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Audient iD44 Desktop USB Audio Interface
Cat: 676104 Rel: 28 Jun 18
 
20in/24out audio interface featuring 4 class A mic preamplifiers
Notes: Inspired by our 20 years of expertise in analogue hardware design, iD44 is Audient's most powerful audio interface yet. Featuring four Audient console mic pres, class-leading converters, ADAT expandability and more, iD44 delivers the audio performance of an Audient console on your desktop, giving you the professional sound you deserve.

iD44 features four Class-A console mic pres, the same discrete circuit design found in Audient's renowned recording console the ASP8024-HE and throughout their product range. Designed to deliver ultra- low noise and low distortion, the Audient mic pre will provide an accurate reproduction of your source, along with enough analogue warmth to add a bit of character, making it the go to mic pre for any project.

Hear your audio more accurately than ever with iD44's all new high performance AD/DA converter technology. Next generation converters have been designed to deliver optimised dynamic range, ensuring you hear the most honest and natural translation of your recording. Hear subtle detail, make better mix decisions and experience remarkable clarity from the moment you press play.

As well as offering you 4 channels of mic pre, iD44 has two harmonically rich JFET D.I inputs designed to replicate the input stage of a classic valve amplifier. Simply plug in your guitar, bass or synth whenever inspiration strikes and start recording instantly.

Two fully balanced insert points enable you to integrate your outboard gear prior to conversion, letting you quickly insert your favourite compressors, vintage mic pres or EQs. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard analogue line level sources. Whether you're creating vocal chains or processing stems iD44 gives you the flexibility you need.

Comfort, clarity, confidence - Two Independent Headphone Outputs:

Get the most out of your headphones and your artist with iD44's advanced headphone amp technology. Whether you're tracking an artist or working on a mix, iD44's two stereo headphone amps have been designed to provide enough power for your headphones to perform to their highest potential. Set up two separate cue mixes through iD44s independent stereo outputs, each driven by their own DAC - giving you incredible depth and accuracy at all times.

Console Style Monitor Control - The Power of Simplicity:

Taking inspiration from our heritage in analogue console design, iD44 features a range of flexible monitor control functions including dedicated talkback, cut and dim buttons along with polarity, mono, speaker select and cue mix monitoring.

All monitoring functions can be assigned to three programmable function buttons. No more time spent searching for software controlled features or scrolling through menus, just assign the monitoring functions you need and quickly take control of your session. Real hardware control at your fingertips.

Software you can rely on:

iD44's all new mix focused software the iD Mixer has been designed with simplicity and elegance in mind. Create up to four stereo artist cue mixes, name and customise channels, save layout presets, assign hardware function buttons, quickly setup advanced routing, use presets in standalone mode and more. Tightly integrating hardware and software, the iD Mixer makes the recording process easy giving you total control and reliability where you need it most.

Communication is key:

iD44's new dedicated talkback technology enables you to utilize any audio source connected to your computer such as a built in or USB microphone as your talkback mic, freeing up valuable mic pres while offering an effective talkback solution no matter where you are.

Hardware for your software:

With a touch of a button iD44's volume encoder becomes a virtual scroll wheel, enabling you to take control of your DAW, plug-in parameters and more - just like you're adjusting a piece of hardware. Quickly dial in settings, adjust faders or even write in automation without spending hours staring at a screen.

USB connection:

iD44 comes with both a standard USB cable and a USB Type-C cable enabling you to connect to any USB compatible Mac or PC supporting USB 2.0 or above.

Quality deserves protection:

Unlike many interfaces on the market iD44 has an all-metal construction, meaning it will stand up to those countless late nights in the studio and days on the road. From its hand finished aluminium knobs to its high grade component selection, iD44 matches professional sound with precision engineering and the end result is stunning.
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 5 in stock $466.61
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Beyerdynamic DT990 Pro Headphones (black)
Cat: 386769 Rel: 16 Jul 14
 
Professional acoustically open headphones for monitoring and studio applications
Notes: Modern classics. Open-backed design means they leak some sound but give a really clear impression of your music. Solid option for production work and mixing.

Supplier notes:
The DT 990 PRO is an open dynamic headphone for studio applications. Due to a weight reduction of the diaphragm an excellent sound reproduction quality is achieved. Its rugged design with a spring steel headband ensures a secure fit and withstands all demands. Soft headband and ear cushioning systems ensure a high comfort over long periods of time.

