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Coming Soon: Studio Equipment

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Items 1 to 48 of 48 on page 1 of 1
FORTHCOMING
Malekko Varigate 4+ Module (black faceplate)
Cat: 766093
 
Sequencer module
Notes: The Varigate 4+ is a 4-channel, 8-step sequencer that includes most features of the original Varigate 4, PLUS the new option to output both CV (quantized or unquantized) and gates simultaneously. Other new features include a Play/Stop function, Preset Banks (4×4), Glide Per Step, Scales and can also be configured as master for the Malekko Voltage Block as well as a slave to the Varigate 8+ if you're looking to expand your total channels and presets (up to 14 channels and 100 presets with V8+).

Each Channel (or Track) correlates with it's own sequencer (so 4 independent sequencers). The addition of the Gate/CV Switch allows for switching between 4 channels of CV, 2/2 for 2 channels of CV and 2 channels of gates, or all 4 channels to output only gates. Additionally, each step of a sequencer can be programmed with Probability for gates, Repeats, Glide and Notes (when in a CV mode). There is a also a Randomization feature for Repeats, Notes and Glide. Channel parameters for Scales, Sequence Direction (Forward, Reverse, Pendulum and Random), Sequence Length, Division, Multiplication and Pulsewidth are all easily accessible using Track Mode.

Easy Preset Recall makes the Varigate 4+ perfect for live performance. Pair it with the Malekko Voltage Block for maximum control.
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MRP:$350.19 SAVE 17%
coming soon $291.83
FORTHCOMING
Qu Bit Cascade Ratcheting Envelope Generator Module
Cat: 766031
 
envelope generator module
Notes: Cascade is a ratcheting envelope generator featuring burst generation, a flexible curve parameter, and two discrete level controls. Freeze allows you to lock the output voltage exactly where it is with the press of a button or a gate input. The Cascade can be transformed into several other modes, including ASR, ADSR, dual AD, and a gravity-based bouncy-ball mode.
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MRP:$273.29 SAVE 17%
coming soon $227.73
FORTHCOMING
IO Instruments KALLICHORE Six Voice Digitally Controlled Oscillator Module
Cat: 795935 Rel: 31 Mar 21
 
CV modulation/MIDI/oscillator/ring modulator synth module
Notes: SIX VOICE FPGA based oscillator

Three pairs of DCOs controlled by CV&MIDI

MONO, 3 and 6 POLY VOICE mode

Internal & external SYNC, 3 RINGMODs

SINE/TRI/SAW/RAMP/PULSE WAVES

FREQ range from 0,1 Hz to 10 KHz

MIXER with AR-ENV in MIDI MODE

Modulation via 3 CV INs & DCO 4/5/6

Multiple MOD sources to one target

300 programs

TFT display & continuous potentiometer

Easy user interface for studio & live

Future features planned via SD Card update

EXPANDER for SINGLE OUTs

Width: 20 HP
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coming soon $255.20
FORTHCOMING
Cosmotronic Cosmix Aural Enhancing Stereo Mixer Module
Cat: 803497
 
Distortion/dual & stereo/mixer/dynamics/effect/panning synth module
Notes: Cosmix is an 8-channel stereo mixer with a built in analog stereo dual band maximizer.

It has four mono channels and two stereo channels, the left inputs 5 and 7 are normalised to the right inputs 6 and 8 respectively.

The four mono channels have panning- and aux send controls.

All channels are accommodated with a dedicated mute switch for live performance.

The aux output can be routed to an external effect and the four small switches below the volume faders set whether the signal that is routed to the aux bus is pre or post fader.

The master bus can optionally be fed into the stereo Drive circuit.

This circuit is true stereo, and improves almost any sound source, with full bass and amazing spatial resolution.

It works like a dual band maximizer, with separate faders for high and low frequencies.

The analog overdrive circuit can be bypassed but we don't recommend it as it sounds great and really glues the whole mix together nicely.

The overall volume can be set with the main volume knob.

The output of the compressor feeds into a diode clipping circuit, to to create a warm saturated distortion.

By playing with the levels of each channel different clipping characteristics can be achieved.

However if you prefer to keep the output signal clean, the bypass switch allows you to bypass the circuit.

The white lines indicate the non-distorted 0dB point for each channel, when the drive circuit is active and the sliders are set to zero.

Driving a channel above the white line pushes it into more overdrive and distortion, assuming 10vpp Eurorack level.

Different tones can be created by playing around with the gain staging!

Main output is eurorack level (10vpp)
Input impedance: 100k
Output impedance: 1k

70 mA +12V
70 mA -12V
0 mA 5V
20 mm deep
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coming soon $271.21
FORTHCOMING
Audient iD14 MKII 10-In 6-Out High Performance USB Audio Interface With Scroll Control
Cat: 809809 Rel: 30 Apr 21
 
10-in 6-out USB audio interface
Notes: Your recordings made better.

Designed to take your recordings to the next level in every way, the iD14 (MKII) delivers professional audio performance in a compact and modern desktop package, giving you everything you need to make studio quality recordings at home.

Every iD interface features the Audient Console Mic Preamp, the same discrete circuit design found in our renowned recording console the ASP8024-HE. Designed to deliver ultra- low noise and low distortion with a touch of classic analogue warmth, iD14's two Audient mic pre's will give you the professional sound you deserve.

The Audient mic pre is a high grade hybrid discrete and op amp design that delivers a clean, accurate and detailed translation of your source.

With a noise floor 30,000 times quieter than the signal level your recordings will be captured with stunning clarity.

iD14's converters make sure you hear every nuance, every detail of your audio, enabling you to take your recordings to the next level. Offering an incredible 120dB of dynamic range you will hear your audio more accurately, make better creative decisions and experience stunning clarity directly from your desktop.

Connect and listen to your mixes through two sets of speakers with iD14's four line outputs. Alternatively use the extra line outputs to send audio to an external headphone amp for distribution to your artists.

Equipped with both a jack and mini jack connection and a powerful headphone amp capable of driving headphones up to 600Ohms, iD14 is ready to take on the most demanding recording sessions.

Designed to replicate the input stage of a classic valve amplifier, iD14's harmonically rich JFET Instrument Input is the perfect sonic foundation for your guitar or bass and amp sims.

Plan for the future with iD14's digital input. Supporting both ADAT and SPDIF, iD14 gives you the option to add up to eight extra mic pre inputs letting you expand your rig and take on larger sessions.

Keep it simple with the powerful but intuitive iD Mixer. Create and customise low latency headphone mixes, utilise the flexible monitor control or simply keep an eye on your levels - all from one easy to use app.

iD14's dedicated talkback technology enables you to use any audio source connected to your computer such as a built in or USB microphone as your talkback mic, freeing up valuable mic pres for recording.

Speed up your workflow with the iD button. Assign any of iD14's advanced monitoring features to the iD button, including DIM, CUT, Polarity Reverse, Mono Sum, Talkback or Cue Mix monitoring, and experience complete control at your fingertips.

With Audient you will be in good company as our mic pres have been used to record 1000's of hit records all over the world.

Designed to deliver true phantom power over USB, iD14 will make sure your mics get the power they need to ensure optimal sonic performance.

No need to find a power outlet as iD14 is powered directly from your computer via USB, without compromising on sound quality or performance.

Turn iD14's volume knob into a virtual scroll wheel and take control of a variety of compatible onscreen parameters. Quickly dial in settings, adjust faders or even write in automation without spending hours staring at the screen.

Engineered to survive everyday use, iD14 delivers professional quality audio in a small but durable package.

Bundled with a free suite of creative software including Cubase LE and Cubasis LE for iOS, alongside industry leading plugins and virtual instruments, you can start recording as soon as you open the box.

Specifications:

D.I / Instrument Input

RANGE: 40dB
LINEUP: 12dBu = 0dBFS
THD+N @ 0dBu: 0.1%
SNR: 100dBu A-Weighted
FREQUENCY RESPONSE - MIN GAIN i0.5dB 10Hz to 20kHz
1/4" TS JACK: Tip (Hot) & Sleeve (Shield)

Microphone preamplifier

GAIN RANGE: 58dB
LINEUP: 12dBu = 0dBFS
MIC MAX INPUT LEVEL: 12dBu
MAX INPUT LEVEL: 21dBu
INPUT IMPEDANCE (Mic): 2.8k
INPUT IMPEDANCE (Line): >8k
THD+N @ 0dBu: 0.00170%
SNR: 101dBu A-Weighted
EIN: 129dB A-Weighted
CMRR @ 1k: >75dB
CROSSTALK: >-100dB
FREQUENCY RESPONSE - MIN GAIN: i0.5dB 10Hz to 40kHz
XLR COMBI FEMALE: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)
1/4" TRS JACK: Tip (Hot), Ring (Cold) & Sleeve (Shield)

Analogue to Digital Converter:

THD+N @ -1dBFS: 0.001%
DYNAMIC RANGE: 120dB A-Weighted
CMRR: >80dB
FREQUENCY RESPONSE: i0.5dB 10Hz to 40kHz

Line Outputs (DAC):

LINEUP: 12dBu = 0dBFS
THD+N @ -1dBFS: 0.0006%
DYNAMIC RANGE: 125.5dB A-Weighted
CROSSTALK: >120dB
FREQUENCY RESPONSE: i0.1dB 10Hz to 40kHz
1/4" TRS JACK: Tip (Left), Ring (Right) & Sleeve (Shield)Line Outputs (DAC):

Headphone Outputs:

LINEUP: 18.5dBu = 0dBFS
THD+N @ -1dBFS: 0.0009%
DYNAMIC RANGE: 125.5dB A-Weighted
CROSSTALK: >116dB
FREQUENCY RESPONSE: i0.25dB 10Hz to 40kHz
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MRP:$274.66 SAVE 17%
coming soon $228.87
FORTHCOMING
Michigan Synth Works Typhoon Module (black faceplate)
Michigan Synth Works Typhoon Module (black faceplate) (delay/dual & stereo/effect/pitch shifter/reverb/sampling synth module)
Cat: 802262
 
Audio processor module
Notes: 16HP Deluxe Clouds Clone with individual controls for each Parameter, VCAs for the left and right channel, additional storage so ALL extra functions are available at once.

Anodized natural aluminium or black aluminum panel.

16HP

25mm Deep

140/35 mA +12/-12V
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MRP:$325.47 SAVE 31%
coming soon $223.15
FORTHCOMING
Pittsburgh Modular Lifeforms Primary Oscillator B Cascading Analogue Waveform Sculpting Oscillator Module
Cat: 810317 Rel: 30 Apr 21
 
Oscillator/waveshaper eurorack module
Notes: True analog innovation, now with a black panel! Primary Oscillator b is functionally the same as the silver Primary Oscillator, only the panel color has changed.

The Lifeforms Primary Oscillator was designed to stretch the boundaries of pure sonic sculpting. The Primary Oscillator uses unique cascading waveform processing to create increasingly complex, fully modulatable waveforms. Through the use of multiple interwoven waveshapers, a simple waveform can quickly mutate into something deeply dynamic and harmonically rich.

Custom waveshapers include a harmonic sine wave; a sine processed to add just enough harmonics to give a resonant filter something to dig into. Next, the included blade wave processor is an evolution of Pittsburgh's custom modulation circuit, creating modulatable ramp and pulse waves. The fragments generator is an analog downsampler capable of crushing waveforms to dust without ever sounding thin or cold. Also included, the timbre wave folder enables deep spectral change by repeatedly folding the waveform in on itself until the original waveform is unrecognizable.

