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Notes: The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: The MUSE DRIVER - Andy Timmons Full Range Overdrive is an overdrive workstation that allows you to orchestrate everything from a clean boost to a treble supercharger, a chimey tube-amp overdrive to a square-wave, germanium fuzz generator and more.

This Pedal combines a three-control blues driver circuit with two switches for the voicing of Drive and Tone characteristics. Robert and Andy developed these switches to give players a broad range of drive tones. The Drive toggle engages two germanium diodes for a smoother, slightly compressed drive. Switch to Andy's clipping style for a brighter and more articulate attack.

Every part of the circuit has been optimized for tone and the demanding needs of a recording and touring artist such as Andy Timmons. Simply adding the MUSE DRIVER to your pedalboard will make your rig sound better. This professional grade overdrive can be switched between true-bypass and buffered bypass at any time.

Andy Timmons - Tone Switch

This drive pedal gives you two tone control circuits to choose from. When the Tone Switch is up and in the AT Position the tone control features Andy's preferred voicing and low-end response. Each note in a chord is clear and articulate. If the Tone Switch is down and in the RK Position that features the legendary Phat Boost providing more low-end frequency response, perfect for pushing up vintage or single coil pickups.

Full Range Overdrive - Germanium Toggle Switch

The MUSE DRIVER combines JFET saturation, diode clipping, and op-amp clipping in order to create its harmonically rich tone. Drive Switch UP for AT Clipping - this mode features asymmetrical LED and silicon diode clipping and is Andy's Super AT Mod sound. Drive Switch Down for RK Clipping - now the circuit features two germanium diodes for clipping. This mode can sound a bit like a vintage fuzz pedal with a softer, smoother feel.

Muse Driver - Buffered Bypass or True Bypass

The pedal features our industry leading buffer for noise-free switching. Keeley Electronics have developed a buffer which not only makes your rig sound better, it gives you silent switching with no tone loss. Switch between true-bypass and buffered on the fly. Simply press and hold the foot switch for two seconds and the pedal will switch between true-bypass and buffered bypass! You decide what works best in your rig.

Made In The USA

Keeley Electronics design, engineer, and manufacture the Keeley Electronics/Andy Timmons MUSE DRIVER in Oklahoma City. Everything about the MUSE DRIVER is geared towards the professional musician and their quest for an inspiring tone when performance demands it. From the meticulously built circuit boards to the newly fabricated aluminium enclosure; we make guitar effect pedals like finely crafted musical instruments.

Notes: Two channel expander for Bartender

Mixer section

Each channel has the following:

Stereo or mono - Each channel can be treated as a stereo channel or a mono channel with two summed inputs.

CV inputs for both panning and level control

Two send buses - You can route each channel to one of two send buses. Each send bus is stereo. You can choose if you want the send to come before or after the level/panning controls.

Mute - The mute has both latching mute (up) and a momentary mute (down). The mute uses a capacitor to slow the turn off and on of the mute action. So it is mostly click-less, but you may find an occasional pop.

Cue bus - You can route each channel to the cue bus.

Expandable Mixer Series

Bartenders can be cascaded to create 8ch, 12ch, or 16ch mixer. The main level is what is sent the main level control can act as a group control.

Barbacks can be added to add 2ch to your mix. Barbacks can also be cascaded enabling up to a 16ch mixer configuration.

Send-VCA can be added for CV control of the level of the send.

DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 10hp
12V: 125mA
-12V: 100mA

Notes: A warm and deep sound source you can rely on

A flexible and warm Analog Multifunction Oscillator, rich in harmonics. Excellent for performance use!

ONA can work as an Audio Oscillator or as a Low Frequency Modulator and it provides control over all its parameters, making it a versatile, deep and easy-to-use oscillator.

Thanks to its triangle-core oscillator and wave-shapers you can choose between a big palette of output waveforms to give shape to your ideas.

Classic Waveforms. Sine, Triangle, Saw and Square.

2 Complex Waveforms with Pulse Width Modulation.

2 Sub-Waveforms to add some bass sounds easily.

Blend them to give unlimited depth to your sound!

Notes: Endorphin.es Cockpit² is a 4-channel stereo mixer with side-chain ducking.

Key facts:

Increased headroom
Improved sound quality
The LEDs are blue/red instead of red/green (Daltonic friendly)
No TRRS jacks anymore
New aluminium knobs on the black module version

Power consumption:
240 mA +12V
75 mA -12V
0 mA 5V

Dimensions:
6 HP
38 mm deep

Notes: Alan (micro Turing Machine) Shift Register Based Sequencer

The randomness of the Music Thing Modular Turing Machine, shrunk down to 6HP. Alan retains all of the same functionality as the original including the connectors for the expanders.

While this module has little to do with the original Turing Machine (by Alan Turing), it is a shift register based sequencer. You cannot program this sequencer, instead it builds random sequences that can be locked in.

Alan comes tested, calibrated and ready to bring random voltages.

The After Later Audio panel is black and gold and made from FR4. The package will include a power/ribbon cable and a one year warranty.

Notes: nRings

This is a new build of a micro version of Rings from Mutable Instruments. MicroRings, also called NanoRings, retains all the same functionality as a full-size Rings module.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

These modules use tall bushing potentiometers to offer a more stable feel.

Notes: Compact, affordable and truly powerful DJ controller from one of our favourite brands. One of the best options for starting out with DJ software. Hook up to a smartphone, tablet or computer and get mixing.

Supplier's Notes:
This compact and powerful 2-channel DJ controller was designed and developed in close partnership with Algoriddim for the tightest integration possible with their award-winning djay app.

The Reloop Buddy offers DJs of any level all the tools they need to perform creatively and efficiently at a high level. Thanks to its powerful features and the brand new Neural Mix controls, the BUDDY is space-saving without compromising any functionality.

Whether you're a complete beginner or an experienced DJ, the Reloop Buddy offers you full control over your mixes thanks to powerful features including the intuitive pad section consisting of 8 performance modes (hot cue, auto loop, touch FX, sampler, slicer, bounce loop, Neural Mix™, looper), dedicated loop controls, a flexible effect section with FX paddles (hold & toggle), and responsive jog wheels for precise mixing and scratching.

Also, the Reloop Buddy includes extensive Neural Mix controls (pad / EQ mode) to isolate beats, instruments, and vocals of any song in real-time for even more creative mixing possibilities.

The Reloop Buddy offers you large FX Paddles with HOLD and ON positions for instant effect mixing.

In terms of outputs, a full headphones cue section and 14 inch jack are conveniently located at the side of the unit, together with an RCA out port for direct connection to active speakers and sound systems.

Thanks to its dedicated integration with Algoriddim's djay software, and built-in USB audio interface, the Reloop Buddy enables instant plug and play compatibility with smartphones, tablets, and computers.

The Reloop Buddy is built from quality, durable materials, and its space-saving, highly-portable design makes it perfect for your home setup, mobile use, and even on-the-go or while traveling. Furthermore, its built-in device slot can hold smartphones and tablets up to 12.9", which keeps the overall footprint of the unit to a minimum.

Not only can tracks be loaded to djay from your crates and libraries, but it's also even possible to mix millions of tracks instantly from popular streaming services such Tidal*, Soundcloud Go+*, Beatport LINK*, and Beatsource LINK*.

*Please note: An internet connection and a TIDAL Premium or HiFi subscription, Soundcloud GO+ subscription is required. Beatport Link and Beatsource Link are accessible with all 3 offered subscriptions.

