Back catalogue: All genres

Notes: Delay is a flexible, full-featured delay audio processor. CV over all parameters provides dynamic access to its nuanced controls. The feedback path ranges from slapback to infinity, allowing for wild permutations of the original signal.

With delay times from milliseconds to nearly two seconds, Delay is sure to find a use in every patching situation. Add subtle echo to a melodic line, or crank up the feedback and hear a bed of layered sounds to bury your listeners in.

Notes: Get glitchy with it.

The 2hp Slice is a compact beat repeat/glitch engine built to add clickless stutters, digital glitches, and more to your patch. With an onboard Triplet button, seamlessly switch between straight beat repeats to offset triplets, perfect for those trap style fills you can't live without. With massive repeat range, and CV/Gate inputs for complex glitch sequencing, Slice is everything you need to get glitchy with it, all in 2HP.

Tech Specs

Width: 2HP
Depth: 45mm
Power Consumption: +12V=83mA, -12V=8mA, +5V=0mA

The 2hp Slice will be available in both Silver aluminium and Black PCB front panels.

The 2hp Slice ships with a 10-16 power cable and 2 Silver M3 mounting screws.

Notes: The hands-on control of hardware meets the versatility of software. Bridging the gap between Eurorack and VCV Rack, the MetaModule includes over 160 built-in modules plus access to over 200 third-party options.

Supplier's Notes:
The MetaModule puts real knobs and jacks on virtual software modules. Step back from the computer and make music with hardware, while keeping the flexibility and expandability of software.

The MetaModule comes with over 160 built-in modules from 4ms Company, Befaco, HetrickCV, NonlinearCircuits, and Scanner Darkly, plus clones of popular classics such as the Mutable Instruments eurorack modules, fun physical modeling algorithms, and lots of handy utilities.

All of the included modules are also available on the computer using the free program VCV Rack. Whether you make patches on VCV Rack and transfer them to the MetaModule, or if you just create patches directly on the MetaModule, there are plenty of creative modules to inspire new ways to make music.

MetaModule Plugins

If the 160+ built-in module aren't enough, you can load more modules as plugins. Already there are over 200 modules in third-party plugins from Bogaudio, Valley, ChowDSP, NANO Modular, and the list is growing. 4ms have an SDK available to make it easy for VCV Rack plugin developers to convert their plugin to a MetaModule plugin. 4ms' licensing terms are non-restrictive: developers are welcome to distribute their plugin in any way they wish, commercially or not.

Mapping Knobs and Jacks

The MetaModule has 12 knobs that can be mapped to virtual knobs. Each knob can be mapped to up eight virtual knobs, and each mapping can have a different range and offset. You also can save a group of mappings as a Knob Set and switch between Knob Sets with the encoder. You also can map the 8 inputs and 8 outputs to virtual module jacks. Also, the MetaModule is a USB MIDI host, so you also can map MIDI CC, note, gate, and other parameters to knobs and jacks.

Expanders

There are lots of ways to customize your MetaModule. A Wifi expander allows you to wirelessly transfer patches from your computer. Add eight more knobs with the Knob expander, or buttons with the Button expander. A CV/Audio expander adds more high-resolution inputs and outputs, and the Gate In/Out expander adds not only gate jacks but also TRS MIDI and I2C.

Under the Hood

There are six CV/Audio inputs, two gate inputs, and six CV/Audio outputs. The CV/Audio jacks are all 24-bit, 48kHz DC-coupled, -10V to +10V. A USB-C jack accepts MIDI devices and thumb drives. Patches and plugins can be loaded via a USB drive or microSD Card, and internal flash memory lets you save patches you always want to come back to.

The processor is more advanced than anything 4ms has used in the past, and is among the most powerful processors found in Eurorack. Startup time and latency are blazingly fast.

Modules

160 built-in modules
Over 200 3rd-party module plugins available so far, and the ecosystem is growing
Create patches using VCV Rack or directly on MetaModule

Patches

Patches are loaded from microSD Card, USB drive, or via the Wifi expander
Patches can be optionally saved onto internal flash memory
Create patches using VCV Rack or directly on MetaModule
Patches can be given a name and description

Mappings

Map each physical knob to up to 8 virtual knobs
Set range and offset for each mapping, including inverted control
Knob mappings are grouped into Knob Sets, and changing Knob Sets can be done quickly without menu-diving
Map physical jacks to virtual jacks, seamlessly making splits/mults
Add or edit modules, cables, and mappings in real-time while the patch is playing
Create alias names for mappings like "Kick Drum Level"

Interface

Simple, intuitive graphical interface lets you zoom in on details, or zoom out to get a big picture
Patch View displays the patch as faceplates and cables, with knobs, buttons, and lights animating in real-time
Knob Set View simplifies the display, showing only the mapped knobs for the current Knob Set
Module View shows just one module and lists the names of each jack, knob, and control legibly
Mapping View lets you adjust details of a knob mapping
Adjust styles and visual preferences to your liking
Save, rename, duplicate, and delete patches
Firmware updater and plugin loader read from microSD Card or USB drive

Hardware

12 Knobs
8 CV/Audio outputs, 24-bit 48kHz, -10V to +10V, DC-coupled
6 CV/Audio inputs, 24-bit 48kHz, -10V to +10V, DC-coupled
2 Gate inputs
USB-C jack: MIDI Host or MSC (External drive) Host
microSD Card slot
Internal Flash RAM for additional patch storage
Dual-core 800MHz Cortex-A7 plus Cortex-M4 co-processor
512MB DDR3 533MHz RAM
Bare-metal operation for fast startup and low latency

26hp

Notes: Inspired by the legendary Moog CP3 mixer, the 713 tweaks the old-school discrete circuits into three stereo inputs and one mono channel, summing to stereo with adjustable feedback and clipping to add character.

Supplier's Notes:
ADDAC713 is the stereo version of ADDAC System's 703 Discrete Mixer.

Inspired by Moog's CP3 mixer, this is a fully discrete analogue mixer and it's not, by any means, your standard breakfast mixer, although it can behave like one.

This is a wolf in sheep's clothing. Despite its harmless looks there's a dark snarly soul behind that panel that wants to take your sounds into a realm of gritty gnarly growls.

This new version was initially thought of as a percussion mixer, with mono inputs and panning, to allow placing percussive voices in the stereo field, while keeping channel 4 in mono for low end sources like a kick drum or Bass. In the development process ADDAC System slightly changed this initial idea, adding stereo inputs for the first 3 channels, but still kept the 4th channel in mono.

