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Review: A new project based out of Copenhagen - Aether's Spring comes shrouded in mystery but makes a bold statement with this first transmission. WATER: Dancing Moon 12" leads in with "House In Blue Rain," a downcast track bathed in melancholic pads and blown out percussion around a steady 4/4 tick. "Dancing Moon" is a more kinetic affair that works with all kinds of synth shapes alongside some primal drum machine percussion that lends the track a new wave quality that suits it just fine. Closer "Throne Of Clay" spreads across the B side in a brooding, journeying epic fit for the likes of classic James Holden or a more wave-minded Jon Hopkins.
… Read morePlayed by: M50, Juno Recommends Electro
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Ilija RUDMAN feat ANDRE ESPEUT
In Her Eyes EP/Presence Mix (1-sided 180 gram vinyl 12" limited to 300 copies)
Cat: IMO 005. Rel: 16 Jan 17
Deep House
Review: Croatian mainstay Ilija Rudman had a productive 2016 thanks to turns on Chit Chat, Burek and Double Deer, and he turns to his own Imogen Recordings to kick off the new year with a brooding, drum-focused hit of oddball house music for the trippy, paranoid end of the night. The "Presence Deep Dub" mix of "In Her Eyes" is a multi-faceted jam, using high-end processing matched with organic, instinctive percussion to make for the kind of workout that will inspire all manner of curious reactions from the floor. It's a track more than strong enough to stand proud as a one-sided 12", with the crossover appeal to land in a whole host of different bags.
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Review: Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of
a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied
approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the
tracks, but these are anything but straight-forward songs.
Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases
on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band
releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will
follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us.
Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed
chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment
while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility,
bringing a necessary balance to the frequency range.
Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the
album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live
performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.
… Read morea creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied
approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the
tracks, but these are anything but straight-forward songs.
Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases
on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band
releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will
follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us.
Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed
chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment
while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility,
bringing a necessary balance to the frequency range.
Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the
album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live
performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.
Played by: DAVIS [BR], Juno Recommends Experimental
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Review: Few techno producers can claim to have released material on quite as many well-loved labels as Jeff Derringer. This appearance on Lantham Audio comes on the back of releases for M_Rec, Perc Trax and Soma, amongst others. It features two original cuts - the acid-fired, broken techno psychedelia of "Departure", and the driving, intergalactic intensity of "Human Moments In WWIII" - with accompanying remixes. The first of these revisions comes from Shifted, who drags "Departure" further towards moody minimal techno territory. Arguably even better is Giorgio Gigli's version of "Human Moments In WWIII", which is a no-holds-barred acid techno onslaught.
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Review: Cynic return after a years heitus with a couple tracks from label boss Felix Dickinson. Meat and potatoes by Mr.Dickinson and additional noodles from Robin Lee. Acidic dance music for your feet.
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Cat: LC 11. Rel: 07 Aug 99
Techno
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Review: More commonly known as Meschi, Scottish producer Paul Mitchell returns to the excellent Tabernacle label with the synth driven Dichotomy Pt.1. Since debuting on Tabernacle with the fantastic 2012 EP An Expedition, Mitchell has launched his own ambient cassette label, Elephant Recordings, which in less than a year already stands at nine releases and his experimental side is explored further on this four track 12". Allegedly the first in a series of releases on Tabernacle from Mitchell, Dichotomy Pt.1 demonstrates the producer is more than capable of turning out mind-expanding free flowing soundscapes of lush of atmospheres and contrasting moods. Expect submerged industrialisms and bubbling menaces reminiscent of Yves De May and 80s-styled dance arpeggios blended with softer, cosmic synths. Wonderful stuff!
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Cat: CITY 1051. Rel: 28 Oct 16
Funky/Club House
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Cat: SCC 50155. Rel: 01 Jan 90
Rock (All)
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Larry HEARD presents MR WHITE / PETE DOYLE presents THE ROCK SOLID ALLSTARS / BASEMENT JAXX / STACY KIDD feat XL / OUTLINES / AUDIOWHORES / ROLAND CLARK / PASTABOYS / MR V
Defected In The House Eivissa 2007 (double 12")
Cat: ITH 21LP2. Rel: 15 Jun 07
Funky/Club House
Played by: Vincent Inc
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Marc EVANS / MARK GRANT feat RUSSOUL / DENNIS FERRER feat MIA TUTTAVILLA / OSUNLADE feat DIVINE ESSENCE / SPENCER GRAY / SHUYA OKINO feat DIVINITI / SOUL CREATION feat KENNY BOBIEN / II PADRINO'S feat JOCELYN BROWN
Defected In The House Eivissa 2007 (double 12")
Cat: ITH 21LP1. Rel: 15 Jun 07
Funky/Club House
Played by: James Ornate
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ATFC presents ONEPHATDEEVA / JOHNNY CORPORATE / BOB SINCLAR / KARIZMA / SOUL VISION / KINGS OF TOMORROW / MINISTERS DE LA FUNK / JULIE MCKNIGHT
Wax Wars #1 (double 12")
Cat: WAXW 01LP1. Rel: 02 Nov 05
Funky/Club House
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Review: Gritty Northerners, Smoove & Turrell release their 'credit crunch' stepper and third single, 'Beggarman'; lifted from their acclaimed debut album, 'Antique Soul'. With some incredibly funky and feelgood mixes from Crazy P, Basement Freaks and Smoove himself, Beggarman's uplifting call to party has never been more relevant. Already notching up plays with Radio 6's Craig Charles, and starting to pick up plays for the band's first video; Beggarman, Smoove & Turrell's retro right-now energy is infectious. Beggarman's original story-telling, 60s soul-talking vibe kicks back with some great horns and yeah yeah refrains. Crazy P turn up the wah wah power with a shimmering 70s influenced ride that strips back the vocals and creates a stone-cold groove workout, complete with 80s disco keys, perucssion and dubby fx. Smoove's remix goes back to early sampling days with its funky melange of breaks, beats and a big chorus that lifts into a really swinging set. Rounding things off the Basement Freaks keep the phat funk flowing with their rippling jam. Out now on Jalapeno.
