Review: Soon to be followed by two more from the mighty Ratio - ACR:EPC and ACR:EPR - EPA is the opening chapter in a triptych born from nothing. Or at least no fixed plan or specific agenda. A day spent jamming in the studio with close friend of the band and regular vocal collaborator, Denise Johnson, the recordings here and on the pair still to come represent the work they did that day, shortly before the world lost the woman in question forever.
Passing away in July 2020, well before her time, this is ACR paying tribute to another integral part of the Manchester music Factory. From the hypnotic and woozy 'Wonderland', where Donna Summer meets acid jazz, to the more straight-laced disco material - delivered with an edge you'd expect in terms of instrumentation and vocals - EPA is a fitting way to honour her legacy.
Review: A Skillz and Krafty Kuts are veteran names by now but at one option they were some of the hottest new DJs and producers in the game. They pioneered a breakbeat, cut-up and paste sounds 20 years ago that was high on energy and with plenty of character. Now they look to the roots of the sounds they used to draw from and serve up a new single on Jam City that is all about disco. 'Lit Up' has loose, jumbled drums and funk basslines with some great vocal flourishes up top from Gizelle Smith. A remix on the flip takes things into deeper new soul territory.
Charles Wright & The Watts 103rd Street Band - "What Can You Bring Me?" (2:45)
Review: You just cannot miss with this superb label which is now up to release number 33 in this series. And the latest is a golden-era classic featuring legendary mic men A Tribe Called Quest and top soul boy Charles Wright & The Watts 103rd Street Band. The A-side features the track taken from A Tribe Called Quest's Love Movement album so is packed with their signature beats and bars. On the B-side, you are treated to the funky original sample source from Charles Wright & The Watts 103rd Street Band which delivers a raw, infectious groove. If you love classic hip hop and funk, and why wouldn't you, this is a great pairing.
Review: Neil Anderson's unashamedly revivalist Original Gravity label is back once again - when are they not dropping heat, frankly? - with more funk goodness. This time out it is two more massive slices of tasty Latin funk getting served up. The first is Abram & Nestor's 'Four Minutes Of Funk' which is indeed four minutes of funk that will unite dancefloors from here to eternity with its big organ magic. Nestor Alvarez' 'El Trombonista' is as you might guess denied by its big trombone and also boasts some great horn work. These are two steamy and sizzling cuts that prove irresistible.
Review: Neil Anderson's Original Gravity loves to look back and revive forgotten classics and that is what it does again here with a quick reissue of something it dropped back in March. This time out it is two more massive slices of tasty Latin funk getting served up. The first is Abram & Nestor's 'Four Minutes Of Funk' which is indeed four minutes of funk that will unite dancefloors from here to eternity with its big organ magic. Nestor Alvarez' 'El Trombonista' is as you might guess denied by its big trombone and also boasts some great horn work. Do not sleep.
Review: A '68 Brunswick classic that's since been covered and sampled by many, Barbara earned her stripes as a backing vocalist on the legendary Chess Records. This, her sophomore single, brought her to the masses and has settled in many a digger's collection ever since. The slightly lesser known "Love Makes A Women" is equally as powerful, and comes with a rather funky swing. Fryers don't churn out represses like their peers... But when they do, they're gold.
Review: A new take on a Jonathan Richman classic from 1977 which has lit up clubs for 45-odd years, especially during the punk era. The track's infectious rhythm has inspired various reggae remixes but now it's getting a fresh cumbia twist. Cumbia and reggae share a common groove, making them a perfect match for DJs to mix and this one was recorded in Lima by Pancho Acosta, founder and guitarist of Company Quinto, who transforms the track into an upbeat cumbia gem. The flip side features Acosta's 'Carnaval de Jujuy' blended with Money Chicha's modern take on Peru's fuzzed-out chicha sound.
