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Notes: The Ultimate Output Expander For Hermod+

Introducing xp32, the perfect expander for unlocking 32 assignable CV or Gate outputs, amplifying the creative power of your Hermod+ sequencer.

Transform your Hermod+ into a 16-track CV/Gate powerhouse, an expansive MIDI/USB-to-CV interface, a preset manager, or customize your outputs to suit even the most intricate modular setups.

The xp32 opens a new world of possibilities for both live performances and studio setups, giving you the flexibility to realize your most complex musical ideas.

Seamless Integration.

Setting up the xp32 is as easy as connecting the included expander ribbon cable to the back of your Hermod+.

The xp32 integrates seamlessly: Hermod+ will automatically recognize it, and your 32 additional outputs are ready to use instantly.

With the xp32, Hermod+'s 8 CV/Gate tracks remain untouched. Instead, the xp32's 8 additional voices are internally mapped to Hermod+'s MIDI tracks, offering maximum expandability without altering your existing workflow.

Unmatched Precision & Flexibility.

Each of the 32 output jack is powered by a dedicated 16-bit industrial grade DAC, ensuring the best accuracy for all your control voltage signals, from pitch to fine modulations.

Easily configure each output as a Gate (for notes, triggers, or clocks) or as a CV (for pitch, velocity, aftertouch, modulation...).

High-precision.

Low noise.

At the heart of the xp32 are highly-precise digital-to-analogue conversion circuits, developed with meticulous attention to detail. Squarp have incorporated high-end components to guarantee reliable, low-noise, high-performance outputs that you can depend on for both small and large modular systems.

The 32 signal LEDs are driven by a fully analogue current-control circuit, guaranteeing zero digital noise.

Specifications

Power

Consumption : -12V 70mA, +12V 80mA, +5V 20mA

Hardware
Width : 14HP
Depth : 33mm
Height : 128,5mm (3U)
Weight : 170gr (0.37lbs)
32x CV outputs resolution : 16-bit DAC (industrial grade)
32x CV outputs range : -10V to +10V

Notes: ***B-STOCK: Without original box, product in perfect working order***


Mid-range DJ mixer from the leading UK brand. Fully analogue four-channel design with A&H's much-loved Xone filter section. Very tempting alternative to the flagship Xone:96. Excellent value.

Supplier notes:
Created for DJs and electronic music purists, Xone:43 is a 4+1 channel DJ mixer that offers the very best of analogue audio quality, including the legendary Xone filter with resonance control, 3 band EQ, crossfader with three curve settings and X:FX for send/return to your favourite FX unit.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to a custom Innofader for ultimate crossfader performance.

With balanced XLR main outputs, independent booth and record outputs, Xone:43 excels in the club and in high end personal DJ setups.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Sampling meets the internet in the intriguing WoFi, a WiFi-enabled polyphonic instrument based around samples, granular synthesis and the online mywo.fi community platform.

Supplier's Notes:
WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing


DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones


Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow


- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Inspirational west coast sounds from one of the masters. Additive oscillator with eight harmonics, direct outputs and powerful CV control to scan, tilt and mix the waveforms.

Supplier's Notes:
For the first time in Eurorack, this oscillator module provides outputs for the first 8 harmonics as sine waves. Also included are triangle, saw, square waves.

A voltage controlled mixer with various methods of address allows the user to scan, tilt and mix the harmonics from both panel and external voltage control. It is built on a discrete, all analog triangle core with an old school discrete transistor exponential converter. It has inputs for linear and exponential FM, the exponential with a reversing attenuator. Of course there's a 1 volt/octave trimmed CV input as well.

Power consumption: 120mA at +12 V and 90mA at -12 V

HP : 32

Notes: ***B-STOCK: Box opened, product in perfect working order***


***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. [email protected]***

Structure EP-208 Eurorack Enclosure -

Maximum Power for a New Generation



Beautifully stained hardwood double row, 208hp powered eurorack travel case with lid. Includes professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:

With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.




Features:

Structure EP-208 Power:
4 Amps of Clean +12v Power

3 Amps of Clean -12v Power

2 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 30 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere



Structure EP-208 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Dual 104hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

20 Smooth Sliding Square Nuts Per Rail (Holds up to 40 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set


Structure EP-208

Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 12 1/4"
External Width: 22"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


In collaboration with 4ms Befaco have designed this custom pod to achieve the perfect match of your Oneiroi with your desktop synthesizers, effects pedals, modular synthesizer or any kind of music gear.

A small and portable modular system to exploit the full potential of Oneiroi.

Notes: One of the best solutions for 7"/10"/12" record cleaning, HumminGuru's ultrasonic approach automatically restores your records, cleaning and drying within 7 to 15 minutes per disc. Simple, easy to use and effective.

Supplier's Notes:
The HumminGuru Ultrasonic Vinyl Record Cleaner

An all-in-one ultrasonic vinyl cleaning machine that automatically cleans and dries your record in just 7 to 15 minutes. It is compact, lightweight, quiet and compatible with 100v-240v.

HumminGuru ultrasonic vinyl record cleaner not only brings your dirty records back to life; its ease of use and intuitive design also makes record cleaning a more pleasant experience. It has been designed to clean and dry the vinyl records in one step using ultrasonic cleaning system. With 40kHz frequency, it is effective to remove the contaminants and dust on the record without causing any damage to the surface of the record. Less is more. Its lightweight and compact design make it easy to transport and creates more space to store. The simple yet elegant look was created to intuitively fit into your lifestyle. HumminGuru would be your best option in quality for price and value.

Maintenance Features

Air Filtration - To prevent external dust from blowing back onto the record during the drying process. The filter is washable and replaceable, which makes for easy maintenance.
Water Filter - A detachable water filter in the water tank gives an option to reuse the cleaning water. The filter is washable, which makes for easy maintenance.
Removable water tank - Water tank is removable for easy cleaning and maintenance
Replaceable rotation wheels - Easy to replace with HumminGuru assigned maintenance tool

Specifications

Item Name: HumminGuru Ultrasonic Vinyl Record Cleaner
Net Weight: 3.1 kg
Material: ABS & Stainless Steel
Colour: The New Blue
Dimensions: 34 x 15 x 28 cm
Adapter (Supported Voltage): 100 - 240 V AC 50-60 Hz
Water Tank Capacity: 400 ml
Ultrasonic Frequency: 40 kHz
Packing Volume: 38 x 21 x 37 cm
Packing Weight: 4.88 kg
Cbm: 0.03
Certifications: RoHS Directive 2011/65/EU, (EU) 2015/863
1 Year Warranty: HumminGuru comes with 1 year world-wide warranty.

Humminguru supports all commonly used voltage standards from 100v-240v.

The package comes with:

Ultrasonic Vinyl Record Cleaner
A Cleaner Lid
Power Cord
Manual Instruction
Removable Water Tank x 1
Maintenace Tool x 1
Replacement kit (2 pairs of rotation wheels, 5 pcs of air filters and 5 pcs of water filters) x1
Adapters for 7" and 10" records

Notes: The legend is back. Updated and re-engineered for the 21st century, the classic Technics DJ turntable remains the industry standard. Top sound, top build quality.

Supplier notes:
The SL-1210MK7 is the newest model of the SL-1210 Series. For the development of this model, all that modern-day DJs need and want was reviewed from the ground up. At the drive section of the MK7 is a coreless direct drive motor. While achieving both stable rotation and powerful torque, this has successfully eliminated a rotation irregularity called cogging, which was the only drawback of the direct drive system. As a result, sound quality was further improved. The pitch control incorporates digital control to achieve improved tracking performance and accuracy. The buttons and tonearm are black to complete the all black design, and the LED light can be set to illuminate in red or blue. A reverse play function has been added to expand the breadth of DJ play style. With those features and functions, the MK7 aims to set a new standard for DJ turntables.

Notes: Building on the success of the original HumminGuru record cleaner, the NOVA model takes things to the next level. More power, quieter operation, easier operation and lots of tweaks to make the winning formula even better.

Supplier's Notes:
Premium | Automatic | Efficient

The HumminGuru NOVA is an Advanced Ultrasonic Vinyl Record Cleaner that elevates your record-cleaning experience to the highest level of satisfaction. Utilizing 40kHz ultrasonic sweep frequency with an upgraded power drive, it delivers quieter and highly efficient cleaning performance. Furthermore, with the NOVA's upgraded fan power, experience rapid record-drying in just 3 to 6 minutes. It is recommend that you use The Small Bottle.

The NOVA also includes a patented design of adjustable rotation wheels, eliminating the need for 7" & 10" record adapters! The newly added countdown timer, a new draining mode, and a practical cover lid that doubles as a drying rack and a record display stand further enhance usability, delivering an even more satisfying experience.

With its innovative design and upgraded features, the HumminGuru NOVA delivers maximum convenience, exceptional cleaning, and efficient drying performance. The NOVA is quiet, compact, and lightweight- making it the perfect companion for all vinyl collectors.

Inside The Package

NOVA Advanced Ultrasonic Vinyl Record Cleaner
Cleaner Lid
Removable Water Tank
Water Funnel
Maintenance Tool
7" and 10" water basin supports
The Small Bottle (5ml)
Drying Rack Accessories
Drawstring Pouch
Air Filters x 6
Water Filters x 6
Interchangeable Plug Power Adapter (Compatible with 100-240V)
Owner's Manual

Specifications

Product Name: HumminGuru NOVA Advanced Ultrasonic Vinyl Record Cleaner
Model: HG05
Material: ABS and Stainless Steel
Product Size: 34 x 15 x 26.1 cm
Product Weight: 3.4 kg
Input: DC 12V 5.0A
Output Power: 60W

Notes: Explore malleable sound. Mold, carve, bend.

The S-4 is a sculpting sampler designed to capture and transform sounds. Merging tape-era workflows with cutting-edge technology, the S-4 redefines sound mangling by providing a futuristic platform for crafting unique soundscapes and compositions, using samples and real-time audio processing.

S-4 is a tool made for sonic explorers. It has four parallel stereo tracks, each with an audio engine featuring a chain of audio devices including samplers, live granular processing, morphing resonators, and a range of audio effects. A novel modulation system allows anything and everything to be modulated with four modulators per track. Capture sounds on the fly with the onboard microphone and stereo line input, or load samples from the 4GB internal flash storage.

Use cases

The S-4 is a versatile powerhouse, capable of serving as an effects processor, transformative sound designer, tape machine, live looper, classic sample player, or textural synthesizer.

Tape machine

Capture your surroundings. Use S-4 as a transformative four-track tape machine.

Effect processor

Manipulate live audio, and add colour and textures to your beats, melodies, and sounds

Midi controlled sampler

Hook up a MIDI keyboard or sequencer and use S-4 as a powerful textural synthesizer and sample player.

Audio engine

Push the creative boundaries and transform audio into uncharted depths. S-4 has four parallel stereo tracks, each of which contains a chain of five audio devices tailored to cover specific sonic areas and applications. Create everything from glittering textures to broken soundscapes or evolving synth sounds.

Together, the devices form a playful toolbox for sculpting sample material and live audio.

Material

Stereo tape and sample players with live audio and looping capabilities.

Granular

Live granular processing with time-warping and pitch-shifting algorithms.

Filter

Morphing resonator: 48-band tuned filter bank with animation, tonal control, and classic filter functions.

Colour

Collection of destructive effects including bit crushing, drive, and compression.

Space

Combined reverb and delay with pitch-shifting and shimmer.

Modulation system

Animate and bring life to any parameter using the rich and unique modulation system. Each track has four configurable modulators that can be mapped to any parameter with unlimited mapping destinations. It is even possible to do cross-modulation between modulators. Choose between a range of different modulators from complex LFOs, and generative sequencers to envelopes.

Capture your surroundings

Utilize the built-in microphone to record sounds, sample and loop your external gear with the stereo line input, resample the internal tracks, or effortlessly load samples from the S-4's flash memory or an external drive.

Versatile powerhouse

The S-4 is designed with durable RGB buttons offering tactile feedback and a high-quality 3.5-inch LCD display ensuring all the visual feedback you need. It features USB connectivity for seamless connection to class-compliant devices and effortless file transfers to and from your laptop. Moreover, it can function as an audio interface when you require a simplified setup. You can also expand the number of inputs and outputs by connecting a class-compliant external USB interface.

Technical specifications

Audio engine features

4 parallel stereo audio tracks
Tape player with live looping capabilities
Polyphonic sample player
Live granular processing with time-warping and pitch-shifting algorithms
Morphing resonator (48-band filter bank)
Bit crushing, drive, and compression
Combined reverb and delay with pitch-shifting and shimmer

Modulation features

4 modulators per track
Modulate any parameter of the audio engine
Modulator types:
- Complex LFOs
- Generative sequencing tools
- Envelopes

Hardware

Quad-core 1.5 GHz processor
4 GB flash memory (sample pool)
24-bit / 48 kHz stereo audio in and out

I/O

2 line-inputs
2 line-outputs
Built-in microphone
Stereo headphone output
MIDI in/out
Analog sync in/out
USB-C

Miscellaneous

WiFi - Ableton Link
Class-compliant USB audio interface
Expandable number of inputs/outputs with class-compliant USB interfaces

User Interface

High-resolution LCD colour display, 3.5 inch
21 tactile RGB buttons
9 high-quality endless encoders

Physical

Matte black aluminium casing
Dimensions: 242 x 156 x 39 mm (9.5" x 6.1" x 1.5")
Weight: 820g (1.8 lbs)

Notes: Desktop module version of Intellijel's popular Metropolix sequencer, one of the best options for generating and performing melodies and patterns via MIDI or CV.