Beyerdynamic's DT PRO headphone series has it's roots in the early 1980s. Since then, millions of audio professionals from all parts of the world have become loyal users of beyerdynamic products. The series has been designed to cater for listening in a wide variety of environments, thanks to different headphone construction.
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Decksaver Akai Pro MPC Live II Standalone Music Production Centre Cover
Cat: 796099 Rel: 18 Nov 20
 
Polycarbonate shell cover for Akai Pro MPC Live II
Notes: Custom engineered in the UK for the Akai MPC Live Controllers, Decksaver's super durable polycarbonate shell protects against dust, liquid and accidental impact. Precision trimmed for an exact fit whilst accommodating cables, your MPC can sit ready for operation. Slides straight into a flight case or bag ready for transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.
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 1 in stock $56.02
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Decksaver Behringer Model D Synthesiser Cover
Cat: 791935 Rel: 04 Nov 20
 
Polycarbonate shell cover for Behringer Model D Synthesiser
Notes: Soft fit protection for your gear. The Decksaver Behringer Model-D Cover, Soft Fit is ideal for protecting your precious synthesizer from the rigours of the tour. This unique version of the Decksaver utilises "Soft-Fit" technology for maximum protection for the wooden panels on the side of the synth.

Decksaver covers provide great protection from dust, liquid, and accidental impact - using them means you get ample security from the dangers of the road. Don't settle for less.

Please note: The Behringer Model D Synthesiser is not included in this purchase. It is shown for demonstration purposes only.

Weight: 0.32kg

Dimensions (LxWxH): 33.3 x 14.2 x 6.4 cm
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MRP:$61.86 SAVE 22%
 2 in stock $48.18
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Doepfer A-106-6 XP Multimode Filter Module
Cat: 692508 Rel: 19 Jun 18
 
Multimode filter based on the filter circuit of the Oberheim Xpander - 12HP
Notes: Module A-106-6 is a multimode filter that is based on the filter circuit of the Oberheim Xpander. The module features 15 different filter types (those filters of the A-107 that were available in the Xpander) with 8 filters available simultaneously. The toggle switch Filter Group is used to switch between 2 filter groups.

These filter types are available:

- 1L (6 dB low pass)
- 2L (12 dB low pass)
- 3L (18 dB low pass)
- 4L (24 dB low pass)
- 1H (6 dB high pass)
- 2H (12 dB high pass)
- 3H (18 dB high pass)
- 2B (6 dB band pass)
- 4B (12 dB bandpass)
- 2N (notch)
- 3A (allpass)
- 2H1L (asymmetrical band pass made of a 12 dB high pass and a 6 dB low pass)
- 3H1L (asymmetrical band pass made of a 18 dB high pass and a 6 dB low pass)
- 2N1L (combination of notch and 6 dB low pass)
- 3A1L (combination of allpass and 6 dB low pass)

The module features voltage-controlled resonance. For filter group 2 (2L, 4L, 2B ...) even self-oscillation is possible.

All standard VCF controls are available: manual filter frequency control Frq, one control voltage input with attenuator (FCV2) and one without attenuator (FCV1, ~ 1 V/octave). In addition, voltage-controlled resonance with manual control (Q) and a CV input with attenuator (QCV) are available.

The circuit is based on a 24dB lowpass filter. The outputs of the four internal filter stages (i.e. the 6, 12, 18 and 24dB outputs) are mixed together with different levels and polarities to obtain 15 different filters. Because of this special circuit the outputs have slightly different levels and noise floor. This is caused by the different internal amplifications and numbers of stages that are required to generate the filter in question. If e.g. a filter is derived by one stage only (e.g. the 6 dB, 12dB, 18dB and 24dB low pass) the noise floor is smaller compared to a filter that is derived by a combination of all four filter stages.
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 1 in stock $147.90
Doepfer A-111-3v Micro Precision VCO & VCLFO Module (vintage edition)
Cat: 692518 Rel: 18 Jun 18
 
Analog VCO/LFO module with wide frequency range - 4HP
Notes: The Micro Precision VCO is a space-saving and utterly precise analog VCO/LFO with a extremely wide frequency range, immaculate tracking over at least ten octaves and nearly perfect waveforms.

Basically, it's the same circuitry like the High-End VCO A-111-2 but with reduced functions and controls. It is suitable as a modulator for exact linear FM and much more.

The A-111-3 has two elements for setting the frequency: A switch selecting between LFO and VCO mode as well as a tune control with a jumper-selectable range:

- Jumper position 1: 16Hz to 20 kHz
- Jumper position 2: 16Hz to 70Hz
- Without jumper: 16Hz to 22Hz

The XM potentiometer can be used as a fine tune control as long as nothing is patched to the XM socket.

The oscillator has a frequency range of at least fifteen osctaves (0.0001 - 40 Hz in LFO mode; 0.5 Hz to 20 kHz in VCO mode) and offers perfect 1 V per octave tracking over ten octaves minimum, typically in the range of 20 Hz to 20 kHz. Frequencies below 25 Hz are visualized with a two-colour LED.

The 1V per octave input is accompanied by two FM inputs, one for linear and one for exponential frequency modulation. A jumper determines whether the module obtains pitch CV via the internal bus.