The Primary Oscillator is not meant to be a clean oscillator that produces perfect waveforms. Controlled signal interactions and the unique set of cascading waveshapers at the heart of the Primary Oscillator allow for a uniquely musical approach to experimenting with a wide array of interesting sounds. Instead of relying only on the standard set of simple wave shapes, the Primary Oscillator builds on the basics to offer a powerful palate of infinitely variable waveforms. No other analog oscillator offers such a creative and deep set of audio processing tools.

Primary Oscillator Controls

OSCILLATOR CODE

Based around the custom dual VCA oscillator designed for the Microvolt 3900, the Primary Oscillator takes advantage of calibrated temperature stabilization paired with hard sync and both linear and exponential frequency modulation. The result is a stable saw core oscillator fine tuned for deep sonic exploration.

Frequency Knob - Frequency control sweeps from LFO through the full audio range.

Fine Tune Knob - Limited range frequency control.

FM | CV Button - Switch the destination of the FM input jack between linear FM (on) and exponential CV (off) modulation.

Harmonic Sine Button - Switch between sine wave (off) and harmonic sine wave (on). Harmonic sine wave adds a minimal number of harmonics to a sine allowing for a new set of timbres to emerge.

FM | CV Amount Trimmer - FM input attenuator control.

Pitch Input Jack - 1 volt per octave pitch tracking CV input.

FM Input Jack - Linear FM or exponential CV input jack.

Sync Input Jack - Hard sync oscillator reset input jack.

Sine Wave Output Jack - Sine wave or harmonic sine wave output jack.

Saw Wave Output Jack - Saw wave output jack.

BLADE WAVE AND PULSE WAVE CONTROLS

The blade wave is a modulatable ramp wave that produces an evolving waveform capable of stable pitch tracking. The shape of the blade wave can be controlled using the blade | pulse CV input and attenuator creating a sweeping or chorus effect on the wave. The blade | pulse shape slider manually sweeps the blade wave and pulse width.

Blade Core Wave Source Button - Select the waveform used as the core wave for the blade wave. Triangle (on) or sine (off). If sine is selected, the harmonic sine button affects the blade wave shape.

Blade|Pulse Width Shape Slider - Manual Blade wave shape and Pulse width control. This slider acts as an offset when modulation is used.

Blade|Pulse CV Amount Trimmer - Blade wave shape and Pulse width CV input attenuator.

Blade|Pulse CV Input Jack - Blade wave shape and pulse width CV input jack.

Blade Wave Output Jack - Blade wave output jack.

Pulse Wave Output Jack - Pulse wave output jack.

Module Specifications
Panel size: 12hp
Depth: 25mm
Power Usage: +12v 112mA, -12v 104mA. Does not require +5v. Reversed power polarity protection.
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MRP:$298.01 SAVE 17%
coming soon $248.33
FORTHCOMING
Acid Rain Technology Chainsaw Digital Oscillator Module
Cat: 804567
 
Digital/dual & stereo/oscillator module
Notes: Chainsaw is a powerful digital oscillator designed to bring polyphony to your rack in a compact and playable interface. We were inspired by the super-saw; a mainstay of electronic music production, and a waveform rich with harmonics for filters and effects to chew on. Chainsaw features 3 voices of 7 waves, with individual pitch control per voice. All waves morph from super saw to super square for giant hollow basslines and more.

Details:

4hp

35mm deep

110 mA on +12V, 10 mA on -12V, 0 mA on +5V
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MRP:$324.10 SAVE 17%
coming soon $270.07
FORTHCOMING
After Later Audio Beehive Plaits 8HP Redesign Module
Cat: 805370 Rel: 01 Feb 21
 
Macro oscillator module
Notes: Functionally identical clone of the Mutable Instruments Plaits. Beehive strikes a nice balance between size, reducing 12hp down to 8hp, and playability by offering full size knobs for the four main functions. Beehive also retains the same depth of the original module at 25mm. This module uses After Later's new aluminum knobs which have a nice non-slip texture and allow for more finger space over the standard 1900H Davies knobs.
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MRP:$255.43 SAVE 20%
coming soon $203.70
FORTHCOMING
Cosmotronic Delta-V Dual Amped Envelope Generator Module
Cat: 803494
 
CV modulation/envelope generator/LFO/polariser/slew limiter/utility/VCA module
Notes: Delta-V is a fully analog dual channel function generator with a dedicated VCA and cycle switch per channel.

it's a versatile and powerful tool that packs a great amount of functionality in only 10HP.

Trigger envelopes, slew incoming gates and signals or generate LFO's with control over both attack and decay.

Dedicated End Of Cycle outputs, a summed output, providing a mix of DC coupled outputs that handles both audio and cv.

The dedicated VCA for each envelope provides plenty of room for experiment and more complex patches.

The trigger input takes a trigger or gate to start an attack-decay envelope, the link switch on the front normalises trigger input 1 to trigger input 2.

Without anything patched into the VCA's input, the module produces variable cv, an envelope set by the attack, decay and shape knobs. By patching an audio signal into the VCA input, the audio output signal will be shaped according to the settings of the envelope.

An LFO patched into the VCA input, will modulate the amplitude of the envelopes.

The slew input is used to slew, round off, incoming gates or voltages.

The overall shape of the envelopes is set with the shape-, the attack- and decay knobs.

The knobs can be set to produce short, snappy or very long envelopes.

The shape knob transforms the envelope from exponential to linear to logarithmic.

There are many ways to utilise Delta-V. Challenge yourself to explore new, unconventional territories!

70 mA +12V
70 mA -12V
0 mA 5V
20 mm deep
Read more
coming soon $215.14
FORTHCOMING
SoundForce VCF & VCA 6 Voltage Controlled Filter & Amplifier Module
Notes: The SoundForce VCF/VCF 6 is a Eurorack interpretation of the Juno 60/106 VCF, VCA and HPF sections. It was built based on the original service manuals documentation using modern components.

Signal flow:

The SoundForce VCF / VCA 6 features a simple 2-input audio mixer, a voltage controlled low pass filter (VCF), a VCA and a high-pass filter with 3 fixed cutoff frequencies plus a bass boost position. The signal flow is: mixer -> VCF -> VCA -> HPF.

VCF:

The VCF section is a voltage-controlled low pass filter with a selection between 4 poles (24db/octave) or 2 poles (12db/octave). The travel of the FREQ slider has been calibrated to give you the best experience in the original 4 poles mode. FM1 and FM2 CV inputs can be used to modulate the cutoff frequency of the filter. Those CV signals are added to manual position of the FREQ slider. Note that you can invert the polarity of FM1 using a toggle switch. The VOCT input can be used to close the filter more or less based on the pitch of the note played by your musical CV source. It can also be used to "play" the filter when it is self-resonating. The filter will be in tune across about 8 octaves. Self-resonance is occurring when the RES slider is around position 9 or higher. The resonance can be also voltage-controlled using the Q CV input, this signal is added to the manual position of the RES slider. Please note all CV inputs have attenuators expect the VOCT input.

LDC:

LDC stands for "loudness drop compensation", it is engaged when the switch is in the upper position. This feature avoid the usual input signal loudness drop with high level of resonance. Please note you will need to lower the input signal and/or VCA level to avoid distortion as LDC requires some extra headroom.

VCA:

This section is a "vintage-style" single OTA VCA. There is a manual slider control as well a CV input for the VCA. Both are summed together.

HPF:

The high-pass filter section is a combination of both the Juno 60 and 106 HPFs. Position 0 will give you the bass boost from the 106. Position 1 will not filter at all. From position 2 to 4 will cut progressively more bass and the cut off frequencies are 225 Hz, 339Hz and 720Hz.

Specifications:

18HP
Depth: 38mm (including power connector)
Power: +12V 91mA, -12V 51mA
V/OCT, FM1, FM2: input range -5 to 5V
QCV, ACV: input range 0V to 10V
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MRP:$322.73 SAVE 17%
coming soon $268.93
FORTHCOMING
Tenderfoot Electronics Quad Quantizer Module
Cat: 805847 Rel: 01 Feb 21
 
4-channel CV quantizer module
Notes: A four-channel CV quantizer

The new Quad Quantizer from tenderfoot electronics is a versatile 4-channel CV quantizer.

This module has custom note selection, 12 pre-programmed scales and key transpositions that can be manually selected, or CV selected via the associated CV inputs.

Each channel features:
CV input - which accepts the input you wish to quantize
trigger input - which samples and holds the current voltage at the CV input (left unpatched, the quantizer continually processes the CV input)
CV output - where your freshly tuned and reordered CV will emerge to go on to your VCO or otherwise in your modular system.
trigger output - where a trigger signal is outputted every time a new CV value is produced at the CV output.

The encoder allows you to select various notes within the scale, with the left-hand button adding or deleting the selected note.

The right-hand button has multiple functions:

long press (2 seconds) - deletes all of the currently selected notes to leave you with a blank canvas.
middle press (1/2 second) - quick-saves the current selected notes into memory.
momentary press - this switches between the current panel settings and the settings saved in the quick menu.

Width: 12HP

Depth: 32mm

Current draw:

101 mA +12V
10 mA -12V
0 mA 5V
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MRP:$314.49 SAVE 18%
coming soon $257.48
FORTHCOMING
Moog Grandmother SR Series Case
Cat: 792865
 
Case for Moog Grandmother
Notes: Moog SR Series Cases are here to safeguard your Moog Grandmother synthesizer where you need it most and ensure your sound travels far and wide.

Musician's report the most important performance a case can offer are protection from impact and protection from water - in that order. With that in mind, Moog SR Series Cases have been developed to be the first line of defense for your synthesizer.

Moog SR Series Cases feature generous padding around a semi-rigid ABS shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument. Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.

Moog SR Series Cases are a perfect fit for your Moog Grandmother Synthesizer.

PLEASE NOTE: The Moog Grandmother is not included in this purchase, it is for demonstration only.

MATERIAL:

INTERNAL: Padded plush liner
EXTERNAL: Durable abrasion resistant 1680D Cordura, water-resistant
Laminated zippers, reinforced stitching and metal rivets

PADDING: Semi-rigid ABS, generous foam padding

HANDLES/STRAPS:
(2) Smooth and durable webbed handles (top and side) with reinforced stitching
Removable anti-slip shoulder strap,
Removable air-mesh padded backpack straps

POCKETS:
External Pockets
Multi-compartment Exterior Pocket
Rear pocket for storing tablet or laptop
Internal Pockets
Zippered pockets
Velcro pocket
Pen holders

WHAT'S IN THE BOX:
Grandmother Semi-Rigid Bag
Removable Backpack Straps
Removable Shoulder Harness

DIMENSIONS:

INTERNAL IMPERIAL (in): L 23" x W 14." x H 5.5" (tapers down to 3")
EXTERNAL IMPERIAL (in): L 25" x W 16" x H 7"
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MRP:$273.29 SAVE 17%
coming soon $227.73
FORTHCOMING
SoundForce SFC-5 V2 USB MIDI Controller
Cat: 804286
 
USB MIDI controller
Notes: The SoundForce SFC-5 is a class-compliant boutique USB MIDI controller dedicated to the U-he Repro-5 and the Arturia Prophet V. The 2020 V2 model offers fantastic upgrades compared to the original V1 model: 100% sheet metal case, wobble-free metal shaft pots and walnut side panels.

Features:
With 32 rotary pots and 28 switches, you can finally control your virtual instrument in an instinctive and fun way. Create better synth sounds easier and improve your overall experience. A couple of extra "user" controls let you control for instance your external FX plugins. The controller sends out standard MIDI cc messages and can be used with any software that is MIDI-mappable. A web-based control panel app allows the user to change the cc messages number for each control and save or load different configurations.