Supplier's Notes:
The Metropolix Solo is a unique and powerful desktop multitrack MIDI and CV musical sequencer. With an abundance of hands-on, tactile controls and a wealth of internal and external modulation possibilities, you can quickly and easily create infectious sequences.

Even the simplest melody can be brought to life with seemingly endless options to create variations or real-time manipulations. In the studio or in a live performance, the Metropolix is sure to become a staple source of fresh ideas and killer riffs in your creative process.

CV and MIDI Sequencing on your desktop

Intellijel have set Metropolix free from the rack, in a small desktop case, allowing you to interface with your DAW or other hardware music machines without needing a full eurorack system.

Connections

Metropolix Solo has all the connections you need for USB MIDI, Serial MIDI (TRS or DIN with Adaptors) and CV/GATE for modular systems. Use CV/Gate, TRS and USB MIDI all at the same time.

Top Panel (CV/Gate)
A/B Assignable CV Outputs
X/Y/Z CV Modulation Inputs
CLK Sync and Reset Input
CLK Sync Output
Track 1 and 2 Pitch and Gate
Rear Panel (MIDI/Power)
MIDI TRS: In / Out / Thru
MIDI USB-C
2.1mm DC for Power Supply

Let's talk about Metropolix

Performance Controls

Metropolix is an interactive sequencer optimized for live performance, jamming, and improvisation i with configurable, hands-on control of all the most essential performance parameters. Sequences transform and mutate with just the twist of a knob; a flick of a switch; a nudge of a slider; or an injection of CV. With Metropolix, your music is as dynamic and evolving as your imagination.

Two Tracks, Interconnected

Two tracks (TRK 1 and TRK 2) are variants of a main pitch/gate sequencer, which is programmed via the PITCH sliders, PULSE COUNT and GATE TYPE switches. Each track interprets the main sequence in a variety of ways i creating complementary variations that enable you to generate counterpoint, polyrhythms, and all manner of sonic movement (both subtle and extreme).

Each of these tracks has its own playback ORDER, sequence LENgth, clock DIVision, SWING amount, SLIDE time, and track GATE lengths. Other track-based sequence variables are accessible from the TRACK MENU, and include Pitch Slider inversion; sequence note range; track transposition; and more. In addition, both tracks have multiple lanes of per-stage playback parameters, including: GATE override; PITCH override; RATCHet count; PROBability of playback; ACCUMulating transposition, and a dedicated CV/CC lane. Each stage also has a SKIP feature, and a pitch SLIDE option.

The Accumulator

Automate pitch movements on a per-track or per-stage basis. Use various trigger types and increments to control variation on your tracks.

Eight Modulation Lanes

Eight Separate modulation lanes are accessed via the MOD button. Each MOD lane has 8-stages of modulation values and its own playback ORDER, LENgth, and clock DIVision; and each lane is routable to one of Metropolix' two assignable outputs, MIDI CC, and dozens of internal destinations, allowing for sophisticated and powerful self-modulation.

Three AUX Inputs and Two CTRL Knobs

A trio of AUX inputs allows for external modulation of user-assignable sequencer parameters for even greater variation, while two assignable CTRL knobs give you direct access to the parameters you want to adjust most frequently during a performance. With dedicated Pitch/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.

100 User Defined Scales

Design and modulate between your own custom scales and root note.

Modulate BPM

Use the CTRL Knobs, AUX Inputs, or Mod Lanes to modulate the BPM of your track and the clock outputs of the Metropolix.

Loopy - Performance Looping

Metropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even "play" the stage buttons directly (like a 'keyboard').

64 Total Recall Presets & Preset Chaining

Metropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored on the module, ensuring that your Metropolix will always power up exactly as you left it i even if you haven't saved them to a preset. By default presets can change all the structural (menu-based) elements of your sequencer without overwriting the front panel controls, but full recall is also available.

Chain Presets to go hands free while you twiddle other knobs on your synth.

Specs

Width: 34HP
Solo Kit Only: Metropolix Solo Enclosure
USB-MINI-MINI internal connection cable
MIDI to 3.5mm TRS (A) Adaptor
15V/0.4A AC Adaptor (Euro/American prongs included)

Height: 66mm (from rubber foot to top of knobs)
Width: 175mm
Depth: 140mm (front to rear jacks).
Power: 15V DC/0.4 A (minimum) center-pin-positive.

Notes: A fresh new take on synthesis from the legendary Moog. The Labyrinth combines two generative sequencers with parallel analogue signal paths to create evolving sounds and patterns.

Supplier's Notes:
Labyrinth, a semi-modular instrument and idea machine, discovers patterns, layers, and textures both familiar and unheard. Two generative sequencers bring to life sounds that bloom over time, letting you control their evolution and scale, then play them off of each other for striking polymetric melodies. With parallel analogue signal paths, this unique instrument shines when adding colour to the static backdrop of a drum pattern or bassline. Fully capable of standing on its own, or adding depth to your existing rack, it's equally at home in a live set or at the centre of a humble bedroom studio. Labyrinth is the lightning in a bottle that drives a studio session deeper into undiscovered creative caverns.

The beating heart of Labyrinth is a robust dual sequencer, which uses chance operations to construct two unique eight-step paths which twist and curve around each other, forming a mesmerizing path of sound. With a comprehensive patch bay, Labyrinth can be synced via analogue clock or MIDI while processing, directing, and being influenced by other kit.

Tune your instruments together and let Labyrinth improvise alongside in key while you play Matriarch. Patch Labyrinth and Spectravox together for animated spectral movement. Combine Labyrinth with Mavis in a 104HP rack for expanded modularity.

These are just a handful of many playful setups where Labyrinth fits. Whichever path you choose, have Labyrinth guide you.

Dual generative sequencers create intertwining melodies that mutate over time. It's a fountain of inspiration that uncovers patterns you can capture, return to, and evolve.

A fresh approach to the signature sound of classic Moog synthesizers with a smooth West Coast-style voltage-controlled wavefolder. Two oscillators drive duophonic melodic counterpoints, metallic FM tones, and analogue synthetic drums.

State variable resonant voltage-controlled filters that morph between lowpass and bandpass responses let you experiment with smooth command over complex tonal shapes.

A parallel voice processing path with a voltage-controlled blending allows you to morph sounds over time.

A comprehensive patch bay for integration with a wide variety of other modules in your rack and studio.

In the box

Labyrinth Semi-Modular Parallel Generative Analog Synthesizer

Power Supply
Patch Sheet Overlays
Patch Cables (5x 12")
Registration Card
Quickstart Guide
Cheat Codes
Safety & Warranty Manual

Weights & dimensions

Product only:

Weight: 3.1lbs/1.5kg
Dimensions: 12.84" W 5.64" D 4.2" H/32.61cm W 14.33cm D 10.67cm H

Product in box:

Weight : 5.29 lbs / 2.4 kg
Dimensions: 14.16" W 8.16" D 6.6" H / 35.97cm W 20.73cm D 16.76cm H

Analogue synthesis engine:

Sources: VCO, MOD VCO, RING MOD, NOISE Generator SIGNAL PROCESSORS: 1x Voltage-Controlled Wavefolder, 1x Voltage-Controlled State-Variable Filter, 2x Voltage-Controlled Amplifiers MODULATORS: 2x Decay-only envelope generators

Dual generative sequencer

2x 8-step Generative Digital Sequencers

Patch bay

Jacks: 32 x 3.5mm
Inputs: 20 Input Jacks
Outputs: 12 Output Jacks

Rear panel

Audio: 1/4" TRS Headphone or 1/4" TS Instrument
Power: Power Supply connection SECURITY: Kensington Lock slot

Power supply (included)

Style: Wall adapter; barrel connection; centre-pin positive INPUT: 100 - 240VAC; 50 Hz - 60 Hz OUTPUT: +12VDC; 1200mA

Power consumption
Typical: 4.0 W

Notes: Great value mid-range rotary mixer from Omnitronic, a big step up from the popular TRM-202. Large format two-channel design, featuring three-band channel EQs, master isolator, multi-mode filter and dedicated channel VU meters.

Supplier's Notes:
Rotary in its most beautiful form: Omnitronic TRM-222

With the TRM-222, Omnitronic presents an analogue rotary mixer that has been developed with direct feedback from the community.

Proven features have remained

Like its predecessors, the TRM-222 is equipped with a 3-band master frequency isolator, which uses classic ALPS rotary potentiometers (Blue Velvet RK27) for precise sound control. The kill characteristic allows bass, midrange and treble to be completely cancelled out, giving DJs creative freedom in shaping their sound.

The switchable filter section with HPF, BPF, LPF, resonance and sweep controls allows creative processing of the frequency bands. Two stereo input channels with gain control, clip LED, 3-band EQ and phono/line switching as well as a microphone input channel with gain control, 2-band EQ and on-air switch extend the mixer's range of applications. The LED level display for the master signal (L+R) and cue signal provide a good overview.

New functions at the request of users

During the further development of the mixer, great importance was attached to feedback from the community. New functions such as the VU meter display per channel, dipswitches for individual adjustment of the EQ curve and a booth output (XLR or RCA) with 2-band EQ and volume control testify to the sophisticated functionality of the TRM-222. At the request of the fans, the mixer now has a crossfader in VCA technology with adjustable crossfade characteristics, an adjustable send-return effect path and an adjustable record-out.

In addition, the TRM-222 offers two direct outputs for timecode applications and a variety of outputs: Master and Booth (XLR/ RCA L/R), Record (RCA L/R), Master Insert Send/Return (RCA L/R) and FX In/Out (stereo jack).

Technical specifications

Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 15 W
Protection class: Protection class I
Power connection: Mains input via IEC connector (M) mounting version power supply cord with safety plug (provided)
Cable length: 1,5 m detachable
Frequency range: 20 - 20000 Hz
S/N ratio: >100 dB
THD: <0,05 % at 1 kHz
Gain: Line -12 dB to +12 dB
Phono -40 dB to +5 dB
FX 20 dB
Microphone: 55 dB
DJ filter: Routable: LPF, HPF,
Isolators: Master Gain:- 8 bis +9
Low/mid 300 Hz, 18db/oct , Butterworth
Mid/high 4000 Hz, 18db/oct , Butterworth
Housing colour: Black; silver
Control elements: Power switch, source selector, Crossfader, Crossfader selector switch, Crossfade curve switch; Cue mix split function, tone control
Status LED: Power, master level meter, clip, CUE

Connections:

Input: line via 2 x stereo RCA
Input: line/phono via 2 x stereo RCA
Input: Microphone via 1 x 3-pin XLR/6.35mm jack (F) combination socket (mounting version)
Input: AUX returns via 2 x 6.3-mm-jack (bal.)
Output: Timecode via 2 x stereo RCA
Output: headphones via 2 x 6.3 mm jack socket (stereo) mounting version
Output: headphones via 1 x 3.5 mm jack (stereo) mounting version
Output: rec. via 1 x stereo RCA
Output: booth via 2 x 3-pin XLR
Output: booth via 1 x stereo RCA
Output: master via 2 x 3-pin XLR
Output: master via 1 x stereo RCA
Output: AUX sends via 2 x 6.3-mm-jack (bal.)

Channels:

Input channel: 2 x stereo with Line-Line/Phono switch via RCA, channel control via Rotary, 3-band tone control EQ, source selector, gain control, CUE switch, FX routing switch
Microphone channel: 1 x mono via Combination socket (XLR/jack), channel control via Rotary, 2-band tone control EQ, ON AIR switch
Master output: 1 x stereo via XLR or RCA, channel control via Rotary
Booth output: 1 x stereo via XLR or RCA, channel control via Rotary, 2-band tone control EQ
Rec. output: 1 x stereo via RCA, channel control via Rotary

Headphones output: stereo via Jack, channel control via Rotary
Max. level: Output: +21 dBu
Material: Metal; aluminium
Housing design: Desktop console housing

Dimensions:

Width: 45 cm
Depth: 26 cm
Height: 16 cm

Weight: 5,80 kg

Notes: Limited edition Stellar version of the excellent MiniFreak, Arturia's hybrid digital/analogue six-voice polysynth. Versatile and distinctive thanks to a wide range of digital oscillator engines.

Supplier's Notes:
Dark sky synthesis

MiniFreak Stellar is a special edition of the mighty polyphonic hybrid keyboard. The same dual digital sound engines, gnarly analogue filters, advanced modulation, sequencing and stereo effects, but with a dark intergalactic edge that will take your sound into deep space and beyond.

T Minus

2 Engines, 6 voices

The same powerful hybrid instrument loved the world over, redesigned to take your studio beyond convention and your sound, beyond the stratosphere.

Space age look

Discover a synth with a striking all-black exterior, decorated with stylish and characterful graphics that reflect the controls.

Hybrid polysynth power

With 2 engines, 6 voices and 23 oscillator modes, MiniFreak stellar is a compact synth powerhouse that just keeps getting better with ongoing free firmware updates.