The Born Messengers - Let Love Flow (LLorcavaller remix) (4:48)
Coffe & Cocaine (Bruno Belissimo edit) (3:39)
It Ain't Reggae (Lego edit) (4:21)
This Time Baby (Bully Boy dub) (4:43)
Review: Those playful edit and remix maestros at French label Act of Sedition are back with another red hot, super limited 2 x 7" special. It kicks off with a nice languid remix of the classic 'Let Love Be Free' with an extra low slung sleazy bassline beneath the gorgeous vocal. Bruno Belissimo goes for a heavy, scuffed up deep house take on 'Coffee & Cocaine' that has a vast bassline and some jazzy keys all tumbling off grid. Lego edits 'It Aint Reggae' into a high speed boogie gem and Bully Boy offers a chunky disco stomper to round things out.
Review: Alex Puddu's Afro Soul Prophecy project continues to blaze into the year with pure molten lava grooves. "Daddy's Groove" is a perfect summer heater with its laid back horns that ooze over the wah wah licks and strutting rim-shots. "Let Me Be Your Lover" takes more of a Latin approach with its upbeat rhythm and bossa tendencies. Listen out for those cosmic guitars in the background... Dreamy business.
LA Nights (extended version - previously unreleased) (5:29)
But Beautiful (4:28)
New Yor Afternoon (3:01)
Review: Yasuko Agawa's 'L.A Nights', a glossy 1986 single inspired by Light of the World's earlier dancefloor hit 'London Town', has long been regarded as a Japanese 'city pop' classic. It was also a big favourite amongst dancers on the UK's jazz-funk and soul scenes - thanks to a British issue on Bluebird - during the period, too, making this reissue extra appealing. Excitingly, this edition leads with a previously unreleased extended mix that wonderfully stretches out the tactile, laidback, synth-sporting jazz-funk number. The bassline, vibraphone solos and lead vocal from Agawa - sounding more like a Black American jazz singer than a Japanese popstar - are all superb. It comes backed by two fine B-sides: the classic, late-night vocal jazz of 'But Beautiful' and the stirring, up-tempo 'New York Afternoon'.
Review: Not just a beautiful compliment to pay someone special, but a hugely influential record that inspired Floating Points' now legendary Plastic People parties, too... A super obscure and expensive one at that. Now re-issued on Floating Points' own Melodies imprint - across three 45s - the Detroit band get full exposure with the deliciously funky main track enjoying two versions before dipping into the softer, more pastoral charms of "I Feel Like Dancing" and the string-led swoon festival, "Theme For Someone Special". We close on two contrasting grooves; an earthy ballad ("Trust Me") and a Whitfield & Strong style funk instrumental ("Dance Awhile"). Cheers Sam!
Review: Of all of the tracks that seemed to define the soul, funk and disco revival lead by Floating Points and his co-run Melodies International label, it is the title track off this albumfrom Aged in Harmony. It was a real anthem for the multi-hour DJ sets at Plastic People, for his cult-ish NTS shows and the parties he played to record obsessives all over the world. And it's easy to see why - the steamy sax, the classy strings, the hooky bass motifs and the lovely drums. Here it get served up twice, along with a load more tunes that include sentimental steppers like 'I Feel Like Dancing' and the lush Balearic melodies of 'Theme For Someone Special.'
Review: This 7" fits into a set between the good hip hop, freestyle sampledelic, real funk and real soul!! When you love Quantic you'll love AIFF!!! This heavy 7" is limited - just 1000 copies!! Get your ass in to gear and grab this whilst you can!
Akiko & Masayasu Tzboquchi - "Love Theme From Sparticus" (feat Mbanja Ritchy aka B-Bandj - Clear Day mix) (4:34)
Review: Tom Browne's 1980 single 'Funkin' For Jamaica' has long been something of an anthem - a hybrid funk/boogie classic that remains a staple in sets of hip-hop, disco and soul DJs alike. Given its ubiquity, covering the song is fraught with danger, but remarkably Japanese producer Akiko and guest vocalist Mbanja Richy have successfully put a new spin on it. Their take is subtly tougher and more synth-heavy, with bilingual French/English vocals, nods to Zouk music and a bassline so squelchy it could have been lifted from a P-funk record. Over on the flip, the pair go mellow, deep and laidback on a pleasingly skewed hip-hop soul cover of Terry Callier's legendary vocal interpretation of Alex North's 'Love Theme' from 'Spartacus'. Inspired stuff all told.
