Tone Bender. Just like many silicon fuzzes, you get the best of the worlds of cleanup and screaming leads.

You can pair the Rosie to your specific guitar with Solid Gold's two-way Tone toggle, adapting the Rosie to the thinnest lipstick pickups to the beefiest humbucker you have. An onboard Bias control lets you adapt the voltage to your liking. Ever notice how some fuzzes sound better with old batteries? This is why, and now you can adjust the voltage to taste, lending a different flavor to our silicon Tone Bender.

Whether it's modern chord work or vintage violin-like sustain, the Rosie fulfills all your needs. It's a whole lotta pedal, and it can be yours today.

KNOBS: Turning this control up delivers everything from sparkling crunch to saturated fuzz bliss.

Bias: Ever noticed how some fuzz pedals sound better with an old dying battery? The Bias control lets you adjust the amount of voltage to the final transistor, giving you plenty of splatty singing lead tones, full-bodied fuzz and everything in between.

Vol: Unlike most vintage-style fuzzes, the Rosie gives you plenty of output.

TOGGLE SWITCHES:

Tone: This two-position toggle switch changes between standard and bass reduction modes. Standard mode gives you the push needed to fatten up single coils, while bass reduction mode makes sure you don't beef things up too much.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns the effect on and off.

POWER:

The Rosie requires a center-negative 9VDC power adapter with at least 5mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.77" x 2.6 x 1.39" (121.1 x 66 x 35.3mm)
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MRP:$216.99 SAVE 17%
coming soon $179.68
FORTHCOMING
Solid Gold FX Zeta DLX Deluxe Preamp Overdrive & Boost Effects Pedal
Cat: 792830
 
Overdriver & boost effects pedal
Notes: Guitar tone is tricky business- guitarists are sometimes forced to choose between great tone and utility. Are you also tired of choosing? Venture ahead, brothers and sisters of tone - introducing the Zeta DLX.

The Zeta DLX combines three of the most useful tricks in the gain-based tonal world: Preamp, drive and boost. The entirety of the Zeta DLX comprises a preamp circuit, so that you can keep your tone fresh even if you have to go direct, or your amp options are limited on fly-out gigs. However, each since each side is individually switchable, we must look at the sum of the parts.

The left side of the Zeta DLX serves up a generous drive circuit that has extremely wide sweeps of all the parameters, from jangly boost to crunchy OD. Three of the toggle switches give you options to tailor the Zeta DLX to your individual needs. The Mids and Body toggles allow you to adjust the range of those particular frequency bands, while the Clip switch lets you change the clipping characteristics. A bonus trimpot inside even lets you adjust the overall gain of the circuit.

On the right side of the Zeta DLX is the JFET-equipped individually selectable boost function, with a single knob to control the amount. The B. Tone toggle gives you control over the bass frequencies of the boost, while Pre/Post lets you choose whether the boost goes before or after the drive circuit. You can use this to great effect when trying to get either a super-saturated dirt tone or a burlier version of the drive side.

Don't get caught between a rock and a tonal hard place againiplug into the Zeta DLX and feel the gear instead of just hearing it.

KNOBS:

Volume: Gives you a tasteful amount of volume on tap, enough to work with all kinds of setups.

Tone: Adjusts the bass and treble content of the drive side.

Gain: Adjusts both the amount of overdrive and the amount of treble. As you roll the Gain up, more high end enters the signal path, allowing for clarity within the saturation.

Level: Governs the amount of boost engaged when in Boost mode. Be careful with this one!

TOGGLE SWITCHES:

Post/Pre: This switch controls the order of both channels when they are used simultaneously. Toggling this switch puts the Boost before the Drive or vice-versa for two different stacked tones.

Tone: This three-position toggle controls the level of the bass frequencies pushed by the Boost channel. When set to the left, the bass is the stock value. In the center, you'll find a bass cut, and the right position is a bass boost.

Body: Controls the level of the bass frequencies in the Drive channel. The corresponding switch positions are the same as the B. Tone switch above.

Mids: Adjusts the amount of mids present in the Drive channel. The left position is flat, center position s boosted, and the right position is scooped.