Mirrored in software

Enjoy the same wild hybrid sound in your DAW of choice, complete with modelled analogue filters, with MiniFreak V, a like-for-like VST. Use the same presets physically or virtually, and tweak the VST with MiniFreak Stellar's controls for a seamless creative flow.

Outer space free bank

MiniFreak Stellar comes with a free sound bank designed for outer space sonic exploration.

Featuring a range of synths, leads, sequences and SFX - travel beyond the event horizon and discover an otherworldly realm of ambient and atmospheric sounds.

Dark Sky style

From the resonance UFO to the ADSR rocket launch - take command of your sound with an out-of-this-world attitude.

It's not just the sleek all-black keys that stand out. MiniFreak Stellar is adorned with playful graphics that bring the signal chain to life and symbolize the unique effect of each control.

Extraterrestrial Sound

MiniFreak Stellar comprises a vast constellation of sounds that unite, merge and mutate for totally playful and daring results.

From ethereal wavetable sweeps to gritty noise-driven textures, 8-bit superwave basslines to crisp Karplus-Strong plucked strings, combine MiniFreak Stellar's arsenal of 23 distinct engines in any way you see fit, for an impressive array of synthesis.


Between the proprietary algorithms and exclusive oscillator modes crafted by module-masters Noise Engineering and Mutable Instruments, a plethora of impactful and inspiring sounds await your discovery.

More than meets the eye

MiniFreak Stellar packs a punch with a range of scintillating digital and wavetable oscillators, cutting-edge FX and a simple-yet-powerful modulation matrix. But that's not all.

Inject movement and momentum into your sound design with advanced sequencing and arpeggiation, and seamlessly integrate with any DAW using MiniFreak's VST-twin.

Melodic propulsion

Effortlessly take your sound in a new direction.

MiniFreak Stellar's sequencer and arpeggiator allows you to lock variety into your patterns, introduce dramatic octave jumps, and drop-in repeats and mutations on the fly.

A sequence that never fully repeats, thanks to MiniFreak's Spice & Dice randomization and one-touch mutations.

Virtual Doppelganger

Explore the power of MiniFreak Stellar in your favorite DAW with mirrored sound and architecture.

MiniFreak V is a comprehensive standalone instrument, perfect for taking your Freak-infused production on-the-go, as well as offering seamless integration between hardware and software for a workflow that can suit your every need. Simply click Link to MiniFreak, and you're all set!

Platform Specifications

Windows
Win 10+ (64bit)
2.5 GHz CPU
4 GB RAM
2GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments

Required configuration
VST, AAX, Audio Unit

What's in the box

Box content
MiniFreak Unit
Universal PSU - 12V 1A
USB A to USB 2.0
Registration card

Instrument dimensions

Size: 22.75 x 9.09 x 1.57 inches (578 x 231 x 55mm)
Weight: 6.48 lbs. (2.94 Kg)

Notes: The legendary Buchla 259 complex oscillator gets the officially licensed Eurorack treatment from TipTop Audio. One of the most versatile and characterful VCOs ever made, with endless cross-modulation options and wave shaping features. Iconic.

Supplier's Notes:
The 259t is the largest and most complex analogue oscillator from Don Buchla's legendary 200 modular synthesiser. The 259 originated the concept of the "Complex Oscillator" in the 1970s and has been reissued by Buchla and Tiptop Audio in Eurorack format. The module consists of two oscillators, called the Modulator and Principal, with a middle section that provides voltage control over the internal modulation paths between the two oscillators, resulting in highly complex timbres. Additionally, the principal oscillator passes through multiple unique voltage-controlled waveshapers and crossfaders for further signal processing. The module's pitch can be controlled with 1V/OCT or via its internal auto-tuner and ART control to create precisely pitched notes.

Notes: Updated version of Akai's excellent MPC One features increased storage, WiFi, Bluetooth and a striking new colour scheme. Full standalone beat creation masterpiece.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.

Supplier's Notes:
MPC One +

Standalone MPC with 7" touchscreen / WiFi & Bluetooth

Supercharge your beats

Standalone supercharged

The new MPC One+ brings a jolt of energy to the standalone workflow to enhance creative speed and efficiency. With MPC One+, beatmakers producers to live performers can enjoy the creative journey like never before.

Pure standalone power in your hands

At the heart of MPC One+ is the powerful multi-core processor, the same featured in the flagship MPC X. This isn't a scaled down little brother, but a production unit built with the same DNA for high-level music creation. Instruments, audio, MIDI, and effects processing to bring the music to life. With an upgraded 16GB of internal storage, create and store more of your inspired moments right in MPC One+ for immediate access and recall.

Wireless for the future

New Wi-Fi and Bluetooth connectivity opens a new world of possibilities for your creative workflow. With Wi-Fi, you now have access to Ableton Link 3 to wirelessly connect and sync all your capable devices. Lock patterns and grooves for a mega creation without any cables or connections. Grab your Bluetooth enabled MIDI controller to lay down synths and melodies while your infectious rhythms have you vibing to the beat. Pair with a wireless QWERTY keyboard to search through folders and libraries accurately. With Wi-Fi and Bluetooth, your MPC One+ may be untethered but you are locked right into the music.

The centre of your creativity

MPC One+ is meant to be the focal point of your creative workspace. Whether you need compact, efficient beat-making or expanded interconnected production and composition, MPC One+ is versatile enough to accommodate any need. Connect your studio speakers to Stereo Outputs for accurate monitoring. A pair of Line Level Inputs are ready for keyboards, synths, instruments, hardware processors, and more. Expand your I/O with support for ClassCompliant Devices via a USB A host port. Connect your favorite plug-and-play USB MIDI Controllers, Audio Interface Devices, or removable storage drives, and take your production up another level with ease.

The workflow that sparks inspiration

MPC is the premier platform for all pattern-based music from EDM to Electro, Hip-Hop to House, and beyond. With 128 MIDI and 8 Audio Tracks per project, MPC One can capture any idea just as fast as you can think it. Browse thousands of MPC Plugin Instrument Presets to find that perfect sound to build melodies or shape harmonic phrases with massive sonics. Lay down serious drums and percussion with the signature MPC groove and precision. 16 Levels, Note Repeat, and Time Correct have defined the rhythmic feel for generations and continue to be the foundation for hit song after hit song. Use the pads in combination with Notes and Chords modes to unlock a completely new world of pad performance using the 16 velocity-sensitive RGB backlit pads.

One place for your sounds, samples, and songs

MPC One+ grows with you as you evolve on your music production journey. Update features, sounds, and samples wirelessly thanks to built-in Wi-Fi. When new MPC plugin instruments are available, you'll enjoy instant notifications as well as downloads and software authorizations right from your MPC One+. Browse and sync your curated Splice loops and samples and give your productions a breath of fresh inspiration whenever you need it. Keep all your sounds and instruments right within reach to instantly capture the most inspired moments anytime.

The next step of your MPC journey

MPC One+ is here for the producers and beatmakers ready to take the next step in the journey. Upgrade to MPC One+ from MPC Beats and load your old projects seamlessly on MPC One+. Your MPK mini or other class-compliant controller connects for powerful keyboard control of popular MPC plugin instruments like Hype, Mellotron, or Odyssey. For a limited time, receive a voucher for a free MPC Plugin instrument download from the MPC Store with the purchase and registration of a new MPC One+. MPC One+ has arrived and the musical possibilities ahead of you are endless with the power of its supercharged standalone workflow.

Technical Specifications

Pads
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via 4 Pad Bank buttons

Knobs
(4) 360- touch-sensitive Q-Link knobs for parameter adjustment
(1) data encoder for value adjustment and selection via push

Buttons
(31) dedicated-function buttons

Display
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-colour LED-backlit display with touch interface

Memory
Processor: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB (over 7.8 GB available for user storage)

Power via power adapter (12 V, 3.0 A, center-positive, included)

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI output
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Dimensions (width x depth x height)
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight
4.7 lbs / 2.1 kg

Notes: Based on technology from the award-winning LVX and MercuryX pedals, the Enzo X is a superbly powerful six-voice modular synth, with polyphonic pitch detection and no special pickup needed on your guitar.

Supplier's Notes:
Combining 5 synth modes, Enzo X incorporates each of these into a modular system UI/architecture from both the award-winning LVX and MercuryX pedals.

In addition to being a 6-voice poly synth, Enzo X includes 3 reverbs which are adapted from Mercury X (Prism algorithm), 5 Drives (including Bitcrush), a full stereo 2.5 second Delay and 5 modulation types.

To make this complex system immediately intuitive to navigate, Meris again leveraged the simple and easy to use UI first developed for LVX.

Notes: Exceptionally versatile four-channel rotary mixer at a very reasonable price. Twelve inputs, three-band EQ, assignable multi-mode filter, isolator and assignable crossfader. Ultra flexible.

Supplier's Notes:
Omnitronic TRM-422: the rotary mixer on a new level

The desired child- Omnitronic's popular TRM series has been expanded: the TRM-422 combines all the proven features of the previous models, but additionally offers functions that numerous fans had wished for. During the development of the mixer, the focus was on the demands and suggestions of the community.

Full control- Each of the 4 input channels has 2 line inputs, one of which can become a phono input at the touch of a button. The channels are each equipped with a volume as well as a gain control. In addition to the master isolator (bass, mid & high), the DJ has the option to activate a filter with HPF, BPF, LPF, resonance and sweep controls in each of the 4 input channels.

The master output is available to the DJ in both XLR and RCA versions.

Effect ways- The use of external effect devices is possible through an FX-In and FX-Out via 6.3 mm jack. The mixer's master insert is also equipped with a send & return (unbalanced) path. This allows additional external effects to be looped into the mixer.

DVS integration- The mixer's timecode outputs allow easy integration of a DVS system (Digital Vinyl System) such as Traktor or Serato.

Monitor section- The booth output of the TRM-422 is provided with one XLR and one RCA connector. The signal of the booth output can be easily adjusted to the conditions in the DJ booth with the help of an EQ (High & Low).

Microphone inputs- The TRM-422 offers 2 microphone inputs. The first mic input gives the DJ the ability to modify the mic signal with EQ (high & low).

Backup source- With the help of the AUX input on the front panel, players such as smartphones, tablets or MP3 players can easily be connected via mini-jack (3.5 mm) and thus serve as a backup solution.

Activatable crossfader- If you don't want to do without a crossfader during your DJ set, you have the option to assign each of the 4 channels to the integrated crossfader. If the crossfader is not used, it can easily be switched off.

Set recording- The RCA record-out makes it easy to record your own DJ set.

Technical specifications

Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 24 W
Protection class: Class I
Power connection: Mains input IEC connector (M) mounting version Power supply cord with safety plug (provided)
Frequency range: Microphone 20 - 20000 Hz, Line 20 - 20000 Hz, Phono 40 - 18000 Hz
S/N ratio: >97,2 dB line, >91,7 dB Microphone
THD: Line <0,04 % at 1 kHz, Phono <0,13 % at 1 kHz, Microphone <0,008 % at 1 kHz
Gain: Microphone 44 dB, Line -16,5 dB to +8,5 dB Phono -48,5 dB to +23,5 dB
Isolators: Master Gain:- ? bis +9, Low/mid 300 Hz, 18db/oct , Butterworth, Mid/high 4000 Hz, 18db/oct , Butterworth
Crosstalk: >-68 dB
Control elements: Power switch, source selector, Crossfader, Crossfader selector switch, Crossfade curve switch; Cue mix split function, EQ controls

Connections
Input: 4 x line via stereo RCA
Input: 4 x line/phono via stereo RCA
Input: 2 x Microphone via 3-pin XLR
Output: 1 x headphones via 6.3 mm jack socket (stereo) mounting version
Output: 1 x headphones via 3.5 mm jack (stereo) mounting version
Output: 1 x rec. via stereo RCA
Output: 2 x booth via 3-pin XLR
Output: 1 x booth via stereo RCA
Output: 2 x master via 3-pin XLR
Output: 1 x master via stereo RCA
Output: 1 x AUX sends via 6.3 mm jack socket (stereo) mounting version
Output: 1 x AUX returns via 6.3 mm jack socket (stereo) mounting version

Channels:
Input chanel: 4 x stereo with Line-Line/Phono switch via RCA, channel control via Rotary, 3-band tone control EQ, source selector, gain control, CUE switch, FX routing switch, Crossfader selector switch,
Microphon chanal: 2 x mono via XLR, channel control via Rotary dial, ON AIR switch

Master output: 2 x stereo via XLR, channel control via Rotary
Booth output: 2 x stereo via XLR, channel control via Rotary
Rec. output: 1 x stereo via RCA
Headphones output: 1 x stereo via Plug 6,3mm/3,5mm (Jack), channel control via Rotary dial, Cue mix split function,
Max. level: Output: +18 dBu
Material: Metal
Housing design: Desktop console housing
Dimensions: Width: 41 cm, Depth: 28,5 cm, Height: 10,5 cm
Weight: 5,74 kg

Notes: The Minitaur is an inconspicuously compact, subharmonic bass machine designed to effortlessly integrate into any performance and computer-based music solution. Just as its progenitors, the Minitaur effortlessly does one thing above all others... wall splitting analogue BASS.

For over 40 years, the Moog Taurus has been the secret weapon of artists and producers around the globe for generating earth-shaking bass.