Build quality:
The enclosure is made of 100% sheet metal and is manufactured by Grawart in Poland. The case is made of bent steel and powder coated in black. The front panel is aluminium, also powder coated and screen printed with scratch-proof white ink. Walnut wood side panels of 8mm thickness are fitted to both sides of the controller. The sides are made in Amsterdam by Rob Gould.

The SFC-5 V2 is a boutique-manufactured product assembled in small quantities in the Netherlands. A lot of operations are still performed by hand and automation is used when possible to improve quality and processes.

Dimensions:
Length x Width x Height : 370 mm x 140mm x 60mm

System supported:
Mac/Windows (other OS not tested)
Class compliant USB MIDI device
DAWs : Tested and working in Pro Tools 10/11/12, Logic 9/X, Cubase 7/8/9, Abelton 9/10, Reaper, Bitwig

Connections:
- USB 2.0 Type-B plug (cable provided)

Power :
- USB-bus powered
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MRP:$363.92 SAVE 25%
coming soon $272.37
FORTHCOMING
Zoom F2-BT Field Recorder With Bluetooth & Lavalier Microphone
Cat: 800235 Rel: 28 Feb 21
 
Field recorder with Bluetooth & lavalier microphone
Notes: For podcasters, videographers, bloggers, journalists and more, the F2 is the perfect audio solution for creators on the move.

The F2 is incredibly small, but its audio quality will amaze you.

The F2 features 32-bit float recording technology, allowing you to record the loudest audio signals without worrying about clipping. It will also record the quietest signals in beautiful detail. And the best part is you don't have to worry about setting the gain. Just plug in the lav and hit record.

Once you start your recording, use the F2's HOLD switch to ensure you don't accidentally stop recording.

Screw-lock connectors keep your lav plugged-in securely no matter the situation.

With the F2 actors can record and playback their lines to perfect their delivery.

The F2-BT comes with built-in Bluetooth. And with the free Zoom F2 Control app the F2-BT can wirelessly start/stop recordings, display battery levels, adjust output volume, control lo-cut and more.

You can also pair the F2-BT with a Bluetooth timecode synchronization device to receive and write timecode to recorded files. See Bluetooth Control features here.

The F2 Editor for PC and Mac allows you to adjust settings, format SD cards and more. Simply connect your F2 or F2-BT via a USB cable and launch the editor. The USB connection also makes it easy to transfer files to your computer. See the F2 Editor features here.

Whether a stroll through your garden, or the whispers and shouts of a dramatic reading, the F2 provides crystal clear recordings.

The F2 can record up to 15 hours (14 hours on the F2-BT) with two AAA batteries.

Record on microSD, microSDHC, and microSDXC cards up to 512GB.

The LMF-2 omnidirectional lavalier microphone has a low-profiled design, captures high-quality audio, and includes a windscreen and lapel mic clip.

The F2 Field Recorder gives you the option to choose the recording format that works best for your projects. Choose from 44.1 kHz/32-bit float or 48 kHz/32-bit float mono WAV files.

The F2 Is Perfect For Recording Interviews Anywhere.

TECHNICAL SPECIFICATIONS

LMF-2
Lavalier mic
Connector: 3,5 mm stereo mini (with screw lock)
Directionality: Omnidirectional
Sensitivity: -32 dB/Pa at 1 kHz
Maximum sound pressure input: 115 dB SPL
Cable length: 160 cm

F2 / F2-BT
Input
Connector: 3,5 mm stereo mini (with screw lock) Supports plug-in power (2.5 V)
Input impedance: 2 k? or more
Maximum input level: -5,5 dBu
Output
Connector: 3,5 mm stereo mini (with screw lock)
Maximum output level: 20 mW + 20 mW (into 32 O load)
Recording media
Cards compatible with microSD/microSDHC/microSDXC specifications (Class 4 or higher, 512 GB maximum)
Recording formats
WAV, 44.1kHz/32-bit float, 48kHz/32-bit float Mono, BWF format supported WAV
USB
USB Typ-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Mass storage operation: USB 2.0 High Speed
PC app operation: USB 2.0 High Speed
Power
2 AAA batteries (alkaline, lithium or rechargeable NiMH batteries)
AC adaptor
Bluetooth
Bluetooth Ver4.2

The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

External dimensions: 57,5 mm (w) x 46,4 mm (D) x 22,4 mm (H)
Weight (main unit only): 32 g
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MRP:$245.82 SAVE 17%
coming soon $204.86
FORTHCOMING
IO Instruments DIA High-End Preamplifier Module
IO Instruments DIA High-End Preamplifier Module (external/filter/preamp synth module)
Cat: 795949 Rel: 31 Jan 21
 
Preamplifier module
Notes: HIGH-END PREAMP

MIC and HI-Z INPUT MIX

Up to 80dB MIC GAIN

Low distortion and noise

High CMRR, sweet sound

Variable HI and LO PASS

PAD switch - 20dB

POLARITY switch

PHANTOM power

All switching is with relays

KOMBI jack IN

XLR, 6,3 & 3,5 mm OUTs

INDICATORs

Width: 12 HP
Read more
coming soon $272.37
FORTHCOMING
SoundForce Dual ADSR Attack Decay Sustain & Release Module With CV
Cat: 804299
 
ADSR envelope generator module
Notes: The SoundForce Dual ADSR is a feature-rich envelope generator with full CV control of each stage.

The Dual ADSR is powered by a 120Mhz ARM Cortex-M micro-controller with a built-in DAC. This modern chip allows for extremely smooth envelopes curves even at high frequencies. Thanks to digital technology, the implementation of CV control in software makes the hardware more simple thus economical, and allows for different time ranges and 2 curve responses (LIN/EXP).

The SoundForce Dual Filter features 2 identical envelope sections, one on the top and one on the bottom. Each section has 4 manual sliders to control each stage of the envelope. The CV input signals are added to the manual sliders position allowing you to modulate the ADSR curves with external CV sources.

The ADSR curve of the Sound Force Juno 106 was replicated and is available in time range M in combination with the EXP response. Please note that the attack phase is linear in that mode to model the Juno ADSR faithfully.

An digital "end of" output can trigger at the end of a chosen ADSR stage, either end of attack, end of decay or end of release, according to the position of the respective toggle switch.

Thanks to cycle mode you can create LFO-like waveform without an input GATE signal, but also generate interesting cycling envelopes.

The Dual ADSR has 3 time ranges:

Attack
S: 0.2ms to 1s
M: 1m to 3s
L: 9ms to 60s

Decay
S: 0.5ms to 2s
M: 2ms to 12s
L: 30ms to 30s

Release
S: 0.5ms to 2s
M: 2ms to 12s
L: 30mss to 30s

Specifications:
- 20HP
- Depth: 38mm (including power connector)
- Power: +12V 85mA, -12V 10mA
- GATE & RE inputs range 0V or 5V
- OUT range 0V to 10V
- INV range 0V to -10V
- EO range 0V or 5V
- CV inputs range -5V to 5V
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MRP:$240.33 SAVE 17%
coming soon $200.27
FORTHCOMING
AniModule M1xXOR Module
AniModule M1xXOR Module (mixer / sequencer / switch synth module)
Cat: 793792
 
CV sequencer module
Notes: The Animodule M1xXOR is the Jon Snow of Animodule's product lineup. Described as a "bastard progeny" and "unholy union" by its creators, the module is an amalgamation of the V9a, VCSS, XXX_OR, and MixMan modules. Each of the module's channels, as well as the mixer, can be used independently of the sequencer, enabling a variety of self-contained and inter-module uses. When used independently for self-contained functionality, the module can function as a 4-channel DC-coupled mixer or as 4 individual channels of gated attenuation.

How It Works:
-Signal goes in to Channel Input (it's DC connected so you can use Audio OR CV).
-Signal is attenuated via Channel Attenuator.
-Signal is allowed to pass through to Individual Channel Output AND Mixer Output IF Gate Input is High OR Switch is depressed.

Sequencer:
-Clock Pulse High in to Clock Input Moves Sequence forward 1 Step.
-The Channel that the step is On will be open
-CV can be used to control the Sequencer via the CV Input.
-There is a resolution of 5 steps (4 channels and a 0 step allowing for all channels to be cleared from the Sequencer).
-There is an attenuator and offset to help properly scale and position your CV Input.
-CV Input is expecting 0V to +5V, but with the Attenuator and Offset will easily work with -/+5V.
-Clock and CV maybe used in tandem resulting in some mind melting rhythms!
-In that case the Clock will step forward 1 step from it's current position (unless it's on step 4 in which case it will roll over to step 1)
-The Clock used in conjunction with the CV will bitshift the sequence to the left, incrementing the static position of the step counter by 1 (wrapping around to step 1 after step 4).
-Fer' Instance, 2 Clock counts and CV is on 0. Step will be on Channel 2
-Gate High in to Reset will reset Clock counter to step 1 OR if Clock Input is being used in conjunction with the CV Input the reset will clear the Clock Counter and return the step to where the CV indicates it should be without any BitShifting

*Gate Input / Switches in conjunction with Sequencer:
-The Sequencer and the Gate Input / Switches combine in a XOR gate. If one is High and the other is not, that channel will be open. If BOTH are High, that channel will be closed.

Despite the lengthy description, the M1xXOR is very intuitive (and unbelievably Fun!) to use.
Each Channel (and the Mixer) May be used independently of the Sequencer.
So if you're not in the mood for Rhythmic Insanity You still have a gateable 4 Channel DC-Coupled Mixer AND/OR 4 independent and gateable channels of Attenuation.
You will NEVER just have it filling space in your cabinet.
You will find a use for it in EVERY patch!

All this in 8HP with a depth of 33mm (from rear of Front Panel).
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MRP:$251.31 SAVE 17%
coming soon $209.41
FORTHCOMING
Patching Panda Vibrazum V2 Triple Multimode VCF Module
Cat: 804368
 
Triple multimode VCF module
Notes: Versatile triple multimode VCF capable of subtle to extreme tone shaping without losing the performance availability.

The three channels have dedicated outputs, as well as a mix output.

Multiple combinations of frequencies drawings are possible.

It was designed to create a movement to the sound thanks to the individual frequencies voltage control inputs.

Each channel is able to sweep through all the frequency spectrum.

A dedicated shift control with attenuverter cv input is able to swap all 3 filtres at the same time.

The Vibrazum shines at high feedback with 24dB slope, the resonance is well compensated and performative, even taking it to the extreme will not go out of control.

It sounds very “creamy” and full of rich harmonics from a gnarly tone-­shaping tool of sonic destruction, vowel robotic sounds, acid basslines, resonant percussive sounds and more…

Simple layout without compromising the wide range of sonic possibilities.

Specs:

Width: 14hp
Depth: Skiff-friendly
Current draw: +12V: <65mA, -12V: <68 mA
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MRP:$340.58 SAVE 17%
coming soon $283.81
FORTHCOMING
Magma Solid Blaze Pack 120 DJ & Production Equipment Backpack
Cat: 807949 Rel: 30 Apr 21
 
DJ/production equipment backpack
Notes: A true packing backpack designed to carry what you need.

Made from 120 recycled 0,5l (16oz) plastic bottles, the SOLID BLAZE PACK 120 is an all-purpose travel backpack with modular interior layout crafted for versatility. Whether you are hauling DJ or production gear, photo or video equipment, or other electronics, the SOLID BLAZE PACK 120 enables you to easily and conveniently organize your gear. The spacious and expandable main compartment features removable EVA padding and multiple dividers for ultimate packing experience. The customizable padded interior ensures your gear travels with you safely. Loads of additional compartments, pouches and zippered pockets offer intuitive accessory management and quick access to your belongings. The SOLID BLAZE PACK 120 is crafted from only the highest quality materials, such as its water-repellent RPET 900D shell and YKKr AquaGuardr zippers to protect your laptop, tablet, timecode records and other expensive gear from the elements. Travel comfortably knowing your gear is safe inside the MAGMA SOLID BLAZE PACK 120.