HIGHLIGHTS:

Compact performance controller for djay across all platforms (iOS/Mac/PC)

Powerful features: FX paddles, sound filters and 8 performance modes

Neural Mix controls for real-time vocal and instrumental separation

Notes: Erica Synths Black Dual VCF is a dual multimode filter with CV control over cutoff and resonance for serious modular patches.

At the core of this VCF is a highly stable, custom multimode VCF chip AS3320 (produced in Riga, btw). This module can be used as two independent VCFs with simultaneous HP, BP and LP outputs, controls can be linked to stereo application and both VCFs can be chained in series or parallel to the summing output for ultimate modulations. Bonus feature - the 16 band spectrum analyser gives you visual feedback on what happens on summing output.

Technical specifications:

Audio output amplitude: 10 Vptp
CV input (full sweep): 10 Vptp
Panel width: 18HP
Module depth: 35mm
Power consumption: 40mA@+12V, 36mA@-12V

Notes: Designed with versatility in mind, the Fold 6 is a six-stage wavefolder with simultaneous series and parallel outputs, dual signal inputs and voltage-controlled folding and overdrive shaping.

Supplier's Notes:
Often considered to be the opposite of filters within a modular system, wavefolders are designed to fold a signal over itself multiple times. This generates additional harmonics, resulting in rich timbres.

While there is a bewildering array of filter types within the synthesiser world, most wavefolders fall within only a few categories. Diode wavefolders in particular come in just two variants: series and parallel circuit topologies. Choosing a specific folder also means being limited to specific sounds and capabilities.

For the first time, Fold 6 puts forward a 6-stage hybrid series/parallel topology, yielding a greater sonic palette than ever in just 4 HP. Having both main (series) and alternate (parallel) outputs means a single module now gives access to just about all wavefolding tones imaginable.

To take things even further, an integrated symmetrical soft clipper limits the output signals to approximately 10 Vpp, keeping the amplitude within typical Eurorack levels and making it easier to create overdriven sounds at high fold ratios. This clipping stage can be driven continuously using the shape parameter, smoothly transforming the folded waveforms into pulse waves for even more harmonic content.

Two signal inputs are included, to mix audio signals or add in a DC voltage for asymmetric folding. The symmetry can also be manually controlled using the dedicated knob. Of course, both fold and shape parameters feature voltage control, to enable continuous timbral modulation.

Moving beyond simple signal processing, Fold 6 also lends itself perfectly for feedback patching, CV folding or frequency multiplication; its modest size belies the sonic capabilities within.

Notes: Back in 2008, the original Z5000 was not only the world's first Eurorack DSP effects module but also the first Tiptop Audio module released. It brought voltage controlled digital effects to Eurorack for the first time and the Z5000 was eventually replaced by the Z-DSP open source platform. Now, years later with over a decade of experience developing audio effects for Eurorack signals we are introducing a totally new version of the Z5000: a compact stereo 8HP multi effect with voltage controlled parameters, VC analogue clock generator driving the DSP chip and 24 of our creme de la creme reverbs, delays, modulation, harmonization and pitch modulated effects. A number of programs in the Z5000 combine more than one effect, in series or parallel, that represent studio techniques from-the early days till modern times often leaning toward the more experimental side.

Notes: Buchla-inspired modular business in Korg's small and affordable Volca range. Amazingly creative and experimental synth power in a tiny little box. Highly recommended.

Supplier's notes:
A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.
Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.
The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:
The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:
Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:
volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:
While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:
The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:
Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:
Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

Connectors that allow synchronized performance and external control:
With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.

Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: Goldring D12GX stylus is designed to fit the current Goldring 1012GX phono cartridge or old model 1010 or 1012, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The Goldring 1012GX record cartridge uses the acclaimed Gyger-2 diamond stylus. This is a fine-line type which gives smooth extended high frequencies, low distortion and reproduces a highly detailed and dynamic sound. Advanced diamond tip polishing ensures excellent tracking ability and reduces record wear. The 1012GX represents outstanding value for money and has become one of Goldring's most popular cartridges.

Replacement stylus: 1012GX - D12GX

Notes: The Pod48X is 48HP with 2.00" (51mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod48X includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: Incorporating a new hidden trolley system, smooth rolling in-line wheels, electroplated zippers and integrated combination lock, the world's best selling 12" trolley bag has been reinforced and strengthened to provide you with even greater protection and durability. The Slingbag will hold approximately 65 records.

Notes: ZED-6FX delivers Allen & Heath's renowned build and audio excellence in a compact, portable format, making it the ideal choice for quality conscious musicians, singer / songwriters and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6FX is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analog warmth and depth. ZED-6FX is the first mixer to include a specially created suite of studio quality reverbs, delays and special multi-model FX, crafted by Allen & Heath's acclaimed in-house effects aficionados. Guitarists will be pleased to know that ZED-6FX comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

ZED-6FX features an exceptional new preamp design, created by analog guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analog range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

ZED-6FX boasts a brand new suite of studio quality reverbs and delays, painstakingly crafted to enhance your recordings and performances. Special multi-model effects provide uniquely dynamic combinations of reverbs and delays.

All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

ZED-6FX comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: A compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain.

The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.

Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.

Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*

Notes: EarthQuaker Devices White Light

Limited Edition Reissue Overdrive - limited to 2,000 units worldwide.

The White Light is a hard clipping, vintage-voiced overdrive that takes its cues from the vintage dirt pedals that defined the sounds of heavy rock. Think OD250 or Distortion+ without being overly derivative, a new voice to an olde sound if you will. The White Light gives you total control over the feel and voice of the dirt along with a modern presence that is highly responsive to your playing. You'll find that it is much more dynamic, open and harmonically rich than these classic overdrives it shares its lineage with. This classic EQD overdrive has been updated with a new enclosure, top-mounted jacks and Flexi-Switchr Technology.

Gain: Controls the amount of distortion.

Weight: A multi-functional control, allows the level of saturation, low end response and the overall feel of the device to be altered.

Level: Controls the output.

Compression Switch:

Minus (-): open with more high-mids and bite.
Plus (+): crunchy and compressed with a bit less bite and a flatter mid response.
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.
For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.
For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.
Since the switching is relay based, it requires power to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Earthquaker Devices always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

Do not run at higher voltages!

Tech Specs

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 10 mA
Input Impedance: 500 kO

Notes: Modulated digital reverb with an analogue dry signal path, the clock control lets you adjust the core frequency of the DSP, creating a smooth pitch shift in time, allowing you to create from a sharp traditional plate-like reverb to an underworld cavernous ambience.

Dedicated sustain footswitch to create an infinite modulated ambience, trails option to combine momentary activation and be able to add lush movement at any time.

Soft footswitch bypass latch & momentary
2 Modulation depths (off @ center position) MOD toggle
DSP clock control for deep cavernous textures
Trails toggle
2nd delay line with analog feedback
Pre-delay
Damp control
Infinite sustain footswitch
Top mounted jacks

Notes: Full featured stereo digital delay with an analogue dry signal path, carefully designed algorithms to cover all the delay needs in any genre, from pristine clear echoes and warm repetitions to trembling modulation.

The secondary footswitch options will let you manipulate the most important features while allowing you to play your instrument. Infinite repeats or insta-wobbles are at the tip of your toes.

