Search dance music

Notes: You've been up all night in a bidding war on eBay to win a prized 80s rack effect unit - you can't wait to add some serious cheese to your tracks, and the sound of gated reverbs ring in your ears. Your heart pounds, and your pulse rises to crescendo as you win the auction! But there is one problem: your Eurorack system runs way too hot to simply plug straight into your stereo FX units. Your heart sinks, as you realize there is not much you can do that doesn't involve a lot of messing around with complicated and weird mono modules. That is, until now: introducing the Herzlich SFXI.

The Stereo FX Integrator was designed in response to my own need: owning several cool stereo FX units, and having no easy way to integrate them with an easy send and return, in my Eurorack system. Attenuate your Eurorack signals down to line level, or even all the way down to instrument level, and get a nice, clean boost back up to modular levels, with this dead simple and highly useful device from the R&D department at Herzlich Labs.

You can even use it to integrate external stereo line level signals into your Eurorack, which is both nice and convenient, and also useful. Finally, you have an easy way to get the sound of your JV1080 into your Clouds.

The scientists have been working overtime to produce this unit, and were fed extra rations of maize and millet gruel just to bring you this circuit. Every SFXI sold will grant the poor souls at Herzlich Labs another serving of maize and millet gruel. Please think of the poor scientists at Herzlich Labs.

Dimensions
4 HP

Current Draw
30 mA +12V
30 mA -12V
0 mA 5V

Notes: The Low Fat is a new 2hp Eurorack module by AJH Synth, it's a High Pass filter, with frequency control by either manual pot, and/or external CV with attenuator. It's intended to compliment other filters, particularly low pass VCF modules, in practical tasks such as removing excessive low frequencies, for example when the bass is swamping a mix. It can be switched between 6dB (1 pole) response and 12dB (2 pole) response.

By patching a CV signal to the FCV input it can be voltage-controlled and used musically as with any other VCF. When used in conjunction with a LP filter it forms a fully customisable band pass filter, allowing the range of passbands to be cherry-picked. Feeding in a 1V/Oct pitch CV and setting the FCV pot to a suitable level allows it to track an incoming pitch CV, so the amount of High Pass filtering remains constant as the pitch of the incoming VCOs traverse up and down the frequency range. This can be particularly useful in creating percussive sounds, such as snares and hats, but also on sequenced bass lines. Since it is only 2HP it's a great way to occupy one of those frustrating gaps in your eurorack modular case with something that is deceptively useful, and adds another dimension to the classic bass monster that is the Transistor Ladder Filter.

Dimensions:
2 HP
26 mm deep

Current Draw:
9 mA +12V
12 mA -12V
0 mA 5V

Notes: Not a noise gate, and not a noise suppressor -- but a real hum extractor!

Every musician battles hum in their signal chain. The EHX Hum Debugger turns it into dead silence, courtesy of a little Electro-Harmonix magic.

No matter what type of pickups you use or how loud you play, the Hum Debugger will clean up your signal chain so that hum will no longer overtake your guitar signal. Simply connect the Hum Debugger to your guitar like you would any other effects pedal and you are ready to eliminate hum from your sound forever!

True bypass
Absolutely eliminates hum from any audio source
Tough and compact die-cast chassis
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
True Bypass
Audio
Mono
Power Supply
7.5VAC-400mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
125mA(AC)
Year Released
2007

Notes: Amazing analogue delay plus chorus and vibrato!

The EHX Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

The Memory Boy uses the Deluxe Memory Man as a base, expanding upon it with additional modulation features and an optional Expression Pedal input allowing external control over Delay Time or Modulation Rate.

The Memory Boy carries the performance heritage for warm analogue delays and modulations that made its ancestors the go to legends that remain today. With two years in design, the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.

All analogue delay with Feedback
Up to 550 ms delay time
Selectable Chorus or Vibrato modulations rates
Choose between triangle or square modulation waveforms
Expression pedal control of delay time or modulation rate (expression pedal extends the range of modulation rate)
True Bypass
Power adapter included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25 121 x 102 x 57
Current Draw: 60mA
Year Released: 2009

Notes: Compact all-analog multi-effect pedal featuring the Metal Muff, Neo Clone chorus and Memory Toy delay!

The EHX Tone Tattoo is our first fully-interactive, analog multi-effects pedal. Satisfy your tone jones with a chain that features the Metal Muff Distortion, Neo Clone Chorus and Memory Toy Analog Delay.

Delivers crushing Lead & Rhythm tones. Features full tone sculpting, including two levels of scoop. New Noise Gate for minimal noise. With three critically acclaimed effects, it's like a talisman for great guitar.

All Analog multi-effect: distortion, chorus, delay
Delivers three EHX favorites in one compact pedal
Crushing lead and rhythm tone
Full tone sculpting, including two levels of scoop
New Noise Gate for minimal noise
Power adapter included

Specifications:
Circuit: Analogue
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 75mA
Year Released: 2012

Review: Bowie collectors and indeed anyone who wants to gain a deeper understanding of what was going on in the boy from Brixton's world during the early 70s, will be lapping up this massive collection of rarities and demos. There's everything from radio session material to new mixes of 'Queen Bitch', 'Song For Bob Dylan' and even a verision of 'Bombers' with Andy Warhol on its intro. There's enough here to keep the Bowie obsessive in your life happy for months.

Notes: Yep, it's an attenuator. With a fancy name! And LEDs!

Sinc Defero's inputs are circularly normalled, too, so you can use it as a mult by leaving inputs unpatched.

Features:

Size and power:

4HP Eurorack
+12v: 45mA
-12v: 40mA
Sinc - from Old English sinc for "treasure" and Greek clastic for "easily removable"

Defero - from Latin for "sloping down"

"Portable treasure reduction"

What's in the box:

Module
Power cable
To reduce excess materials, screws will no longer be included with Noise Engineering's modules beginning in 2023.

Notes: Designed in collaboration with Black Arts Toneworks, the Boneshaker is a dirty boost coupled with a powerful 3-band semi-parametric EQ. The Boneshaker can smack the front-end your amp into overdrive, or sculpt the tone of your fuzz to stand out in a mix. If your already dirty amp channel needs a little bit of a goose and you want full control over every frequency, the Boneshaker is just the ticket.

General Specifications
INPUT

1 x 14" instrument
OUTPUT

1 x 14" instrument
CHASSIS MATERIAL

All Metal
POWER SUPPLY

9V Alkaline Dry Battery or Optional Power Supply
Dimensions
HEIGHT

2.25" (5.71 cm)
WIDTH

2.63" (6.68 cm)
LENGTH

4.68" (11.88 cm)
WEIGHT

1.0 lbs. (0.453 kg.)

Review: If you type ELO into Google today the first suggestion is Elon Musk. Sure, he might have cracked, to some extent at least, the mass-marketed electric car, and all the best to him in the space race. Nevertheless, it's disputable whether or not he was ever quite the visionary Jeff Lynne, Roy Wood, and Bev Bevan were in the early-mid-1970s. The undisputed heyday of Electric Light Orchestra, fourth album Eldorado was arguably at the peak of their creative force. Already having firmly established their sound - a surreal hybrid of bar rock, soul, blues, and grand strings - this record really sees them explore the possibilities of that abstract brew. Better yet, ears were open enough at the time to ensure they didn't languish in obscurity, sole reserve of the obsessives or deliberately contrary listeners, and instead claimed a spot in the upper echelons of British pop at the time.

