Includes sliding nuts and screws.
The EP-3 is built to withstand the rigors of daily abuse and touring, while providing the action and feel you need for precise, musical expression. When paired with Minifooger or Moogerfooger analog effects, the EP-3 unlocks new dimensions of sonic possibilities.
The Moog Little Phatty Gig Bag is made of heavy-duty nylon material, with double-stitched construction. With padded interior and exterior pockets for extra storage, the gig bag manages your musical gear with ease.
Shoulder strap, backpack straps and an easy to carry handle offers flexibility when traveling. Also, the bag is specifically sized for the Little Phatty, has 3/ 4" foam all around and contains internal velcro straps to keep it from sliding.
Crafted from vinyl and lined with fleece, the Little Phatty Dust Cover protects your Little Phatty from dust, dirt, spills, and other dangers lurking around the studio and stage. Elastic in the corners keeps the Little Phatty Dust Cover securely in place over your prized synth. A Moog logo adorns the top of the Little Phatty Dust cover.
1 in stock $317.42
A ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The Moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in its use, you decide.
The Moogerfooger Ring Modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1/4" jacks are provided for audio input and output, pedal/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.
Imagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear 2 x pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.
The 12-Stage Phaser's control parameters are Sweep frequency, Resonance, LFO Rate and LFO Amount. All of these parameters can be controlled by the great feeling knobs that beg to be tweaked as well as expression pedals or external control voltages. Panel switches select ranrge of LFO Rate and 6 or 12 stage phasing. 1/4" jacks are provided for audio input and outputs, pedal/control inputs, LFO out and auxiliary sweep input for bi-phase effects. The heavy-duty yet smooth-acting bypass switch allows tabletop or floor use.
A phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser whooshing sound.
The Phasing is one of the best ways to impart motion to a track and to make sounds come alive. With the MF-103 Phaser you can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; even create brand new sonic textures.
The MF-103 produces 2 comb-filter responses. They are called 6-Stage and 12-Stage, because of the number of phase-shifting circuits that are used internally. The 6-Stage mode has 3 dips in its frequency response, while the 12-Stage mode has 6 dips. These 2 modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance, or depth of the phaser sound. The MF-103 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal.
Power supply is included.
Each newly built Minimoog Model D is lovingly handcrafted by the employee-owners at the Moog Factory in Asheville, NC. This 3-oscillator, monophonic, analog synthesizer is securely housed in a locally-sourced Appalachian hard-wood enclosure and hand-finished aluminium chassis. The circuit boards retain the exact component placement and through-hole design of a beloved 1970's era Minimoog Model D.
Though no changes have been made to the original sound engine or audio signal path, the Minimoog Model D now includes a series of popular functional modifications that expand this legendary instrument's sonic capabilities. These modifications include a premium Fatar keybed with velocity and after pressure available via top panel CV jacks, a dedicated analog LFO with triangle and square waveshapes, CV outputs for pitch, gate, velocity and after pressure, basic MIDI integration, and a mixer overload modification, which when engaged, allows the Minimoog Model D to conjure thicker and far more overdriven sounds than before.
The Minitaur has all the growl, snarl and body associated with the Taurus family of bass synthesizers. Moog are really excited to be able to offer this in such a compact package that is both immediately playable as an extremely versatile analog synth and also integrates seamlessly into the world of MIDI and USB control environments, says Cyril Lance, Chief Engineer of Moog Music.
The Taurus Bass Pedals enjoy a nearly 40-year history and have made a seismic impact in the music world since their introduction in the mid-Seventies. The Taurus opened up so many possibilities for me, it also opened up a whole way of looking at what I do, says Geddy Lee, of the multi-platinum band Rush.
In 2009, Moog Music released the Taurus 3 Bass Pedals, a modern reinterpretation of the classic Taurus Bass Pedals. The Taurus 3 is currently used by artists such as The Black Keys, Animal Collective, Jean Michel Jarre, Yes, Weezer, Rush and The Dave Matthews Band.
Since the inception of Moog Music, Bob Moog tested his ideas, instruments and sounds on musicians as a key part of the product development process. In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, the renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.
In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, Holy F*ck and renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.
The dual end-pieces are easy to install and make your Minitaur feel right at home next to your Voyager, Taurus 3, Moogerfoogers and more.
Mother-32 comes secured in a rugged extruded aluminium enclosure with wood sides and features a voltage controlled 32-step sequencer with 64 sequence locations, definitive Moog low pass and high pass Ladder Filter, 2 voltage controlled mixers, a classic Moog oscillator with dual outputs, wide-range LFO with audio-rate modulation capability, MIDI input and MIDI to CV conversion, white noise, a modular patch-bay with 32 patch-points for extended synthesis complexity and an assignable CV jack with 16 assignable sources.
*For sound demos, please visit - http://www.moogmusic.com/products/semi-modular/mother-32#sound-tab
*Mother-32 units not included*
*Mother-32 units not included*
Protect your investment when you're on the road. The EW Pro Molded case is designed to meet ATA specifications. It is custom fitted to the EW Pro. It has heavy duty casters and an internal compartment for storing cables.
This kit consists of a pair of 3U rack ears for a Moog Slim Phatty synthesiser module. The kit allows you to rackmount your Moog Slim Phatty in a standard 19" rack.
The Sub 37 Tribute's new features include Duo Mode, which allows oscillator 1 and oscillator 2 to be played independantly, programmable arpeggiator/step sequencer, two modulation busses with assignable source and destination options, access to 256 presets, and a 37-note velocity sensitive keyboard with aftertouch.