All four [GAIN] controls go to extreme levels, the first 3channels also feature [PAN] controls. Feedback is used to overdrive the whole mix. As the control is turned clockwise the sound will be clipped harder until it goes completely off, this happens as feedback is increased the audio bias reference also moves up, at extreme levels it offsets the whole signal upwards until it completely goes above the top rail clipping the whole signal hence the resulting gate effect.

The [MASTER OUTPUT] sets the overall output gain of the mixer, the two leds monitor the audio output signal. The Soft clipping switch engages an anti-click circuit which adds a low pass before the output, the switch allows 3 states: Soft low pass / Off / Hard low pass.

Features:

Three channels with stereo inputs, gain and pan knob
One channel with mono input and gainknob
Feedback/gate knob
Master output volume knob
Soft clipping switch
Two Led Monitors for Left and Right channels

Tech Specs:

8HP
4cm deep
80mA +12V
80mA -12V

Notes: Clouds

This is a new build of a Mutable Instruments Clouds. This module is identical to the now discontinued factory made Clouds. This module loads parasites 2.01 Firmware by default.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Notes: This is an exact hardware replica of the Mutable Instruments Clouds.

Notes: Two fuzz channels based on the fuzz face circuit with a built-in pickup simulator.

Gnarly is a 7 knob beast that will destroy whatever you throw at it. It has many dead zones in the pots that will adjust based on the position of other pots. It's all about finding the sweet spots and living on those fine edges. The transistor pairs on this section are replaceable.

Oomph is a 5 knob bass friendly take on the fuzz face and compliments the upper harmonics of the Gnarly section.

Pickup simulator - Fuzz circuits offer unique sound when paired with the inductance of the pickup coils in a guitar. This why it is often suggested to have fuzz pedals as your first in a pedal chain. So After Later built-in a coil to simulate your eurorack signal being emitted by a guitar pickup. After Later also included a pickup simulator output so you can use it to interface with other fuzz instruments (pedals, modules, etc.).

As an added oddness - you can also input your guitar into the pickup sim output (just don't plug anything into the normal input). This will still get you Eurorack level output. Please don't input Eurorack levels into the pickup sim output.

Tips - Experiment with the pickup simulator and buffered signal. Use the PS.Level to keep the signal low, borderline on cutting out. You find lots of joy in the gnarly section by keeping this level at the edge.

Width: 10hp
12V: 15mA
-12V: 10mA

Notes: This is a new build of a Monsoon, which is a variation of Mutable Instruments Clouds with separate CV and controls for the 4 "blend" functions. The 4 LEDs on the sliders indicate incoming control voltage for the 4 main parameters. The button which was used to select blend parameters now simply switches what the 4 LEDs display (audio input monitoring or monitoring the 4 blend amounts.) Parasites 2.01 firmware is loaded by default. Alternative firmware can be loaded by request.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Width: 12HP
Depth: 22mm
Height: 3U
Power Consumption: +12V:120mA -12V:10mA

Notes: nRings

This is a new build of a micro version of Rings from Mutable Instruments. MicroRings, also called NanoRings, retains all the same functionality as a full-size Rings module.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

These modules use tall bushing potentiometers to offer a more stable feel.

Notes: This is an exact hardware replica of the Mutable Instruments Blades module.

This model uses the original "hard-to-find" opamps, but After Later have substituted V2164M with AS2164D. All of After Later's products use AS2164D and there should be no measurable change in behaviour.

Notes: This is where Storm and Monsoon meet to create the latest improvements on the original Clouds design. With Typhoon you get all of the features of Storm combined with sliders and layout of Monsoon in 16hp. Typhoon runs the SuperParasites firmware, so no more having to swap between Parasites and Kammerl firmware options. Some of the notable features are:

Dedicated blend controls for Feedback, Panning, Mix, and Reverb (similar to Monsoon)

All eight modes from Parasites and Kammerl

Stereo VCAs

input/output mutes

Exponential and linear pitch controls

Universal CV routing and random CV signals

Comes with an exclusive black and gold panel, power cable and one year warranty.

Notes: uBurst

This is a new build of the micro version of Mutable Instruments Clouds. The module retains all the functions of the original Clouds, taking up significantly less rack space.

These modules use tall bushing potentiometers to offer a more stable feel.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Notes: Five-channel mixer with mutes, built-in VCA, switchable overdrive and LED level meter. Simple, straightforward, high-quality stuff from AJH.

Supplier's Notes:
The MiniMod Muting Mixer & VCA is a 10HP wide, five channel audio mixer with many useful features. It is available with either a black (Dark Edition), or a silver front panel.

The mixer section has five input channels, and each channel includes a bi-colour tactile LED switch that can instantly mute or un-mute the channel, replicating the oscillator on/off switches on the original Model D synthesiser. This arrangement is more convenient than regular switches as each illuminated switch shows the on/off status of the associated channel and multiple buttons can be pressed at once, making it very useful for live performance.

AJH have also included a four segment LED level meter so that the overall level can be seen at a glance and adjusted to prevent the output from getting too "hot" and causing distortion in other modules further downstream.

It also features a VCA that is integrated into the output section, and this can be switched from linear to exponential response - this allows it to be used as a voltage controlled sub mixer or as a stand alone VCA with five inputs.

Lastly, AJH added a wonderfully soft and warm sounding overdrive circuit that can be switched in to add smooth, tube like distortion. This works in a similar fashion to a master volume guitar amplifier, so the amount of overdrive can be varied widely with different settings of channel and master output levels.

Module Width: 10hp
Module Depth: 26mm (Including power lead)
Current Usage: 55mA Positive, 25mA Negative

Notes: The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor.

It offers 14 different full featured effects programs plus a number of metering utilities.
Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP technologies from the dawn of digital effects in the 70s to the present day. This combines with ALM character and uniqueness to form a highly useful, fun and practical Eurorack effects module.

Reshape sounds with the distortion and dynamics engines. Bend time, space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one of a kind granular and glitch engines. Check signals and tune oscillators with various utilities.

The MFX user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to CV or clocked control. Additionally, each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.

Effect Program List

Digi-PCM Echo
Feature rich digital delay taking inspiration from early prime time rack delay units with added modern features.

Tape-Tech Echo
Tape style delay with a digital pitch shifter bolted on.

Crumbular Echo
More experimental granular style echo.

Ursa Minor Echoverb
Emulation of the classic Ursa Major 'Space station' providing more delays and reverb type effects.

Pocket PL8 Reverb
Emulation of very early digital style reverbs with a dense metallic sound.