6 complex delay algorithms: Digital, Analog, Tremelo Delay, Chorus Delay, Chorus +Tremelo, and Filtered Delay
Stereo TRS output (Tip mono)
Soft footswitch bypass latch & momentary.
Tap tempo/RAMP for infinite sustain or modulation via S R M toggle
True Bypass, Buffered or Trails via TB B TR toggle
Tempo divisions
Damp control
Modulation
EXT jack (Tap Tempo & RAMP)
Top mounted jacks

Notes: Module A-147-4 is a dual voltage controlled LFO (Low Frequency Oscillator). Each LFO has the five waveforms triangle, sine, rising and falling sawtooth, as well as rectangle available. The rectangle output features manually adjustable pulsewidth and pulsewidth modulation by means of an external control voltage. The core waveform is triangle. The other waveforms are derived from triangle by means of waveform converters. The frequency of each LFO can be adjusted manually and modulated by means of an external control voltage with associated attenuator and polarity switch. By means of a jumper the basic frequency range of each LFO can selected: about 0.02 Hz (~ 50 seconds) ... 2.5kHz or about 0.0017 Hz(~ 600 seconds) ... 220Hz. That way each LFO can be used also as a VCO with a max. frequency of about 2.5kHz. Each LFO features a reset input which can be used to reset the triangle signal.

The module has these controls and in/outputs available:

Control F : manual control of the frequency, for each LFO the frequency range can be selected by means of a jumper from two values (see technical notes)

frequency coverage of control F in the high frequency range: about 0.075 Hz (~ 13 seconds) ... 1,4kHz

frequency coverage of control F in the low frequency range: about 0.007 Hz (~ 140 seconds) ... 125Hz

Control CV: attenuator for the signal applied to the CV socket, by means of a jumper a small positive voltage can be applied to the switching contact of the /CV/ socket, as long as no patch cable is connected to /CV/ socket the CV control then works as fine control for the frequency

Switch CV Pol.: polarity switch for the signal applied to the socket /CV/

Control PW/PM: combined control for manual and CV control of the rectangle pulsewidth:

when no patch cable is connected to socket /P/ the control is used to adjust the pulsewidth (PW) manually

when a patch cable is connected to socket /P/ the control works as attenuator for the external CV signal with a basic pulsewidth of 50:50.

Socket /CV/: frequency control voltage input, in the factory the module is adjusted so that the sensitivity of this input is exactly 1V/octave when the CV control is fully CW.

Socket /R/: reset input, according to the associated jumper the reset input is edge triggered or level controlled (see technical notes for details)

Socket /P/: pulsewidth control voltage input

Sockets with waveform symbol: output of the waveform in question (triangle, sine, rising and falling sawtooth, rectangle)

The output voltage ranges are about -5V ... +5V (10Vpp), except the rectangle output

For the rectangle output one can choose by means of a jumper if the range is about -5V ... +5V or 0...+10V.

LED: visual control of the LFO (triangle)

The inputs of the module are labelled with white characters on black background (in the text included into two slashes). The outputs are labelled with black characters.
Technical notes and special features:

The basic frequency range of each LFO can be selected by means of a jumper. The settings correspond to two different capacitor values for the VCO circuit. The relation between the two ranges is about 1:11. When the upper range is selected frequencies from about 0.02 Hz up to 2.5kHz can be generated. For the lower range the values are about 0.0017 Hz ... 220Hz. To obtain these full frequency ranges external control voltages are required. With the frequency control F only the frequencies mentioned above are possible.

Apart from that the range for the manual control F can be reduced to obtain a finer resolutuion. For this a jumper has to be removed. The range of control F is then reduced to about 1:4.5 only.

In the factory the starting voltage of the triangle output after a reset is adjusted to 0V, i.e. the triangle starts from 0V with the rising slope after a reset. By means of a trimming potentiometer the starting voltage can be adjusted to another value (e.g. to -5V).

Another jumper is used to set the reset behaviour to edge triggered or level controlled. When set to edge triggered the rising edge of reset signal is used for the reset (independent of the duration of the "high" state of the reset signal). When set to level controlled the triangle output remains at the starting voltage as long as the reset signal is "high". Only when the reset signal turns "low" the triangle starts.

Dimensions
8 HP
45 mm deep

Current Draw
80 mA +12V
70 mA -12V

Notes: Add external feedback loops, tilt filters and more to the Timiszoara effects module with this versatile expander. A must-have for Timiszoara owners.

Supplier's Notes:
Deva is an expander for Xaoc Devices' Timiszoara multi-fx module designed for creative exploration of the dirty/nasty side of signal processing. Deva opens up the Timiszoara programs you've come to love with some unexpected twists and turns along the way. The analog side features two external feedback loops (for the left and right channel) with tilt filters adjustable via sliders with two additional switches for choosing positive or negative feedback (for each channel). The third slider controls the DAC clock - from overclocking by a factor of two down to 16-times slower, so you can go from chipmunk to hardcore teeth gnashing of underclocked goodness. A switch allows for turning the clock control off for normal/regular operation. All features have inputs for external CV.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Power drawn from Timiszoara: +60mA/ -50mA
Reverse power protection

Notes: Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

Features

Premium Keybed quality
49 note velocity-sensitive keyboard with hybrid synth-piano feel

Pads & controls
1 clickable encoder
9 rotary encoders
9 x 30mm faders
8 transport switches
4 command switches
1 modulation wheel & bend wheel
8 touch & pressure-sensitive pads

Display control
2.5" LCD display with contextual buttons
Real-time feedback on tweaks and controls
Smart features

Multi-mode arpeggiator
Chord mode
Scale mode
Hold function
Semitone transpose

Software integration
Seamless integration with Analog Lab V: select sounds, browse presets, smart-assigned controls
Custom DAW scripts for FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services
Analog Lab V software with 2000+ sounds
Ableton Live Lite
Native Instruments' The Gentleman
UVI Model D
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity
USB-C connects to computers and MIDI Control Center
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, expression, or footswitch
USB-C powered

Platform specifications

Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Apple
Mac OS 10.13+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU
Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box

Box content:
KeyLab Essential Unit
USB-A to USB-C cable
Registration card

Dimensions for 49 keys
Size : 31.1 x 9.45 x 2.76 inches (790 x 240 x 70mm)
Weight : 6.1 lbs. (2.76 Kg)

Notes: Limited-edition reissue of EarthQuaker's excellent Disaster Transport, lightly updated for 2023. Modulated delay now with reduced noise floor, analogue-style filtering and switchable modulation modes.

Supplier's Notes:
Disaster Transport

Legacy Reissue

The Original Delay Modulation Machine

Limited to 3,500 units worldwide. Behold! The newest incarnation of one of Earthquaker Devices' most beloved pedals ever, the Disaster Transport. For those of you well versed in the pedal's celebrated history, you might notice some differences on this beautifully sparkly box. A new Mod Mode switch allows you to bend or stretch the modulation wave. The new Mod Speed switch offers three rates of modulation, from bizarrely animated gradual climbs and steep drop offs to rapid chorus and intense vibrato.

The delay line has been redesigned to reduce the noise floor and improve the quality of the delay. Plus, it's now filtered to sound more like an analogue delay than any of the previous versions. With knobs to control the Speed, Intensity, Mix, Repeats, and Time; this analogue-voiced digital delay sits perfectly in the background with an evolved ambiance, but can also be dialled in for the dramatic effect of your choosing.

EQD initially set out to recreate the original Disaster Transport pedal in its earliest form, but the OG of EQD, Jamie Stillman, couldn't resist tinkering and improving the whole thing, so you just got upgraded, my friend. In doing so, EQD redesigned the delay line to reduce the noise floor and improve the quality of the delay. The output was boosted with a cleaner mixing section; it's now filtered to sound more like an analogue delay than any of the previous versions.

EQD added a Mod Mode switch that allows you to choose between bending and stretching the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gives you loads of pitch-stretching modulation to run wild with.

The other difference you probably spotted with your eagle eye is the Mod Speed three-position toggle switch. The Slow setting is excruciatingly slow and can produce bizarrely animated gradual climbs and steep drop offs. The Fast setting can go from a rapid chorus to an intense vibrato, while the Medium setting is the most traditional rate similar to the classic Memory Man circuit with a nice range to it.