Clip: This three-position switch controls which type of clipping diodes are present in the drive channel. The left position selects a silicon-germanium hybrid for a bit more compression and crunch, the right position selects silicon parts for a bit more dynamics and sizzle, and the center position removes them altogether for a raw, throaty tone.

UNDER THE HOOD:

Gain (trimpot): Adjusts the overall gain of the drive channel, and thusly, the range of the external Gain control.

Bias 1 and Bias 2 trimpots are not user-adjustable.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitches: Turns corresponding channels on and off.

POWER:

The Zeta DLX requires a center-negative 9VDC power adapter with at least 30mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$293.41 SAVE 17%
coming soon $243.37
FORTHCOMING
Solid Gold FX Beta DLX Deluxe Bass Preamp Overdrive & Boost Effects Pedal
Cat: 792793
 
Preamp overdrive & boost effects pedal
Notes: What if you had an all-in-one tonal powerhouse that could keep your tone snappy and crisp, with a boatload of options to keep your signal buoyant? The Beta DLX is such a device. By pairing it with your bass, you create a highly sophisticated tonal symbiote and your audience and bandmates will thank you.

The makeup of the Beta DLX is a super-customizable drive circuit that's paired with a juicy boost. Let's start with the drive circuit.

Volume, Tone and Gain controls come standard, and each one has an unreal range of flavors, but the five-pack of toggle switches are where the magic happens. The Beta DLX offers up fine-tuning for both channels, but Body, Mids and Clip are within the drive side's domain. Body adjusts the bass frequencies, while Mids does the same with the midrange frequencies. Clip changes the clipping threshold of the drive side. A bonus trimpot inside lets you adjust the overall gain for this side- truly putting the DLX in Beta DLX.

The Boost section of the Beta DLX gives you a powerful JFET-equipped boost. Yes, you can use it just by itself- a miracle! On this side, the B. Tone control alters the bass frequencies of the boost, while Pre/Post determines whether or not the boost side comes before or after the drive sideiuse the Pre side to push the drive side into sweet saturation, or use the Post side to kick your drive tone up a notch.

If you've ever found your bass tone lacking due to the multitude of hurdles you're forced to jump, the Beta DLX is your ace in the hole.

KNOBS:

Volume: Gives you a tasteful amount of volume on tap, enough to work with all kinds of setups.

Tone: Adjusts the bass and treble content of the drive side.

Gain: Adjusts both the amount of overdrive and the amount of treble. As you roll the Gain up, more high end enters the signal path, allowing for clarity within the saturation.

Level: Governs the amount of boost engaged when in Boost mode. Be careful with this one!

TOGGLE SWITCHES:

Post/Pre: This switch controls the order of both channels when they are used simultaneously. Toggling this switch puts the Boost before the Drive or vice-versa for two different stacked tones.

Tone: This three-position toggle controls the level of the bass frequencies pushed by the Boost channel. When set to the left, the bass is the stock value. In the center, you'll find a bass cut, and the right position is a bass boost.

Body: Controls the level of the bass frequencies in the Drive channel. The corresponding switch positions are the same as the B. Tone switch above.

Mids: Adjusts the amount of mids present in the Drive channel. The left position is flat, center position s boosted, and the right position is scooped.

Clip: This three-position switch controls which type of clipping diodes are present in the drive channel. The left position selects a silicon-germanium hybrid for a bit more compression and crunch, the right position selects silicon parts for a bit more dynamics and sizzle, and the center position removes them altogether for a raw, throaty tone.

UNDER THE HOOD

Gain (trimpot): Adjusts the overall gain of the drive channel, and thusly, the range of the external Gain control.

Bias 1 and Bias 2 trimpots are not user-adjustable.

AUXILIARY

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitches: Turns corresponding channels on and off.

POWER:

The Beta DLX requires a center-negative 9VDC power adapter with at least 30mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$293.41 SAVE 17%
coming soon $244.51
FORTHCOMING
Solid Gold FX Counter Current Reverb & Feedbacker Effects Pedal
Cat: 792808
 
Reverb + feedback pedal
Notes: You've dipped your toes in the water with the Surf Rider, now it's time to get swept away in the Counter Current- the do-it-all immersive lo-fi reverb unit that gives you just the type of degraded reverb madness that you need to create crumbling walls of verb, 8-track garage rock ambience, and swells of bit-starved echo.

