Back in stock: Studio Equipment

Notes: Really smart integration of macro controls for Eurorack, based on the original design by Emblematic Systems. Assign settings to eight CV outputs then morph with the crossfader or record movements to manage presets or set up complex real-time modulation. Can also operate as Catalyst Sequencer.

Supplier's Notes:
The Catalyst Controller is a macro controller with eight precision CV outputs and a responsive crossfader to morph between scenes. A scene is a snapshot of up to eight CV outputs, like a modular preset. Traverse a "pathway" composed of multiple scenes using the crossfader or an external CV signal, or immediately jump using the scene buttons. Record CV and slider movements, and play recordings back via a button or external trigger.

Each output has sub-millivolt precision and a maximum range of -5V to +10V. Channels have an adjustable morphing curve, can be quantized to common scales, restricted to a particular voltage range, or set to output gates.

Whether used as a CV preset manager, seamless transition generator, chord sequencer, CV recorder, or experimental CV playground, the Catalyst Controller puts control of your modular at your fingertips.

The Catalyst Controller can also turn into a Catalyst Sequencer! Hold down a special button combination to change between controller and sequencer modes. If you end up liking the Sequencer more, you can even remove the double-sided faceplate, flip it over, and re-install with the Sequencer artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Specifications:

Smooth, responsive crossfade morphs between scenes
Eight output channels, each can be CV or Gate
Arrange scenes into pathways of up to 64 scenes
Smooth, responsive crossfader morphs from scene to scene along the pathway
Set slew/lag to limit how fast scenes can change
Adjustable Morph time per output
Control crossfading with an external CV
Record and playback up to 20 seconds of CV and crossfader motion
CV outputs can be set to -5V to +10V maximum, or limited to +/-5V, +5V, +3V, or +1V
CV outputs can be unquantized (sub-1mV resolution), or Quantized to common scales
Randomization of channel values/gates
Copy/paste
Based on the original Catalyst from Emblematic Systems

Pairs with: 4ms Catalyst Sequencer

Notes: The Catalyst Sequencer combines a traditional clocked step-sequencer with an unconventional phase-based sequencer to produce a new paradigm in sequencing. Eight precision CV sequencer channels can be simultaneously driven by a clock, a phase CV, or scrubbed manually with the crossfader.

Each of the eight channels has its own sequence length, quantizer, transposition, clock divider, randomization, voltage range (max -5V to +10V), and selectable CV (precise 16-bit resolution) or Gate mode.

Phase-based sequencing is an advanced form of sequencing where each step is selected by CV. The Catalyst Sequencer has a smooth, responsive crossfader that scrubs the sequence, playing it forward or backwards to track your motions. Patching in a CV signal will do the same: a ramp-up CV plays the sequence forwards, a ramp-down plays it backwards, a triangle plays it ping-pong, and complex waveforms generate new interesting rhythmic and melodic patterns.

The Catalyst Sequencer can also turn into a Catalyst Controller! Hold down a special button combination to change between sequencer and macro controller modes. If you end up liking the Controller more, you can even remove the double-sided faceplate, flip it over, and re-install with the Controller artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Pairs with: 4ms Catalyst Controller

Notes: ***B-STOCK: Light marks on the screen***


A serious trigger sequencer for generating complex, multi-layered rhythms. Eight channels of Euclidean pattern generation meet probability, modulation and CV control for real depth and power.

Supplier's Notes:
Constellation is all about rhythm. It is an 8 channel pattern generator that works by combining multiple dense and sparse patterns to create long, complex and musically interesting trigger and gate rhythms. Constellation takes a "parametric" approach to rhythm - there is no explicit step sequencing on the module, rather the rhythms are defined by euclidean (and more) parameters that build the rhythm mathematically.

Constellation aims to evolve the concept of euclidean rhythms far beyond the useful but repetitive patterns we often think of when we hear the term "euclidean rhythm". This is accomplished by by combining up to 8 individual euclidean patterns of different lengths and density. Each pattern may provide only a small component of the final output, but together create immensely musical and varied rhythmic material over a very long time frame - up to 999 steps! If each of those steps are 1/16 note in length at 120 bpm, that's a full 2 minutes of explicitly defined, yet non repeating rhythmic material.

In addition, Constellation's parametric approach allows any of these parameters to be modulated with CV through one of 8 freely assignable CV inputs. CV modulation introduces further ability for Constellation's rhythmic output to vary over time. Paired with a Maestro or Navigators, hours of interesting morphing rhythms are possible without the need for tons of step programming or the uncontrollable chaos of a purely generative approach.

When writing music, rhythmic interest is often built through the combination of repeating and non repeating elements that work together to anchor the overall feel but also keep the ear free from boredom over the duration of the piece. Constellation provides a unique set of tools to accomplish this goal and achieve rhythms that are intentional, unexpected and exciting to use as the foundation of your compositions.

28hp, 25mm deep
75mA +12, 18mA -12

Notes: These are right angle patch cables for Eurorack. Colour is black, pack of 5 cables.

Notes: Two channel expander for Bartender

Mixer section

Each channel has the following:

Stereo or mono - Each channel can be treated as a stereo channel or a mono channel with two summed inputs.

CV inputs for both panning and level control

Two send buses - You can route each channel to one of two send buses. Each send bus is stereo. You can choose if you want the send to come before or after the level/panning controls.

Mute - The mute has both latching mute (up) and a momentary mute (down). The mute uses a capacitor to slow the turn off and on of the mute action. So it is mostly click-less, but you may find an occasional pop.

Cue bus - You can route each channel to the cue bus.

Expandable Mixer Series

Bartenders can be cascaded to create 8ch, 12ch, or 16ch mixer. The main level is what is sent the main level control can act as a group control.

Barbacks can be added to add 2ch to your mix. Barbacks can also be cascaded enabling up to a 16ch mixer configuration.

Send-VCA can be added for CV control of the level of the send.

DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 10hp
12V: 125mA
-12V: 100mA

Notes: ***B-STOCK: Box opened, product in perfect working order***


Akai's mid-range MPC features full-size pads plus a built-in rechargeable battery and speakers. Integrated phono stage makes it easy to sample from vinyl. A hugely capable studio centrepiece.

