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Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable

Notes: Winnows, a dual VC resonant filter with damping.

Winnows brings radical resonant filtering to the 1U row. Make your basslines growl like it's 1999. Create clean resonant tones and layers, tuned percussion, steep filtered peaks, vowel filters and more. Each filter channel comprises two state variable filter cores, the first producing a 2-Pole band-pass response, with resonance and self-oscillation amounts set by a 3-Pole feedback network. Signals are then routed through a 1-Pole low-pass damping stage to remove harshness if required. This can be routed to the channel output, or switched and routed through a second series of resonant SVF and 1-Pole LPF damping stages. This circuitry is identical per channel.

Features and uses

Steep and spiked or wide and smooth, resonant bandpass filters
Zone in on and reinforce a sound's dominant frequency, create overtones using both channels
Create sharp resonant peaks, dull or remove any harshness with VC damping
Use the resonator as a sound source by shaping and triggering tuned percussion tones or kick drums
Per channel: 2 x VCA based SVF, 2 x 1-pole damping LPF, 1 x 3-Pole resonance core
Identical circuitry per channel, CV and audio jacks are normalled between channels
Combine both channels in series for vowel filter responses and creative filtering

Specifications

Intellijel 1U format
Width 24 HP
Depth 34mm
Power requirements ~90mA +12V/~80mA -12V
Control voltage range 0-8V
Impedance Input 100K / Output 1K

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable

Notes: 1U version of Happy Nerding's effects module, offering a total of 32 effects, with user-storable presets and CV control. Great value in a convenient package.

Supplier's Notes:
32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analogue Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long .wav file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 2000 Hz or brought up to 48 kHz.

Dimensions

24 HP
40 mm deep
Module is a 1U tile in Intellijel format

Current Draw

80 mA +12V
30 mA -12V

Notes: MOOER is well known for producing highly versatile multi-effect pedals, but its latest product announcement, the Prime Stomp S1, is not just a multi-effect pedal. It is an all-in-one pedalboard for guitar effects and tones, looping, and music production, complete with a unique portability-focused design.

Initially, guitarists will be impressed by its 126 internal guitar effects and tone presets, which are editable, sharable, and downloadable through the MOOER Cloud platform, fostering unlimited tonal flexibility. However, these capabilities shine particularly brightly when combined with the pedal's recording features.

This includes a looper module, which facilitates up to 80 seconds of looping, whilst also providing functionality for real-time playback, loop deletion, and overdubbing. Loops and arrangements can also be recorded directly onto a mobile phone or tablet through a USB/OTG cable.

When combined with the pedal's 40 synchronizable drum machines, 10 metronomes, and tuner, these looping and recording capabilities empower guitarists to craft complete musical arrangements within a single unified pedalboard, without the need for studio equipment. All features can be controlled by four simple footswitches, making for a powerfully minimalist user experience.

Whilst MOOER offers several pedalboards that offer similar functionality, the Prime Stomp S1 stands out due to its focus on portability. Instead of being powered by a mains power supply, it is powered solely by an integrated lithium battery. This battery is charged by a USB C port, enabling users to charge the pedal with a portable power bank, laptop, or regular USB C charger. The device also weighs just 350g, making it effortless to carry in a backpack.

Whilst the Prime Stomp 1 primarily caters to traveling musicians, it still includes industry-standard pedal features, such as a 1/4" input, stereo 1/4" outputs, and an independent headphone output. All of these features are presented in a sleek case and are visualized by MOOER's signature digital LED display, making for an unbeatable unified toolkit for traveling guitarists.

Notes: The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: Two channel expander for Bartender

Mixer section

Each channel has the following:

Stereo or mono - Each channel can be treated as a stereo channel or a mono channel with two summed inputs.

CV inputs for both panning and level control

Two send buses - You can route each channel to one of two send buses. Each send bus is stereo. You can choose if you want the send to come before or after the level/panning controls.

Mute - The mute has both latching mute (up) and a momentary mute (down). The mute uses a capacitor to slow the turn off and on of the mute action. So it is mostly click-less, but you may find an occasional pop.

Cue bus - You can route each channel to the cue bus.

Expandable Mixer Series

Bartenders can be cascaded to create 8ch, 12ch, or 16ch mixer. The main level is what is sent the main level control can act as a group control.

Barbacks can be added to add 2ch to your mix. Barbacks can also be cascaded enabling up to a 16ch mixer configuration.

Send-VCA can be added for CV control of the level of the send.

DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 10hp
12V: 125mA
-12V: 100mA

Notes: The MUSE DRIVER - Andy Timmons Full Range Overdrive is an overdrive workstation that allows you to orchestrate everything from a clean boost to a treble supercharger, a chimey tube-amp overdrive to a square-wave, germanium fuzz generator and more.

This Pedal combines a three-control blues driver circuit with two switches for the voicing of Drive and Tone characteristics. Robert and Andy developed these switches to give players a broad range of drive tones. The Drive toggle engages two germanium diodes for a smoother, slightly compressed drive. Switch to Andy's clipping style for a brighter and more articulate attack.

Every part of the circuit has been optimized for tone and the demanding needs of a recording and touring artist such as Andy Timmons. Simply adding the MUSE DRIVER to your pedalboard will make your rig sound better. This professional grade overdrive can be switched between true-bypass and buffered bypass at any time.

Andy Timmons - Tone Switch

This drive pedal gives you two tone control circuits to choose from. When the Tone Switch is up and in the AT Position the tone control features Andy's preferred voicing and low-end response. Each note in a chord is clear and articulate. If the Tone Switch is down and in the RK Position that features the legendary Phat Boost providing more low-end frequency response, perfect for pushing up vintage or single coil pickups.

Full Range Overdrive - Germanium Toggle Switch

The MUSE DRIVER combines JFET saturation, diode clipping, and op-amp clipping in order to create its harmonically rich tone. Drive Switch UP for AT Clipping - this mode features asymmetrical LED and silicon diode clipping and is Andy's Super AT Mod sound. Drive Switch Down for RK Clipping - now the circuit features two germanium diodes for clipping. This mode can sound a bit like a vintage fuzz pedal with a softer, smoother feel.

Muse Driver - Buffered Bypass or True Bypass

The pedal features our industry leading buffer for noise-free switching. Keeley Electronics have developed a buffer which not only makes your rig sound better, it gives you silent switching with no tone loss. Switch between true-bypass and buffered on the fly. Simply press and hold the foot switch for two seconds and the pedal will switch between true-bypass and buffered bypass! You decide what works best in your rig.

Made In The USA

Keeley Electronics design, engineer, and manufacture the Keeley Electronics/Andy Timmons MUSE DRIVER in Oklahoma City. Everything about the MUSE DRIVER is geared towards the professional musician and their quest for an inspiring tone when performance demands it. From the meticulously built circuit boards to the newly fabricated aluminium enclosure; we make guitar effect pedals like finely crafted musical instruments.