The VCO has a triangle core from which sawtooth, pulse and triangle are derived. The wave forms are almost perfect and sans glitches.

The pulse width can be set with a control from 0 to 100% and of course it can be modulated.

There is one input for oscillator synchronisation and its type, either hard or soft sync, is jumper-selected. Both types differ in sound with the hard sync being more aggressive and richer in harmonics.
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 1 in stock $153.51
Doepfer A-135-4A/B VC Performance Mixer Module (A+B)
Cat: 671608 Rel: 29 Nov 17
 
Voltage controllable performance mixer module package
Notes: Series A-135-4 contains several modules which are used to built a voltage controlled performance mixer. The modules of the A-135-4 series can be combined with the (non voltage controlled) mixer modules A-138o/p.

A-135-4A:

A-135-4A is the main module. It is very similar to module A-138p, but with voltage control for all parameters (except gain). Also the front panels of A-135-4A and A-138p are very similar. The only difference are the additional LEDs which are used to display the magnitudes of all voltage controlled parameters. This is necessary because the positions of the manual controls do not necessarily correspond to the resulting parameter value because these are composed by both the manual controls and the applied external control voltages (via A-135-4B). Without LEDs one would be left in the dark in regard to the actual parameter value.

A-135-4A contains four high quality voltage controlled amplifiers (VCA) for each channel: one for the main level, two for panorama left/right and one for aux. The control scales for all parameters are linear. Altogether 16 VCAs are included in the module. High end linear VCAs manufactured by Curtis/USA are used (CEM3381). The 16 LEDs display roughly the amplification of the VCA in question.

Module A-138o is used as output module for the A-135-4A. A-135-4A and A-138p can be connected together to the same A-138o to obtain e.g. four fully voltage controlled channels (A-135-4A) and four manually controlled channels (A-138p).

A-135-4B:

This module is used to route the 16 external control voltage to the main module A-135-4A. These control voltages are available for each channel:

- Level (main loudness)
- Panorama
- Aux
- Mute

Each control voltage has an input socket and a polarizer control available (the polarizer function is described more detailed on the A-138c info page). That way it's possible to adjust the depth and polarity of the external control voltage which affects the parameter in question. If the same CV (e.g. LFO or ADSR) is used e.g. for two panorama control inputs the result may be the opposite if the polarizers are adjusted accordingly (i.e. one positive and the other negative). The external control voltage is added to the voltage that is generated by the manual control on the A-135-4A main module. The sum of both voltages is used to control the VCA in question and is displayed with the corresponding LED on the A-135-4A module. The picture on the left side below shows one channel of A-135-4A/B as block diagram.

The mute CV input works in principle in the same way as the level CV input but with reverse polarity and higher sensitivity (about factor -2). Typically, the mute polarizer control is adjusted fully CW. Then a (gate) voltage of ~ +2.5V or more fully mutes the channel in question. If the mute function is not used the mute CV input can be used as a second CV input for level (with twice the sensitivity and inverted polarity compared to the normal level CV input).

A-135-4A and A-135-4B are connected internally via a 20 pin ribbon cable. The cable can be longer so that the CV input module A-135-4B needs not to be mounted next to the main module A-135-4A (e.g. to the row above or below).

Modules A-135-4A and A-135-4B are available only as a module combo because the single operation of each module does not make sense!
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Earth Quaker Devices Aqueduct True Pitch Vibrato pedal
Cat: 781154 Rel: 14 Jul 20
 
Vibrarto pedal
Notes: Aqueduct is a vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind's eye.

Controls
The controls are simple. Rate (1) adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth (2) controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode (3) selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation and make Aqueduct adaptable to nearly any musical situation.

Modes
Sine: The smoothest and most subtle of all waveforms, sine waves are most commonly associated with classic amp-like vibrato. Plug in, turn on, and commence the Chooglin'.

Triangle: Triangle waves have a sharper rise and fall than sine waves with a more pronounced pitch bend at the peak of each LFO cycle.

Ramp: Like a triangle wave with a twist. The Ramp waveform has a sharp sonar pulse followed by a rapid downward slope with a synthesizer-like sustain and release. This is where things start to get a little weird.

Square: Square waves are the most rigid and abrupt of the waveforms. Rather than gliding smoothly between pitches, square waves produce an instant on-or-off transition between notes. Use this mode for trills when you get tired of doing hammer-ons and pull-offs.

Random: This waveform isn't a waveform at all as much as it's a drunken master of modulation who slurs your notes into an unpredictable assortment of greasy pitch-bends before disappearing at last call and leaving you stuck with the tab. It has a "warped record" effect at low Depth settings and becomes sloppier and more randomized as you increase the Depth control.