FITS:

Pioneer DJM-S11
Pioneer DJM-S9
Pioneer S-1000
Pioneer Toraiz SP-16
Rane Seventy-Two
Rane Seventy
Rane Sixty-Two
Reloop Elite
Akai MPC Live
Akai MPC Live 2
Ableton Push 2
Roland SP404
NI Maschine MK2
NI Maschine+
Denon Prime Go
12" vinyl
Rodecaster Pro
Laptops up to 17"
Camera gear etc.

Outer dimensions: (H/B/T): 52 x 35 x 23-26*cm / 20.5" x 13.75"x 9"-10.25"* (*extended)

Inner dimensions: 45 x 32 x 14 -17* / 17.75" x 12.5" x 5.5"-6.75"* (*extended)

Weight: 2,3 kg / 5lb
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MRP:$302.13 SAVE 17%
coming soon $251.77
FORTHCOMING
Old Blood Noise Blackcap Dual Asynchronous Harmonic Tremolo Pedal
Cat: 806604 Rel: 31 Mar 21
 
Harmonic tremolo effects pedal
Notes: Old Blood Noise is now offering a harmonic take on their Whitecap dual asynchronous tremolo as a full member of the OBNE roster. The Blackcap retains the analog tremolo side of the original and takes the highly functional digital tap side into the realm of harmonic tremolo. Where before it turned your volume up and down, now it crossfades between your highs and lows. Mixed in parallel or series with the amplitude modulating tremolo, it's a new aural experience.
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MRP:$273.29 SAVE 17%
coming soon $227.73
FORTHCOMING
Tenderfoot Electronics Lattice 12 Step Sequencer Module
Cat: 805814 Rel: 01 Feb 21
 
12-step sequencer module
Notes: Lattice is a 12-step sequencer laid out in 4 rows of 3 steps. These steps can be navigated horizontally, vertically, or sequentially through all 12 steps. Sending different clock inputs from related or unrelated signals can open up a whole world of evolving, polyrhythmic goodness.
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MRP:$300.75 SAVE 24%
coming soon $228.87
FORTHCOMING
AniModule V9a Module
AniModule V9a Module (clock generator / sequencer / waveshaper synth module)
Cat: 793809
 
VC sequencer & waveshaper module
Notes: Here's a powerful animal to add to your sequencing arsenal.

Send your CV to the CV In. As the Voltage increases the sequence steps forward. As the voltage decreases the sequence steps back.
Scale and adjust your input voltage to taste with the Onboard Attenuator and Offset.

Control the Output CV with an individual Potentiometer for each step.

When a step changes, a 10MS trigger is sent to it's corresponding switch. If the latching switch is depressed it allows the trigger to pass to the Trigger Out.

There is a switch per step for slew (portamento/slide).
and a Potentiometer to control the Slew Amount.
There is also an input to allow gated control of when the slew turns on and off which will work in conjunction with the switches.

This module is looking for 0V to +5V. The Offset is 0V to +5V.

To allow for chaining of the V9a and rests, 0V will put you under the sequencer range and +5V will put you over the sequencer range.
When the sequence drops below step 1 or over step 9, 0V will be sent to the CV Out and No Trigger will be sent to the Trig Out.
When step 1 or 9 is activated a trigger will be sent to the Trig buss.

Max Current Draw:
+12V = 40mA
-12V = 11mA

Width: 14HP Depth: 39mm
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MRP:$314.49 SAVE 17%
coming soon $262.07
FORTHCOMING
AniModule Lil' Monster VCO Module
AniModule Lil' Monster VCO Module (oscillator synth module)
Cat: 794393
 
VCO module
Notes: At 8HP and 28mm deep this is A Frightening little Oscillator with Monstrous PWM, Sick, Sick Sync, and Terrifying FM capabilities!!

Great 1V/Oct tracking

Range from below to above the audible

All Waveforms respond to your Sync Input signal

Current Draw: +12V = 21mA, -12V = -21mA 8HP, 29mm Deep
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MRP:$256.81 SAVE 17%
coming soon $214.00
FORTHCOMING
Patching Panda Moon Phase Stereo Multimode Filter Module
Cat: 804366
 
Stereo multimode filter module
Notes: Stereo 12dB/octave state-variable multimode filter with powerful imaging technique to enhance and alter the stereo field.

The resonance sounds beyond any other filter when you play with the stereo imager control.

With 8 different combinations and span to separate both filters, you increase the possibilities to treat your sounds and open them in the stereo field.

Applying audio rate cv to the stereo imager or span control input and sweeping the cutoff control will create a unique character to the filter.

The resonant peaks can be shifted around the stereo field, every cv input can be modulated up to audio rate frequencies creating a wide palette of sonic combinations.

Size: 14HP

Power consumption 82mA@+12V, 63mA@-12V
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MRP:$332.34 SAVE 17%
coming soon $276.94
FORTHCOMING
Erica Synths 1x84HP Aluminium Skiff Case (UK plug)
Cat: 810736 Rel: 30 Apr 21
 
Eurorack aluminium module case
Notes: Full aluminium 84HP 57mm deep 1 row eurorack skiff enclosure with aluminium rails of a unique design.

This case has integrated Erica Synths PSU capable of +12V@1.25A and -12V@1.25A (2.5A total), +5V@0.8A. 12V 3.34A 100-240VAC desktop PSU included.

As standard, 56mm deep enclosures come with horizontal wooden side panels and one distribution board with 18 connector sockets. Also check Rack ears for options!

Technical specifications:

Dimensions with wooden sides

470mmx150mmx110mm (case depth is 57mm, but wooden side panels make it under the angle).
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MRP:$359.80 SAVE 18%
coming soon $296.40
FORTHCOMING
Yamaha MSP3A Powered Monitor Speaker
Cat: 811574 Rel: 30 Apr 21
MRP:$249.94 SAVE 17%
coming soon $208.29
FORTHCOMING
TouellSkouarn Koantenn Overdrive & Filter Effects Pedal
Cat: 810299 Rel: 30 Apr 21
 
Distortion/waveshaper effects pedal
Notes: Koantenn is a versatile overdrive/resonant (LowPass/HighPass) filter pedal with CV input.

It offers a dedicated overdrive in front of the filter.

The input signal is not overdriving the input of the filter, the signal gets overdriven and then, it is going gently into the filter. Thus it is not sounding like the well known "filter overdrive" sound, but more like a polished and controllable overdrive followed by a clean filter.

The filter's cutoff is CV controllable using the 3,5mm jack input. This input can also be used with an expression pedal.

The filter can be switched from Lowpass to Highpass using the Tip switch. The Gounid potentiometer controls the input gain, and Ampled determines the output volume. Frekans controls the filter frequency and Dasson the resonance.

Power: 9-12V DC, 100 mA, Uses a 2.1 mm DC jack with negative center (Boss-style pedal standard power supply)
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MRP:$326.85 SAVE 17%
coming soon $272.37
FORTHCOMING
Analogue Systems RS-110N Multimode Filter Module
Cat: 777031 Rel: 31 Jan 21
 
multimode filter module
Notes: The RS-110 is a resonant analog multimode filter with excellent sound, resonance and four simultaneously available filter types. An insert function in the feedback loop allows you to insert other audio processors.

The module has two audio inputs, each with a level control. "unity gain" is reached at position 4, beyond this the signal will be overdriven at the filter input.

The cutoff frequency can be set manually in a range of 30Hz to over 15kHz, with additional CVs even up to 50kHz.

Separate audio outputs for the four filter types are available: 24dB low pass, 24dB high pass, 12dB band pass and 12dB notch.

Resonance goes up to self-oscillation and besides that it offers an unique feature: the socket Res-Out and Res-In act like an insert i.e. they allow you to process the audio signal in the feedback loop by other audio processors like filters, distortions, delays, frequency shifters etc.

You get very wicked results when you connect the notch output with the resonance input. It sounds very metallic and the filter behaviour gets more aggressive. Generally it is fun to cross-connect the separate outputs with the CV and audio inputs and to use the filter in a modular way.

In use:

The RS-110N consists of a two channel audio mixer followed by four, parallel, resonant filters with voltage controlled frequency and a unique "insert" point in the feedback path that generates and controls resonance.

Filter Modes

The RS-110N offers four filter modes. These are 24dB/Oct low-pass , 24dB/Oct high-pass, 12dB/Oct band-pass and 12dB/Oct band reject (often called 'notch') filtering, with the cutoff frequencies (Fc) of the high-pass and low-pass outputs being the centre frequencies of the band-pass and notch outputs. Each of these filter characteristics is described in appendix 2.

There is no switch to select between the modes because all four are available simultaneously from the appropriate output sockets. However, the cut-off and resonance can not be defined individually for each, and the controls act upon each mode equally

You can determine Fc in the range 3Hz to 50kHz using combinations of the frequency control knob and the voltage control inputs.

CV-IN:
If you apply a CV conforming to the 1V/Oct standard, Fc will track the CV in exactly the same way as an RS-90 VCO would if you applied the same CV to its CV-IN 1V/Oct socket. If the CV is supplied from a keyboard then, in common parlance, the filter is tracking the keyboard 100% and, with the resonance at maximum, you can 'play' the filter as if it were a conventional oscillator.

You can also use this facility to make a notch or band-pass filter "track" the notes you are playing, and this can be used to create many special effects.

CV-IN VARY:
You may wish Fc to track incoming CVs differently, so the C V-IN VARY input is provided. This socket and its associated LEVEL control allow you to specify the filter's sensitivity to C Vs within the range 8V/oct to approximately 0.4V/Oct. The former of these makes the filter invariant to incoming CVs, while the latter makes it oversensitive compared to CV-IN.

Resonance

The filters have a common resonance, 'Q', that you can control using the RESONANCE knob. In its fully anticlockwise position, Q is approximately zero, and there is no emphasis of the signal at Fc. As you rotate the knob clockwise Q will increase, whereupon every mode of the RS-110N will accentuate the harmonics that lie close to the cut-off frequency, Fc. Increasing Q further, the filters will exhibit ringing, and will severely colour any signals passed through them. Finally, if you continue to increase the resonance beyond a certain point, the filter will itself begin to oscillate, even in the absence of an input. Each mode will now produce a stable tone at the cutoff frequency determined by the various controls. This oscillation takes the form of (approximately) a sine wave, and it is produced by all four of the conventional audio outputs. The exact nature of the wave varies slightly from mode to mode, and you can use these subtle differences to create tonal variation when using the RS-110N as an oscillator.

Uses for RES OUT and RES IN include the introduction of voltage controlled resonance (achieved by routing the signal via an RS-180 VCA) or the creation of special effects (achieved by modifying the signal using devices such as reverb units).
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MRP:$269.17 SAVE 17%
coming soon $224.30
FORTHCOMING
Solid Gold FX Spanish Castle Dual Vintage Fuzz Effects Pedal
Notes: The year 1969: Not only was Led Zeppelin's eponymous album released, but Woodstock took place in August. 1969 marks a turning point in the gear world also; it was the year that Dallas-Arbiter switched Fuzz Face production from the lower-gain germanium transistor core to readily available higher-gain silicon devices. The Spanish Castle pays tribute to this year.

Packed to the turrets with fuzz spread across two separate and footswitchable If 6 Was 9 circuits, the Spanish Castle is the perfect device for the fuzz-crazy and fuzz-curious alike.