Notes: "We meat again!" Proudly presenting the DOD Meatbox (2015).

Answering the call of low frequency freaks everywhere, the DOD Meatbox (2015) is an updated take on the cult favorite Meatbox from the '90s. As a bass subharmonic synthesizer and low-end enhancer, the Meatbox can produce a range of sounds from a slight thickening to a full-on, low-end assault! Use the Meatbox on bass guitars, extended-range guitars, synths, even drum machines and push all the air out of any room. If you're looking for a new way to move your audience, look no further.

More than just a low frequency boost, the DOD Meatbox (2015) can also cut frequencies for tone sculpting as an interactive EQ and even produce distortion depending on where the output level is set.

The DOD Meatbox (2015) offers independent Octave, Output Level, Subharmonic and Low Frequency controls. True bypass allows your tone to remain pristine even when the DOD Meatbox is off. This is a big difference from the original, which would colour your bypassed tone.

The modern 9V DC power supply input makes the pedal more pedalboard friendly.

Notes: Unlock the potential of the Quad LFO with the LFO Phase Expander. Each expander gives you three outputs that duplicate the LFO with a fixed phase difference. The first ranges from 0- to 180-, the second from 90- to 270-, and the last from 180- to 360-. Along with the original output, this gives you four phases of modulation. These are easily tuneable to quadrature (all knobs centred), but also any arbitrary phase relationship. You can attach up to four expanders, one for each LFO, giving you up to sixteen modulation sources.

A multiphase LFO is extremely useful for building rhythmic modulations, particularly when paired with analogue logic, such as provided by Babel. Further, regardless of the waveform selected on the Quad LFO, the output of the Phase Expander is always a sine wave. This gives you the useful possibility of having three rhythmically related phases of an LFO synced to a clock signal.

Other than rhythmic modulations, the most common use of a multiphase sine LFO is in creating panning and crossfade controls that sound correct using only one or more VCAs. This is useful in panning sounds back and forth, rotating a sound in quadraphonic space, creating Shepard tones, etc.

Even when you don't have a specific need for exact phase relationships, a multiphase LFO gives you a convenient way to expand your palette of potential modulators, adding three related but distinct waves.

Specs

Size: 6HP
Depth: 22mm
Power Consumption: +12V 21mA, -12V 21mA
Output Swing: -5V - +5V peak
Output Impedance: 1kO
Output Drive: 2kO (min), 20kO+ (ideal)

Notes: QMS does quadraphonic mid-side processing. Given a left front, right front, left back, and right back signal, it produces a mid and three side signals: left-right, front-back, and cross or diagonal. Then given these latter signals, it again produces left front, right front, left back, and right back. It has intelligent normals for passthrough, -6dB lowered mid and side signals to avoid clipping, and is equally useful for stereo mid-side when quadraphonic is not available.

Rather than merely creating an image of a sound, something that you passively look at, this module allows you to create a sonic texture that fills a room. Listening becomes active exploration instead of passive observation. Ambient music is all about space. But stereo can only provide a passive experience of this space. It's like there was a wonderful landscape glimpsed from a train window, and many experiments in stereo imaging attempt to reproduce the experience of being in that train, looking through that window. With quadrophonic sonic textures, you get to leave the train and run with the caribou.

Specs

Size: 6HP
Depth: 22mm
Power Consumption: +12V 75mA, -12V 75mA
Output Swing: -10V-+10V peak
Input Range: -10V-+10V peak
Input Impedance: 94kO
Output Impedance: 150O
Output Drive: 600O (min), 2kO+ (ideal)

Notes: Babel is a tool for creating massive intermodulation, and a workhorse for analogue logic, depending on your use and interpretation of its function. It provides three inputs, which can be arbitrarily increased with the chainable expander (see below). For each of those inputs, Babel outputs the maximum value (ANY), the minimum value (ALL), and the balanced middle value (XSOME), which follows along the centre values of the input waves. What CENTER means is adjustable via knob and CV control. XSOME is particularly interesting, as it has the same general shape as a multiplication function, but with sharper edges. What this means it that Babel will create ring-mod like intermodulation-but with extra harmonics like those produced with a wavefolder, and with an arbitrary number of inputs, instead of just two.

When viewed as a logic module, Babel takes any group of truth values and tells you whether any of them are true (ANY, the equivalent of "or" with just two values), whether all of them are true (ALL, the equivalent of "and" with just two values), and whether some, but not all of them are true (XSOME, the equivalent of "xor" with just two values). Turn CENTER all the way to the right for 0-+5V logic, or leave it cantered for -5V-+5V logic-handy when your "logic" modules are really LFOs.

Specs

Size: 6HP
Depth: 22mm
Power Consumption: +12V 44mA -12V 44mA
Output Swing: -10V-+10V peak
Input Range: -10V-+10V peak
Input Impedance: 30kO
Output Impedance: 150O
Output Drive: 2kO (min), 20kO+ (ideal)

Notes: The New Systems Instruments VCA module gives you four well-calibrated VCAs in 6HP. These VCAs use operational transconductance amplifiers (OTAs) at their core, for true linear operation. However, unlike most OTA VCAs, the New Systems VCA is extremely low noise and distortion, coming in at < 0.2%, with ~0.05% typical.

There's no such thing as "transparent," particularly in synthesis, where the concept of an original signal that could be faithfully reproduced is often altogether absent. In a VCA in particular, a desirable envelope response can be even more important than accurate reproduction of the input at some fixed level.

The New Systems Instruments VCA has an extremely neutral, open sound. The envelope response sounds noticeably fast and accurate. If you want a dirtier VCA, stay tuned. New Systems are in the process of designing a different VCA with some control over signal and envelope linearity.

Specs

Size: 6HP
Depth: 22mm
Power Consumption: +12V 25mA / -12V 25mA
THD+N at 1kHz: 0.2% (max), ~0.05% (typical)
Output Swing: -10V - +10V peak
Input Range: -10V - +10V peak
CV Unity: 5V
Input Impedance: 85kO
Output Impedance: 150O
Output Drive: 2kO (min), 20kO+ (ideal)

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Building on the reputation of its award-winning predecessors, the Erisr Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response that reproduces every detail in your recordings with a natural sound unparalleled in its class. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.

The custom-designed EBM (Elliptical Boundary Modeled) waveguide provides superior high-frequency response and wide 100-degree horizontal dispersion to create a broader sweet spot. Narrow vertical dispersion reduces reflections from your desk, and a silk-dome tweeter ensures snappy, accurate transient reproduction. An elegant new enclosure design improves the waveguide performance so you'll hear the finest details in your mix.