Env D: This is Envelope-Controlled Depth mode. The waveshape is set to a sine wave, the speed of which may be adjusted using the Rate control. The Depth control sets the sensitivity of the envelope - the point at which the effect kicks in as you play. In this mode, your pick attack sets the intensity of the modulation. The harder you dig in, the more pronounced the effect. Try it during your next motorik jam.

Env R: This is Envelope-Controlled Rate mode. In this mode, the input level (i.e. pick attack) controls the LFO rate. The LFO uses a sine waveshape. Play harder for faster modulation or lay low for slower modulation speeds. The Rate control adjusts the sensitivity of the envelope. Depth selects the LFO intensity.

Env P: This is Envelope-Controlled Pitch mode, which has been lovingly nicknamed "The My Bloody Valentine setting". If your instrument doesn't have a tremolo bar, it does now. In this mode, the LFO is set to a sine waveshape, and frequency modulation is controlled by the dynamics of your pick attack and not the LFO. Do yourself a favor and try this one with Flexi-Switching™.
Depth sets the wet/dry mix. This is the only mode that contains a wet/dry mix and may be set to taste to create touch-sensitive dynamic vibrato, chorus, flanger, or tactile pitch drops. Full counterclockwise is all dry, full clockwise is all wet. With this control set to noon you will get a 50/50 mix with a small amount of phase cancellation.
Rate sets the sensitivity and overall range of the pitch bend.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 68 mA

Input Impedance: 1 MO

Output Impedance: <10 kO
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KMA Audio Machines Cirrus Ice Limited Edition Delay & Reverb Effects Pedal
Cat: 798745 Rel: 10 Nov 20
 
Delay & reverb effects pedal
Notes: KMA have dressed up their top selling Cirrus, a little soundscape helper pedal, in a fitting ice-blue finish so you can send your sounds into the stratosphere in style! Filled with crystalline arctic delays, glacial atmospheric reverbs and dynamically evolving modulation, Cirrus ICE will make every note played snowball into a true sonic wonderland.

Only 200 units of the Cirrus ICE - Spatial Temporal Modifier will be made available in this limited cool as ice colourway. So, if you want something sonically mesmerising and visually stunning to grace your annual winter board, then now is your chance!

Cirrus ICE is a truly special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space. Made up of a Delay side and a Reverb side, both sides of Cirrus ICE sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it's time to jump down the sonic wormhole!

This little Spatial-Temporal Modifier gives you three different Delay AND Reverb modes, which all sport a special dynamic feature that is controlled by your picking attack. This enables you to create sounds that are certifiably out of this world! To set the sensitivity of how the sound reacts, every section has its own sensitivity control.

The different Delay and Reverb modes cover vastly different modulated areas.

Modulated Delay Mode (MOD) fluctuates the Delay signal for a dynamic dancing tape echo-inspired modulation that'll deliver everything from subtle sways, to crazy pitch-bends. The Sample & Hold Mode (S/H) adds a sequencer-like filter in front of the Delay line, perfect for synthy textures. Play softly for subtle filter action or hit it hard for more pronounced electro-vibes. The third Delay Mode (OCT) blends in a high octave as your notes decay for unique shimmery dimensions, shining through like tiny stars in the cloudy night sky.


Over to the Reverb section, Modulated Reverb Mode (MOD) will decorate your trails with silky smooth movement, whereas the two other Modes deliver either an opening Low-pass Filter (LP) or a closing High-pass Filter (HP). The harder you pick the more the Low-pass will open up and bring in those shimmering highs, as if you're opening and closing portals to far away galaxies simply through your playing. Contrary to that, the closing High-pass will cut your lower frequencies when picking harder which will create cool lo-fi textures. However, the ambient party doesn't stop here!

Engage Cirrus ICE and ride the atmospheric high clouds. But be aware - there's a big chance you'll get lost in its stunning beauty for hours when up there!


A big part of creating a signature sound comes from your pedal order and we know that a lot of you like to get creative there. Well, the Cirrus obliges! Set the Order Toggle to "Reverb" to run the Delay into the Reverb or flip it to "Delay" to switch it the other way - either direction will give you worlds of inspired soundscapes. You even get another Toggle Switch to set the Delay Tap subdivision, so you can get the right rhythms rolling fast. Toggles are awesome!

Now, on to the footswitches - Tap-Tempo on the left (neat!) and the much-needed Bypass Switch on the right (classic!). But wait, we actually made these stompers cool - the humble Bypass and Tap-Tempo Switches are suddenly full of additional creative secrets!


Besides the standard latching mode, the Bypass Switch offers some cool, yet creative and simple to use options. When the pedal is off, you can engage the pedal momentarily by holding the Switch down for sudden bursts of ambience. When the pedal is on though, holding down the Switch maxes out the Decay, jumping you straight into infinite reverb wonderland. You can also hold down the Tap-Tempo Switch to max out the repeats for infinite echoes. Plus, you can even hold down BOTH at the same time to enter an endless cascading dream state!