The right side of the Spanish Castle represents the warmer pre-'69 circuit and is equipped with low-gain silicon transistors that emulate the rich character of germanium with more stable and consistent operation. Carbon-composition resistors further round everything out for a sound that is just like they used to roll them off the line. Unlike the Faces of yore, this circuit is equipped with a bias circuit to dial in just the right flavor, and cleans up like a champ. The original tenant of the Spanish Castle would have loved it.

On the left side, the post-'69 If 6 Was 9 circuit lies in wait. This wing of the Spanish Castle offers up higher-gain silicon transistors for a more buzzsaw-like grind, metal film resistors for tighter tolerances and an extended bias range for dialing in ripping gated fuzz textures as well as full-bodied snarl.

Each side offers up two toggle switches- Colour is a three-position switch that adjusts the EQ of its respective side, from flat EQ to two settings that shave off treble and mids. The Input toggle is also a three-position switch, changing gain and bass values that make the Spanish Castle adapt better to your wahs and other pedals.

If that's not enough control for you, each side contains an internal switch that changes between Bold and Comp modes, the former increasing the output and midrange, and the latter offering a softer, more compressed tone.

Please enjoy your stay in the Spanish Castle. You'd better make yourself at home. You're going to be here a while.

KNOBS:

Fuzz: Most Fuzz Face-style pedals only produce usable fuzz amounts at the end of the knob. Not ours. Each Fuzz knob is designed to give you an even sweep of fuzz throughout.

Bias: These knobs vary the voltage to the collector of of the second transistor, giving you burlier (clockwise) or leaner/gated fuzz tones (counter-clockwise).

Volume: Gives you more output than vintage-style Fuzz Faces. Note: when running both sides at once, Side B's Vol control becomes the "master volume" while Side A's control becomes a "saturation" control.

TOGGLE SWITCHES:

Color: These three-position switches adjust the EQ of the side they're found on. The center position of each switch bypass the EQing, while the "left" positions shave a small amount of treble and scoop a small amount of mids from their respective sides. The "right" positions shave an even greater amount of treble while scooping a greater amount of mid frequencies.

Input: These three-position switches adjust the input attenuation and wah friendliness of the side they're found on. The "right" positions leaves its respective side alone with regards to attenuation. The center positions heavily cut gain and bass, while the "left" positions mildly cut gain and bass. The center and left positions help adapt the Spanish Castle to a more wah-friendly fuzz.

UNDER THE HOOD:Bold/Comp (internal DIP): Each side contains a DIP switch that toggles between Bold and Comp settings. The Bold side increases the output level and the midrange content, while Comp delivers a softer and more compressed tone. The default setting is with Comp on.

AUXILIARY:

Input: Instrument or other pedal goes here (right side).

Output: Amplifier or other pedal goes here (left side).

True bypass footswitches: Turns each side of the effect on and off.

POWER: The Spanish Castle requires a center-negative 9-to-18VDC power adapter with at least 10mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$336.46 SAVE 17%
coming soon $280.39
FORTHCOMING
Solid Gold FX Surf Rider III Spring Reverb Effects Pedal
Notes: Reverb purists often point to amp reverb as being the pinnacle of spring reverb. That may be all well and good, but what if your amp just doesn't have reverb? What if your amp's reverb isn't good? What if you want more options after a simple "level" control? It is time to ride the waves into the Surf Rider III.

The Surf Rider III is the 'verb sound that Fender's engineers would have put into their Deluxes and Vibroverbs if they had access to today's technology. Solid Gold's finest 'verb box gives you that familiar Level control but then adds a plethora of options, including a boost and some nifty resonance features that adds some juice to your tank without the springs.

Versatility is the name of the Surf Rider's game. The Level control is just the beginning, adjusting the amount of reverb in the total signal. The Surf Rider also offers a Depth knob that adjusts the intensity of the reverberations, for some hauntingly huge verbs that fill the room. The expression jack on the side overrides this control, should you feel so inclined.

The Decay control increases the size of the virtual reverb tank, opening up the pedal and giving you verb tones that go on seemingly forever. Speaking of tones, there's a handy Tone knob that brightens or darkens the reverb signal, which helps tame harsh pickups or beef up flimsy ones. It's especially helpful if the Surf Rider III is your only pedalia splendid idea.

The Resonance switch unlocks the "drippiness" of the reverb tank, giving you a lot (upper position), a little (lower position) or none at all (center). Cracking open the Surf Rider III gives you a trimpot to set the lower level for just the right amount of splash.

The Boost section lets you boost or cut the reverb level. With the LED on, the pedal is in Hi mode, and off is Lo mode. There's another internal trimmer that lets you dial in Lo mode. Surf's up.

KNOBS:

Tone: This knob lightens or darkens the frequency of the reverb signal only, from dark and moody to bright and biting.

Decay: Turning the Decay control up increases the decay time of the reverb signal, giving you access to huge, surf-inspired 'verbs that linger seemingly forever.

Depth: Increases the size of the virtual spring tank and the intensity of the signal. When connecting an expression pedal, you can control this knob hands-free.

Level: Controls the volume of the reverb (wet) signal.

TOGGLE SWITCHES:

Res: This is a three-position switch that alters the resonance of the tank. The upper position adds a high amount of resonance, while the lower position adds an amount that you set via internal trimpot (see "Under the hood" below). In the center position, the toggle adds no resonance.

UNDER THE HOOD:

Res (trimpot): This trimpot allows you to adjust the amount of resonance in the reverb signal while in the "Lo" (bottom) position of the Res toggle.

Boost (trimpot): When the Boost is in the off position (LED off), a portion of the reverb level is reduced. This trimpot lets you adjust how much is reduced to fine-tune the reverb signal.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: Connecting an expression pedal here gives you hands-free control over the Depth knob.

True bypass footswitch: Turns the effect on and off.

Boost footswitch: With the LED on, the Surf Rider III is in "Hi" mode, boosting the reverb signal. With the LED off, the Surf Rider III is in "Lo" mode, and a bit of the reverb level is reduced. You can adjust how much with the Boost trimpot (see above in "Under the hood").

POWER:

The Surf Rider III requires a center-negative 9VDC power adapter with at least 53mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$259.55 SAVE 17%
coming soon $216.29
FORTHCOMING
Solid Gold FX Funkzilla Tap Tempo Envelope Filter Effects Pedal
Cat: 792820
 
Envelope filter effects pedal
Notes: When it comes to envelope filters, there are a funkload of options. Unfortunately, there are plenty of parameters with which to control them, and almost all envelope filters deny you access to at least one. "Let's just not give them a frequency control", some might say. Fear not, funkseeker, as the Funkzilla smashes all preconceptions of what an envelope filter should do and sound like- and it works on everything; guitars, bass, keys, you name it.

The Funkzilla is Solid Gold's take on everything enveloped, filtered or both. While all envelope filters give you the ability to coax that familiar "quack" sound from them, the Funkzilla contains the ability to shift the filtering from envelope control to LFO control. In other words, it's the ultimate funk box.

Attack, Depth and Freq(uency) controls come standard, as does the envelope direction (up or down). Beyond that, the heart of the Funkzilla lies within its Tap/Env switch. This switch toggles between standard envelope filter sounds and more dynamic autosweep sounds that take away the need for dynamics.

With this switch set to Tap, a plethora of options opens up. The Speed and Mode knobs become active, as does the tap switch, along with 1-2-4 and Wave toggles. The Speed knob now controls the speed of the auto-sweep (overridden by the Tap switch), and the 1-2-4 toggle controls the time subdivisions.

You can adjust the Funkzilla's Mode control to one of eight different rhythmic patterns for the utmost expression, and across those patterns, you can choose one of three different waveformsisine, ramp, and square.

An expression jack overrides the Speed control for some truly expressive filtering options, with some phaser and flanger overtones available for the brave.

Even without the bells and whistles, the Funkzilla is one killer envelope box and funks the joint up right out of the box. With the bells and whistles? Look out.

KNOBS:

Speed: When in Tap mode, this knob controls the rate at which the filter sweeps automatically, from near-frozen pulses to hyperdrive.

Mode: This eight-position control cycles through several rhythms and accents when in Tap mode. Because of the different rhythms, it is highly interactive with the standard filtering controls. Turning the Mode control fully left bypasses all functions.

Depth: Controls the intensity of the filter sweep across both Tap and Envelope modes.

Freq: Adjusts the center frequency of the filter sweeps. Turning the knob lower centers the filtering on the dubby side of things while turning it up gets you into Zappa territory. Works across both Tap and Envelope modes.

Attack: This control adjusts the time it takes for the filter to "open." Turning it doesn causes the envelope to open slowly, and turning it up opens the envelope very quickly. This knob works only in Envelope mode.

TOGGLE SWITCHES:

1 2 4: The tempo range of the Funkzilla lives in this switch. In Tap mode, it sets the subdivisions of your tapping. In standard mode, it sets the range of the Speed control.

Wave: A three position switch changes LFO waveforms between Sine, Ramp and Square modes. This switch is only available in Tap mode.

Dir: This switch toggles between forward and reverse envelope operations, and is available across both Envelope and Tap modes.

Tap/Env: Changes between the two main modes: Tap and Envelope. In Tap mode, the filter speed is set by either Speed knob, expression pedal or tap tempo. Each control will override the last one used. Envelope mode works as a standard envelope filter. Make sure that your instrument's volume is set to maximum for best results.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: In Tap mode, connecting an expression pedal gives hands-free control over the Speed knob for some psychedelic filter action. This effect is not available in Envelope mode.

True bypass footswitch: Turns the effect on and off.

Tap tempo footswitch: In Tap mode, sets the tempo of the filter sweeps.

POWER:

The Funkzilla requires a center-negative 9VDC power adapter with at least 15mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$336.46 SAVE 17%
coming soon $280.39
FORTHCOMING
Solid Gold FX Lysis Poly Octave Down Fuzz Modulator Effects Pedal
Cat: 792822
 
Fuzz/modulation/filter pedal
Notes: If you've ever awoken in a cold sweat dreaming of synthesizers, here's the ticket: Lysis. There's always been something about synth players for which guitarists and bassists alike have yearned. Though they're essentially the same instrument, the onboard accoutrements are what makes all the differenceioscillators, filters, LFOs; these are the makings of true electronic synthesis, and these are all things we stuffed into the Lysis.

All of the bells and whistles of synths are featured in full within the walls of the Lysis. For starters, the Lysis serves up a specially-designed wave-shaping fuzz circuit. This helps the Lysis sound more like a square wave or sawtooth wave.

The DSP-controlled polyphonic octave circuit takes all the clang you've cooked up and sends it south, to a rich two-voice octave-down synthesizer that tracks one note or 88, all at once. Serve Lysis your longest signal chain on a platter, and it will eat it for breakfast.

The Filter section is where things get really interesting. For starters, the Lysis gives you the option to blend the octave/fuzz section with the filtering, so you can enjoy punishing octave-down fuzz, rich, goopy filter sweeps or anything in between. The Lysis also gives you a switchable high-pass and low-pass filter, along with the option to manually manipulate the filter's cutoff or have it automatically modulate.

If you choose the manual path, an expression pedal jack gives you hands-free control of the Freq knob, for a sound-bending filter-wah effect that can absorb the impact of the most well-equipped dirt section. Should you choose modulation, the Freq knob controls the rate of the effect. An expression pedal gives you foot control over the speed for some psychedelic guitar freakouts or smooth undulation.