Supplier's Notes:
Meet MPC Live II, the full MPC experience in its most portable configuration yet. Everything you need to make music, anywhere, right at your fingertips.

There's no need to compromise for portability. MPC Live II is the complete MPC experience without missing a step. A rechargeable lithium-ion battery means you can work anywhere for hours. Full-size MPC pads give you the ultimate in drum performance and the expanded function buttons allow for quick editing on-the-fly so you never miss a beat.

For the first time ever, you now have studio-grade monitors built-in directly to your MPC. No need to waste precious time looking for your headphones, untangling cables or powering up external monitors. These full range stereo monitors deliver low end thump along with tight top end to make portable beat-making the sonic experience you need to feel your music.

MPC Live II integrates into your creative space with all the ports, jacks and connectivity you need. USB 3.0, 2x2 MIDI, CV/Gate, 3 stereo outs and more. WiFi and Bluetooth connectivity make for a completely wireless workflow. No matter the device, MPC Live II is ready to get connected!

MPC Live II will super charge your production. With MIDI performance to tap in to as many devices as you need, an intuitive and streamlined layout not to mention the MPC workflow features you need; 16 Levels, Note Repeat, Auto Sample, Chords & Notes More and so much more. Get ready to level up to the MPC Live II.

KEY SPECS:

Pads:
(16) velocity and pressure-sensitive pads, RGB-backlit
(8) banks accessible via Pad Bank buttons

Knobs:
(4) 360- touch-sensitive Q-Link Knobs
(4) Q-Link Knob columns accessible via Q-Link button
(1) 360- encoder for display navigation and selection via push

Buttons:
(27) dedicated function buttons; red, amber, or green backlit

Display:
6.9" / 176 mm (diagonal)
5.9" x 3.7" / 150 x 93 mm (width x height)
Full-color LED-backlit display with touch interface

CPU: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB, expandable via SATA connections

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(6) 1/4" (6.35 mm) TRS outputs (3 stereo pairs)
(1) 1/4" (6.35 mm) stereo headphone output
(2) RCA inputs (1 stereo pair)
(2) 5-pin MIDI inputs
(2) 5-pin MIDI outputs
(4) TRS CV/Gate jacks, 8 outputs total
(1) Ethernet link port
(2) USB Type-A ports
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Power:
Via power adapter: 19 V, 3.42 A, center-positive, included
Via battery: Up to 5 hours of battery life

Dimensions (width x depth x height):
16.2" x 9.6" x 1.8"
411.5 x 243.8 x 45.7 mm

Weight:7.45 lbs/3.38 kg

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Incredible value as always from the latest version of Arturia's Essential 88-key MIDI controller. Pads, faders, rotaries and a large LCD screen. Excellent integration with DAWs and the included Analog Lab V plugin.

Supplier's Notes:
Control your DAW, play with MIDI hardware, and get hands-on with your own style of music-making with KeyLab Essential mk3 88. This full-range keyboard controller removes barriers and makes creativity simple, with expressive semi-weighted keys, idea-sparking creative functions, and the most inspiring music software included as standard.

The streamlined piano range keyboard

Expand your musical horizons with a semi-weighted 88-note keyboard that removes barriers and makes your creative life easier. From studio to stage, DAW to MIDI hardware, KeyLab Essential 88 mk3 keeps things simple so you can focus on your music with full piano-range expressivity.

Your essential ingredients for creativity

KeyLab Essential provides an array of useful & intuitive controls that'll get the job done. Enjoy a comfy keybed, tactile faders/encoders/pads, and thoughtful layout that'll make sense for your setup. Enjoy a hands-on instrument experience balanced with software flexibility.

The best DAW integration

Get creative right out the box with KeyLab Essential's custom DAW scripts, bringing pre-mapped controls into your workflow with any major DAW. Not only that, but the KeyLab Essential controls work seamlessly with Analog Lab V, the included sound anthology plugin - letting you freely explore thousands of sounds, old and new.

Your musical workhorse

For when you want to get experimental, find a new sound, or just need a bit of extra inspiration, KeyLab Essential has a few tricks up its sleeve. Create fun ever-changing melodies with the Arpeggiator, weave rich chord voicings with Chord play, and always stay in key thanks to Scale mode.

What's new compared to the previous version?

A bigger display with 4 contextual buttons
5 dedicated DAW scripts, plus MCU & HUI protocols, for controlling any DAW
Enhanced integration with Arturia Software
Creative features: Scale mode, Chord Play, Arpeggiator (with presets), Hold function
2 Pad Banks (for finger drumming, clip launching, or User configuration)
Bigger software bundle (Analog Lab V, Ableton Live Lite, NI The Gentleman, UVI
Model D, Loopcloud & Melodics)
Multi-purpose pedal input (Sustain, Footswitch or Expression)
USB-C
Eco-designed

Included Software

You'll also get 6 titles giving you everything you need to make music your own way - here's

What's included:
Analog Lab V software with 2000 synth & keyboard sounds
Ableton Live Lite
UVI Model D & Native Instruments The Gentleman pianos
Loopcloud subscription
Melodics subscription

Box content
Quick Start
Registration card
USB Cable (C/A)

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Desktop version of the mega Hydrasynth. The same amazing synth engine, paired with polyphonic, pressure-sensitive touchpads, making it an interesting creative alternative to the keyboard version.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier's notes:
The HYDRASYNTH Desktop / Rack has the same great sound engine as the HYDRASYNTH Keyboard. The sound engine is a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The Hydrasynth Desktop / Rack has 24 polyphonic pressure touch pads so that you can play the unit without needing to connect a keyboard or other controller. Using multiple pad layout modes as well as quick to access scale modes, the Hydrasynth Desktop / Rack is easy to make music on.

The Hydrasynth Desktop / Rack comes with rack ears so that you can mount it in a standard 19" rack.

Notes: Really clever stuff here. The Octaves VCO takes an additive approach, layering harmonics on top of a fundamental frequency to create complex tones. Control the six bands via CV to adjust the harmonic content.

Supplier's Notes:
A harsh and funky take of an additive Oscillator.

Pile up multiplications of your frequency to get a lo-fi-retro wall of squared sound!