Almicon Reverb
Emulation of 80s studio style reverb great for bright rooms and vast synthetic spaces.

Quaidra Reverb
Emulation of a popular 90s rack reverb. Excels at creating airy, atmospheric reverbs.

TY-50 Compressor
Flexible modern compressor great for adding punch, smoothing transients or as a clean mix bus compressor.

Transient Shaper
Fast acting dynamics processor for reshaping the attack and release envelope of any sound.

TH-30 Distortion
A versatile distortion program with distortion types ranging from analog style saturation to intense digital wavefolding.

2051 Bit Corrupter
Real-time audio buffer designed to imitate malfunctioning digital audio equipment.

Modulating Panner
Clock-syncable mono or stereo auto-pan with an additional scan mode that cross fades between 2 input signals. Use for VCA, Panner, crossfader, tremolo type effects.

Ring + Freq Modulator
Pair of classic modulation effects in stereo, tailored towards otherworldly and dissonant sounds.

Ensembles Ensemble
Simulation of classic chorus and ensemble effects. An added digital pitch shifter takes the effect beyond traditional chorus circuits.

Utilities
Simple oscilloscope and VCO tuner.

Technical Specifications

Supply: +12V 50mA Max / -12v 15mA
Size: 6 HP
Depth: 32mm
16 Bit / 44.1Khz Stereo processing

Notes: Very nice old-school vocoder for Eurorack, featuring a built-in mic pre-amp and full 10-band patch bay. Internal VCO and straightforward control setup help simplify operation.

Supplier's Notes:
The VXC-2220 is an 10-band analogue vocoder with patch-bay for each individual filter section. VXC-2220 vocoder is based on the iconic classics 222 vocoder. For stand alone usage the VXC-2220 is equipped with an internal oscillator generating saw and pulse waves form C1 to C6. A simple and efficient vocoder.

Specifications

Microphone input for speech signal
Line input for speech signal
Line input for carrier signal
Input level control for speech and carrier signal
Output level control
Line output
10-Band analyzer outputs
10-Band synthesizer input
Internal VCO (1 semi-nut step size);
* Saw wave (C1 - C6)
* 3x 10% Pulse wave (C1+C2+C3 - C4+C5+C6 )
* White noise
- Synthesis for 's' and 't' sounds
- Feed-trough level control for speech and carrier channel
- Bypass switch
- 10pin power connector (+/-12V)

Dimensions:
(36HP) 128,5×182.5mm (depth: ca. 35mm incl. power connector)

Power Consumption:
+12V = 125mA
-12V = -125mA

Notes: Alpha Duo is a stereo precision VCA with ring modulation, overdrive and distortion.

Alpha Duo's VCAs have three modes:

1) Two quadrant, for classic VCA behaviour
2) Four quadrant, where the VCA responds to both positive and negative Gain CVs. This creates a classic ring modulator.
3) In four quadrant separate (4S) mode, each of the two VCA channels is controlled by separate gain CVs, turning Alpha Duo into two independent VCA/ring modulators.

Alpha Duo also features three drive modes.

1) In Drive Mode zero the overdrive circuit is not active, giving a clean signal.
2) Drive Mode One is a tube style soft overdrive. Like a tube, the positive and negative parts of the waveform are distorted differently, producing a pleasing, warm fuzz.
3) Drive Mode Two is a harder clip - more like a transistor amplifier - for a harder edged distortion.

Alpha Duo's signal path is DC coupled, so it's great for processing CVs as well as audio.

Specifications:
Width: 10HP
Depth: 22mm excl. power cable. Approx 32mm inc. shrouded power cable
Power Requirements:
+12v: 200mA
-12v: 50mA
+5v: 0mA

Inputs:
Signal (Zero attenuation): +/-5v nominal, +/-12v max
GainCV [Zero attenuation]: +/-5v nominal
Pan CV [Zero attenuation]: +/-5v nominal

Outputs:
Dual/Stereo: +/-5v nominal, +/-11v max

Notes: A really clever take on looping, falling somewhere closer to granular synthesis depending on how you use it. Layer and repeat multiple sound sources to create textures, chords and unique timbres.

Supplier's Notes:
Endless Processor is a dual-channel infinite sound sustainer machine.

Put your favourite instruments, unique timbres, or field recordings - virtually any sound - and make it last forever.

It is not a looper in the usual sense - Endless Processor resynthesizes your sounds to create a perfect clickless stream while preserving the timbral and tonal character of the original.

Endless Processor always listens to audio input and keeps a most recent history. Experiment with sustaining little bits of a sample or make a massive wall of sound with the ability to select how much memorized audio to process.

Stack your sounds to create harmonies, textures, or drones with 5 layers per channel. Each layer can be re-processed or cleared while keeping other ones in place. Set fade-in and fade-out time to quickly or gradually introduce a new layer or remove the existing one.

Additional controls will help you to adjust or shape a channel volume (think built-in VCA).

Dimensions
16 HP
25 mm deep

Current Draw
125 mA +12V
10 mA -12V

Notes: The Tiptop Audio Buchla Model 296t is a 16 band spectral resonator & vocoder based on the original Buchla 296.

The 296 was first introduced in 1978 and very few were ever made. Making a module of such complexity at a time when electronic schematics were drawn with pencils, with 48 filters that were most likely hand-calculated is just incredible.

The 70's were a great era of exploration and proof of audio electronics scientific theories, but for Don Buchla it seems like it was always something beyond theory.

The 296 might at first look like an equalizer, but Don Buchla had totally different ideas for it. He managed to pack into it a 16-band analogue modular spectral processor, a cross-band vocoder, plus a massive amount of patch points to work with his synthesizer system.

Notes: Stereo Strip takes the idea of a channel strip and makes it modular. By bringing this long-established component of the audio engineering world into the Eurorack environment and by adding CV control over its key parameters, you will find new, creative ways to use it in your patches!

It features stereo inputs and outputs for audio or CV with EQ, voltage controlled panning, stereo VCA, performable mute and input/output level switching for Eurorack or line level uses. Abusing the input level switching allows for some musical, modulate-able and highly shapeable distortion sounds too.

Stereo Strip was designed to be a creative part of a modular patch. Creating stereo images from mono sources, shaping and modulating existing stereo images, synthesising stereo pseudo ring modulation, sweetening FX with EQ or drastically wave shaping your oscillators, creating send FX routings with benefits or it can simply be used as a channel strip at the end of chain in a patch.

The addition of line level gain boosting (for the input) or reduction (for the output) allow it to work as a stereo input or output interface for external gear with the advantage of the VCA, panning and the EQ to shape the sound. Experiment with bringing external gear into the Eurorack format and then shape and modulate those sounds them on the way in!