An onboard vibrato circuit finishes off the signal path of the Lysis. When in fixed mode, Lysis kicks in the vibrato, but in modulated mode, a filter LFO is engaged and Mod controls the rate of that. The two-position Warp switch works in tandem with the corresponding footswitch, either maxing or killing the Mod knob depending on the position.
Much more than a mere effect Lysis is its own future forward entity, a cellular organism of the sonic variety bursting with possibilities.

POWER:

The Lysis requires a center-negative 9VDC power adapter with at least 60mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$336.46 SAVE 22%
coming soon $260.91
FORTHCOMING
Solid Gold FX 76 Plus Octave-Up Fuzz & Filter Effects Pedal
Cat: 792775
 
Fuzz & filter effects pedal
Notes: Introducing the new 76 Plus Octave-Up Fuzz & Filter Effects Pedal. The 76 Plus takes inspiration from the lauded Univox Super Fuzz, Shin-Ei Companion and Ibanez Standard Fuzz. It's a powerful, cutting fuzz with a baked-in octave up that's especially apparent the higher you go up the fretboard. Do you like fuzz? Then you'll especially like this fuzz.

But what really makes this pedal special is the inclusion of an independent wah-like filter that's as tasty as it is useable. The filter section of the 76 Plus offers a mind-boggling number of ways to add movement to your tone, from triangle and sawtooth waveforms, to 2, 3 and 4-step sequences.

This filter speed can be dialed in perfectly via the speed knob or for you control-freaks, you can use an external expression pedal (not included) to give you infinitely variable control. Rather than "boxing you in," the 76 Plus gives you both options.

Knobs & Switches:

Vol Knob (Right): Adjusts the Fuzz output volume, from quiet to your mum yelling, "TURN IT DOWN!"

Texture Knob: This control adjusts the mid frequency of the 76 Plus from a deep scoop to a mid-drenched grind.

Fuzz Knob: When you turn the Fuzz knob up, you get more fuzz- and vice versa.

Speed Knob: Adjusts the speed of the filter (disconnected when expression is plugged in).

Volume Knob (Left): Adjusts the output volume of the filter.

Color Switch: Shaves some top-end for a smoother, woolier fuzz. "Left" rolls off some treble, "Right" rolls off even more treble, and "Center" rolls off no treble.

Clip Switch: "Left" is the original vintage setting (heavy compression & extra breakup), "Right" is a tamer, balanced option, and "Center" is a punchy setting with the compression dialed back a bit.

Mode Switch: Toggles between three available filter modes: Manual (left), Triangle (center), and Square (right). Each mode has 3 corresponding shapes, controlled by the "Shape" switch.

Input/Output:Instrument or other pedal goes on the right side, Amplifier or other pedal goes on the left side.

EXP Input: Enables the Filter to be controlled by an expression pedal (not included).

True bypass Footswitches:Turns each side of the effect on and off.

Power:This pedal requires a center-negative 9-to-18VDC power adapter with at least 10mA of current (not included). There is no option for a battery.

Dimensions:4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$336.46 SAVE 22%
coming soon $263.21
FORTHCOMING
Solid Gold FX Zeta DLX Deluxe Preamp Overdrive & Boost Effects Pedal
Cat: 792830
 
Overdriver & boost effects pedal
Notes: Guitar tone is tricky business- guitarists are sometimes forced to choose between great tone and utility. Are you also tired of choosing? Venture ahead, brothers and sisters of tone - introducing the Zeta DLX.

The Zeta DLX combines three of the most useful tricks in the gain-based tonal world: Preamp, drive and boost. The entirety of the Zeta DLX comprises a preamp circuit, so that you can keep your tone fresh even if you have to go direct, or your amp options are limited on fly-out gigs. However, each since each side is individually switchable, we must look at the sum of the parts.

The left side of the Zeta DLX serves up a generous drive circuit that has extremely wide sweeps of all the parameters, from jangly boost to crunchy OD. Three of the toggle switches give you options to tailor the Zeta DLX to your individual needs. The Mids and Body toggles allow you to adjust the range of those particular frequency bands, while the Clip switch lets you change the clipping characteristics. A bonus trimpot inside even lets you adjust the overall gain of the circuit.

On the right side of the Zeta DLX is the JFET-equipped individually selectable boost function, with a single knob to control the amount. The B. Tone toggle gives you control over the bass frequencies of the boost, while Pre/Post lets you choose whether the boost goes before or after the drive circuit. You can use this to great effect when trying to get either a super-saturated dirt tone or a burlier version of the drive side.

Don't get caught between a rock and a tonal hard place againiplug into the Zeta DLX and feel the gear instead of just hearing it.

KNOBS:

Volume: Gives you a tasteful amount of volume on tap, enough to work with all kinds of setups.

Tone: Adjusts the bass and treble content of the drive side.

Gain: Adjusts both the amount of overdrive and the amount of treble. As you roll the Gain up, more high end enters the signal path, allowing for clarity within the saturation.

Level: Governs the amount of boost engaged when in Boost mode. Be careful with this one!

TOGGLE SWITCHES:

Post/Pre: This switch controls the order of both channels when they are used simultaneously. Toggling this switch puts the Boost before the Drive or vice-versa for two different stacked tones.

Tone: This three-position toggle controls the level of the bass frequencies pushed by the Boost channel. When set to the left, the bass is the stock value. In the center, you'll find a bass cut, and the right position is a bass boost.

Body: Controls the level of the bass frequencies in the Drive channel. The corresponding switch positions are the same as the B. Tone switch above.

Mids: Adjusts the amount of mids present in the Drive channel. The left position is flat, center position s boosted, and the right position is scooped.

Clip: This three-position switch controls which type of clipping diodes are present in the drive channel. The left position selects a silicon-germanium hybrid for a bit more compression and crunch, the right position selects silicon parts for a bit more dynamics and sizzle, and the center position removes them altogether for a raw, throaty tone.

UNDER THE HOOD:

Gain (trimpot): Adjusts the overall gain of the drive channel, and thusly, the range of the external Gain control.

Bias 1 and Bias 2 trimpots are not user-adjustable.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitches: Turns corresponding channels on and off.

POWER:

The Zeta DLX requires a center-negative 9VDC power adapter with at least 30mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$295.26 SAVE 17%
coming soon $244.90
FORTHCOMING
Solid Gold FX Counter Current Reverb & Feedbacker Effects Pedal
Cat: 792808
 
Reverb + feedback pedal
Notes: You've dipped your toes in the water with the Surf Rider, now it's time to get swept away in the Counter Current- the do-it-all immersive lo-fi reverb unit that gives you just the type of degraded reverb madness that you need to create crumbling walls of verb, 8-track garage rock ambience, and swells of bit-starved echo.

The heart of the Counter Current is three interconnected and highly interactive controls and one footswitch: F.Back (Feedback), Decay, Drive and the Momentary Feedback switch. By using these controls together and with generosity, all kinds of reverb sounds open right up.

Let's start with the Decay control: This knob affects the end result of all your careful knob placement, by extending the, well, decay time of the virtual reverb tank. Dialing it in nice and high keeps the trails ringing out longer and really lets you flood the front end of your amp with the heart of the Counter Current.

In keeping with lo-fi reverb tradition, the Drive control overloads the virtual reverb tank transducers, saturating the front end with a touch of extra gain that excites your tone in the best way. Dialing this control back gives you a characterfully clean reverb sound that still sounds an absolute treat, but go ahead- tweak that thang.

The Counter Current's Feedback control recycles the post-'verb signal into the front end for a chaotically rich reverb tone, increasing the resonance and augmenting the Drive control. Turning the control fully counterclockwise shuts the back door and keeps the feedback out of the input, retaining sparkle and clarity.

Of course, the Tone knob does wet-signal tone knob things, lightening or darkening the reverb signal, and the Level control adds wet signal to the mix. After you set those, it's time to examine the Momentary Feedback switch. Buckle up.

The Counter Current's secret weapon, the Momentary Feedback switch ramps up the feedback for some oscillating blasts of reverb just when you want them. Not only is it a killer tone, but it's a rock 'n' roll set ender. This switch's function, as you might expect, is extremely dependent on where the "core three" knobs are set, giving you everything from crunchy spring drip to bottomless wells of soft scuzzy ambience and everything in between. Step inside the Counter Current. It'll treat you well.

KNOBS:

Tone: This knob adjusts the frequencies of the reverb signal only, giving you 'verb tones from dark and intimate to bright and present.

F. Back: This adjusts the intensity of the momentary feedback footswitch function and works in conjunction with the drive and tone controls. Increasing this control will create a faster and more intense feedback.

Decay: Increases the size of the reverb space and the intensity of the signal.

Drive: This control lets you saturate the virtual transducers on the reverb unit, giving you additional grit, grime and drive before the 'verb kicks in.

Level: Controls the volume of the reverb (wet) signal.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: Connecting an expression pedal here gives you hands-free control over the Drive.

True bypass footswitch: Turns the effect on and off.

Momentary feedback footswitch: Hitting this switch will cause the reverb to feed back into itself creating sounds ranging from a mild oscillation to a screeching howl depending on where the f.back and drive controls are set.

POWER:

The Counter Current requires a center-negative 9VDC power adapter with at least 53mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$259.55 SAVE 17%
coming soon $216.29
FORTHCOMING
Solid Gold FX Beta DLX Deluxe Bass Preamp Overdrive & Boost Effects Pedal
Cat: 792793
 
Preamp overdrive & boost effects pedal
Notes: What if you had an all-in-one tonal powerhouse that could keep your tone snappy and crisp, with a boatload of options to keep your signal buoyant? The Beta DLX is such a device. By pairing it with your bass, you create a highly sophisticated tonal symbiote and your audience and bandmates will thank you.

The makeup of the Beta DLX is a super-customizable drive circuit that's paired with a juicy boost. Let's start with the drive circuit.

Volume, Tone and Gain controls come standard, and each one has an unreal range of flavors, but the five-pack of toggle switches are where the magic happens. The Beta DLX offers up fine-tuning for both channels, but Body, Mids and Clip are within the drive side's domain. Body adjusts the bass frequencies, while Mids does the same with the midrange frequencies. Clip changes the clipping threshold of the drive side. A bonus trimpot inside lets you adjust the overall gain for this side- truly putting the DLX in Beta DLX.

The Boost section of the Beta DLX gives you a powerful JFET-equipped boost. Yes, you can use it just by itself- a miracle! On this side, the B. Tone control alters the bass frequencies of the boost, while Pre/Post determines whether or not the boost side comes before or after the drive sideiuse the Pre side to push the drive side into sweet saturation, or use the Post side to kick your drive tone up a notch.

If you've ever found your bass tone lacking due to the multitude of hurdles you're forced to jump, the Beta DLX is your ace in the hole.

KNOBS:

Volume: Gives you a tasteful amount of volume on tap, enough to work with all kinds of setups.

Tone: Adjusts the bass and treble content of the drive side.

Gain: Adjusts both the amount of overdrive and the amount of treble. As you roll the Gain up, more high end enters the signal path, allowing for clarity within the saturation.

Level: Governs the amount of boost engaged when in Boost mode. Be careful with this one!

TOGGLE SWITCHES:

Post/Pre: This switch controls the order of both channels when they are used simultaneously. Toggling this switch puts the Boost before the Drive or vice-versa for two different stacked tones.

Tone: This three-position toggle controls the level of the bass frequencies pushed by the Boost channel. When set to the left, the bass is the stock value. In the center, you'll find a bass cut, and the right position is a bass boost.

Body: Controls the level of the bass frequencies in the Drive channel. The corresponding switch positions are the same as the B. Tone switch above.

Mids: Adjusts the amount of mids present in the Drive channel. The left position is flat, center position s boosted, and the right position is scooped.