The newly designed enclosure features knobs to control the Speed, Intensity, Mix, Repeats, and Time, with Modulate and Activate switches, making this a highly customizable pedal to get the delay sound of your dreams. Thanks to the ramp modulation circuitry, you can turn the delay time down and start to use feedback and modulation at a higher setting to harness a bizarre modulator and achieve subtle to wild chorus-type effects. Or set your delay time how you want to set it and use your modulation rates to set your tempo, so you can strum or pluck to the climbs and drop offs to match your riffs. The possibilities are endless.

Controls

1. Speed: Controls the speed of the modulation. The Speed operates in three ranges (Slow/Fast/Medium) selected by the Mod Speed toggle switch. The Disaster Transport uses a Ramp wave for the modulation. You'll find this to be much more intense than most modulated delays. Think of it as a traditional Triangle wave that falls off a cliff in mid-cycle, creating a drastic pitch bend in its wake. Or don't and just think about whatever you want.

2. Intensity: Controls how much the LFO modulates the delay time. More subtle chorus type effects are achieved with less intensity and more intensity will yield wild pitch stretching and bending. The overall modulation style can be made more or less subtle by using the Mod Mode toggle switch to select Bend or Stretch.

3. Mix: Sets the volume level for the delay signal. Hear more of what you just played 30-600ms ago by turning this up.

4. Repeats: Controls the intensity of delay feedback from no repeats at zero to self-oscillation at max. Let the past pile up on you until it implodes.

5. Time: Sets the delay time from around 30ms at zero to 600ms at max. Everyone needs more time; you are offered about 600ms worth.

6. Mod Speed: Three position toggle switch that sets the range in which the Speed operates.

7. Mod Mode: Two position toggle switch to choose the modulation style. Bend is more of a traditional chorus type modulation and Stretch is a wilder pitch stretching modulation.

8. Modulate: This foot-operated switch features Flexi-Switchr Technology and turns the modulation on and off.

9. Activate: This foot-operated switch features Flexi-Switchr Technology and turns the effect on and off.

Tech Specs

Dimensions: 3.65 x 4.65 x 2.25 in. (93 x 118 x 57 mm) with knobs
Current Draw: 35 mA
Input Impedance: 1 MO
Output Impedance: 1 kO

Flexi-Switch Technology

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative centre barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

*** Do not run at higher voltages! ***

Review: The vast array of Depeche Mode originals cover plenty of ground and many years of hard and critically acclaimed work. As such they're a gold mine for artists looking to add their own spin and plenty of the most ear-grabbing of those radio, dub and club mixes are collected together here on a rather epic seven slabs of wax in one bumper box set with a poster and digital download. Works by contemporary artists like Trentemoller and Justus Kohncke sit next to techno titans like Ben Klock, trance mainstays such as Sander Van Doorn and even EDM stars like Laidback Luke. A varied mix with something for everyone.

Notes: The BXx2 is a dual channel preamp, EQ and mixer based on the classic Boss BX series mixers. With the inclusion of both input gain and level controls, each channel can be overdriven, producing the signature saturated and lively sound the BX mixers are known for. The EQ controls provide the channels with simple but great sounding high and low shelf EQs for emphasising and shaping sounds and an additional 'Aux' input allows another mixer or extra sound source to be chained in.

Input gain controls

Sets the input gain of the channel preamp. Higher settings will cause source to overdrive the channel.

Inputs

In 1 - Input to channel 1 of the mixer.

In 2 - Input to channel 2 of the mixer.

Aux - Auxillary mix input for chaining with another mixer or extra source.

Fixed gain (-6dB).

EQ High

Sets the gain of the fixed high shelf EQ. Boosts high frequencies when set above 12 o'clock and cuts when set below.

EQ Low

Sets the gain of the fixed low shelf EQ. Boosts low frequencies when set above 12 o'clock and cuts when set below.

Level

Sets the channel level in the mix. Use level controls to trim back volume when overdriving the preamp.

Output

Audio output producing the mix of the 3 inputs.

Technical specifications

Power: +12V 10mA / -12V 10mA
Size: 8HP
Depth: 32mm

The BXx2 was designed in collaboration with Feedback Modules and is based on their single channel 'PRE BX' module.

Notes: AXON-2 is an 8HP expander module for the SQUID SALMPLE, MFX and Pamela's PRO Workout that like the AXON-1 provides 4 additional freely assignable CV inputs but additionally adds manual offset controls and 2 additional 'performance' buttons.

The addition of AXON-2 increases the Squid, MFX or Pam PRO's total number of CV inputs by 4, greatly increasing the possibilities for vast modular manipulation. Each of the CV inputs includes an offset for hands on control over parameters assigned to CV. Per assignment digital attenuation and offset via the host module is also available for fine tuning the modulation or control over parameters.

The AXON-2's large buttons are great for controlling select functions in a live performance environment or adding convenient quick navigation shortcuts when making edits. The buttons functionality and assignability are dependent on the host module. See respective manuals for details.

NOTE: AXON-2 support requires the latest firmware be installed for Pam Pro (120 or newer), Squid (187 or newer) and MFX (105 or newer).

Features
4 Additional freely assignable CV inputs for the SQUID SALMPLE, MFX or Pamela's PRO Workout
Manual offset knob controls
Two Assignable performance buttons for mutes, tap tempo, navigation, etc (dependant on module)
Powered directly from the module, no additional power header required
Made in England
Skiff friendly
Technical Specifications
Power: Additional approx 10mA on +12V

Size: 8HP

Depth: 38mm

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.

Uncompressed and robust 16ms latency connection for high quality wireless audio designed for enhanced freedom and creativity.

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.

Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort with Alcantarar over-ear memory foam cushions.

Soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantarar, ideal for longer sessions.

Modular product design.

This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Seamlessly switch to Bluetooth 5.0 with +80h playback for everyday listening and inspiration, and a coiled hi-fi cable included for a traditional connection.

Headphones for life.

AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.

Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.
Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Enhanced comfort with Alcantarar over-ear memory foam cushions.
Modular product design - Headphones for life.
Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Technical specifications

W+ Link Headband

Audio quality: Lossless
Latency: 16 ms
Operating range: 12 m
Playback time: 16 hrs
Bluetooth version: 5.0
Bluetooth range: 10 m
Charging time: 2 hrs
Battery: 970 mAh
Omnidirectional mic: 100 Hz - 10 kHz
Bluetooth codecs: AAC, SBC

W+ Link Transmitter

Audio quality: Lossless
Latency: 16 ms
Operating range: 12 m
Playback time: 30 hrs
Charging time: 3 hrs
Battery 2700 mAh

Notes: When you add drive, dirt or other sound manipulation devices to your signal, the trade-off is always noise. So, many players turn to noise gates to help tame these unwanted nasties. Unlike many noise gates on the market, the PYLON ATB Noise Gate seeks to not only drive back the hordes of fizz and hum, but also arms and reinforces your tonal attack, shutting down the noise and yet helping you enjoy your rig's true potential.

This advanced, multi-functional and super-versatile pedal not only features an ultra-fast Gate with a smooth trigger, an integrated Boost section, an External Trigger Input for external bypass switching or Gate-triggering, a relay-based Channel Switcher for your amp but also sports a built-in Audio Transformer to help enhance and balance your rig. Hear and feel the quiet in the eye of the storm!