The heart of the Counter Current is three interconnected and highly interactive controls and one footswitch: F.Back (Feedback), Decay, Drive and the Momentary Feedback switch. By using these controls together and with generosity, all kinds of reverb sounds open right up.

Let's start with the Decay control: This knob affects the end result of all your careful knob placement, by extending the, well, decay time of the virtual reverb tank. Dialing it in nice and high keeps the trails ringing out longer and really lets you flood the front end of your amp with the heart of the Counter Current.

In keeping with lo-fi reverb tradition, the Drive control overloads the virtual reverb tank transducers, saturating the front end with a touch of extra gain that excites your tone in the best way. Dialing this control back gives you a characterfully clean reverb sound that still sounds an absolute treat, but go ahead- tweak that thang.

The Counter Current's Feedback control recycles the post-'verb signal into the front end for a chaotically rich reverb tone, increasing the resonance and augmenting the Drive control. Turning the control fully counterclockwise shuts the back door and keeps the feedback out of the input, retaining sparkle and clarity.

Of course, the Tone knob does wet-signal tone knob things, lightening or darkening the reverb signal, and the Level control adds wet signal to the mix. After you set those, it's time to examine the Momentary Feedback switch. Buckle up.

The Counter Current's secret weapon, the Momentary Feedback switch ramps up the feedback for some oscillating blasts of reverb just when you want them. Not only is it a killer tone, but it's a rock 'n' roll set ender. This switch's function, as you might expect, is extremely dependent on where the "core three" knobs are set, giving you everything from crunchy spring drip to bottomless wells of soft scuzzy ambience and everything in between. Step inside the Counter Current. It'll treat you well.

KNOBS:

Tone: This knob adjusts the frequencies of the reverb signal only, giving you 'verb tones from dark and intimate to bright and present.

F. Back: This adjusts the intensity of the momentary feedback footswitch function and works in conjunction with the drive and tone controls. Increasing this control will create a faster and more intense feedback.

Decay: Increases the size of the reverb space and the intensity of the signal.

Drive: This control lets you saturate the virtual transducers on the reverb unit, giving you additional grit, grime and drive before the 'verb kicks in.

Level: Controls the volume of the reverb (wet) signal.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: Connecting an expression pedal here gives you hands-free control over the Drive.

True bypass footswitch: Turns the effect on and off.

Momentary feedback footswitch: Hitting this switch will cause the reverb to feed back into itself creating sounds ranging from a mild oscillation to a screeching howl depending on where the f.back and drive controls are set.

POWER:

The Counter Current requires a center-negative 9VDC power adapter with at least 53mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$257.93 SAVE 17%
coming soon $214.94
FORTHCOMING
Solid Gold FX Communication Breakdown Dual Fuzz Effects Pedal
Notes: Sporting two different modernized takes on the legendary Tone Bender circuit in one box, Communication Breakdown is an unabashed sonic love letter to the glorious fuzz tones of yesteryear.

This pedal is ready to reveal the stairway to tone heaven through its wide gain range, intuitive tone controls and the ability to use the two channels individually or together. From clear and refined low-gain grime, crushing walls of sound to beautifully compressed and singing leadtones, Communication Breakdown is sure to bring all of the good times and none of the bad.

Adding not one, but two amazing fuzz pedals to your collection, all in one compact box of gainy goodness. Fuzz A is born out of the fire and flames of the rare Tone Bender MK1.5, but brings it into the modern era by using hotter silicon transistors than the original. This results in a wide range of extremely powerful yet refined fuzz tones.

Fuzz B, on the other hand, takes a page (see what we did there) from the book of the classic Tonebender MKII, and preserves everything good and great about that snarling, saturated and compressed box of fuzzy wonder. But as an extra bonus, we added our JFET pre-amp to the equation in order to breathe more stability and tonal clarity into this legendary circuit.