Notes: Many monitoring setups contain a subwoofer as an essential ingredient. Although many studio monitors such as the aktiv 05, uniK 04 or uniK 05+ for example, provide sufficient bass frequency response for many applications, adding a aktiv 10s subwoofer will help you to provide a much better picture of the low frequencies in your mix. Whether you are producing classical 2.1 sound or 5.1 / 7.1 surround sound productions, aktiv 10s will easily and quickly become an important part of your monitoring setup. It's compact size with a stylish design, yet powerful output will easily convince you.

Features/specifications

10" bass reflex powered subwoofer
Amplifier power: 150W@100Hz, 4 Ohm, 0.1% THD
Subwoofer crossover frequency: 50Hz - 180Hz (adjustable)
Separate satellite output crossover frequency: @100Hz and flat (adjustable)
Phase control
Input level control
Power mode: standby and on
Inputs: balanced XLR, unbalanced 1/4" TRS
Outputs: balanced XLR
Input impedance: 20kOhm balanced, 10kOhm unbalanced
Foot switch input as mute control
Dimensions: 340mm(H) x 340mm(W) x 340mm(D)
Weight: 14 kg

Notes: Morph across the spacetime spectrum.

Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces-Theatre, Temple, and Cosmos-as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it's fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both "red" and "green" values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

Knob-by-knob

Size: Sets the size of the reverb space.

Blend: Sets the balance between wet (reverb) and dry (clean signal)

Tone: Clockwise from noon, this control applies a high-pass filter, making the reverb sound brighter. Counter-clockwise from noon, this control applies a low-pass filter, making the reverb sound darker.

Morph Rate: Sets the time it takes for parameters to change between "red" and "green" values when the Morph footswitch is engaged.

Morph: Enable morphing for any combination of the 4 on-board knobs. Push to toggle through knobs, press and hold to select. Press and hold again to deselect.

Preset Select: Push to toggle through 4 pre-loaded presets, press and hold to select. To save a custom preset after making changes, press and hold. Presets can also be toggled and selected using only footswitches (see manual).

Space Select: Push to toggle through 3 available reverb spaces.

Three evocative spaces

The three unique space algorithms found inside of Cosmosis are entirely original and comprise a combination of primary source impulse responses, imagined reflections, and inspired mathematics. Theatre is a vintage-inspired small room sound ranging from cozy to reflective; Temple is a rich and flowing larger space featuring long reflections in both parallel and series; and Cosmos makes use of divine inspiration to create an enormous spectrum of harmonically-informed reverb. Kill the Size knob in any space to conjure a ghostly, full-wet "reverse" reverb effect.

Enter the world of cosmosis

A portal of such divine proportions was always missing in the Pigtronix universe. One day, traveling further than ever before into the outermost reaches of what he knew to be true, Marvin caught glimpses of refracted light and mist hovering in the atmosphere of a new, far-distant planet. This was the long-sought Cosmosis-a planet that takes in the sounds of the galaxy, sublimates them, and ushers them to the other side forever changed.

Model Cosmosis

Model name: Cosmosis
SKU: COS
Function: Stereo Ambient Reverb with Morphing
Category 1: Reverb
Expression: TRS Remote
Bypass: Buffered

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 1k
Body

Length (in): 3.25
Width (in): 4.5
Height (in): 2.2
Weight (lbs): 1

Notes: Endless Processor (Ex)pander Kit opens new possibilities for Endless Processor!

Now, there is pitch control over both channels. You can shift one octave up or shift down to a full sound stop, covering multiple octaves, effectively replicating the variable speed replay effect. This allows for the creation of new textures from existing sounds.

Additionally, with the expansion PCB, the Endless Processor gains an SD card slot that enables you to store up to 5 sound banks. This means everything sustained in both channels can be saved to preserve those happy accidents! However, this is not just a simple save and recall process. It allows more performing possibilities: sustain new sounds, play with them, and then recall the stored ones, all with respect to the fade controls.

And if that's not enough, there's a bonus! With the help of our web tool, you can upload the sound banks saved on the SD card and extract clickless loops of each layer in WAV format. You can then import these loops into your DAW or hardware sampler to build your composition on top of the captured sounds.

Endless Processor Expander Kit contains:

Endless Processor Ex module
Expansion PCB for the Endless Processor
Cable to connect Ex module to the expansion PCB

Width: 4HP

Depth of Endless Processor with expansion PCB attached: 45mm

Depth of Endless Processor Ex module: 30mm

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analogue Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long .wav file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 2000 Hz or brought up to 48 kHz.

Dimensions

24 HP
40 mm deep
Module is a 1U tile in Intellijel format

Current Draw

80 mA +12V
30 mA -12V

Notes: CV Random is a random CV generator with 4 types of randomness and a triggerable sample-and-hold function.

Sliders allow you to set the internal clock tempo (RATE), shape the probability of triggering (PROB), blend old with new values (RND) and set the shape of all four random outputs (SHAPE).

4 different sliders

RATE

Sets the tempo of the internal clock. The CV input below the slider adjusts the clock rate, with 1V/oct calibration when the CV attenuverter is 100%. Upon each clock trigger, the RATE slider light blinks, and there is a chance for the internal random source to generate a new value.

PROB

This probability is set by the PROB slider, and if a new value was generated, the PROB slider light blinks and a pulse is emitted from the TRIG output.

RND

When the internal random source generates a new value, it mixes the previous value with a random value, with an amount specified by the RND slider.

SHAPE

The SHAPE slider sets the shape of all four random outputs. At its lowest position (0%), all outputs immediately jump to the new random value (the target value) when the clock is triggered.

At non-zero positions, the outputs interpolate between the previous and the target value, using a different behaviour for each output.

Internal random clock source

Whenever the clock activates, the RATE slider's light flashes. At the same time, there's a chance that the internal random source will create a new value, depending on the PROB slider's setting.

If it does create a new value, the PROB slider's light flashes too, and a pulse comes out of the TRIG output.

External IN & TRIG inputs

If the TRIG input is patched, the RATE slider is ignored, and the internal clock is only triggered when an external trigger is received. The PROB slider is used to filter this trigger by applying some probability.

Self-modulation

Thanks to a switch in the back of the module, you can normalize the LIN output to the 4 CV inputs and adjust the amount of modulation for each parameter with the attenuverters.

This adds another layer of randomness to your results, enabling more dynamic and unpredictable outcomes.

SHAPE Outputs

The STEP output jumps to the new value in one step at 0% SHAPE, and divides the transition into 16 steps at 100% SHAPE.

The LIN output immediately reaches the new value at 0% SHAPE, and takes the whole clock cycle to do so at 100% SHAPE, staying constant in between.

