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Notes: Latest version of the classic Technics DJ headphones, updating the classic RP-DJ1200 design, which sold more than half a million units in its lifetime. Solid stuff. Popular for a reason.

Supplier notes:
New-Standard EAH-DJ1200 DJ headphones with excellent functionality, furability, and DJ playing performance.

The EAH-DJ1200 is a successor model to the RP-DJ1200, which has sold more than 500,000 units since it was launched in 1996. While inheriting the basic concept of the previous model, the EAH-DJ1200 better meets the needs of today's DJ users, resulting in DJ headphones with more advanced functions, design and sound quality. In addition to ordinary listening, the EAH-DJ1200 provide precise monitoring of the beat even in large-volume sound environments such as those in clubs. The matte finish black colour design also makes it an excellent match for the SL-1200MK7 DJ Turntable.

The newly developed driver uses a 40mm-diameter CCAW voice coil. It achieves clear, detailed sound, and high-durability input (2,500 mW) with no distortion even at high volumes. Also, because the sound is well balanced from low to high ranges, DJ play in high-volume surroundings is not buried in noise and monitoring is comfortable.

The EAH-DJ1200 is a lightweight on-ear type design. The housing is equipped with lockable swiveling mechanisms so the headphones can be used for monitoring with one ear. It adapts to all styles of monitoring by DJs. The headphones can be folded compactly for easy portability and storage.

The detachable cord is easy to clean and maintain. A locking mechanism is provided to prevent accidental detachment of the cord during use. The stretchable coiled cord, coupled with the L-type plug which resists internal wire breakage, enables extra ease of use and high durability. It withstands harsh and intense usage by professional DJs.

Based on the RP-DJ1200, which remained as a long-selling model in the market for more than 20 years, the EAH-DJ1200 sports a contemporary black color scheme for an updated appearance. Armed with high durability and excellent functionality, the EAH-DJ1200 matches perfectly with the SL-1200MK7, which features a matte black finish.

Notes: Classic closed-back headphones in a low-impedance version designed to play nicely with outputs on phones, laptops and interfaces. One of the best all-round options for production.

Supplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.

Notes: Entry-level DJ mixer from the ever-trustworthy Reloop. Very simple two-channel design with three-band EQ and a Bluetooth option for convenience.

Supplier notes:
RMX-10 BT - a compact 2-channel DJ mixer, which facilitates wireless music streaming directly to the mixer via the integrated Bluetooth interface.

This way it is possible to use a smartphone or tablet as playback source and route the signal through the mixer. The Bluetooth signal can be routed to both channels. Moreover, the 45-mm crossfader is user-replaceable and the smooth linefaders make mixing more comfortable.

The RMX-10 BT has a 6.3-mm microphone input with separate volume adjustment, as well as a 6.3-mm headphones output with volume adjustment and cue-mix function. Master output volume can be monitored via an integrated LED display. The space-saving and sturdy construction is made of metal.

Notes: When the classic MS-20 analog synthesizer appeared in 1978, it had a trusted partner in the SQ-10 step sequencer. Now, after thirty years, the MS-20 has been reborn as the MS-20 mini, and the SQ-10 has evolved into the more modern SQ-1.

The SQ-1 is a compact step sequencer with 2 x 8 steps. It's wealth of connection jacks allows it to be connected to the MS-20 and a variety of other synthesizers. Vintage analog synths or the latest compact synths can be controlled from this single unit. You can also switch between a variety of synthesizer modes and use the step buttons to create performances overflowing with spontaneity, just as when using a volca unit.

Liberate yourself from the numerically-bound parameter editing that's typical on a DAW; you'll enjoy truly musical inspiration as you train your ears and concentrate on what your fingertips are doing. Don't miss the experience of music that's driven by your instinct.

Rather than the commonly used V/Oct standard, the CV design of the MS-20 always used the Hz/V standard that provides excellent pitch stability limiting the step sequencers that are able to correctly control the MS-20. As a descendant of the SQ-10, the SQ-1 supports the Hz/V standard, enabling it to perfectly control the MS-20 or MS-20 mini. It goes without saying the V/Oct standard is also supported, and the voltage level of the CV output and polarity of the GATE output can be specified as appropriate for the device you've connected. This versatility will enable you to control a wide variety of other synthesizers as well.

As a connector, the SQ-1 provides two CV/GATE OUT channels, the standard MIDI OUT and USB MIDI, littleBits out (to connect to the littleBits synth kit by littleBits Electronics Inc.), plus the SYNC IN/OUT channel that allows you to connect to the volca series and monotribe. Compact and complete with all the functions you need, the SQ-1 is the ideal hardware sequencer.

The SQ-1 provides two channels (A and B) of 8-step sequencer that can operate consecutively, or be used in a variety of other modes. For example, you can run A and B following each other to function as a 16-step sequencer, ignore the order and make the steps play randomly, or use A and B to control different parameters as they run in parallel. From simple sequences to complex changes, you can choose from a variety of modes to suit your needs.

The 2 x 8 step buttons can be used in the usual way to turn notes on/off, but you can also use the MODE button to switch their function, opening up powerful possibilities such as letting you "perform" the sequence itself, as on a volca unit.

"Active Step" lets you skip steps mid-way through a sequence, and "Step Jump" lets you instantly play just the step that you press, producing irregular rhythms or effects that are reminiscent of short loops. "Slide" produces an effect in which steps are connected smoothly; using this to control a synth bass is an easy way for anyone to generate an acid sound.

Packed with carefully selected functionality, the SQ-1 features a compact and very sturdy sheet-metal body. Placed beside the MS-20 series, you'll notice a sense of solidity that gives the impression they were manufactured in the same era. The unit can operate on two AA batteries or on USB bus power.

Sequence step resolution is selectable as quarter notes, eighth notes, or 16th notes.

You can specify the way in which the step knobs control the pitch. The knob values can specify the pitch directly, or they can specify the closest note in a major, minor, or chromatic scale.

Notes: Your USB device is plugged into the MIDI USB Host mk3 instead of into a computer. It provides MIDI In & Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI setup, just like a Pro-Solo. It has a USB Host port (USB A type socket), a MIDI In and a MIDI Out (both 5 pin DIN).

The MIDI USB Host mk3 now has additional features. In addition to the standard operating mode, there are now two further modes.

Standard mode (LED Green):
MIDI data received at the MIDI In socket is sent to the USB device and MID data from the USB device is sent to the MIDI Out socket.

Merge 1 mode (LED Amber):
MIDI IN does not go to USB device but instead is merged with MIDI data coming from the USB device which is then sent to the MIDI Out socket.

Merge 2 mode (LED Red):
MIDI IN data is sent to the USB device & is also merged with MIDI data from the USB device which is then sent to the MIDI Out socket.

The modes are selected sequentially by pressing the recessed push button - the LED colour indicating which mode is current.

The attached USB MIDI device MUST be 'Class Compliant'.

The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.

Attractively finished in brushed aluminium with black screen print

Dimensions: 110mm x 55mm x 32mm

Connecting
You can connect one "Class Compliant" USB device directly into the MIDI USB Host. If your host has the latest firmware already installed then you can plug in a powered USB hub and up to four USB devices can then be connected. Earlier MIDI USB Host mkIIs can be updated with a free download which is available from the support section of our website. Serial numbers N6-2421 already have the hub compatible firmware. Serial numbers N3-0541and upward can be updated.