But the really cool part is of course that you can use the two channels either individually or together, seeing you jump from a hairy rhythm tone to a soaring lead in seconds, or lets you sculpt unique dirt tone never heard before.

Each channel sports the same super intuitive controls, so you won't be left dazed and confused exploring its vast fuzzy playground. Besides the ubiquitous Fuzz and Volume controls, each side has a Bias knob, whichlets you vary the voltage sent to the circuits. Clock-wise will give you beefy and bold dirt tones, whereas counter-clockwise sees it unleash a more lean, choppy and gated fuzz tone.

On top of that you can further sculpt the overall tone of each side viathe simple three-way Color toggles, for everything from bright and biting full-range tones to smooth and dark, while the Input toggles let you adjust the input attenuation of the pedal, making sure that it plays well withany wahyou want to put in front of it.

So whether you're a classic fuzz connoisseur looking to nail history defining dirt tones or simply searching for a versatile fuzz pedal to jump-start your creativity, then the Communication Breakdown is sure to deliver.

KNOBS, SWITCHES, ETC.

Fuzz Knobs: Want less fuzz? Turn these suckers to the left. Boom, you're there. Want some more fuzz? Of course you do. Just take these fellas on a spin to the right.

Bias Knobs:These knobs vary the voltage to the collector of the second transistor. Turn 'em clockwise to fatten up your fuzz, or turn 'em counter-clockwise for a lean, choppy, gated fuzz tone.

Vol Knobs: Makes things louder, or less loud. Note: when running both sides at once, Side B's Vol control becomes the "master volume" while Side A's control becomes a "saturation" control.

Input Switch: These three-position switches adjust the input attenuation and wah friendliness of each side. "Right" is no attenuation. "Center" heavily cuts gain and bass, and "left" mildly cuts gain and bass. The center and left positions help adapt the Communication Breakdown to a more wah-friendly fuzz.

Color Switch: These are special three-position EQ controls that help you dial in your fuzz even further. "Left" rolls off some high-end and scoops the mids, "right" rolls off even more high-end and scoops even more mids. "Center" bypasses the EQ entirely.

Internal DIP Switches:Each side contains a DIP switch that toggles between Bold and Comp settings. Bold increases the output level and the midrange content, Comp delivers a softer and more compressed tone. Comp is the default setting, feel free to switch it up.

Input/Output:Instrument or other pedal goes on the right side; Amplifier or other pedal goes on the left side.

True bypass Footswitches:Turns each side of the effect on and off. Both Fuzz A and Fuzz B are independent.

Power:This pedal requires a center-negative 9 VDC power adapter with at least 10mA of current (not included). There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$334.35 SAVE 22%
coming soon $260.43
FORTHCOMING
Solid Gold FX Electroman MKII Oscillating Delay & Modulation Effects Pedal
Cat: 792811
 
Delay + modulartion pedal
Notes: The debate over which type of delay is "the best" is one that has plagued guitar shops and internet forums for half a century. On one hand, we have analog purists that prefer the murky degraded repeats of an analog delay, while digital users prefer the exacting repeats of ones and zeroes. But Solid Gold simply like delays that are excellent, and the Electroman MKII is just that: An excellent, feature-rich delay that does everything right.

The core of the Electroman MKII is two cascaded digital delay lines, making bold strides in the arena of PT2399 chips. The PT2399 is a chip developed for DJ rigs and karaoke machines, and when tuned correctly, blurs the line between digital and analog.

The mode toggle takes advantage of that unique dual-line approach, giving you standard delay or one that sends the repeats only to the second chip for a cool half-time sound that will sit front and center on your next ambient or shoegaze record.

The second footswitch of the Electroman MKII retains our warp feature, which sends the repeats ramping up to self-oscillation for ambient textures and spatial soundscapes. But this time, you control the sensitivity with one of three settings on the warp toggle, from gentle nudging into infinity to instant freakouts.

Delay repeats are backed by an extremely musical modulation circuit, which has three selectable speed ranges and a generous flutter control, which increases the depth as you roll it up. This control turns the Electroman MKII into an instant tape echo simulator, where you can dial in just the right amount of digital wear and tear.

