Review: Little is known about this early 1970s psychedelic soul group from Germantown, Philadelphia. However, their record was recorded in 1969 and released in 1970 as one of two releases on Michael Nise's Round Records (Nise Productions INC). Now, remastered from an original pristine vinyl copy in collaboration with Nise Productions, this marks the first official reissue of the album. The group's music captures the essence of the era's soul and psychedelic influences, making this a long-awaited release for collectors and fans of vintage soul.
Review: Neil Anderson's Original Gravity loves to look back and revive forgotten classics and that is what it does again here with a quick reissue of something it dropped back in March. This time out it is two more massive slices of tasty Latin funk getting served up. The first is Abram & Nestor's 'Four Minutes Of Funk' which is indeed four minutes of funk that will unite dancefloors from here to eternity with its big organ magic. Nestor Alvarez' 'El Trombonista' is as you might guess denied by its big trombone and also boasts some great horn work. Do not sleep.
Review: After years of silence following the loss of Sonny Knight in 2017, former Lakers members Blair Krivanek and Cy Pierpont return with their new project, Ace Box Shift. The duo have made plenty of standout contributions to the soul revival scene before now and here they debut on Secret Stash Records with another pair of fiery instrumental cuts that work exceptionally well for DJs and dancefloors alike. They find Krivanek's jazz-infused guitar work meeting Pierpont's pounding rhythms with raw, funk-driven results that make for a bold, high-energy comeback that pays tribute to their roots while also moving things onwards.
Review: A new take on a Jonathan Richman classic from 1977 which has lit up clubs for 45-odd years, especially during the punk era. The track's infectious rhythm has inspired various reggae remixes but now it's getting a fresh cumbia twist. Cumbia and reggae share a common groove, making them a perfect match for DJs to mix and this one was recorded in Lima by Pancho Acosta, founder and guitarist of Company Quinto, who transforms the track into an upbeat cumbia gem. The flip side features Acosta's 'Carnaval de Jujuy' blended with Money Chicha's modern take on Peru's fuzzed-out chicha sound.
Review: Bernard "Pretty" Purdie and his Playboys were an iconic funk group of the late 70s who had big hits with the likes of Gil Scott Heron on his seminal 'The Revolution Will Not Be Televised' single. A year later on the same label, Flying Dutchman, they served up the 'Heavy Soul Slinger' single which gets reissued here. It's driven by big drum breaks and funky hits, with plenty of lush chords and rolling basslines all taking you on a high class and sophisticated trip. On the a-side is Harold Alexander 's 'Mama Soul' from the same era, but with a much more experimental sound rooted in wordless ad libs and frantic flutes.
Review: American jazz and gospel singer came up in Chicago and world the local scene - both playing in the clubs, but also as part of an a cappella choir for a number of years. She moved to LA to pursue her dreams in 1962, and the move paid off. She recorded 24 albums and nearly as many EPs right up until the mid nineties. 'Baltimore Oriole' was originally recorded in 1957 but this version is from 1977 . It is a glorious bit of uptempo Afro-Cuban jazz with lush jazz, funk and soul stylings all topped off by a fine vocal.
Review: Times may change and life may evolve, but the Allergies will always be unashamed party-starters whose records are both pleasingly heavy and instantly accessible. By now, you shouldn't need further proof og their skills in this department, but if you do, the Bristol combo's latest "45" is a lesson is dancefloor-igniting goodness. 'Lean on You' is a live and funk-fuelled as you'd expect, with distinctive flash-fried funk-rock guitar riffs, bustling, interestingly slung breakbeats and a fine lead vocal from Dynamite MC. Over on the flip, 'Working on Me' is a more bluesy, cut-and-paste funk breaks number that's guaranteed to get feet moving out on the dancefloor.
Review: Jalapeno remains one of the hottest and most spicy labels out there for hip hop lovers, and now it is The Allergies who bring the heat on a new and limited edition 7". They kick this one off with 'Stanky Funk' which features Bootie Brown and brings some old school cool, plenty of retro organ chords and noodling basslines that will tie the dance floor in knots. 'Never Gonna Let Go' then ups the ante with even more raw and hard hitting breaks next to big vocals and driving brass.