Try patching Stereo Strip anywhere you would place a VCA in a system and/or explore its EQ and voltage controlled panning, which are rarer additions to the sound sculpting options for the Eurorack format.

Specs

Current Draw: +12: 63mA -12: 63mA 5v:0
Width: 6HP
Depth: 33mm including power connector
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.

Notes: A-101-6 is a new filter module that uses so-called opto FET's to control the filter frequency. Opto FET's are very similar to Vactrols, but use light dependent field effect transistors (FET's) instead of light dependent resistors (LDR's). An opto FET is a combination of a light-dependent FET and an LED, both put into a small light-proof case. The advantage, compared to vactrols, is a much faster response of opto FET's compared to LDR's - this allows much faster attack/decay times and even FM effects.

The variable resistors corresponds to the opto FET. The brightness of the Opto FET LED's, and consequently the filter frequency, can be adjusted manually (Frequ. control) and controlled by means of an external control voltage (CV) with attenuator. The LED at the front panel reflects the LED brightness inside the opto FET's.

The type of filter is chosen by jumpers on the PC board (factory setting: low pass). The type of filter determined by the jumpers positions can be marked by means of a water-resistant felt pen at the front panel.

The resonance is controlled by the Feedback control up to self-oscillation. By means of a trimming potentiometer the maximal feedback can be adjusted. High feedback values can be used mainly in the all-pass mode to obtain very extreme self-oscillation sounds. Even an external feedback signal can be used instead of the internal feedback connection (FB In socket). Whenever the filter type is changed by means of the jumpers the trimming potentiometer for the maximal feedback has to be re-adjusted.

The Mix control is used to pan between the original signal (CCW position) and the effect signal (CW position). In filter mode (LP/HP) this control is usually set fully CW. In the all-pass modes one obtains phasing sounds at centre position or "pure" all-pass sound in fully CW position.

Notes: Module A-101-8 is a 8-stage phase shifter which uses light-sensitive resistors (LDR) and is a replica of the Compact Phasing A manufactured by the company Schulte in the seventies. The actual phasing circuit is identical to the historic model. Only the illumination control of the LDRs is different: the A-101-8 uses LEDs to illuminate the LDRs, the historic model used incandescent miniature lamps. And the A-101-8 has no built-in LFO but can be controlled by any external control voltage source (e.g. LFO, ADSR, random, Theremin, ribbon controller, sequencer, midi). The phasing offset (i.e. the base value for the phase shifting) and the modulation depth of the external control signal can be adjusted separately. The Compact Phasing A had no offset control but only a depth control for the built-in LFO. Feedback and mixing ratio of the output signal are set by two controls. The audio input is equipped with an attenuator. The module has two audio outputs available (same as the historic model) and a visual display of the phase shifting.

The module has these controls and in/outputs available:

Control Man. : manual control of the phase shift offset (base value)

Control CV: attenuator for the signal applied to the CV socket

Control Feedb.: Feedback or Resonance (similar function as filter resonance/feedback/emphasis)

Control Mix: sets the mixing ratio between original and phase shift signal appearing at output 1

fully CCW: only the modified input signal appears at output 1 (see note below *)

center: a mixture between the modified input signal and the phase shift signal appears at output 1, that's the standard position for the classical phasing effect

fully CW: the pure phase shifted signal appears at output 1 (e.g. for vibrato effects)

Control Input Level: attenuator for signal applied to the In socket

Socket In: audio input

Socket CV: control voltage input

Socket Out 1: audio output 1 (mix signal)

Socket Out 2: audio output 2 (modified input signal)

LED: visual control of the phase shift

The module has some peculiarities (same as the historic model):

The input signal is processed at first by a pre-stage which outputs a "modified" input signal (*). This signal is not processed by the phase shift stages but is affected by the feedback setting. Only when feedback is set to zero this signal is identical to the input signal. Otherwise it contains feedback components.

This signal is output on socket Out 2.

When both output sockets Out 1 and Out 2 are used as stereo channels one obtains a spatial stereo sound effect.

The same signals is also used for the CCW position of the mix control. With mix control fully CCW the unmodified signal appears only if the feedback control is set to zero. Otherwise it contains feedback components.

The historic model had two audio inputs: one 5-pin DIN socket and a 1/4" jack socket. The DIN socket was intended for high-level line signals. When the 1/4" jack socket was used the amplification of the pre-stage increased by about 100. The 1/4" jack socket was intended for low level signals (e.g. electric guitars or microphones). For this feature the A-101-8 has an internal jumper that can be used to increase the amplification. As long as the module is used within the A-100 system usually the lower amplification is used to avoid distortion.

The 8 photo resistors and LEDs are assembled within an small lighproof box. In addition the pc boards are made of lighproof black material to avoid interfering light from other modules or the bus board.

Dimensions
4 HP
45 mm deep

Current Draw
30 mA +12V
30 mA -12V

Notes: Enter a galaxy of rich and vibrant delays. The Dreadbox Nostalgia 3 Stage Delay is a superb effect module that can give you amazing results in moments. Delay is a true staple in the effects world and it can take your modular music to the next level via just a few cables.

The Dreadbox Nostalgia 3 Stage Delay is ideal for a range of modular music styles, from ambient to acid house. This 10HP module fits snugly in your system and has enough CV control to keep even the most avid patcher satisfied.

117 mA +12V
25 mA -12V
35 mm deep
10HP

Notes: If you can code it, you can make it.

The patch.Init() is ElectroSmith's exploratory modular interface for the Daisy Patch Submodule. Open-source both in hardware and firmware, the patch.Init() is the perfect jumping off point for your next modular DSP project. From ethereal reverbs, glitchy processors, comprehensive samplers, and complex oscillators, the patch.Init() can be any module you need it to be. Looking to create your own commercial module? The front panel design is completely open-source (MIT). Just create your interface, add the Patch Submodule to the back, and you are off to the races with industry leading specs in an accessible, affordable package.

The patch.Init() comes with x1 Daisy Patch Submodule.

Check out the Patch Submodule here.

Get the Design Files here.

Eurorack development platform for the Daisy Patch Submodule

High Fidelity Daisy architecture: 24-bit, 96kHz sample-rate, 64MB SDRAM, STM32 H7 processor

Stereo I/O

Utilitarian design, with code-matching front panel parameter names

Tech Specs

Width: 10HP

Depth: 31mm

Power Consumption*: +12V=90mA, -12V=5mA, +5V=0mA

*Power consumption is firmware dependent

Notes: Endlessly customisable digital 'modular system within a modular system'. Includes more than 80 modules, allowing you to create effects, synths, control devices, oscillators, filters and much more.