The woven-composite low-frequency driver offers Eris' signature tight, clear bass with plenty of punch. Its 80W of biamped power make the Eris Studio 5 more efficient than previous designs. The ported enclosure maximizes bass response and allows the Eris Studio 5 to reach down to an astonishing 48 Hz - without a subwoofer!

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything.

Features

5.25-inch woven composite low-frequency driver
1-inch, ultra-low mass, silk-dome, high frequency driver
Crossover Frequency, 3.5 kHz
100- x 60- EBM waveguide provides a sweet spot
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
80W, Class AB dual amplification
48 Hz to 20 kHz frequency response
102 dB Peak SPL (@ 1 meter)
Acoustic Tuning Controls:
Acoustic Space (Flat, -2 dB, -4 dB)
High Frequency (+/-6 dB, center 10 kHz, continuously variable)
Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)
Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Inputs:
XLR and 1/4-inch TRS balanced rear-panel inputs
RCA unbalanced rear-panel inputs

Protection:
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
Power Saver mode (engages after 40 minutes)

Set up your studio monitors for your room.

Erisr Studio 5 active monitors are equipped with Acoustic Tuning controls to ensure the flattest response in your mix environment. You get Low Cut, Mid, and High controls, as well as three-way Acoustic Space tuning that makes it easy to compensate for the boundary bass boost that occurs when a speaker is placed too close to a wall.

Honest. Expressive. Powerful.

Like all PreSonus studio monitors, the Eris Studio 5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to any mix space and their smooth, incredibly even frequency response ensures that your mixes will sound great everywhere.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10kO

Performance

Peak SPL: 102 dB (@ 1 meter)

Speakers
Crossover frequency: 3.5 kHz
Coverage pattern: 100 degree (H) x 60 degree (V)

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)

Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA

Power amplifier type: Class AB

Measurements

Dimensions: 11.50 x 8.00 x 8.80 in

Product depth: 8.78" (22.3 cm)
Product height: 11.5" (29.2 cm)
Product width: 8" (20.32 cm)

Review: ***B-STOCK: Box slightly damaged, slight surface marks, otherwise in perfect working order***


The 1971 classic album by Canadian singer-songwriter Joni Mitchell, Blue is widely thought by many music lovers to be one of the best albums of all time. Already well into her career by the time of its release - it's her fourth album - it was certainly Mitchell's best yet, reflecting a period in her life where she took a break from touring and live performing to focus on creation. Its confessional and poetic lyrics, not to mention the distinctively groggy yet idyllic guitar and piano playing on songs like 'All I Want', 'River', 'A Case Of You', heard Mitchell encapsulate the various milestones, Renaissances and turning points of the contemporary rock landscape of the 1970s, into a singular LP.

Notes: Are you and your session players and bandmates tired of straining to hear underpowered headphones? That's why Jim Odom and his jambalaya-fueled team of engineers designed 150 mW headphone amps for the HP4 headphone-distribution system.

These headphone amps are not just loud enough for session and stage use, they're loud enough to explode the oysters in a Po' Boy sandwich. Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to heariassuming they are capable of hearing. Be careful with that level control.

Simplicity is the HP4's hallmark. You get left and right line inputs, left and right line outputs with level control, and the 4 x headphone outs. You can globally mute the headphone outs, adjust the overall headphone level, sum the stereo signals to mono, and mute the rear-panel Monitor outputs.

The HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or an HP60. Chain as many headphone systems as you need.

So listen up. Quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your music.

www.youtube.com/watch?v=GOt3LDMtsFM

Notes: When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, the dbx EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 131s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 131s includes a single 31-band channel of 1/3-octave equalization, 12 dB input gain, switchable +/-6 dB or +/-12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 110 dB dynamic range to the quality componentry and meticulous attention to detail, the 131s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 131s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

Notes: Peerless beats generated by solid analog drum sounds and an Electribe-style sequencer.

A vintage-style analog drum machine from Korg's recently announced Volca series. The Volca Beats includes a 16-step sequencer and 6 x editable analog parts including kick, snare, Hi/Lo toms and open & closed Hi-Hats designed to provide sounds reminiscent of classic 80s drum machines. It also has an additional PCM engine which is said to produce 4 x Lo-Fi percussion sounds including clap, claves, agogo and crash sounds.

There is one-knob-per-function parameter control for crafting each of the six analog sounds including click, snappy, pitch, decay and grain. The PCM sounds have control over pitch and speed. There is also a Level knob allowing volume adjustment of each part.

The 16-step LED-lit sequencer has 8 x memory locations for saving patterns. It includes a recordable stutter function for generating repeated triggers (or drum rolls) and delay effects, an active step feature for quickly adding or removing individual steps, and a step jump function that will instantly play any step. Notes can be entered live as the sequencer is running.

You can also wirelessly synchronise playback of all of the units in the Volca series with any iOS music app that support Korg's Wireless Sync-Start Technology (WIST) using their SyncKontrol iPhone app. This also allows control of the swing settings and fine control of the tempo (including tap tempo).

The Volca Beats is battery powered (with optional AC power) and includes a built-in speaker. It weighs in at only 372g with dimensions of 193 × 115 × 45 mm (W x D x H).

The Volca Beats editable controls include:

Kick (click, pitch, decay, level)
Snare (snappy, pitch, decay, level)
Hi/Lo toms (hi pitch, low pitch, decay, level)
Open/closed Hi-Hat (closed decay, open decay, level)
PCM sounds (pitch, speed, level)

Notes: "Old school tube mellow" is the phrase most often used to describe the sound of the V67G. Designed mainly for vocals, the V67G combines Class A FET circuitry and a transformer-coupled output resulting in a pure and warm sound. Its classic green body and gold plated grill provide stunning good looks. The V67G adds body to vocals for all styles of music. This top-seller has been used on countless recordings and is a welcome addition to your microphone collection.

Classic FET design with warmth and midrange makes this mic perfect on both drums and vocals
Perfect addition to any mic locker adding "classic" character to ordinary sources
Transformer balanced output ensures more of your source and less noise

Technical specifications:

Mic type: Condenser microphone
Capsule: 32mm capsule with Gold-sputtered, 6 micron diaphragm
Frequency response: 20 Hz - 20 kHz
Polar pattern: Cardioid
Sensitivity: 15mV/Pa
Impedance: 200 ohms
Equivalent noise level: 20 dB (A-weighted IEC 268-4)
S/N Ratio: 74 dB (Ref. 1 PA A-weighted)
Max SPL for .5% THD: 130 dB
Power requirements: 48V Phantom power

Size and weight:

47 mm x 184 mm / 1.85 in. x 7.24 in.
590g / 1.3 lbs

Metal finish: Green with gold grill

Included accessories: MT-001 hardmount

In the box:

MXL V67G Mic
Hard Mount Mic Stand Adapter
Carrying Pouch

Notes: DJ mixing controller

Ultra-portable setup for TRAKTOR DJ 2 (desktop) and TRAKTOR PRO 3
Pro-quality knobs, faders, and backlit buttons
Mixing interface with 3-band EQ, built-in 24-bit soundcard

World's smallest pro DJ mixer

TRAKTOR KONTROL Z1 is the ultra-compact 2-channel mixer, controller, and soundcard for TRAKTOR DJ 2 and TRAKTOR PRO 3.