Review: This is another reissue of a record that remains an ongoing favourite. Original Gravity delivered again with the original pressing featuring two unique versions of 'Burning Spear'. Nestor Alvarez opens with a lively, Latin-inspired rendition filled with fluttering flute melodies, raw drum beats and vibrant dancing keys that radiate sunny energy. On the flip, La Machine D'Argent takes a more cosmic approach, smoothing the vibe and layering spaced-out sounds for a dreamy, immersive journey. This release showcases Original Gravity's knack for reimagining funk with flair by offering two distinct yet equally good takes on a timeless groove.
Review: A self-titled opus, the OG presses of Aura's one and only album have been known to fetch over L100 while the 2016 Aloha Got Soul reissue was supported across the board from Theo Parrish to Giles Peterson. Here are two of the most delectable highlights in bright white 45" form; "Let Me Say Dis About Dat" is all about the crunchy riffs and rock funk fusion while "No Beginning, No End" is a thrilling disco funk cut that has aged to perfection. Limited and likely to fly.
Review: Talented Italian collective Aura Safari features well known Italian house producer Nicolas amongst other fine musicians. They have released a fine album on UK label Church but now head to their homeland's Hell Yeah for a debut EP full of magic. 'Lagos Connect' fuses afro drumming with house beats, lush synth work and glowing melodies to make for something beautifully grown up and musical as well as danceable. After the reprise and dub comes 'Morning Rivers,' a super slinky and seductive jazz-funk number with glowing, golden chords and subtle cosmic rays of light.
Review: Coming off their latest long player Expansions on Big Crown Records which is due for release this July, the Bacao Rhythm & Steel Band returns. Using the steel pan sounds that are traditionally from Trinidad and Tabago is the draw and unique approach of the band, and Expansions will have a little bit of something for everyone, with several unique covers along with original tracks like 'Tough Victory'. Two brilliant tracks taken from the album here, with 'Dirt Off Your Shoulder' on the first side and 'I Need Somebody To Love Tonight' over on the flip.
Review: Hamburg's Bacao Rhythm & Steel Band are as enigmatic and alluring as when they released their first single back in 2007, a tidy funk 7" that was to set the scene for a very particular sort of instrumental sound. "Jungle Fever", out on their own excellent Big Crown imprint, is a 2015 single that is truly hard not to play on repeat; the tune is a delicate yet funked-out blend of raw drums and tropical steel melodies, much like the name of the band already implies! The flipside "Tender Trap" is more broken and loose in its arrangement, something that makes it perhaps even more catchy and provocative than the title track.
Review: The Bacao Rhythm & Steel Band has become the latest jewel in the Big Crown. Lead by Bjorn Wagner, they have stopped several essential recordings not he label, all defined by their famous steel pan sound. Often they turn to covers of the classics such as they did back in March and this time around they take aim at the much loved and low slung hip-hop classic 'Nuthin' But A G Thang' by Dr Dre. In their hands it becomes something else entirely but still delightfully low slung and sleazy. This one is backed with 'How We Do' which is another loveably fresh sound.
Review: Afro 45's / Mr Bongo show no signs of stopping their tireless run of form and, 7" after 7", they just keep on producing the goods. There's yet more '70s goodness with this new little scorcher: the A-side is 1973's "Tessassategn Eko" by Bahta Gebre Hiwot, a pensive Ethiopian pop hit for all sorts of music fans to enjoy, but "Ayalqem Tedqem" by Alemayehu Eshete on the B-side is where it's at... just listen to that bass and you'll instantly recognize this wonderful little cover.
Review: In 2011, Banda Achilifunk & OJO served up Gitano Real, one of the year's most essential albums. It was caned far and wide by funk lovers, in particular Craig Charles on his 6 Music show. Now, two cover versions taken from the essential album have been pressed to limited edition translucent yellow vinyl. First up, 'I Believe in Miracles' is an overwhelming take on the Jackson Sisters classic with plenty of happy Latin vibes and rumba funk rhythms. Flip it over for a more abstract version of McFadden and Whitehead's seminal 'Ain't No Stoping Us Now' which is a soulful disco number packed with sunshine.