It is recommended that you attach your USB device to the MIDI USB Host before applying power. Then plug-in and power the power adaptor. The active LED should be lit up. If you apply power with nothing plugged into the MIDI USB Host, the Active LED will flash steadily; this is to indicate that it is waiting for a suitable device to be attached. If it is still flashing when you have attached your device, then it is possible that your device is not class compliant, however you could try turning off the power and start again.

Some USB MIDI devices have two modes of operation and can be set to operate in Class Compliant mode even if this is not the default. The Class Compliant mode might be called "generic driver", the other mode may be called something like "advanced driver". Consult the device manual to see if the mode can be set for Class Compliant.

If you unplug then re-plug the USB cable while it is powered the device might reconnect, but it is not certain.

Power

It is essential to use only the supplied 5V regulated power adaptor. Applying a voltage higher than 5V to the MIDI USB Host will probably not damage the MIDI USB Host itself, but it could damage any attached USB device as the 5V is passed on to the attached USB device for buss power. There is protection circuitry inside the MIDI USB Host to protect against reverse polarity and over-voltage, but these should be treated as a last resort and are not guaranteed to prevent damage to an attached USB device in the event of over-voltage as the USB buss voltage could rise to 6.5V before being clamped.

Care should be taken to ensure that power adaptors for other pieces of equipment are not accidentally plugged into the MIDI USB Host.

If the input voltage rises above 6.5 volts then power will be shut off. The LED will go out and the unit will not operate again until power has been removed for at least 60 seconds. This allows time for the thermal fuse to reset.

The following Yamaha keyboards ar known to be class compliant and therefore should work OK:

PSR-E353, PSR-E443
PSR-S670, PSR-S770, PSR-S970, PSR-A3000, TYROS-5
NP-12, NP-32
DGX-650, DGX-660
P-105, P-115, P-255

The following keyboards are known to incorporate a USB hub and therefore will only work with firmware v2005 or later (s/n N6-2421 and above) for the MIDI USB Host:

Korg Microkey 61
Korg Microkey 49
Korg Microkey 37

Power: 90mA, USB mini-B socket - leaving 910 mA available for the attached USB device
Dimensions: 110 x 55 x 32 mm
Weight: 100g (excluding power supply)
MIDI: 1x IN, 1x OUT - both 5 pin DIN
Power Supply: 5V DC / 1 Amp regulated - (never use an unregulated supply as unregulated supplies typically give a higher output voltage than shown).

This product is supplied with a multi-region power supply which is suitable for use in the UK, EU, US/Canada and AUS/NZ.

Notes: DR-07X bring high-quality recording to an easy-to-use portable powerhouse with a size and price that anyone can handle. A pair of condenser microphones handles small to loud sound up to 125dB SPL with the sensitivity to capture every detail.
The layout of the DR-07X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away.
DR-07X is equipped with adjustable unidirectional microphones that can be used for recording in both the A-B position and X-Y position. Advanced microphone placing allows for a wide stereo sound recording or a clear stereo sound recording with less phase difference, making it possible to achieve professional quality recordings.

For example, even if you want to record acoustic guitar duo one day and large choir or band concert on the other day, you can change microphone configuration and set it for more suitable stereo capturing. A-B configuration is for more far image that capture wider horizon. On the other hand X-Y can prevent missing sweet center spot, so it is more suitable for tight image.

Menu display of dr-07x supports 10 languages:
English/ Spanish/ French/ Italian/ German/ Russian/ Chinese/ Korean/ Japanese/ Portuguese

DR-07x uses only two AA batteries and has ultra-long battery capability. When using built-in microphones, recording lasts 17.5 hours when recording with standard 2ch WAV, 44.1kHz/ 16bit format using alkaline batteries.
Also dr-07x can be powered by a USB mobile battery as well for super long extended use.
Connecting to a PC with USB Audio interface mode, DR-07X becomes a strong yet easy gear for voiceover work, live streaming and songwriting with studio-quality audio. Built-in microphones work as just as USB microphones without complicated settings.

Writing down what you hear easier said than done, but it is actually easy with DR-07X. In addition to its capability to capture crisp voice recording, DR-07X can help you with its Jump back function, variable Speed function and equalizer preset for human voice.
In addition to its excellent recording capability, DR-07X is an excellent musical instrument practice tool. An internal Reverb effect works both on playback and recording, allowing you to rehearse your performance with spacious concert hall reverb. A chromatic tuner is also available.
Auto recording function can detect the sound input signal level and automatically start recording. Also, Pre-recording function with up to 2 seconds pre-record provides fail-safe protection even when you are a bit late to hit the record button.

Peak Reduction works in rehearsal mode or in record. Even if the sound or performance is louder than the sound check you're safe. Combined with Auto level and Limiter for preventing distortion, you never have to worry.
If you don't like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the Overwrite mode is exactly what you need. Overwrite mode allows punch-in recording from a desired point. It is destructive editing with one level of undo.

Notes: The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position. The FreqOut uses a 9VDC power supply to easily integrate into your existing pedalboard.

General Specifications
ControlsFeedback, Momentary On/Off, Dry On/Off, Gain, Onset, Type, Effect On/Off
Signal to Noise Ratio> -106dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A Conversion24-bit
Power Consumption2.1 Watts (235 mA typical @ 9 VDC)
Power Requirements9 VDC External Adapter (sold separately)
Power Adapter (Sold Separately)PS0913DC-04 (US, JA, EU, AU, UK)
Power Adapter Output9 VDC 1.3 A
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.8 lbs.
Audio Output
Output Type1/4" Unbalanced TS (Tip-Sleeve)
Max Output Level+10 dBu
Output Impedance1 kO (Effect enabled or effect bypassed w/ Momentary switch on) ; True Bypass (Effect bypassed w/ Momentary switch off)
Audio Input
Input Type1/4" Unbalanced TS (Tip-Sleeve)
Max Input Level+5 dBu
Input Impedance1 MO (Effect enabled or effect bypassed w/ Momentary switch on) ; True Bypass (Effect bypassed w/ Momentary switch off)

Notes: The Keeley Compressor is the most popular boutique compressor in the world.

The Keeley Compressor Plus is the first true advancement in Keeley's 2 and 4 knob compressor line. The new features are simple and straight forward. Now, there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should. The Tone Control was also added, which emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal. The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to easily handle any instrument.

The Keeley Compressor Plus is a compressor with an expander/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes.

The new Release Switch on the Keeley Compressor Plus is designed to make it very easy to transition between single coil and humbucker guitars. Humbuckers have more average energy than single coils which can cause compressors to stay in "compression mode" for a lot longer. When this happens, any series of notes you play will sound dull. With the quick release of the new Compressor Plus, your humbuckers remain true sounding, and each note retains dynamic attack and definition.

The Tone Control is Keeley's own design taken from analog delays and other vintage effects. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. That circuit was then taken and made it into a full fledged tone controll- it is the perfect way to gently add back in those highs lost in the compression process.