The Minitaur is the newest addition to the Taurus family of Analogue Bass Synthesisers. It is an inconspicuously compact, subharmonic bass machine designed to integrate seamlessly into any performance or computer-based music workflow . Just as its progenitors, the Minitaur effortlessly does one thing above all others... wall splitting analogue BASS.

The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. This makes Minitaur extremely fast and easy to use--but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller.

The free Minitaur Editor software truly unlocks Minitaur's power and flexibility by making DAW integration and control completely seamless on both Mac and Windows machines. Load and save up to 128 presets onto your Minitaur, select from 6 different modulation waveshapes , engage Hard Sync, access full ADSR envelopes, MIDI sync the LFO, reset oscillator waveform cycles, polychain with other Moog synthesizers and more. Every feature can be manipulated, automated and recalled instantly.

Minitaur v2.2

The new Minitaur v2.2 update expands this powerful analogue bass synthesiser with a host of new performance elements and user requested features, including front-panel access to new LFO wave-shapes, oscillator hard-sync and much more--and Minitaur's new Librarian/Editor Software makes DAW integration seamless between your synthesizer and Mac or Windows machine.

Specs

Sound engine: Analogue
Presets: 128 Presets
Polyphony: Monophonic (Can be poly-chained)
External controller response: Keyboard, Pitch Bend, Mod Wheel, After Pressure and Velocity
Sound sources: 2 Waveshape Oscillators with Square and Saw waveshapes

Notes: Silver version of the rebooted SL-1200, updated and refreshed in MK7 form. Still sounds great, still built like a tank and still the industry standard DJ deck.

Supplier's Notes:
Coreless Direct Drive Motor Achieving Stable Rotation

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1200MK7, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1200MK5. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

Diverse New Functions Adapt to Various Playing Styles

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The pitch control function allows fine adjustment of the rotation speed within i8 % / i16 %. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

Reverse Play Function

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1200 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.
*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1200MK6. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high-brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Power / Phono Cable Terminals

The power and phono cable terminals allow detachment of the cables. The phono terminals are gold-plated to minimise sound quality degradation. Since the terminals allow disconnection of the cables, maintenance of the cables is easier.

High-rigidity Cabinet and High-damping Insulator

The chassis, an essential part for reducing external vibrations, inherits the audio quality enhancement technology fostered through the development of high-end turntables. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The combination of this special high-rigidity material and a metal chassis raised the rigidity and vibration-damping performance to higher levels, realising a robust cabinet for beautiful sound reproduction. The insulator is comprised of a spring and rubber to provide optimal frequency characteristics. This not only assures high sound quality and superb howling resistance, but also effectively shuts out external vibrations under high sound level conditions.

Specs:

Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N .m / 1.8 kg . cm
Build-up Characteristics : 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025 % W.R.M.S.
Turntable Platter: Aluminium diecast
Diameter: 332 mm (13-5/64 inch)
Weight: Approx. 1.8 kg (4.0 lbs) (including slipmat and slipsheet)

Tonearm
Type: Universal Static Balance
Effective Length: 230 mm (9-1/16")
Overhang: 15 mm (19/32")
Tracking Error Angle: Within 2- 32' (at the outer groove of 30 cm (12") record) - Within 0- 32' (at the inner groove of 30 cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range: (without auxiliary weight) 5.6 - 12.0 g, 14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug: 1.2 mmf 4-pin terminal lug

Notes: Supercar styling arrives on the iconic SL-1200. The classic Automobili Lamborghini Y-shape pattern is applied to a black deck for this high-end version of the industry standard turntable.

Supplier's Notes:
Design Inspired by Lamborghini DNA

The functions of the SL-1200M7B are based on the SL-1200MK7/SL-1210MK7 models, while the design is inspired by Automobili Lamborghini's iconic Y-shape pattern. Orange, Green and Yellow are the colours of the SL-1200M7B, based on the most iconic liveries of the Italian automotive super sports cars brand. Automobili Lamborghini and Technics operate in completely different markets but share the same values with cutting-edge ideas and approaches: disruptive technological development, a corporate culture rooted in a spirit of uncompromising craftsmanship, and the pursuit of emotional sounds inspiring customers-with Automobili Lamborghini, the sound of its engines, and with Technics, the sound of its audio. The SL-1200M7B is the powerful result of the collaboration and innovative ideas of the two brands.

*Consumption and emission values of Revuelto: Fuel consumption combined: 11,86 l/100km; Power consumption combined: 10,1 kWh/100 Km; CO2-emissions combined: 276 g/km; Efficiency class combined: G; Fuel consumption with discharged battery combined: 17,8 l/100km; CO2 efficiency class with discharged battery: G; WLTP values

Exclusive Gifts

The SL-1200M7B comes with an original vinyl record containing the powerful V12-engine and driving sounds of six different Lamborghini super sports cars, a slipmat and two stickers with Automobili Lamborghini and Technics logos. The picture disc features a design inspired by the tires of one of the Lamborghini's latest models, the Revuelto. As you listen to the sounds of Lamborghini V12-engines, you can also enjoy the visual effect of the tire spinning on your turntable.

Coreless Direct Drive Motor Achieving Stable Rotation

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1210MK7, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1210MK5. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

Diverse New Functions Adapt to Various Playing Styles

Torque / Brake Speed Adjustment

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The Pitch Control Function

The pitch control function allows fine adjustment of the rotation speed within i8% / i16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

Reverse Play Function

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.

*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

High Sensitive Tonearm

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1210MK6. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

Stylus Illuminator Featuring a High-brightness and Long-life White LED

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high-brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Specifications

Technics for Automobili Lamborghini collaboration model

Coreless Direct-Drive Motor Achieving Stable Rotation

Diverse New Functions Adapt to Various Playing Styles

High Sensitive Tonearm

Stylus Illuminator Featuring a High-brightness and Long-life White LED

High-rigidity Cabinet and High-damping Insulator

Tech Specs

General

Power Supply: AC 120 V, 60 Hz
Power Consumption: 8 W Approx. 0.2 W (Standby)
Dimensions (W x H x D): 453 x 169 x 353 mm
Weight: Approx. 9.6 kg
Accessories: Turntable, Slipmat, Slipsheet, Dust cover, Technics sticker for limited edition, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Control vinyl stickers, Owner's Manual

Terminals

Audio Output: PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

Tonearm Section

Type: Universal Static Balance
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Within 2 degrees 32'?(at the outer groove of 30cm (12") record), Within 0 degrees 32'?(at the inner groove of 30cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range: 5.6 - 12.0 g (without auxiliary weight), 14.3 - 20.7 g (including head shell)

Turntable Section

Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N*m / 1.8 kg*cm
Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025% W.R.M.S.
Turntable Platter: Aluminum diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Notes: Limited-edition orange version of the superb Hydrasynth Explorer. A smaller, more affordable version of the Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

Supplier's Notes:
The HYDRASYNTH EXPLORER is the ultimate in power and portability, combining the powerful Hydrasynth sound engine with battery-powered operation and the new, mid-sized Polytouch polyphonic aftertouch keybed. The user interface is designed with the utmost attention to detail, making sound creation a breeze. This is the ultimate, portable companion for any setup, and anywhere else a smaller footprint is needed.

With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, the Hydrasynth Explorer has the proprietary 37-note mid-sized Polytouch keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.

Polytouch Keybed

The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; ASM had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!

Enter ASM, with patented Polytouch technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouch keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouch keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.

Battery-powered operation

The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.

Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have an easy-to-use WAVELIST mode. This mode lets you select any 8 waves from the diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.

Mutants
Oscillators 1 & 2 are routed into ASM's MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.

The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.

Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful?

Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.

LFO's
5 Low-Frequency Oscillators
Much like ASM's sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? Glad you asked...

Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. The 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!

Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. There are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.

Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.

Notes: Developed in conjunction with Dutch software dons 112dB, the Echolocator brings precise, ultra-controllable delay to the hardware realm. Full stereo design with filter and shimmer modes, freeze function and foot switch input.

Supplier's Notes:
The Echolocator is a hands-on precision tool that lets you take manual and very musical control over small nuances. Like a bat navigating its environment in the dark, you can feel your way through your live performances and shape the delay response and character on the fly. Featuring 12 parameters for detailed sound design, save/recall functions for all parameters, MIDI control over all parameters and a sleek aluminium case to match our lineup of compact desktop units, the Echolocator will let your setup take flight in any live show, studio or sonic experiment.

Notes: A visit to the Hainbach Studio Complex two years ago, led to a collaboration that would result in what is perhaps Joranalogue's finest design yet. United by a common passion for vintage test gear, the Joranalogue team joined forces with artist and YouTube sensation Hainbach.

Collide 4 builds upon on the lock-in amplifier concept, and brings it into the Eurorack world. These atomic age physics research instruments are known for their raw power when used in musical applications. Soon, any synthesist can experience this for themselves, at a fraction of the size and weight of a vintage unit, and with full voltage control.

The result is a wholly new kind of synth voice and audio processor, unlike any other. It's a perfect union of Hainbach's extensive experience in exploring the deepest musical realms contained within vintage test equipment, and profound knowledge of audio design and production.

'Quadrature spectral computer' is how you could describe this new kind of musical generator and processor. The sound? Quite simply: it's smashing!

Specs

Modern, fully analogue re-imagining of the lock-in amplifier concept, expanded to new heights.
Pingable variable bandwidth filter with self-oscillation capability.
Pre- and post-filter gain stages, for a total of up to 130 dB of amplification!
Through-zero sine/cosine quadrature oscillator.
Hilbert transform network for use as a frequency shifter.
Dual ring modulators with output lowpass filters.
Extensive output section, including magnitude and phase analogue computing outputs.
Unique X/Y quadrature topology, ideal for stereo use.
Handsome (and useful) signal level/overload LED indicator.
CV control over everything, with temperature compensation and excellent volt/octave pitch tracking.
20 HP, 30 mm deep. Over 600 components, yet a fraction of the weight and size of a vintage Model 124A lock-in amplifier unit.

Notes: All black version of Sonicware's excellent digital synth. The ELZ_1 Play features an impressive 17 different digital synth engines, including low-bit retro sounds and the unique DNA Explorer.

*** As of November 2024, Firmware 1.1 has been installed, including effects such as 4-Pole Filter, Trim Filter, Ambient Hall, Ambient Infinity and Ambient Room ***

Supplier's Notes:
17 Distinctive Synth Engines-Unlike Anything You've Ever Heard
The ELZ_1 play's synth engines are built from scratch using 32-bit floating point math. From hard low-bit textures to organic FM tones to granular synthesis, the ELZ_1 play offers unique synth engines unlike any other synthesizer.

LOW-BIT OSC: 2 ~ 8 bit variable low-bit oscillator. Sine, square, triangle and sawtooth waves.
STANDARD OSC: 32-bit floating-point processing high resolution oscillator. Sine, square, triangle and sawtooth waves.
CUSTOM OSC: Choose 2 waveforms / period of cycles.
DNA EXPLORER: Extract and generate waveform DNA from audio.
SiGRINDER: Granular synthesizer engine.
MASKED NOISE: Noise oscillator.
SAND FLUTE: Extract and generate tone from noise.
8BIT WAVE MEMORY: Editing your own waveform.
8BIT WAV MEM (MORPH): Morphing 3 waveforms.
8BIT WAV MEM (FM MODE): 2 operators, 8bit FM mode.
8BIT WAV MEM (WARP): Generates an intermediate waveform by crossfading two waveforms.
8BIT WAV MEM (ADSAR): Waveforms change according to envelope.
8BIT WAV MEM (TIME): 3 waveforms change in the orders.
FM SYNTH: 4 operators with 31 algorithms, 32-bit floating point processing.
ZTRINGS: Physical Modelling Strings engine.
SUPER OSC: Super synth engine with 5 detunable sub-oscillators.
STK DRUMMER: Drum machine engine equipped with 5 types of drum kits. (SmplTrek .stk file compatible)

28 Effects to Elevate Your Sound-From Soothing to Striking
Unlock a world of sound by combining 3 insert effects from 18 types and 1 master effect from 10 types, including Shimmer Reverb.
Insert effects: overdrive, distortion, fuzz, crusher, chorus, stereo chorus, flanger, phaser, tremolo, vibrato, ring modulator, auto wah, delay, reverse delay, ping pong delay, auto pan, tape echo & reverb, 4 pole filter, trim filter.

Master effects: hall, room, plate, arena, tunnel, infinity, custom reverb, crusher, ambient room, ambient hall, ambient inf, vinyl simulator & cassette tape simulator.

Flexible 4-Track Looper-Layer, Loop, and Remix with Ease
The newly developed 4-track looper allows easy recording, playback, and overdubbing by simply pressing the track buttons. You can record not only ELZ_1 play performances, but also LINE input and USB audio input.

Instrument Redefined - Velocity-enabled keyboard, Built-in Stereo Speakers and More:
To make it a musical instrument that is pleasant and expressive to play, the keyboard has been improved to support velocity on all keys, and high-quality loud stereo speakers are built into the side panels. It is also equipped with an SD card slot, USB-C, and DIN-MIDI jacks for flexible handling of audio and MIDI.

Notes: Based on the ADDAC501 Complex Random module, the 511 expands the concept to become an even more powerful random/stochastic voltage generator. Four channels, all capable of being used for envelopes, modulation sources, sequencers and much more.