EQs and filters

Tweak your sound with robust 3-band EQ, gain, and filter knobs.

Cue section

Pre-listen to each channel. The Cue Mix knob adjusts the cue/master balance. The Cue Volume regulates headphone volume.

Channel faders

Mix effortlessly with pro-grade faders. The easy-to-read level meters provide instant visual feedback.

Club ready

Mix and pre-listen to your tracks with pro precision. Dedicated controls for two channels give you intuitive, tactile control over volume, EQ, filters, and effects. And the built-in 24-bit audio interface delivers powerful, high-quality sound.

Hook it up to your laptop and start playing - wherever you are.
Traktor Pro- on-the-go

TRAKTOR KONTROL Z1 also offers ready-to-go compact control of TRAKTOR PRO EQs, filters, and FX Units on two channels at a time, keeping you ready for the afterparty - always.

It doesn't end there: Expand your creative possibilities by adding TRAKTOR KONTROL X1 to the rig and control effects, loops, and transport functions like play and sync.

What's included

TRAKTOR KONTROL Z1 comes with the introductory TRAKTOR LE software to get you started. Two software decks, three effects, and all you need to get the party going.

And when you're ready for more, go pro. The Z1 includes a e-voucher - use it to purchase TRAKTOR PRO 3 or any other downloadable NI software.

Specifications

System requirements

macOS 11, 12, 13 (latest update), iTunes 12 (latest update), Intel Core i5 or Apple M1 / M2, 4 GB RAM

Windows 10, 11 (latest service pack), Intel Core i5 or equivalent CPU, 4 GB RAM
Supported audio formats: MP3, WAV, AIFF, Audio-CD, FLAC, Ogg Vorbis, non-DRM AAC

Supported drivers

ASIO
Core Audio
DirectSound
WASAPI

General

Monitor with 1280 x 800 screen resolution, USB 2.0, 1 GB free disc space. An internet connection and a graphics card which supports OpenGL 2.1 or higher are required to download and activate TRAKTOR software. Once installed and activated, all products can be used offline.

Dimensions: 120mm x 293mm x 51mm (WxLxH), 0.65 kg / 1.43 lbs

Hardware

Overall:
Sampling rate: 96kHz
Converter wordlength: 24-bit
Analogue output channels: 4
USB audio interface: USB 2.0 hi-speed, audio class compliant

Master RCA outputs:
Maximum output level (unbalanced): +12 dBu
Noise floor: -89,3 dB a weighted
Dynamic range: +102 dB a weighted
THD+NL: 0.005% (@0dB FS/10k)
Frequency response: 20 Hz-20 KHz, +/- 0.6 dB
Crosstalk: -118 dB (1 kHz)

Headphone output:
Maximum output level: +11 dBu into 300 Ohms @ 0 dB FS
Maximum output power: 2x 25mW
THD+N: 0.05% at 0 dB FS (300 Ohms load)
Noise floor: -94 dBu
Dynamic range: 101 dB
Frequency response: 20Hz - 20 kHz, i 0.6 dB
Crosstalk: -62dB (1 kHz)

Notes: The Behringer Wing, acclaimed for its advanced technological capabilities and unparalleled flexibility in mixing, has swiftly become something of a linchpin in the audio production realm. Acknowledging its pivotal role and in answer to a strong demand for reliable protection, Decksaver are delighted to unveil the cover for the Behringer Wing.

This cover, painstakingly fashioned from premium-grade polycarbonate, is tailored to provide the highest level of protection for your Wing, shielding it from dust, liquid spills, and accidental knocks, thus ensuring the mixer's durability and operational excellence.

Engineered with precision to match the Wing's distinctive design, this cover ensures a flawless fit, covering all the mixer's components, including faders, knobs, and screens, whilst still allowing easy access to all essential connections. This consideration is crucial for audio professionals who demand both robust protection and swift, efficient access for setup and dismantling, as well as safeguarding against unintended interference during live setups. Whether in a lively live setting, a bustling studio, or whilst in storage, this cover acts as a steadfast guardian, preserving both the functional and aesthetic integrity of your Wing.

Choosing this cover for your Wing is not just about providing protection; it's about pledging to the upkeep and maintenance of a key piece of audio equipment. Esteemed and sought after by industry professionals, this cover is an essential asset for anyone committed to keeping their Behringer Wing in immaculate condition, ready for any mixing scenario or creative pursuit.

Dimensions

Weight: 1.957 kg
Length: 87.9 cm
Width: 59.6 cm
Height: 6.8 cm

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: This stand its part of a new concept in COVERUP. With differents parts, you can use to put on multiple synths, including big devices, until now, not possible with the other stands.

You can configure your setup with you like more, with two big devices, or three medium devices. Easy to ensamble, very light to move from your studio to live. Just you need 1 minute to arm and start to playing.

Your setup of synthesizers and studio equipment can change permanently and with it also the position on the work table.

Taking this into account, CoverUp developed a 3-level support, which can be set up in different ways depending on the number of machines that we are going to place and their size.

In the triple stand configuration (using all 4 parts), 3 20cm machines can be placed. deep and a maximum height of 7cm.

This space is enough for much of the hardware available today.

The triple bracket parts are assembled with screws (included) using a universal socket that holds them together firmly.

In turn each part can be used as a simple support. It is only enough to separate the parts by removing the screws and use each part as it suits us.

Each part has rubber feet underneath, so that the support does not slip and is firmly supported.

Both halves of the triple support are linked with wooden rods at various points to give it lateral stability.

The design contemplates space for the rear connectors of each equipment, so that none of them are obstructed by the support.

Measures:
Depth: 58cm
Height: 41cm
Width: 34cm

Notes: The studio legends

For decades now, professional users all around the world have placed their trust in Beyerdynamic's classic range: DT 770/880/990 PRO. These benchmark-setting studio headphones, available in three different models, boast extremely detailed resolution and very transparent sound.

The DT 770 PRO headphones is the range's closed-back model and offers maximum flexibility and detailed sound that you can rely on.

Impressive sound volume

The Beyerdynamic DT 770 PRO headphones have established themselves as a firm favourite amongst music producers, sound engineers and broadcasters and are used in studios all over the world. They reproduce the entire frequency range with incredible precision, and even reproduce low frequencies in punchy detail.

Top-notch impulse response

The headphones are designed for critical music and sound monitoring, providing a perfectly neutral listening environment with exceptional isolation and top-notch impulse response. High frequencies are translated into an analytical and differentiated sound. Ultra-low bass sounds are defined and reproduced crisply.

Extreme comfort

The robust spring steel headband ensures a secure fit for the wearer. Soft ear cups mean that the headphones are comfortable even if worn for prolonged periods. The single-sided cable allows the headphones to be put on and taken off frequently without cables getting tangled.

Allrounder; universal studio

These 80-ohm headphones are the ideal Choice for a range of studio applications.