You get six doubled frequency pulses, or octaves, with common PWM and volume control for each of them.

The output of each is cascaded to the next one, so you can either have one output with all frequencies or break the chain and get several sums and modulate each independently!

Features
Six bands, multiple of the base frequency.
Square wave oscillator with Octaves selector PWM control and sync.
Range control for Tune pot.
Volume CV control and individual output for each band
Cascaded summing outputs.

Specifications
Current needs: +12V: 110mA, -12V: 84mA
Width: 12 HP
Depth: 22mm (assembled and DIY), including power connector
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Really clever stuff here. The Octaves VCO takes an additive approach, layering harmonics on top of a fundamental frequency to create complex tones. Control the six bands via CV to adjust the harmonic content.

Supplier's Notes:
A harsh and funky take of an additive Oscillator.

Pile up multiplications of your frequency to get a lo-fi-retro wall of squared sound!

You get six doubled frequency pulses, or octaves, with common PWM and volume control for each of them.

The output of each is cascaded to the next one, so you can either have one output with all frequencies or break the chain and get several sums and modulate each independently!

Features
Six bands, multiple of the base frequency.
Square wave oscillator with Octaves selector PWM control and sync.
Range control for Tune pot.
Volume CV control and individual output for each band
Cascaded summing outputs.

Specifications
Current needs: +12V: 110mA, -12V: 84mA
Width: 12 HP
Depth: 22mm (assembled and DIY), including power connector
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: The DS01 is the second-generation clone of the most classic dub siren in the known universe, old school transistors sound FX machine with unique feel and sound.

Audio output: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm x 5,5mm barrel type connector

Dimensions: 120mm x 90mm x 40mm

12VDC 1A power supply included.

Notes: The classic dub siren, updated and improved. Machine-gun/laser-gun and airhorn sounds with modulation controls and tough build quality for use in live settings.

Supplier's Notes:
Our take on one of the most iconic dub sirens

-Classic machine-gun/laser-gun sound FX

-Brand new airhorn-like sound FX

-Modulation speed and frequency pitch control

-3 Base frequencies for the audio oscillator

Classic laser-gun sound FX machine

SPECIFICATIONS
Audio output: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 120mm*90mm*40mm

12VDC 1A power supply included.

Notes: Studio grade connectivity.

Your studio needs more than just accessible patching - exceptional audio quality through the entire signal path is crucial! Black Lion has been improving already-great gear through their modification service for years, and all that know-how has been channelled straight into the PBR TRS3.

The PBR TRS3 is a 48-point TRS patchbay, suitable for the most robust routing imaginable in a single rack space, loaded with 96 audiophile-grade gold-plated 1/4" TRS connectors for maximum conductivity and signal clarity. You'll easily interconnect your preamps and other outboard hardware via its audiophile-grade, secure connections.

Limitless flexibility and road-worthy construction

You'll reconfigure your entire studio's routing at a moment's notice (while cutting down on cable clutter! The rear-mounted 3-way mode switches allow for Normal, Half-normal, and Thru operation, delivering unlimited routing potential for mults, bypassing, monitoring, and parallel processing.

Black Lion's team of engineers have worked tirelessly to ensure that the PBR TRS3 delivers proper quality through-and-through. The PBR TRS3 is also built Black Lion-tough, with a reinforced steel chassis and black-anodized aluminium faceplates that make for a matched and sophisticated look.

Not your average patchbays.

Configure your studio with the best: Black Lion Audio PBR Series Patchbays. Your recordings deserve the best, and maintaining a great signal path is crucial!

Features

96 audiophile-grade gold-plated 1/4" TRS connectors
Rear-mounted 3-way mode switches for Normal, Half-normal, and Thru operation
Black-anodized aluminium faceplate and reinforced steel chassis
Includes front panel labels
Exceptional value for the price

Specifications

Number of Points: 96
Front Connectors: 48x XLR
Rear Connectors: 48x TRS
Dimensions: 534 x 102 x 51mm, 1.4kg (boxed)

Notes: ***B-STOCK: Box opened, product in perfect working order***


Module A-149-1 is the first module of the A-149-x range. In this group we present by popular request several functions of Don Buchla's "Source of Uncertainty 265/266" (SOU) modules that cannot be realized with existing A-100 modules. Many functions of Buchla's 265 and 266 SOU can be realized with existing A-100 modules. For details please refer to A-100 patch examples.

Module A-149-1 has available four different analogue random control voltages that are generated in different ways.

The "Quantized Random Voltages" section has available 2 CV outputs: "N+1 states" and "2N states". N is an integer number in the range 1...6 that can be adjusted with the manual control (Man N) and an external control voltage CVN with attenuator. Whenever the rising edge of the input clock signal (Clk In) appears a new random voltage is generated at the N+1 resp. 2N output. The N+1 output is capable to generate N+1 different voltage levels (or states), the 2N output up to 2N different states. If for example N is set to 4 the N+1 output generates up to 5, the 2N output 16 different states. The voltage steps of the 2N output are adjusted to 1/12 V in the factory. Consequently, exact semitones can be obtained in combination with a VCO. The voltage steps of the n+1 output are adjusted to 1.0 V in the factory corresponding to octave intervals in combination with a VCO. For each output a trimming potentiometer is available on the pc board that enables the user to select other voltage steps for the output in question.

Even the "Stored Random Voltages" section has 2 stepped CV outputs available: one with even voltage distribution of the max. 256 output states and second one with adjustable voltage distribution probability. The distribution probability is adjusted by a manual control (Man D) and an external control voltage CVD with attenuator. With the control set fully counter-clockwise most of the random voltages will be low magnitude but even medium and high magnitude voltages may appear but with smaller probability. As the control is turned to the right (or a positive control voltage appears at the CVD input) the distribution moves through medium to high magnitude voltage probability. The symbol at the lower jack socket shows this coherence graphically. The voltage range is 0...+5V for both outputs of the "Stored Random Voltages" section. For each output a trimming potentiometer is available on the pc board that enables the user to select another voltage range for the output in question.

The A-149-1 can be extended by 8 random digital voltages with the A-149-2 Digital Random Voltages module.