Supplier's Notes:
What's a Euroboro?

The ZOIA Euroburo is a digital modular system that can be placed in your modular system, a real Russian nesting doll situation. We added a headphone output and a super-slim optional case so the Euroburo can live happily on your desktop or be easily mounted in a Eurorack case. Hence the euro + buro, pronounced "bureau"...get it!?

Create unique signature effects, synthesizers, sequencers and more while using 4 freely assignable CV ins and 4 outs to interface with other CV enabled devices. The additional headphone output and powered 9v case makes the module even more desktop friendly. With over 90 modules from CV utilities to audio effects, oscillators and envelopes to MIDI, the Euroburo can do almost anything to fill the gaps in your setup.

There's no need to worry about getting bogged down with endless menus or a cluttered interface. Creating patches and performing with the ZOIA is a tactile experience. Patching, deleting or moving modules and editing values can all be done quickly using the push-button grid and a flick of the encoder. With the addition of dedicated push buttons for the CV and Audio I/O, patching on the ZOIA has never been faster.

Notes: Collabing with YouTube sensation Andrew Huang, Endorphin.es offer up this impressive multipurpose processor module. Building blocks of stereo filtering, compression, reverb and more offer huge creative potential.

Supplier's Notes:
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.

Processing unit without fixed structure: intuitively create astonishing and ephemeral timbres, from atmospheric rumbles to heavy or distorted textures.
Creative stereo effect processor with delay, reverb, filter and distortion with quickly explorable routing chain with single button press.
New generation ARM Cortex - M7 processor with 96 kHz 32 bit internal processing.
Lush hall and whooshing reverse reverbs with audio freeze and pre-delay.
Sidechain audio ducking envelope available both internally and externally with additional one knob single band compressor.
Tap delay with maximum delay time up to 2.5 seconds, external clock input with onboard clock divider and 1v/oct time control.
8x oversampled distortion algorithm.
Pre- and post - VCA, tone and volume controls with extra gain.

Power consumption:
135 mA +12V
35 mA -12V
0 mA 5V

Dimensions:
16 HP
26 mm deep with power ribbon cable connected.

Notes: Collabing with YouTube sensation Andrew Huang, Endorphin.es offer up this impressive multipurpose processor module. Building blocks of stereo filtering, compression, reverb and more offer huge creative potential.

Supplier's Notes:
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.

Processing unit without fixed structure: intuitively create astonishing and ephemeral timbres, from atmospheric rumbles to heavy or distorted textures.
Creative stereo effect processor with delay, reverb, filter and distortion with quickly explorable routing chain with single button press.
New generation ARM Cortex - M7 processor with 96 kHz 32 bit internal processing.
Lush hall and whooshing reverse reverbs with audio freeze and pre-delay.
Sidechain audio ducking envelope available both internally and externally with additional one knob single band compressor.
Tap delay with maximum delay time up to 2.5 seconds, external clock input with onboard clock divider and 1v/oct time control.
8x oversampled distortion algorithm.
Pre- and post - VCA, tone and volume controls with extra gain.

Power consumption
135 mA +12V
35 mA -12V
0 mA 5V

Dimensions
16 HP
26 mm deep with power ribbon cable connected.

Notes: The Grand Terminal is a digital multipurpose module. Its two function generators can be used as envelopes, LFOs or VCOs. The 2 filter channels individually offer 8 modes of operation, and combined with its mixing and routing capabilities and a multi effects unit, it is not only a complete back end of a synth voice, but can also be used as a synthesizer voice, stereo filter bank or general purpose sound effects processor.

The Grand Terminal is based on an ARM M4 DSP, audio resolution 48 kHz/16Bit. Its two filter channels can be used in parallel or serial, and there is a link mode for stereo operation. The Audio inputs have individual trimmable gain stages to integrate the Grand Terminal into different production environments. There´s a soft clipping feature in order to prevent unwanted distortion. Gate A is normalized to Gate B for easy parallel processing.

Each of the filters can be set to any of 8 filter types, which are: Transistor Ladder Filter (Low Pass), Diode Ladder Filter (Low Pass), Vactrol Low-Pass Gate, Resonant Vactrol Low-Pass Gate, State Variable Low-Pass Filter, State Variable High-Pass Filter, State Variable Band-Pass Filter, Comb Filter. The filter can be controlled in 2 parameters manually as well as via CV. The outputs of this section can also be controlled in Volume and Pan position. At this stage, the unit is designed to distort in the upper third of the gain control setting.

The built-in multi effects processor features eight algorithms which can be altered in 2 crucial parameters and a possibility to crossfade between the dry and the effected signal. Its algorithms are: Hall Reverb, Shimmer Reverb, Room Reverb, Spring Reverb, Ping-Pong Delay, Tape Delay and Chorus. At the end of the audio path, there´s a Master Volume Control as well as one Mono and one Stereo output.

The two function generators can operate as AD or AR envelopes. All time parameters can be set between 1 ms and 10 seconds, manually as well as via CV. The envelopes can be individually set to loop and then act as LFOs or VCOs (following V/Oct for about 6,5 octaves). They also feature End-of-Stage Outputs.

When used in connection to the Gateway, all controls which are normally set by jumpers on the back of the module are accessible from the Gateway´s front panel.

Notes: Milky Way is a multi effects module with stereo signal flow. Its algorithms are already known from the Blck_Noir and the Grand Terminal.

- Simple and effective 6hp stereo* FX module
- Comes with "T.F.D" firmware installed: 16 types of effects are available, sorted in two banks
- Meta CV effects scanning
- Volume control with VCA

*depending on the effect type

Notes: To add some space to your compositions and nuances in sound design Erica Synths Dual FX module brings you two identical sections of 8 custom effects with two adjustable and CV controllable parameters.
Dual FX combines two Spin FV-1 chips in one module, each filled with eight custom effect programs with two adjustable and CV controlled parameters per effect and analogue dry/wet circuit. All parameter settings can be saved with the effect and recalled instantly during the performance. Also the output of the first FX section is normalised to the second input so creating huge layers of effects is easy.