A fully featured mixer section contains dedicated controls and mutes for each sound source, as well as a level control for External audio input and Feedback - which feeds the output of the filter directly back to the input of the mixer.
Also included are the powerful DAHDSR envelopes from the Sub Phatty with panel control of each extended function. And, like the Sub Phatty, the Sub 37 Tribute includes a free standalone/plugin editor that is compatible with all major plugin formats - creating seamless integration between analog synth and DAW for total control, recall, and automation of every parameter
* Tribute edition includes Bob Moog signature panel, Wood sides, and Aluminum extrusion
** The Sub 37 Tribute is a limited edition analog synthesizer created in honor of Moog Music founder Dr Robert Moog, his passion for education, and his love of music. For every Sub 37 Tribute sold, Moog Music will donate a portion of the proceeds to Asheville Area School Music Programs.
Moog Music's engineers have crafted the Sub Phatty's oscillators to perform with extreme accuracy and require almost no warm-up time. Just power up, dial in your settings, and put your fingers to work on the keys to summon crisp and detailed waveforms, a vibrant and articulate sound that more than honors the rich sonic density synonymous with Moog creations.
The Sub Phatty is the first analog synth to feature Moog's transformative new Multidrive section; at low settings Multidrive adds warmth and girth, but when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level. Experiment with this new circuit and unlock an undiscovered world of vivid analog tonalities.
The mixer section offers innovations of its own, including a sub oscillator that outputs a square wave one octave below Oscillator 1. Use this powerful tool as a third oscillator for added depth, or to craft your own customized incarnation of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver low-frequency content, rich with body and punch. If your goal is to sculpt analog percussion and sound effects, look no further.
The Sub Phatty features a wide range of parameters just below the surface, and all features are easily accessible from the instrument's front panel, or via the free standalone/plugin editor. Select filter poles, assign wave mod destinations, or specify pitch bend amounts i it's all there.
The Sub Phatty brings a fearless new voice to the Moog family of synthesizers. With its streamlined interface and dynamic sound design flexibility, this new synth fuses an unparalleled connection between human & machine, opening the door to unprecedented sonic exploration.
The Sub Phatty's filter includes the transformative new Multidrive circuit, a unique combination of OTA distortion and FET drive, which serves as the sparkplug in the instrument's powerful sound. At low settings, Multidrive adds warmth and width; when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level.
Users can access a total of 16 definable presets via the 4/4 preset matrix on the Sub Phatty's front panel. This matrix also doubles as a control panel for the instrument's subcutaneous nerve center, users can select filter poles, set pitch bend amounts, toggle between legato glide modes, and more. These functions can also be accessed via the included Sub Phatty standalone/plugin editor.
The configuration of the Sub Phatty's mixer section allows users to easily determine, at any given moment, which sources overdrive the filter and which simply pass through it. The mixer section further hosts controls for a square wave sub oscillator; those operating the Sub Phatty can utilize this tool as a third oscillator for added depth, or to craft their own customized incarnations of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver rich, punchy low-frequency content, designed for analog percussion and sound effects.
"We were really excited to bring CV interconnectivity to the Sub37, enabling musicians to use the Sub37's incredible control potential with their other electronic devices. This effort also gave us the opportunity to explore different voicings in the analog sound-engine. These new voicings give the SUBSEQUENT 37 an added depth of character and expanded sonic capability-an inspiring new personality." - Cyril Lance, Moog Chief Engineer
The SUBSEQUENT 37 CV's mixer has double the headroom of the Sub 37 Tribute Edition, which gives the oscillators more room to breathe--resulting in greater musicality, particularly when playing in duo-mode. Taking full advantage of the mixer's added flexibility, the gain-staging of the Ladder filter has been reshaped to boost harmonic saturation and analog compression for a deeper, more impactful low end. Completing the sonic evolution is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37.
SUBSEQUENT 37 CV production is limited to 2000 pieces worldwide. Each instrument is lovingly handcrafted by the employee owners at the Moog factory in Asheville, NC.
The SUBSEQUENT 37 mixer section has double the headroom of that in the Sub 37 Tribute Edition. This provides access to a new range of classic clean tones in both mono and duo performance modes. Leveraging the mixer's newfound flexibility, gain-staging in the Ladder filter has been reshaped to boost harmonic saturation and analog compression, resulting in an overall richer low end. Completing the sonic evolution of the SUBSEQUENT 37 is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37.
In addition to the sound engine augmentation, each SUBSEQUENT 37 comes with an upgraded keybed for improved playability, a high-powered headphone amplifier strong enough to drive the most demanding headphones, and a software plugin/editor for both Windows and Mac platforms.
Assistive pitch correction allows each player to adjust the instruments level of playing difficulty. At the maximum position, the Theremini will play every note in a selected scale perfectly, making it impossible to play a wrong note. As this control is decreased, more expressive control of pitch becomes possible. When set to minimum, the Theremini will perform as a traditional theremin with analog heterodyning oscillator and absolutely no pitch assistance.
A built in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a users playing position, or to educate younger players about pitch and scales.
The presets section allows you to select from 32 wave or wavetable-based patches, store a selected scale & root note, set and recall a specified playing range, and specify per-patch settings for the included stereo delay.
Recessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via front panel headphone jack. Simply plug in ear-buds or headphones and the built in speaker becomes silent.
For live performance and gestural control, the rear panel features two line level audio outputs, a pitch CV output with selectable range, and a mini USB jack for MIDI I/O and connectivity.
*Please note - Theremin not included*
- Expansion Board
- 2 Screws for installation
- Installation instructions