Dimensions
12 HP
60 mm deep

Current draw
40 mA +12V
10 mA -12V

Notes: Buzz. Beep and bloop. Get high on the lo-fi sounds of "old-school" games, toys and terminals!

The Mainframe provides sample rate reduction ranging from 48kHz to 110Hz. A little background... the sample rate is the number of times per second that a sample or snapshot of an analogue signal is taken. For example, CDs (remember them?) had a sample rate of 44.1kHz which means that the original analogue signal is sampled 44,100 times per second.

The sample rate defines the frequency range that can be reproduced while maintaining good fidelity. When the sample rate is reduced the quality of the audio is degraded and aliasing occurs. Aliasing means audible artifacts created when higher frequencies are sampled at an inadequate rate and the result is distortion. The Mainframe's sample rate range is wide enough to take you from sounds that are quite pristine to sounds that are unrecognizable when compared to the input signal.

It also provides bit crushing ranging from 24-bit to 1-bit. What does that mean? Bit crushing is bit depth reduction. Back to the CD example... CDs used a 16-bit bit depth meaning that each of its samples was represented by 16-bits of information. Higher bit depths can accurately represent a greater dynamic range while bit crushing increases the number of sampling errors and creatively degrades the sound to bring us back to those nasty "old school" sounds we love.

The Mainframe's selectable High/Low/Band-Pass filter lets the user shape the artifacts of the bit crushing and sample rate. Another very cool feature is its Sample Rate Tuning Mode where the pedal analyses your input signal in real-time and sets the sample rate to match the pitch of your signal, or a set interval above your signal. This allows you to set the sample rate to match the key of a song, or it will continually adjust the sample rate based on what you play!"

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 90mA
Year Released: 2020

Notes: Amazing analogue delay plus chorus and vibrato!

The EHX Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

The Memory Boy uses the Deluxe Memory Man as a base, expanding upon it with additional modulation features and an optional Expression Pedal input allowing external control over Delay Time or Modulation Rate.

The Memory Boy carries the performance heritage for warm analogue delays and modulations that made its ancestors the go to legends that remain today. With two years in design, the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.

All analogue delay with Feedback
Up to 550 ms delay time
Selectable Chorus or Vibrato modulations rates
Choose between triangle or square modulation waveforms
Expression pedal control of delay time or modulation rate (expression pedal extends the range of modulation rate)
True Bypass
Power adapter included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25 121 x 102 x 57
Current Draw: 60mA
Year Released: 2009

Notes: We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound!

The EHX Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!

Crushing distortion
Singing sustain with attitude
Compact, rugged nano enclosure
True bypass
Adjustable tone
9V battery included

Specifications:
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
3mA
Year Released
2013

Notes: Delivers overdrive and distortion with impact, and the modern player in mind!

The EHX OD Glove provides a rich, overtone laden sound that doesn't get muddy. Responsive controls that take you from sparkling, clean boost through brown crunch and all the way to thick, saturated hi-gain. Advanced features like Tone Shift and selectable 9 or 18V internal voltage for surgical sound sculpting.

Versatile MOSFET overdrive/distortion
Tone Shift switch
Selectable 9V or 18V internal voltage
True bypass
Tough, compact die-cast chassis
9V battery included

SPECIFICATIONS
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
12mA
Year Released
2013

Notes: Vintage tremolo and panning with Wave Form and Shape control!

The EHX Stereo Pulsar Stereo Tap Tremolo generates vintage tremolo and panning that will fill any venue with rhythmic stereo energy. Its Wave Form switch allows you to change the modulation from triangle to square form. The Wave Shape control allows you to control transitions from negative to positive saw tooth or adjust pulse width. This all means you can create any type of stereo tremolo from pure vintage to ones never heard before.

Stereo outputs
Tough and compact die-cast chassis
9V battery included

Specifications

Circuit: Analogue
Bypass: Buffered Bypass
Audio: Stereo
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 17mA
Year Released: 2007

Notes: Erica Synths Black Spring Reverb is a different take on spring reverberation units. Firstly, it has built in vactrol based audio compressor, secondly, it can operate an external tank and combination of both internal and external ones for effects unheard before, thirdly, in order to animate reverb effect, the module has built-in feedback effects - pitch shifters, delay, ring-modulator, etc; feedback amount and effect parameters can be controlled manually and via CV, making the module an experimental instrument on its own. Module comes with compact spring reverberation tank which can be easily installed in most eurorack cases.

Features
Compact spring reverberation tank to install in a skiff case
Manually and CV controlled feedback amount
Vactrol-based compressor
7 distinct feedback effects
Selection between internal, external reverberation tanks or combination of both
Feedback Send and Return jack sockets
The module is designed to be used with wide variety of spring tanks, but the best results will be using tanks with low input impendance - 8-200ohm

Technical specifications:
Audio input level -5V - +5V
CV level (full span) -5V - +5V
Power consumption 43mA, -71mA
Module width 12HP
Module depth 30mm
Internal reverb tank dimensions 190mmx67mmx24mm (30mm with spacers)

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


A unique analogue percussion module, based on principles from the legendary 909 twisted into new sonic territory. Capable of everything from classic kicks and snares to more experimental hits and complex VCO effects.

Supplier's Notes:
A machine is born

The Machine began as a quest to create a rich-sounding eurorack snare drum synthesis module to complement the existing Mutant Drums. The project quickly became too large and costly to justify the module being capable only of snare drum sounds. So, the decision was made to learn from the architecture of the TR-909's snare and kick circuits, in order to develop a module capable of generating multiple forms of analogue percussion, and various other effects.

Like the other Mutant Drums, the Machine has its roots in classic analogue percussion synthesis. Even though it can create totally alien sounds, it still has the capability to deliver those classic 909 house snares and kicks if you want them. There are no microcontrollers in the Machine. The signals and waveforms are all generated by discrete components and ICs, for a distinctly analogue sound, and user experience.