Supplier's Notes:
This module greatly expands on the principles of the ADDAC501 Complex Random from 2013.

This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.

The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.

Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.

The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.

Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V

Notes: Successor to the excellent Metropolis, the Metropolix is a performance-focussed step sequencer with some really neat features, including modulation and sub-sequences in Loopy mode.

Supplier's Notes:
The Intellijel Metropolix is a unique and powerful Eurorack format musical sequencer. With an abundance of hands-on, tactile controls and a wealth of modulation possibilities (both internal and external) you can quickly and easily create infectiously musical sequences that are never boring. Even the simplest riff can be brought to life with seemingly endless options to create variations or real-time manipulations. Equally at home in the studio or a live improvised performance, the Metropolix is sure to become a staple source of fresh ideas and killer riffs in your creative process.

Width: 34HP
Depth: 25mm
Power: 95mA @ +12V 10mA @ -12V

On first blush, it appears to be a simple 8-stage sequencer - but there is far more functionality than first meets the eye:

There are two tracks (TRK 1 and TRK 2) that are variants of the single master pitch/gate sequencer, which is programmed via the PITCH sliders, PULSE COUNT and GATE TYPE switches. Each track interprets the master sequence in a variety of ways - creating complementary sequence variations that enable you to generate counterpoint, polyrhythms, and all manner of sonic movement (both subtle and extreme). Each of these tracks has its own playback ORDER, sequence LENgth, clock DIVision, SWING amount, SLIDE time, and track GATE lengths. Other track-based sequence variables are accessible from the TRACK MENU, and include Pitch Slider inversion; sequence note range; track transposition; and more. In addition, Tracks 1 & 2 both have multiple lanes of per-stage playback parameters, including: GATE override; PITCH override; RATCHet count; PROBability of playback; ACCUMulating transposition, and a dedicated CV lane. Each stage also has a SKIP feature, and a pitch SLIDE option.

8 separate and individual MODulation lanes are accessed via the MOD button. Each MOD lane has 8-stages of modulation values and its own playback ORDER, LENgth, and clock DIVision; and each lane is routable to one of Metropolix' two assignable outputs or to dozens of internal destinations, allowing for some sophisticated and powerful self-modulation.

A trio of AUX inputs allows for external modulation of user-assignable sequencer parameters for even greater variation, while two assignable CTRL knobs give you direct access to the parameters you want to adjust most frequently during a performance. With dedicated Pitch/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.

Metropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even "play" the stage buttons directly (like a 'keyboard').

Metropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored in EPROM, ensuring that your Metropolix will always power up exactly as you left it - even if you haven't saved them to a preset. By default presets can change all the structural (menu-based) elements of your sequencer without overwriting the front panel controls, but full recall is also available.

The operation of the Metropolix is optimized for live performance and jamming, with quick access to all the most important performance parameters, and the ability to greatly affect your sequences with a single slider or switch.

Notes: Latest version of an interface that's become a modern classic. Up to 18 audio inputs and 22 outputs in total, spread over a mixture of analogue and digital connections. A true all-rounder that's hard to beat.

Supplier's Notes:
The MOTU UltraLite-mk5 is the latest incarnation of the best-selling UltraLite series (replacing the UltraLite-mk4). It takes the winning formula of the half-rack form factor with 18 in x 22 out analog and digital I/O and adds state-of-the-art enhancements at the same great price :

Best-in-class Audio Quality - the UltraLite-mk5 includes renowned ESS Sabre32 DAC technology, featuring the ES9026PRO DAC, to deliver 125dB dynamic range and -114 dB THD+N.

Ultra-low Latency - optimised Drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW the UltraLite-mk5 delivers an astonishing round-trip latency of 2.4ms (at 96kHz with a 32-sample host buffer

New Design - while retaining the same front and back panel layout as its predecessors the UltraLite-mk5 has a sleek new look, incorporating a high-resolution, high-contrast white OLED display providing precision metering for all analog inputs and outputs, along with digital I/O activity indicators and status info

Connectivity and Compatibility- the UltraLite-mk5 has a USB-C connector and is also class-compliant for operation with iOS devices. It is also compatible with MacOS 11 Big Sur and M1 Macs

New Software and Simplified Monitoring - live monitoring of inputs is controlled via the new CueMix 5 software

Rack-mount options - a half-rack mounting kit (sold separately) allows the steel-encased UltraLite-mk5 to be rack-mounted with thick steel brackets to withstand the punishment of touring. Alternatively, two UltraLite-mk5 units can be joined together with a Half-rack Coupler Kit (sold separately)

Technical Specifications:

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar inputs: 2 x XLR/TRS "combo" jacks, 1 MO impedance on the line/instr inputs
Analog inputs: 6 x 1/4" TRS line in (balanced)
Analog outputs: 10 x 1/4" TRS line out (balanced, DC coupled)

Digital I/O:
1 bank (8 ch) of ADAT optical at 1x sample rates
1 bank (4 ch) of SMUX optical at 2x sample rates
Switchable to stereo TOSLink (optical S/PDIF)
1 x stereo S/PDIF on RCA (up to 96 kHz)

Computer I/O:
1 x USB-C 2.0 audio class compliant
Compatible with USB Type A (with adapter or C-to-A cable)

Total audio I/O:
18 in / 22 out (40 total) at 1x sample rates
14 in / 18 out (32 total) at 2x sample rates
8 in / 12 out (20 total) at 4x sample rates

MIDI I/O:
1 x MIDI IN
1 x MIDI OUT
16 MIDI channels to/from computer host

Headphone: 1 x 1/4" TRS stereo phone
Phantom power: 2 x individual +48V

Front panel:
2 x XLR/TRS combo inputs
1 x 1/4" TRS headphone output
1 x potentiometer - phone/monitor vol
2 x potentiometer - mic/instr input gain
4 x switches - (2) 48V and (2) pad
1x high-resolution white OLED display for metering/status
Power: External 12-18V DC power supply - 1.0A max - tip pos or neg

Dimensions and weight: (width x depth x height, enclosure only)
8.6 x 6.9 x 1.75 inches
22 x 17.5 x 4.5 cm
2.875 lbs / 1.31 kg

Notes: A digital mixer at heart but so much more. 1010's unique take on mixing and recording includes built-in effects and EQ, compression, headphone/monitor mixes and output routing. Clever stuff.

Supplier's Notes:
Bluebox is the portable digital audio mixer that lets you get the most out of your electronic music gear. Connect your eurorack, sampler, drum machine and synthesizer outputs to 6 stereo, 3.5 mm TRS inputs and map them to 12 mono tracks or 6 stereo tracks, all with independent control for recording and playback. It's that keyboard mixer with live performance features that you always hoped someone would make.

Connect the output of your electronic music gear to Bluebox, and then route each track independently to the three outputs and effects sends. Each track offers control of volume, gain, 4 band parametric EQ, pan, mute and solo functions. Apply high-quality global reverb and delay effects along with 4 band EQ per track to add new depth to your sound with total control to quickly tweak incoming audio or track playback as needed.

With Bluebox you can record independent tracks or the Main mix using a standard microSD card. Capture your jam session for later review, or record the ultimate mix of the tracks for your song.

Bluebox's compact 5.5h x 5h x 2h case lets you tuck it into a crowded tabletop studio or throw it in your pack for the next gig.

Interact with the dynamic visual interface on the 3.5h touchscreen along with physical knobs, navigation buttons and transport buttons to quickly access the most important functions. MIDI input and output allow you to sync the clock with external gear for synchronized effects and metronome.

Add Some Colour to Your Mix:
Mix 12 mono/6 stereo tracks of live or prerecorded sound.
Independently route each track to any combination of three stereo TRS outputs:

Stereo Output 1 - Main mix
Stereo Output 2 - Assignable, with dedicated sub-mixer (pre or post fader)
Stereo Output 3 - Headphone output, with dedicated sub-mixer (pre or post fader)
Control one parameter for multiple tracks at once in Mixer mode.
Focus on one track at a time in Track mode.
Adjust the level or mute state of each output independently.
Use touch gestures or knobs to tweak your sound with four band EQ per track with support for Low Cut/Low Shelf, Parametric, and High Shelf/High Cut settings for each band.
Apply high-quality Reverb and Delay effects with independent effects sends for each track.
Override the headphone output with the Main mix on demand.
Maximize the loudness and unify your mix with the built-in global compressor
Sync to external clocks through the MIDI Input and Output.
Record hours of music as 48k, 24 bit WAVs directly to the microSD card as multi-track or as the main stereo mix.
Playback a previously recorded track while recording new ones.
Load firmware updates through the microSD card.
Mix electronic music gear such as the 1010music blackbox, eurorack modules, drum machines, samplers and synthesizers.
Save and recall Project settings including all parameters for tracks, outputs, EQ and effects.
Copyright 1010music LLC 2020 --- CONFIDENTIAL ---
Copyright 1010music LLC 2020 --- CONFIDENTIAL UNTIL 10/10/2020 ---
Fit it into a small spot on your desk and then tuck it in your pack for the next gig.

What is Included:
Bluebox digital recording mixer
A microSD card with bluebox firmware and pre-loaded project files
A USB power cable and AC adapter with 3 international adapters
2 MIDI Adapters . Male 3.5 mm TRS to Female 5 pin DIN, MIDI Class B standard
A Quick Start guide to show you the basics (full user manual available online)

Specs:
6 stereo 3.5 mm TRS inputs
12 mono tracks, 6 stereo tracks or something in between
3 independently controlled stereo 3.5 mm TRS outputs
3.5h touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
MIDI In and Out for beat syncing effects
Dimensions: 5.5 x 5 x 2 (14 cm x 13 cm x 5 cm), 1 lb (450 grams)
Durable aluminum case

Notes: Innovative little sampler groovebox. Works as a standalone unit or as a sequencer for other gear. A nice left-field alternative to the usual MPCs and Electribes.

Supplier's notes:
Blackbox is a portable sampler and groovebox that lets you record, save/load, apply effects and edit one-shot samples and beat-sliced loops. Create sequences with samples by tapping on pads, playing a virtual keyboard, using external MIDI controllers or by drawing-in notes using a standard Piano Roll editor on a fast touchscreen interface. Sequences can be played back to create song sections and entire compositions. Finish your song by mixing it, adding stereo effects and by saving it as a Preset for fast and easy recall.

Perform songs live and trigger samples on the fly. Blackbox makes it easy to create and perform music anywhere thanks to its compact and rock-solid hardware design. Just throw it in a backpack and hit the club.

Record hours of song ideas, jam sessions, and performances thanks to a microSD slot that enables you to expand internal memory.

Blackbox comes with gigabytes of premium samples and loops by SoundTrack Loops and Loopmasters to let you start making beats right out of the box.

Blackbox - your own personal sampler.

What Is Included:

- Blackbox compact sampling studio
- MicroSD card with blackbox firmware, about 60 presets and approximately 900 WAV files
- USB power cable and USB wall wart with 3 international adapters
- 2 MIDI Adapters - Male 3.5mm TRS to Female 5 pin DIN, MIDI Class B standard
- Quick Start guide to get you playing right away

Notes: More knobs than you can shake a stick at. Add hands-on control to pretty much any MIDI-equipped hardware or software. Upgraded version of the classic PC44, featuring a whopping 72 rotary pots and 12 buttons.

Supplier's notes:
PC12 as successor of the PC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine two or more NEW MODULE devices to create a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the pot controller also with your DAW like a classical 12-track-mixer.

The device has 72 standard pots and 12 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...

Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.

Notes: The Morphagene music synthesizer module is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.

A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.

Features
New revision Morphagene firmware MG204 adds great functionality.
Voltage control over all sound manipulation parameters
Stereo I/O with Input Gain Selection, works with line- or modular-level signals
Recording Reel can be up to 2 minutes 54 seconds long
Record/ create up to 99 Splices per Reel
SD Card stores multiple Reels
Sound On Sound allows for layering sounds
Playback and Recording independent, like having two machines
Vari-Speed range 12 semitones up and 26 down, over 3 octaves
24-bit codec, creates 48k 32bit WAV files
Back up Reels on computer with SD Card
Share and download Reels at freesound.org! [see how]
includes blank SD Card

Specifications
Width: 20hp
Max Depth
(incl. power cable): 45mm
Power:
165mA @ +12V
20mA @ -12V

Notes: Five decades of sound processing expertise distilled into a compact multi-effects pedal. Huge processing power derived from the H9000 Harmonizer, featuring classic algorithms and new effects.

*** New vocal algorithms added- updated April 2025 ***

Harmonizerr+ is Eventide's groundbreaking suite of vocal effects derived from the iconic Harmonizer platform.

Engineered with cutting-edge tech for shaping and transforming vocals in any setting-live or in the studio.

The H90 goes far beyond a standard effects pedal, now expanding its capabilities with two new studio-grade vocal algorithms: VocalTune and VocalShift.

VocalTune

From subtle pitch correction to bold experimental textures, VocalTune is the ultimate tool for vocal enhancement:
Precise scale quantization delivers flawless pitch control
Shape your voice with pitch and formant shifting
Gate and compression controls allow you to sculpt your voice with ease.

VocalShift

Transform your voice into a lush, vibrant choir with VocalShift. Create anything from subtle doublings to expansive vocal ensembles.

