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Items 1 to 50 of 25,669 on page 1 of 514
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FORTHCOMING
Wee Noise Makers PGB-1 Portable GrooveBox (black aluminium case)
Notes: Wee Noise Makers PGB-1 is an advanced yet portable synthesizer and sequencer that allows you to craft complex musical pieces anywhere. This all-in-one, open-source, customizable device is designed to empower aspiring musicians, seasoned creators, and makers. It isn't just an instrument-it's your gateway to the world of music production and audio synths.

PGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.

Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.

PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.

With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:

All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.

PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.

PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.

By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.

Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.

Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.

Features & Specifications

Processor: Raspberry Pi RP2040

16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)

Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface

128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs

1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
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Tags: Groovebox
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coming soon $319.79
(No payment required now - pay when released)
FORTHCOMING
Genesis
Genesis (hybrid SACD)
Cat: CAPA 043SA.
 
Rock
Mama
That's All
Home By The Sea
Second Home By The Sea
Illegal Alien
Taking It All Too Hard
Just A Job To Do
Silver Rainbow
It's Gonna Get Better
Review: Genesis' 1983 release begins with an ominous whisper, 'Mama', where Phil Collins channels something unnerving-part confession, part menace-set against sparse, mechanical drum programming. The track crescendos into a searing release, its layers of synths and percussion driving home a deep unease. If 'Mama' is the ghost in the machine, 'That's All' is the human touch: deceptively light, yet built on intricate layers of melody and rhythm that reveal the band's refined craftsmanship. The album balances pop accessibility with progressive roots. 'Second Home by the Sea', a two-part suite, showcases their knack for storytelling through instrumental drama, while 'Illegal Alien' mixes humour with commentary in a way that still provokes discussion. For fans of lush, introspective ballads, 'Taking It All Too Hard' offers a poignant standout moment. This reissue captures Genesis at a pivotal point, straddling their experimental past and chart-topping future. A must-have for fans exploring the evolution of a genre-defining band.
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coming soon $45.16
(No payment required now - pay when released)
FORTHCOMING
Abandoned Luncheonette
Cat: CAPA 050SA.
 
Rock
Review: After the relative commercial un-success of their debut Whole Oats, Hall & Oates relocated to the Big Apple to record 1973's Abandoned Luncheonette, marking the start of their New York chapter, which perhaps artistically expressed their own debutant dismay. Produced by Arif Mardin, and in a rightly disgruntled fashion, the duo sought to distance themselves from commercial formulae, honing a unique sound that would later prove non-fungible. Keeping close to the pair's American roots, Mardin played a crucial role, and under his guidance, H&O would call the production process a vital learning experience. The second side of the record is notable for its guitarist Chris Bond's Beatles-inspired ideas, which he would later express as a regretful choice, as it deviated substantially from H&O's vision. But this is an overall "magical" record, as expressed by the duo themselves.
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coming soon $46.29
(No payment required now - pay when released)
FORTHCOMING
Les Sylphides/Love For Three Oranges
Review: Arthur Fiedler's long tenure with the Boston Pops produced a vast archive of recordings, many leaning into fan-serving territory, but this collection proves the orchestra's range extended far beyond light classical fare. Here, Prokofiev's 'Three Oranges Suite' gets a full wax treatment, moving well beyond its often-isolated 'March' into the suite's other vivid vignettes. The rearrangement of 'Les Sylphides' tiptoes between charm and kitsch, while Liszt's symphonic poems receive unexpectedly muscular renderings. 'Mazeppa' bursts with theatric flair, while 'Les Preludes' is approached with drive and precision, opposing overcooked symbolism. Fiedler's flair for drama never came at the expense of control, and this set captures a conductor who bridged populism and classical heft with confidence.
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coming soon $55.54
(No payment required now - pay when released)
FORTHCOMING
Purple
Purple (hybrid SACD)
Cat: CAPA 029SA.
 
Indie/Alternative
Review: In newly audible, shimmering detail, Stone Temple Pilots' second LP (1994) marked a shift from the rawness of their pilot album Core toward tighter songwriting and broader sonic reach, layer-caking their readily established grunge sound in starker progressions and clearer Southern gothic baritones from Scott Weiland. 'Vasoline', 'Big Empty' and 'Interstate Love Song' still hit hard, yet deeper cuts like 'Pretty Penny', 'Lounge Fly' and 'Silvergun Superman' reveal the album's layered charm. Only 47 minutes long, but full of unexpected sonic flourishes, it's now rediscovered in 45rpm form, thanks to Analogue Productions, compared to whom few do it better.
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coming soon $46.00
(No payment required now - pay when released)
FORTHCOMING
Where The Butterflies Go In The Rain
Cat: ERE 1071.
 
Hip Hop/R&B
Pluto
Lucky
Rise
Every Color
Baby Mama
Junebug (feat JPEGMAFIA)
Lose My Focus
We Should Move Somewhere Beautiful (feat Arima Ederra)
Kid
16 Candles (feat Ganavya)
Smile For Me
Afternoon Tea With The Auroras (interlude)
Little Bird
Water
Sun Don't Leave Me
Lose My Focus (feat UMI)
You're So Good To Me
Review: Exploring themes of introspection, healing, and transformation, Raveena's latest album marries r&b and pop with traditional Indian instrumentation, offering personal sonic journey in sloshing, bubbly pop. Two years on from her debut Asha's Awakening, Where The Butterflies Go... was forerun by three singles: 'Pluto', 'Lucky' and 'Junebug' with JPEGMAFIA. All echoed a present day Erykah Badu meets meets Bjork, though the album's exclusive tracks also keep firm to a sharp, polished tone. Reflected on the album's core symbolism, using the butterfly as a paradoxical metaphor for personal growth and recumbence: "Butterflies are so delicate that they have to hide in leaves and flowers until the rain passes so that their wings don't get crushed in the rain. I felt like that was kind of a metaphor for where I was in my life. I needed to go back to comfortito deep restiand stop weathering storms."
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coming soon $35.35
(No payment required now - pay when released)
FORTHCOMING
93 'Til Infinity
Cat: FFB 7016.
 
Funk
93 'Til Infinity
Day One
Review: A jazz head with deep hip-hop roots, New York-based saxophonist Benny Reid returns with a brand-new 7" on Fat Beats, following his 2023 The Infamous Live reinterpretation. This is his latest standalone tribute, and it plays like a deliberate two-sided concept: '93 'Til Infinity' on the A, 'Day One' on the B i reworked with full reverence but plenty of vision. Reid's take on the former is all patience and atmosphere, stretching the groove into moody, modal territory without losing its swing. Flip it for a tighter, chunkier pass at the D.I.T.C. classic, where arrangements lean into low-end murk and sharper rhythmic interplay. Drawing on years of post-bop work for Concord, Reid reanimates sample culture as memory, process and momentum.
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Played by: Smoove
Pre-orders at Juno

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coming soon $17.95
(No payment required now - pay when released)
FORTHCOMING
Tracks From The Vault Vol 1
Cat: AOWR 005.
 