The Blend Control is a way of getting the peaks to come through while having sustain at the same time. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you! Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven!

This compressor isn't just for heavy funk or chicken pickin' anymore.The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you've only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well-balanced. Forget it all and use the Compressor Plus for the best amp boost you've heard. Nothing pushes an amp better than the Keeley Compressor Plus.

Notes: This small utility is the pedal's lover best friend, it allows 2 diferent chains of pedals to be independently connected to your synth.

The Send channels attenuate the synth level to instrument level.

The Return channels amplify the signal from instrument to synth level.

Specs:
- Width: 4 HP
- Depth: 3 cm
- Max current: 10mA

Notes: The mmMidi is a simple & compact MIDI to CV interface for your Eurorack synthesiser. It translates both MIDI clock and 2 Channels of MIDI note, velocity and gate information to corresponding voltage control signals. The mmMidi is quick to set up and requires minimal configuration.

Notes: IsoAcoustics introduce the next evolution of their specialized line of speaker stands for the audio professional, music hobbyist, audiophile, and music lover. The new ISO Series of speaker stands provide superior acoustic isolation and enhance the sound clarity of any speakers including studio monitors, home theatre systems and sound reinforcement.

With a lower profile and new contemporary design, the ISO Series of stands positions your studio closer to the supporting surface or meter bridge, and the new redesigned isolators moves the acoustic performance another step forward.

IsoAcoustics ISO Series speaker stands are built with a unique, patented isolation technology that provides a high degree of isolations and manages the speaker's energy to deliver authentic, uncoloured sound. This next generation of speaker stands effectively eliminates energy transfer into the supporting surfaces. Bass becomes tighter, overall imaging is enhanced and your speakers are enabled to perform to their full potential. Following the same design philosophy as the ISO-L8R Series, these isolation stands provide 14 variations of height and tilt adjustment to optimize the placement and performance of studio monitors by getting the tweeters in the correct alignment with the listening position.

Whether you're a pro mixing in the studio - a musician creating in a home project environment - or an audiophile who appreciates every nuance of music and sound - you'll hear and appreciate the difference with the ISO Series speaker stands. It's simply the best investment you can make for superior audio.

ISO-200:

Designed for larger speakers and studio monitors. These stands provide 14 variations of height and tilt to optimize speaker placement and performance. Isolate your studio monitors from the supporting surface and allow them to breathe so they can deliver the clearest and most accurate sound possible.

7.8"x10"/20×25.4cm Short: 3.5"/12.5cm Tall: 8.75"/22.5cm 60 lbs/27.2kg

Notes: The new CARRY LITE DJ-CASE XXL PLUS is a very lightweight and compact carrying solution for your DJ-equipment and comes in a nice full-black matt finishing. Constructed from laminated MDF panels and anodized aluminum profiles the CARRY LITE design features a fully padded interior with a variable pick & pluck foam that allows to create individual adapted compartments for various-sized DJ-controllers such as Pioneer DDJ-SX2, DDJ-SX3, Denon MCX-8000, Denon MC-7000, Roland DJ-808 or similar-sized DJ-controllers. The pick & pluck foam consists of two separate layers providing the additional option to create another slot underneath the controller for laptop or cable storage.

Fits:

Denon DJ MC-7000
Denon DJ MCX-8000
Denon DJ SC Live 2
Denon DJ SC Live 4
Native Instruments Kontrol S8
Numark NS6
Numark 4Track
Numark Mixdeck Quad
Numark IDJPro
Pioneer DJ DDJ-FLX6
Pioneer DJ DDJ-FLX10
Pioneer DJ DDJ-SX
Pioneer DJ DDJ-SX2
Pioneer DJ DDJ-SX3
Pioneer DJ DDJ-RX
Pioneer DJ DDJ-RX2
Pioneer DJ DDJ-1000
Pioneer DJ XDJ-R1
Pioneer DJ XDJ-Aero
Pioneer DJ DDJ-S1/T1
Rane One
Reloop Mixon4
Roland DJ-808

Basics:

Constructed from laminated MDF and anodized aluminum profiles and butterfly latches (can be secured with a padlock)
Fully lined interior of 5 mm EVA foam and a 3 cm thick egg-crate foam on lid
Including 2-layer (2,5 and 3,5 cm) pick & pluck foam to create individual compartment and slots for dj-controllers, battle-mixers, laptops or smaller accessories.
Including detachable lid
Convenient carrying-handle and option to attach a separate shoulder-strap.

Specifications:

Outer measures: 50 x 80 x 16cm
Inner measures: 46,5 x 77 x 11cm
Weight: 6,3 kg

Notes: Get up and running quickly at any gig.

DJs always need a dependable mixer. M101USB fits the bill perfectly as a highly adaptable two-channel mixer for virtually any DJ. M101USB lets you get up and running quickly whether you're using a computer, turntables or CDs. M101USB is right at home at weddings, parties, clubs and everything in-between.

Beginners and seasoned DJs alike who want a durable USB-equipped two-channel solution will find M101USB a perfect fit. M101USB builds on the two-channel M101 mixer with the addition of an easy-to-use USB audio interface for DJs who want the option of working with their computer as well as traditional analog I/O.

Beyond simply mixing, M101USB has a built-in EQ so that you can fine tune your mix depending on the room or the tracks themselves. Two pairs of switchable Phono/Line inputs are included along with a crossfader, 14" mic input and stereo RCA line output for connection to an amplifier, powered speakers or another mixer. M101USB can be rack-mounted and features Numark's legendary industrial-grade durability.

Connecting M101USB to your computer is a snap using a single USB cable. Once connected you can use your computer as an audio source or record your sets straight to your computer's hard drive. If you're a computer DJ on the move and need solid, dependable two-channel performance, look no further than the M101USB mixer.

INCLUDES:

M101USB Mixer
Power Supply
Quickstart Guide

Notes: The AT-XP series cartridges provide a high-quality sound for vinyl DJ's. Offering all of the features of a DJ cartridge, but with a Hi-fi sound, the XP series are perfect for the stage and club DJ who prioritises sound quality.

- Audiophile DJ cartridge AT-XP5 pre-mounted on the AT-HS6BK headshell
- VM dual magnet construction
- Durable robust design for high-quality specialist DJ playback
- Carbon fibre-reinforced ABS cantilever and nylon wire suspension ensure precise tracking
- Compatible with the replacement styli ATN-XP3 and ATN-XP7
- Configuration as single cartridge (AT-XP5), Replacement Stylus (ATN-XP5) and as headshell bundle together with the headshell AT-HS6BK available (AT-XP5/H)

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: The ‘Pip Slope’ (rev II) is a compact envelope and function generator. It supports both Attack/Decay and Attack/Sustain/Decay type envelopes with both direct and voltage control of Attack and Decay times. Envelope shapes can be morphed between exponential, linear and logarithmic type slopes. Envelopes can be made to loop, repeating infinitely or decreasing with time or amplitude for echo and bouncing ball type effects. An ‘End of Cycle’ trigger output further extends the envelopes functionality for both clocking and burst or fill type effects.

The improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.