FX:

Mono delay
Stereo delay
Hi-pass delay
Big reverb
Saturated reverb
Stalker reverb
Ripper
Dual pitch shifter

Technical specs:

Audio output level: -5...+5V
CV level (full span): -5...+5V
Power consumption: 118mA@+12V, 61mA@-12V
Module width: 10HP
Module depth: 45mm

Notes: Better known for analogue modules, it turns out Erica Synths are pretty damn good at digital too. Draw your own waveforms, build wavetables, tweak in real time and get freaky. Killer VCO.

Supplier's notes:
Erica Synths Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) - apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush.

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs - the main output and the output with configurable suboscillator.

NB! To have the module functionality up to date, we recommend you to check the Erica Synths home pageor our social media from time to timefor announcements about firmware updates for the Graphic VCO. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in the User Manual.

The sound is clean, modern, punchy and detailed thanks to the unit running at 96kHz - quite different to some low bit-rate wavetable oscillators on the market. Wavetable interpolation is smooth as butter and with the built-in effects you can dirty things up in many different ways. The module scores highly on the sound front. The Graphic VCO is a very capable oscillator module with excellent sound quality and a lot of features that could make it the right choice, especially if live performance is your thing. - Sound On Sound
The bottom line is that the Graphic VCO is a joy to use. It's a module that's unashamedly digital, yet unmistakably eurorack. I think Erica showed a great deal of careful judgement and restraint in the design of this module. It would have been easy to have made it bloated and cumbersome trying to cram as many features as possible into it, but they kept it fairly simple which keeps the module fun and immediate in use. It's capable of a huge tonal palette ranging from beautiful to brutal that is bound to fit in with a lot of different styles and systems. - Ask Audio
The ability to draw and then effortlessly jump between different custom digital waveforms in this way feels unique on the Eurorack stage, and allows for a wide range of tones and transitions between them. - Orb Mag

Technical specifications:

Audio output amplitude
10Vptp
Octave range
C0-C8
Sample rate
96kHz
Unipolar CV input range
0 -+10V
Bipolar CV input range
-10V -+10V
Panel Width
16 HP
Module depth
30mm
Power consumption
152mA@+12V,
20mA@-12V

Notes: Want some distorted drums or thicken up the final mix but you are short in rack space? Pico Drive is the answer! Pico Drive is combined wavefolder overdrive module that features manually adjustable Gain and Drive level, CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping.

Features:
Manual Gain and Drive controls
CV control over Gain and Drive
Wavefolder
Output signal limiter
Input and output protection against undesired overvoltage

Technical specifications:
Audio output level: -5...+5V
CV level (full span): -5V - +5V
Power consumption: 29mA @ +12V, 29mA @ -12V
Module width: 3HP
Module depth: 35mm

Notes: Pico DSP is a small brother of the popular stereo effects processor Black Hole DSP. It contains eight algorithms, in detail four delays, two types of reverb, Leslie speaker emulation and an Overdrive/Bitcrusher. Each effect is editable in two parameters. One of them can be modulated using the CV input. Pico DSP features clear, high-resolution sound. Alongside the established standards, it is also possible to generate lots of freaky special effects.

Notes: Pico EF is Erica Synths' take on envelope follower module in 3hp! Pico EF features a preamp with +40dB gain (enough to boost even guitar and dynamic microphone signals for use in a modular system), envelope output with adjustable attack time and a gate output with adjustable threshold. The Pico EF can be used as a preamp, overdrive unit or for controlling VCFs with audio signal, or to use with external instruments to control your modular system in other creative and experimental applications.

Technical specifications:

Preamp boost: up to +40dB
Audio output level: 10Vptp
Envelope output level: 0 - +10V
Gate level: +5V
Power consumption: 25mA, -15mA
Module width: 3HP
Module depth: 35mm

Notes: Oof. Frap casually serve up one of the best filters we've seen in a long time. Quad multimode circuits with saturation and feedback give you extensive routing options. Delicious.

Supplier's Notes:
cunsa /'cu?nsa/ s.f. [dialect of Modena of uncertain etymology, probably from a Latin *comptiare, derived from comptus, participle of comere 'organize,' 'decorate'] i curing, seasoning (of foods), tanning (of leathers).

Seasoning is crucial for cooking. It is a process that enhances the flavors, glues the ingredients together, and even adds some unexpected kick.

From a gentle refining touch to a shovelful of spice, CUNSA is the perfect seasoning tool for your patches. It can sweeten a sour lead or beef up an insipid bass line, and anything in between.

And, just like a good oil, you can even taste it by itself!

CUNSA is a quadruple analog pingable multimode resonant filter, saturator, mixer, and oscillator.

It is Frap Tools' sound seasoning tool: it can gently even a patch, applying a final touch, or it can set it on fire with a ridiculous amount of spice. It's up to you and your cooking style!

It consists of four multimode resonant filters with a custom saturation and feedback control that you can use independently or in various combinations and roles thanks to a series of seminormalizations.

Four Analogue Resonant Multimode Filters

CUNSA features four state-variable filters that can be used independently or linked and mixed. Each filter provides three behaviors simultaneously: lowpass, bandpass, and highpass. Each behavior has a 12 dB/oct slope, except for the lowpass, which can be either 12 or 24 dB/oct.

Unique 'Character' Circuit for Feedback and Distortion

CUNSA handles feedback and gain staging with extreme control and versatility. Besides the usual Q control that emphasizes the cutoff frequency, the Character circuit defines the amount of soft clipping when the filter overloads. High clipping guarantees a controlled behavior with fat tone and pure resonance, while low or no clipping lets the signal saturate the filter stages and make it scream.

V/oct Tracking and Quadruple Oscillator

Each filter responds to the V/oct signal with excellent tracking. It is thus possible to move the cutoff frequency along with the main melody or make CUNSA resonate with no input and transform it into a multiple oscillator. The V/oct inputs are seminormalled so you can control more filters with the same CV. Easy chords stabs!

Ping and Ring

CUNSA is ideal for percussive and organic tones. The Ping circuit offers a behavior similar to the BRENSO but AC-coupled. Instead of shooting the frequency to the moon with any trig, CUNSA gently responds to different incoming gates with a selectable decay curve. The Ping circuit can thus create natural decay sounds when fed with trigs or smoother envelopes with any other voltage, like a linear integrator with a custom decay.

Besides this, you can also feed the filter's audio input with trigs and make it ring at high Q settings.

Linked or Individual Filtering

The four filters can work independently or arranged in groups through seminormalled inputs and sum outputs. CUNSA can thus be a 4×1, 2×2, or a massive 1×4 filter. Even odd configurations are possible, like 1+2+1 or 3+1. Mono, stereo, or quadraphonic audio is at your fingertips.