Made in Germany

The DT 770 PRO headphones are and always have been handcrafted in Germany. The durability of these headphones is worth noting, because all the components used are replaceable if necessary.

High-end studio quality

Thanks to the Tesla technology developed in Heilbronn, the DT 770 PRO offers even finer resolution with precise and powerful bass. The pro flagship also sets new standards in terms of wearing comfort and workmanship.

Technical specifcations

Transmission type: wired
Weight headphones without cable: 270 g
Transducer type: Dynamic
Operating principle: Closed
Nominal frequency response: 5 - 35,000 Hz
Nominal impedance: 80 O
Nominal SPL: 96 dB
Nominal T.H.D: < 0.2%
Power handling capacity: 100 mW
Sound coupling to ear: Circumaural
Ambient noise isolation: approx. 18 dBA
Nominal headband pressure: approx. 3.5 N
Weight: 345 g
Length and type of cable: 3 m / straight cable
Connection: Gold plated mini stereo jack plug (3.5 mm) & 1/4" adapter (6.35 mm)

Review: Celebrated jazz man Charles Mingus took Manhattan by storm when he played a series of legendary darts at the world famous Birdland venue in New York between 1961 and 196. Now, in conjunction with the Mingus Estate, the complete collection of those sessions make it to vinyl for the first time ever. Mingus Takes Manhattan - The Complete Birdland Dates: 1961 - 1962 is taken from the original reel-to-reel tapes used for the radio broadcasts at the time. These rare recordings comes with a 44-page book with a foreword from Christian McBride.

Notes: AIAIAI's affordable XE range might just offer the best value studio headphones around. Balance S01 drivers and comfortable E04 ear pads are paired with a slim headband for great sound at a reasonable price.

Supplier's Notes:
Modular studio headphones.

Balanced and detailed sound
Enhanced comfort over-ear cushions
High sound isolation
Weighing only 190g
Modular headphone design

Modular studio headphones with highly detailed sound and full bass extension, balanced for music production. Comfortable PU leather over-ear earpads provide high isolation, reducing surrounding noise when creating on the go. Weighing only 190g for enhanced comfort over extended periods of time.

Balanced detailed sound

Critically acclaimed sound stage specifically designed for studio use with a clear and highly detailed sound representation.

The speaker unit contains a bio-cellulose diaphragm made from bacterial cellulose, an organic compound grown using certain types of bacteria. The precision-grown diaphragm from bio-cellulose is stiffer, lighter, and stronger than regular PET speaker units, allowing the sound-producing diaphragm to vibrate without the levels of distortion found in other speakers.

Each of these qualities results in more accurate and detailed sound from the speaker with the ability to retain clarity of sound at high volumes.

With a minimal and lightweight construction of only 190g, the TMA-2 Studio XE is ideal for the flexible, versatile and dynamic workflow of modern music makers.

Lightweight & comfortable

High grade over-ear memory foam cushions covered in resilient and soft PU leather, for enhanced comfort during long creation sessions or live performances. The over-ear cushion design provides high sound isolation when creating in noisy environments.

Headband made from high grade nylon combined with durable PU leather earpads, results in a total headphone weight of only 190g.

In the box

S01 . Balanced sound - Bio-diaphragm

Engineered with a 40mm speaker diaphragm made from stiff bio-cellulose to reduce distortion and increase transparency. Tuned for a balanced, accurate sound. Balanced sound - Bio-diaphragm.

H01 . Slim - PU foam

Slim and lightweight polycarbonate headband with soft, durable PU foam padding.

E04 . Over ear - PU leather

Soft over-ear memory foam cushions covered with PU leather. The thickness and materials provide better comfort and excellent isolation. Adding a low end boost for a warmer sound with powerful dynamics.

C05 . Straight - 1.5m - Adapter

Straight black 1.5m thermo plastic cable with soft touch surface. Comes with 1/4 to 1/8 screw-on adapter.

Headphones for life

As a music creator, you need headphones that can keep up with your evolving needs and styles. These TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

By investing in this modular headphone system, you're not just buying headphones - you're investing in a long-term solution that evolves with your music. This reduces electronic waste while ensuring that you always have the optimal headphones just for you.

Diaphragm: Bio-cellulose
Driver diameter: 40 mm
Impedance: 32 Ohm
Magnet: High-grade Neodymium
Max power: 100 mW
Rated power: 40 mW
Resonance freq: 80 Hz

Notes: Take a DJ-mixer-style combined high-pass and low-pass filter, cram it into Eurorack and you have the DJ VCF. A simple formula, but one perfected by Erica's attention to detail, with CV control and adjustable resonance.

Supplier's Notes:
As its name suggests, the Erica Synths Black DJ VCF provides sound treatment functionality typically found on DJ decks - it is fully open when the cutoff knob is set to 12:00. When turned counter-clockwise, lowpass filtering is applied and when turned clockwise, highpass filtering is applied. The filter also has a nice-sounding resonance parameter. This module provides hands-on control over the sound during the performance, as well as unconventional timbre modulations that are hard to achieve with conventional state variable filters. The Black DJ VCF is a fully analogue design and consists of two VCFs - highpass and lowpass in series and the filter management is done by complex CV routing.

CUTOFF
This is the main control of the module - manual cutoff frequency adjustment with a twist - it's fully open when the cutoff knob is set to 12:00. When turned counter-clockwise, lowpass filtering is applied and when turned clockwise, highpass filtering is initiated

AUDIO LVL
Adjust the audio signal level

RESONANCE
Adjust the resonance level manually. On settings over 1PM, the filter will start to self-oscillate. The resonance is incoming audio signal-sensitive - a signal of greater amplitude may reduce the impact of resonance on the resulting sound

CV1 LVL
This is the cuto CV attenuverter. Adjust the CV level to your taste! Notice that the cutoff CV works differently compared to conventional state variable filters - it sweeps the filter from closed lowpass through fully open to closed highpass

CV2 LVL
This is another cuto CV attenuator

CV2 IN
This is the cuto CV2 input, which is controlled by the attenuator knob

AUDIO IN
Patch your audio signal here.

OUTPUT
This is the audio output of the module.

CV1 IN
This is the cutoff CV1 input. The CV1 level is adjustable by the CV1 LEVEL attenuverter knob.

Features
Fully analogue DJ-style VCF
Manual resonance control
Cuto ff CV attenuverter and attenuator
Input and output
Protection against undesired overvoltage

Technical specifications:

Audio level: 10Vptp
CV level : -10V - +10V
Filter slope: 24dB/oct
Power consumption: +55mA, -58mA
Module width: 10HP
Module depth: 35mm

Review: This expansive 70-track collection spans the Dragon Age game series, including songs from Dragon Age: Origins (2009), Dragon Age II (2011), and Dragon Age: Inquisition (2014) throughout discs 1-3. As a bonus, the fourth disc features seven tracks chosen from DLC plus an additional nine fan-favorite bard songs from Dragon Age: Inquisition. Deluxe package features all-original artwork by Dragon Age concept director Ramil Sunga and lead UX artist Danny Richardson, created exclusively for this album set. The beautifully detailed artwork presents a pictorial timeline following the lore of the Dragon Age series, beginning at the dawn of the golden city, throughout the city's fall and culminating in its re-emergence as the black city, seat of the old gods.