Features:
Compact envelope and function generator in 4HP.
Trigger and gate inputs.
Voltage and direct control of attack and release times.
Snappy or super long envelope times – ranging approx 1ms to 7 minutes per stage.
Optional self looping ability with 3 different loop modes: Decreasing amplitude, decreasing time, and regular loop.
Shape control that morphs the envelope shape from logarithmic to linear to exponential curves.
End of Slope trigger output that fires a trigger at the end the envelope or loop cycle.
Selectable 5v or 8v max envelope level output.
Reverse polarity protection.
Skiff friendly.
Designed and Made in the UK.

Technical Specifications
Supply: +12V 30mA / -12V 10mA
Size: 4HP
Depth: 38mm

Notes: More affordable XE version of AIAIAI's modular TMA-2 headphones. Bluetooth enabled for wireless use, with lightweight headband design and the brand's signature bio-diaphragm drivers.

Supplier's Notes:

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.

Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Lightweight design and REPREVEr cushions.

Ultra soft on-ear cushions made from recycled materials (including plastic bottles) and lightweight design to prevent excessive warmth and ensure optimal comfort for longer listening sessions.

Bluetooth 5.0 connectivity with +40h playback time.

High quality wireless audio, +40h playback time on any Bluetooth enabled device.

Intuitive multi-functional joystick controls.

Complete control of music and calls with multi-directional joystick, and dual mics for improved voice quality and clarity.

Modular product design.

This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

Headphones for life.

AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Lightweight design and REPREVEr cushions.
Bluetooth 5.0 connectivity with +40h playback time.
Intuitive multi-functional joystick controls.
Responsible modular headphones - Headphones for life.


SPECIFICATIONS AND PARTS

S10 . Bluetooth 5.0 - Detailed sound - Bio-diaphragm
Bluetoothr speaker units with a diaphragm made from stiff bio-cellulose for more defined high-frequency details, more pronounced mid-range, better dynamics, and more natural tonality. Delivered as a pair, including USB-C charging cable

H01 . Slim - PU foam
Slim and light-weight polycarbonate headband with soft, durable PU foam padding.

E10 . On ear - REPREVE
On-ear cushions made from memory foam and covered with REPREVEr, an ultra soft hi-tech fiber preventing excessive warmth and ensuring optimal comfort for longer listening sessions. Partly made from recycled plastic bottles. Delivered as a pair.

C05 . Straight - 1.2m
Straight 1.2m thermo plastic cable. Soft touch surface and perfect for small workstations.

A01 . Protective pouch
Designed to protect your headphones from dust and scratches, the A01 protective pouch is made from soft nylon and features a mesh inside. Fits any TMA-2 and Tracks headphone.

Notes: Another intriguing experimental offering from Soma Labs. ROaT is a digital synth inspired by 80s video games. Four oscillators combine with a sequencer to create drones, soundscapes and glitchy loops.

Supplier's Notes:
Rumble of Ancient Times (RoAT) is an 8-bit noise synthesizer and sequencer inspired by the clever programming of the early PC era when an entire video game would fit on a floppy disk. RoAT is capable of a wide variety of sounds ranging from dense noise scapes to diverse glitching rhythmic patterns. The compact and portable instrument contains many elements that can be combined into surprising musical results.

The "heart" of the synthesizer contains 4 sound oscillators, each with a tunable waveform and an individual LFO, which can modulate the tone or volume of the oscillator. The modulated signal of each oscillator is mixed with other signals using 1,536 variations of complex summing algorithms that contain FM, ring modulation, bitwise logical operations and more.

The synth contains an 8-bit resonant lowpass filter with a distinct Lo-Fi character.
The built-in sequencer can be synced to an external device and also send clock out.
RoAT is battery powered and can work up to 130 hours on one set of AAA batteries.

Rumble of Ancient Times is built on a very simple 8-bit microcontroller similar to the ones used in the "brains" of old refrigerators and other simple electronic devices. Thanks to some very clever programming, it's also able to drive a very capable synth with many features!

In stark contrast to modern consumer electronics, this synth celebrates and emphasizes what can be achieved with efficiency of code and using chips considered obsolete by industry leaders. We live in an age where text editors can be 1GB or more and simple things like checking email require the latest OS and powerful processing, despite the core tasks being no different than 15 years ago with a fraction of the computational power.

So RoAT proposes a new kind of ecological thinking with the innovative use of chips that were developed and produced decades ago, instead of turning them into millions of tons of trash. We can still use technology that the industry forced us to consider obsolete, with the added benefit here of extremely low power consumption. It's an environmentally friendlier approach than galloping in the rush of planned obsolescence that damages our planet and wastes precious resources.

Rumble of Ancient Times was designed and programmed by Kakos Nonos, a new creative mind who joined the SOMA development team. His very unique style of building electronic musical instruments combines quality craftsmanship, advanced programming and a love for medieval acoustic instruments such as gusli, wheeled lyre and bagpipes.

Specifications:

Sync out voltage: 5 V
Minimum syn in voltage: 0.2 V
Current input: 20 mA
Maximum output voltage: 5 V
Audio output:3.5 mm jack
Sync out: 3.5 mm jack
Power Supply: 4*AAA battaries
Size: 122 x 136 x 40 mm
Weight (without batteries): 145 g

Notes: Korg's excellent FM synth offers a modern take on those classic 80s digital tones. Second-gen version doubles the number of voices to six, adds new MIDI features and extra effects.

Supplier's Notes:
The next-gen Volca FM is a powerful 6-voice, 6-Operator FM synthesizer with all 32 classic algorithms, a 16-step loop sequencer, effects and a powerful arpeggiator that perfectly reproduces the sound of the classic Yamaha DX7 and is completely compatible with SYS-EX patches for the DX7 as well.

Battery (included) or adapter (optional) operated with built-in speakers and a compact and light chassis, the Volca FM is the ultimate portable FM solution for all musicians.

This new generation - with double the voices of its predecessor, additional effects, expanded MIDI connectivity, and intuitive interface - is poised to bring unprecedented possibilities to your setup, and revolutionize your studio with new musical ideas.
With 6 voices (instead of the 3 of its predecessor) the new Volca FM brings a new world of harmonic possibilities to your production.

Now it is possible to play, sequence or arpeggiate complex chords with up to 6 voices in order to bring a unique flavour to your music production. No more running out of voices when sequencing melody, harmony and bass all in one device!

Moreover, the new Volca FM is now velocity sensitive via MIDI, which coupled with its 6 voice polyphony, provides a much more expressive and nuanced playing experience than ever before.

By popular request, Volca FM includes a lush Reverb effect in addition to the Chorus effect. Each of these two effects can be used and adjusted individually to add the finishing touch to any FM sound you are going for.

In addition to MIDI IN the new Volca FM also includes a MIDI OUT (IN/OUT 3.5 mm TRS), making it possible to use the intuitive Volca internal sequencer to control other devices through MIDI, making it the perfect addition to your standalone setup. Of course, it also works well with your DAW of choice thanks to note, control, and clock receipt via the MIDI IN.

The internal sequencer offers looping up to 16 steps, allowing you to record your performance on the touch panel keyboard as you play. Up to 16 sequence patterns can be stored in the internal memory.