"Deep within the solitude of the temple, the Sau's of the Per-Ankh assembled in silence. Their conclusion was self-evident. Only those pure of tone could be received in the temple and find sonic peace. From the centre of their silent circle, the Orb swelled and raised above the Pylons. Erupting in a rain of light and spewing forth daggers of lightning, their new God subdued and separated the chaotic ocean of noise from the perfect breeze of stillness. Peace reigned once more, the hordes of cacophony overcome."

When talking about signal gain, we all know drive circuits at full tilt can be noisy malice monsters. To help get a grip on your noise floor, PYLON's NOISE GATE is based on a high-performance Blackmerr VCA and provides lightning-fast and precise performance. To find the right spot, simply choose between one of the two detection-range settings and dial in the THRESHOLD to taste. With either softly decaying notes using HIGH mode or a fast-closing response in LOW mode, you're sure to be able to dial in super tight tones when you need it, but without interfering with your sonic signature. Fast palm-mutes? No problem. Decaying notes? Dead simple to accomplish and just so you know when it is operating, the white status LED will also turn blue as soon as the gate starts to act.

Providing up to 30 dB of gain, the integrated BOOST circuit can really help to fine tune your tone, but it can also serve as an attenuator too. Its CUT control will tighten up your low end and is selectable between 65-730 Hz to ensure a mid-focussed and cutting lead sound when pushing your amp's preamp into saturation. Choosing between three different modes for the boost's on/off state, gives you plenty of options on how you want to use it. Either leave it ON to always help shape your tone, OFF if you don't need it, or use SYNC mode so it is activated with the GATE. Both CUT & BOOST knobs are backlit, in order to show you the on/off status of the BOOST section at a glance.

Using transformers in pro-audio gear is nothing new, but while they help to easily match the impedance of low-level and unbalanced signals such as from guitar or bass instruments, PYLON's audio-grade-transformer also gives additional warmth with associated nice low-frequency harmonics. Your guitars, synths or in fact anything you put through the pedal will never have sounded so solid. The pedal gives more 'heft' and enhances the core tone, in a much finer way and without any of the phase issues that can happen when using EQ alone!

However, when the output transformer is boosted even further in level, it can overload many amplifier or pre-amp inputs and make things appear muddy, especially with high levels of additional gain. So, to help tame superfluous low end (especially for rhythm chugging and soloing), KMA Machines added a fixed built-in roll off that affects everything below 65 Hz when the internal BOOST section is activated.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, >160mA current draw)

Notes: User-friendly mid/side processing module. Tweak the stereo image or split a stereo signal into mid and side elements then route out to other modules for further processing before summing back together. Powerful.

Supplier's Notes:
Minsk is a stereo image processor. It is a hybrid tool that combines digital and analog processing to facilitate advanced mid/side (M/S) manipulation of a stereo signal pair. It allows for separate treatment of the mid and side components, which affects the depth and width of the auditory scene. Minsk offers both manual and voltage control of the stereo width, as well as two dimension effects for enhancing the existing stereo image or creating a faux stereo image based on the stereo or mono input source. Minsk is especially handy during the preparation of a vinyl release or before a club concert, because it can eliminate out-of-phase low-end frequencies (high pass filter at 300Hz with the filter slope 12dB/oct, 50Hz with the filter slope 24dB/oct).

Dimensions:
6 HP

Current Draw:
140 mA +12V
40 mA -12V
0 mA 5V

Notes: Best value Buchla module ever? An official Buchla module produced by TipTop Audio, the 258t is a dual triangle-core oscillator, with sine/sawtooth wave shapes in the top half and sine/square at the bottom. Bags of character.

Supplier's Notes:
Two independent voltage-controlled oscillators. Each has one processing input, a frequency modulation input and a 1V/oct input.

Waveshapes, as well as frequency, can be voltage controlled. Model 258 oscillators feature low sine wave harmonic content, negligible settling error, and high short and long-term stability, even with rapidly changing ambient temperatures.

Trimmers:

There are three trimmers for each oscillator on the back of the module:

1V/oct is the octave tracking trimmer and is set at the factory using high precision instruments.
SHAPE is the trimmer that set the sine wave, for the lower harmonic content of the sine wave.
VC WAVE SHAPE sets the response of the waveshaper to the incoming control voltage. Both SHAPE and VC WAVE SHAPE trimmers are used to adjust the sine wave purity.

Size: 18HP
Depth: 45mm
Power: +12V 70mA / -12V 40mA

Notes: QEG Quad Loopable ADSR Envelope Generator with 16 Trigger and Mix Outs

Quad Version of FEG plus Trigger Outs

Mix Out ( normal and reversed) of all envelopes for multistage applications

Very exponential "snappy" course and rounded

Edges for a compressed "bonky" sound

Two time zones are offered

Remote control via CV of two time zones

Loopzone from Attack to Release

One shot mode for trigger signals

Jumper at the back for reset mode

Manual Trigger button

Normal and Inverse Output

Trigger Outs for each section: Begin of Attack, End of Attack, End of Sustain, End of Release

Power consumption: 120 mA (+12 V) / 100 mA (-12 V)
Rackspace: 20HP
Depth: 25mm

Review: 30 years on, the power of Nevermind has never dulled. Of course it's the most commercially appealing of Nirvana's albums, but it's no less daring for it no matter how many times you've heard it. Well, how to toast an album as world-changing as this one? By going all out on the lavish vinyl edition of course, which in this case means a mammoth eight-disc 180gm vinyl edition with a 40-page hardback book. If you want an altar at which to worship one of the definitive moments in popular music, this authoritative release is surely all the plinth you need.

Notes: Function Junction

ADSR, Function Generator, LFO, & Mixer

According to the user manual, "Function Junction is a modulation hub combining four independent sections into a single intertwined module that offers much more than the sum of its parts. Although a sum of its parts is one of its best features!"- but Function Junction can do more than a ton of things. In fact, it's downright impressive what's possible with this lovely module.

Function Junction combines three classic analogue modulation sources, ADSR envelope, function generator, and LFO. All are fed into an attenuverting mixer to create a complex modulation junction that can be used as 4 independent sections or in conjunction with each other.
The magic of the module is the ease you can flow from using its functions for basic everyday tasks to creating hyper-complex modulation. The sheer breadth of what you can do and the ease of doing it are simply amazing. Cre8audio highly recommending reading the manual to get a feel for the possibilities.

Specifications

Width = 16hp
Depth = 30mm
Power draw: 130mA when running +12V rail, 70mA when running -12V
ADSR / Envelope facts
Fully analogue Pittsburgh Modular Synthesizers developed 4 stage ADSR circuit with independent Attack, Decay, Sustain and Release controls.
Voltage output range 0V - 10V
"Long" button doubles the length of the envelope attack, decay, and release times
"Loop" button enables/disables envelope cycling. The SUSTAIN KNOB and RELEASE KNOB are used to adjust the time it takes to loop.
"A LOOP JACK" - Enables/disable loop mode. An external gate signal will flip the state of the loop mode. If loop mode is on, the gate will turn loop mode off. If loop mode is off, the external gate will turn loop mode on.
Function Generator facts
Function Generator can be used as an envelope generator, a voltage controlled LFO, a slew generator, a gate signal delay, envelope follower, a clock source, voltage controlled clock divider, complex modulation source, and more
Voltage output range +/-5V
ATTACK KNOB - Attack duration control knob.
DECAY KNOB - Decay duration control knob.
CURVE KNOB - Attack and decay response curve. Exponential (full left), Linear (12 o'clock), Logarithmic (full right)
MOD KNOB - Modulation input (F MOD JACK) attenuverter knob.
MOD BUTTON - Assign Modulation input (F MOD JACK) to attack, decay, or both.
LOOP BUTTON - Enable/Disable loop mode.
LOOP BUTTON (2nd FUNCTION) - Press and hold MOD BUTTON then press LOOP BUTTON to assign A LOOP JACK destination to ADSR or function generator.
SUSTAIN BUTTON - Enable/Disable sustain mode.
F IN JACK - Function Generator trigger/gate input gate jack.
F MOD JACK - Function Generator modulation input jack.
F OUT JACK - Function Generator output jack.
F TRIG JACK - Function Generator end of decay trigger output jack. A trigger is output at the end of the decay stage.
LFO facts
Triangle and Square LFO outs
Dedicated rate knob
LFO output voltage +/-8V
Mixer facts
3 channel attenuverting mixer with OR circuit
Mixer can be split into 3 independent attenuverters, one two-channel mixer, and one attenuverter, or a three-channel mixer
OUTPUT 1 KNOB - Channel 1 input (1A JACK) attenuverter knob.
OUTPUT 2 KNOB - Channel 2 input (2F JACK) attenuverter knob.
OUTPUT 3 KNOB - Channel 3 input (3L JACK) attenuverter knob.
1A JACK - Channel 1 input jack. Normaled to ADSR output.
2F JACK - Channel 2 input jack. Normaled to function generator output.
3L JACK - Channel 3 input jack. Normaled to LFO output.
+OR JACK - Analog logic output jack.
OR circuit outputs the current highest voltage value of any of the voltages output by the mixer
1 OUT JACK - Channel 1 breakout output.
2 OUT JACK - Channel 2 breakout output.
MIX JACK - Mixer output.