The EXP output shifts exponentially, becoming linear at 100% SHAPE, with its pace adjusted by the SHAPE slider.

The SMTH output transitions smoothly, with the speed controlled by the SHAPE setting, holding at the target until the cycle ends.

Specifications

Dimensions 10HP - 50×128,5mm
Current 63 mA +12V / 11 mA -12V / 0 mA +5V
Input & Output Signals +/-10V
Impedance Input 10k - Output 10k
Materials PCB and Panel - FR4 1,6mm
Depth 40mm including connectors (Skiff friendly)

Notes: Designed with versatility in mind, MapVolt is a dual-channel Universal Voltage Processor built for flexibility in handling audio and CV signals.

With only 6hp, Mapvolt is a multipurpose tool for voltage-controlled scaling, inverting, offsetting, subtracting, and mixing functions.

Each channel of MapVolt can operate in either Polarizer or Attenuator mode, allowing manual control via knobs or CV signals. In Polarizer mode, it functions as a Voltage Controlled Attenuator-Inverter, granting control over signal level and polarity. Additionally, it can be used as a Four-Quadrant Multiplier or Ring Modulator for audio signals, with the processor input serving as the carrier signal and the polarizer's CV input acting as the modulator.

In Attenuator mode, MapVolt operates as a VCA, providing control over signal levels. Its VCA CV input range of +5/-5 makes it well-suited for amplitude modulation (AM) with other +/-5V waveforms.

MapVolt is equipped with dedicated Voltage Offset knobs for each channel, which can be controlled via CV. If no input is patched into the Processor input channel, the Voltage Offset knobs can be used as Offset Generators.

With its dedicated mixing stage, MapVolt enables the combination of both channels into a shared output. Furthermore, if one of the processor channels is inverted, it allows for the subtraction of one signal from the other.

Dimensions
6 HP
33 mm deep

Current Draw
65 mA +12V
65 mA -12V

Notes: CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA

Notes: Great value from this versatile percussion module, built around a noise generator and four linked envelope generators, each with its own VCA. Generate hi-hats, envelopes, shape drums or create modulation sequences.

Supplier's Notes:
Ricochet is a compact, fully analogue module featuring four interconnected decay envelopes, each with its own VCA and an integrated noise generator.

The module's design is inspired by the way skipping stones bounce on the water, creating a versatile tool for crafting percussive sounds.

The exponential envelopes are specifically designed to generate dynamic percussive tones. The unique linking function connects the end of one envelope's decay to the trigger of the next, enabling the subsequent envelope to activate once the previous one ends. This innovative feature allows you to create ratcheted envelope.

A front-panel trimmer lets you adjust the threshold for triggering subsequent envelopes, while a rear header enables connecting two Ricochet modules together, or linking the last envelope to the first. This feature transform the Ricochet to a weird sequencer where the steps length depend of the decay times.

Since Ricochet is fully analogic, trig inputs are velocity-sensitive, responding to a standard gates but also allowing attenuation to modify the envelope's velocity (you can play with the dynamic of your sound by attenuating the trigg input. Ricochet is also perfect to play with drum pads).

Each VCA features a gain control that can be pushed to achieve subtle saturation.

All envelopes and VCAs have separate outputs, but there are also mixed audio and envelope outputs. When an individual output is connected, it is removed from the mix. The decay modulation inputs are normalized between each other.

Last but not least, an analogue noise generator is normalised to the first input, so you can use ricochet on it's own to create hi hat kind of sounds

Main features:

- Fully analogue design so everything is responsive to the amplitude
- Unique linked envelopes feature
- Compact 4 envelopes 4 VCAs module
- Linkable to a second ricochet or looping back the last envelope to the first one

Some applications:

- Envelope generator
- Drum shaper
- Hi-hat
- Clap envelope shaper( with short ratcheted envelopes)
- Envelope sequencer
- Trigg delay
- Burst generator

Technical details:

- Fully Analogue design
- 14hp
- Skiff friendly
- Reverse power protection

Notes: Psychosis is a high quality true stereo - 6 channel mixer eurorack module, that has the unique ability to pan an input signal, from left to right with a single control.

It is equipped with a set of 4 stereo effects - reverb, delay, chorus and flanger, all trimmed for the modular levels.

This module is an easy gateway into mixing multiple signals as the last part in your signal chain.

10HP.

Notes: The MMI Maxima is the final word in MMI technology. Beautiful gold patterns form gradients of touch sensitive surface areas, each connected to an input/output. Drag, rub, pinch or tap your fingers across to form connections, and create evocative and unique performances. Utilize the various pattern densities and shapes in your performance, or create installations with whatever conductive material is to hand.

Operation is easy: simply plug any audio, LFO, CV, trigger, gate, offset or clock into any of the inputs on the front panel, and connect one or several outputs to destinations in your system. The symbols near the sockets correspond to the shapes on the panel, and all that remains is for you to form the connection between the desired symbols with your hand, or any other conductive object you may have. Connect multiple at the same time to achieve liquid, gradual mixing, evolving rhythmic patterns, mixed LFOs and more. Furthermore, touch the pressure plates more firmly or in more dense areas to form stronger connections - in practice, this means a signal will pass with more or less intensity, based on the pressure you apply.

There are countless possibilities here: the shapes make it easy to memorize your patch, and the many inputs and outputs allow for enormous creativity. Eight inputs and one output? No problem. Maybe you want eight outputs sharing one input? Also no problem. Why not patch in an offset voltage, and then use the pressure sensitivity to sweep a filter with the offset patched into the filter resonance CV control? Or maybe create volume swells by patching audio into a VCA, or even an effect, for reverb or delay swells. Maybe you want to create chords, crescendos or chaotic and swiftly changing drum patterns?

Although practice helps, there are no rules for playing the MMI Maxima. Use it upside down or downside up, rack it, tape it to your body or drill it into your guitar and use it with the expression input on your pedals (yes, this is actually possible. Seriously.) With no external power needed, it makes an excellent performance companion for any system, big or small, modular, semi-modular or even not-modular-at-all.

Intended as a controller for musicians and non-musicians alike, the purpose of the MMI Maxima is to put emphasis on your performance and expression, rather than your competence at the ivory keys or dexterity at a drum pad. Let your hands, slices of pickled cucumber or other conductive everyday objects do the talking, through a combination of clever patching and expressive play - with the MMI Maxima, you have a performance tool unlike any other at your disposal.

The MMI Maxima comes in a custom case, and does not require external power to operate. Enjoy the Maxima either as a standalone controller, or rack it in your system if you desire.

Dimensions
30 HP
30 mm deep

Current Draw
Module does not draw current

Notes: The Herzlich 4x4 Switched Passive Matrix Mixer is a fresh dose of hot old school synth flavor right into your signal chain - inspired by the Buchla and Synthi matrix mixers of yore, the Herzlich 4x4 Passive Switched Matrix Mixer will give you all the joys of an old school matrix mixer, and none of the pesky conveniences of a modern one!