Clip: This three-position switch controls which type of clipping diodes are present in the drive channel. The left position selects a silicon-germanium hybrid for a bit more compression and crunch, the right position selects silicon parts for a bit more dynamics and sizzle, and the center position removes them altogether for a raw, throaty tone.

UNDER THE HOOD

Gain (trimpot): Adjusts the overall gain of the drive channel, and thusly, the range of the external Gain control.

Bias 1 and Bias 2 trimpots are not user-adjustable.

AUXILIARY

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitches: Turns corresponding channels on and off.

POWER:

The Beta DLX requires a center-negative 9VDC power adapter with at least 30mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$295.26 SAVE 17%
coming soon $246.05
FORTHCOMING
Solid Gold FX Communication Breakdown Dual Fuzz Effects Pedal
Notes: Sporting two different modernized takes on the legendary Tone Bender circuit in one box, Communication Breakdown is an unabashed sonic love letter to the glorious fuzz tones of yesteryear.

This pedal is ready to reveal the stairway to tone heaven through its wide gain range, intuitive tone controls and the ability to use the two channels individually or together. From clear and refined low-gain grime, crushing walls of sound to beautifully compressed and singing leadtones, Communication Breakdown is sure to bring all of the good times and none of the bad.

Adding not one, but two amazing fuzz pedals to your collection, all in one compact box of gainy goodness. Fuzz A is born out of the fire and flames of the rare Tone Bender MK1.5, but brings it into the modern era by using hotter silicon transistors than the original. This results in a wide range of extremely powerful yet refined fuzz tones.

Fuzz B, on the other hand, takes a page (see what we did there) from the book of the classic Tonebender MKII, and preserves everything good and great about that snarling, saturated and compressed box of fuzzy wonder. But as an extra bonus, we added our JFET pre-amp to the equation in order to breathe more stability and tonal clarity into this legendary circuit.

But the really cool part is of course that you can use the two channels either individually or together, seeing you jump from a hairy rhythm tone to a soaring lead in seconds, or lets you sculpt unique dirt tone never heard before.

Each channel sports the same super intuitive controls, so you won't be left dazed and confused exploring its vast fuzzy playground. Besides the ubiquitous Fuzz and Volume controls, each side has a Bias knob, whichlets you vary the voltage sent to the circuits. Clock-wise will give you beefy and bold dirt tones, whereas counter-clockwise sees it unleash a more lean, choppy and gated fuzz tone.

On top of that you can further sculpt the overall tone of each side viathe simple three-way Color toggles, for everything from bright and biting full-range tones to smooth and dark, while the Input toggles let you adjust the input attenuation of the pedal, making sure that it plays well withany wahyou want to put in front of it.

So whether you're a classic fuzz connoisseur looking to nail history defining dirt tones or simply searching for a versatile fuzz pedal to jump-start your creativity, then the Communication Breakdown is sure to deliver.

KNOBS, SWITCHES, ETC.

Fuzz Knobs: Want less fuzz? Turn these suckers to the left. Boom, you're there. Want some more fuzz? Of course you do. Just take these fellas on a spin to the right.

Bias Knobs:These knobs vary the voltage to the collector of the second transistor. Turn 'em clockwise to fatten up your fuzz, or turn 'em counter-clockwise for a lean, choppy, gated fuzz tone.

Vol Knobs: Makes things louder, or less loud. Note: when running both sides at once, Side B's Vol control becomes the "master volume" while Side A's control becomes a "saturation" control.

Input Switch: These three-position switches adjust the input attenuation and wah friendliness of each side. "Right" is no attenuation. "Center" heavily cuts gain and bass, and "left" mildly cuts gain and bass. The center and left positions help adapt the Communication Breakdown to a more wah-friendly fuzz.

Color Switch: These are special three-position EQ controls that help you dial in your fuzz even further. "Left" rolls off some high-end and scoops the mids, "right" rolls off even more high-end and scoops even more mids. "Center" bypasses the EQ entirely.

Internal DIP Switches:Each side contains a DIP switch that toggles between Bold and Comp settings. Bold increases the output level and the midrange content, Comp delivers a softer and more compressed tone. Comp is the default setting, feel free to switch it up.

Input/Output:Instrument or other pedal goes on the right side; Amplifier or other pedal goes on the left side.

True bypass Footswitches:Turns each side of the effect on and off. Both Fuzz A and Fuzz B are independent.

Power:This pedal requires a center-negative 9 VDC power adapter with at least 10mA of current (not included). There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$336.46 SAVE 22%
coming soon $262.07
FORTHCOMING
Solid Gold FX Electroman MKII Oscillating Delay & Modulation Effects Pedal
Cat: 792811
 
Delay + modulartion pedal
Notes: The debate over which type of delay is "the best" is one that has plagued guitar shops and internet forums for half a century. On one hand, we have analog purists that prefer the murky degraded repeats of an analog delay, while digital users prefer the exacting repeats of ones and zeroes. But Solid Gold simply like delays that are excellent, and the Electroman MKII is just that: An excellent, feature-rich delay that does everything right.

The core of the Electroman MKII is two cascaded digital delay lines, making bold strides in the arena of PT2399 chips. The PT2399 is a chip developed for DJ rigs and karaoke machines, and when tuned correctly, blurs the line between digital and analog.

The mode toggle takes advantage of that unique dual-line approach, giving you standard delay or one that sends the repeats only to the second chip for a cool half-time sound that will sit front and center on your next ambient or shoegaze record.

The second footswitch of the Electroman MKII retains our warp feature, which sends the repeats ramping up to self-oscillation for ambient textures and spatial soundscapes. But this time, you control the sensitivity with one of three settings on the warp toggle, from gentle nudging into infinity to instant freakouts.

Delay repeats are backed by an extremely musical modulation circuit, which has three selectable speed ranges and a generous flutter control, which increases the depth as you roll it up. This control turns the Electroman MKII into an instant tape echo simulator, where you can dial in just the right amount of digital wear and tear.

While the Electroman MKII is equipped with buffered bypass, the tails switch lets you decide whether or not the Electroman MKII chokes off the repeats when switched off, or leaves them trailing into your amp when bypassed. This feature lets you sculpt your sound just how you like, allowing for precision interplay with your other effects by affecting just one passage.

Level, repeat and time controls come standard, with the time control maxing out at 1 second of warm delay. The Electroman MKII's color knob will settle the debate between analog and digital snobs by shaving treble content from the repeats as the control is increased.

An extra jack on the left edge takes the Electroman MKII to the next level: The fx loop jack lets you connect a stereo Y-cable to as many auxiliary pedals as you like, with the looped effect applying itself to the repeats. Try an octave pedal for true space exploration, a ring modulator for a lo-fi delay and even a volume pedal for swells of repeats.

Tone is always the goal, so if you want an outstanding delay unit that hacks through the vines of tiered menus and other complicated fluff, let the Electroman MKII be your machete.

KNOBS:

Level: Changes the amount of wet signal from nothing at all to highly involved.

Repeat: At zero, you'll find the humblest of all delays: the slapback. At full-blast, the repeats will run away and overtake your signal.

Color: This control takes a little treble off the top as you turn it. Fully left is bare-naked digital, and turning it up increases the murk.

Flutter: Controls the modulation depth. Keeping this control at zero shuts the circuit off.

Time: Changes the delay time from a double tracking-esque 70 milliseconds to a full lengthy second.

TOGGLE SWITCHES:

Warp (toggle): Changes the intensity of the Warp footswitch across three modes, from subtle (center) assertive (left) to imminent lift-off (right).

Mode: Changes between standard delay (left) and a special second mode(right), which sends the repeats slamming into the second delay line at half time.

Speed: Offers three different speed settings of the modulation circuit - slow in the center position, fast when toggled right and medium in the left position. See also: flutter knob.

Tails: The Electroman MKII is buffered bypass, and this switch lets you decide how you want the repeats to behave with the pedal switched off: choked off when switched left, or trailing when switched right.

AUXILIARY

FX Loop Jack: This jack lets you attach a stereo Y-cable, allowing you to patch in any number of effects. These effects let you apply external effects only to the repeats, for endless amounts of fun. You can even run a full external pedalboard in this loop. We won't tell. In addition, the loop also doubles an an expression input to control the level knob.

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Warp Footswitch: Engaged self-oscillation when and where you want it, and relents when you release it.

True Bypass/Trails Footswitch: Turns effect on and off.

POWER:

The Electroman II requires a center-negative 9VDC power adapter with at least 40mA of current (not included). Almost all power supplies meet this requirement, but check yours first.

DIMENSIONS

4.67" x 3.68" x 1.18" (119mm x
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MRP:$336.46 SAVE 21%
coming soon $264.35
FORTHCOMING
Edifier R2000DB Wood 2.0 Book Shelf Speakers (black/brown, pair)
Cat: 808944
 
120W Bluetooth speakers with built-in wireless controls
Notes: Edifier R2000DB Wood 2.0 Book Shelf Speakers Bluetooth Optical Input120 Watts Classic Wood Grain

Versatile speakers equipped to deliver an authentic listening experience.

Astonishing sound - Not only is the R2000DB stunning, this bookshelf speaker will leave you speechless. An ideal speaker for computers, gaming consoles and mini home theatres. Its comfortable in just about any environment, giving it the diverse functionality suited for any lifestyle. It houses an encased MDF wooden enclosure which minimises acoustic resonance. The R2000DB bookshelf speakers considers your Hi-tech needs and concerns while driving quality performance and entertainment value. Edifier's bookshelf speakers with Bluetooth capability produces spectacular sound with exceptional presentation.

Eagle Eye - Using newly developed 25mm silk dome "Eagle Eye" tweeters, this bookshelf speaker makes the slightest sounds clear. With desirable dimensions and improved specs the "Eagle Eye" lives up to its reputation and demand. With the redesigned elements of the R2000DB bookshelf speakers, distortion in your audio experience is a thing of the past. Edifier has built in Digital Signal Processing (DSP) and Dynamic Range Control (DRC) to minimise distortion, keeping your listening experience in mind. Your studio is precious and should not be defiled with the inconsistencies of outdated designs.

Function Meets Style - Edifier's R2000DB bookshelf speakers has a high gloss piano finish as a touch of elegance to match your rooms decor. Any studio or living space housing these bookshelf speakers should be met with thoughtful design and comfortable style. The luxury of a gloss finish is something Edifier does not take for granted. The R2000DB speakers exemplify this reality.

Versatile and dual connection - Connect devices to the R2000DB through optical and RCA input. You can also have more than one device plugged in at a time. Using Bluetooth, you can pair your smartphone and avoid using wires. The versatility of the R2000DB bookshelf speakers seek to deliver an authentic listening experience mirrored with Hi-tech wireless functionality. Edifier providers all the bells and whistles characteristic of Bluetooth aptitude.

Built-in and wireless controls - The R2000DB comes with a wireless remote for your convenience. Or use the side panel on the speaker to adjust bass, treble and master volume. Control your bookshelf speakers and connect to your device in comfort. The classic design of the R2000DB fits right in your hand and gives you total demand of your experience; all at your fingertips.
Read more
coming soon $228.87
FORTHCOMING
Edifier R2000DB Black 2.0 Book Shelf Speakers (pair, black)
Cat: 808952
 
120W Bluetooth speakers with wireless controls
Notes: Edifier R2000DB Black 2.0 Book Shelf Speakers Bluetooth Optical Input120 Watts Piano Black

Versatile speakers equipped to deliver an authentic listening experience.