Deep House
Fine Day (feat SKYLR)
Fine Day (feat SKYLR - Nathan Barato remix)
Hustling For Horns
Dirty Deeds
Review: On this fresh 'From The Vault' sounding-in from Aliens On Wax - between Zxx, Chi-troit duo Gettoblaster, and longtime rave favourite Moody Records bigshot Bad Boy Bill - lies a serious Jane/Opus III re-hit and a finer Lil Louis 'I Called You' sax version, retitled 'Hustling For Horns'. Unserious in tone but serious in weight and sound architecture and design, the record reaches a super definite peak on the closing acid original 'Dirty Deeds'. But we love the A1, personally; for as long as the Opus III version is (re-)remixed, we can always welcome the next day with open arms .
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coming soon $22.16
(No payment required now - pay when released)
FORTHCOMING
Waveforms 13-14
Waveforms 13-14 (purple marbled vinyl 10")
Cat: WVFRM 07.
 
Drum & Bass / Jungle
Waveform 13
Waveform 14
Review: Torbay's Simon Huxtable delivers another deep experience with this two-track release that shows off his mastery of atmospheric drum and bass. With a career spanning over three decades and more than 100 releases, Huxtable's touch remains as refined and emotionally resonant as ever. 'Waveform 13' opens with a classic amen break, balanced by lush, spacious pads and a liquid sensibility that merges the raw energy of jungle with the calm of ambient textures. On the flip, 'Waveform 14' is a melodic jewel. It glides through dreamy soundscapes, awash in harmonics and detail, with that signature Aural Imbalance smoothness. There's a quiet euphoria embedded in its flow, evoking a sense of peace without losing its dancefloor backbone.
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coming soon $17.11
(No payment required now - pay when released)
FORTHCOMING
La Danza Del Camaleon (reissue)
La Danza Del Camaleon (reissue) (coloured vinyl 7" (comes on different colours, we cannot guarantee which colour you will recieve))
Cat: NUTONE 31.
 
International
La Danza Del Camaleon
La Reina Nocturna
Review: Another vintage cumbia movement on 7", replete with cowbell, on Nu Tone. Specialising in two-trackers, these guys draw on the deeper wells of 60s and early 70s Peruvian psychedelia; here the Bay Area group Combo Tezeta fuse cumbias, chichas and musica tropical; The A brings 'La Danza Del Camaleon', a swirled world fusion of cumbia and salsa with psych-tinged flourishes, before 'La Reina Nocturna', a shadowy, slow-burning bolero that leans into moodier territory with a haunting, Horrors-y melodic line.
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Played by: Voodoocuts
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coming soon $12.06
(No payment required now - pay when released)
FORTHCOMING
Bluesurf89
Cat: PERMVAC 3361.
 
Deep House
Sunshine Coast
Soft Energy
Global Business
Fantacity
Forza
Review: Auckland-born, London-based duo Manuel Darquart draw from the silkier ends of Italo, house and Balearic breaks on their latest five-tracker for Munich label Permanent Vacation. The opener, 'Sunshine Coast', cruises through airy pads and FM piano with the warmth of a lost VHS holiday clip, while 'Soft Energy' folds ambient textures into a weightless groove built for sunrise slots. Things get tougher on 'Global Business', which hits a sweet spot between acid and electro-funk, and 'Fantacity' continues in a similar mode - dense but clean, with a breaksy snap underlining the chords. 'Forza' wraps it all up with a slow-builder that sits somewhere between high-definition trance and plush downtempo. The palette feels nostalgically late 80s, but there's no pastiche here - just a well-gauged, detail-rich record that knows exactly when to lean in and when to hold back.
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coming soon $17.40
(No payment required now - pay when released)
FORTHCOMING
Facing Realities Volume 1
Cat: FACINGR 001.
 
Minimal/Tech House
Midnight Talking (Deeper mix)
The Basement
Dance2 (with Louie Fresco)
Aquior Aline (with Chklte)
Review: Mexican producer Sakro inaugurates his new label with four versatile house tracks that subtly reflect both his roots and his reach. The A-side opens with ‘Midnight Talking (Deeper Mix)’, a smoky revision of a prior digital cut that stretches out into dubbed, late-night territory. It’s followed by ‘The Basement’, a tougher affair with low-slung drums and clipped vocal fragments—a heads-down roller in contrast to the opener’s warmth. Over on the B-side, Sakro teams up with Baja California’s Louie Fresco on ‘Dance2’, a minimal house groove with a shuffling swing and sharp percussive detail. The closer, ‘Aquior Aline’, produced with Chklte, glides effortlessly with bubbling synths and broken beats. A low-key but confident first step.
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coming soon $15.43
(No payment required now - pay when released)
FORTHCOMING
Arcane EP
Arcane EP (12")
Cat: YECAD 006.
 
Minimal/Tech House
Arcane
Calida
Iridian
Review: Romanian producer BRYZ returns with three immersive cuts for Yecad, a label that's steadily positioning itself among minimal's most reliable. A fixture in Bucharest's underground, BRYZ has released on Tzinah, Esente and Storytellers, and here he leans into his signature hypnotic detail. 'Arcane' sets the tone on the A-side: tight, swung drums guide a stream of hazy pads, fragmented voices, and dubby trails. 'Calida' flips the mood slightly-more tactile and groove-led, it centres on a burbling synth motif and deft guitar flicks, making space for a subtly rising arrangement. Closing track 'Iridian' deepens things once again, layering panned percussion and flickering synth work over a sleek bassline. It's heady, club-ready minimalism, but with a welcome softness-a producer dialled into his zone.
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coming soon $17.11
(No payment required now - pay when released)
FORTHCOMING
Killing Me Softly
Killing Me Softly (gatefold 180 gram audiophile vinyl 2xLP)
Cat: AAPA 05445.
 
Hip Hop/R&B
Killing Me Softly With His Song
Jesse
No Tears (In The End)
I'm The Girl
River
Conversation Love
When You Smile
Suzanne
Review: Roberta Flack's version of 'Killing Me Softly With His Song' stands as a defining moment in soul and jazz, where vulnerability and poise collide. The track's power lies in its simplicityiFlack's warm, restrained delivery brings a sense of intimacy to every note, drawing the listener in with a kind of quiet intensity. The surrounding tracks showcase her exceptional ability to weave storytelling into melody, each song carrying its own emotional weight without ever feeling overdone. It's an album that remains as relevant today as it was upon release.