Volca FM also incorporates a motion sequence function to record in real time all the subtle nuances of your playing and knob movements, letting you add time-varying change to the sound. This is a great way to polish your loops, and also lets you generate highly original live performances.
In order to spice things up, the new generation of Volca FM includes a brand new program randomizer, letting you find new inspiration through happy accidents and unexpected patches.

Of course, it still incorporates highly acclaimed functions such as the warp active step, pattern chain and an improved arpeggiator, making it easy to create crazy looping rhythms and patterns.

In addition to the active step function that lets you skip steps during a sequence, the volca fm provides new functions that enable you to generate more irregular rhythms. If the active step is fewer than 16 steps, you can use the warp active step function to compensate so you occupy the same playback time as 16 steps; then by synchronizing the playback with another volca series unit, you can deliberately skew the step timing to generate truly unconventional performances.

Specifications

Keyboard: Multi touch 27 key keypad
Synthesizer:
Type: FM synthesis
Maximum Polyphony: 6 voices
Structure: 6 operators, 32 algorithms
Number of Programs: 64
Edit parameters: Modulator (Attack, Decay), Carrier (Attack, Decay), LFO (Rate, P.Depth), Algrtm, Randomize Available to edit full parameters for each operator in Edit Mode
Controls: Transpose, Velocity, Octave, Arp (Type, Div), Chorus Level, Reverb Level
Arpeggiator Types: 9 (each 3 patterns of "Rise", "Fall", and "Random")
Voice Modes: Poly, Mono, Unison
Effect: Chorus, Reverb
Sequencer:
Number of Parts: 1
Number of Steps: 16
Number of Recording Patterns: 16
Controls: Motion Sequence, Active Step, Warp Active Step, Pattern Chain, Metronome
Audio Output: Headphones (3.5mm stereo mini jack)
Sync: Sync In (3.5mm monaural mini jack, Maximum input level: 20V), Sync Out (3.5mm monaural mini jack, Output level: 5V), When two units of Volca FM, available to export the sound programs and sequence data from a Volca FM to the other one
MIDI: IN/OUT - Note: 3.5mm stereo mini jack connector (type-A MIDI adaptor needed)
Available to convert and load SYS-EX/SYX files from Yamaha DX7
Power Supply: AA alkaline battery x 6 or AA nickel-metal hydride battery x 6, Or AC adapter (DC 9V) (optional)
Battery Life: Approximately 10 hours (using alkaline batteries)
Dimensions (W x D x H): 193 x 115 x 40 mm / 7.60" x 4.53" x 1.57"
Weight: 360 g / 12.70 oz. (Excluding batteries)
Included Items: AA alkaline battery x 6 (for verifying operation), Sync Cable, Edit Parameter List - Accessories: AC adapter (DC 9V) KA-350

Notes: The WHITELABEL is SHURE's Flagship DJ Phono Cartridge that has redefined and set a new standard in the DJ Industry.

With the N-WHLB NUDE, JICO provides a replacement stylus manufactured for the legendary SHURE WHITELABEL Cartridge.

Features: Glow in the dark

Details:

100% phosphorescent pigment is used in the resin, which will stay lit by exposing it to natural or fluorescent light
Shines at a fixed brightness when exposed to black light

Additional information

Cantilever: Aluminium
Cartridge number: WHITELABEL
Colour: FLUORESCENT
Tip: NUDE Conical Stylus
Tracking Force: 1.5 - 3.0 g
Type: Moving Magnet

Notes: The innoFADER Rane 1-70-72 is a single package which includes all of the adapters you need to replace the Mag3 or Mag4 fader in your Rane One controller, Rane 70 Mixer, or Rane 72 mixer. Based on the innoFADER PNP3, it shares the same precision output and adjustability. It has special Rane specific adjustments for improving the cutting precision and response

Next generation fader with improved user interface
Depth reduced from 45mm to 38mm
Durable, easy access Curve and Cut dials
No polarity testing required - plug in and go!
LED shows cutting action and presents
Ultra-fast 1ms response time
Ultra precise +/- 0.05mm cut accuracy
Depth reduced from 45mm to 38mm
Specfic model for Rane One Controller, Rane 70 Mixer or Rane 72 mixer
Spare stem included

Notes: Modern classics. Open-backed design means they leak some sound but give a really clear impression of your music. Solid option for production work and mixing.

Supplier notes:
The DT 990 PRO is an open dynamic headphone for studio applications. Due to a weight reduction of the diaphragm an excellent sound reproduction quality is achieved. Its rugged design with a spring steel headband ensures a secure fit and withstands all demands. Soft headband and ear cushioning systems ensure a high comfort over long periods of time.

Beyerdynamic's DT PRO headphone series has it's roots in the early 1980s. Since then, millions of audio professionals from all parts of the world have become loyal users of beyerdynamic products. The series has been designed to cater for listening in a wide variety of environments, thanks to different headphone construction.

Notes: The Korg Volca Keys is an ideal introductory synthesizer, with a simple, yet powerful polyphonic analog sound engine and loop sequencer.

The Volca Keys is a long awaited synthesizer that adds a new chapter to the long and storied history of Korg's analog synthesizers. This 27 key analog lead synth delivers unbelievably powerful sound in a compact body. Starting with a filter section that uses the circuitry of the legendary miniKORG700S (1974), it delivers astonishing sound that takes full advantage of Korg's half-century of know-how in circuit design.

With a simple structure that includes delay effect and a sequencer, it's also an ideal choice for a first analog synth. It offers the richly expressive sounds that are distinctive of analog, providing the enjoyment of simple yet deep sound-creation. The possibilities are endless; you can use the three oscillators to play chords, use them in unison with detune to produce solid lead lines, or apply ring modulation to create far-out metallic sounds.

The Voicing function makes it easy to specify how the three oscillators will be combined. Choose between poly, unison, octave, fifth, unison ring or poly ring simply by turning a dial. Easy for those taking thier first steps into synthesisers, the Volca's simple design makes it easy to obtain a wide variety of sounds.

Record phrases as you play them with the Volca Keys using the loop sequencer. With up to 16 steps, it's easy to create phrases as they come to mind. Use the overdub recording function to produce complex loops, with up to 8 sequence patterns able to be stored in internal memory. Craft your loops with the motion seqence function, apply time varying changes to your sound to enhance loops and add originality to your life performances.

Skip a step during sequence playback with active step, a function that creates effects similar to a short loop or unexpectedly irregular rhythms. This allows you to create a dynamic performance just as though you were performing the sequence itself. Flux function lets you play back the phrase without quantizing the steps, producing a loop with a distinctive sense of groove.

A useful self-tuning function constantly tunes the oscillators, so you never need to tune during a performance or wait for the pitch to stabilise after turning the power on.

Connect the Volca Keys with the rest of the Volca Series or a Monotribe using the sync jack. A MIDI in connector lets you synchronise with other devices, play the Volca from any MIDI keyboard and send note messages from your DAW.

The Volca Keys analogue loop synth has a compact size and a built-in speaker, easily playable anytime, anywhere. The ideal starter-synth.

http://www.youtube.com/watch?feature=player_embedded&v=7rbcYJ326EI

Notes: There are lots of good reasons why these are some of the most popular studio headphones on the market. Clear sound, comfortable and good isolation. Perennial favourites from Japanese headphone specialists Audio-Technica.