KMA have also equipped Cirrus ICE with an Expression Pedal input (standard TRS connection) and a Selector Switch, giving you complete hands-free control over whatever key parameter of Cirrus you want. In addition, an internal switch can turn the Reverb and Delay trails on or off to taste, plus the individual Reverb and Delay mix controls help to tailor your sound exactly as you see fit.


As the final piece of the tonal puzzle, KMA added a Serial FX-Loop, letting you put any pedal in front of the Delay/Reverb line, to further flavor your own signature sound.


Engage Cirrus ICE and ride the atmospheric high clouds. But be aware - there's a big chance you'll get lost in its stunning beauty for hours when up there!
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MRP:$240.70 SAVE 18%
 3 in stock $197.21
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Korg Minilogue XD 4 Voice Polyphonic Hybrid Keyboard Synthesiser
Cat: 715952 Rel: 21 Mar 19
 
4-voice analogue synth with deep digital multi-engine
Notes: One of our favourite synths of 2019 and still amazing value. Analogue meets digital, offering hugely versatile sound in the same compact, user-friendly format as the original Minilogue.

Supplier's notes:
An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.

In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.
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 6 in stock $545.72
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Mad Professor Big Tweedy Drive Pedal
Cat: 635225 Rel: 03 May 17
 
Drive effects pedal for guitars
Notes: Big Tweedy Drive pedal is voiced after a super rare High Powered Tweed Twin amp. The pedal gives you the highly sought-after vintage tone that has big fat punchy midrange and sweet gnarly bite like the late 50 's American amplifiers.

Like the big vintage tweed amps, the Big Tweedy Drive has the same tactile dynamics and touch sensitivity players are raving about: adjust the amount of gain with your picking attack or the guitar volume. This makes the pedal fit into a surprisingly broad range of genres: jazz, blues, rockabilly, country and rock 'n 'roll.

The pedal stacks very well too, so you can find the more saturated and higher gain tones by placing a booster or an overdrive in front of the Big Tweedy Drive for extra gain and sustain. Or you can place the Big Tweedy Drive in front of a clean amplifier or boost an already distorted amp.

The tone controls help you to fine tune your tone when using the pedal with different guitars and amplifiers.

VOLUME: Sets the output voltage.
GAIN: Adjusts the amount of distortion.
TONE: Adjusts high frequency tone. Adjustment range is from significant high frequency cut to slight high frequency boost. The wide spectrum Tone control can either soften the tone or add some brightness to your straight signal.
PRESENCE: You can fine tune the shimmer and cut with Presence knob that adjusts the upper high end.

Turn both TONE and PRECENSE knobs down for a mellow fat tone or turn them up for a bright cutting rock tone.

The pedal cleans very well from the guitar volume pot and thanks to the finely balanced compression the volume level will be adjusted just the right amount.

- Current consumption 10 mA at 9VDC
- Supply voltage range 7.5V to 12V (9V recommended, the sound of the pedal depends on supply voltage)
- Input impedance 220kOhm at 1kHz
- Output impedance 1kOhm
- Complete bypass (true bypass)
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 1 in stock $169.20
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Mad Professor Twimble Simble Overdrive & Predrive Pedal
Cat: 638225 Rel: 03 May 17
 
Simble Overdrive & Simble Predriver in one stompbox
Notes: The Twimble is a combination of the Simble Overdrive and the Simble Predrive. Both of the drives have been tailored slightly in order to achieve an even more organic tonal result. As you turn the contour fully clockwise, you will notice the overdrive section now features enhanced clarity with a sparkling top end. The Predrive section has additional sweet compression. This results in a pedal with a more 3-dimentional tonal feel and it is even more easy to slide between clean and overdriven guitar tones, which can easily be controlled by your guitar volume. In addition, you will notice more warm sustain to ease playing.

Naturally, both drives sound excellent on their own, on both single-coils and humbuckers. And when activated together they really make you flow.

The Mad Professor Twimble pedal allows you to be the foundation of the tone. With the Twimble pedal, your picking attack, your guitar and the pickups you have chosen will retain their character, keeping your valuable original sonic footprint intact.

Controls:

SENSITIVITY: Amount of distortion and compression.
LEVEL: Output level.
ACCENT: Pick attack and brightness.
CONTOUR: Brightness of the output. (Darker when you adjust CCW)
HOT/COOL: +10db or +6 db boost.
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MFB Tanzbar 2 Analogue Drum Computer & Bass Synthesiser (B-STOCK)
MFB
Cat: 788032 Rel: 07 Mar 19
 
B-STOCK: Slight surface marks
Notes: ***B-STOCK: Slight surface marks ***


Analogue-focused drum machine and synth from a consistently innovative German brand. Great sound and extensive programming capabilities for studio and stage.