Notes: Stereo Strip takes the idea of a channel strip and makes it modular. By bringing this long-established component of the audio engineering world into the Eurorack environment and by adding CV control over its key parameters, you will find new, creative ways to use it in your patches!

It features stereo inputs and outputs for audio or CV with EQ, voltage controlled panning, stereo VCA, performable mute and input/output level switching for Eurorack or line level uses. Abusing the input level switching allows for some musical, modulate-able and highly shapeable distortion sounds too.

Stereo Strip was designed to be a creative part of a modular patch. Creating stereo images from mono sources, shaping and modulating existing stereo images, synthesising stereo pseudo ring modulation, sweetening FX with EQ or drastically wave shaping your oscillators, creating send FX routings with benefits or it can simply be used as a channel strip at the end of chain in a patch.

The addition of line level gain boosting (for the input) or reduction (for the output) allow it to work as a stereo input or output interface for external gear with the advantage of the VCA, panning and the EQ to shape the sound. Experiment with bringing external gear into the Eurorack format and then shape and modulate those sounds them on the way in!

Try patching Stereo Strip anywhere you would place a VCA in a system and/or explore its EQ and voltage controlled panning, which are rarer additions to the sound sculpting options for the Eurorack format.

Specs

Current Draw: +12: 63mA -12: 63mA 5v:0
Width: 6HP
Depth: 33mm including power connector
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.

Notes: An analogue oscillator with through-zero phase modulation. The core of the T-ZED is the SSI2130 integrated circuit. Voltage controlled wave shape and phase modulation index allow for automated sonic versatility, and 2 separate frequency ranges mean the T-ZED can be used as an audio or CV source.

Features

Simultaneous SINE, TRIANGLE, SAW, SQUARE, and variable SHAPE outputs
Phase MOD input with bipolar INDEX circuit
V/OCT input tracks 10 octaves
FREQ spans 10 octaves, TUNE spans 1 octave
Hard SYNC input
SHAPE output (Sine to Triangle to Saw) with CV input and attenuator
Frequency range HI: 10hz-25khz
Frequency range LO: 0,1hz-200hz


Dimensions
12 HP
25 mm deep

Current Draw
55 mA +12V
45 mA -12V

Notes: Part of Xaoc's Leibniz subsystem, which processes signals and voltages by manipulating binary 8-bit numbers, the Poczdam allows switching between two data sources.

Supplier's Notes:
Poczdam is a binary data routing solution for the Xaoc Leibniz Subsystem. It facilitates manual and remote switching between two Leibniz data sources, modifying individual bits of the data stream, and re-clocking the data with its onboard voltage-controlled wideband oscillator or any external clock signal. Poczdam is particularly useful within complex Leibniz setups where the user needs to reconfigure the data flow between multiple modules. However, it can also be employed in small creative patches, e.g., for waveform splicing, disrupting rhythmic loops, or generating digital chaos.
To better understand the device and avoid common pitfalls, it is strongly advised to read through the entire user manual before use.

Component of the Leibniz Binary Subsystem
Routing Leibniz data
Reclocking Leibniz data
Additional CV clock generator (up to 2MHz)

6hp, 30mm deep
Current draw: +20mA/-10mA
Reverse power protection

The high quality Coal Mine black panels are available for all Xaoc Devices modules. Sold separately. Ask your favourite retailer.

Drezno is the input/output front-end of the system, consisting of an analogue-to-digital converter (ADC) and a digital-to-analogue converter (DAC), that alone can be used for manipulating analogue signals and voltages based on their binary representation.

Lipsk is a binary logic processing expander module that can flip (invert) individual bits of the digital signal representation. There are more Leibniz Binary Subsystem elements coming, with specialized and advanced sets of features.

Jena is a digital module that may be used as a flexible waveshaper for CV and audio signals, a wavetable oscillator, a Walsh function generator, or a rhythm generator.

Erfurt is a bi-directional digital counter, frequency divider. It has multiple applications: the output of the counter may be used as a phase source driving a digital wavetable, connected to other Leibniz modules it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc.

Notes: Many monitoring setups contain a subwoofer as an essential ingredient. Although many studio monitors such as the aktiv 05, uniK 04 or uniK 05+ for example, provide sufficient bass frequency response for many applications, adding a aktiv 10s subwoofer will help you to provide a much better picture of the low frequencies in your mix. Whether you are producing classical 2.1 sound or 5.1 / 7.1 surround sound productions, aktiv 10s will easily and quickly become an important part of your monitoring setup. It's compact size with a stylish design, yet powerful output will easily convince you.

Features/specifications

10" bass reflex powered subwoofer
Amplifier power: 150W@100Hz, 4 Ohm, 0.1% THD
Subwoofer crossover frequency: 50Hz - 180Hz (adjustable)
Separate satellite output crossover frequency: @100Hz and flat (adjustable)
Phase control
Input level control
Power mode: standby and on
Inputs: balanced XLR, unbalanced 1/4" TRS
Outputs: balanced XLR
Input impedance: 20kOhm balanced, 10kOhm unbalanced
Foot switch input as mute control
Dimensions: 340mm(H) x 340mm(W) x 340mm(D)
Weight: 14 kg

Notes: The ATH-M50xBT2 is the second generation of the critically acclaimed M-Series wireless over-ear headphones. These headphones feature 45 mm large aperture drivers in a wireless design, so listeners will enjoy the same sonic signature of the legendary ATH-M50x studio headphones. With this update, Audio Technica also introduced several noticeable enhancements, such as improved vocal pickup for better call quality, an updated USB-C connection, and multipoint pairing mode.

So, whether you're looking for high-fidelity audio for your commute to work, conference call setup, or just relaxing and enjoying the music, the ATH-M50xBT2 lets you go wireless whenever you need it.

Building on the acclaimed sonic signature of the ATH-M50x headphones, the ATH-M50xBT2 headphones utilise Bluetooth wireless technology and offer the same studio-quality sound in a wireless package. The large-aperture drivers deliver deep and accurate bass response for an immersive listening experience, while the AK4331 advanced audio DAC and dedicated internal headphone amp provide superior clear, high-fidelity sound.