Supplier's notes:
This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year.

The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables.

From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.

Notes: Numark's take on the classic scratch mixer formula ticks all the boxes: two channels each with three-band EQ, plus perfectly spaced channel faders and crossfader for cutting and scratching. Simple but effective.

Supplier's Notes:
Pure professional power.

M2 is a two-channel DJ scratch mixer with all the essentials to hit the stage in Numark style.

Switchable phono/line inputs for turntables, CD players, and other line sources make M2 a superb choice for any DJ setting from weddings to clubs, parties to practice setups. A mic input with dedicated EQ and gain, and a headphone output with crossfader-style cueing complete the plentifully featured package.

Three-band EQ on each channel plus crossfader-reverse and slope controls give you all the tools you need to drive your audience from behind the wheels of steel. M2 is the perfect mixer for any scratch DJ.

Packaged Dimensions: 14.6" x 13.4" x 6.7"

Packaged Weight: 8.8 lbs.

Product Dimensions: 11.4" x 9.5" x 3.6"

Notes: FONT is a massive sounding liquid filter- designed to bring you powerful basslines, tons of FM modulation and a clean resonance over your audio path.

It features two simultaneous outputs:
2-pole Low Pass
2-pole Band Pass

It can also work as a sine oscillator, tracking 1V/OCT when the resonance is at its maximum level.

FONT can be used to make basslines, acid patterns thanks to its organic and musically sounding resonance.

Ping it to produce percussion sounds such as, bongos, congas or toms.

Applying a pitch envelope, it really shines as a kick-drum machine!

22 mA +12V
25 mA -12V
0 mA 5V
15 mm deep
O 4.60 (10 Votes) Average Rating

Notes: Compact, affordable DJ mixer that focuses on the basics with minimal fuss. Includes a lot of professional-level features like three-band EQ, balanced outputs, separate booth output and adjustable crossfader.

Supplier's Notes:
Whether you're a beginner or a professional, this Gemini MXR-01BT 2 Channel Professional DJ Mixer with Bluetooth Input will meet your needs. Beginners will find its simple and user-friendly layout easy to understand while professionals will value its all metal construction as a durable and reliable back up mobile DJ mixer. It's packed with the features you want including Bluetooth input, 3-band EQs per channel, crossfader curve and reverse controls, and complete output section.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod34X is 34HP wide and has extra room to fit even the deepest modules (2.16" / 55mm of available module depth). The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

This Pod requires a power brick (not included).

Or, if you already have a Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain power supplies.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. The power supply can handle up to 1.4A of +12V, which is plenty of juice for even the most modern digital modules. (Or if you prefer to DIY your power supply, Pods are also available unpowered)

Each Pod typically will house one or two modules, but three or more can be accommodated using a multi-power cable accessory.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Pods can even daisy- chain with the 4ms Row Power system making them a convenient outboard mini-skiff. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

34 HP Eurorack modular space
Standard M3 threaded holes
100% lightweight anodized aluminum
Built-in Power supply
Red, White, and Blue LED power indicators

Includes:
34HP Pod, black anodized aluminum
Extra deep (2.16"/55mm) fits virtually every Eurorack module
Built-in power supply with four Eurorack power headers
M3 x 8mm pan-head screws, stainless steel (10)
Adhesive rubber feet (4)
Does not include barrel cable or power brick
Power Supply:
Four 16-pin Eurorack power shrouded headers
+12V max 1.4A
-12V max 0.65A
+5V max 1.0A
Power input: Two barrel jacks for daisy-chaining
15V-20VDC, 2.1mm positive tip
Exterior dimensions:
Width: 177.3mm (6.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 34HP
Weight:
0.3 kg = 10 oz

Notes: The new CTRL Case XDJ-XZ is a super lightweight and compact hard shell case, offering a safe and comfortable way to carry (incl. shoulder-strap) your Pioneer XDJ-XZ controller. Made of lightweight and rigid Durashock molded EVA shell, the inside lid is lined with high density egg-crate foam to protect the displays, jog wheels, and controls.

FITS:

Pioneer XDJ-XZ
Pioneer DDJ-SZ2

Notes: The perfect upgrade for your desktop speakers, CR Series monitors deliver the performance you expect from a Mackie studio monitor. Ideal for home studios, multimedia content creation, AV post-production, gaming, broadcast and more, CR Series monitors offer studio-quality sound in a compact, well-designed package that's equally at home in a high-end project room or your bookshelf.

CR monitors deliver a combination of high-quality components and professional build quality typically only found on more expensive studio monitors. But, they are affordable and ultra-compact. Switch from video editing to music listening in no time flat. Edit a video, then watch a video. You are a multi-tasker who appreciates great sound. Whether you are looking for great studio speakers or want to upgrade your gaming audio, CR helps you in all aspects of your multimedia creation and enjoyment.

Notes: Loop is a high fidelity looper with four unique recording modes and an intuitive user interface. It can capture up to five minutes of audio with reverse, and half-speed playback accessible. Each recording can use one of four modes: Sound on Sound, Dub, Replace, and Infinite (i.e. Frippertronics). Whether you're looking for minimal part layering, or full blown ambient soundscapes, Loop will take your patch for a ride.

High fidelity audio - 24-bit, 48kHz with five minutes of recording time
Four recording modes: Sound on sound, Dub, Replace, and Frippertronics
Intuitive interface
Half speed and reverse playback

Tech Specs:
Width: 2HP
Depth: 42mm

Notes: Clever four-channel utility module designed to make it easier to achieve perfect oscillator tracking and transpose CV signals. Also includes some neat quantising and portamento features.

Supplier notes:
The CalTrans solves issues encountered when playing tonal music with a modular system: tracking problems, curves unrelated to Volt per octave ratio, limited octave range, cumbersome transpose, ...

The CalTrans corrects and expands the range of troublesome VCOs and brings V/Oct tracking to anything that oscillates.

Besides calibration, the CalTrans offers live play features. Each channel can be quantized and any combination of them transposed jointly.

A pair of rotary encoders with detent allow an precise selection of octaves and semitones.

VCOs whose tracking doesn't go high enough to follow the leader will see their pitch repositioned in their highest possible octave so that the global harmony is unaffected.

You can add a pinch of portamento and glissando to each channel and save the whole in user presets.

Notes: A Digital DJ looking for a professional, durable case solution for your Denon DJ Prime 4+/ 4? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Denon DJ Prime 4+/ 4, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Color: Black
Weight: 3,50 kg / 7.7 lbs
Outer Dimensions (W x H x D): 78.0 x 52.0 x 13.5 cm | 30.7 x 20.5 x 5.3 inch
Inner Dimensions (W x H x D): 77.0 x 51.0 x 13.0 cm | 30.3 x 20.1 x 5.1 inch
Material: Durashock molded EVA foam
Protection:
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks
Extra's:
Easy grip zipper puller
Convenient carry handles
Convenient shoulder strap
Fits: Denon DJ Prime 4+ or 4 Controller

Notes: Theremin module for generating a variable control voltage by approaching/removing hand to/from an antenna. The distance range is about 30-40 cm. Additionally the module is equipped with a Gate output with adjustable threshold level. Controls/Inputs/Outputs: antenna input, offset (knob for zero adjust), 2 x CV out, 2 x LED (for CV control positive/negative and zero offset adjust).