Review: Tip Of The Iceberg presents 'Fela Dey'. These two tracks are lifted from 'P.D.P. (President Dey Pass)', the second CD
from the New York afrobeat scenesters, Akoya Afrobeat. Fully representing the instrumentation and capacity of a true
African-style super group, 'P.D.P.' is a marker of the living musical legacy of afrobeat founder Fela Kuti. Active on the
New York music scene since 2002, Akoya's sound rules dance floors home and abroad with the deep afro funk. Fueled
by infectious, all-consuming percussive grooves and a warm, pulsating rhythm section, the band delivers the knockout
punch with a massive horn section and soulful vocals. Musical roots not withstanding, 'P.D.P.' forges new ground in
many directions, yet still retains the central quality that bridges all musical tastes. Deep cyclical composition with a
prominent backbeat is their hallmark, and with razor-sharp transitions and melodies, listeners will be constantly surprised and elated.
Review: The mysterious Al Tone returns with another edition of crisp editcraft but this time on their own brand new label 020312. Business as usual in the groove department, though... "Remember Me" is a sultry disco funk jam, "Beggar" has a touch of Lagos late 70s about it with its fizzy guitar work and loose but firm strut while "Heaven" lives up to its name with full falsetto charm. Finally we close this monumental party with "Long Journey" an outrageously funky gospel jam that will have your floor asunder by the first slap bass twang and happy slappy piano roll. These numbers stack up.
Review: The UK's Mr Bongo has been reissuing old music and putting out new tunes since the late 1980's, and the label is still going strong in 2015. This latest 7" features two of Ethiopia's greatest musicians, Alemayehu Eshete and Mahmoud Ahmed, in a head to head, split EP. On the A-side, Mr Bongo has resurfaced Eshete's "Tchero Adari Negn", a supremely funky piece with the man's own voice gliding effortlessly over hard drums and fuzy guitar riffs; "Bemim Sebeb Litlash" goes deeper and more psychedelic on the flip, and Ahmed's voice is a pleasure as always. Check their other material on Mississippi for a broader introspective.
Review: Alessandro Alessandroni is a library music legend who set the blueprint for the genre early on and then managed to get even more famous because of providing the iconic whistle on famous spaghetti western 'A Fistful of Dollars'. The influential composer and musician had a big say in the world of soundtracks during the 60s and 70sFour Flies have often released his work or covers of it. The tunes on this 7" are taken from an obscure 1975 Italian film by Elio Bartolini. They walk the thin line between disco and funk and jazz-funk with big horn and rhythm sections. Both might have been lost forever if it weren't for the fact that this label put them on the now modern classic and hard to find compilations Esterno Notte and Esterno Giorno.
Review: Alessandro Alessandroni (often said to be the most famous whistle in the history of film thanks to appearing on famous spaghetti western 'A Fistful of Dollars') is a legendary composer and musician who very much had a big say in the characteristic sound of Italian soundtracks during the 60s and 70s. This lovely 7" from Four Flies showcases that with two well chosen cuts that have been taken from a dusty tape found in the great man's vault. 'Shine On' is superbly stylish funk with some seductive vocals and rolling drums all peppered with golden chords and dynamic horns. 'Prohibition' is a little more mellow but still features magic Rhodes and characterful horns.
Review: As showcased by DJ Koco from Japan on instagram and as the label artwork makes clear, this two-tracker from the previously unheard Alex Santos Orchestra was made in tribute to Creed Taylor's legendary CTI Records imprint, which during the 1970s released some of the finest jazz, jazz-funk and fusion ever made. On side A the studio collective gives their interpretation of Freddie Hubbard's 1970 epic 'Red Clay', with the track's most famous musical elements - jaunty sax riffs and mazy electric piano motifs - rising above a funkier, warmer and tighter interpretation of the track's low-end groove. Turn to the flip for their version of Bob James' favourite 'Nautilus', a harder edge take that combines a faithfully spacey take on the original's electric piano melody with sweatier beats and heavier horns.