Three distinct voices, with pitch and formant per voice
Pitch-perfect harmonies with intelligent scale recognition
Perform features include voice soloing, pitch glides and pitch holds

H90 Control Software Update

The latest H90 Control software for Mac, PC, and iPad, has received some important quality-of-life updates:

Intuitive parameter grouping puts all related settings at your fingertips
Streamlined workflow with a redesigned algorithm and preset selection
Enhanced zooming and resizing


Supplier's Notes:
Beyond the Effect Horizon

The H90 Harmonizer is Eventide's next-generation multi-effects pedal. Whether you want high-quality bread and butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind. Discover why top artists and producers have chosen Eventide through the years with 62 effect algorithms and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

New Technology, New Effects

H90 Harmonizer features modern ARM-based architecture derived from the world's most powerful effects processor, Eventide's flagship H9000 Harmonizer. This paves the way for the ongoing creation of more advanced effects processing techniques. As a result, the pedal not only offers the iconic reverbs, delays, modulation, and pitch shifting effects of the H9 Max but goes far beyond with 10 new powerful algorithms including state-of-the-art, fast-tracking, and warble-free Polyphonic Pitch Shifting. Eventide's proprietary SIFT (Spectral Instantaneous Frequency Tracking) technology clears the road ahead for next-gen effects both long imagined and unimaginable.

Live Performance Machine

The H90 Harmonizer is a live performance powerhouse! The front panel has been reimagined with five push knobs, seven LED buttons, and a hi-res OLED display for greater hands-on control and parameter feedback. Two large push knobs allow you to switch between SELECT, BANK, and PERFORM modes with ease. In PERFORM mode, you get six programmable footswitches. Map functions like tap tempo, preset, insert bypass or momentary states; use them to engage options like reverb freeze, pitch flex, or delay repeat; make multiple instantaneous parameter changes with three Hot Switches .The comprehensive UI allows you to control any parameter with ease. Adjust expression mappings by hand with the PERFORM HotKnob and engage up to six individual assignable parameters with the three push-button Quick Knobs. Get even more control with two inputs for expression pedals or auxiliary switches with up to three buttons. If that wasn't enough, take advantage of the pedal's extensive MIDI control. The H90 comes with hundreds of factory Programs which can be loaded using either SELECT or BANK mode. In SELECT mode, you can navigate your Playlist sequentially without ever missing a detail thanks to the OLED display. In BANK mode, you can quickly load from a bank of 3 Programs, perfect for cueing up a range of sounds for a song. Organizing your favourite sounds has never been easier, simply load a new Playlist and you're ready for the next gig!

Specifications

Inputs 1 - 4: 14 inch TS mono jack
Outputs 1-4: 14 inch TS mono jack
Exp/Ctl 1-2: 14 inch TRS / Expression pedal or Aux Switch
USB Type-C: Use USB 2.0 for control, updates, and MIDI
MIDI In: Five-pin DIN (Female)
MIDI Out/Thru: Five-pin DIN (Female)
DC Input Jack: 5.5/2.5mm plug / Center Positive (+)
Input Impedance (Inst. Level: >600k ohms
Input Impedance (Line Level): >80k ohms
Output Impedance: 220 ohms
Recommended Load Impedance: 10k ohms
Maximum Input Level (Inst): +4dBu
Maximum Input Level (Line): +14dBu

Power
12V DC @ 1A / Center Positive (+), 5.5/2.5mm jack

Dimensions (Product)
English: 6.5" (W) x 5.25" (D) x 2.5" (H)
Metric: 170 (W) x 136 (D) x 68 (H) mm

Dimensions (Package)
English: 10.5" (W) x 7" (D) x 3" (H)
Metric: 265 (W) x 180 (D) x 75 (H) mm
Weight (Product): 1.85 lbs / 0.84 kg
Weight (Package): 3 lbs / 1.36 kg
Shipping Contents: H90, Eventide Sticker, 4x Rubber feet, Guitar pick, Universal power supply with plugs (US, UK, EU, AUS), USB A to Type-C cable, Quick Reference Guide

Notes: *** Firmware update- February 2025 ***

Hermod+OS2.00

Again, a major firmware upgrade packed with exciting new features. This update offers a wealth of new creative tools and improvements.

Audio tuner

4 internal automation per track - MOD, MOD2, MOD3, MOD4

Automation per track : 7 (4x modulations + pitchbend + aftertouch + sustain

***

Parisian sequencer specialists Squarp turn up the goods once again with the updated Hermod+ module. Huge sequencing power for both MIDI and CV, with a range of monophonic and polyphonic features to get the most out of your sound sources.

Supplier's Notes:

Hermod+ adds so much to your system.

Based on the established Hermod workflow and keeping the same form factor, Hermod+ offers a lot of new features, and a refined, more playful interface with extended connectivity.

Record CV/Gate, MIDI notes and modulations on 16 polyphonic tracks. Compose melodic variations across 16 patterns per track, and take advantage of the advanced step sequencer and the new effects to gain efficiency and creativity in studio and on stage.

8 CV/Gate and 8 MIDI tracks

Hermod+ offers 8 CV/Gate tracks (that can also output midi) and adds 8 dedicated MIDI tracks for your extra gear.

CV inputs

Record, edit and loop analogue modulations or CV/Gate using the 4 CV inputs, and use them to synchronize Hermod+ to an incoming analogue clock.

Record live

With an improved resolution of 96ppqn, record and playback your CV/Gate or MIDI performance seamlessly without any noticeable note shifting, for up to 16 bars per pattern.

Polyphonic step composer

The revisited piano-roll now allows intuitive polyphonic editing. Edit or program chords, melodies and rhythms using the 16 built-in pads for a quick and playful composition process.

Automation

Program or record automated modulations (CV and/or MIDI) for each track, in addition to midi aftertouch, pitchbend and sustain voices.

Dynamic effects

Add up to 8 real-time CV/MIDI effects per track. All effects are non-destructive, so they can be edited at any given time to add some variations to a performance.

Advanced ModMatrix

Use the modulation matrix to link incoming CV or CC messages to effect parameters. Each modulations can be attenuverted and offsetted.

Playable song mode

Build your song structures using up to 16 sequences per project. Play them into a predefined order or launch them manually for improvised performances.

Synchronized project swap

Quickly save and recall your projects on the SD card. Project loading can now be done in sync, without interrupting your performance.

Boosted connectivity.

The missing link between your eurorack system and the rest of your studio.

Editing made simple.

Fluid workflow with a redesigned Step mode

Step mode is where you can edit notes, modulations and gate events. Hermod+ offers quick ways to write melodies and rhythms. Zoom in and out to visualize and edit portions of your track precisely and break free from rigid grid sequencing.

The re-designed piano roll editor makes the vertical and horizontal scrolling easier and faster, while the new "row edit" feature allows for quick chords and drum patterns programming.

Create modulation curves by programming them directly on Hermod+ or by recording incoming signals, and send those curves via CV or MIDI to other parts of your system.

Versatile interface.

Polymorphic layouts for perfect integration

Hermod+ can adapt its voice layout to any patching scenario. Depending on your needs, any track can become a modulation output, a monophonic CV/Gate track, a polyphonic MIDI track...

For a track of CV/Gate note + velocity + aftertouch, or for a polyphonic CV/Gate track, simply group voices using the desired layout.

Take advantage of the 8 dedicated MIDI tracks, that can record and be programmed independently from the 8 CV/Gate tracks. Up to 8 real-time effects per track with creative parameters and generative features. Hermod+ is the canvas, the paint and the brush of your setup.

Specifications

Sequencer
Tracks: 8 CV/Gate + 8 MIDI
Patterns: 16 per track
Recording resolution: 96ppqn
Track length: 1/16 note to 16 bars
Automation per patterns: modulation + pitchbend + aftertouch + sustain

Projects
Amount of projects: unlimited
Tempo: 10 to 280 BPM
Global transpose track: yes
Double project architecture: yes
Song chain length: 64 sequences

Piano roll
Zoom min: /4 (1 step = 1/4 note = 1 beat)
Zoom max: X8 (1 step = 1/128 note)
Note/gate width: 1/32 (1/512 note) to 8 bars
Maximum polyphony per step: 24
Row edit (polyphony editing): yes
Note pitch: C0 to C10
Note velocity: 0 to 127

Synchonization clock speed
Max input rate: 1/96 = 24ppqn
Max output rate: 1/96 = 24ppqn

Input
MIDI: TRS type A + USB host + USB device
CV: 4x [-5V to +5V]

Output
MIDI: TRS (type A) + USB host + USB device
CV: 8x [-5V to +5V]
GATE: 8x [0V / +5V]
Dedicated Clock port
Dedicated Reset port for transport

Power
Note: the use of your eurorack +5V rail is configurable with a switch on the back of Hermod+
Consumption (using +5V rail): -12V 20mA, +12V 20mA, +5V 820mA (add up to +500mA when attaching a controller on USB host)
Consumption (not using +5V rail): -12V 20mA, +12V 400mA (add up to +220mA when attaching a controller on USB host)

Hardware
Width: 26HP
Depth: 20mm
Weight: 285gr (0.63lbs)
CV inputs resolution: 16-bit
CV outputs resolution: 16-bit
Display: OLED 58 x 16mm
SD card: microSD high speed (provided)
CPU: ARM 480MHz

Notes: AlphaTheta's next-generation DJ headphones offer an innovative take on the traditional form. Quality sound and solid durability are backed by SonicLink wireless functionality, featuring much better resolution and lower latency than Bluetooth.

Supplier's notes:
The HDJ-F10 is a new model of professional DJ headphones with ultra-low-latency SonicLink wireless technology. By combining the headphones with the HP-TX01 transmitter, which can be bought separately or in a bundle, DJs can use the SonicLink connection to seamlessly deliver wireless audio to their ears. This means they can move freely in the DJ booth without ever tangling or pulling on a wire. The headphones also feature high-resolution, powerful sound, and outstanding insulation and durability. Bluetooth connectivity is included too, with Noise Cancelling and Transparency modes available.

Ultra-low-latency wireless communication via SonicLink*

The uniquely developed SonicLink technology in the HDJ-F10 headphones enables DJs to move around as they play, without the constraints of cables. When the HP-TX01 transmitter is connected to a DJ mixer, SonicLink transmits sound to the headphones with just 9 msec of latency - 20 times faster than the commonly used Bluetooth SBC codec so DJs will never notice the delay - enabling accurate monitoring and mixing. The transmitter is compact, lightweight, and easy to carry with other DJ gear. High-volume playback and sound insulation for accurate monitoring DJs can hear their music loud and clear, even in an extremely noisy DJ booth or onstage, when using the SonicLink wireless connection. The headphones can deliver high-quality sound reproduction at high volumes. And, thanks to newly developed earpads and housing structures, they achieve an outstanding level of sound insulation that's higher than even the Pioneer DJ flagship HDJ-X10 model.

Tight kick sound and wide-ranging audio

The HDJ-F10 is the flagship headphones model under the AlphaTheta brand, designed with a meticulous focus on sound quality. The newly developed 40 mm driver achieves a high-resolution sound, from low to high frequencies, where even the smallest details in the music can be clearly heard. The housing structure combines a bass-reflex duct and air chamber to ensure a high level of sound insulation while also expanding and enhancing low frequencies. This enables DJs to monitor crisp, punchy kick sounds, even in a loud DJ booth, and provides a studio-level monitoring environment for a wide range of situations, from DJing to music production and listening to tracks when preparing for gigs.

Ruggedness for professional use

DJs can rely on the HDJ-F10 headphones to handle life in any environment. They're highly robust and they've passed the stringent US Military Standard MIL-STD-810H shock test.

Bluetooth connectivity and Noise Cancelling mode to serve a complete DJ workflow

While preparing tracks, DJs can choose whether they want to reduce or let in the sound from the world around them when connected to a device via Bluetooth. In Noise Cancelling mode, ambient noise is shut out - even in a busy city - so DJs can immerse themselves in the music as if listening to it in the studio. With Transparency mode, external sounds are let in so it's possible to continue having in-person conversations while listening to music.

Long battery life for extended DJ sets

A full battery gives 9 hours' use with SonicLink or 30 hours' use with Bluetooth. DJs can also play with a wired connection.

Dedicated transmitter which enables SonicLink connection

The dedicated transmitter HP-TX01 instantly transfers sound to the HDJ-F10 via ultra-low latency wireless communication with simply connecting to DJ mixer. Any DJ mixer equipped with a PHONE or 3.5 mm stereo mini jack monitor output can be used with the HDJ-F10. It is compact, lightweight, and easy to carry with your gear.

*HP-TX01 transmitter enables SonicLink connection - available separately or in the HDJ-F10-TX bundle

Notes: Updated Atlantix module is an even better synth voice than the original Atlantis. Based on the Roland SH-101 formula, it's a monster with dual VCOs, legendary filter and built-in envelope generator. All you need for iconic analogue sounds.

Supplier's Notes:
Atlantix

Dual Oscillator Subtractive Analogue Synth Voice

It's Massive

The Atlantix is a complete analogue synth voice. It's quick to dial in huge bass or lead sounds, and easy to push it into new sonic territory. Dual VCOs, Multimode VCF, VCA with Drive, and an ADSR envelope; all of the building blocks needed to expand or start making sound in your rack. With 32 patch points and a selection of routing switches, you can remix these blocks into something all your own.