Looking for a super clean, powered matrix mixer that will treat your signals with velvet gloves and behave with mind-numbingly boring predictability? Then you've taken a wrong turn, and instead of finding the pristine tedium you sought, you have uncovered a sleeping beast, an uncut diamond the size of a bell pepper and an all-red rainbow all in one. No power needed, and a super slim profile for even the shallowest skiff user.

The Switched Passive Matrix Mixer will set your heart ablaze with its glorious commitment to happy accidents and unapologetic jank. With absolutely no electronics to rein in the monster that resides in its circuitry, you will be delighted and shocked as you turn the knobs and click the switches, to find channels that bleed gently into each other, pots that alter channels other than their own, and switches that may take your desire to open and close them as suggestions rather than commands.

You'll think you've fallen asleep in the pale glow of your DAW and awoken to a nightmare at first, but very soon, you will discover it is a creative dream. Step into the shoes of the composers of yesteryear, and discover how your unintended accidents mixing CV or audio turn into beautiful and unexpected compositions. Find beauty in the strange interconnectedness of the switches and pots, as you try to brave and tame them. Reach synth transcendence with the psychedelic potential of passive matrix mixing, and open your heart to the multitudes of possibilities contained with the power of 70s circuit design.

Dimensions
20 HP
22 mm deep

Current Draw
Module does not draw current

Notes: Lush analogue EQ switchable between tilt and Baxandall high-shelf configurations.

Perform a variety of mixing and sound design duties ranging from subtle brightness and clarity adjustments to low-end rumble removal, boosted low-pass filtering and sweep EQ.

In the default tilt mode, turning the control knob clockwise simultaneously boosts treble and cuts bass. Turning anti-clockwise boosts bass and cuts treble. These boosts and cuts are pivoted around the mid-range. With the control knob at 12 o'clock the frequency response is neutral.

With Baxandall high-shelf mode enabled, turning the control knob clockwise past 12 o'clock introduces and gentle high-shelf EQ weighted around the upper mid-range. Turning the control knob anti-clockwise results in a wide high-shelf cut with subtle bass and mid-range adjustments.

Patching the channels in series allows for radical sound shaping and band-pass responses. Each channel provides up to +/- 8db of low and high-frequency gain control, summing into a low noise output stage. Hot input signals over 15vpp are saturated by active Zener diode clipping.

Features

Precise voltage control of EQ tilt and shelf
Seamless switching between EQ modes
High-quality components used throughout

Specifications

Intellijel 1U format
Width 18HP
Depth 32mm
Power requirements ~60mA +12V/~58mA -12V
Control voltage range 0-8V
Impedance Input 100K / Output 1K

Notes: Transpos lets you transpose three CV channel with a single source.

Adder:

The voltage of each CV input can be varied by plus or minus two octaves depending on the switch and the potentiometer of each channel. Transpos uses precision regulators: for example if we increase by a fifth with the switch on "+" we reduce it by a fifth when we pass on "-".

Transposer:

The 1V/o CV input will influence each of the three channels. By turning the CV potentiometer you can globally increase or decrease the transposition of the three channels at the same time.

Dimensions
8 HP
40 mm deep

Current Draw
70 mA +12V
70 mA -12V
0 mA 5V

Notes: Lush analogue EQ switchable between tilt and Baxandall high-shelf configurations.

Perform a variety of mixing and sound design duties ranging from subtle brightness and clarity adjustments to low-end rumble removal, boosted low-pass filtering and sweep EQ.

In the default tilt mode, turning the control knob clockwise simultaneously boosts treble and cuts bass. Turning anti-clockwise boosts bass and cuts treble. These boosts and cuts are pivoted around the mid-range. With the control knob at 12 o'clock the frequency response is neutral.

With Baxandall high-shelf mode enabled, turning the control knob clockwise past 12 o'clock introduces and gentle high-shelf EQ weighted around the upper mid-range. Turning the control knob anti-clockwise results in a wide high-shelf cut with subtle bass and mid-range adjustments.

Patching the channels in series allows for radical sound shaping and band-pass responses. Each channel provides up to +/- 8db of low and high-frequency gain control, summing into a low noise output stage. Hot input signals over 15vpp are saturated by active Zener diode clipping.

Features

Precise voltage control of EQ tilt and shelf
Seamless switching between EQ modes
High-quality components used throughout

Specifications

Intellijel 1U format
Width: 18HP
Depth: 32mm
Power requirements: ~60mA +12V/~58mA -12V
Control voltage range: 0-8V
Impedance Input: 100K / Output 1K

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis.

This analogue, vintage-voiced, voltage-controlled oscillator features over 8 octaves of accurate pitch tracking. Its 7 simultaneous wave outputs include a unique Complex output. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a "present" that it left for you on the counter. No, seriously.

The module's Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output using an asymmetrical multi differential audio transmutation circuit. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM.

Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering the Wave Transformer a voice unto itself.

If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: Portable recording made with musicians in mind, the R4 records up to four tracks in 32-bit float resolution, with on-board EQ and effects, amp simulation and the option to bounce recordings down then overdub.

Supplier's Notes:
The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Eurorack is a synthesist's toy chest. Stompboxes are a guitarist's toy chest. Each industry offers a seemingly infinite variety of products that enable musicians to build systems unique to their needs and to create a signature sound. Each is also somewhat addictive. Rare is the musician who doesn't eventually need a larger toy chest to house the accumulated toys.

Fortunately for the budget-conscious musician, Eurorack modules and stompboxes have always existed in separate worlds - someone whose Eurorack system consumes an entire wall in their home is usually not the same person whose pedalboard now requires a dedicated roadie just to transport it to the gig.

Intellijel's Stomp removes the barrier between Eurorack and stompbox. It provides the modular synthesist with a portal to stompbox nirvana, and the guitarist with a wormhole to the sonic manipulations of Eurorack modules.

Stomp enables the modular synthesist to interact with the impressive assortment of delays, choruses, flangers, phasers, fuzz boxes, tremolos, wah-wahs, amp simulators, compressors, and pitch shifter pedals available to guitarists. If your effects pedal is adorned with an expression pedal input, Stomp supports that too, and even features a built-in LFO to modulate your pedal's expression input. Need something crazier? No problem. Simply patch any modulation source from your modular system into the expression control jack to override the built-in LFO.

Conversely, guitarists can plug their guitar directly into Stomp's RETURN jack, giving them access to the myriad filters, ring mods, wavefolders and - most importantly - the near-infinite CV modulation delights inherent in Eurorack.