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Played by: Cyndi Handson
Pre-orders at Juno

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coming soon $76.59
(No payment required now - pay when released)
FORTHCOMING
On A Tuesday & A Wednesday
On A Tuesday & A Wednesday (LP limited to 200 copies)
Cat: BLICKWINKEL 18LP.
 
Experimental/Electronic
On A Tuesday & A Wednesday
Op Bezoek
L'interstice
Telemaque
End-to-end
Optical Radio
Review: The first recorded meeting of Pierre Bastien (compositeur Parisien) and Casper Van De Velde's (Belgian drummer known for his outings on Qeerecords) documents two days of lowkey live-performed regalia at Werkplaats Walter in Brussels. Set up by Blickwinkel, the residency saw Bastien's "miniature mechanical orchestras" - trumpets, motors, Meccano arms, all of which make up the former artist's trademark live machinic draw - click into orbit with Van De Velde's loose-limbed, textural percussion. Both artists work in detail and gesture before volume, moving gently but unpredictably, index finger tracing part-clockwork, part-creature pattern cuts.
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coming soon $31.41
(No payment required now - pay when released)
FORTHCOMING
Nuits De La Fondation Maeght
Nuits De La Fondation Maeght (4xCD box set + booklet)
Cat: STRUT 193CDB.
 
Jazz
Review: Captured over two nights in August 1970, Sun Ra’s landmark sets at Fondation Maeght mark his first performances outside North America and document one of the Arkestra’s most potent live iterations. Set in a modern art gallery in southern France, the concerts land Ra, John Gilmore, Marshall Allen and co. amid a cross-disciplinary festival alongside Albert Ayler and LaMonte Young, and show the Arkestra in full visionary flight. ‘Love In Outer Space’ and ‘Shadow World’ blend ritual chant, sci-fi groove and volcanic improvisation, while ‘Cosmic Explorer’ and ‘Spontaneous Simplicity’ show the group folding modal jazz into galactic swing and freeform abstraction. Organ blasts, interstellar percussion, surreal monologues and projections of Egyptian gods and rockets made this a total work. Caux’s recollections of stunned audiences match the recordings’ scale: volatile yet tightly bound, cosmic but rooted in Black American avant-garde traditions. This new Strut edition spans four CDs and adds extensive liner notes and restored photos by Philippe Gras, pulling the Maeght nights from myth into focus. It’s not a mere live document — more like a transmission, decoded decades later. If Ra was right that “space is the place,” this is one of its clearest signals.
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coming soon $37.59
(No payment required now - pay when released)
FORTHCOMING
Otis Blue: Otis Redding Sings Soul
Cat: CAPA 035SA.
 
Hip Hop/R&B
Review: The third studio release from Georgia-born vocalist Otis Redding captures one of soul’s most transcendent voices hitting his stride. Recorded at Stax in Memphis with the label’s legendary house band, the LP blends Redding originals like ‘Respect’ and ‘I’ve Been Loving You Too Long’ with impassioned reinterpretations of songs by Sam Cooke, B.B. King, the Rolling Stones, and more. Backed by Booker T. & the M.G.’s and the Memphis Horns, Redding delivers performances that are raw, urgent and unmistakably Southern — his voice rising from pain to exultation in a single breath. ‘Ole Man Trouble’ opens in a mood of wounded resolve, while ‘Change Gonna Come’ channels Cooke’s civil rights sorrow with a gut-punching tenderness. ‘Shake’ and ‘Satisfaction’ bristle with brassy energy, offering a grittier counterpoint to their original versions. Despite being largely composed of covers, every track is transformed by Redding’s vocal phrasing and the band’s immaculate drive. What results is a tight, 30-minute lesson in Southern soul, uniting gospel, blues and r&b into something wholly its own. It remains one of the most complete studio expressions of Redding’s short but seismic career — a benchmark of the genre and a defining record of the 60s.
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coming soon $46.00
(No payment required now - pay when released)
FORTHCOMING
Radio Dance Sometimes
Cat: PKC 004.
 
Minimal/Tech House
Colors In The Rain
Drama Major
Review: Paris-based artist Alex infuses his latest 12" with emotional clarity and cinematic weight, charting two personal chapters across a vivid stylistic spectrum. 'Colors in the Rain' unfolds slowly, stretching over nine minutes with plush chords, detuned synth spirals and muted percussion - evoking a kind of romantic unease that teeters between beauty and disorientation. It's club-ready but drenched in feeling, moving with the pacing of a memory. On the flip, 'Drama Major' leans further into a kind of pop-noir introspection: melodies rise, fragment, then reform with aching insistence over blown-out kicks and heavy low-end. Mastered at Dubplates & Mastering and distributed by Yoyaku, the record is technically pristine, but its emotional core is what lingers. Club music, yes, but made from the same raw material as heartbreak. Alex doesn't just score his own past here but offers a blueprint for others to make sense of theirs.
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coming soon $16.27
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FORTHCOMING
Buffalo Springfield
Buffalo Springfield (gatefold 180 gram audiophile vinyl 2xLP)
Cat: AAPA 02345.
 
Rock
For What It's Worth
Go & Say Goodbye
Sit Down I Think I Love You
Nowadays Clancy Can't Even Sing
Hot Dusty Roads
Everybody's Wrong
Flying On The Ground Is Wrong
Burned
Do I Have To Come Right Out & Say It
Leave
Out Of My Mind
Pay The Price
Review: This influential band's 1966 debut album is a landmark release that helped shape the trajectory of rock and roll, not only by introducing two of its brightest starsiStephen Stills and Neil Young, but also with its influential mix of folk-rock, country and psychedelia. Notably, 'For What It's Worth'', a track aimed at the counterculture of the time, became a defining anthem of the era. Other tracks like 'Go and Say Goodbye', 'Nowadays Clancy Can't Even Sing' and 'Hot Dusty Roads' highlight the band's ability to craft memorable, introspective songs. Now reissued on gatefold 180-gram audiophile vinyl, this version offers an opportunity to experience this classic with enhanced sound quality. A crucial part of rock history. It not only marked the beginning of their careers but also paved the way for the iconic collaborations that would follow.
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coming soon $77.41
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FORTHCOMING
UDG Ultimate Denon DJ SC Live 4 DJ Controller Cover UDG Ultimate Denon DJ SC Live 4 DJ Controller Cover UDG Ultimate Denon DJ SC Live 4 DJ Controller Cover UDG Ultimate Denon DJ SC Live 4 DJ Controller Cover UDG Ultimate Denon DJ SC Live 4 DJ Controller Cover UDG Ultimate Denon DJ SC Live 4 DJ Controller Cover
 
Lightweight, durable and eco-conscious cover for your Denon SC Live 4.
Notes: The UDG Equipment Cover is a high-end accessory designed to safeguard your essential DJ and audio gear - whether it's controllers, mixers, players, turntables, or interfaces. Engineered for precision, it's tailored to fit the most popular models perfectly.