Filter and Combo Behaviour

When the filter behavior is set to COMBINED, every control of the cutoff frequency also affects the input VCA, reducing the signal amplitude and saturation as it approaches the lowest range. It can make organic decays with the ping circuit or tame the low range at high Q and Character settings.

Four Seminormalizations for Group Use

Four inputs have a cascaded seminormalization: audio inputs, VCA CV, V/oct, and Ping. Every signal patched to a filter will thus feed also those at its right, making simultaneous use even simpler. To remove a seminormalization, simply patch a dummy cable to the corresponding input.

Analog Mixing Stage and Group Outputs

Every filter output can be routed to an analogue mix bus that sums the four filters and outputs them in three combinations: all, 1+2, and 3+4. These outputs allow for versatile audio processing. Just like we did with FUMANA, we added a gentle shelving EQ for the higher frequencies of the All output to provide additional timbral variety.

CV Inputs with Attenuators

Besides the seminormalled inputs, every filter features additional CV inputs for cutoff frequency, Q, and Character, each with a dedicated attenuverter.

Notes: The insert module allows you to connect stereo effects to your CGM setup, either by inserting them between two points of the internal summing bus or by placing them in parallel, as in a rudimentary stereo send-and-return.

It consists of two couples of outputs and inputs with dedicated gain switches. The first O/I stereo couple is the insert circuit, while the second is the parallel circuit.

The Insert module can be used:

between a group and a master;
between a group and a group;
between a channel and a group;
between a channel and a channel;
between a channel and a master (without a group).
The Insert module ships with two Insert cables compatible with every member of the CGM family, including the discontinued ones.

Flexible placement

The insert can effortlessly sit between every CGM module. Use it between a group and a master as an end-of-chain bus, or between two series of channels of the same group to create a channel subgroup with independent solo-in-place controls.

Stereo insert circuit

This circuit overrides the internal summing bus and allows you to route whatever sum goes into the insert module through your favourite stereo effects.

Stereo parallel circuit

A second out-in circuit remains parallel to the main one, excellent for adding stereo ambiance effects to the main sum.

Gain switches

The outputs and inputs provide three degrees of attenuation and matching amplification to scale the signal to most of the audio equipment out there.

Specifications:

Size: 6 HP
Depth: 38 mm
Current draw: 35 mA @ +12 V / 35 mA @ -12 V

Recommended warmup time: 30 min
Audio input impedance: > 30 KO (mono)
Audio output impedance: =100 O
Maximum output level before clipping: = 17 dBu
Frequency response: 0.01 to 40 KHz
Harmonic distortion: < 0.3 %

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other user selected Happy Nerding effects in any order. Also the possibility to run freely available third party effects will be added too.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: Upgraded Pro version of the outstanding FX Aid multi-effects module. 200 onboard stereo effects, customisable via an online app, with added CV inputs and even more physical controls. Superb.

Supplier's Notes:
FX AID Pro:

OLED screen shows current effect's number, name and its three parameters

200 onboard effects which can be arranged in any order via the online editor https://fxaid.app/pro

Instant switching of the effects or seek then activate option

Stereo input level control

SRR input can also be routed to parameters 1-3 or effect selection

Advanced internal lfo which can be routed to the Sample Rate, parameters 1-3 or effect selection

Manual control of the Sample Rate with one click for default position

10 user storable presets with handy indicator lines for each stored parameter

Screensaver with 1, 10, 30, 60 minutes options

Easy update by playing wav file, level indicator for proper volumes matching

Notes: FX AID Pro:

OLED screen shows current effect's number, name and its three parameters

200 onboard effects which can be arranged in any order via the online editor https://fxaid.app/pro

Instant switching of the effects or seek then activate option

Stereo input level control

SRR input can also be routed to parameters 1-3 or effect selection

Advanced internal lfo which can be routed to the Sample Rate, parameters 1-3 or effect selection

Manual control of the Sample Rate with one click for default position

10 user storable presets with handy indicator lines for each stored parameter

Screensaver with 1, 10, 30, 60 minutes options

Easy update by playing wav file, level indicator for proper volumes matching

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Separate modulation inputs for all three effect parameters plus Sample Rate Reducer (SRR) input - changes internal clock. Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to SRR input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz via SRR input.

80 mA +12V
30 mA -12V
45 mm deep

Notes: HN VCF is a state variable filter having 12 db Low Pass, 12 dB High Pass, 6 dB Band Pass plus 18 db Low Pass marked as "LP!", because it has extra drive. All three parameters: "Freq", "Resonance" and "Drive" have dual knobs with outer knobs controlling bipolar CV amount. These affected CVs are then shown by the relative green/blue LEDs.

The possibility to have CV over "Resonance" and "Drives" makes it a very capable 6 HP filter.

"LP!" output has 6 dB steeper slope (18 dB) compared to ordinary 12 dB "LP" output. Plus it has much more drive.

Dimensions
6 HP
35 mm deep

Current Draw
55 mA +12V
65 mA -12V

Notes: Really neat stuff from Hexinverter. Designed with synth sounds and drum processing in mind, the Hot Glue is a unique twist on a four-channel mixer, helping to integrate effects and voltage-controlled distortion alongside built-in bus compression.

Supplier's Notes:
The Mutant Hot Glue is a versatile bus mixer for analogue effects chain design. The included analogue compressor offers series or parallel compression and a sidechain input, making it particularly well suited to drum processing. The voltage controlled distortion is based on ideas borrowed from the guitar pedals responsible for a lot of yesterday's acid style techno sounds, but improved over the guitar equivalents, and made specifically for synthesizer and drum processing. The distortion can be used in its default position, normalized to the effects send, or like every other part of the module, broken out and used elsewhere in your modular system.

Features

4 Channel Mixer with Effects Send

4 input channels, each with their own level and effects send control
Channel A mixer bypass switch and dedicated output for easy sidechain compression
Channel B is dual input, but shares level/send controls (for dual output modules, like the Mutant Hihats)
Channel C+D summed output
Main mixer output normalized to compressor input

Hi-Fidelity Analogue Compressor

Soft-knee compressor based on the same family of premium audio ICs used in some 500 Series studio gear
Dedicated threshold and compression ratio controls
Gain control dials in up to +40dB of compressor make-up gain
Compressor sidechain input for creating pumping effects
LED indicator actively displays the amount of compressor gain reduction

Voltage Controlled Analogue Distortion

A classic distortion topology reborn for modular analogue synthesizers and drum processing
In/Outputs are conveniently normalized to the module's send and return jacks
Blend control lets you adjust the mix of distorted and clean input signal
Fast responding CV input allows for complex modulation patterns and even modulating with audio signals

By default, the 4 channel mixer's output conveniently feeds into the compressor's input, giving access to easy New York style parallel compression by way of the compressor blend control. The dedicated output and mixer bypass switch for channel A allow you to use it as a sidechain source for the compressor. An effects send and return allow you to create complex effects routings within your modular system. With the number of excellent DSP and other effects modules on the market today, this makes it easy to combine modules to great effect, all within the eurorack modular domain.