Supplier's notes:
The Tanzbar 2 is a further development of the successful Tanzbar with a slightly different concept. Here, in addition to the LCD display, emphasis was placed on a hybrid structure, which allows the sounds to be selected more versatile, and the bass voice has also been upgraded to a fully-fledged synthesizer.

The drum machine features 7 analogue percussion instruments, an analogue bass synthesizer, 3 digital sample voices with analogue multifilters and 10 sample instruments, of which 2 instruments share a sample voice. The samples can be exchanged via a free tool offered on our website and allow everyone to have their own personal drum sound. The sample memory contains around 300 seconds for 208 samples.

Also noteworthy is that each instrument has its own LFO (replaces the "Bend function in the predecessor Tanzbar) and thus does not stand in the way of diverse modulations. The sequencer has chase programming and can store 100 patterns. The patterns can be chained via "CHAIN" and have up to 64 steps (A / B / C / D). Furthermore, 16 different Flames can be programmed, multiple triggers are a breeze. The plumb line can be adjusted individually for each instrument, making it easy to realize polymetric grooves. 32th, 16th or 16th / 8th triplet is adjustable as a metric.

There are 4 different Accente available by instrument. The sound parameters can be recorded by step recording. Two tracks appeal to external Midi instruments, practically, no external sequencer needed! The shuffle can be individually or globally regulated in strength. Step programming also sends Midi Out and of course can control other sound sources.

The drum computer can be synchronized via USB or MIDI via Midi Clock. In addition to a master volume, each instrument has its own volume slider (except for four sample voices where this is controlled via the endless dial) and the mute button mutes the individual instruments. There are 12 single outputs (mini jack) and a stereo output (large stereo jack) available.
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 1 in stock $940.31
Mutable Instruments Tides Tidal Modulator Eurorack Module
Cat: 569585 Rel: 30 Jun 15
 
Tidal modulator signal generator Eurorack synth module - 14HP wide
Notes: Tides is all about waves that go up and down, from minute-long cycles to audio rates... This module is Mutable Instruments' unique take on the looping AD envelope generator - pushing this well-known trope to unknown territories.

The core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and "bounces" to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.

Tides' advanced features include:

- Output level CV input (digital VCA).
- Dual outputs: standard unipolar waveform, and "double-shot" waveform with a positive spike during the ascent and a negative spike during the descent. At audio rate, both of them have a different sound.
- Accurate V/Oct tracking with straightforward calibration procedure.
- Freeze input to temporarily hold the waveform.
- Clock input to lock onto a multiple or fraction of a trigger sequence... or audio signal, PLL-style.

*For audio demos, please visit - http://mutable-instruments.net/modules/tides/demos
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 3 in stock $194.97
Old Blood Noise Black Fountain Delay V3 Oil Can Delay Pedal With Tap Tempo Effects Pedal
Notes: It's time to bathe your tone in liquid sonic gold again! With the Black Fountain Delay V3, Old Blood Noise Endeavors take their iconic oil-can delay emulation and greatly expands on it.

Heavily increased delay time (around 1 sec), Tap Tempo, subdivisions, programmable expression control and momentary infinite feedback, are all new features that will make the pedal's warm and drippy vintage tones perfectly echo the wants and needs of modern-day musicians.

The Black Fountain was the pedal that started it all for Old Blood Noise Endeavors. Just like the company has rapidly evolved over the years, it's time for their firstborn to take a step up the evolutionary pedal ladder.

In the V3, first the delay time has been greatly expanded, which now almost reaches a full second in Modern and Vintage modes. These modes emulate the echoes of units like the Fender Echo-Reverb, Tel Ray Model 10 and Morley EDL, but the Black Fountain lets you go far beyond the echo potential of those classic units. With your standard delay controls like Time, Feedback and Mix and the unique Fluid control, which introduces wobbly modulation into the echoes, you can sculpt anything from vintage slapbacks, long sonar-like ambient trails, warbly fluctuating textures and short reverb-like sounds. You can even conjure gritty lo-fi tape modulation and saturation when using Vintage mode, since it's slightly dirtier and grainer than Modern mode.

On the other hand, Organ mode was designed to emulate short-delay oil-can units like the Tel-Ray Deluxe Organ Tone and Fender Dimension IV, hence it sports a fixed delay time of 211 ms and gives you greater control to sculpt the modulation. In this mode, Fluid controls the modulation rate, Time sets the modulation depth and Feedback controls the length of the trail.

With the addition of Tap Tempo and three different subdivision modes to the pedal, it's become super easy to keep those Modern and Vintage echoes rolling tightly in time with the music. While in Organ Mode, Tap Tempo allows you to instantly set the speed of the modulation on the fly. But the fun doesn't stop there! Simply press and hold the Tap Tempo switch and hear your echoes stretch out into a warm sonic blanket of awesomeness, as the delay feedback momentarily gets maxed out. Great for ambient pads, reverb-like swells, sound-on-sound textures and delay drones.