Crafted from ultra-durable ABS polymer infused with eco-friendly recycled materials, this sleek, protective cover delivers rugged performance with a touch of class, thanks to its luxurious high-gloss black finish. It shields your gear from accidental spills, dust, and impacts - keeping your setup in pristine condition, gig after gig.

Lightweight and travel-ready, it slips easily into flight or soft cases for extra protection on the road. The UDG Equipment Cover is where sustainability meets style, reliability, and pro-grade functionality - perfect for DJs and audio pros, at home or on the move.

This is what UDG stands for: bringing quality, innovative DJ gear to the global community - built to perform, built to last.
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coming soon $50.48
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FORTHCOMING
SoMa Pulsar-23 Screw Organismic Drum Machine (rusty)
Cat: 1090681 • View all Drum machines
 
Organismic drum machine with screws
Notes: PULSAR-23 is an organismic drum machine designed by Vlad Kreimer. It has a semi-modular structure and consists of 23 independent modules. PULSAR can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage and powerful analog FX processor.

The PULSAR functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination.

Additionally, PULSAR offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations. PULSAR continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
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coming soon $1,716.79
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FORTHCOMING
SoMa Pulsar-23 Turret Organismic Drum Machine (rusty)
Cat: 1090668 • View all Drum machines
 
Organismic drum machine with turrets
Notes: PULSAR-23 is an organismic drum machine designed by Vlad Kreimer. It has a semi-modular structure and consists of 23 independent modules. PULSAR can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage and powerful analog FX processor.

The PULSAR functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination.

Additionally, PULSAR offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations. PULSAR continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
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coming soon $2,119.62
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FORTHCOMING
SoMa Lyra-8 8-Voice Organismic Analogue Synthesiser (rusty)
Cat: 1090679 • View all Synthesisers
 
8-voice organismic analogue synthesiser
Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
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coming soon $768.62
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FORTHCOMING
SoMa Cosmos Drifting Memory Station Effects Pedal (rusty)
Cat: 1090691 • View all Effects pedals
 
A drifting memory station designed to work with meditative states through music.
Notes: COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".
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coming soon $746.19
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FORTHCOMING
Killing Me Softly
Killing Me Softly (hybrid SACD)
Cat: CAPA 054SA.
 
Hip Hop/R&B
Review: A renowned and timeless soul masterpiece, this album was built upon simmering ballads, powerful message songs and excellent up-tempo tracks. Released in 1973, the album cemented Flack's status as one of the top-selling female vocalists across genres. The title track, which won the 1974 Grammy Award for Record of the Year, stands as a definitive moment in her career, featured her unparalleled vocal depth and emotional range. The sound quality of this SACD is exceptional, with superb clarity and transparency, delivering a rich, three-dimensional sound. The punchy bass and beautiful mix reveal deep spatial depth and air around each instrument, making this one of the most vivid and true-to-life renditions of the album available today.
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coming soon $44.88
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FORTHCOMING
Destino Scifosi
Destino Scifosi (yellow vinyl LP)
Cat: STD 44C.
 
Post Rock/Experimental
Destino Scifosi (part 1) (20:13)
Destino Scifosi (part 2) (20:19)
Review: The cult Kraut/psych/folk/drone outfit France, celebrated for crafting sound that transcends typical genre constraints with atmospheric richness, make an unprecedented leap in their latest release. Teaming up with French underground group Standard In-Fi and Belgian label a1000p, the band embraces an unconventional approach to both performance and recording. The idea was born from a chance encounter between the band and Mim, the sound engineer behind a1000p, who proposed bringing his studio gear directly to a live show. After a failed attempt at a traditional studio session, they settled on something more radical: recording live in an open-air amphitheatre in the French countryside. In 2022, Mim partnered with the Rituale Festival to make the dream a reality, arranging a concert at St. Roman de Codieres, near his vineyards. With the amphitheatre nestled in a valley, Mim meticulously set up his equipment, deploying an array of mics to capture both the immediate and distant sounds of the performance. The resulting sound is nothing short of remarkableian enveloping blend of rawness and finely tuned acoustics with the recording process, intricate and expansive, ensuring every subtle detail of the band's sonic journey is preserved. Whether it's the swirling folk melodies or the layered drones and psych flourishes, the mix elevates their sound to new heights here.
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coming soon $28.90
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FORTHCOMING
Diamond Boost/EQ Effects Pedal Diamond Boost/EQ Effects Pedal
Diamond Boost/EQ Effects Pedal (dynamics effects pedal)
Cat: 1090059 • View all Effects pedals
 
Booster and EQ pedal designed as a "compression-less" version of the Diamond Compressor.
Notes: The concept for Diamond Pedals' Boost/EQ began in the early 2000s, with a request for a 'compression-less' version of the famed Diamond Compressor - combining a clean boost circuit with the Compressor's Tilt EQ.

Nearly 20 years after the resulting original pedal's launch, we've re-imagined this idea on the same platform as the Comp/EQ. Introducing the next-generation Diamond Boost/EQ. This versatile, low-noise pedal delivers a punchy, dynamic sound that's ideal for any set-up

Taking the lively, high-fidelity gain stages of the Comp/EQ, the Boost/EQ offers plenty of punch while maintaining clarity and transparency. While the Tilt and Mid controls give you complete freedom to sculpt your tone. Need more sparkle? Dial it in with the Tilt knob. Looking for a midrange boost to cut through your solos? The Mid control has you covered. Want to make your Marshall tone a bit more Fenderesque? It's all possible with Diamond's Boost/EQ.

In addition, the Boost/EQ features a second mode that provides a low-gain overdrive - transparent, yet full of character. This makes the Boost/EQ the ultimate Swiss Army knife for your pedalboard, combining clean boost, tone shaping and overdrive, into one powerful and versatile pedal.

The Boost/EO offers 2 distinct modes of operation. The first is a clean boost mode designed to increase the output of your signal enabling you to beef-up low-output pickups, drive tube amps and dirt pedals for increased sustain and saturation or simply have your solos jump out in the mix.

Set to the OD mode, the gain structure of the pedal is modified and soft clipping diodes are added to the circuit. This provides smooth, transparent, musical distortion that ranges from just a touch of hair and harmonic overtones, to a nice low to mid gain overdrive. Depending on where your Boost/EO is placed in your signal chain, it will either deliver an increase in volume or distortion/saturation. Place it at the end of your pedal chain or in an amp's series FX loop for a volume boost. Put it in front of your drives and fuzzes for more gain and distortion.
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coming soon $241.25
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FORTHCOMING
LClub Dub Edits 03
Cat: LCLUBDUB 003.
 