The ATH-M50xBT2 features dual microphones and beamforming technology, which provide improved vocal pickup ensuring crystal-clear audio call quality. Additionally, users can conveniently mute with the press of a button or access the built-in Amazon Alexa voice assistant, as well as Google Assistant and Siri.

These headphones have a battery life of up to 50 hours on a continuous full charge, with up to 3 hours of use on a 10-minute rapid charge via the USB-C connection, making them some of the longest-lasting wireless headphones available.

The multipoint pairing function allows users to stay connected to two Bluetooth devices at once, making it easier than ever to switch between tasks. You can also personalise and adjust the ATH-M50xBT2 to your preferences with the A-T Connect app. Adjust additional controls like activating low latency mode, adjust and save EQ to your headphones, change the L/R volume balance, select desired voice assistant, and more.

Included Accessories: The ATH-M50xBT2 comes with a 1.2 m (3.9") cable for an optional wired connection.


Specifications

Headphones
Type: Closed-back dynamic
Driver Diameter: 45 mm
Frequency Response: 15 - 28,000 Hz
Sensitivity: 99 dB/mW
Impedance: 38 ohms
Battery: DC 3.7V lithium polymer battery
Battery Life: Approx. 50 hours continuous use
Weight: Approx. 307g
Charging Time: Approx. 3.5 hours
Microphone Type: MEMS type
Microphone Sensitivity: -38 dB (1V/Pa at 1 kHz)
Microphone Frequency Response: 85 -15,000 Hz
Microphone Polar Pattern: Omnidirectional
Accessories Included: USB charging cable(30cm?USB Type-A / USB Type-C), Audio cable (1.2m/ f3.5mm stereo mini-plug), Pouch

Bluetooth

Bluetooth Version: Bluetooth Ver.5.0
Operating Range: Line of sight - approx. 10 m (33')
Compatible Bluetooth Profiles: A2DP, AVRCP, HFP, HSP

Notes: The SCM Plus is a clock multiplier with eight gate outputs and complex beat manipulation features. It combines the classic Shuffling Clock Multiplier (SCM) and SCM Breakout (SCMBO) into a single module using higher precision hardware than its predecessors.

Specs:

Electrical and Mechanical Specifications

12HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
16-pin Eurorack power header

Power consumption
+12V: 52mA max
-12V: 15mA

Clock Input
2.5V threshold
40kHz maximum

Clock Outputs
12V gate outputs, rise/fall time approximately 1us
40kHz maximum
Jitter (x1 output): max 30us < 120BPM, max 5us >= 120BPM
Latency (clock in to x1 output): 8us worst-case, 3.5us typical

CV Inputs:
Rotate, Slip: Knob attenuates jack signal. Full range: 0V to +3.3V
Shuffle, Skip, PW: Knob offsets jack signal. Full range: -5V to +5V
Gate Inputs:
4x Fast, Mute: 2.5V threshold. Button toggles state.

Notes: Shortwave

(Lo-fi Radio and Wire Recorder Emulation)

Inspired by espionage devices used during World War II and the Cold War, Shortwave transforms audio into clandestine operations of the past; Russian number stations, mysterious sounds transmitted by radio, and eerie sounds stored on early portable recorders.

Choose between 2 types of noise and interference, and control it with the Exposure parameter. Velocity and Focus control the amount of pitch stabilization. Shortwave will add an interesting emotional response and atmosphere to dry, simple sounds, or destroy a signal like no other fuzz pedal can.

Hand-wired in Seattle, Washington. Shortwave operates on a standard "Boss" style 9vdc power supply, not included. True bypass switching. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: The Meng Qi Wingie Mk2 is a handheld stereo resonator with built-in microphones and stereo line iput.

Version 2 now also offers MIDI input (via 3,5mm TRS jack), an aluminium case, and a better user interface including 3 switches, 26 buttons, 3 sliders and 2 RGB LEDs that indicates the current mode.

There is a USB-Type C jack for power and convenient data transfer. Wingie can also run on a power bank.

To make sure you always have the most up-to-date capabilities, the USB serial chip can be updated easily.

Power supply via USB (Type C)

Dimensions: 116 x 100 x 33mm including switches

Notes: Novopro CDJ dual table stand

Fully adjustable and universal, twin arm CDJ stand

Heavy duty professional stand that is suitable for two CDJ's, media controllers or other equipment - designed to fit ANY CDJ sized players or controllers

Adjustable tray height and left/right positional adjustment with the pivoting arm bracket

The two trays can independently tilt down at variable angles and are set in place with a securebolt locking system

The trays are depth and width adjustable to fit most players and controllers in the market - from a small controller to a full sized CDJ Nexus player

Your equipment is protected with the supplied foam rubber pads

Designed so that your mixer can be placed upon the steel base plate. This solid, powder coated plate gives a secure and stable base support for the stand and your equipment

The support arms have been updated to a nut and bolt fixing (rather than split-pin fixings) to ensure the trays are tightly secured into place

Each tray has a width of 30.5cm and is depth adjustable using the sliding tray mechanism, from 35cm to 45.7cm

The max height of each tray is 50.5cm (including the brackets)

The base size is 41.5cm wide and 47.7cm deep

Net Weight of the complete stand is 9.9kgs

Notes: ADDAC710 is a dual channel Isolated DI box and is all about keeping the sound coming from your Modular free from any undesired noisy interferences, making sure that what you're getting from your outputs is what your Modular is actually producing. It provides galvanic electrical isolation between the Modular system and external sources preventing impedance mismatch and ground loop induced hum. ADDAC's 710 circuit is designed around a unity 1:1 type Low-cost Audio Transformer operating in the 20 Hz to 20 KHz range, this impedance matching transformer provides two fully balanced outputs (via XLR connectors). ADDAC710 is a low-cost alternative to the ADDAC800X High-End Outputs module, we redesigned the original circuit using a smaller low-cost transformer that also reduced its depth allowing it to fit shallow Eurorack cases.

There are two independent channels on the module with:

Audio Input

LIFT/FLOAT/GND toggle switch
Signal overload warning led
XLR Output

The LIFT/FLOAT/GND 3-way switch lets you choose between lift, ground or floating ground.
In the LIFT position (left) the module circuit will be "lifted" to ground through a 100R resistor and a 10nF capacitor.
In the FLOAT position (middle) Ground will not be shared leaving ins and outs grounds completely apart from each other fully isolating both signals. in the GND position (right) Ground will be shared between inputs and outputs, here no isolation is used.
Any of these three positions may be the best form of avoiding ground loops or any other undesired interference occurring between your modular and the sound system you're plugging it into. Try out which one of these options will work best in any given situation.

Tech Specs:

6HP
4 cm deep
40mA +12V
40mA -12V

The importance of using Audio Transformers
Applying a transformer balanced output isolation has lots of advantages over other less expensive ways for dealing with ground loop issues. This method provides the chance to set a very simple and clean circuit in which the signal transfer process develops smoothly and humming free. The transformer is a device that performs both signal balancing and high-to-low (or vice-versa) impedance conversion, while rejecting straggled DC voltage and Radio Frequency Interference from signal passing through a magnetic bridge. In a transformer, two (or more) coils (called windings) of insulated wire wound around a magnetic metal core allow for its input(s) and output(s) not to be physically connected together. When an AC signal passes through the input winding (the primary), a perfectly related AC signal appears on the output winding (the secondary). This way, by the fact that signal flows via inductive coupling between the two windings of the transformer, this module presents a most accurate electrical isolation between its input and output. A same number of windings on each coil guarantees that there's no gain loss when audio signal passes from the primary to the secondary windings. Furthermore, since these two windings are insulated from each other, the transformer will electrically isolate ADDAC710 from any other device, preventing hum problems coming from an outsider ground. Being a low-cost transformer the frequency response curve is not as linear as our 800X, still the -0.2dB attenuation at 50Hz feels negligible.

