Tags: Ethiopian Jazz

Review: The Sorcerers have been a mainstay of the ATA Records imprint since it was founded in their home city of Leeds back in 2015. Here, the Yorkshire combo, whose primary influences have always been Ethopian "Ethio-jazz" and obscure European horror soundtracks, return to action with a heavyweight dancefloor workout. In truth "In Search of Sha Hulud" is a far more funk-fuelled affair than you might expect, with exoitic Middle Eastern melodies and fluttering flute solos rising above killer drum breaks and a seriously heavy bassline. Turn to the flipside for "The Anderson Spectrum", a pitched-down, 1960s style library funk jam credited to The Yorkshire Film and Television Orchestra, which appears to be another project helmed by leading members of the Sorcerers.

Review: The first Best of on vinyl from the ethiopiques series. Francis Falcetto, the founder of the series (already 28 Cds available) and THE specialist of Ethiopian music pick up a selection of the best tracks of the series. He opened his large collection of pictures, vinyls and memorabilia to make the artwork of this double LP gatefold. The perfect introduction to the world of Ethiopian music but the specialists will also discover some rare and unknown tracks and artists.

Review: Afro 45's / Mr Bongo show no signs of stopping their tireless run of form and, 7" after 7", they just keep on producing the goods. There's yet more '70s goodness with this new little scorcher: the A-side is 1973's "Tessassategn Eko" by Bahta Gebre Hiwot, a pensive Ethiopian pop hit for all sorts of music fans to enjoy, but "Ayalqem Tedqem" by Alemayehu Eshete on the B-side is where it's at... just listen to that bass and you'll instantly recognize this wonderful little cover.

Review: The Invisible Sessions new album Echoes of Africa is the first on the newly launched Space Echo label out of Italy and is richly rooted in black music. It's been 15 years since a breakout release put this group on the map and now trombonist and multi-instrumentalist Gianluca Petrella and poet, rapper and MC Martin Thomas Paavilainen (aka Benjamin "Bentality" Paavilainen) link once more to great effect as they use jazz as a vehicle to convey their messages of cultural synergy, unity and love. Afro-beat and Ethio-jazz, funk, psychedelia, and modal music all colour the most compelling grooves.

Review: Leeds post-punk mystics The Sorcerers deliver their latest album-length aporia, I Too Am A Stranger. With the compositional vision and timeless lines of bassist Neil Innes, truly rare grooves from drummer Joost Hendrickx (Gott Street Park, Eddie Chacon) and a little cosmos of tones and melodies from reed, flute, vibraphone and keyboard player Richard Ormrod - with the up-and-coming Leeds trumpeter Olivia Cuthill chosen to augment the brass sections and regular collaborator Danny Templeman filling out the percussion palette - the overall five-piece lay down nine instrumental funk eccentrics, drawing on everything from classic Ethiopiques, to the chanbara soundtracks of Fumio Hayasaka, to the oddball genius of Moondog. An implicit dedication to cosmopolitanism in album form.

Review: The popular Spanish ensemble Pyramid Blue come back, and do so in brilliantly fantastic fashion with this red-hot new 7" featuring a captivating mix of Afrofunk and Ethio Jazz. Oscar Martos is the composer and producer who heads up this group and is fresh off big collabs with Tito Ramirez. He manages to draw from modern sounds as well as classic genre tropes here and push both into all new ground with 'Lince Rojo' opening up with an enchanting lead and raw rhythms. On the B-side, 'Doctor One' brings a hint of hip hop edge to psyched-out guitars and cosmic synths.

Review: Mulatu Astatke's 1972 album Mulatu of Ethiopia stands as a seminal work introducing listeners to the innovative sounds of Ethio-jazz. Born out of Mulatu's unique blend of Ethiopian melodies with Western instruments and influenced by his experiences in Boston and New York, the album exudes a captivating fusion of styles, as Mulatu's mastery of the vibraphone, paired with organ, flute and horns creates a mesmerising sonic landscape across seven tracks. Straying from traditional Ethiopian vocal-centric music, Mulatu's instrumental compositions showcase his singular vision. The album's reissue provides a deeper understanding of its creation, with additional outtakes revealing the bandleader's meticulous direction and experimentation. Over the years, Mulatu's influence has extended beyond jazz, inspiring artists across genres and spurring renewed interest in his timeless work.