Minimal/Tech House
Come Into My Life
No Scrubs
Thunderstruck
Review: The third dub edits release by Iberian house pushers LClub reveals a fascination with everything from old disco-soul to r&b to stadium rock, as yet another unknown artistic wax lobbing serves to shatter our resident dancefloor with various samples and edits. After the last edition ran up a wicked Pet Shop Boys and Fugees rearrangement, now comes an upping of the temporal stakes through an A-sider rerub of Joyce Sims' 'Come Into My Life', followed by a digi-guitarred TLC 'No Scrubs' version, and then an AC/DC remix replete with wobble board acid licks throughout, 'Thunderstruck'.
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Tags: Minimal
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coming soon $21.32
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FORTHCOMING
Welcome To My Nightmare
Cat: CAPA 015 SA.
 
Rock
Review: 1975 marked a defining moment in the Alice Cooper character arc, with the release of Welcome to My Nightmare, a concept album reiterating the Kiss member's theatricality, storytelling skills, and knack for all things phantasmagoric. From 'Welcome to My Nightmare', listeners are plunged into a dark fantastical nether-realm, with added orchestration lending Cooper's craft a Burtonesque grim like never before. In collaboration with longtime producer Bob Ezrin, Cooper impelled many memorable spirits here, naturally forming the sonic backbone of the eponymous, accompanying concert film (1975) produced by David Winter. The album's breakout hit, 'Only Women Bleed', reached the Top 5 and played a major role in propelling Welcome to My Nightmare to multi-platinum status.
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coming soon $45.16
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FORTHCOMING
Open
Open (180 gram vinyl 2xLP)
Cat: HEISTLP 03.
 
Deep House
Home
Not Enough (feat Haile Supreme)
The Present Is Always Perfect
Girl (feat Faye Meana)
Run, Run, Run
Only Ever Now
Open (feat Samson)
I Need You
Bloom (feat Joep Beving)
Some Day (feat Ric Wilson)
Kiki (feat LYMA)
Is This Love?
It's Okay, I Can Wait
Closer
Review: Amsterdam-based duo Maarten Smeets and Lars Dales - Dam Swindle - offer us their album, Open, prying ajar our otic tract with 14 quixotic tracks. After years of introspection, Open marks a rupture, as the pair break from their preeminent deep house for an even-deeper-down embrace of the lower tempi, with them now incorporating synthwave, hip-house, and ambient elements. A first taster comes with the smoothly lavished 'Girl' with Faye Meana, while 'Bloom' with Joep Beving develops the theme of self-analysis through well-shovelled deep house chords. Still reining in some four-to-the-floor precepts, Dam Swindle have nonetheless presented their most heartfelt and least harried detour to date.
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coming soon $26.36
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FORTHCOMING
Night Out
Night Out (12")
Cat: HARMONY 019.
 
Techno
Alfred Czital - "Universal Language"
Ayu - "Magnetic"
Alfred Czital & Ayu - "Physical"
Alfred Czital & Ayu - "Love Letter From Montevideo"
Review: Alfred Czital and Ayu return for their third collaboration and second outing on this Prague-based label. This tightly curated EP blends melodic techno with futuristic trance textures. The result is a spacey and emotionally charged journey. The A-side opens with Czital’s solo cut 'Universal Language', is a soaring piece of melodic techno that builds with elegance and power. Ayu’s 'Magnetic' follows as an uptempo workout with clever vocal fragments and percussive precision. On the B-side, the duo join forces. 'Physical' is a clear homage to late 90s trance, evoking memories of peak-time anthems with lush pads, glimmering synth leads and a sense of emotional urgency. 'Love Letter From Montevideo' closes the EP on a deeper, darker note that is rooted firmly in techno. Altogether, this EP is a sleek, high-level fusion of techno and trance that pushes both genres forward while nodding respectfully to their roots.
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coming soon $15.15
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FORTHCOMING
SCHARNHORST 006
Cat: SCHARNHORST 006.
 
Techno
3
J1
Review: RP returns to a regular label stopoff, Scharnhorst, for two new minimal flips. Their sixth record portrays an unbothered and comedic approach, playing it "fast and loose" when it comes sampling popular music, as the label heads tend to put it. In other words, and in this case, the A-sider '3' hears RP reinterpret Imogen Heap's 'Hide And Seek' to propulsive effect; Heap's original basks in the sheer potency of its vocoded chord layers, and almost begs for continued reinterpretations and embellishments; RP obliges, lending the track a truly minimal forward-drive which we're surprised hasn't been indulged before (in all honesty, it probably has, but this one probably blows other contenders out of the park). 'J1', meanwhile, recycles the vocals of an admittedly unknown tune (unknown to us), but still entices us with its folktronic kicks and knocks and light-as-feathers guitar arps, also set to a prog minimal movement.
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coming soon $15.15
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FORTHCOMING
No Format! Remixed 2004-2024
VARIOUS
Cat: NOF 62LP.
 
Experimental/Electronic
Melissa Laveaux - "Kouzen" (Melanie Charles remix)
Msaki X Tubatsi - "Zibonakalise" (Vigro Deep remix)
Mamani Keita - "Nenibali" (Catu Diosis remix)
Gerald Toto, Richard Bona, Lokua Kanza - "Youwile" (Hagan remix)
Que Vola ? - "Iyesa" (KEENE remix)
Lucas Santtana - "Ninguem Solta A Mao De Ninguem" (Luana Flores remix)
Koki Nakano - "Mue" (Sofie Birch remix)
Blick Bassy - "Woni" (Vanyfox remix)
Asynchrone - "Plastic Bamboo" (Shinichiro Yokota remix)
Review: No Format! Remixed 2004-2024 offers a captivating selection of reimagined tracks from the French label's eclectic roster. Melissa Laveaux's 'Kouzen' (Melanie Charles Remix) sets the tone with a soulful depth, while Msaki x Tubatsi's 'Zibonakalise' (Vigro Deep Remix) introduces a pulsating, hypnotic groove. Catu Diosis' remix of Mamani Keita's 'Nenibali' adds a bold, electronic energy, and Hagan's 'Youwile' remix brings atmospheric elegance. With each track, the compilation celebrates musical fusion and innovation, offering fresh perspectives on familiar sounds and reaffirming No Format's commitment to boundary-pushing artistry.

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Played by: Charles Webster
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coming soon $26.36
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FORTHCOMING
Fillmore West, San Francisco 1966
Fillmore West, San Francisco 1966 (translucent blue vinyl LP)
Cat: FLOATLP 6475.
 