Review: As the label artwork makes clear, this two-tracker from the Alex Santos Orchestra was made in tribute to Creed Taylor's legendary CTI Records imprint, which during the 1970s released some of the finest jazz, jazz-funk and fusion records ever made. On side A the studio collective gives their interpretation of Freddie Hubbard's 1970 epic 'Red Clay', with the track's most famous musical elements - jaunty sax riffs and mazy electric piano motifs - rising above a funkier, warmer and tighter interpretation of the track's low-end groove. Turn to the flip for their version of Bob James' favourite 'Nautilus', a harder edged cover that combines a faithfully spacey take on the original's electric piano melody with sweatier beats and heavier horns.
Review: Dig Find Sample Chop Repeat is a new American label throwing its hat into the world of funky 45s. They put each one out on black wax as well as on special coloured vinyl. Alex Santos Orchestar has taken care of this one, as well as the debut, and is made up of a fine group of musicians playing guitar, brass, vocals, drums, congas, keys and trombone. 'Devika(Goddess)' is awash with funk and jazz, slide guitar and spiritual percussion and it's a golden groove for late night slow dancing. 'Expansions' is a little more upbeat but just as richly musical and seductive.
Got To Get Your Love (Muro Diguma edit - instrumental) (4:15)
Review: The latest set of Diguma Edits sees dusty-fingered Japanese digger-turned-re-editor DJ Muro take his scalpel to 'Got to Get Your Love' by Clyde Alexander & Sanction, a suspenseful and action-packed 1980 number from producers Peter Brown and Gary Davis. Muro first cuts down and compresses the ten-minute vocal version, making merry with the track's unusual combination of classic disco grooves, showtunes-style orchestration and eccentric vocals. Over on the flip he does a similar job on the slightly different instrumental take, in turns showcasing the track's crunchy guitars, warming electric pianos, spacey synths and grandiose orchestration.
Review: Bernard "Pretty" Purdie and his Playboys were an iconic funk group of the late 70s who had big hits with the likes of Gil Scott Heron on his seminal 'The Revolution Will Not Be Televised' single. A year later on the same label, Flying Dutchman, they served up the 'Heavy Soul Slinger' single which gets reissued here. It's driven by big drum breaks and funky hits, with plenty of lush chords and rolling basslines all taking you on a high class and sophisticated trip. On the a-side is Harold Alexander 's 'Mama Soul' from the same era, but with a much more experimental sound rooted in wordless ad libs and frantic flutes.
Review: Monty Alexander's 'Love & Happiness,' it might not surprise you to learn, is a cover version of the great Al Green's 'Love & Happiness.' He hooked up with Ernest Ranglin for the occasion and the pair laid it down in 1974, two years after the original came out, with super slick jazz-funk fusion over a reggae tinged beat. The original chords are recognisable, but the whole track i such more mellifluous and bright, the golden chords oozing warmth and the rolling rhythm getting you feeling all snuggly and loved up. Definitely worth a place in your collection.
Review: American jazz and gospel singer came up in Chicago and world the local scene - both playing in the clubs, but also as part of an a cappella choir for a number of years. She moved to LA to pursue her dreams in 1962, and the move paid off. She recorded 24 albums and nearly as many EPs right up until the mid nineties. 'Baltimore Oriole' was originally recorded in 1957 but this version is from 1977 . It is a glorious bit of uptempo Afro-Cuban jazz with lush jazz, funk and soul stylings all topped off by a fine vocal.
Music Saves Me (feat Baby Bam - Beatvandals remix) (4:17)
Review: Second time around for Ali B's Afika NX-sporting bomb 'Swing It', a weighty fusion of electro, rap and - whisper it quietly - electro-swing that first surfaced earlier this year. This edition doesn't boast the original, but instead a fresh rework from bootleg remix king Jim Sharp. His take is little less than a total re-imagining, with Afika NX's rap sounding deliciously laidback atop a boom-bap beat rich in woozy electric piano chords and sampled sax lines. Over on the flip, another vintage Ali B cut gets the remix treatment, as Utah Saints manbutt dons the Beatvandals alias to re-frame sleazy rap jam 'Music Saves Me' (featuring Jungle Brothers' Baby Bam) as a cheery slab of disco-boogie fun. Basically, it's a guaranteed party-starter.