Phantom Power

+48V Phantom Power is NOT needed for the module to operate.
In any case having Phantom Power ON won't influence the module operation.

Notes: The Tone Science Chance Delay is a unique concept in Eurorack modules as it combines chance and randomness, with pulse delay and pulse conditioning. It is a collaboration between electronic musician/composer Ian Boddy and AJH Synth.

It can perform as a Chance generator, but is also capable of pulse stretching for Trigger to Gate conversion, pulse shortening for Gate to Trigger conversion, Gate Delay, Sub Bass Generation and also "divide by n" clock division.

There is a wide range of control and all functions can be operated manually from the front panel or can be automated using external CV voltages. Chance can range between 0 to 100%. The Gate out can be delayed by anywhere between from 0.5mS to 30 Seconds, and the output Pulse length can also vary from 0.5mS to 30 Seconds.

The TRIG push button allows manual triggering of pulses, also determined by the Chance control, and a green LED shows the output pulse status.

Includes a handy "Gate pass through" mode; when the Length control is set to zero the incoming pulse or trigger will still be determined by the Chance and Delay controls, whilst the outgoing gate length will be the same as the incoming gate length.

Compact 8hp form factor and very low power consumption make this an excellent addition to any Eurorack system.

Key features:

Chance, Gate Delay time and Pulse Length can all be set manually or controlled using external CV voltages.

The 'TRIG' push button allows manual triggering, and Chance will be applied to any manual triggering too.

Fast processing allows operation into the lower audio range, so it can perform sub bass generation on drone type sounds. In this mode the Length pot (or an external Length CV) can be used to change the PWM of the output waveform.

After the initial trigger pulse has been acted on, further incoming pulses are ignored until the current cycle has finished. This useful feature allows it to perform "divide by n" division on gate pulses, so it can be used for clock division, and the delay function can be used to add a "swing" away from the rhythm.

Gate pass through mode - if the Length pot is set to zero, then the incoming gate length is preserved, so in this case the gate has Chance and Delay time applied to it, but the outgoing gate length is the same as the incoming gate length.

By setting Chance to 100% and Delay to zero (0.5mS) it can be used as a Gate to Trigger converter, or a Trigger to Gate converter, depending on the Pulse length set with the LENGTH control. We can also use an external Length CV to shorten or increase the length of the output pulse in real time.

Fast and slow ranges for both DELAY time and PULSE length - Fast range is 0.5mS to 2 Sec and Slow Range is 2 Sec to 30 Sec.

Green status LED shows when the output pulse is high.

Front panel controls

Chance Control and CHA Input

This sets the probability of an incoming trigger or gate being passed through to the Pulse Generator circuit. The chance can be set anywhere between 0% and 100%.

The CHA input allows an external control voltage (CV) to control chance remotely. In this mode the Chance control acts as an attenuator for the incoming CV. With the Chance control fully clockwise a CV of +5V will give 100% chance, and lower CV voltages reduce the Chance accordingly. For example, a +2.5V CV will give a 50% chance. The attenuator function is useful if we are using higher control voltages of for example 0 to +10V. If we set the Chance control to the 12 o'clock position it would then halve the incoming CV signal, so in this case +10V will give 100% chance and +5V will give a 50% chance. Negative CV voltages are ignored and will be treated in the same way as zero volts..

Delay Control and DEL Input

This sets the delay amount that is applied to the leading edge of the incoming Gate or trigger received at the IN jack (or a press of the Manual Trigger button), assuming that the "Chance" has been determined to be positive. With the Delay Time switch set to FAST the Delay range will be from 0.5mS to 2 Seconds. With the Delay Time switch set to SLOW the Delay range will be between 2 Seconds and 30 Seconds.

The DEL input allows an external CV voltage to control Delay Time remotely. In this mode the Delay control acts as an attenuator for the incoming CV. With the Delay control fully clockwise a CV of +5V will give the maximum Delay time of either 2 Seconds or 30 seconds depending on the position of the Fast / Slow switch. Lower CV voltages reduce the Delay Time accordingly, so if we apply a CV of zero volts then we will get the minimum Delay time. The attenuator works on any CV patched to the DEL input in the same manner as described for the Chance control.

Length Control and LEN Input

This sets the length, or rather pulse width of the output pulse. With the LENGTH Switch set to FAST the pulse length can be anywhere between 0.5 mS to 2 Seconds. With the LENGTH Switch set to SLOW the pulse length can be between 2 seconds and 30 Seconds.

The LEN input allows an external CV to control Delay Time remotely. In this mode the Length control acts as an attenuator for the incoming CV in the same manner as the Chance and Delay controls.

Setting the Length control to zero invokes "Gate pass through" mode - in this case the incoming gate length is preserved, so the incoming pulse or trigger will still be affected by the Chance and Delay controls, but the outgoing gate length will be the same as the incoming gate length. Turning the Length control slightly clockwise will then invoke the minimum pulse length around control position 1, and further clockwise rotation will increase the Pulse Length as expected. This behaviour also applies to external CV's patched to the LEN input, where a CV of 0V will enable Gate pass through mode.

Fast / Slow mode switches

These switches allow the selection of Fast or Slow mode for Delay time and pulse length, so these ranges can be selected independently for Delay and Length. Fast range is 0.5 mS to 2 Seconds, and Slow range is 2 Seconds to 30 Seconds.

TRIG Switch

The TRIG push button allows manual triggering, and Chance will also be applied to any manual triggering, so depending on the setting of the Chance control, pressing the button has a chance of not doing anything! Holding the button down keeps the incoming gate high for as long as the button is pressed, however this is only really relevant in "Gate pass through" mode - normally only the leading edge of the input pulse is used.

IN - input jack

Connect your input here - a gate, output from an LFO, or even waveforms from a VCO. Any negative component of the input voltage will be ignored, so unipolar or bipolar signals can be used.

OUT - output jack

This outputs the binary pulse (or stream of pulses) that are generated by the Chance Delay circuitry. The gate low level is 0V and gate high level is +6V. The green status LED shows if a pulse is currently being generated.

Module Width: 8hp
Module Depth: 26mm (Including power lead)
Current Usage: 25mA Positive, 6mA Negative

Notes: Expanded Freeze in a lowball-sized package!

Meeting between the original Freeze and Superego pedals is the Pico Deep Freeze Sound Retainer. With the ability to freeze a moment in sound, the Deep Freeze can act as a sustain pedal for holding chords and notes as backing for your playing or as a platform to manipulate your tone into new sounds impossible with a normal guitar. In addition to the original Freeze's abilities, the Deep Freeze features layering, adjustable attack/decay speeds, glissando, dedicated volume controls, and 3 modes: Latch, Moment, and Auto, making it powerful pedal punching well above its weight.

The Deep Freeze allows for instant sound freezing in three modes of operation. Latch freezes sound each time the footswitch is pressed until the effect is bypassed, while Moment mode freezes sound only while the footswitch is held down. Auto mode captured sound automatically each time it senses signal above its threshold for virtually foot-free freezes. These three modes make it easy to operate the Deep Freeze in a way that fits any playing style.

Controls on the Deep Freeze let you further tailor the operation of the effect. Separate DRY and EFFECT volume controls let you blend signals from subtle backing to 100% effect experimentation. GLISS adjusts the morph time between freeze sounds creating otherworldly soundscapes. The SPEED/LAYER knob adjusts either the attack/decay time of the effect in Moment and Auto modes, or the amount of layering possible in Latch mode which makes playing impossible chords possible!

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023