Features:

Robust Neutrik 1/4" TS connectors for the SEND/RETURN and TRS for the Expression interface
Signals arriving at Stomp's RETURN jack pass through a Class A triode emulator, allowing for some tube-like overdrive at high gain setting.
Stomp is more than just a simple level shifter - it's also an impedance converter, which provides proper drive and loading for any FX pedals or instruments you connect.
Separate gain controls on both the SEND and RETURN. This enables you to adjust the level of any audio being sent to the FX pedals as well as any audio coming back into the modular. Not only does this allow you to optimize the signal-to-noise ratio, but by significantly boosting the RETURN level, you can achieve some pleasingly overdriven tones.
Supports both Instrument and Line levels via a front panel switch.
Use Stomp's RETURN circuit as a "direct box" for connecting any instrument.
The high input impedance of the RETURN circuit allows it to be used as a piezo pickup preamp for acoustic instruments.
Use Stomp in the studio as an active "re-amping" device to play pre-recorded tracks back through guitar amplifiers or pedals.
All inputs are protected for minimum RF interference.
Return signal can be phase inverted for use with those pedals or effects types that invert phase.
Low MIX output impedance for driving long cables, lower noise, and minimum interference from outside sources.
The Expression Pedal Output converts analogue CV sources (or the internal LFO) into an output compatible with most stompbox Expression inputs.

Size: 8HP
Depth: 35mm
Power: 47mA @ +12V 13mA @ -12V

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Configuring a streaming setup from scratch can be a daunting task, particularly for users with little or no music production experience. The minimalist design of the AG01 takes this into account by combining a high-quality condenser microphone with DSP effects, a LOOPBACK function, flexible input connectivity, and a simple, intuitive mixer for stress-free streaming operation.

Simply connect to your computer or iOS/Android device along with the headphones of your choice, then set your levels and you've got a fully operational streaming station that can be up and running within minutes. If you're an aspiring live streamer that requires a compact yet comprehensive, high quality all-in-one solution, the AG01 is ready when you are.

In most streaming applications your microphone is likely to feature prominently onscreen so it is important for it to complement your overall vision. With a unique and iconic design that blends classic and contemporary aesthetics, the AG01 looks as good as it sounds, offering both black and white-based models to suit your preference.

In addition to the condenser microphone audio input, the AG01 is equipped with a mini stereo line input jack, and an upgraded 4-pole mini jack (TRRS) for smartphones that allows input and output. You can also add audio from devices connected via USB in LOOPBACK mode. Combined with these features, this microphone-type model can cover a wide variety of streaming styles that could not be achieved in the past without a separate mixing device.

The AG01's high-performance condenser microphone utilizes a cardioid polar pattern that captures your voice or musical instrument performance precisely, and converts it into high resolution audio (192kHz, 24bit) while blocking out unwanted ambient noise from the rear or sides.

The AG01 features high-quality DSP effects, allowing you to easily add COMP/EQ and REVERB to color and hone your audio and get the best sound possible to broadcast to your audience. What's more, these tools are processed by the internal DSP chip so there is no delay, making the AG01 particularly valuable for live streaming, when real-time accuracy is required.

You can also turn these effects off completely to capture pure, raw recordings of the AG01's condenser microphone for music/audio production that will be edited by an engineer later.

There are many situations in live streaming where you may need to make audio adjustments on the fly. The carefully configured physical controls of the AG01 respond to these needs providing a simple operating experience that won't detract from your live content or performances.

AG Controller offers two modes, "Simple" and "Detail," which allow users with varying degrees of audio engineering experience to easily and precisely check and adjust the AG's DSP processing from any Windows/Mac or iOS device connected via USB.

The AG01 can be easily placed on a desk or any flat surface with its dedicated stand, or mounted on a desk arm, making it adaptable to almost any environment.

It can also be used in combination with a mobile battery allowing you to take your fully functioning streaming station anywhere you like.

*For stable operation of the AG01, a power supply of DC 5V 900mA or more is required.

AG01 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG01 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.

Specifications

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 110 dB (THD - 1.0% at 1 kHz)
Sensitivity: -34 dB i 3 dB (0 dB=1 V/Pa, at 1 kHz)
Connector: USB Type-C

Input Channels
Microphone: 1 (Mono condenser microphone)
AUX: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1

Output Channels
PHONES: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1
Bus: 1 Stereo
Functions: MIC GAIN (HIGH / MID / LOW), MUTE button x 1, STREAMING OUT (MIC / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)

On-board processors
DSP: COMP/EQ, REVERB (SPX Reverb) *Detail is Controlled on AG Controller
USB Audio: 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power Input: 1 - Type-C, 5 V DC, 900 mA

General specifications
Power requirements 5 V DC, 900 mA
Power consumption Max. 4.5W
Dimensions: W: 116 mm (4.6") H: 281 mm (11.1") D: 118 mm (4.6")
Net weight: 1.2 kg (2.6 lbs)
Included accessories: USB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Others: Operating Temperature: 0 to + 40C

Notes: From the outset, KMA Machine's goal was to create the most flexible analogue upper octave pedal ever yet produced. Based on a highly refined and improved version of the Shriek circuit from KMA's venerated MOAI MAEA pedal, the MANDRAKE brings an even more robust and present upper octave to the sonic table. By combining that upper-octave might with a versatile, yet highly intuitive user interface, the pedal provides a ton of killer tonal options in a very modern and pedalboard-friendly package.

"The humanesque abomination, begat of the evils that once fertilised his empire of dirt, now senses the bleak emptiness of the air that surrounds him. In recognition of his harvest and the perpetual change to his existence, his mesmerising scream is both devastating and euphoric, so all those that encircle him are subdued from the aural toxicity that emanates from the disfigured effigy."

Octave up pedals (as used by so many legendary performers including Hendrix, Tony Iommi, Josh Homme, Billy Corgan, Jack White and so many more), can really give added bite to your sound. But often, many of these fun tools can be untamed and lead to nasty clashing overtones.

With MANDRAKE however, KMA didn't want to just make a one trick pony octave up device. The powerful and ultra-fast tracking Shriek circuit was expanded on with its edgy and fuzzy character that's reminiscent of many of the best vintage octave-up devices. To do this, a 2nd order Low-Pass Filter was introduced, a TIMBRE and individual Mix controls to KMA's well-regarded circuit to make it way more versatile in a single pedal. Let's look at those cool new things in more detail.

The FILTER control helps to tame your upper harmonics, as well as to improve tracking, letting you achieve unhinged, cutting and shrieking mayhem when the control is fully turned all the way to the left. While turning the knob in the other direction gives a more mellow and blooming synth-like texture. The FILTER section is also very useful for tailoring the upper octave effect to different instruments and pickups, where getting the right tone is not a "one size fits all" equation.