Notes: A Digital DJ looking for a professional, durable case solution for your Pioneer OPUS-QUAD? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression-moulded EVA material with a laminated nylon exterior these cases provide protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Pioneer OPUS-QUAD, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications

Colour: Black
Weight: 3,30 kg / 7.26 lbs
Outer Dimensions (W x H x D): 98.1 x 53.5 x 15.8 cm | 38.6 x 21.1 x 6.2 inch
Inner Dimensions (W x H x D): 97.1 x 52.5 x 14.8 cm | 38.2 x 20.7 x 5.8 inch
Material: Durashock moulded EVA foam
Protection: Soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Convenient carry handle
Easy grip zipper pulls
Fits: Pioneer OPUS-QUAD Controller

Notes: UDG have further finetuned what was already a great design concept of a flight case into one especially for the most discerning DJ/ producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/ hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damage, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Denon DJ SC LIVE 2 Black Plus (Wheels) also features roller wheels with high quality in-line skate bearings for convenient transport and heavy-duty, spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Denon DJ SC LIVE 2 Black Plus (Wheels) not only transports your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications:

Colour: Black
Weight: 14,50 kg / 31.9 lbs
Outer Dimensions (W x H x D): 72.4 x 47.3 x 23.3 cm | 28.5 x 18.6 x 9.2 inch
Inner Dimensions (W x H x D): 65.4 x 33.5 x 14.2 cm | 25.8 x 13.2 x 5.6 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide silver solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Cable access hole with removable UDG emblem cover
Removable front access panel
Roller wheels with high quality in-line skate bearings for convenient transport
Fits: Denon DJ SC LIVE 2

Notes: Introducing the CTRL CASE DJM-V10/DJM-A9 - the perfect protective solution for DJs on the go. This durable case is custom-designed to fit both, the latest Pioneer DJM-A9 and DJM-V10 club-mixer models, providing maximum protection with a Durashock molded EVA shell and fully padded interior. Plus, it features a convenient slot for storing audio cables and power adapters.

Fits:

Pioneer DJM-A9
Pioneer DJM-V10

Basics:

Crafted from 8 mm thick and rigid Durashock molded EVA foam and water rejecting polyester exterior shell
Sturdy zipper
Incl. removable egg-foam plus fully padded interior
Comfortable, rivet reinforced carrying handles and shoulder strap (with metal buckles)
Compatible with Decksaverr cover

Specs:

Outer measures: 57 x 56 x 15 cm
Inner measures DJM-V10: 46 x 44 x 7 cm / DJM-A9: 43 x 41 x 7 cm (Equipment slot)
Weight: 2,3 kg
Colour: black/black

Notes: Introducing the CTRL CASE FOUR - the perfect protective solution for DJs on the go. This durable case is custom-designed to fit the latest Rane Four DJ-controller, providing maximum protection with a Durashock moulded EVA shell and fully padded interior.

Fits:

Rane Four

Basics:

Crafted from 8 mm thick and rigid Durashock moulded EVA foam and water rejecting polyester exterior shell
Sturdy zipper
Incl. removable egg-foam and 4 EVA foam-corners
Comfortable, rivet reinforced carrying handles and shoulder strap (with metal buckles)
Compatible with Decksaver cover

Specs:

Outer measures: 87 x 46 x 14 cm
Inner measures: 78,5 x 39,5 x 11 cm
Weight: 2,65 kg
Colour: black

Notes: The Golden Boy Mini - the epitome of versatile and transparent overdrive, designed in collaboration with the renowned guitarist Joey Landreth. With its exceptional harmonic detail and abundant headroom, this compact overdrive pedal takes the concept of transparent overdrive to new heights, using a simple and powerful interface.

The Golden Boy Mini is the perfect addition to any guitarist's arsenal, allowing you to shape and enhance your tone in ways you've never imagined. Its transparent nature ensures that your core tone remains intact, while adding a dynamic of warmth, richness, and depth that elevates your playing to new levels.

Its intuitive controls allow you to dial in the perfect blend of overdrive, from subtle grit to soaring, harmonically rich tones. The pedal's wide-ranging gain control ensures that it can adapt to any musical style or genre, whether you're playing delicate fingerpicked melodies or unleashing blistering solos. Pair it with Asymmetrical or Led Clipping and put the final touches with it's 3-band Baxandall-style EQ.

Beyond its exceptional sound, the Golden Boy Mini is built to withstand the rigors of the road. Its rugged construction and top-quality components ensure reliability and durability, making it a reliable companion for both studio sessions and live performances.

Whether you're a seasoned professional or an aspiring guitarist, the Golden Boy Mini will transform your tone and ignite your creativity.

Discover the Golden Boy Mini and unlock the true potential of your guitar tone. Order yours today and witness the power of transparent overdrive like never before. Elevate your sound and embark on a sonic journey with the GOLDEN BOY Mini!

Notes: For the Fundamental Series, Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in OKC, OK.

Because vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.

The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.

Modes:

Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.

Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.

Notes: Erica Synths Pico VCO 2 - powerful, full analogue VCO with great tracking over 8 octaves just in 3HP! Combine two of those, add some PWM and have a sound of real analogue beast!

Features:

Manual TUNE and PWM controls
+-1 octave switch
1V/oct input with good tracking across 8 octaves
PWM CV input
Pulse and triangle waveform outputs
Input protection against overvoltage
Protection against reverse PSU connection

Technical specification:

Output signal amplitude: -5V - +5
PWM CV input (full span): -5V - +5V
Power consumption: +21mA, -19mA
Module width: 3HP
Module depth: 35mm

Notes: The SVF is a 4hp 2 pole 12dB State Variable Filter Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It provides Low Pass, Band Pass, and High Pass outs inspired by WASP and Thomas Henry filter topologies. The filter has 2 audio inputs, but channel 2 is jumper selectable between standard audio in or Ping-able operation. The 2019 revision also adds improved cutoff and resonance response and attenuversion through the ACV IN using the above pot. CV IN provides another unattenuated voltage input to modulate the frequency.

At the CV in, +10v will open the filter completely if the cutoff pot is CCW(counter clockwise). With the cutoff knob at noon the filter can be opened with +5v or closed with -5v. CV input at the ACV in is dependent on the CV attenuverter knob.

There are also several jumper selectable modes for max resonance, self oscillation or no oscillation based on the setting of the resonance pot. According to the jumper configuration, the filter is capable of clinical and clean, to juicy and drippy, to low pass gate sounding plonks, to screaming chaotic resonance. When set to self oscillation mode, the filter can produce a sine like wave with no input and a trapezoid like wave in the max resonance jumper setting. In max resonance mode, the filter output can exceed 10Vpp. On the newest version, there is a trimmer on the top pcb to set the lowest cutoff frequency.

The new black and white pcb/panel is reversible meaning, one side is classic (first picture) and the other side is soulless (second picture).