Rock
Review: Captured during a fiery two-night stand at the Fillmore Auditorium in October 1966, these recordings catch the Paul Butterfield Blues Band at full throttle: lean, charged, on the edge of (controlled) chaos. Broadcast six years later on KSAN during Bill Graham's takeover of the station, the sets offer a rare document of the band's searing live form. With Paul Butterfield on harp and vocals, Mike Bloomfield and Elvin Bishop duelling on guitars, and Mark Naftalin's swirling organ lines, this was the group's classic lineup pushing electric blues into new terrain. The final stretch brings a heavyweight finale: Muddy Waters and Luther Johnson join for the last four tracks, adding deep Chicago grit to an already smouldering set.
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coming soon $24.41
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FORTHCOMING
Mystikal Majic
Cat: ITRLTD 05.
 
Deep House
Mystikal Majic (James Curd remix)
Mystikal Majic (Sofatalk remix)
Mystikal Majic (extended original mix)
Mystikal Majic (unreleased demo)
Review: Heads roll, as Lee 'Scratch' Perry's final known recording is revealed to the world, proving fraudulent any would-be counterclaimants to the title. Australian beatmaker Inkswel was the lucky artist to finally hook up with the late Upsetter: originally featured on his 2022 album Chasing Infinity (Cosmocities), the track blends a twisted, beat-boogie-influenced dub vibe with Perry's signature woozy wails. Now fellow progressive house producers James Curd and Sofatalk bring their unique takes across three remixes on fresh 12" vinyl, extending the original mix astride a never-before-heard demo, leaving the door ajar for fans to peek in to the song's making.
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coming soon $19.91
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FORTHCOMING
Buffalo Springfield Again
Buffalo Springfield Again (gatefold 180 gram audiophile vinyl 2xLP)
Cat: AAPA 02445.
 
Rock
Mr Soul
A Child's Claim To Fame
Everydays
Expecting To Fly
Bluebird
Hung Upside Down
Sad Memory
Good Time Boy
Rock & Roll Woman
Broken Arrow
Review: Buffalo Springfield's second album hears a reissue through Analogue Productions US. In the words of AllMusic, this record saw a decentralising of Springfield's band, with a tacit sprawling out of instrumental and production duties by the members informing on this blues folk-tinged, early psychedelic rock magnum. The mood is quotidian but fantastical at the same time: "Every day's a killing time, sun comin' up outside, no matter what this time, Saturday's child stays home..." goes the idling line on 'Everydays', just before a searing distorto-guitar note interrupts and cuts across an otherwise picturesque scene. Smooth to the point of cosmic, the record also benefits from orchestral Americana romances, which hardly signify the to come later: there's no way the idyllic 'Expecting To Fly' could predict the endless twangoffs of 'Hung Upside' for a second.
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coming soon $79.39
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FORTHCOMING
In Limerence
In Limerence (coloured vinyl LP (indie exclusive))
Cat: ALONVX 003.
 
Folk/Americana
Glimmer
Of Amber
Don't Fall Asleep
I Couldn't Feed Her
Confession
Elijah
Liquid Gold 25
August Moon
Home Tapes
Zathura
Fairy In A Bottle
Sertraline
Review: Dorothy Tennov's tenuous concept of "limerence" has fuelled many an artistic outing and project, most notably in recent times an Yves Tumor star cut from the ineluctable PAN compilation, Mono No Aware. But it's UK rising indie star Jacob Alon's new and debut album, In Limerence - wuthering on the bloodied tips of his last 10" 'To Selene' and forerunning 7" 'Liquid Gold 25'- that perhaps really does the most thoroughgoing justice to the erotomanic, smitten concept of impossible, obsessive love. Bold electric modern folk reimaginings and wambling blears are brought out lovingly by speedy hothouser producer Dan Carey, ensuring Alon's ethereal vocals effuse over evocative storytelling on 'Fairy In A Bottle' and 'Confession'.
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coming soon $23.55
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FORTHCOMING
Son Of Dad (Deluxe Edition)
Cat: BIGD 1699281.
 
Folk/Americana
Review: Stephen Wilson Jr. brings a raw and personal lens to music, shaped by his roots in Indiana and life in Nashville. His deluxe edition of Son of Dad expands on the autobiographical debut, reemerging with two new live tracks: a stirring rendition of Ben E King's 'Stand By Me' and the powerful tribute 'I'm A Song', written for his late father. On top comes overlaid ten, stripped-back acoustic takes on fan favourites such as 'Cuckoo', 'Year To Be Young 1994', and 'Grief Is Only Love'. The deluxe four disc vinyl edition comes after a strong run on the iTunes country chart, where the album remained in the top ten for seven weeks. Wilson Jr.'s momentum continues with a sold-out tour and a growing presence on late-night TV, including appearances on Seth Meyers, Colbert, and Jools Holland.
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coming soon $122.03
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FORTHCOMING
Hollywood Dreaming
Cat: EXUMG 16.
 
Soul
Hollywood Dreaming
Got To Get Away
Review: Originally hailing from Washington DC, Father's Children were one of the capital's most promising funk outfits in the late 70s. This new 7" reissue on South Street Soul revives two prized tracks from their Mercury Records era, produced by Wayne Henderson of The Crusaders. 'Hollywood Dreaming' is a breezy, rolling slice of mellow soul-funkithe sort of elegant groove that turns up on late-night radio, all gentle clavs and cruising vocals. Flip it and 'Shine On' turns up the energy, driven by a snapping slap bassline, crisp brass jabs and a slick group vocal arrangement. Both cuts originally appeared on their 1979 LP, but the original 45 has long been a holy grail for collectorsifetching triple digits. This reissue not only preserves the format but delivers on fidelity and style, giving DJs and heads alike a long-awaited chance to spin these Washington-grown grooves without fear of shelling out a fortune.
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coming soon $15.70
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FORTHCOMING
White Gloves
White Gloves (limited numbered 7")
Cat: ALN 74005.
 
Psych/Garage Rock
Review: One of several debut singles by Khruangbin, 'White Gloves' sweltered in with a mellow sway that would soon become their calling card. 'White Gloves' rode a wistful bassline and slackened drums, built around a hazy guitar riff and Laura Lee's near-whispered vocal - "she was a queen" - as much lullaby as lament. As ever drawing from Thai funk, 60s surf and gospel, the track established Houston trio's knack for folding global references into something spare and dreamlike. Now again released via Late Night Tales offshoot Night Time Stories, it marked the start of their partnership with producer Steve Christensen, whose hands-off touch would help sculpt their fluid, lo-fi feel across their early run.
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coming soon $27.21
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FORTHCOMING
Teia Ripwave Compact Analogue Timbre Oscillator Module Teia Ripwave Compact Analogue Timbre Oscillator Module
Cat: 1091415 • View all Synth modules
 
A compact analog VCO designed for rich sonic exploration and offering a wide range of timbral variation - from saturation, wavefolding, pulse width modification and more - 6HP.
Notes: RipWave is a compact 6HP analog VCO designed for rich sonic exploration in a small footprint. At the heart of its design is the Transform knob: a unique, voltage-controllable parameter that shapes the character of each waveform. It offers a wide range of timbral variation, from saturation to wavefolding, harmonic morphing, and pulse width modulation, all in a single control.