In addition, to enable the octave voicing in MANDRAKE to be sculpted exactly to your own personal taste, the TIMBRE control defines the amount of fuzzy gain present in the upper octave. This allows you to perfectly blend in the pedal's tonality with the rest of your signal chain. Turning the control fully counterclockwise, gives a slightly crunchy and percussive tone that's ideal for melodic arpeggio enhancements. While cranking the TIMBRE knob fully clockwise will transform MANDRAKE into a crushingly saturated doom-hammer, instantly ready to wreak havoc with each power chord you throw at it!

Topping off the features, the DRY and OCT+ controls allow the dry signal and effected upper octave to be mixed independently, for precise tonal balancing. This is especially handy when using MANDRAKE together with other dirt pedals or when you just want to retain the natural body and attack of your instrument.

Subtle descant or decimating octaval Armageddon? With MANDRAKE the choice is totally yours!

Notes: The Minicase by Flame is made of bamboo wood and is offered in a limited edition.

Modules up to a depth of 5.3 cm can be installed in the case. For example, the Fire Drum Synth Module and the Takt Rhythm Sequencer.

Technical data:

Module width: 56TE
Installation depth: 5,3cm
Outer dimensions: 30x15x6cm
6x 16pin Doepfer connectors for modules
Plug-in power supply with DIN connector:
110-230VAC 28W, with +5V/2,5A +12V/1A -12V/0,3

HP : 56

Notes: ***B-STOCK: Box opened, product in perfect working order***


Erica Synths Modulator is an advanced modulation and pitched noise source with focus on rhythmic (but not limited to) compositions in mind. It features two identical syncable to the BPM LFOs/noise sources with selectable morphing waveshapes. LFO frequency can be manually adjustable, as well as they provide frequency divisions and multiplication in Sync mode. Each LFO has two outputs- main one and secondary one with adjustable phase, so you can create evolving modulations. Furthermore, LFOs can be linked to work at the same frequency and the first LFO has built in VCA to control output signal amplitude.

Notes: The tiny but mighty Eurorack power supply with all the bells and whistles

Micronova is a miniature power supply with a big soul. It can provide up to 18W of power for your modules and multiple units can be easily daisy chained to power larger systems.

This bundle includes:

an assembled Micronova
an assembled Micronova busboard
a Micronova front entry kit

Please note that the front entry requires assembly. It's a delightfully easy kit, but make sure you know what you're getting into!

A suitable AC-DC power adapter is required. We have adapters available for domestic customers. International customers please take a look at the manual for guidance and recommendations.

Check out the manual to get to know Micronova and all of the delightful ways you can integrate it into your case.

100 mm x 30 mm x 13 mm
15-20V, 1.5A
+12V @ 1A
-12V @ 300mA
+5V @ 500mA
Daisy chainable
Busboard included
Front entry kit included

Notes: Nive Grad is a level shifter designed for simplicity. Two Eurorack signals can be attenuated down to pedal and line levels, and two external line or pedal signals can be amplified up to Eurorack level. Integrating a drum machine, external synth, effects processor, or guitar with your Eurorack system has never been easier!

Nive Grad uses 1/8" jacks to save HP. If you want to use 1/4" gear with your system, ask your modular supplier about mono/TS 1/8" to 1/4" adapters or adapter cables.

Nive Grad pairs well with Noise Engineering's Xer Mixa system mixer, but can be used in any Eurorack system.

Type: Universal drum synthesizer
Size: Level Shifter
Depth: .9 inches
Power: 2x5 Eurorack
+12 V: 25 mA
-12 V: 25 mA
5 V: 0mA
Nive - level - from Latin niveum

Grad - step or degree- from Latin Gradus

Notes: Nive Grad is a level shifter designed for simplicity. Two Eurorack signals can be attenuated down to pedal and line levels, and two external line or pedal signals can be amplified up to Eurorack level. Integrating a drum machine, external synth, effects processor, or guitar with your Eurorack system has never been easier!

Nive Grad uses 1/8" jacks to save HP. If you want to use 1/4" gear with your system, ask your modular supplier about mono/TS 1/8" to 1/4" adapters or adapter cables.

Nive Grad pairs well with Noise Engineering's Xer Mixa system mixer, but can be used in any Eurorack system.

Type: Universal drum synthesizer
Size: Level Shifter
Depth: .9 inches
Power: 2x5 Eurorack
+12 V: 25 mA
-12 V: 25 mA
5 V: 0mA
Nive - level - from Latin niveum

Grad - step or degree- from Latin Gradus

Notes: Further pushing the boundary of clock-defined pedals, the latest entry in Old Blood Noise Endeavors' BL series is a Phase Repeater, in the process making a genre entirely of its own.

Phase repetition takes the modulation of a phaser and applies it to the realm of time, creating a completely unique sound and more like delay or reverb than its namesake phaser. First used in the OBNE Dweller pedal, the BL-52 Phase Repeater represents a new spin on the sound, with simple controls including a Clock slider that enlightens the timing of everything in the pedal.

At a point, describing sound feels like describing time: the fourth dimensional perplexity of it all! Of course, this makes sense in that time being intermingled with sound and frequencies only existing over a period of time, whatnot. We spend a lot of time thinking about all-pass filters, you and I. How they pass all frequencies, but at different times. How this, in the digital realm, can create a phaser or a reverb, depending on how much memory you allow it and thus, how much of the fourth dimension it's playing with at any given... well, time.

BL-52 is what we call a phase repeater pedal. It's an effect we stumbled upon in our Dweller pedal development, living somewhere between phaser, delay and reverb, as it creates a series of repeats both unexpected and pleasing. It's digital trickery to do something quite unfamiliar and once you've bonded with it, is irreplaceable.

The BL-52 Phase Repeater is solely focused on that effect, with the Clock control setting the timing of the entire system: the sample rate that determines signal fidelity, the timing of the phase repetition and the speed of the LFO that shapes the diffusion of the repetition.

In short, it is an effect that does not require exactness, but rather openness to where the repetition will lead you.

Notes: Think of the MFD like a tiny DJ mixer: two stereo inputs, one stereo output, with the option to cue either input and crossfade between the two. A simple idea very well executed.

Supplier's Notes:
Inspired by DJ mixers, the MFD allows you to cue and crossfade between signals. Ideal for live performance as well as jamming out ideas in the studio.

Supplier's Notes:
The 'MFD' is a 2-channel stereo crossfader designed for live DJ-style mixing and jamming in Eurorack. Two mono or stereo inputs are mixed to a single stereo output via direct or voltage control. Additional Cue controls provide preview monitoring of either input pre-mix via dedicated Cue switches and an output.

Voltage control over the crossfade and DC coupling allow for further creative uses such as a high quality stereo VCA or as a mix processor for either stereo audio signals or CV.

The MFD is designed to have very low noise and cross bleed and employs equal power crossfading for smooth constant level blending between signal sources.