Finally, the expression input has become super clever, as you can now program the heel and toe positions of your sweep. This lets you minutely change the position of either the Time, Feedback knob or both at the same time, effectively letting you jump between two perfectly preset delay tones, just by rocking your foot.
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MRP:$281.04 SAVE 20%
 1 in stock $224.11
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Rode HJA-4 3.5mm To 1/4 Inch Headphone Adapters For Rodecaster Pro Podcast Production Console (set of 4)
Cat: 781299 Rel: 13 Jul 20
 
Headphone adapters for RØDECaster Pro
Notes: The HJA-4 is a pack of four high-quality adaptors for converting headphones with 3.5mm plugs (as used on most consumer devices) for use with equipment that has the larger 1/4" headphone sockets. They are particularly suitable for connecting headphones to the RODECaster Pro and the AI-1.

Dimensions (mm):
45mm W x 10mm H x 10mm D (each)
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MRP:$16.14
 2 in stock $15.41
Rode NTG5 Supercardioid Shotgun Microphone Location Recording Kit
Cat: 753829 Rel: 10 Dec 19
 
Moisture-resistant short shotgun microphone with professional-level features
Notes: The NTG5 is a short, ultra-lightweight shotgun microphone ideal for use in the most demanding recording applications. Featuring a revolutionary acoustic design with circular ports replacing the linear slots found in other shotgun mics, it offers unmatched transparency and a more natural, uncoloured sound. Combined with a tightly controlled frequency response, smooth off-axis response, and very low self-noise (just 10dBA), the NTG5 sounds spectacular in a wide variety of applications, particularly location recording and demanding filmmaking scenarios where superlative audio is the imperative. No excuses.

The NTG5 is a boom operator's dream, weighing a mere 76g and measuring just over 20cm, making it ideal for use on long, demanding shoots. It also features RF-bias circuitry to ensure reliable performance in adverse environments, with excellent resistance to high humidity, severe cold, damp, and dust. The perfect location recording mic.

Revolutionary Acoustic Design:

The NTG5's body design has been completely overhauled, with circular acoustic ports replacing the linear slots found in other shotgun mics. The revolutionary design - the result of many months of specialised testing - delivers unmatched acoustic transparency, and a natural, uncoloured sound that will sound superb in a wide variety of applications.

A Boom Operator's Dream:

The NTG5 features a short, super-lightweight aluminium body (just 76g!), making it one of the most compact professional shotgun mics out there - a dream for boom operators who find themselves on long shoots, or filmmakers and sound recordists looking for a more portable and lightweight rig that delivers broadcast-grade audio.

The Perfect Location Recording Mic:

With a tightly controlled frequency response, low self-noise, highly directional supercardioid polar pattern, and smooth off-axis response, the NTG5 sounds spectacular in a wide variety of applications, while RF-bias technology and conformal coating ensure superior performance in harsh environmental conditions. It's the perfect mic for location recording and demanding filmmaking scenarios where superlative audio is imperative. No excuses.

Includes:

1 x NTG5 Microphone
1 x PG2-R Grip
1 x WS10 Windshield
1 x ZP1 Small Pouch Bag
1 x RM5 Microphone Clip
1 x PG2-R Pro Cable
1 x Foam Windshield
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MRP:$630.66 SAVE 24%
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Steinberg Cubase Pro 11 Upgrade From Cubase AI Music Production Software (boxed)
Cat: 800404 Rel: 17 Nov 20
 
Boxed music production software
Notes: Do you want to start creating your own music, bring your production up to a professional level, or streamline your workflow for short deadlines? Whatever you need, Cubase helps you to reach your full creative potential. From Hollywood blockbuster composers and Billboard Hot 100 producers right through to keen beginners, the world of music production trusts the comprehensive feature set, straightforward tools and unrivaled sound of this acclaimed music production software.


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MRP:$344.24 SAVE 21%
 1 in stock $273.04
Tascam DP-32SD 32 Track Digital Portastudio
Tascam DP-32SD 32 Track Digital Portastudio (digital multitrack recorder)
Cat: 546486 Rel: 06 Oct 14
 
Digital recorder with simultaneous 32 track playback and SD card compatibility
Notes: Tascam's DP-32SD Digital Portastudio records an unmatched 32 tracks to solid-state media. Up to eight tracks can be recorded at a time through its combination XLR and 1/4" combo jacks. Input processing like compression and limiting are available during recording, as well as guitar amp simulation and multi-effects for use with the instrument-level input. A color LCD and channel strip knobs make mixing fast and creative. With its great sound, powerful features and easy operation, the DP-32SD is Tascam's biggest Portastudio yet.