On the Sine output, the Transform knob applies a tanh() saturation circuit, gradually shaping the waveform from a pure tone into a warmer, slightly overdriven version. As you turn the knob, the wave is smoothly compressed and harmonics are introduced, adding character without harsh clipping.

For the Triangle wave, turning the Transform knob folds the waveform through a transistor wavefolder, shaping the timbre of the signal by adding harmonic complexity. An additional soft clipping diode saturation stage keeps the amplitude in check, taming peaks while introducing additional character.

In the case of the saw output, the waveform is generated by combining two complementary signals: one waveform containing only odd harmonics, the other only even harmonics. The Transform knob controls the balance between them. At the center position, both are equally summed to produce a Sawtooth wave. Turning the knob blends between the two, letting you isolate odd or even harmonics and shape the timbre across a wide range of harmonic textures.

The Transform knob performs a more traditional role with the Pulse wave, acting as a pulse width control. At the center position, it produces a classic Square wave with a 50% duty cycle. Turning the knob shifts the duty cycle toward narrower or wider pulses, delivering the familiar pulse width modulation sound.

An octave switch provides quick transposition and includes an LFO mode for low-frequency modulation duties, allowing RipWave's uniquely shaped waveforms to be used as modulation sources. RipWave also features both sync and linear FM inputs. The sync input allows the oscillator to be reset by an external signal, creating harmonically rich or rhythmically locked results depending on the source. A rear-panel jumper lets you select between hard and soft sync modes to suit different patching contexts.

The linear FM input offers a wide modulation range, from subtle pitch modulation and vibrato to deeper, more complex timbral shifts depending on modulation depth.

Though initially designed as a companion for VastWave, RipWave has developed a strong identity of its own. It performs equally well as a standalone oscillator in a compact system or alongside its larger sibling. Whether used for Lead voices, complex layering, or modulation, it delivers a wide range of shaping options. From warm tones to ripping textures, RipWave pushes all waveforms into harmonically rich territory, making every output well suited for East Coast - style subtractive synthesis as well as West Coast - style waveshaping systems.
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coming soon $223.29
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FORTHCOMING
Hush EP
Hush EP (12")
Cat: MW 012.
 
Techno
Klobb
You're Slipping Away
Hush
Am I Making Sense
Rana Temporaria
Review: With nearly 20 releases under his belt, this seasoned German producer delivers a strong techno EP that fluidly bridges multiple styles while maintaining a cohesive, forward-facing vision. Drawing from techno, tech house, electroclash and even breakbeat house, the EP moves with confidence and a subtle experimental streak. 'Klobb' starts with a sleek and sleazy futuristic edge. Its dark, pulsing rhythm and eerie melody create a fun-but-serious mood. 'You’re Slipping Away' follows, diving deep into EBM and darkwave-inflected territory. It’s a relentless and commanding track. 'Hush' flips the energy on its head, a welcome slowdown that leans into downtempo vibes. The B-side has 'Am I Making Sense', a bold techno cut with pristine sound design and a sense of urgency. It’s big and atmospheric, with drums that punch through the mix cleanly. The EP closes on 'Rana Temporaria', a track that combines dynamic groove work with melodic tension and a slightly edgy twist. An ideal closer for a set or a record that resists easy categorisation. A confident, genre-fluid EP with some versatility too.
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coming soon $18.23
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FORTHCOMING
Lovin' You (Lovers Reggae Mix)
Cat: JESE 4347.
 
Roots/Lovers Rock
Lovin' You (Lovers Reggae mix)
Empire State Of Mind (part 2)
Review: Japanese singer-songwriter Calyn Tsukishima offers a fresh take on two iconic tracks with her reggae covers. Her rendition of Minnie Riperton's 'Lovin' You' is a smooth, emotional journey, with Tsukishima's glossy vocals building in intensity, pulling the listener into a warm embrace of lovers' reggae. This cover offers a unique yet faithful reimagining of a classic, with the gradual swell in her singing perfectly complementing the track's inherent tenderness. On the B-side, Tsukishima takes on Alicia Keys' 'Empire State of Mind (Pt. 2)' in a ska reggae style, the upbeat rhythm and catchy horns injecting a lively, fresh energy into a song often tied to urban grandeur. A must-have for reggae enthusiasts and those eager to hear beloved songs through a different lens.
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coming soon $39.56
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FORTHCOMING
Nu Relix EP
Cat: BSU 013.
 
Deep House
Play2win
Grow Up
Livin' Under Clouds (Zenzitiv dub)
Subaqua
Review: Garrett David has always been tasteful - but here he sounds hungry. The longtime Chicago selector and Gramaphone mainstay has spent years gently refining his sound: clean, club-conscious, and unmistakably steeped in the US house tradition. But this is different. 'Play2Win' kicks things off with a mean streak - stripped-back but twitchy, all pressure and paranoia, like he's dialled into the dead-eyed hour just before sunrise. 'Grow Up' flips the mood entirely: warmer, wiser, swung to perfection, like Mood II Swing after a week off social media. On the B-side, things stretch out. 'Livin' Under Clouds (Zenzitiv Dub)' is pure humid hypnosis - chords refracted into dubby bliss, with just enough grit to keep your shoulders moving. 'Subaqua' closes the set in high style, with melodic flourishes rising and falling like breath. There's no filler here, no nostalgia trip - just deep house with real personality. Butter Side Up is fast becoming one of the most dependable labels in the UK. With this one, they've struck gold - again.
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Tags: Tech House
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coming soon $15.43
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FORTHCOMING
89! Gloom
89! Gloom (hand-stamped 12")
Cat: ITX 038.
 