Features:

Two channel stereo crossfader with voltage control.
Approx equal power crossfading.
Cue output switches for direct monitoring of either stereo input (pairing well with HPO for headphone monitoring).
Can be used as a high quality stereo VCA.
DC coupled for use with both audio and CV.
Skiff friendly with reverse power protection.
Two year warranty.
Made in England.

Ideal For:

Smoothly blending and monitoring 'tracks' or 'scenes' during a live set.
High quality VCA use for stereo based sources.
Voltage controlled crossfading and mixing of both CV and Audio signals.
Other advanced uses including audio rate modulation, stereo panning effects and a CV controlled FX send.

Technical Specifications

Supply: +12V 70mA / -12V 70mA

Size: 6HP

Depth: 32mm

Notes: Lo-fi looks, killer sound. Serious filth here from Death By Audio. Surprising versatility with simple controls, offering mild overdrive if you want but specialising in grimy fuzz.

Supplier's Notes:
Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill-all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe.

This Death By Audio pedal has hand spray-painted graphics covering up meaty components and sound, giving you a high-tech fuzz mutilator at a punk rock price. With three knobs it can create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. Listen for yourself and you will see, this is the thickest-sounding sustaining fuzz pedal we have ever heard.

Controls

Volume: Controls the overall output level.

Fuzz: Controls the gain of the fuzz circuit. At its lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it sweeps from a booster to an overdrive to a thick distortion to a full on blown out war of fuzz.

Tone: A specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs.

Specs

Dimensions: 5.87" x 4.72" x 2.5" (including hardware)
Weight: 18 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery)
Current Draw: 1 mA

Notes: The Vermona MEX3 is a midi extension for the meloDICER sequencer and allows the sequencing of synthesizers outside the modular system.

Features:

MIDI output of sequences
Sequences can now be polyphonic with up to three voices
meloDICER can receive MIDI Control Change messages to remotely control all parameters.
All meloDICER controls can send MIDI Control Change messages
Direct synchronisation to a MIDI clock including shuffle conversion (e.g. from a Multiclock)
MeloDICER converts the MIDI real-time messages START, STOP and CONTINUE.
Module width: 4 TE
Power supply via meloDICER

Included in delivery:

MEX3
Connection cable to meloDICER
2 x MIDI cable DIN-3.5mm; 150 cm (Type A)
To use the meloDICER with the MEX3, the latest firmware must be installed. This can be downloaded from the manufacturer's website.

Notes: The Airlectron Sensor Recorder module is equipped with a sunlight independent distance sensor to generate CV output voltages.

A distance sensor reacts to hand movements and varies the CV output voltages (bipolar/max +/- 5 V, unipolar/max 0-+10 V). The range control adjusts the detection distance (2-50 cm). The freeze function keeps the voltage when there is no continuous movement.

The recorder/looper can be used to record motion sequences for up to two minutes. This recorded data can be played back in a loop or once and restarted at the START/RESET input. LEDs indicate the status of the gate inputs and outputs.

Features:

3x controller
1x Vishay distance sensor
3x gate/trigger in- and outputs
2x CV outputs unipolar/bipolar
Power supply via Doepfer connector

Notes: Another typically creative offering from the good people at Soma, the Metaconformer is a MIDI router and thru box with some nice touches, including Combiner mode to join monophonic instruments into one big polyphonic patch.

Supplier's Notes:
METACONFORMER is a smart MIDI router and thru box.

The METACONFORMER has 2 independent MIDI inputs and 4 MIDI outputs. One of the outputs can be configured as a sync signal source.

Today METACONFORMER supports 3 modes of processing MIDI messages:

Splitter mode allows you to split the keyboard of one MIDI channel into several zones. Notes from each zone are sent to only one instrument. This allows you to simultaneously play several instruments at once, listen to the interaction of timbres without having to switch the MIDI channel.

Combiner mode allows you to combine several monophonic instruments into one multitimbral polyphonic instrument. This works the same way as a polyphonic synthesizer's algorithm when it activates its voices. Only instead of voices with the same dynamics and parameters, you can play completely different timbres, which greatly expands the possibilities for creating interesting harmonies and rhythms.

Translator mode allows you to play the sound core parameter by pressing notes. Each received note is translated into a CC message corresponding to the desired parameter. This mode allows you to play with sound parameters, rather than simply enter them by rotating the knob. This mode works great with granular delays, resonant filters and paraphonic oscillators.

Power supply: DC +5V via USB
Current consumption: 20 ma max
Dimensions: 148 x 50 x 20 mm
Weight: 0.15 kg

Notes: You must absolutely own Skippy to use this module; it cannot operate independently.

The firmware version 2.21 or higher must be installed on your Skippy.

Additional features:
1 CV gate or trig input for Reset
1 CV gate or trig input for Play/stop
1 Reset button
1 Play/stop button
1 Live mode on/off button
16 function potentiometers distributed over 4 rows: you can freely choose a function (BPM, STEP, BEGIN, END, GAUSS, GATE, PROBA, CHAOS, SWING, WAY) for each row.
1 row of 4 algorithm potentiometers: you can freely choose an algorithm (Euclid, Jazzy, PolyR, Tiles) for each potentiometer.
The Save function takes into account the settings used in Skippy Live.
The selected parameters for Skippy Live are automatically saved.

Technical specifications:
10 HP
Depth: 25 mm
Power consumption:
+12 V 0 mA
-12 V 0 mA
+5 V 15 mA
Comes with a connector to Skippy and Knurlies.

Notes: Stereo version of Erica's DJ-style filter module designed with drums in mind. Simple three-knob interface gives control over joint low-pass/high-pass resonant filter with CV input.

Supplier's Notes:
As its name suggests, the Erica Synths DJ VCF STEREO module provides sound treatment functionality typically found on DJ decks - it is fully open when the cutoff knob is at 12:00. When turned counter-clockwise, lowpass filtering is applied and when turned clockwise, highpass filtering is initiated. Additionally, there is a nice-sounding, adjustable resonance parameter. This provides hands-on control over the sound during performances as well as unconventional timbre modulations that are hard to achieve with conventional state variable filters.