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Review: Cocktail d'Amore Music returns from a short hiatus with a new release from Russian producer TMO. The three tracks are tied together by a propensity for heavy rhythm construction and distorted acid lines, executed to great effect. Opening with "Last Moment Jam" , a searing main room projectile, TMO presents what is heavily inspired by early Chicago acid track. For those looking for something on the trippier end, "Drums Jam" provides a low bpm hallucination full of delays. Closing is, "Buchla 909 Jam", a 10 minute slow burn exercise in analog fundamentals for late night fantasies.
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Cat: TWI 55540 (B-STOCK). Rel: 03 Apr 99
Funky/Club House
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Everything U Know
Infiltrator
Review: ***B-STOCK: Record has very light surface marks/smudges with creasing to corner of outer sleeve, but otherwise in perfect working order***
After launching last year with Who, Get Your Copy returns to the fray with a little help from Italian powerhouse Steve Murphy. The producer gets plenty of action on labels like Hot Haus, Chiwax, Lobster Theremin and more besides, so you know you're going to get a solid dose of tuff house business delivered with that gutsy Roman attitude. "Everything U Know" channels an abundance of 90s vibes, from the nagging chord stab to the understated speech sample, while "Infiltrator" takes a tribal direction without losing the old-skool flavour. Both cuts are perfectly shaped for the dance, whether you want to hit a peak time note or take the crowd deep into the groove.
… Read moreAfter launching last year with Who, Get Your Copy returns to the fray with a little help from Italian powerhouse Steve Murphy. The producer gets plenty of action on labels like Hot Haus, Chiwax, Lobster Theremin and more besides, so you know you're going to get a solid dose of tuff house business delivered with that gutsy Roman attitude. "Everything U Know" channels an abundance of 90s vibes, from the nagging chord stab to the understated speech sample, while "Infiltrator" takes a tribal direction without losing the old-skool flavour. Both cuts are perfectly shaped for the dance, whether you want to hit a peak time note or take the crowd deep into the groove.
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Review: We've not been able to get to the bottom of who Kenny Burns is (or at least this one - there was a famous Nottingham Forest footballer of the same name in the dim and distant past), and 89: Ghost main man Neil Tolliday is keeping tight-lipped. Either way, this label debut from the man of mystery includes some genuinely impressive moments. Picturesque closer 'Crease', where dreamy chords and kaleidoscopic synth sounds rise and fall atop an unfussy dancefloor beat, reminded us of Nail's own 1993 cut 'Cassiopeia', while 'Crank' is a thrusting slab of early morning techno peppered with squelchy acid motifs, chiming electronics and loopy, mind-mangling riffs. Elsewhere, 'Croak' is an angular slab of warped techno intensity, and opener 'Creak' is a hypnotic neo-trance number.
… Read morePlayed by: Juno Recommends Techno, NAIL
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Review: Deep house don Brad Peterson started the Common Dreams label and alias back in 2014 as another outlet for his prolific strain of machine soul. Various artists have graced the label including John Shima and Dan Piu, but now Peterson returns to steer the ship himself with a new project entitled Ancient Trees vs Skyscrapers. It's not hard to ascertain the ideas bubbling away behind the release, and sure enough Peterson rolls out exquisite synthesis which ebbs and flows with a fluidity which feels inspired by nature, albeit still very much in the context of crisply rendered deep house and techno with a Motor City influence.
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Review: Having just made a splash with a 12" of adventurous leftfield techno, Intercepts simultaneously emerges as an inventive force in the field of electro too. Again, we get three shadowy producers stepping out at a mean clip, with 'Track 1' running faster than average and revelling in razor sharp edits that split the difference between braindance, d&b and machine funk and come up with dark, sinewy gold. 'Track 2' eschews the kicks and works a few more melodic elements into the mix for a starry-eyed piece with an underlying spookiness. Then 'Track 3' locks into something much more upfront with a chunky lead hook and satisfyingly dirty drums. There's serious flex in the synth work here, suggesting someone that may have been honing their craft for some time already. Electro heads take note - this is something different.