Miele - "Melo Do Tagarela (Rapper's Delight)" (instrumental) (4:10)
Review: Although Brazil's Banda Black Rio remain infamous for the albums that they recorded in the late 1970s, two beautiful LPs that rode that singular wave of samba-ridden jazz dance, 1980's "Miss Cheryl" is an outstanding tune, and we can hear why RCA picked it up back in the day. Mr Bongo provides us with the reissue here and, if you haven't heard it, it's an absolute delight which switches between disco, psych, and something inherently Brazilian - there's even a wacky synth in there, for good measure. Compatriot Miele appears on the flip with "Melo Do Tagarela (Rappers Delight)", a sublime slice of early, electronic boogie that sounds as fresh today as it did back at the tail end of the 70s. A devious little reissue that you should own...
Review: 'Funky Soul' - a 1970 single from New Orleans band David Batise & The Gladiators - rose to prominence in the 1990s thanks to its inclusion on several high-profile funk compilations, before finding further success thanks to a Breakestra cover in the early 2000s. Ahead of a new collection of unheard cuts from the southern funk band, Family Groove records has decided to reissue it. In it's A-side 'Part 1' form, the track is a killer instrumental funk workout rich in razor-sharp guitar licks, weighty bass, crunchy drum breaks and hazy horns (the arrangement of which was provided by Isaac Hayes). Arguably even more frantic and energetic is the flipside 'Part 2' take, whose call-and-response vocals were a familiar feature of the band's popular live shows.
Review: It was Dave Godin including this lush bit of aching Louisiana deep soul on the first Deep Soul Treasures CD that renewed interest in it. Now, original copies are pricey and hard to find and last year a nice cover version was served up by Lady Blackbird. The good folk at Beat Goes Public aka BGP have decide to reissue the original. It's an impossible to ignore track laden with heartbreak. On the flip side is another bluesy soul gem in the form of 'Hummin' A Sad Song.'
Review: Nick Bike has been at it again, crafting high-grade club cuts that always make an impact. These two have already been well road-tested with great effect. 'Party People (Night & Day)' is the first and is a brilliant collision of some funky, soulful disco classics into one new and strident sound with irresistible claps and vocal hooks. On the flip is the scorching 'Every Night (Hold Me Tight)' which is just timeless and super smooth disco-funk with a persuasive charm. Two no-brainers here that will bring next-level fun to any set.
Review: The Outta Sight label makes a noteworthy debut here with a fine first vinyl release. This reissued 7" gives you a great idea of what to expect froths label going forwards - timeless Northern Soul classics that were there are the birth of the scene and remain a vital part of it decades later. Eddie Billups has a buttery warm voice and a big soul sound. Firstly, 'Shake Off That Dream' is a free-flowing, feel-good sound with big strings and smooth grooves. On the flip, Eddie gets more vulnerable and tender with his effective and confessional 'Try Something New.' Two superb sounds.
Review: Blackhole drops a vital new 7" that features a pair of tidy edits of some classic cuts. First is a Dorothy Ashby masterpiece that has been remastered and is awash with lush, golden harp sounds and gently broken drums. It's a charming escape to heavenly melodic worlds. On the flip is 'Gold' with some masterful guitars and Donny Hathaway on piano. This is the first time this cut has been on its own 45 rpm and is one that has been sampled by greats like hip-hop kings Jay DIlla and Pete Rock.
Review: Cicero 'Corey' Blake was a big name on the Chicago soul scene of the 60s. He himself actually hailed from Jackson, Mississippi and became most well known for the superb reissue 7" presented here. It was recorded in 1975 having been written by Phillip Mitchell and in the years since has become a real modern soul room classic that never fails to detonate any crowd all over the world. It will cost you upwards of a money for an original copy if you can find one and here it is pressed up with the original Sam Dees tune 'Your Love Is Like A Boomerang' on the flip. Essential soul for real heads.
Review: Guillaume Metenier is Booker Gee, a master edit maker and studio wizard who has made his name with some much wanted work on Lucien Entertainment as well as more than once on this label. His second release this month is a trip into the world of ska. 'Out In The Rain' is a perfect sweet spot between rolling reggae rhythms, warm organ chords and skipping kicks. The mood is sensuous and inviting as Gee blends sweet soul with playful funk. The version is only a subtle rework, resining plenty of the charm and allure of the original.