Review: "Cramp Your Style" by All The People surely belongs among the canon of all time funk standards, sampled aplenty over the years, included on numerous compilations as well as being the recipient of cover versions from Breakestra and Killer Meters. Originally issued on the Blue Candle label back in 1972, a newly remastered edition of that 7" is now available for any funkateers out there without the 45 in their collections already. Robert Moore's yearning vocal sounds all the better for it too! And don't sleep on the bluesy delights of B side track "Watcha Gonna Do About It?".
Cramp Your Style (Conomark & Hong Kong edit (brew)) (3:41)
Review: All The People was a Florida-based soul act who joined vocalist Robert Moore Jr on this highly sought after '45. Moore was the master of a singing style known as 'soul scatting'. His career later took him to Miami, where in 1979 he joined a group headed by Herb Reed, one of the original Platters. He stayed with Reed until 1993. Originally released on Blue Candle back in 1972, this much sought after classic has been reissued thanks to Japan's Ultra Vybe with an edit on the flip by Conomark & Hong Kong, which retains the original's big band style of soul music in the tradition of the legendary James Brown.
Review: Crowbar come correct with this belting little slice of mid 70s funk by J.T. Allen and Little Richard's Band, originally issued on the Delmar label out of Atlanta in 1975. Sales notes suggest one collector offered Crowbar a sizeable sum to not reissue this gem, but the label was not interested, adamant that funk of this calibre needs to be granted a wider audience in fully licensed and remastered fro,. Raise your glasses to Crowbar then, as both cuts here will liven up the funk dance. "Working Hard" has a certain Motown edge to it, thanks to the rolling percussion and harmonies whilst "Freeway Crowd" finds JT and company veering off into grittier territory.
Afrodiscobeat (Mexican Institute Of Sound rework) (4:06)
Review: For the second volume in the Tony Allen and Africa 70 Disco Afro Re-Edit series, Africaine 808 and Mexican Sound Institute have been given the tricky task of reworking some suitably epic classics. The 12-minute original version of "Afro-Disco Beat", long considered one of the greatest Afrobeat workouts of all time, proudly stretches out across the A-side, allowing listeners to revel in Allen's extended drum breaks and Africa 70's rousing, horn-heavy instrumentation. Africaine 808 give the track a deliciously spacey, Moog-heavy makeover, combining Allen's playing and Africa 70's horns with vintage drum machine hits and outer-space effects. A brilliant package is completed by Mexican Sound Institute's similarly spacey, intergalactic interpretation of 1979 cut "African Message".
Review: Jalapeno remains one of the hottest and most spicy labels out there for hip hop lovers, and now it is The Allergies who bring the heat on a new and limited edition 7". They kick this one off with 'Stanky Funk' which features Bootie Brown and brings some old school cool, plenty of retro organ chords and noodling basslines that will tie the dance floor in knots. 'Never Gonna Let Go' then ups the ante with even more raw and hard hitting breaks next to big vocals and driving brass.
Review: Brand new funk from Bristol-based duo The Allergies, these two pant-swinging numbers mark the build up to their third album Steal The Show. As always, it's an all-out funkathon with full eyes on the party prize. "Can't Keep Working This Hard" jumps with a classic JB style break with some gutsy, raw soul vocal chops while "Run It Back" sees them tagging up with Andy Cooper once again with another classic spitfire rap jam that you know you'll be air rapping to within two or three listens. Yeah you will.
Review: Clear the way when you see them coming through! Three albums deep since 2016, Jalapeno's in-house funk machine The Allergies wheel up with more brand new material. "Every Trick In The Book" shakes and slides with a wry psychedelic groove, a familiar vocal, big horns and lavish dollops of the feel-good flare the Bristol duo have made their signature. Need something spicier? Flip over for "Nuff Respect" where long-standing MC partner in vibes Andy Cooper steps up to cover one of the all time OGs: Big Daddy Kane. Back up and bow.