The DP-32 has 12 selectable tracks between MONO or STEREO. Use a STEREO track for recording synthesizer, or set the track to MONO when recording guitar or vocal. Not only that, you can create ideal settings for each track. (set #9 to #12 STEREO, then set #13 to #22 MONO) If all tracks are set to MONO the DP-32 becomes a 20-track multi track recorder.

The DP-32, even with the high number of tracks, is one of the easiest multi-track recorders in the market to use. The The DP-32SD has 20 track-faders and one master fader. You can control any track with ease.

The DP-32SD has a 3.5" LCD screen and select self-illuminated buttons, making it easy to view your entire creative process. Some of the illuminated buttons include (SOURCE, SELECT, REC, MUTE).

The DP-24/32 have similarly employed rotary knobs to control qualities such as EQ, Effect Send and other related features.

The DP-32SD uses SD/SDHC media. These cards provide secure shock resistance due to the absence of any moving parts. The file format in the DP-32SD is FAT 16 or 32. You can transfer the recorded files to your computer via USB.

The DP-32SD has 8 XLR-TRS combo inputs. You can record up to eight sources at one time.

The equalizer for each track and each input are independent from other effects. Record like any professional studio with EQ for each individual track.

Use up to 8 dynamics effects at once, one for each input source. For example, utilize the built-in compressor effect for your bass, guitar and drums tracks. In addition, the DP-32SD have multiple guitar and mixing effects.

The DP-32SD is equipped with mastering effects for finihsed-sounding mixes. There is no need for computers when recording and mixing. The mastering effects section includes a Multi-Band Compressor, EQ, Noise-Shaping Dither, and a Normalize Effects. You can create a high-quality 2-track master file for transfer to your computer to burn a CD or share online.

The headphone amplifier provides easy monitoring in loud environments such as a rehearsal studios or live performance.
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MRP:$786.65 SAVE 36%
 1 in stock $503.15
Vermona PerFourMer MkII Quad Analog Synthesizer (CV/gate option)
Cat: 439571 Rel: 22 Mar 12
 
4 voice analogue synthesiser with CV/gate
Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.
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MRP:$1,854.34 SAVE 29%
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Yamaha AG06 Compact 6 Channel Mixer With USB Audio Interface & Cubase AI Software
Cat: 561589 Rel: 02 Apr 15
 
Multi-purpose mixer for gamers, vloggers and music producers
Notes: Combining Yamaha's mixing, DSP (digital effects) and audio interface technologies into one easy-to-use unit, the AG03 is perfectly designed for podcasters, gamers and music producers - and it's Mac, Windows and iOS compatible.

AG is a multi-purpose, high-resolution mixer and USB audio interface designed to elevate the creative, audio experience for webcasters / podcasters, gamers, mobile musicians, music producers and more...

The Yamaha AG Series offers high-resolution (24-bit/192kHz) audio recording and playback, iOS compatibility and battery operation.

A key feature of the AG Series is the intuitive 'TO PC' switch that allows users to select which inputs are routed back to a computer or iOS device. Selecting Dry CH 1-2 allows the computer or iOS to record inputs 1 and 2, while the INPUT MIX switch routes all inputs to the computer or iOS device via USB for standard music production applications. The LOOPBACK function in the TO PC section, which is perfect for podcasters, routes all inputs to the stereo USB output, along with the USB input from the computer. This makes mixing mics and instruments with music beds, sound effects or the audio from computers and iOS devices a breeze.

Gamers are also able to adjust their sound in real-time with the included headset interface and hardware controls, removing the need to open a software control panel. The AG is the perfect tool for creating videos on sites like Twitch.tv.

Unlike USB audio interfaces which typically rely on software to control routing, effects and monitoring, the totally new AG series eliminates the need for software and brings easy-to-use routing and DSP controls to the front panel. All of this is combined with high resolution 24-bit, 192kHz audio.

The AG series also features the acclaimed high-quality Yamaha D-PRE microphone preamps and onboard DSP effects, along with an AUX input for additional music source - such as an iPod. The inclusion of a foot switch input means that performers can add a footswitch to kill the FX on a mic channel when talking between songs. Separate headphone/monitor volume controls are perfect for gamers who share videos. The layout brings hidden or difficult-to-find software controls to the front panel with easy-to-use faders, knobs and switches. 1-TOUCH DSP makes it easier than ever to get professional sound quality.

The AG06 features six channels: a main input optimised for vocals with a D-PRE studio-quality mic preamp, a second flexible channel for another mic or a guitar and two stereo inputs for keyboards or other line level sources. The flexible second channel features 1-TOUCH AMP SIM DSP for great guitar tone at the touch of a button. The three-channel AG03 features a single 60mm fader for the main input with D-PRE mic preamp and a Hi-Z input that allows direct connection for guitars and basses.
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