While the Electroman MKII is equipped with buffered bypass, the tails switch lets you decide whether or not the Electroman MKII chokes off the repeats when switched off, or leaves them trailing into your amp when bypassed. This feature lets you sculpt your sound just how you like, allowing for precision interplay with your other effects by affecting just one passage.

Level, repeat and time controls come standard, with the time control maxing out at 1 second of warm delay. The Electroman MKII's color knob will settle the debate between analog and digital snobs by shaving treble content from the repeats as the control is increased.

An extra jack on the left edge takes the Electroman MKII to the next level: The fx loop jack lets you connect a stereo Y-cable to as many auxiliary pedals as you like, with the looped effect applying itself to the repeats. Try an octave pedal for true space exploration, a ring modulator for a lo-fi delay and even a volume pedal for swells of repeats.

Tone is always the goal, so if you want an outstanding delay unit that hacks through the vines of tiered menus and other complicated fluff, let the Electroman MKII be your machete.

KNOBS:

Level: Changes the amount of wet signal from nothing at all to highly involved.

Repeat: At zero, you'll find the humblest of all delays: the slapback. At full-blast, the repeats will run away and overtake your signal.

Color: This control takes a little treble off the top as you turn it. Fully left is bare-naked digital, and turning it up increases the murk.

Flutter: Controls the modulation depth. Keeping this control at zero shuts the circuit off.

Time: Changes the delay time from a double tracking-esque 70 milliseconds to a full lengthy second.

TOGGLE SWITCHES:

Warp (toggle): Changes the intensity of the Warp footswitch across three modes, from subtle (center) assertive (left) to imminent lift-off (right).

Mode: Changes between standard delay (left) and a special second mode(right), which sends the repeats slamming into the second delay line at half time.

Speed: Offers three different speed settings of the modulation circuit - slow in the center position, fast when toggled right and medium in the left position. See also: flutter knob.

Tails: The Electroman MKII is buffered bypass, and this switch lets you decide how you want the repeats to behave with the pedal switched off: choked off when switched left, or trailing when switched right.

AUXILIARY

FX Loop Jack: This jack lets you attach a stereo Y-cable, allowing you to patch in any number of effects. These effects let you apply external effects only to the repeats, for endless amounts of fun. You can even run a full external pedalboard in this loop. We won't tell. In addition, the loop also doubles an an expression input to control the level knob.

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Warp Footswitch: Engaged self-oscillation when and where you want it, and relents when you release it.

True Bypass/Trails Footswitch: Turns effect on and off.

POWER:

The Electroman II requires a center-negative 9VDC power adapter with at least 40mA of current (not included). Almost all power supplies meet this requirement, but check yours first.

DIMENSIONS

4.67" x 3.68" x 1.18" (119mm x
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MRP:$334.35 SAVE 21%
coming soon $262.69
FORTHCOMING
Solid Gold FX Beta MKII Bass Preamp & Overdrive Effects Pedal
Cat: 792797
 
Preamp & bass overdrive effects pedal
Notes: With more and more bass players using pedals these days, its no surprise that four-stringers are looking to pedals to sweeten their tones. Sometimes, bassists must play direct, sometimes there are mix issues, and bass players are often required to keep their tone, and thus pedal selection, "tasteful" in the traditional sense. What if there was a pedal that answered all of these, and that it was dead simple to dial in right out of the box? There it is- the Beta MKII, you just might call it "the answer".

The Beta MKII is a beefed-up version of the original Beta circuit, giving you plenty of tube-like gain without the fizz or hassle. Two modes of operation dictate the amount of grime, tonal colorization, or both. These modes are Preamp and Overdrive.

The Beta MKII's Preamp side disengages the Gain control for a smooth, even-keeled preamp colorization. Both Tone and Volume controls are active in this position, for a subtle sweetening that you'll never turn offithink of those old Muscle Shoals tones or an Ampeg B15 Portaflex.

Flicking the switch to Overdrive mode reconnects the Gain control and gives you as much breakup as you could want, giving you harmonically-rich overdrive without being too aggressive or snappy. It sits just the way you want it to without overpowering anyone else. You'll be a better bandmate as a result.