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Stellar Walker (B-STOCK) (140 gram vinyl 12")
Cat: CYBERDANCE 018 (B-STOCK). Rel: 12 Jan 15
Disco/Nu-Disco
Come With Me
Hotel Chameleon
L'amour Est Parti (with Dimitry Distant feat Aka Ink)
Smoke Comet
Review: ***B-STOCK: Record slightly warped with minor surface marks/smudges, but otherwise in perfect working order***
Madrid's Synth Alien returns with a fresh EP out on Cyber Dance Records entitled 'Stellar Walker' that shows off his spaced-out and italofied influences in just the manner we've now come to expect from that label - slow-motion chugging synth workouts that are rich in atmosphere, confident in pace and arrangement and most importantly jam-packed with heavy riffing and piercing melodies from start to finish. Side A of the EP opens with "Come With Me", a dreamy and spacey slow-but-hard rocker that warms the ears up nicely before the second track "Hotel Chameleon" seals the deal with epic feeling and soaring melodic lines that break into an all-out synthesised feast of a climax. Side B continues with a collaboration with Moscow's Dmitry Distant 'L'Amour Est Parti', a romantically-tinged odyssey of relentless octave basslines that reaches even higher into new realms of future funk courtesy of a guest vocal from AKA INK before the EP closes with a monster of upfront determined electronic rocking called 'Smoke Comet', ending the record with a fitting cosmic crunch.
… Read moreMadrid's Synth Alien returns with a fresh EP out on Cyber Dance Records entitled 'Stellar Walker' that shows off his spaced-out and italofied influences in just the manner we've now come to expect from that label - slow-motion chugging synth workouts that are rich in atmosphere, confident in pace and arrangement and most importantly jam-packed with heavy riffing and piercing melodies from start to finish. Side A of the EP opens with "Come With Me", a dreamy and spacey slow-but-hard rocker that warms the ears up nicely before the second track "Hotel Chameleon" seals the deal with epic feeling and soaring melodic lines that break into an all-out synthesised feast of a climax. Side B continues with a collaboration with Moscow's Dmitry Distant 'L'Amour Est Parti', a romantically-tinged odyssey of relentless octave basslines that reaches even higher into new realms of future funk courtesy of a guest vocal from AKA INK before the EP closes with a monster of upfront determined electronic rocking called 'Smoke Comet', ending the record with a fitting cosmic crunch.
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Cat: CYBERDANCE 016 (B-STOCK). Rel: 16 Jun 14
Disco/Nu-Disco
Lost Dreams
Reverse The Trend
Darkness Stalks
Distances
Review: ***B-STOCK: Record has light surface marks/scratches, but otherwise in perfect working condition***
Cyber Dance Records are back on the attack with a fresh release from the legendary Perseus Traxx aka Nigel Rogers, a 4-track EP entitled after recent scientific developments 'An Apparent Horizon'. It's a firmly machine-based and totally jam-packed affair reflecting diverse sounds from the UK's own rich history of electronic dance music, with elements from the classic Warp "deep space sound" prominent as much as the more usual 303-jacking acid house grooves in the vein of Baby Ford or Bam Bam. 'Lost Dreams' opens the record with a floaty dream-like hypnosis from the depths of space and sets the tone in magnificent style, followed up on Side A with the irresistible roll of 'Reverse The Trend' that takes the groove harder, further and deeperstraight off to the beyond. Dark strings reminiscent of old LFO, B-12 or Autechre vinyls from the early 90s propel us into Side B on 'Darkness Stalks', and then we're transported onto the concluding track on the EP, 'Distances'; an epic closer that opens with beautiful reverbed claps and acid squelches before diving into an inky black void of timeless space-travelling and slow-building tension that could surely echo hauntingly around any M25 rave in the depths of a late 1980s night.
… Read moreCyber Dance Records are back on the attack with a fresh release from the legendary Perseus Traxx aka Nigel Rogers, a 4-track EP entitled after recent scientific developments 'An Apparent Horizon'. It's a firmly machine-based and totally jam-packed affair reflecting diverse sounds from the UK's own rich history of electronic dance music, with elements from the classic Warp "deep space sound" prominent as much as the more usual 303-jacking acid house grooves in the vein of Baby Ford or Bam Bam. 'Lost Dreams' opens the record with a floaty dream-like hypnosis from the depths of space and sets the tone in magnificent style, followed up on Side A with the irresistible roll of 'Reverse The Trend' that takes the groove harder, further and deeperstraight off to the beyond. Dark strings reminiscent of old LFO, B-12 or Autechre vinyls from the early 90s propel us into Side B on 'Darkness Stalks', and then we're transported onto the concluding track on the EP, 'Distances'; an epic closer that opens with beautiful reverbed claps and acid squelches before diving into an inky black void of timeless space-travelling and slow-building tension that could surely echo hauntingly around any M25 rave in the depths of a late 1980s night.
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Cat: MMG 11 (B-STOCK). Rel: 09 Jun 17
Deep House
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Cat: PIQUANT 5. Rel: 22 Mar 20
Progressive House
Sleep
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