Fade Away (feat Andy Cooper From Ugly Duckling) (2:59)
Review: Aside from releasing 2 albums for the imprint, Bristol's The Allergies have been a pillar of the Jalapeno label's success over the years, helping the label find its feet amid the ever-growing broken beat scene. The duo return to the catalogue with a classic helping of their very own breakbeat science, first up with the vocal-led charm of "Dance Now", a commercially-minded dancehall anthem that strays into pop and r&b with utter ease. On the flip, Andy Cooper features on the rap-pop hybrid vocals of "Fade Away", a feel-good party tune that is solely focused on getting you to move!
Vamonos (feat Andy Cooper & Marietta Smith) (3:15)
Review: The Allergies are now well respected and much loved in their field. They have rolled out killer albums and EPs at a rate of knots and always with real funk at their core. This is the Bristol band's second sizzling single of the year on the Jalapeno label and it is another doozy. 'Hypnotise' is a really psychedelic sound with squelchy synths and big horns, Afro vocals, finger clicks and swaggering beats all sure to pump any party. 'Vamonos' (feat Andy Cooper & Marietta Smith) is a high speed and Latin flecked funk chaser with manic clapping, fast spoken-rapped bars and big horns.
Review: The final single to be taken from Moneyshot and Rackabeat's hugely successful debut album As We Do Our Thing, "You Wouldn't know" and "Special People" close the LP cycle with fitting party spirit. The former is a dense weave of horn samples and well-known vocal hooks over some deliciously swashbuckling beats while the latter is a sweatier funk groove that's reminiscent of the classier end of big beat's golden era but with more original funk spirit. Rumour has it they're already deep into their second album...
Review: Bristol outfit the Allergies has enjoyed a hugely successful year so far, releasing a string of killer funk and soul sevens on Jalepeno Records. Astonishingly, "Entitled To That" could be their biggest single yet. Certainly, the title track is superb; a revivalist Northern Soul style stomper full of hazy horns, fuzzy guitars, sweaty drums and the kind of strong, empowered vocal that recalls some of soul music's greatest female singers. Wisely, there's a slightly more laidback feel about flipside "Get Down on You", where crunchy Clavinet lines wrap themselves around a snappy funk breakbeat. It's a fine tune, of course, but pales in comparison to the killer A-side. Regardless, this should be an essential purchase for funk DJs.
Review: Times may change and life may evolve, but the Allergies will always be unashamed party-starters whose records are both pleasingly heavy and instantly accessible. By now, you shouldn't need further proof og their skills in this department, but if you do, the Bristol combo's latest "45" is a lesson is dancefloor-igniting goodness. 'Lean on You' is a live and funk-fuelled as you'd expect, with distinctive flash-fried funk-rock guitar riffs, bustling, interestingly slung breakbeats and a fine lead vocal from Dynamite MC. Over on the flip, 'Working on Me' is a more bluesy, cut-and-paste funk breaks number that's guaranteed to get feet moving out on the dancefloor.
Review: Bristolian funkateers and confirmed party-rockers the Allergies have enjoyed a pretty prosperous 2020, with the release of their fourth studio album being followed by a string of singles - a number of which ending up riding high in the NACC US college radio sharts. 'Jumping Off', their final single of the year, is another intensely upbeat, club-ready affair, with regular mic man Andy Cooper (of Ugly Duckling fame) and a crew of female backing vocalists riding a bombastic, party-igniting groove that sits somewhere between hip-hop and deep funk. Flipside 'Gather Around', a bluesy, gospel-tinged stomper full of heady Hammond licks, jazzy bass and infectious verse vocals, is equally as potent.
Review: The JalapeNo label never fails to serve up the sort of hot and spicy funk sounds that electrify dance floors. It is UK beatmakers The Allergies who take care of this one with fire-in-the-hole future classics that pack powerful punches with their famous signature sound. First up is the vintage funk of 'Love Somebody' with its big and beefy breaks and vintage sounds. On the flipside is 'Promised Land' which is the title track from the forthcoming album. It's a big and bulky breakbeat smasher that will get the feet tapping and the fists pumping.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.