Due to the expertly voiced EQ of the Beta MKII, you can warm up any lifeless rig, boring recording console or sterile mixer while still retaining dynamics and low-end. Perfection.

KNOBS:

Gain: Turn it up to give you a good amount of smooth, buttery gain that won't disrupt your low frequencies (hooray!)

Tone: Turn it left for a darker tone, turn it right for a brighter one.

Vol: Plenty of output to keep your amp nice and tight.

TOGGLE SWITCHES:

Mode: Two positions give you utmost flexibility. The left position gives you Preamp mode, which delivers a lighter, more tailored gain range that keeps you present. The right side is Overdrive mode that opens the Beta's full gain range up.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns the effect on and off.

POWER:

The Beta MKII requires a center-negative 9-18VDC power adapter with at least 6mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.39" x 2.34" x 1.06" (112 x 60 x 27mm)
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MRP:$189.69 SAVE 20%
coming soon $151.25
FORTHCOMING
AniModule AnVilope Module
AniModule AnVilope Module (clock generator / envelope generator / LFO synth module)
Cat: 794381
 
Envelope generator module
Notes: A Simple, Affordable, 4HP, Analog Envelope Generator.

Attack, Decay, Release... Simple.

- Envelope Out 0V to +7V
- Loop function so you can use it as a Variable Wave-Shape LFO / Timer
- Inverted out that goes from +7V to 0V

Function:
When the gate is High the envelope will rise and cycle through it's phases.
When gate goes low again the envelope will revert to the release phase.

If the Gate is longer than the ADR phases, the decay will play out then go to release and the envelope will end after the release.

Sprinkle them all over your system!

4HP Depth : 28mm
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MRP:$117.36 SAVE 17%
coming soon $97.79
FORTHCOMING
AniModule Line_Amp Module
AniModule Line_Amp Module (multiple / preamp / utility / dual stereo / external synth module)
Cat: 793793
 
Buffered multiple module
Notes: Check out AniModule's Line to Synth Level Converter.

2 Channels of 1 in <--> 2 Out.

Each channel is designed to multiply your input by *3 to boost your Line Gear / Tablet / Phone so you can integrate audio OR Control Voltages from your auxiliary systems.

Each channel's input is designed with Line Level gear's input impedance in mind.

Perfectly compatible with Synth Output Impedances, but the standard Synth Input Impedance is higher than Line level equipment is expecting.

Don't need to amplify your XPhone right this minute? Never fear! Just Hit the Switch!

This module won't sit unused in your cabinet breeding resentment and dust bunnies.

Hit the switch and that channel becomes a normal 2 HP Unity Gain Buffered Mult.

Only need one channel of each? It's YOUR Choice!
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MRP:$113.27 SAVE 17%
coming soon $94.38
FORTHCOMING
AniModule STD Syncopated Timing Disruptor Module
AniModule STD Syncopated Timing Disruptor Module (clock generator / clock modulator / logic synth module)
Cat: 793790
 
Syncopated timing disruptor module
Notes: The STD, or Syncopated Timing Disrupter is a dual tap tempo clock with CV control for clock division and multiplication. If one wishes to synchronize the STD with other clocked gear, there is also a Gate input. The CV inputs can shift the clock to being upto 8x faster or /8 to be slower. This function is voltage controllable to turn the STD into a nonstop groove machine. Included in this are three logic functions that output gates depending on how the two channels are interacting. There is OR, ADD, and XOR logic functions.

2 Independent Tap Tempo Clock Channels
Prefer to use a Gate? No Prob! Just Patch in to the Gate Input.

Use the Div/Mult/Offset Pot to Multiply or Divide your Clock Time up to *8 - /8

Or patch In to the CV Input to Modulate the Mathematical Madness!
When CV is being input the Div/Mult/Offset Pot behaves as an Offset.

CV Input wants 0V to +5V, but whatever you got, Between the Offset, and the Front Panel CV Attenuators, it's easy to dial in your desired range of "On the Fly" Mathematical Clock Time Modulations.