Features

Microcontroller-free analogue percussion synthesis engine
Unique Inverter Core oscillators form the MEMBRANE. Each analogue oscillator has three waveforms to select from
Capable of synthesizing everything from heavy-hitting bassdrums to classic 909-style snares and other complex timbres
Modular design gives the Machine many auxiliary purposes, great for modular sound design of many varieties, and not just percussion
The SNAPPY section is comprised of a voltage controlled noise oscillator, for modelling the noisy part of drum timbres
Both MEMBRANE and SNAPPY elements have an external input for replacing the built-in sound sources, opening up many avenues of possibility
13 control voltage and audio inputs, for a fully modular drum experience
7 audio and CV/gate outputs for maximum integration with other modules
Dedicated outputs for each WAVE and NOISE oscillator mean you can use the Machine as a complex VCO in your system, when not synthesizing percussion
Waveform scanning feature generates complex timbres from analog waveforms
The MEMBRANE's waveforms can be scanned through automatically by the wavescanner's voltage controlled clock generator, or an external clock or VCO can be used
SCAN FREQ CV forms a unique form of timbre control, making the Machine act like a complex oscillator at its WAVES output
The ENABLE input allows you to gate the wavescanner on and off with a CV or gate signal

Technical specifications

Width: 29HP | Depth: 30mm
Current draw: +139mA, -115mA @ 12V

Notes: Two oscillators independently set as VCO, LFO, or random generator

This new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)

Features in VCO mode:

V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter

Features in LFO mode:

Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module

Dimensions
8 HP
21 mm deep

Current Draw
52 mA +12V
17 mA -12V
0 mA 5V

Notes: *** " B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Two oscillators independently set as VCO, LFO, or random generator

This new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)

Features in VCO mode:

V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter

Features in LFO mode:

Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module

Dimensions
8 HP
21 mm deep

Current Draw
52 mA +12V
17 mA -12V
0 mA 5V

Notes: *** B-STOCK: Box damaged, but product is in excellent condition and in perfect working order ***


Stream your music

Do you wish you had the flexibility to stream a reference mix on more than just your hard-wired studio monitors? Do you own a Bluetoothr turntable but don't have the space to fit the speakers next to them? Get a better listening experience with our compact, attractive and Bluetoothr enabled M-Audio BX3BT multimedia reference monitors.

Amazing Sound, Compact Form

Designed to deliver a great listening experience, M-Audio's BX3BT monitors provide 120 Watts of transparent sound inside a bold, style-driven compact design that provides the ultimate solution for pro-grade sound. The two-way design features an Acoustically-inert MDF cabinet with bass reflex that provides robust lows through the Black Kevlarr drivers. Plus, enhanced rear ports and computer-optimised natural silk dome tweeters deliver the full spectrum of frequencies needed for any song, movie, or video game to sound big and lifelike!

Connect Your Devices

The BX3BT front and rear panel offer all the connections you would need to connect any playback device. The rear panel features 1/4", 1/8", and RCA inputs, while the front panel features 1/8" aux input and a headphone connection that turns the speakers off for private listening. Very handy for those late nights in the home office or mixing sessions where you do not want to disturb anyone.

Active Speaker Controls & EQ M-Audio BX3BT features controls on the rear panel that let you customise the EQ and active speaker placement. HighEQ and Low-EQ controls enable anyone to add or cut some extra rumble or clarity to their music. The M-Audio BX3BT features a Left/Right Active Speaker Position Switch letting you choose which speaker is sounding from the Left or Right side.

Limitless Creativity with MPC Beats Software DAW - Effects and Instruments Included

The M-Audio BX3BT comes bundled with MPC Beats, the powerful music-making and recording desktop software DAW for Mac and PC based on iconic MPC hardware. Featuring a full array of musical instrument plugins, effect plugins, and audio and drum samples, MPC Beats is the best way to start making great-sounding music quickly.

Technical Specifications

Frequency Response: L 80 Hz - 22 kHz
Output Power: 120 W (total peak), 2 x 25 W (RMS)
Drivers: LF Driver 3.5" / 88.9 mm, HF Driver 1" / 25.4 mm; silk dome
Audio Inputs: (1) RCA stereo input pair 2 1/4" (6.35 mm)
TRS inputs: (1) 1/8" (3.5 mm) stereo auxiliary input
Headphone Output: 1/8" (3.5 mm) stereo output
Interconnection Cable: 1/8" (3.5 mm)TRS
Power: 100-240 VAC, 50/60 Hz, 85 W
Bluetooth Range: 100' (30.5 m)
Dimensions (width x depth x height, per speaker): 5.5" x 5.7" x 8.2" 140 x 145 x 208 mm
Weight: (per pair of speakers) 7.39 lbs. 3.35 kg

Notes: Honey is a palm-sized, touch-based noise instrument based on the bytebeat principle. It runs on a single AAA battery and emits sound through a speaker. It doesn't have an audio jack. It creates dynamic sounds by manipulating variables and mathematical operations through touch.

The internal dynamic equations consist of five variables and four operations, with six possible operators for each operation. They are constantly changing and forming new equations, creating chaotic randomness.

If the unit does not respond correctly, the battery needs to be replaced.

Powered by one AAA battery

Notes: The Cab X2 is the latest digital cabinet simulation and impulse response pedal from MOOER Audio, featuring stereo input and output, build-in factory simulation models, and support for third-party impulse response files.

The Cab X2 provides robust stereo support for users that need to take their favorite digital cab sims and IR files from their laptop to the stage. The Cab X2 supports flexible stereo setups, allowing the option to bypass the cab sim pedal itself and connect to an external amplifier, sound board, PC, or pedal board. Two footswitch modes are also included and can be configured as a traditional on/off switch or to cycle through presets.

Designed to make management of all your presets and IR files simple, the Cab X2 editor software is free to download for MacOS/Windows and makes setting up your X2 fast and easy. Simply download the software, connect your X2 with the included USB cable, and tweak your cab simulation files to perfection.

While away from your PC, the Cab X2 includes a headphone jack to keep everything nice and quiet while you manage presets on-the-go or for practice.