Redesigned by Erica Synths in close collaboration with Hexinverter. Minor alterations were made in mechanical assembly and digital controls to address Erica synths manufacturing routines and chip shortages, but the analogue signal path is 100% identical to the original version.

In September 2022 Stacy Gaudreau - the founder of Hexinverter Electronique, announced closing down the operations. Following their announcement, Erica Synths in cooperation with Hexinverter Electronique saw a way for their incredible and truly unique music instruments to keep on inspiring musicians and finding a home in countless studios to come.
The effort and innovation incorporated in Hexinverter Electronique eurorack modules are far too great to prematurely become history. Erica Synths will take over the manufacturing, sales, and support of several Hexinverter Electronique modules. While retaining all functionality of Hexinverter Electronique modules, Erica Synths redesigned the hardware of modules and will provide support for reissue modules only.

Technical specifications

Width: 24HP | Depth: 30mm
Current draw: +70mA, -70mA @ 12V

Notes: This is the third generation of Intellijel's much loved Korgasmatron filter designed in collaboration with David G. Dixon. The Morgasmatron features two completely independent six-mode filters (labelled "A" and "B") - each with its own mode-select knob, input, output, cutoff, resonance, Q-drive and gain control. Each filter has a pair of CV inputs (one with a built-in attenuator and the other with a built-in attenuverter) for modulating cut-off, and another CV input for modulating resonance. Both filters self-oscillate at maximum Q, and produce pitched sine waves that track the two separate 1V/OCT inputs.

You can use the two filters independently of one another, or you can use them together (in either a series or parallel connection) and smoothly crossfade between them using either the XFADE knob or the XFADE CV input and built-in attenuverter. You can flip the DRY switches to instantly bypass either or both filters; invert the phase of Filter B; or overdrive Filter A by switching on the new Overdrive circuit. A MIX output provides (as you might suspect) a mixed output of the two filters.

Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.

Notes: GETREKT is a full analogue waveshaper - an aggressive one.

Why:

To add saturation and harmonics.
To disrupt - folding - and cut into pieces - clipping.
To generate square waves from other control voltage signals or audio sources.
To invert the polarity of a trigger or other kind of pulses.

With:

Sine waves - hear them scream.
Human voices - fracture them in pieces with clipping as a good ol' broken tape would do.
Complex audio sources - to control and flatten them.
Envelopes going to a drum module - rectify or fold that decay tail.

Dimensions:

4 HP
18 mm deep

Current Draw
35 mA +12V
30 mA -12V

Notes: GOBLET is an analogue filter and distortion unit with some added quirks and extra controls.

Why:

To make stuff sound filthy.
To shape the output of an oscillator.
To live interact with the sound during a performance.
To soft sweep the cutoff thanks to the optocouplers logarithmic response.

With:

Simple waves - make them unrecognizable.
Complex waves - shape them into something new.
Percussions - crank the resonance and give an acid twist to a beat.
No input - play with the feedback and the touch controls.

Dimensions:

8 HP
18 mm deep

Current Draw:

45 mA +12V
25 mA -12V

Whichever power connector you use should work fine with the polarity.

Notes: The Flexshaper is a highly versatile module when it comes to modify evolving voltages in other directions and levels.

Five settings allow you to fold/expand/clip/compress/invert partially or completely any CV or audio signal.

The module can act as an envelope-shaping tool, frequency multiplier, waveshaper, clipper, distortion, limiter, curve changer, and more.

Five CV inputs offer limitless control over the placement of the voltage points for dynamic signal sculpting.

Birth of the product

The idea of the Flexshaper comes from a feature in the Oberheimr Matrix synthesizers called Tracking Generator.

This signal processor was part of the modulation matrix and meant to be virtually inserted between modulation sources and destinations in order to change the shape of the controlling signal.

The Flexshaper applies the same concept using the same 5 shaping points. However, it goes beyond Oberheim's implementation on two main aspects:

It goes fast enough to process signals at full audio rate
The 5 points are dynamically adjustable (CV) in real-time
Besides, the Flexshaper can process adequately bipolar and unipolar Eurorack signals, even changing them one another.

Dimensions
6 HP
21 mm deep

Current Draw
6 mA +12V
7 mA -12V
32 mA 5V

Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

Notes: A spin-off from the brilliantly experimental Strega synth, the Bruxa module offers a different type of 'Time/Filter Experiment' designed to warp and twist sounds from other modules. Excellent creative stuff.

Supplier's Notes:
Check Make Noise's website for content and pictures!

The Bruxa music synthesiser module is an audio alchemical experiment. Spill your sound into time, and let it decay through the filters to hear the results.

Bruxa is a collaboration between Make Noise and Alessandro Cortini. Inspired by Cortini's music and sonic experimentations, Bruxa embodies the seen and unseen, the sign and magic, the alchemy of sound. It is a new evolution of Tony and Alessandro's original prototype circuits which eventually became the Strega's Time/Filter Experiment. It is a multi-tap delay line with over a dozen unique feedback paths and multiple filters within those feedback paths aligned to allow for accumulation of noise, saturation and signal degradation.

While Strega is a complete synthesiser in a tabletop form factor, Bruxa is a Eurorack module designed to be used as one part of a Eurorack modular synthesiser. You will discover a number of differences in layout, signals, and sound. Living inside the Eurorack modular system, Bruxa encourages you to patch your own sound and modulation sources, yielding results surprisingly distinct from Strega.

Echoverb signal processor which shares origins with Strega
Well tuned to work nicely in a Eurorack modular system
All analogue dry signal path blended with digital/ analogue hybrid signal processor
Analog CV inputs with wide range capable of audio rate modulation
Time control with massive, smoothly variable range
Linear FM input with attenuator allows for fluttering of Time
Absorb and Filter controls dramatically shape the echo tone and reflections
New unique CV outputs for use in self-patching or mutual patching with other modules
Pairs well with DPO, STO, MATHS, Prss Pnt, modDemix and more!

Specs:

Width: 18hp
Max Depth (incl. power cable): 48mm

Power:
140mA @ +12V
90mA @ -12V