Deep Dubstep
Left Hand Path
89! Gloom
Shake And Lurk
Review: Sheffield artist Commodo - long a mainstay of Deep Medi and Black Acre - hooks up with Turkish dubstep producer Gantz again here to explore heavy low-end percolations on Ilian Tape's revered ITX Series. 'Left Hand Path' has earth-shattering kicks and scraping hits that are coated in lo-fi and grain pads for ultimate subterranean menace. '89! Gloom' is a more nimble rhythm with a slippery lead line bringing extra movement as the low-end throb keeps you locked. 'Shake And Lurk' closes out with some brighter melodic intrigue to bring a ray of optimism to the glory but brilliant bass.
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coming soon $15.15
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FORTHCOMING
UDG Ultimate Native Instruments Maschine+ & Maschine MK3 Groovebox Cover UDG Ultimate Native Instruments Maschine+ & Maschine MK3 Groovebox Cover UDG Ultimate Native Instruments Maschine+ & Maschine MK3 Groovebox Cover UDG Ultimate Native Instruments Maschine+ & Maschine MK3 Groovebox Cover UDG Ultimate Native Instruments Maschine+ & Maschine MK3 Groovebox Cover UDG Ultimate Native Instruments Maschine+ & Maschine MK3 Groovebox Cover
 
Lightweight, durable and eco-conscious cover for your Maschine+/Maschine MK3.
Notes: The UDG Equipment Cover is a high-end accessory designed to safeguard your essential DJ and audio gear - whether it's controllers, mixers, players, turntables, or interfaces. Engineered for precision, it's tailored to fit the most popular models perfectly.

Crafted from ultra-durable ABS polymer infused with eco-friendly recycled materials, this sleek, protective cover delivers rugged performance with a touch of class, thanks to its luxurious high-gloss black finish. It shields your gear from accidental spills, dust, and impacts - keeping your setup in pristine condition, gig after gig.

Lightweight and travel-ready, it slips easily into flight or soft cases for extra protection on the road. The UDG Equipment Cover is where sustainability meets style, reliability, and pro-grade functionality - perfect for DJs and audio pros, at home or on the move.

This is what UDG stands for: bringing quality, innovative DJ gear to the global community - built to perform, built to last.
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coming soon $33.65
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FORTHCOMING
Iboga : The 12'' EP Part 1 Extended Versions
Cat: IBOGA EP 1 RED.
 
Deep House
New Africa
Griot Ba
The Ya Yo People
Drum Sore
Review: For the latest offshoot of his ongoing 'unofficial edits and overdubs' rework project, New York house/disco mainstay Joaquin 'Joe' Clausell has decided to turn his hand to "African classics', delivering what he describes as "psychedelic takes". On this EP, the first of two, the Body & Soul NYC resident offers up extended revisions of a quartet of cuts. He begins with 'New Africa', wrapping a gorgeous sand gently soulful vocal workout in spacey synths and layers of spiritual house percussion, before upping the tempo on the breathless and brilliant 'Griot Ba'. His love of deep, dubby basslines, restless percussion and delay-laden vocal snippets comes to the fore on EP highlight 'The Ya Yo People', whjle 'Drum Sore' - a version of what sounds like an early to mid 1980s number - very much lives up to its name.
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coming soon $27.50
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FORTHCOMING
Trodding On
Cat: BAT 016.
 
Roots/Lovers Rock
Trodding On Jah Road
Trodding On Dub
Start A Revolution
Start A Revolution (dub)
Fittest (Discomix)
Problems
Problems (dub)
Run
Run (dub)
Review: French producer duo Dub Shepherds team up with Clermont-Ferrand vocalist Junior Roy for a nine-track set that follows the traditional showcase format: each vocal cut is paired with its dub. The A-side opens with 'Trodding On Jah Road' and 'Start a Revolution', both built on heavyweight rhythms and restrained instrumentation. Roy's delivery is clean and direct, rooted in 80s-style cadences without overplaying the retro angle. 'Fittest (Discomix)' stretches the format slightly, offering a longer vocal-to-dub transition. Side B begins with 'Problems' and its dub version, again prioritising balance over effects. 'Run' leans into a looser melodic structure, while the dub flips it into a more echo-driven space. The overall mix i handled by Jolly Joseph and Doctor Charty i keeps the low end upfront, but avoids excess. The dubs are labelled "Hardmix", though the approach stays disciplined: no over-saturated FX chains, just clean edits and steady pressure. A solid roots release from a studio clearly comfortable in its identity.
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coming soon $25.25
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FORTHCOMING
The Genius Of Ray Charles
The Genius Of Ray Charles (gatefold 180 gram audiophile vinyl 2xLP)
Cat: AAPA 06645.
 
Soul
Let The Good Times Roll
It Had To Be You
Alexander's Ragtime Band
Two Years Of Torture
When Your Lover Has Gone
Deed I Do
Just For A Thrill
You Won't Let Me Go
Tell Me You'll Wait For Me
Don't Let The Sun Catch You Cryin'
Am I Blue
Come Rain Or Come Shine
Review: Ray Charles stands at the crossroads of 20th-century music i born in Georgia and raised in Florida, he emerged from the Jim Crow South not just as a titan of rhythm and blues but as a shape-shifting interpreter who redefined genre boundaries by sheer force of personality. On this early landmark, his voice is the instrument i bold, broken and utterly assured. The first half pairs him with a brass-soaked big band stacked with Basie and Ellington sidemen; 'Let the Good Times Roll' and 'It Had to Be You' swing with a mischievous, winking power, while 'Two Years of Torture' is pure stage-lit agony, with Charles unflinching in the spotlight. The second half turns orchestral, lush but never polite i 'You Won't Let Me Go' and 'Come Rain or Come Shine' turn show tunes into prayer, soul bleeding through every note. Charles strips these standards of their Broadway polish and threads them through lived-in phrasing, delivered from the gut. It's a feat that would shape his catalogue for decades, but rarely with this much risk or reward.
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coming soon $81.91
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FORTHCOMING
Waves
Waves (pink vinyl LP)
Cat: UNIQ 3083.
 
Funk
Love Is A Distraction (feat J Mahon)
Unstoppable (feat Emma Noble)
Save (feat Gerry Love)
Going Going Gone (feat J Mahon)
Death Of A Hypocrite
Heartbreak (In A Really Good Way) (feat J Mahon)
Caught In Your Web (feat Nicke Andersson)
Swinging Party (feat J Mahon)
Ride
Maggot Brain (feat J Mahon)
Common Stranger (feat Audrey Olleson)
Review: Frank Popp Ensemble's fourth album, Waves, arrives via Unique Records, building on an eccentric "one-man concept" project that has enjoyed close to two decades of Northern soul vibe recreating. Recorded in Spain over 2024, the new LP shares a bed with its predecessor, Receiver (2009, as Gerard Love lends his voice to a new render of Popp's plush 2004 tune, 'Save'; Love previously appeared on the Under Covers compilation with a Frank Popp cover and returns here with striking effect. Also featured is Nicke Andersson - veteran of Entombed, Hellacopters, and The Solution - bringing a punky energy to 'Caught in a Web', a Northern Soul burner with an unmistakable Magic Touch swing. Emma Noble, meanwhile, beams with shimmering girl-group charisma on 'Unstoppable'.
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coming soon $26.65
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