Want to sync the 2nd channel to the first?
Latch the Ch1 - Ch2 switch and the Output of Channel 1 is normalled to the jack Switch of Channel 2.
You can still control the Multiplications / Divisions of each channel Independently!

If that wasn't enough to get you poppin' penicillin prophylactically there's more!

The bottom row of jacks constantly output OR, AND, and XOR Logic Combinations of the 2 channels combined!

Want to use something funky (like a Sine Wave / Envelope / Random Voltage Generator) to set the rhythm? The Input is a Buffered Comparator set to trigger at any signal above +1.2V

Perfectly happy up in to the Mid- Audio range.

6HP
+44mA
-16mA
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MRP:$225.18 SAVE 17%
coming soon $187.63
FORTHCOMING
AniModule MIDI_Gate Module
AniModule MIDI_Gate Module (MIDI synth module)
Cat: 793791
 
MIDI gate interface module
Notes: The AniModule MIDI_Gate is an easy way to integrate your MIDI-synced workflow with your Modular Synth.

10 Gate Outs that correspond to MIDI notes C1 - A1 (36 - 46).

MIDI NoteOn >> Gate is High

MIDI NoteOff >> Gate is Low

Programmed to receive on MIDI Channel 10

All this in 4HP!!!

Use it to send Multiple Clocks synced to your main Clock.

Use it to trigger events to effect samples piped in via a Line_Amp or TrAniModule in realtime in the analog domain for Live Performance or Resample.

Use it to interface in realtime with your Keyboard, Pad Based Controller, or DAW.

Width = 4HP

Depth = 33mm
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MRP:$212.89 SAVE 17%
coming soon $177.40
FORTHCOMING
AniModule Gate_Mod Module
AniModule Gate_Mod Module (clock modulator / dual stereo / frequency divider synth module)
Cat: 793797
 
Gate modifier & trigger delay module
Notes: Got a gate that's gonna make you late? Run it through the Gate_Mod! Got a trigger comin' sooner than you figger'd? Run it through the Gate_Mod!!

Let's face it, couldn't we ALL use a little more length?

This Tiny (yet powerful) Module allows you to manipulate your gate length and delay your event triggers with ease and minimal impact on your HP.

Take an incoming Signal above ~1.1V (OpAmp Comparators on the Inputs make very forgiving Clock Inputs) and shrink it down to 5MS or lengthen it up to 5 Seconds.

That Gate will appear at the Gate Out.

When the Gate is Over a 10MS Trigger will turn on at the Delay Out.

Set the length of the Gate with the Time Potentiometer OR with the CV Input.

The switches allow you to choose between Interrupt OR Dividing Behavior (1 for each channel).

If you have Interrupt selected, when Clock In receives a new Clock Pulse the time will reset, essentially lengthening your Gate Out and Delay Out to the Time you have set + the time that has already elapsed.

So Gate will never go Low and Delay will never go High if you have a Time set longer than the interval between Clock Pulses (Useful if you have staggered, irregular or random Clocks).

When Dividing is selected Clock In will Ignore new Clock Pulses until it has finished the current cycle it's running.

The Delay 1 Out is Normalled via the Jack switch of the Clock 2 Input for all kinds of Timing madness!

Width = 4 HP
Depth = 37mm
Current Draw:
+12V = 35mA
-12V = -18mA

*The Gate_Mod firmware has been updated as of Mid August 2015. There was a bug in the Delay Out section that prevented it from resting at full 0V. All Gate-Mods shipped After the Firmware was updated include the new revision.
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MRP:$200.61 SAVE 17%
coming soon $167.16
FORTHCOMING
AniModule M1xXOR Module
AniModule M1xXOR Module (mixer / sequencer / switch synth module)
Cat: 793792
 
CV sequencer module
Notes: The Animodule M1xXOR is the Jon Snow of Animodule's product lineup. Described as a "bastard progeny" and "unholy union" by its creators, the module is an amalgamation of the V9a, VCSS, XXX_OR, and MixMan modules. Each of the module's channels, as well as the mixer, can be used independently of the sequencer, enabling a variety of self-contained and inter-module uses. When used independently for self-contained functionality, the module can function as a 4-channel DC-coupled mixer or as 4 individual channels of gated attenuation.