Review: Prior to this year, funk connoisseurs and collectors have known only one record from the 70s Bay Area funk troupe Brass Horizon. That was "We Just Want To Play" and it's been known to go over $1500 in the past. 39 years after its release Super Disco Edits have incredibly unearthed an unreleased gem! So large it takes over both sides, "Horizon's Theme" is a groove heavy instrumental jammed with that classic laid back Berkley vibe where all players get a chance to shine. Part one is all about the organs while part two lets the horns tear the groove a new one. What a find.
Review: We'll never tire of the incredible Brazil45 series on Mr Bongo, which has provided an authoritative window into the rich history of 60s and 70s grooves from South America. Here's a missing joint from the series which took some time to come to fruition - a split release featuring Brazilian Boys on the A side and Rubinho E Mauro Assumpcao on the B. 'Super Herois' is an obscure slice of off-kilter, psych tinged funk from 1975 that has the kind of individual sound which could find favour with a lot of different DJs. 'Tudo Ai' has a more recognisable samba shuffle, but much like the A side there's a subtle twist in the sound which leans towards blues rock and jazz, locking down on the rhythm and creating a low-key party starter in its own unique way.
Review: North Carolina outfit Brief Encounter have long been a cult band amongst funk, soul and disco collectors, leading to reissues of both of their albums (1977's Introducing... The Brief Encounter and 1981's We Want To Play). Here Expansion Records continues the trend of delving deep into their catalogue by offering a new edition of 1976 single 'What About Love'. The title track is undeniably excellent - a sweet, funky and attractive chunk of disco-era dancefloor soul just dripping with emotion. Over on the flip you'll find original B-side 'Get Right Down and Do It', a heavier slab of horn-toting disco-funk pleasure that boasts a seriously addictive bassline and some surprisingly surprising synthesizer flourishes.
Review: Here's a killer reissue from the Soul Jazz archives which is finally getting a repress. It's hardly surprising when the reissue becomes as sought after as the holy grail original jam from 1970, a sublime instrumental anthem of soulful, skanking perfection with Cedric Im Brooks flexing his sax in glorious style over a beautifully rough n' ready rhythm. It was shortly after this recording was laid down Brooks went on to form The Mystic Revelation of Rastafari with Count Ossie, which tells you all you need to know about the heritage we're dealing with here.
Review: The relentless Athens Of The North is having a busy month even by its own high standards. February alone has at least three new 45rpms dropping and this might be the best: Homegrown Syndrome were a band that ended up in LA but giggled all round Memphis. Some members had played with an earlier band but they all came good on these previously unleashed tunes that have been found in the attic of Jerry Jones. 'Got The Love' is a chunky funky stepper with swirling synths and disco energy. 'Party Vibes' then takes off once more on hip swig claps, big arching chords and strident drums.
Review: Theo Bijlhout is a Surinamese gospel singer from Paramaribo. It is there that he owns his own record shop in the centre of town and there where he recorded his small but well-formed discography in the late 1970s. This is one of the standout tunes from it and was his first-ever release in 1977. A good quality original copy is hard to find and relatively pricey but this reissue helps you out there. 'Get Down Cause Ain't Funky' is the real gem with its afro drumming, smooth grooves and lively vocals next to the big horns. 'It's Gonna Be Different Now' is a slower, more sentimental sound with a tender vocal and deeper sense of remorse.
Review: Stone cold New Jersey funk business; Calender's seminal "Hypertension" has been a waymark in dancefloor developments since '75 and its big strings, high energy and nagging vocals still have total resonance to this day as proved by this rolling, conga fuelled twist from Mexican maestro Hotmood. Flip for more relevance as "Ritmo Latino" (from Calender's '76 album "It's A Monster") gets a cheeky breakbeat facelift from Voodoocuts. Now there's no excuse not to get funky every single day of the year.
Review: Brazilian talent Rafael Cancian has grown in stature thanks to solid outings on the tasteful likes of Razor-N-Tape and Hot Pot Records. Now with that profile established, he heads out with a new label of his own in the form of About Disco. He inaugurates it with a quartet of edits that he has already been deploying to great effect on various dancefloors around the world. 'Sounds Chicago' does indeed with raw drums and great keys dancing over the beats. 'Ti Amo' has a more funky undercarriage and disco percussion, 'D'Afrique' again brings a funky bass riff to the fore with some psyched-out sounds for company and 'Opera' shuts down with some late-night and soul-drenched synths over intimate and stripped back house drums.