Notes: The CTRL Case One is a super lightweight and compact carrying solution for your Rane One Controller. The case is crafted from lightweight Durashock molded EVA foam and water repellent polyester exterior. The lid is lined with high density egg-crate foam to protect the display, jog wheels, and controls.

Fits:

Rane One

Basics:

Lightweight Durashock molded 8 mm EVA foam and polyester exterior shell
Sturdy zipper
Incl. high density egg foam to protect knobs, faders, jog wheels and display
Comfortable, rivet reinforced carrying handles
Including detachable shoulder strap (metal buckles)

Specs:

Outer measures: 75 x 41 x 11 cm
Inner measures: 71 x 35 x 8 cm
Weight: 1,9 kg

Review: Capturing the era of Black Sabbath with Ronnie James Dio on vocals following Ozzy Osborne's departure, Live Evil was the first officially sanctioned live album from Birmingham's foremost heavy metal pioneers. The album came together in 1982, drawing on shows from Seattle, San Antonio and Dallas on the Mob Rules tour, and now it has been given the deluxe reissue treatment. As well as the original mix of the album, there's an entirely new mix of the album from the original analogue master tapes by long time band associate Wyn Daivs, complete with a 40-page hardback book featuring new liner notes and replicas of the original concert book and poster form the Mob Rules tour.

Notes: Are you a synth enthusiast looking for the ultimate addition to your setup? Look no further than the Novation Summit - a powerhouse synthesizer that delivers unparalleled sound quality and versatility.

With 16-voice polyphony and dual-filter architecture, the Summit allows you to create rich, complex sounds that are both dynamic and expressive. And with its intuitive interface and advanced features, including dual stereo effects engines and an arpeggiator, the Summit is perfect for both studio production and live performance.

But with a piece of gear as valuable as the Novation Summit, it's essential to protect it from any potential damage. That's where Decksaver comes in! Decksaver's custom-moulded polycarbonate cover is specifically designed to fit the contours of the Summit, providing maximum protection against dust, spills, and accidental impacts.

Crafted from ultra-durable polycarbonate material, this Summit cover is super-tough yet lightweight, ensuring that your precious synth is always safeguarded without weighing you down. So whether you're transporting your Summit to a gig or storing it at home, you can rest easy knowing that it's protected by a Decksaver cover.

Investing in the Novation Summit is a big step for any musician, but protecting your investment is just as important. So why wait? Grab a Decksaver cover today and keep your Summit safe and sound!

Features Decksaver's own Soft-fit inserts to protect delicate wooden cheek panels.

Dimensions

Weight 1.65 kg
Length 101.5cm
Depth 31 cm
Height 5.5cm

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires, and sunlight.

Notes: Introducing the n-1 case, a sleek, thoughtfully designed Eurorack modular case for sound and music makers. Our flat-packable case interlocks and slides together, requiring no tools to assemble. Later in the year, we will be launching a range of accessories that will provide further versatility to the n-1 case. These add-ons will allow you to customize your case to suit your unique preferences, ensuring it remains an adaptable companion on your evolving musical journey.

What's in the box?
12mm plywood frame
3mm plywood back
4 dowel pins
1 pair of aluminum rails
M5 hex socket screws
M3 rail slide nuts
mystery stickers!
*case is unpowered, giving users the freedom to choose a panel-mounted power supply or adapt an internal power option.

Notes: Module A-199 is a spring reverb module. The reverb effect is electronically simulated by means of 3 spiral springs. Spring reverb systems have a very characteristic sound that is based on the (insufficient) mechanical properties of the springs like signal delays, audio resonances, limited frequency range, acoustic feedback behaviour, sensitivity to mechanical shocks and others.

The 3-spring system used in the A-199 ensures a "dense" reverb because of the different properties of the three springs.

The A-199 implies some special features that are not self-evident for spring reverb units:

The reverb signal can be fed back to the input using the Feedback control. Even self-oscillation of the springs similar to the self-oscillation of filters is available. The feedback loop can lead even via external modules like VCA, VCF, phaser, frequency shifter, vocoder, distortion/waveshaper, ring modulator and others. In this case the reverb output of the A-199 is connected to the input of the external module(s) and the output of the external module(s) is fed back to the Ext. Feedback In socket of the A-199. This socket contains a switch that interrupts the internal feedback loop as soon as a plug is inserted.

Another feature is the Emphasis control. This enables the adjustment of the accentuation of middle frequencies (around ~ 2kHz).

With the Mix control the relation between original and reverb signal appearing at the mix output is adjusted.

Using all these features very extreme and unusual effects can be generated with the A-199.

Notes: Delay is a flexible, full-featured delay audio processor. CV over all parameters provides dynamic access to its nuanced controls. The feedback path ranges from slapback to infinity, allowing for wild permutations of the original signal.

With delay times from milliseconds to nearly two seconds, Delay is sure to find a use in every patching situation. Add subtle echo to a melodic line, or crank up the feedback and hear a bed of layered sounds to bury your listeners in.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Module A-149-1 is the first module of the A-149-x range. In this group we present by popular request several functions of Don Buchla's "Source of Uncertainty 265/266" (SOU) modules that cannot be realized with existing A-100 modules. Many functions of Buchla's 265 and 266 SOU can be realized with existing A-100 modules. For details please refer to A-100 patch examples.

Module A-149-1 has available four different analogue random control voltages that are generated in different ways.

The "Quantized Random Voltages" section has available 2 CV outputs: "N+1 states" and "2N states". N is an integer number in the range 1...6 that can be adjusted with the manual control (Man N) and an external control voltage CVN with attenuator. Whenever the rising edge of the input clock signal (Clk In) appears a new random voltage is generated at the N+1 resp. 2N output. The N+1 output is capable to generate N+1 different voltage levels (or states), the 2N output up to 2N different states. If for example N is set to 4 the N+1 output generates up to 5, the 2N output 16 different states. The voltage steps of the 2N output are adjusted to 1/12 V in the factory. Consequently, exact semitones can be obtained in combination with a VCO. The voltage steps of the n+1 output are adjusted to 1.0 V in the factory corresponding to octave intervals in combination with a VCO. For each output a trimming potentiometer is available on the pc board that enables the user to select other voltage steps for the output in question.

Even the "Stored Random Voltages" section has 2 stepped CV outputs available: one with even voltage distribution of the max. 256 output states and second one with adjustable voltage distribution probability. The distribution probability is adjusted by a manual control (Man D) and an external control voltage CVD with attenuator. With the control set fully counter-clockwise most of the random voltages will be low magnitude but even medium and high magnitude voltages may appear but with smaller probability. As the control is turned to the right (or a positive control voltage appears at the CVD input) the distribution moves through medium to high magnitude voltage probability. The symbol at the lower jack socket shows this coherence graphically. The voltage range is 0...+5V for both outputs of the "Stored Random Voltages" section. For each output a trimming potentiometer is available on the pc board that enables the user to select another voltage range for the output in question.

The A-149-1 can be extended by 8 random digital voltages with the A-149-2 Digital Random Voltages module.