How It Works:
-Signal goes in to Channel Input (it's DC connected so you can use Audio OR CV).
-Signal is attenuated via Channel Attenuator.
-Signal is allowed to pass through to Individual Channel Output AND Mixer Output IF Gate Input is High OR Switch is depressed.

Sequencer:
-Clock Pulse High in to Clock Input Moves Sequence forward 1 Step.
-The Channel that the step is On will be open
-CV can be used to control the Sequencer via the CV Input.
-There is a resolution of 5 steps (4 channels and a 0 step allowing for all channels to be cleared from the Sequencer).
-There is an attenuator and offset to help properly scale and position your CV Input.
-CV Input is expecting 0V to +5V, but with the Attenuator and Offset will easily work with -/+5V.
-Clock and CV maybe used in tandem resulting in some mind melting rhythms!
-In that case the Clock will step forward 1 step from it's current position (unless it's on step 4 in which case it will roll over to step 1)
-The Clock used in conjunction with the CV will bitshift the sequence to the left, incrementing the static position of the step counter by 1 (wrapping around to step 1 after step 4).
-Fer' Instance, 2 Clock counts and CV is on 0. Step will be on Channel 2
-Gate High in to Reset will reset Clock counter to step 1 OR if Clock Input is being used in conjunction with the CV Input the reset will clear the Clock Counter and return the step to where the CV indicates it should be without any BitShifting

*Gate Input / Switches in conjunction with Sequencer:
-The Sequencer and the Gate Input / Switches combine in a XOR gate. If one is High and the other is not, that channel will be open. If BOTH are High, that channel will be closed.

Despite the lengthy description, the M1xXOR is very intuitive (and unbelievably Fun!) to use.
Each Channel (and the Mixer) May be used independently of the Sequencer.
So if you're not in the mood for Rhythmic Insanity You still have a gateable 4 Channel DC-Coupled Mixer AND/OR 4 independent and gateable channels of Attenuation.
You will NEVER just have it filling space in your cabinet.
You will find a use for it in EVERY patch!

All this in 8HP with a depth of 33mm (from rear of Front Panel).
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MRP:$249.74 SAVE 17%
coming soon $208.10
FORTHCOMING
AniModule XXX_OR Module
AniModule XXX_OR Module (clock modulator / CV modulation / logic / ring modulator synth module)
Cat: 794039
 
XOR module with analogue & digital outputs
Notes: A Triple Analog XOR module with an Analog and a Digital (Gate) Output.

You can use the Gate Output for your normal Boolean XOR functions (feel free to input Analog signals.)

But the real magic happens at the Analog Output.

-Take 2 waveforms and feed 1 to A and 1 to B
-When 1 signal is low the other is normal
-When 1 signal is high the other is inverted

It's not just on and off like a digital XOR- you get all the varied nuances of a tri, sine or saw wave that you put in to it.

-The Analog Output of Channel 1 is normalled to Channel 2 A Input via the jack switch
-The Analog Output of Channel 1 is normalled to Channel 3 A Input

This way you can still use your Analog Out from each channel and not worry about patching the next XOR function in the chain together.

Use it for CV!
Use it for Clocking, Tempos and Rhythm manipulation!
Most of all Feed your Audio into it!

Width = 4HP Depth = 29mm

Current draw is:
+12V = +33 mA
-12V = -21 mA
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MRP:$136.47 SAVE 17%
coming soon $113.72
FORTHCOMING
AniModule DD Dual VCA Module
AniModule DD Dual VCA Module (CV modulation / panning / VCA / dual stereo synth module)
Cat: 794391
 
Dual VCA module
Notes: A Dual VCA for Audio or CV.

Mod In 1 is Buffered, Inverted then Normalled to Mod In 2, to facilitate stereo panning and VC CrossFading without a bunch of support modules.

Don't want it? Just turn the attenuator down or plug a signal of your choosing in to the Mod In 2.

Current Draw: +12V = 25mA, -12V = -22mA

8HP, 28mm Deep
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MRP:$210.16 SAVE 17%
coming soon $175.13
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