Reimagining a Reimagined Classic

The Atlantix is the highly-anticipated successor to the Intellijel Atlantis which was originally inspired by the classic Roland SH-101. Despite the SH-101's seemingly limited architecture, it produces various creative and musically useful sounds that have inspired generations of artists and countless hits. The Atlantix is just as immediate for dialling in beautifully rich bass and lead sounds. The thoughtful design, numerous additional features, and flexible patching options open up a massive amount of new sonic territory to explore as well.

The Atlantix is an analogue, complete subtractive synthesizer voice condensed into a single 42HP module. It provides all the fundamental building blocks needed to make sounds in Eurorack: VCOs, VCF, VCA, S&H, Noise, and an Envelope.

Oscillators - Advanced TZFM and Flexible Mixer

The Atlantix uses two triangle core voltage controlled oscillators (VCO) which respond in a musically pleasing way to frequency modulation. The Atlantix primary VCO (VCO A) is capable of thru-zero frequency modulation and has a dedicated amplifier for controlling FM depth (FM INDEX). The modulation oscillator (VCO B) can be used as either an LFO or VCO. The highly flexible architecture allows you to route VCO B as a modulation source or stack it as a secondary VCO all by the flick of a switch or slider. VCO B also has a bonus "spike" waveform output which is a square wave with fixed HPF, similar to the Buchla Easel. Both oscillators track very precisely over eight or more octaves.

In the mixer section, you can adjust the balance of the primary oscillator's waveforms, sub-oscillator noise, and two auxiliary inputs that are normalled to additional VCO A waveforms or VCO B waveforms. The auxiliary inputs also allow you to patch other external signals into the mix.
The second Auxiliary input has a switch that allows you to route the source between the mixer sum or directly into the VCA (post-VCF). The latter is a way to pass an unfiltered fundamental signal to the final VCA stage and then blend it with filtered audio from the VCF. This draws inspiration from the architecture of the CS-80 where a sine wave is mixed with the filtered audio to make glassy tones with some added harmonics.

Multimode Filter - From Drips to Growls

The filter section (VCF) is a discrete cascaded 4-pole multimode filter with lowpass, bandpass, highpass, and phaser (multi-notch) modes. The filter can self-oscillate which produces a very clean sine wave that also tracks 1V/Oct. The VCF has three frequency modulation sources, two of which are normalled to the external pitch and envelope and have switches for polarity.

Add Atlx for dedicated outputs from each mode.

Envelope - A Classic ADSR

The envelope section is an analogue ADSR with three timing ranges: slow, medium, and fast. It can be gated externally or via a manual gate button located in the centre of the panel. The ADSR is routed through a VCA which can be used for level or velocity control.

Modulation - Random, Feedback, and Built-in Routing

Two eight-position rotary switches allow you to select from eight different modulation sources and route them to outputs MOD X and MOD Y. Each switch also has a polarity control and an option to level shift between unipolar and bipolar operation. MOD X is normalled to VCO A frequency modulation and MOD Y is normalled to VCF frequency modulation. The dedicated outputs allow for further creative modulation patching.

Four of the Input jacks have normal switches to change your patch without the need for cables.

The analogue Sample and Hold (S&H) circuit is normalled to the white noise source and can be clocked by VCO B, an external clock source, or via the gate input for per-note synced randomization.

Atlx - Expander w/ Ring Mod (Optional) ***Sold separately ***

The Atlx expander provides 16 additional jacks to the Atlantix, including: dedicated waveform outputs for A and B oscillators, filter outputs, and a ring modulator. Atlx adds many new possibilities for self-patching, advanced routing, and connections to other modules.

Specs + Downloads

Width: 42HP
Depth: 25mm
Power: 140mA @ +12V
138mA @ -12V

Notes: Unassuming looks conceal the excellent EaganMatrix sound engine, offering USB-powered synth creativity perfectly matched to Haken's own Warbl Wind Controller but also compatible with MIDI and MPE.

Supplier's Notes:
EaganMatrix Micro

The power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.

The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.

The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.

The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.

Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.

The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.

EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.

Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS

Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.

Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)

Notes: The hands-on control of hardware meets the versatility of software. Bridging the gap between Eurorack and VCV Rack, the MetaModule includes over 160 built-in modules plus access to over 200 third-party options.

Supplier's Notes:
The MetaModule puts real knobs and jacks on virtual software modules. Step back from the computer and make music with hardware, while keeping the flexibility and expandability of software.

The MetaModule comes with over 160 built-in modules from 4ms Company, Befaco, HetrickCV, NonlinearCircuits, and Scanner Darkly, plus clones of popular classics such as the Mutable Instruments eurorack modules, fun physical modeling algorithms, and lots of handy utilities.

All of the included modules are also available on the computer using the free program VCV Rack. Whether you make patches on VCV Rack and transfer them to the MetaModule, or if you just create patches directly on the MetaModule, there are plenty of creative modules to inspire new ways to make music.

MetaModule Plugins

If the 160+ built-in module aren't enough, you can load more modules as plugins. Already there are over 200 modules in third-party plugins from Bogaudio, Valley, ChowDSP, NANO Modular, and the list is growing. 4ms have an SDK available to make it easy for VCV Rack plugin developers to convert their plugin to a MetaModule plugin. 4ms' licensing terms are non-restrictive: developers are welcome to distribute their plugin in any way they wish, commercially or not.

Mapping Knobs and Jacks

The MetaModule has 12 knobs that can be mapped to virtual knobs. Each knob can be mapped to up eight virtual knobs, and each mapping can have a different range and offset. You also can save a group of mappings as a Knob Set and switch between Knob Sets with the encoder. You also can map the 8 inputs and 8 outputs to virtual module jacks. Also, the MetaModule is a USB MIDI host, so you also can map MIDI CC, note, gate, and other parameters to knobs and jacks.

Expanders

There are lots of ways to customize your MetaModule. A Wifi expander allows you to wirelessly transfer patches from your computer. Add eight more knobs with the Knob expander, or buttons with the Button expander. A CV/Audio expander adds more high-resolution inputs and outputs, and the Gate In/Out expander adds not only gate jacks but also TRS MIDI and I2C.

Under the Hood

There are six CV/Audio inputs, two gate inputs, and six CV/Audio outputs. The CV/Audio jacks are all 24-bit, 48kHz DC-coupled, -10V to +10V. A USB-C jack accepts MIDI devices and thumb drives. Patches and plugins can be loaded via a USB drive or microSD Card, and internal flash memory lets you save patches you always want to come back to.

The processor is more advanced than anything 4ms has used in the past, and is among the most powerful processors found in Eurorack. Startup time and latency are blazingly fast.

Modules

160 built-in modules
Over 200 3rd-party module plugins available so far, and the ecosystem is growing
Create patches using VCV Rack or directly on MetaModule

Patches

Patches are loaded from microSD Card, USB drive, or via the Wifi expander
Patches can be optionally saved onto internal flash memory
Create patches using VCV Rack or directly on MetaModule
Patches can be given a name and description

Mappings

Map each physical knob to up to 8 virtual knobs
Set range and offset for each mapping, including inverted control
Knob mappings are grouped into Knob Sets, and changing Knob Sets can be done quickly without menu-diving
Map physical jacks to virtual jacks, seamlessly making splits/mults
Add or edit modules, cables, and mappings in real-time while the patch is playing
Create alias names for mappings like "Kick Drum Level"

Interface

Simple, intuitive graphical interface lets you zoom in on details, or zoom out to get a big picture
Patch View displays the patch as faceplates and cables, with knobs, buttons, and lights animating in real-time
Knob Set View simplifies the display, showing only the mapped knobs for the current Knob Set
Module View shows just one module and lists the names of each jack, knob, and control legibly
Mapping View lets you adjust details of a knob mapping
Adjust styles and visual preferences to your liking
Save, rename, duplicate, and delete patches
Firmware updater and plugin loader read from microSD Card or USB drive

Hardware

12 Knobs
8 CV/Audio outputs, 24-bit 48kHz, -10V to +10V, DC-coupled
6 CV/Audio inputs, 24-bit 48kHz, -10V to +10V, DC-coupled
2 Gate inputs
USB-C jack: MIDI Host or MSC (External drive) Host
microSD Card slot
Internal Flash RAM for additional patch storage
Dual-core 800MHz Cortex-A7 plus Cortex-M4 co-processor
512MB DDR3 533MHz RAM
Bare-metal operation for fast startup and low latency

26hp

Notes: Introducing the new Buchla Auxiliary Oscillator Card, a brand new revision of the BEMI era AUX Card, designed to perfectly compliment 208c series / Easel instruments.

Buchla Music Easel users remember fondly the BEMI-Era Easel Aux Expander Card, which added an auxiliary modulation source which could also be used as an audio rate oscillator and more!

Now, the Aux Card returns as the Aux Osc Card - A new Auxiliary Oscillator Card which perfectly compliments the current generation Music Easel Modern, Retro, Easel Command, and Anniversary Edition.

The new AUX Card unlocks an incredible range of features, dramatically expanding the Easel's capabilities and taking your creative potential to the next level.

Notes: Eurorack version of 1010's superb Bluebox. Vast power in 30 HP, with the ability to mix, record and play back in mono and stereo, hook up to a computer over USB for stereo I/O and run effects, all with CV control.

Supplier's Notes:
The bluebox Eurorack edition is the new Eurorack mixer with effects and multichannel recording/playback based on the award-winning bluebox desktop mixer. With the Eurorack edition's USB-C EXT port, you can send 2 channels of audio to and from your computer. Plus, you can control up to 6 mix settings with the 6 CV inputs. Whether recording your Eurorack jams, using it to play stems as backing tracks, or a combination of both - bluebox Eurorack edition will rock your rack!

Connect your eurorack, sampler, drum machine, and synthesizer outputs to 12 mono, 3.5 mm inputs and map them to 12 mono tracks or 6 stereo tracks - all with independent control for recording and playback. Connect your computer to the USB C port to send and receive two channels of audio.

The bluebox Eurorack edition is the ultimate in compact mixing, effects, recording, and playback for Eurorack. Smack it in your rack and hit the road with a self-contained, electronic music powerhouse!

When you purchase a bluebox Eurorack edition, you will receive:

a bluebox Eurorack edition 30 HP Eurorack module
A microSD card with bluebox firmware and pre-loaded project files
two Eurorack power cables
a bluebox Eurorack edition Quick Start guide
two MIDI Adapters

Technical Specs

Dimensions & Power
30 HP
Module dimensions including knobs: 6" x 5"x 1.6"
Depth behind front panel with ribbon cable: 1.0"
Requires the +5V rail which may not be present
on some older racks.
Uses 500-850mA at +5V (depending
on screen brightness), 320 mA at +12V, and 82mA at -12V
Requires two power connections
Capabilities
12 mono tracks, 6 stereo tracks or something in between
Connect to TRS or USB C MIDI for beat syncing effects
Lots of headroom with support for Eurorack levels up to +/-5V inputs and outputs
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
Durable aluminum faceplate
Stream 2 channels of audio in and out over USB C

Inputs and Outputs
12 mono 3.5 mm TS inputs
2 independently controlled 3.5 mm TS output pairs that can be used as 4 mono outputs
1 stereo 3.5 mm headphone output
6 CV Inputs
1 USB C MIDI Device port
1 TRS MIDI Input
1 TRS MIDI Output
1 USB C Ext jack for streaming audio
3.5" touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons

Notes: An interesting creative approach to programming and performing with MIDI instruments, the NGEN allows you to generate 16 tracks based on algorithmic and generative principles. Create sequences, then tweak and manipulate in real time.

Supplier's Notes:
NGEN is a unique 16-track MIDI sequencer designed in Sao Paulo / Brazil that lets you combine multiple algorithmic / generative generators and MIDI FXs to sequence multiple hardware or software MIDI instruments.

It offers a completely new way of creating and performing music by abstracting the composition process. Instead of writing sequences from scratch, NGEN lets you quickly generate a new sequence for your drums, basslines, melodies, and chord progressions with a push of a button.

NGEN includes classic Spektro Audio generators (ACDGEN and Polyform), completely new algorithmic generators (Drumgen, Samba, Arper, MARP, Pop, Turing, Shuffler), and practical generators (Input Sequencer, MIDI Player, Thru).

Each generator features an unique algorithm that combines different composition techniques with randomness so each generated sequence is unique.

After generating a sequence, you can tweak it in real time using the parameters available for each of the generators. Take things even further by applying MIDI FXs such as Chord or Glitch to your sequences.

All tracks in NGEN follow the same key and scale so it's easier to get multiple sequences that work well with each other.

Quickly save and restore your creations using patterns and projects stored in the microSD card.

NGEN's design is primarily focused on live performance so it features a 1.3" OLED screen, a minimalistic and easy to read interface, mechanical switches (Gateron Green), shortcuts for accessing different features, per track Program Change selector and auto-variation, extensive MIDI CC implementation, and a Performance mode for controlling up to 4 parameters at the same time.

NGEN also includes a variety of tools to let you explore this world of algorithmic sequencing such as assignable CV outputs, a built-in MIDI monitor, different clock generators, and much more.