Features:
High-quality, IR-loading stereo cabinet simulation pedal
Includes 14 user preset slots that can store two different cabinet simulation settings each
11 factory cabinet simulation files with support for loading third-party impulse response files
Choose between mono or stereo setups with the ability to bypass the cab sim for each channel
Footswitch can be assigned as a traditional on/off switch or to switch between presets
Comes with specialized editor software for preset management and IR loading

Specifications:
Input: 2*1/4" monoaural jack (Impedance value: 1M ohms)
Output: 2*1/4" monoaural jack (Impedance value: 510 ohms), 1*1/8'' stereo audio output jack (Impedance<1 Ohms)
Power supply: 9V DV center negative (Please ensure the voltage value of power supply is not more than 9V, ensure the polarity is correct.)
Current Draw: 300mA
Dimension: 0.334kg
Weight: 75mm(D)*115mm(W)*33mm(H)
Accessories: Owner's manual, USB TYPE-C to TYPE-A cable; DC 9V power supply, sticker

Notes: The first pedal to get the X2 treatment is the D7 X2 Delay Pedal. With the 14 high-quality delay effects, this pedal features more than double the effects of its skinnier brother, the D7 Delay, while also adding stereo inputs and outputs. The array of delay effects in the D7 X2 have a wide range from classic analog and tape delays to more modern and experimental delays such as "Low-Bit", "Galaxy", and "PingPong". Adjustable parameters are different based on each effect and can be customized with the Tweak 1 and Tweak 2 knobs. Additional parameters can be adjusted by using the MIX, TIME, and FEEDBACK knobs. Timing of each delay can be adjusted with the TIME knob or by using the TAP TEMPO footswitch for quick adjustments on the fly.

Notes: The R7 X2 Reverb combines MOOER's best digital effects algorithms from the A7 Ambiance and R7 Reverb pedals and combines 14 different types of high-quality stereo reverb in to one ultimate pedal. Parameter knobs include High Cut, Low Cut, and Mix for adjusting the EQ and Decay and Pre-Delay knobs for adjusting the intensity of each effect. Unique features of the R7 X2 include the Infinite and Trail-on functions to customize how each effect fades out.

Each pedal features a single designated save slot for each effect where users can save their settings after being tweaked to perfection. A BYPASS footswitch is included for easy toggling. Simultaneously pressing the TAP and BYPASS switches turns on Preset Rolling Mode to switch between saved presets easily

14 different reverbs

Classic: Room, Hall, Church, Cave, Plate, Spring, Studio

Modern Ambient: Mod, Reverse, Wrap, Shake, Crush, Shimmer, Dream

Notes: The Nektar Impact GXP49 USB MIDI controller keyboard is designed for players: Experience 49 semi-weighted keys and instant access to performance controls including a real-time repeat engine, powerful Nektarine plugin patch management and Nektar DAW Integration. GXP gives you the keys to a great performance!

GXP Keys
PLAY - Treat your fingers to a dynamic semi-weighted keyboard with velocity and aftertouch that captures all aspects of your performances.

GXP Repeat Section
REPEAT - The Repeat Engine lets you create inspiring rhythmic elements with direct and intuitive realtime access from dedicated Repeat controls.

Impact GXP Transport
DAW CONTROL - Control essential DAW functions directly from Impact GXP using the dedicated transport controls. Supports 12 DAWs.

GXP Software Bundle
PRODUCE - All you need to create is included: Licenses for Steinberg's acclaimed Cubase LE Music Production Software and Retrologue virtual synthesizer.

KEYS: JUST THE RIGHT TOUCH
At the core of GXP49 is a newly designed and carefully balanced keyboard action. Its 49 semi-weighted full-size keys with velocity and aftertouch deliver a nice, firm touch and great playability.

Impact GXP 49 Front left view
Choose from 5 different velocity curves to tailor Impact GXP's keyboard sensitivity to your personal needs. The curves cover a wide dynamic range from soft to hard touch. The default curve "normal" is optimized to deliver good control across the whole velocity range right out of the box. In addition, 3 fixed levels let you send fixed velocity values across the whole keyboard if needed.

Nektar Impact GXP49 Control

DIRECT ACCESS: THE CONTROLS YOU NEED
The streamlined no-fuss control panel is based on the successful Nektar Impact GX-series, enabling advanced DAW integration with extended transport control, track selection and volume control as well as options to open/close DAW windows and navigate songs. In addition, GXP88's user interface also has 14 assignable illuminated RGB buttons for direct MIDI program- and bank-selection.

Impact GXP is a MIDI controller as well as a DAW controller:
If you use MIDI software that's not supported by Nektar DAW Integration, you can also set up MIDI control yourself. The assignable buttons in the transport section can be configured to send out Program message or MMC (MIDI Machine Control) transport control. In addition, any of the 28 assignable MIDI buttons, the modulation wheel, keyboard aftertouch, foot switches and of course the big control knob, can be assigned to send out MIDI cc messages. The settings are stored over power cycling.

GREAT CONNECTIVITY:
MIDI, PEDALS, POWER
The GXP49 gives keyboard players all the right expression options needed for live and studio work. It offers large pitch bend & modulation wheels and connections for up to 3 optional external pedals: Connect any standard expression pedal to the first, and any standard footswitch to the second socket. And if you use an optional Y-cable adapter, the footswitch socket even supports two independent switches.

Impact GXP Pedal Connections
Impact GXP Back Panel
Impact GXP can also be used stand-alone with external MIDI gear: The rear panel includes a 5-pin MIDI out jack and an external power supply socket for powering the unit when not connected via USB.

GXP Repeat Section 2

REPEAT: GET INSPIRED
The Repeat Engine is great for creating inspiring rhythmic elements: Simply press the dedicated Repeat button, play and get inspired.

The RGB buttons now give you direct one-button access to Repeat Rates, Accent, Interval, Swing and routing aftertouch or modulation to velocity. The large Data/Tempo Encoder turns into a dedicated tempo control, unless synchronization is set to external MIDI clock.

Choose from 5 different key trigger modes to change the repeat behaviour from interesting arpeggio-style effects with human feel to hard-quantized repetitive rhythms. Repeat is a fun way to experiment and create those famous "happy accidents", that make you come up with unexpected new ideas.

GXP Repeat Engine

NEKTAR DAW INTEGRATION: GIVE YOUR MOUSE A BREAK!
Install Nektar DAW Integration and the 8 buttons right above the wheels let you take control of essential tasks in your DAW right from Impact GXP. Features cover extended transport control including goto and set locators, track navigation, volume control, launching windows and patch navigation - without ever reaching for the mouse.