Review: The Carver Area High School Seniors' 'Get Live '83 (The Senior Rap)' is a stone cold party hip hop classic. It has been out of print for some four decades, however, and so has become a rather hard to find and expensive record. Thankfully, Soul Jazz Records have got the rights to this full reissue which was first pressed in 1982 on the private press label Challenger. The cut featured as the standout on Soul Jazz Records' recent 'Yo! Boombox' collection and now standalone as a seven minute stunner. It's an old school party disco delight with great rap and killer beats, all presented with the original artwork.
Review: Two powerful soul sessions from Alice Clark's eponymous debut 1972 album. "Don't You Care" is a hard-hitting soul standard (that became very popular in acid jazz scene in the early 90s) where Alice opens her heart for all to see while her incredible band ebb and flow with Clark's emotions. "Never Did I Stop Loving You", meanwhile, languishes in sentiment at a slightly lower tempo that allows her to really dig deep for those low notes. The real fun happens as we reach momentum towards the end and every band member brings out their A-game and bounces off each other - backing up Alice every step of the way. You will care about this.
Review: 'Deixa Eu Dizer' is a timeless Brazilian classic that was famously sampled by Marcelo D2 on his iconic hip-hop track 'Desafabo' and maybe just as notary, it was also the debut release on Mr Bongo's now much loved Brazil 45's imprint. It originally featured on Cizinha's stunning album of the same name and until Mr Bongo stepped in it had never been available on a 7". 'Deixa Eu Dizer' has been a long-standing favourite with deep diggers despite its mysterious origins and this welcome reissue not only celebrates Cizinha's unforgettable contribution to Brazilian music but also brings this beloved track to a new generation.
Review: This latest is a reissue of a Congress Productions EP featuring their seminal 'Neptune'. The much-sampled early 80s jazz-funk classic comes in original form next to two unreleased cuts. The first is a rare boogie cut 'Live It Up' that has been extended for more dancefloor heft having first been dropped under the D'aile' alias as a B-side. Then comes 'Kevin's Funk' which is named in reference to Incognito trumpet player Kevin Robinson, who played as part of a Congress-associated line-up for this session.
Review: This is a first ever reissue for this lovely little jazz 7", which first landed in 1976. It was recorded just after French jazz fusion group Cortex's iconic Troupeau Bleu LP and is awash with gentle drum tumbles, twinkling keys and sustained strong sounds that bring a golden touch. The female vocal harmonies are a perfect counter for the male spoken words and the whole thing really tugs at the heart. Flip it over and there is the much more upbeat 'Back to Life' with its busy harmonica, funky drumming and rippling Rhodes work. Fantastic stuff.
Review: Crash Party kicks off the new year with a high-energy return to Breakbeat Paradise's Toxic-Funk series. Fresh from his debut album Everything Happens for a Reason on Big Beat Sunday, he delivers two explosive party anthems. 'Tribe Called Wonder' blends classic breaks with an infectious groove and legendary rap flows for instant dancefloor impact. On the flip side, 'Break On' slows the tempo but keeps the funk alive with heavy grooves and old-school rap hooks. This one is packed with vintage vibes and modern flair that makes it stand right out.
Johnny King & Fatback Band - "Keep On Brother Keep On" (2:05)
Review: Bill Curtis' Fatback Band is known around the world for its soul and disco hits but their roots actually lay in funk. They were one of the most impressive outfits around in that particular genre and so they have, for those who are willing to dig deep enough, plenty of rare funk gems to call upon from their earliest days. Here we get a couple of them with 'Dance Girl' - the last tune they released in 1974 before signing to Event/Spring. It was a real classic at block parties back in the day and on the flip is a tune that will cost you over L1000 if you can find an original, namely 'Keep On Brother Keep On' - the group's second single on Curtis BC Projects II label.
Review: An instantly recognisable voice in the funk sphere for over 60 years, you can't talk about Togolese music with mentioning the funkmaster and 'King of Gazo' himself Roger Damawuzan. Containing an unreleased single from his upcoming album 'Seda', this double single is funk so heavy it'll weigh you down. 'Fine Fine' is a slick and fast-paced track of contentment - leave the man alone he said he's fine! - and 'Red Light' is a squeaky clean showcase of what made Damawuzan so popular in Togo with his carefree and charismatic attitude. All you funk lovers out there have got to give this a spin.