Astonishing sound - Not only is the R2000DB stunning, this bookshelf speaker will leave you speechless. An ideal speaker for computers, gaming consoles and mini home theatres. Its comfortable in just about any environment, giving it the diverse functionality suited for any lifestyle. It houses an encased MDF wooden enclosure which minimises acoustic resonance. The R2000DB bookshelf speakers considers your Hi-tech needs and concerns while driving quality performance and entertainment value. Edifier's bookshelf speakers with Bluetooth capability produces spectacular sound with exceptional presentation.

Eagle Eye - Using newly developed 25mm silk dome "Eagle Eye" tweeters, this bookshelf speaker makes the slightest sounds clear. With desirable dimensions and improved specs the "Eagle Eye" lives up to its reputation and demand. With the redesigned elements of the R2000DB bookshelf speakers, distortion in your audio experience is a thing of the past. Edifier has built in Digital Signal Processing (DSP) and Dynamic Range Control (DRC) to minimise distortion, keeping your listening experience in mind. Your studio is precious and should not be defiled with the inconsistencies of outdated designs.

Function meets style - Edifier's R2000DB bookshelf speakers has a high gloss piano finish as a touch of elegance to match your rooms decor. Any studio or living space housing these bookshelf speakers should be met with thoughtful design and comfortable style. The luxury of a gloss finish is something Edifier does not take for granted. The R2000DB speakers exemplify this reality.

Versatile and dual connection - Connect devices to the R2000DB through optical and RCA input. You can also have more than one device plugged in at a time. Using Bluetooth, you can pair your smartphone and avoid using wires. The versatility of the R2000DB bookshelf speakers seek to deliver an authentic listening experience mirrored with Hi-tech wireless functionality. Edifier providers all the bells and whistles characteristic of Bluetooth aptitude.

Built-in and wireless controls - The R2000DB comes with a wireless remote for your convenience. Or use the side panel on the speaker to adjust bass, treble and master volume. Control your bookshelf speakers and connect to your device in comfort. The classic design of the R2000DB fits right in your hand and gives you total demand of your experience; all at your fingertips.
Read more
coming soon $228.87
FORTHCOMING
SoundForce DCO Digitally Controlled Oscillator Module
Cat: 804293
 
Oscillator module
Notes: The SoundForce DCO is an oscillator for Eurorack based on the architecture of the Juno-60/106 oscillator section. It is a modern homage to that sound using technology from the future. It provides true analog waveforms with digital stability.

A DCO is not an all-analog VCO but also not a digital oscillator. It's an hybrid design that combines the best of both. Similarly to many VCO's, the DCO generates its core waveform, the saw wave, by charging a capacitor in an op-amp integrator configuration. A VCO will restart the waveform cycle when the signal has reached its maximum amplitude. But the DCO starts an new cycle when a micro-controller, a small computer chip, commands it to. The micro-controller also controls the rate at which the capacitor is charging, hence the frequency of the oscillator. As with a digital oscillator, the DCO acquires the CV input voltages and turns them into numbers that will later set the frequency of the oscillator. This is done inside the micro-controller using 16 bits sigma-delta analog to digital converters. All signals are true analog signals. The PULSE wave is derived from the SAW wave using a comparator and the SUB oscillators are generated using a flip-flop IC. Furthermore, the use of a very modern micro-controller with built-in 32 bits timers have improved the frequency accuracy a lot compared to the original design.

The SoundForce DCO features 10 slide pots (faders) reminiscent of the Roland synths. 5 sound sources are available: SAW, PULSE, SUB1 (1 octave lower), SUB2 (2 octaves lower) and NOISE. The built-in mixer allows you to mix them together using the faders and the MIX output jack. The PULSE has manual pulse width control, as well as PWM with a CV input and an attenuator. An FM input is also available with an attenuator. The oscillator can be hard synced to another oscillator using the SYNC input.

Specifications:
16HP
Frequency range : 20Hz - 14kHz
Depth: 38mm (including power connector)
Power: +12V 82mA, -12V 26mA
V/OCT input range -3 to 7V
FM input range -5V to 5V
PWM input range -5V to 5V
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MRP:$274.66 SAVE 18%
coming soon $226.58
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Tenderfoot Electronics Cells Expander Module (for Lattice)
Cat: 805816 Rel: 01 Feb 21
 
Expander module
Notes: Cells adds a number of additional features to Lattice:

A 3x4 grid of keys to select steps manually and play the sequencer more like an instrument.

Forward / Reverse mode controlled by a CV trigger and physical button.

Random step selection by CV trigger.

CV selection of the current step - great for inputting a positive envelope or LFO to cycle through the steps on the Lattice.

Gate output - Whenever a new step is navigated to, a pulse will be output by Cells in order to trigger a voice's envelope. Pressing on the keypad will also output a constant gate signal.
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MRP:$300.75 SAVE 24%
coming soon $228.87
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AniModule LogicOgic Module
AniModule LogicOgic Module (clock modulater / frequency divider / logic synth module)
Cat: 794401
 
Logic module
Notes: This is a handy module. It's nice to have a few ORs and ANDs around when you're fiddling around with your clocks and percussives.

The Output from FlipFlop1 Q is normalled to the FlipFlop2 Input via the jack switch.

The NOT Q outs from the FlipFlops are fun to stagger your clock pulses or use as a Sub-Oscillator. The Inverter/Buffer can be sent to a Gate-Trigger converter and back to the OR to double your clock.

2 - FlipFlops (Q and NOT Q outs for each)

2 - OR Gates

2 - AND Gates

1 - Buffer/Inverter

All the outs are Buffered.

55 mA +12V
38 mm deep
O 4.00 (2 Votes) Average Rating
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MRP:$270.54 SAVE 17%
coming soon $225.44
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AniModule SOB v1 Module
AniModule SOB v1 Module (state variable filter & waveshaper synth module)
Cat: 794397
 
State variable filter module
Notes:  A State Variable Filter with an adjustable WaveFolder on the input.

Self-Oscillating Filter Tracks 1V/Oct

Vactrol Input allows you to control CutOff via gates/triggers without using up an EG

Pot to mix "Clean" and "Folded" signal levels

Filter and/or Fold Audio Or Control Voltages

2 Input Signal mixer

1 Input Control Voltage Mixer

1 Input to Vactrol for CV Modulation

1V/Oct In

current Draw: +12V = 31mA -12V = 34mA
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MRP:$241.70 SAVE 17%
coming soon $201.41
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EVO by Audient EVO SRB Start Recording Bundle
Cat: 811063 Rel: 30 Apr 21
 
USB audio interface/headphones/microphone/accessories bundle
Notes: Start your journey into the world of audio recording with the Start Recording Bundle, a professional, powerful and versatile solution for home recording. Experience a combination of outstanding audio performance and innovative technology to make sure you achieve studio quality recordings from the start.

What's Included:

1 x EVO 4 Audio Interface
EVO SR1 Condenser Mic
EVO SR2000 Monitoring Headphones
EVO Shockmount
XLR Mic Cable

Capture your microphones and instruments by recording audio directly to your computer with EVO 4's intuitive feature set. Combining leading tech specs with astounding performance and sound quality, EVO 4 is the ultimate interface for beginners and pros alike.

Building on Audient's 20+ years of audio design experience, get unrivalled audio quality on your desktop with the clean, warm and accurate EVO preamps - offering 58dB of gain range.

Make sure you capture everything perfectly with Smartgain mode. Start playing, singing or talking and Smartgain will automatically set the level of your microphones. Perfect for beginners.

Audio Loop-back enables you to record your computer audio at the same time as your microphones. Ideal for content creators, podcasters and streamers.
Record your computers audio
Record guest video calls
Record gaming audio

EVO 4 is USB 2.0 class compliant and works with both a USB-C and USB-A ports.
USB-C to A cable Included
macOS Compatible
Windows Compatible

Compatible with iOS devices and without the need for external power, EVO 4 truly lets you record anywhere.

Capture every detail and nuance of your performance from the moment you hit record with the SR1 condenser microphone. Its large diaphragm design and versatile nature will give you studio quality recordings no matter the source.

The SR2000's Monitoring Headphones not only deliver superior audio performance but have been engineered to provide long lasting comfort. The 40mm Neodymium drivers consistently deliver accuracy and clarity where you need it most, helping to make sure you make the right sonic decisions when recording and mixing.

Audio has no boundaries and neither should you. The Start Recording bundle provides the tools you need to get started, what you create is up to you.

Bundled with a free suite of creative software including Cubase LE and Cubasis LE for iOS, you can start recording as soon as you open the box. Bundled with a free suite of creative software including Cubase LE and Cubasis LE for iOS, you can start recording as soon as you open the box.
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MRP:$274.66 SAVE 17%
coming soon $228.87
FORTHCOMING
Sacrement The Cursible Effects Morphing Module
Cat: 811337 Rel: 30 Apr 21
 
14HP 6 channel, morphing effects-send matrix module
Notes: The Cursible from Sacrament Modular brings effects morphing (and much more) to the Eurorack format. The Cursible is a 14HP 6 channel, morphing effects-send matrix with an incredible feature set and a vast amount of applications from morphing / sequencing through and blending effects through to cadavre exquis style mixing of sound sources or control voltages.

Applications for The Cursible include:
Morphing your signal through 6 reverbs, delays, distortions, waveshapers, flangers, phasers etc. and truly creating your own sound.
Sending your signal to 0-6 destinations in any order you want with adjustable fade times.
Morphing through multiple sound sources to create an ever-evolving oscillator timbre.
Morphing through multiple cv sources for an utterly unique, evolving voltage source.
Sequencing oscillator "stacks" for rich, blooming soundscapes.

Technical specifications:
Power consumption: 52mA +12V, 26mA -12V
Module width: 14HP
Module depth: 25mm
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MRP:$315.86 SAVE 17%
coming soon $263.21
FORTHCOMING
Gamechanger Audio Plasma High Voltage Distortion Pedal
Cat: 807411 Rel: 15 Feb 21
 
Distortion pedal
Notes: The PLASMA PEDAL is a revolutionary approach within the realm of overdrive and distortion, as it is a new and previously unexplored method of achieving signal clipping. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the PLASMA PEDAL transforms your instrument's live signal into a series of continuous high-voltage discharges within a xenon-filled tube.

In essence- you are playing a bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analog audio signal, producing a quick, responsive, and extremely heavy distortion with TONS of unique character!

By maxing out the BLEND knob you can achieve a fully wet signal, produced only by the gas-discharge tube. This means that as soon as you stop playing, the electrical discharge within the gas-filled tube is interrupted, and the pedal will not produce any output signal at all. This feature allows you to achieve extreme contrasts between individual notes, by eliminating all of the in-between noises created by the instrument's pick-ups or by humming strings.

Thanks to this, PLASMA PEDAL is extremely well suited for playing heavy riffs or sharp staccato solos. Really - there's nothing like it!

PLASMA PEDAL converts your instrument's signal into a rapid series of electric discharges, which results in a large amount of non-linear harmonic saturation that causes extremely rich and responsive attacks, and brings out screechingly sharp overtones and harmonics.
These harmonic artifacts, produced as a byproduct of the high-voltage discharge are uncommon in traditional signal amplification, and therefore PLASMA Pedal's distortion is unlike anything you have heard before.

The PLASMA PEDAL loses the original DRY input signal and creates a new signal from fluctuations in the electromagnetic field surrounding the gas-discharge tube.

This allows to bring out an extremely wide range of frequencies that are often beyond the instrument's capabilities.

PLASMA PEDAL is designed primarily for guitarists, but it is also an awesome distortion tool for all sorts of electronic beats, synths and live instrument samples.

As you max up the VOLTAGE knob, you can add satisfying amounts of electrical buzz to any sound...
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MRP:$369.42 SAVE 21%
coming soon $292.97
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