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Cursus Iteritas Alia

Dynamically generated wavetable oscillator using orthogonal functions on a swappable oscillator platform

Cursus Iteritas Alia is Noise Engineering's take on a wavetable-inspired additive oscillator. Cursus creates sounds from a dynamically generated wavetable, then gives the user spectral controls to sculpt and modulate. Cursus has three different algorithms, based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. All that math is hidden behind a set of friendly controls that produces an extremely wide variety of harmonic sounds, perfect for melodic sound design. Cursus has long been regarded as the gentlest Iteritas, but if you need some beef and extra low end, try mixing the suboscillator output into your patch.

CIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Control the expression inputs of your effects with Old Blood Noise's clever Ramper. Glide or step between two adjustable expression settings. A cheap and effective way to expand creative options.

Supplier's Notes:
Expression Ramper - Parameter Mover

Simplicity is the heart of innovation. This is exactly what the Expression Ramper from Old Blood Noise Endeavors offers - a super simple, yet highly innovative way to automate expression control, letting you conjure sounds you never thought possible from any pedal with an expression input. It's time to release your Inner-Ramper!

The Expression Ramper allows you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a single footswitch. Just hook up the Expression Ramper to your expression-enabled effects pedal, simply pick your first expression setting in the A position, then your second in the B position and you're good to go.

From here, you can set Expression Ramper to move between A and B in three different ways. In TRI mode, it glides in a linear Triangle wave sweep from A to B, while in SQR mode it will make instant Square Wave jumps. Both TRI and SQR are LFO modes - you start the LFO when you hit the footswitch once, then stop it as you press the switch again. Alternatively, A<>B mode triggers a cool one-shot sweep, where every press of the footswitch jumps from one position to the other. The speed of the LFO and One-Shot movement is set via the Rate knob.

These simple and intuitive features can unlock worlds of sound. For instance, if you have Expression Ramper hooked up to a pitchshifter, you can create classic Whammy-like octave glides in one-shot mode, stretchy modulation in Triangle wave mode or hypnotic pitch sequences in Square wave mode. Got an expression-enabled phaser? Turn it into a step-filter with Expression Ramper's square wave. Or maybe an expression-enabled delay pedal? Use Expression Ramper to create swelling Feedback waves in Triangle mode or jump between two preset delay times in one-shot mode. The list goes on and on and the possibilities are basically endless.

While it should suit most effects pedals right out the box, Expression Ramper can easily be configured for different polarity or types of expression pedal simulation by using the internal jumpers. Plus, you can even change the supplied internal 50K digital socketed potentiometer and replace it with one of 10K or 100K values if needed. This enables the pedal to be specifically tailored for whatever expression-enabled devices you might have like keyboards, synths, vintage gear or more esoteric sound devices. All of this goodness is packed into a highly compact enclosure, ensuring that you can fit the Expression Ramper (or several Expression Rampers) into any setup.

Notes: Open up your signal routing options with this neat and simple pedal. Split one signal into three, run effects in parallel, mix three signals together, set up ABY routing or set levels. Versatile.

Supplier's Notes:
The Signal Blender provides a number of parallel routing solutions through its use of a pair of send/returns, primary input and output, switching, and volume control.

Signal Blender can be used as a:
Parallel effect blender
3-to-1 mixer
1-to-3 splitter
Active ABY in either direction
Volume level setter

and more.

A courtesy 9V power outlet and phase correction switches for both Sends add further versatility to this box. Clever switching allows for latching or momentary on/off action.

The Signal Blender uses standard 9V center negative power, and has a current draw of 31 mA.

Notes: Dynamic hold effects are the aim with this creative reverb pedal. Three reverb modes (tape, comb filtering and resonant bandpass filtering) can be frozen and triggered to create infinite sustaining textures.

Supplier's Notes:
Dynamics. It's the shifting ebb and flow of the tide. It's the ups and downs of life. It's witnessing night turn into day, as the sun attacks and sustains through the nightly veil, making the darkness release its gloomy grasp and decay. It's where you'll find the Old Blood Noise Endeavors Sunlight Dynamic Freeze Reverb. An envelope triggered multi-mode reverb with the ability to dynamically freeze and sustain your notes forever, seeing you create truly mesmerising sunlit soundscapes.

Building on what made OBNE's top-selling Dark Star such a stellar early-chain pad reverb, Sunlight twists it into the other dimension as a reverb pedal centred around the idea of a dynamic hold. When you play, your new notes are let through and old notes are allowed to fade away, but when you stop playing, old notes have the chance to repeat forever.

A dead simple to use interface of just two knobs controls the nature of this relationship. In addition, there are three sonic modes that highlight modulation, comb filtering and resonant bandpass filtering, each of which takes their own spin on the reverb signal. The Mix, Input and Decay controls work exactly the same across each mode, as they help control the dynamics.

Mix sets the loudness of the reverb, which goes from all dry to all wet and anywhere in between, allowing you to create everything from subtle reverberations to deep ambient textures. Now, the interplay between Input and Decay is where the real Sunlight magic starts to happen. Decay determines how long the reverb trails will sustain, which will go from quick ephemeral evaporations to infinite reverb pads. On the other hand, Input controls how much of your signal is allowed into and fed back within the reverb. At zero, no new input will be added to your reverb, but as you increase it, more signal is let through, letting you create gently evolving ambient textures or drastically changing synth-like pads.

Rate and Depth are mode-dependent controls. TAPE Mode is a modulated reverb inspired by the unexpected shifts of a tape machine wobbling. Here, Rate and Depth set the speed and intensity of the lopsided vibrato applied to the reverb signal. COMB Mode is a combination of reverb and delay. Four delay lines are placed after the reverb, and the emphasis on stacked short delays creates comb filters like a fixed flanger. Rate sets the time of all four delays, and Depth sets the feedback (or resonance) of the delay section. PASS Mode is a bandpass filter applied between two reverb paths, where a random sample-hold function sets the cutoff frequency of the bandpass. Rate sets the timing of the sample-hold and Depth sets the range of possible cutoff frequencies. If Rate is set to 0, Depth sets a fixed cutoff frequency.