To simulate the original Theremin two A-178, a VCO (e.g. A-110) and a linear VCA (e.g. A-130 or A-132) are required. But of course the A-178 can be used to control other functions in the A-100 (e.g. filter frequency, modulation depth and/or speed, tempo, attack/decay time and so on).

The CV output voltage of the A-178 can range - according to the setting of the front panel controls - from -10V...+10V. The gate output switches from 0V to about +10V.

Applications:

- Controlling any voltage controlled parameter of the A-100, e.g. pitch or pulsewidth (VCO A-110), loudness (VCA A-130/131/132), panorama (A-134), filter frequency or resonance (A-120/121/122/123), phasing (A-125), frequency shift (A-126), resonance peaks (A-127), envelope parameters (A-141/142), tempo (A-147)

- Triggering of A-100 activities via gate with adjustable threshold, e.g. starting an envelope (A-140/141/142), Start/Stop of a sequence (A-155), any switching function (A-150/151)

- Conversion into MIDI control change messages is possible with the A-192.

If two or more A-178 are used the distance between the modules/antennas should be at least 40-50 cm. Otherwise the antennas may affect each other.

Notes: Welcome to the Forbidden Planet, an all analogue multi-mode filter design influenced by the 1975 Steiner-Parker Synthacon model. Control the Forbidden Planet manually or through CV and take the sound of your Eurorack into new orbits.

Forbidden Planet has three filter input jacks: High Pass, Low Pass and Band Pass. The High Pass section is this module's signature sound - a crisp sharp-cut with no residue, designed to add High Pass filtering capability to Tiptop Audio's wide range of Eurorack modules. Send a throbbing kick drum through the High Pass section and filter out the rumbling lows while maintaining the pulse of the beat. The Bandpass is clear and useful in isolating a pie-slice-range-of-frequencies while cutting off the low and highs, great for accurate sound design or sculpting audio into that sweet spot. The Low Pass is an airy classic 12db two-pole analogue slope ideal for monophonic synth patches and filtering down to the essential low-end bass we all love.

The Forbidden Planet Resonance utilizes an internal feedback path which can sound smooth or aggressive depending on the knob setting. At a low setting, it emphasizes the cut-off harmonics, at middle settings it begins to self-oscillate, and towards maximum setting it forms interesting tones and all sorts of chopped grainy bits of self-oscillation perfect for entering into a sci-fi world.

The Forbidden Planet is an impressive multi-mode analogue filter which adds a broader filter spectrum to the Tiptop Audio modular family and unlocks forbidden creative possibilities in a small package.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod26 is 26HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod26 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod32 is 32HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod32 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: MMF is an analogue, multimode filter with a 12dB per octave slope. Its sonic character swings all the way from classic low pass to squelchy acid lines. Simultaneous outputs of low pass, high pass, and band pass filter types are provided allowing for many variations of the input signal. Whether you're looking for smooth and creamy, or resonant and wild, MMF can go there.

Notes: The 'MCO' is a compact digital oscillator. It features a main 'morphing' wavetable output, an additional copy of this output with overlaid variable pulse width segments (ala Alpha Juno style saw wave pwm) and a sub square wave output an octave down to the main output. The waveform and pulse segment width and be both directly and voltage controlled. The pulse segment distribution can also be voltage controlled via the 'type' input.

Expect an early 90s slightly crunchy digital type sound (ala Ensoniq, Kawaii KX synths) rather than something striving for perfect analog emulation.

Notes: Each of the two sections of the module is capable of performing the analog multiplication of two signals (A and B) and add an offset (C). It can also act as a dual voltage controlled attenuverter, dual ring modulator, dual VCA or four channel mixer (see block diagram below).

The B inputs are routed to an attenuverter that multiplies the signal between -2 to 2, while the offset inputs (C) route through a unity gain attenuverter (multiplies the signal between -1 and 1).

The output of first section is routed to the output of the second (when the first's output is unused), so the second output can act as master to achieve (A1*B1+C1) + (A2*B2+C2) or (A1 + C1) + (A2 + C2) - a 4 channel mixer.

The through-zero (four-quadrant) multipliers in the A*B+C allow for true Ring Modulation. To achieve this, simply connect two waveforms to the A and B inputs.

Notes: A-180-9 is another simple but useful tool. It can be used to connect up to 14 signals between different cases by means of standard network cables (RJ45). These cables are available all over world smoothly in different lengths and colours. From the factory two black network cables with 0.5 m length are enclosed.

The upper network connector is wired to the eight sockets 1-8, the lower to the six sockets A-F. That way it's possible to pre-patch different cases and connect signals, that are required in all cases (e.g. clock, start/stop, master CV) by means of one or two cables only instead of 14 individual patch cables. When only eight signals are required only the upper network connector is required and the sockets 1-8 are used. When more than eight signals have to be patched both network connectors have to be used. It's also possible to wire the upper and lower network to different cases (i.e. signals 1-8 to external case #1 and signals A-F to external case#2).

The module is fully passive (no power supply required) and simply wires the 14 sockets to 14 pins of the network connectors.

The A-180-9 comes in pairs for combining two modular systems.

Notes: Module A-147-2 is the successor of the VCLFO A-147 but offers much more features than the predecessor. The module is made of these sub-units:

- VCLFO: voltage controlled low frequency oscillator
- VCA: voltage controlled amplifier, switchable to voltage controlled polarizer
- VC delay unit: voltage controlled linear attack envelope (only one parameter: attack) for delayed LFO operation in combination with the VCA (e.g. delayed vibrato/tremolo)

LFO: The voltage controlled LFO has the waveforms Triangle, Sine, Sawtooth and Rectangle available and features a Reset/Sync input. Triangle/Sine and Rectangle are displayed by means of dual-colour LEDs (probably red/green), Sawtooth has a unicolor LED available (probably blue). The output levels are about -4V...+4V for Triangle, Sine and Rectangle. The Sawtooth level is about 0...+8V.

The CV control can be switched to attenuator or polarizer ("CV Mode" switch). In polarizer mode the CV inputs affects the frequency in the reverse manner when the CV control is left from the centre position. In the centre position CV has no effect and right from the centre the control works like a normal attenuator. The frequency range (without external CV) is from about 0,005 Hz (i.e. about 3 minutes per period) to 200 Hz (with external CV max. frequency about 1kHz). In addition a ultra-low mode can be activated by means of an internal jumper. When the ultra-low jumper is set a fixed voltage is connected to the switching contact of the "LFO CV" socket. In polarizer mode of the CV control that way extremely low frequencies (up to one hour period and more) are possible. For this a jumper has to be installed on the pin header JP6. In the factory a dummy jumper is installed on the pin header JP7 "Dummy". JP7 has no function and is used only for "parking" of the jumper. Simply remove the jumper from JP7 and plug it on JP6. JP6 is located behind the CV control.