Dimensions
12 HP
60 mm deep

Current draw
40 mA +12V
10 mA -12V

Notes: SVF 1U

Multimode State Variable Filter

The perfect 1U, multimode, voltage-controlled filter for sweet-sounding subtractive synthesis duties or to form the basis of more complex patches. Punchy, clean, and precise. Explore new sounds through the dual modulation inputs and dedicated low pass, high pass and band pass/notch outputs. This filter responds beautifully to audio rate FM and you can self-patch to get even more interesting filter responses. Adjust the Q for a sharp howl or use it as a sine VCO.

Features:

Dedicated 2-pole Low pass filter (LP) and 2-pole High pass filter (HP) outputs.
Switchable Bandpass filter (BP) and Notch filter (N) output.
Optional +6dB input boost and asymmetric clipping circuit.
PITCH input tracks 1V/Oct accurately over 4+ octaves.
FM CV input with attenuverter.
Capable of generating very low distortion sine waves from 2Hz to 20kHz when driven to self oscillation (Max Q).

Size: 20HP
Depth: 35mm
Power: 27mA @ +12V 30mA @ -12V

Notes: EcoSynth is a small, portable Eurorack modular case solution, designed for your desktop! It's a practical solution designed to save your hard-earned cash for modules. If you're looking for a small desktop solution to augment other desktop electronic hardware, this is for you. If you need a larger case, EcoSkiff passes on the savings for more traditional size racks like 84HP and 104HP.

Save on money and space: get just as much HP as you need!

Available in the following sizes:
24HP
44HP
64HP
84HP
104HP

Features and specifications:

Over-current protection: shuts off each power rail automatically if modules use too much current on that rail
The skiff goes together with just a Phillips head screwdriver!
Comes with 3mm slide nuts
Max module depth: 44mm
Max module depth above power supply: 33mm

Specifications, 24HP-44HP:

Power output:
+12V @ 1A
-12V @300mA
5V@ 150mA
Power connectors: 2 (plus optional flying bus cable)

Requires a 12V 5A center positive power brick with a 5.5mm x 2.1mm tip.
Assembly required, but no soldering needed.

Notes: EcoSynth is a small, portable Eurorack modular case solution, designed for your desktop! It's a practical solution designed to save your hard-earned cash for modules. If you're looking for a small desktop solution to augment other desktop electronic hardware, this is for you. If you need a larger case, EcoSkiff passes on the savings for more traditional size racks like 84HP and 104HP.

Save on money and space: get just as much HP as you need!

Available in the following sizes:
24HP
44HP
64HP
84HP
104HP

Features and specifications:

Over-current protection: shuts off each power rail automatically if modules use too much current on that rail
The skiff goes together with just a Phillips head screwdriver!
Comes with 3mm slide nuts
Max module depth: 44mm
Max module depth above power supply: 33mm

Specifications, 24HP-44HP:
Power output:
+12V @ 1A
-12V @300mA
5V@ 150mA
Power connectors: 2 (plus optional flying bus cable)

Specifications, 64HP-104HP:
Power output:
+12V @ 2A
-12V @750mA
5V@ 1.5A
Power connectors: 15
Daisy chains to another EcoSkiff, Skiff Power, Five Amp Power, or Schottkey DC

Requires a 12V 5A center positive power brick with a 5.5mm x 2.1mm tip.
Assembly required, but no soldering needed.

Notes: EcoSynth is a small, portable Eurorack modular case solution, designed for your desktop! It's a practical solution designed to save your hard-earned cash for modules. If you're looking for a small desktop solution to augment other desktop electronic hardware, this is for you. If you need a larger case, EcoSkiff passes on the savings for more traditional size racks like 84HP and 104HP.

Save on money and space: get just as much HP as you need!

Available in the following sizes:
24HP
44HP
64HP
84HP
104HP

Features and specifications:

Over-current protection: shuts off each power rail automatically if modules use too much current on that rail
The skiff goes together with just a Phillips head screwdriver!
Comes with 3mm slide nuts
Max module depth: 44mm
Max module depth above power supply: 33mm

Specifications, 24HP-44HP:
Power output:
+12V @ 1A
-12V @300mA
5V@ 150mA
Power connectors: 2 (plus optional flying bus cable)

Specifications, 64HP-104HP:
Power output:
+12V @ 2A
-12V @750mA
5V@ 1.5A
Power connectors: 15
Daisy chains to another EcoSkiff, Skiff Power, Five Amp Power, or Schottkey DC

Requires a 12V 5A center positive power brick with a 5.5mm x 2.1mm tip.
Assembly required, but no soldering needed.

Notes: EcoSynth is a small, portable Eurorack modular case solution, designed for your desktop! It's a practical solution designed to save your hard-earned cash for modules. If you're looking for a small desktop solution to augment other desktop electronic hardware, this is for you. If you need a larger case, EcoSkiff passes on the savings for more traditional size racks like 84HP and 104HP.

Save on money and space: get just as much HP as you need!

Available in the following sizes:
24HP
44HP
64HP
84HP
104HP

Features and specifications:

Over-current protection: shuts off each power rail automatically if modules use too much current on that rail
The skiff goes together with just a Phillips head screwdriver!
Comes with 3mm slide nuts
Max module depth: 44mm
Max module depth above power supply: 33mm

Specifications, 24HP-44HP:
Power output:
+12V @ 1A
-12V @300mA
5V@ 150mA
Power connectors: 2 (plus optional flying bus cable)

Specifications, 64HP-104HP:
Power output:
+12V @ 2A
-12V @750mA
5V@ 1.5A
Power connectors: 15
Daisy chains to another EcoSkiff, Skiff Power, Five Amp Power, or Schottkey DC

Requires a 12V 5A center positive power brick with a 5.5mm x 2.1mm tip.
Assembly required, but no soldering needed.

Notes: Next generation looper pedal with a high-definition colour LCD display, stereo inputs/outputs, and optional MIDI control. Loop Core Stereo allows you to create up to 6 hours of music phrases, save them in one of 99 provided memory slots, and play back as stereo loops or even backing tracks. 50 internal drum patterns can also be selected from for rhythm backing. Signal path can be mono, true stereo, split stereo (loop / drum machine) or direct to mixer (with cabinet simulation). A headphones output completes the package for silent loop practice or personal monitoring. A comprehensive looping machine in a standard compact pedal format.

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Drum, Tap, Save, Settings buttons & rotary Value control
Inputs: L+R 6.3mm mono jack (instrument or line), 3.5mm MIDI jack
Outputs: L+R 6.3mm jack outputs, 3.5mm headphones output
Recording: Up to 6 hours
Sampling format: 44.1kHz, 24-bit
Frequency response: 20Hz - 20kHz
Memories: 99
Noise: -100dBu
Dynamic range: 108dB

Dimensions: 122 x 72 x 48mm
Weight: 264g

In the box

The box for this item contains :

Loop core stereo pedal
Alkaline PP3 battery

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Classic closed-back headphones in a low-impedance version designed to play nicely with outputs on phones, laptops and interfaces. One of the best all-round options for production.

Supplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.