Generators

ARPER- Algorithmic arpeggiator with real time controls
ACDGEN- Design to generate basslines and melodies using 8 different algorithms.
DRUMGEN- Generate drum patterns based on 3D probability templates based on different genres.
INPUT SEQ- Record incoming MIDI notes into a step sequencer then adjust transposition, density, and direction in real time.
MARP- Unique and experimental polyrhythmic arpeggiator.
MIDI PLAYER- Playback .mid files stored in the microSD card (1 track, up to 128 events).
POP- Generate chord progressions and control how they're played.
SAMBA- Percussive generator based on a 4-part euclidean sequencer.
SHUFFLER- Sequence and rearrange sliced loops (in a software or hardware sampler).
THRU- Modify sequences coming from other tracks or an external MIDI generator.
TURING- Generative generator based on a lockable 16-bit shift register (inspired by Music Thing's Turing Machine).

Hardware

USB-C
MIDI via USB or 3.5mm (Type A)
1.3" OLED Display
Internal Storage
microSD Storage
Mechanical Switches (Gateron Green)
4 CV Outputs (0-3V)
I2C via 3.5mm (for future development)
Carbon Steel case (1.5mm)
High Quality 3M Polycarbonate Label

Specs

Product Weight: 650g
Product Size: 155 x 105 x 50 mm
Product Box Size: 18 x 13.5 x 9 cm
Shipping Box Size: 22 x 16 x 12 cm
Shipping Weight: 750g

Notes: Not just a drum machine but a drum synth, the LXR-02 combines the best analogue and digital sound design options to great effect. Six drum voices each with over 30 adjustable parameters.

Supplier's Notes:
Two companies - Sonic Potions and Erica Synths joined efforts to develop a drum machine that would stand apart from the masses and the LXR-02 was born. The LXR is a full-fledged digital drum machine with an integrated sequencer. Its sound engine provides 6 different instruments, each with over 30 parameters to tweak, producing sounds from classic analog emulations to crunchy digital mayhem, thus offering some of the most extensive sound design capabilities found on a drum synthesizer. Its compact, durable design and clear user interface make it ideal for live gigs.

Features
6 drum voices
Powerful sound design engine
Over 30 adjustable parameters per voice
Voice volume sliders
Insert FX section
4 assignable 6,3" jack outputs (2x stereo or 4x mono)
Full-size MIDI in/out
Flexible, performance-oriented 64 step sequencer
Performance mode with mutes, rolls, master bitcrush, and kit morphing
Kit, Pattern, Performance, and Song memory
SD card for easy FW updates and Project backup
USB MIDI
Headphone output
Extensive MIDI implementation
Durable and compact aluminum casing

Notes: Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: Raw aluminium version of Genelec's hugely popular medium-sized monitors. Same sound as the standard version but with a strikingly industrial visual aesthetic.

Supplier notes:
If you love the compact format of the 8010 and 8020 models but demand higher SPL and more bass extension, meet the 8030C.

Active Crossovers:

Directivity Control Waveguide (DCW) Technology

SPL:

104 dB

Frequency Response:

47 Hz - 25 kHz (-6dB)

Dimensions:

H 299 x W 189 x D 178 mm, with Iso-Pod (view in inches)

Welcome to the sweet spot
A consistent best-seller, the 8030C sits in the perfect sweet spot of big monitor performance and small footprint. It offers precise imaging and staggering detail, but can go louder and lower than its smaller siblings - making it the perfect choice for slightly larger spaces.

The trademark rounded cabinet design of the 8030C delivers uncoloured reference performance both on and off axis, and rear panel room compensation switches let you optimise the 8030C for your individual room acoustics. All this helps you produce mixes that translate beautifully to other rooms and systems.

Key Technologies

Active Crossovers

Directivity Control Waveguide (DCW) Technology

Intelligent Signal Sensing (ISS) Technology

Iso-Pod Stand

Miimum Diffraction Enclosure (MDE) Technology

Optimized Amplifiers

Protection Circuitry

Reflex Port Design

Room Response Compensation

Versatile Mountings

Package contains:
1 x 8030C monitor
1 x mains cable 1,8m
1 x user manual

Technical Specifications

SPL
104 dB

Amplifier Power
50 W Bass (Class D) + 50 W Treble (Class D)

Frequency Response
47 Hz - 25 kHz ("-6 dB")

Accuracy of Frequency Response
i 2 dB (54 Hz - 20 kHz)

Driver Dimensions
130 mm Bass + 19 mm Treble (view in inches)

Dimensions
H 299 x W 189 x D 178 mm, with Iso-Pod™ (view in inches)

Weight
5 kg / 11.0 lb

Connections
1 x XLR Analog Input

Notes: Analogue mixer, audio interface, effects and stereo digital recorder all in one box. Clever, versatile idea that makes a cost-effective entry point for various types of recording.

Supplier's notes:
Don't let the classic analogue mixer design fool you - the StudioLive ARc-series mixers were built to record. With a pristine analogue front-end, high-gain XMAX-L mic preamps, and a 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single intuitive console. Add in a musical 3-band analogue EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfils the needs of both modern musicians and content creators.

A full-featured audio interface:

The StudioLive AR16c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 16 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks - plus a click. Twelve lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analogue mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C compatible connection, your StudioLive AR16c is ready to use as an audio interface for nearly any computer.

The channel that does it all - even Bluetooth connectivity:

The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the 1/8-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap.

A complete recording solution for studio and stage:

The StudioLive AR16c audio interface and analogue mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click thanks to PreSonus' Capture live-recording software. Create complete studio productions with our award-winning Studio One Artist DAW. With two professional recording applications included with your StudioLive AR16c, you're ready to record right out of the box.

Stereo recording without a computer:

Imagine you're rehearsing with your band and want to record your session to analyse later. Or perhaps you're in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR16c's stereo SD recorder has you covered. Insert any SD/SDHC card and you're ready to record your main mix to listen to later, so you'll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD.

Effects without latency:

Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more comfortable while performing. The StudioLive AR16c mixer's onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too - with or without the dry channels - to blend with your multitrack recording. Experiment in post-production to your heart's content.

All the connections you need with a familiar look:

Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR16c is the ultimate recording solution. The eight mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus' famed XMAX high-gain mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR16c audio interface will be the centre of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR16c is the perfect recording and mixing solution for the modern musician and content creator.

Notes: Classy stuff from the London label's debut collab with one of our favourite synth brands. Classy stereo delay with analogue filtering and creamy valve distortion. Perfect for studio or live use.

Supplier's Notes:
Ninja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit, the Zen Delay.

Features
Controls: delay time, feedback, delay mod (5 presets), tap button, dry/wet, bypass switch, filter cutoff, resonance, drive, input level, filter mode

Inputs
Stereo In: 2x standard jack

MIDI In: standard MIDI socket

CV In: standard jack

Outputs

Stereo Out: 2 x standard jack

Delay times: 1-5000ms with 1/8...x8 of clock/tap rate in beat mode

Inspired by a trip to Berlin's trailblazing music hardware trade show Superbooth, Coldcut's Matt Black and longtime friend Dr Walker (Liquid Sky artist collective / Air Liquide) envisaged the exciting possibilities of a custom hardware effects unit. The result is the creation of the Zen Delay i the first-ever hardware effects unit produced in collaboration with an electronic music label.

Bringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.

Created and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths' signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.

Crafted in close collaboration with DJs and producers, the Zen Delay was uniquely developed with both live and studio use in mind and is suitable for many different performance situations, musical styles and instruments. While most delay devices are designed as 'stomp boxes' for guitarists, the device is equally powerful in the hands of electronic music producers, artists and DJs, adding a unique, warm and powerful sonic character to drum machines, loops, vocals, synths, samples or any other source. Even full tracks or a live stereo mix can be enhanced by the combination of analogue and digital circuitry, breathing new life into iPad performances and giving traditional digital synths and drum machines a huge kick.

The Zen Delay is a product of our expertise on vacuum tube designs, our powerful, custom DSP platform and the great sound of our filter ICs made and developed in Latvia. It by far exceeded expectations in terms of how it sounds and feels when played. - Girts Ozolin

The Zen Delay is the analogue delay unit I've been waiting for. Stereo warmth, tone and texture. Perfect for live abusage, and studio madness love it - The Bug

The Zen excels at the sort of extreme dub possibilities Coldcut love. Feed it back! - Matt Black

For years I have dreamed of a state-of-the-art stereo valve dub delay for my MPC that perfectly masters all sound aesthetics from "badass" to "psychedelic hypnotically trashed" and now, have a look! There it is... the Zen Delay! - Dr Walker

Power: 12v (power supply for worldwide use is included)
In/Out levels: 3.2v peak to peak
DAC
114 dB dynamic range

-100dB THD+N

ADC
108 dB dynamic range

-98 dB THD+N

Dimensions: 21 x 15 x 5 cm
Weight: 870g

Notes: BAM is a stereo reverb processor inspired by the late 70s / early 80s digital reverberator units.These units are sought after by sound engineers, producers and musicians for their grainy, warm and musical reverberations.

The audio signal was severely high-cut filtered (10 kHz was standard at that time) because of the limited sample clock. Some units used 12 bit gain stepping converters to achieve a 15 bit resolution and others used the first 16 bit converters. Then the samples were digitally processed through a 16 to 20 bit fixed-point CPU with limited memory. The algorithms had to be simple but efficient to create the most musical and versatile reverberation from these limitations. And the hardware itself added grain and warmness to the sound.

The technology used in BAM is very close to the one used in these early digital reverberator units : 16 bit converters, 20 bit fixed-point processing, analog filtering and even an input transformer transient simulator. Some of the 7 reverb algorithms are influenced by the early structures, and some are brand new.

BAM is a very musical and unique reverb processor. It combines the sound quality of a vintage reverb processor with the playability of a desktop effect in a compact format with MIDI control and 36 user presets.

Notes: Rossum Electro-Music Software Architect Bob Bliss (who also, as it happens, fathered E-mu's famed "EOS" Emulator Operating System) has created Panharmonium, a unique music and sound design tool that analyses the spectral content of any audio signal and uses that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.

Panharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input's changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.

Additionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium's other controls.

Panharmonium accomplishes its magic though a combination of functional submodules:

Spectral Analyser:

The Spectral Analyser provides tools for defining the analysis process.

- The Slice parameter sets the rate at which the incoming audio is transformed to spectral data. It can be set by the Slice and Multiplier controls, the Tap button, or by an external clock signal. Very short slice times result in real-time spectral data, while longer times can create rhythmic spectral patterns.
- The Centre Freq and Bandwidth controls (and associated CV inputs and attenuverters) control the range of frequencies to be analysed. The Bandwidth control allows the selection of narrow to wide pass bands on the left side of the pot and narrow to wide notches on the right side of the pot. The ability to sweep the frequency and modify the bandwidth under CV control opens up a wide range of sonic effects.
- The Freeze button lets you freeze the spectral integrator, sustaining the currently analysed spectrum.

Spectral Modifiers:

These controls allow you to creatively modify the analysed spectra.

- The Voice parameter lets you select from 1 to 33 oscillators to resynthesise the spectrum.
- The Blur parameter (and associated CV input) is a spectral lag processor that controls how quickly the spectrum can change.
- The Feedback control (and associated CV input) lets you route the re-synthesised audio back into the entire processing chain for subtle or dramatic feedback effects. At its max, the output becomes self-sustaining, even if the input is removed.

Oscillator Bank:

The Oscillator Bank resynthesises the analysed spectra.

- The Waveform parameter selects the oscillators' waveform. In addition to the usual sine, triangle, sawtooth and pulse waveforms, two special crossfading sine and sawtooth waveforms are included.
- The Freq control lets you tune the oscillators over a +/-7 semitone range. The frequency is further controlled by the 1V/Oct input and the FM input and attenuverter.
- The Octave control, not surprisingly, shifts the pitch of the output by octaves.
- The Glide parameter sets the amount of polyphonic glide (i.e., each oscillator has its own glide circuit).
- The Mix control (and associated CV input) sets the balance between the original input audio and the resynthesised audio.

Optional Functions:

A number of optional functions can be selected by using the Output Mode and Tap buttons.

- Holding the Output Mode button and adjusting the Slice control enables Drums Mode, which optimizes the spectral analysis for drums and other percussive inputs.
- Holding the Output Mode button and adjusting the Centre Freq control allows you to instead set the lower frequency of the analysis range.
- Holding the Output Mode button and adjusting the Freq control enables Spectral Warping. In contrast to conventional frequency adjustment, where the harmonic relationships between the spectral elements are preserved, Spectral Warping shifts the harmonic elements individually, producing a variety of clangourous, swarming textures.
- Holding the Tap button and adjusting the Freq control quantizes the resulting frequency adjustments to semitones.

Spectra Memories and Presets:

Panharmonium provides 12 user Spectra memories and 12 user Presets (in addition to 12 each factory memories).

- The Spectra memories let you store up to 12 frozen slices. When selected, a spectrum (up to 33 oscillators wide!) replaces any live input and can have its pitch controlled by the 1V/Oct input and FM controls.
- A Preset is a snapshot of all of the module settings, along with the value of any CVs present at the moment the preset is saved.

Panharmonium is 26HP wide and 25mm deep.
Power requirements (max): 140mA +12V, 30mA -12V. Reverse polarity protected.