VCA: This is a linear VCA that can be switched to "normal" VCA (i.e. kind of a voltage controlled attenuator) or voltage controlled polarizer ("VCA Mode" switch). In the "normal" VCA mode amplification +1 is achieved with about +5V control voltage. In polarizer mode the amplification ranges from about -0.5 (i.e. inverted signal with about 50% level) with 0V CV to +0.5 (i.e. non-inverted signal with about 50% level) with +5V CV. With about +2.5V CV the signal is suppressed. Details about the functioning of a voltage controlled polarizer can be found in the description of the module A-133. In this mode the VCA can be treated also a DC coupled ring modulator (similar to A-114).

The VCA of the A-147-2 has three sockets available: "In" (signal input), "Out" (signal output) and "CV" (control voltage input).

The Triangle Output of the LFO is normalled to the VCA signal input by means of the switching contact of the "VCA In" socket. If another LFO waveform (or any other signal) should be processed by the VCA the corresponding signal has to be patched to the "VCA In" socket. The VCA can be used also independently from the LFO and the Delay CV. In this case the VCA sockets In, Out and CV have to be patched accordingly. The VCA can be used also as waveshaper for the LFO signals (e.g. by patching VCA In and VCA CV to different LFO signals, if necessary via attenuator A-183-1 or offset generator/attenuator A-183-2).

Attack/Delay: The third sub-unit of the module is a simple, voltage controlled envelope generator that has only the parameter "Delay" (or Attack) available. This unit generates a linear increasing voltage that starts from 0V after each Delay Reset until it reaches about +5V. Then the voltage remains at +5V until the next Delay Reset occurs. The inclination or gradient is controlled by the manual Delay control and the Delay control voltage ("Delay CV" input). The waveform is linear, the control scale is exponential. The output voltage is displayed by a green LED and available at the "Delay Out" socket.

The manual Delay control ranges - without external "Delay CV" - from about 5ms (fully CW) up to 2 minutes (fully CCW). By means of an external voltage applied to the "Delay CV" socket this range can be extended. A rising CV shortens the delay time (behaviour like a VCO)!

The Delay output voltage ranges from about 0V to +5V. The rising edge of the gate, clock or trigger signal applied to the "Delay Reset" sockets resets the Delay output voltage to 0 V.

"Delay Out" is normalled to the VCA CV input by means of the switching contact of the "VCA CV" socket and consequently controls the Triangle level provided that no other patch is made. A typical example is the usage of a Gate signal (e.g. from a USB/Midi-to-CV/Gate interface) as Delay Reset. That way a delayed vibrato or tremolo can be realized if the VCA output is patched to the frequency CV input of a VCO (or VCF), or the CV input of a VCA.

Notes: The module contains two ADSR type voltage controlled envelope generators with exponential curve shapes (charge/discharge curves of a capacitor) behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V (10V = attack peak).

The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR.

Notes: The Glorious Record Rack 330 is a vinyl storage solution that allows you to store up to 330 vinyl records and features a highly-robust design alongside a sleek, professional finish.

Notes: - Elliptical bonded stylus
- Tapered aluminium cantilever
- Durable design for DJ application
- Tracking Force Range: 2.0 to 4.0 g

Notes: A-135-2 is a miniature version of the A-135-1. Behind a front panel with 8 HP only four linear VCAs (voltage controlled amplifiers) and a voltage controlled mixer based on the VCAs are available.

Controls, In/Outputs and Functions of each VCA:

- Level (manual control of the VCA amplification), small rubberized knob (L1...L4)
- Control voltage input with associated attenuator (CV1...CV4), for the full VCA control range about 0...+5V control voltage are required (attenuator fully clockwise), for higher control voltages the attenuator is used, the attenuators are without knobs, just plastic shafts with white marker
- Signal Input
- Signal Output
- All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. to control the level of LFOs or envelopes)
- The signal input is not equipped with an attenuator. But the VCAs can process all signals up to 15Vpp / -7.5...+7.5V without clipping. In case of higher levels an external attenuator is required (e.g. A-183-1).
- The available amplification range is 0...1, the maximal amplification is 1 (i.e. it "clips" and remains at 1 even if the control voltage goes beyond the value that corresponds to amplification 1)

Functions of the voltage controlled mixers:

- Two outputs ("Selected" and "All")
- Selected output: the ouput if a VCA is removed from this sum signal when a plug is inserted into the corresponding VCA output.
- All output: sum of all VCA outputs, regardless of inserted plugs into the VCA outputs
- The maximal amplification is about 0.6 to avoid clipping at the mixer outputs (otherwise the outputs may distort with 15Vpp signals at each signal input and full amplifications)

Special functions of the voltage controlled mixers (selectable by internal jumpers):

- Dual Stereo VCA: In this case the control unit of VCA1 (L1 + CV1) affects also VCA3 and the control unit of VCA2 (L2 + CV2) affects also VCA4, the control units of VCA2 and VCA4 are out of operation
- Quad VCA: In this case the control unit of VCA1 (L1 + CV1) affects all four VCAs. The control units of VCA2, VCA3 and VCA4 are out of operation. In this mode the module has the same function as module A-132-2. That's why module A-132-2 will be discontinued.
- Normalling of the signal inputs: by means of internal jumpers signal input 1 can be normalled to signal input 2, signal input 2 to signal input 3 and signal input 3 to signal input In 4. That way the same input signal can be distributed to four different channels by means of control voltages (e.g. quadrophonic distribution of audio signals). Suitable control voltage sources are e.g. A-144 (Morphing Controller) or A-143-9 (Quadrature LFO).

Notes: Black Stereo Mixer is just what you need, if your setup has several nowadays gaining popularity modules with stereo inputs or outputs, like Black Hole DSP, Erica Fusion Delay, MI Clouds or some other. In order to save rack space, we designed compact mixer with lot of cool, performance oriented features.

In order to save rack space, we designed a compact mixer with a lot of cool, performance oriented features.

Check out also the Black Pre-fade Listen Expander that is a satellite module to Erica Synths Black Stereo Mixer!

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, we did not economise on the module width, we put design and usability first. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.

Notes: Sometimes your ears are not enough and you really need to see the sounds and control voltages you are generating. Zeroscope's two channel design lets you display and compare both control voltages and audio. It's a good old fashioned sci-fi light show!

The Zeroscope 1U is an adaptation of the excellent 3U Zeroscope by VPME.DE.

Three Modes Packed Into 1U:

- Scope: Standard graphical display, with time displayed on the X-axis and voltage displayed on the Y-axis.
- X-Y: Alternate graphical display with CH 1 driving the X-axis and CH 2 driving the Y-axis.
- Tune: Alphanumerical tuning display, which you can configure to show either Hz values or note names.

The Scope displays have adjustable display offset for each channel and an adjustable trigger threshold, while the tuner has options for reference pitch and average update speed.
Ins & Outs

The inputs are DC coupled and accept signals between -10V and +10V. The Signal on the input is normalled to the output below; this allows you to monitor or tune a signal without a mult or re-patching.

Notes: Module A-140-2 contains two ADSR type envelope generators behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V. The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR. Changing the positions of the mentioned jumpers allows to modify the factory settings.