Review: Dallas based singer-songwriter Derek Damian recorded the gloriously life-affirming soul nugget 'Watcha Wanna Do' a decade ago. It has lost none of its charm or magic all these years later as this new pressing attests. The rolling grooves, the effortlessly epic vocals and the serene string all ooze class. On the flip, he gets more romantic with the perfectly tender and intimate 'Never Felt So Good.' It's beefed up by bold baritone vocals, contemporary R&B production and gooey bass. A killer 45 for sure.
Review: With the passing of William Daron Pulliam last year, the music world truly lost a singular and unique talent. Here Californian soul daddies Ubiquity pay homage to his most recognised works "Didn't I See" with a limited edit-focused 12". There is of course the feeling one shouldn't mess with perfection - and this Darondo track certainly falls into that category - but each of the three edits that accompany the original are considered reworks that subtly add some extra character without losing any of its power to move. Kinjo Music founder Dave Allison perhaps excels the most in this regard, subtly nudging the tempo up and adding some extra percussive detail that soul selectors will appreciate.
Review: Bowie is a new label that says it intends to "dig deep into the unreleased sides of pop superstars material from the past." The opening gambit is a strong one that should hook you in for more as it comes in the form of a 7" with two fine funk instrumentals, neither of which have been put out before. 'Golden Years' has lovely live drums and meandering guitar licks for some carefree listening, while 'Fame' has a deep cut groove that rises and falls in dramatic fashion with more neat and tidy riffs adding the detail next to the big licks.
Review: The newly launched vinyl arm of Outta Sight gets off to a fantastic start this month with no fewer than three utterly curial 7"s all dropping. The label deals in golden era Norther Soul reissues and this Sam Diss offering certainly falls within that remit. These vintage soul tunes were first out out in 1968 and come with carefree, loved up moods thanks to great use of acoustic drums and alto sax leads. The vocals are of course what really pack in the emotion as they rise and fall to take you on a proper rollercoaster.
Review: Ron Hardy's legacy lives on though stories of his legendary DJ sets but also his seemingly endless catalogue of edits and reworks of the tunes he played in his heyday. Here we have another such exhibit in which he flips some classic disco. The original version of 'No Way Back' is riddled with picked guitar licks and dreamy keys while a funky low end moves on this disco-rock gem as brass bursts out for added oomph. Hardy ups the pace, twists it beyond this realm and adds big drum breaks that are Prue bit for dancers. It's a classic in its own right that gets regular plays by more bold and eclectic DJs.
Review: Delvon Lamarr has been working his magic on the organ for years, backing up artists from Lucky Brown to Dog Shredder and The True Loves, but these days he puts his keys front and centre with his own sure-shot trio. Hot on the heels of 2021's widely celebrated I Told You So, Lamarr and his band are back once more with Cold As Weiss. As well as the sweet organ flexing, Jimmy James holds the groove down on drums while Daniel Weiss chops it up on the guitar. Seriously smooth and funky as hell, Lamarr brings it full force on this latest crucial cut.
Review: For the 83rd release in their Brazil 45 series, Mr. Bongo presents yet another a gem in the form of two classic tracks by Brazilian soul legend Roberto De Melo Santos, also known as Di Melo. Born in Recife in 1949, Di Melo is celebrated as an icon of Brazilian funk despite a limited discography. His 1975 self-titled debut is a prized collector's item that is widely loved by Brazilian funk fans, breakbeat enthusiasts and sample seekers. This release revives two standouts from that cult album in 'Kilario,' which is a smooth, soulful masterpiece, and 'Pernalonga,' a feel-good tune featuring catchy guitar, horns and a memorable drum break that was famously sampled in 2009's 'The People Tree.'
Review: Numero Group has another of their superb soul gems here from former Mind & Matter bandmates James "Jimmy Jam" Harris and Michael Dixon. The duo teamed up in 1978 for this gospel-boogie banger which first came on the private Mad label, so is now mad hard to find. 'You're Everything' is a classy dancer with a big heart and those Good worshipping vocals taking things to new heights. The flip is no slouch either and keeps the grooves coming with 'You're All I Need' another timeless classic that will improve any set and record collection no end.
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