But the sound shaping adventure doesn't end here. Sunlight also contains a bunch of expressive capabilities performed through the on-board ALT switch, which can be set to change control settings either momentarily or latching. It can be assigned to the Rate, Depth, Decay or Input controls or any combination of the four. You can also control them externally via an external expression pedal, the OBNE Expression Slider or even the OBNE Expression Ramper, which will open up even more creative possibilities.

Dimensions:

Product Height (cm): 5.800
Product Width (cm): 6.600
Product Depth (cm): 12.000
Product Weight (kg): 0.300

Box Height (cm): 7.800
Box Width (cm): 8.200
Box Depth (cm): 14.400
Boxed Weight (kg): 0.453

Notes: ***B-STOCK: Box opened, product in perfect working order***


Microphone absorber system for studio and live applications

Portable absorber/diffusor for studio and live applications
Reduces unwanted room reflections, echoes and ambient noise during vocal and instrument recordings to a minimum
Extendable table tripod
3 folding segments
Sturdy steel frame with high-density acoustic foam

Technical specifications:

Attachment system: 5/8 inch thread
Type (general stands): Microphone stand (desk)

Dimensions
Width: 21 cm
Depth: 20 cm
Height: 38 cm
Weight: 800 g

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Another typically creative offering from the good people at Soma, the Metaconformer is a MIDI router and thru box with some nice touches, including Combiner mode to join monophonic instruments into one big polyphonic patch.

Supplier's Notes:
METACONFORMER is a smart MIDI router and thru box.

The METACONFORMER has 2 independent MIDI inputs and 4 MIDI outputs. One of the outputs can be configured as a sync signal source.

Today METACONFORMER supports 3 modes of processing MIDI messages:

Splitter mode allows you to split the keyboard of one MIDI channel into several zones. Notes from each zone are sent to only one instrument. This allows you to simultaneously play several instruments at once, listen to the interaction of timbres without having to switch the MIDI channel.

Combiner mode allows you to combine several monophonic instruments into one multitimbral polyphonic instrument. This works the same way as a polyphonic synthesizer's algorithm when it activates its voices. Only instead of voices with the same dynamics and parameters, you can play completely different timbres, which greatly expands the possibilities for creating interesting harmonies and rhythms.

Translator mode allows you to play the sound core parameter by pressing notes. Each received note is translated into a CC message corresponding to the desired parameter. This mode allows you to play with sound parameters, rather than simply enter them by rotating the knob. This mode works great with granular delays, resonant filters and paraphonic oscillators.

Power supply: DC +5V via USB
Current consumption: 20 ma max
Dimensions: 148 x 50 x 20 mm
Weight: 0.15 kg

Notes: This module is a 12 ins and 12 outs precision buffered matrix.

It is conceived to be a semi-permanent matrix for medium to big systems, with white silkscreen labels to customize ins and outs names.

Every output has a rotary switch to select an input. This is not a mixer, you can make the same input go through several outputs but not several inputs go to the same output.

There's also a bicolor led next to every output for visual info of the signal that is going through it.

This module allows fast patch changes and easy rerouting signals, both audio and cv.

The last version has matte black & gold panel, and it's equipped with OPA4171 precision op-amps for the buffers.

26 HP
45 mA +12V
45 mA -12V

Notes: This module is a 8 ins and 8 outs precision buffered matrix.

Every output has a rotary switch to select an input. You can make the same input go through several outputs but not several inputs go to the same output.

There's also a bicolor led next to every switch for visual info of the signal that is going thru it.

Allows fast patch changes and easy rerouting signals, both audio and cv.

Can be used as a traditional buffered multiple, pretty flexible one: 1 x 8 outs, 2 x 4 outs, 4 x 2 outs or any other combination.

62 mA +12V
65 mA -12V

Notes: VU meter for eurorack.

BLINKS is a VU meter for eurorack with 24 RGB leds per channel, function is pretty easy, it has 2 inputs, one for each led column (no output).

PATT button changes the led pattern ( 6 patterns to choose ).

SENS button changes the input sensitivity, cycling in 7 steps.

Long pressing the PATT button enters the color scheme selection.

Long pressing SENS button enters the brightness adjustment. Most probably you'll prefer the lowest setting.

The module has a 5v regulator in case you don't have 5v in you eurorack PSU. A jumper in the back select if the led board would be powered by the 5v rail or the internal regulator (which works with the +12v rail)

Up to 3 stereo signals can be connected to a buffered input using the rear headers.

Easy DIY with only a few components, the led board is already assembled.

5v not indispensable
+5v: 30 mA (on lowest brightness)
+12v: 4mA (or ~40mA if 5v rail is not used)

Notes: This is a 3HP version of the Douts module,

A breakout box for the direct outs of the TexMix. Valid for '4StereoChannels' and '4MonoChannels' version 1.5 & 1.6, for earlier channel expander versions some DIY would be required.

Each module has 8 outputs so it could have 2x '4MonoChannels' connected or 1x '4StereoChannels'.

DOUTS has 3 headers on the back, 2 of them are for 4 Mono Channels, the other one, labeled STEREO, is for 4 Stereo Channels.

Notes: This is the main module of the mixer and the only indispensable one, the only one that needs the eurorack power cable. It provides power to all the other modules and contains the summing circuit for all channels in every audio bus.

32 mA +12V
32 mA -12V

Notes: Remote extension module that allows to connect 16 signals (audio, CV, gate or whatever) between large or spread-out cases.

To avoid bleeding, signals are isolated with a ground line between them (both in the ribbon cable and the printed circuit).

The bundle consists in two XT modules and two ribbon cables (1, 1.5 or 2 meters depending on the option selected).

This is a passive module, it does not draw any current.

5 HP

Notes: Remote extension module that allows to connect 16 signals (audio, CV, gate or whatever) between large or spread-out cases.

To avoid bleeding, signals are isolated with a ground line between them (both in the ribbon cable and the printed circuit).

The bundle consists in two XT modules and two ribbon cables (1, 1.5 or 2 meters depending on the option selected).

This is a passive module, it does not draw any current.

5 HP