Features

Fully analogue stereo DJ-style VCF
Manual cutoff and resonance control
Two cutoff CV inputs, one with an attenuverter
Technical specifications:

Audio level: 10Vptp
CV level: -10V - +10V
Filter slope: 24dB/oct
Power consumption: +109mA, -101mA
Module width: 8HP
Module depth: 35mm

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from solid 5mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Ableton Push 3 Black also features heavy-duty, spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Ableton Push 3 Black not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 12,50 kg / 27.5 lbs
Outer Dimensions (W x H x D): 45.6 x 43.2 x 18.3 cm | 17.9 x 17.0 x 7.2 inch
Inner Dimensions (W x H x D): 38.2 x 31.9 x 6.8 cm | 15.0 x 12.5 x 2.7 inch
Material: Heavy duty construction of 5 mm thick plywood
Protection: Improved powder coated and anodized hardware

High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Adjustable laptop shelf
UDG heavy-duty spring-loaded handles
Secure stacking due to stackable ball corner

Fits

Ableton Push 3

Notes: Zeus Guitar Pedal Power Supply

NU-X have built an enviable reputation as guitar pedal experts and great guitar sound starts with the power source. Using standard 9Vdc power adaptors usually releases unwanted noise into the signal chain and unstable power can adversely affect the operation and even life expectancy of some boutique pedals. Zeus is an extremely low noise, high current power supply designed specifically for audio effect circuits with 6 fully isolated 9V outlets, 3 switchable 9/12/18V outlets and a fully variable 6-12V outlet. This lightweight and efficient power supply has the flexibility and reliability to run a full pedal board, even with multi-effect units added, with problem-free operation.

Extremely low noise circuitry
Fully isolated outputs
Multiple voltage options
High current capacity
Supplied with various DC link cables to havndle most pedal input types
Supplied with a 2-outlet combiner lead with 2.5mm DC plug for higher power units.

Power supply: 100-240Vac, 50/60Hz (IEC)
Outputs: 6 x 9VDC, 3 x 9/12/18vDC, 1 x 6-12Vdc variable (all DC5521 jack)
USB output current: 1.5A (Type-A outlet)
Dimensions: 195 x 101 x 42mm
Weight: 658g

In the box

The box for this item contains :

Zeus guitar pedal power supply
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.5m
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.3m
1 x DC jack reverse polarity cable (5.5x2.1mm) straight to angle 0.5m
1 x DC jack (5.5x2.1mm) to 3.5mm plug cable 0.5m
1 x twin DC jack (5.5x2.1mm) socket to single DC plug (5.5x2.5mm)
1 x IEC power lead

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

The Julia is a fully analogue, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analogue LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds not found on traditional chorus pedals.

In 1999, spectrographs picked up an unexplained sound emanating from dark ocean depths. The source of the sound was untraceable. While most scientists attributed it to an iceberg dragging the ocean floor, some sceptics began to understand the true source of the sound. Julia, the water demigoddess. Crying from the deep in a chorus of melancholy hymns, she remains to be uncaught but the pursuit for her is unceasing. Walrus has captured a fraction of her powers in the Julia Analog Chorus/Vibrato.

9V DC, 30mA
121 x 66 x 41 mm, 0.27 kg
Made in Oklahoma, USA

Dimensions and power consumption:

6,6 x 12,2 x 4,1 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julia V2
Manual
Sticker
Guitar pick
Pouch

Notes: Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.

Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-5 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there's plenty of space for extended creative journeys.

The RC-5 features the most advanced interface available in any compact looper pedal. The LCD lets you keep an eye on loop status as you perform, with a backlight that changes colour to indicate recording, overdub, and playback states. And coupled with the multi-function parameter knob, it's quick and easy to navigate rhythms, kits, system settings, and more in the heat of the moment.

The RC-5's versatile pedal switch controls all looping functions-record, overdub, play, stop, and undo/redo. But deeper control is also supported if you need it. Connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. Players with advanced systems will love the TRS MIDI I/O, which saves space and enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs.

With 57 preset rhythms and seven different drum kits, the RC-5 is ready to elevate loop and practice sessions with inspiring grooves for any style. For each rhythm, A/B variations can be selected from the panel or controlled via MIDI while performing. The RC-5's looper engine also includes a cool reverse function that's great for infusing your music with fresh sonic colours.

The RC-5 provides 99 phrase memories, letting you store loops as fast as you create them. In addition to audio, a phrase memory includes the selected rhythm and kit, so it's ready to go when you call it up. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-5 becomes a pedalboard playback hub for lesson material, jam tracks, or backing music for your next gig.

Notes: Make your playing soar with majestic ambience

Powered by Multi-Dimensional Processing technology (MDP), the TE-2 Tera Echo produces a dynamic new stereo ambience effect that goes far beyond traditional delay and reverb.

Multi-Dimensional Processing for Superior Tone

Roland's innovative Multi-Dimensional Processing (MDP) analyses audio signals in many dimensions and applies ideal effects to each. By giving different dynamic changes relative to the input signal in real time, MDP can create bold, all-new sounds with a previously unattainable range of expression.

TE-2: Inspirational Echo

Thanks to MDP, the TE-2 delivers an amazing new ambience effect that satisfies and inspires. Complex internal processing produces an incredibly deep and spacious sound, dramatically enhancing the straight guitar tone without overwhelming it. Through the TE-2's simple, familiar stompbox controls and incredible sensitivity to your playing dynamics, an extremely wide range of sounds can be achieved. And with the expressive Freeze function, you can hold the current effect sound to create rich soundscapes for lead playing and sonic exploration.

The 100th BOSS Compact Series Model!

The TE-2 Tera Echo represents a milestone as the 100th model in the long history of the BOSS compact series. Starting with the release of the OD-1 Overdrive in 1977, BOSS' legendary stompboxes have been integral tools of artistic expression for millions of players around the world. Fuelled by a spirit of dedication and innovation that began nearly four decades ago, the TE-2 carries on the BOSS legacy of bringing inspiring, leading-edge technologies to musicians everywhere.

Specifications:

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E. LEVEL knob, TONE knob, FEEDBACK knob, S-TIME (Spread Time) knob
Indicator: CHECK indicator (Used for indication of HOLD, and to check battery)
Connectors:, INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 90 mA

Expected battery life under continuous use:
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options: (sold separately): AC adaptor (PSA series)

Size & weight (including battery)

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 435 g / 1 lb

Notes: SkipLog, a probability processor with sequence capturing and looping features, along a range of other versatile functions waiting to be explored.

SkipLog is a 3-channel rhythmic probability processor designed for inventive rhythmic exploration in modular setups. Introduce unpredictable rhythmic possibilitis to your creative flow.
SkipLog's basic operation is simple: when a trigger or gate is received at one of its three channels' inputs, the same channel’s Probability knob allows you to control the likelihood of these triggers or gates reaching the output. This inputs are internally connected .

SkipLog continuously captures the binary outcomes of its use, storing them for potential sequences. Activate the Loop function to break from pattern creation and loop the recorded sequences. Individual Loop Length knobs for each channel allow adjustment of the loop sizefrom 1 to 16 or 32 steps (as selected on the back), providing evolving rhythmic patterns.

To fine-tune your arrangement, SkipLog introduces functions like Mute for real-time channel silencing, Inv for signal inversion, and Choke for establishing channel priorities. Lastly, the G/T (Gate/Trigger) Mode enables users to specify whether the channel output is a gate or a trigger.

Dimensions
8 HP
33 mm deep

Current Draw
100 mA +12V
22 mA -12V