Review: Italo disco heads take note, here's a quintessential one-hit wonder from a mystery crew known only as Kash. Arriving in 1981, this particular release leans more towards the organic, band-led sound of the 70s with some choice synth flourishes on top, rather than the more driving sound which would catch hold further into the 80s. 'Supercool' is a bubbling, funky-as-hell joint which will loosen up any dancefloor with ease, but 'Percussion Sundance' might well be the popular pick here thanks to its outstanding drums and hazy ambience. It's an essential purchase for anyone who loves a proper disco curveball made the classic way.
Review: Curtis L. Kendrick is a Rochester-based artist who single-handedly crafted and produced his debut solo album, 3rd Degree. It came all the way back in 1982 on a small and limited run of 200 cassettes and so years later it is still a much sought-after classic and has even reached 'holy grail' status amongst those who know. Prime Time has now got this special 7" which is the first single, 'Heartbeat,' off his upcoming new album. On the flip is a reimagined version of Curtis' super soulful track by Brian Ellis, who is the pride of Escondido, CA. Ellis is a talented multi-instrumentalist who adds his unique blend of magic and menace to the original and brings it right up to date.
Review: You might well have caught wind of Kenny Dope's exhaustive Wild Style Breakbeats box set which came out in 2014. It found the New York legend offering up six 7"s carrying iconic breaks used in seminal hip hop movie Wild Style. Well now you can cop something from that highly sought after box and enjoy it for yourself as the first disc gets its own individual release. On the A side we've got the low slung bass and dusty groove of 'Down By Law', and on the flip it's 'Subway Beat' with a sweet low funk groove. Both should evoke strong memories for anyone versed in the roots of hip hop culture, but regardless they're just kick ass beats you could have a lot fun juggling and blending into other people's music.
Review: Available in extremely limited quantities, this new 7" from Burning Soul arrives in both black, or as we have it here, white, and it's another gem from Kidding that keeps up this fine Swiss label's high-quality output. The A-side bursts to life with 'Seriously,' a blistering funk anthem infused with Hammond-organ melodies, underpinned by a deep bass groove and gritty guitar licks. Flipping over to the B-side, 'Komet Ride' kicks up the tempo with even more vigorous drumming and exhilarating organ solos. It's a whirlwind of funk brilliance, underscoring Kidding's knack for delivering electrifying musical adventures.
Review: It's always a good day when a new Burning Soul 7" drops in our laps and this new one is another standout that comes in very limited quantities on either black or white vinyl. It's the great work of Kidding and opens with 'Seriously' which is a Hammond-organ laced and flame hot funk workout with low-slung bass and lots of great grit riffs. The flipside picks up the pace with 'Komet Ride' which has even more energetic drums and even more mad finger action on the organ. Frenetic funk of the highest order.
Review: The latest missive from modern funk maestros The Sleeperz Records is a red seven-inch double header that pairs Canadian neo-boogie queen Maya Killtron (a label regular) with two similarly minded producers. She joins forces with Andrew Napoleon on A-side 'Body Fly', a glossy slab of mid-80s synth-funk/synth-pop fusion rich in squelchy P-funk bass, bright lead lines and colourful chords. Estonia-based Latvian Artis Boris sits in the producer's chair on side two, underpinning a typically expressive and soulful Killtron vocal with sinewy strings, modern boogie grooves and nods aplenty to early 1980s disco. Naturally, the sound is nostalgic, but both cuts sound undeniably fresh.
Review: The King Rooster are practitioners of deep funk and now come back strong with more of the same on the Basel-based label Burning Sole. They kick this one off with 'Bush Drop' which is a hard hitter featuring some superb organ work and great wah-wah top lines played by James Forster. Mark Claydon and Ian Stevens' bobbing bass drives the whole thing along nicely. Flip it over and you will find 'Dirty Cop' which is one to keep the party vibes alive as it lays down killer breakbeats and 70s-tinged funk sound.
Review: Kinsman Dazz Band was founded in 1976 in Cleveland, Ohio and was a composite of jazz fusion band Bell Telefunk and Mother Braintree. They set out to make danceable jazz and did so with aplomb. They joined Motown 1980 and had some r&b hits both major and minor. They have penned more than 20 albums in their long career and now some of their more recent tracks - namely 'Ghetto Preacher' and the follow up 'Saved' make it onto this newly pressed up 7", together for the first time.
Review: "You've never really lived" is usually the kind of thing one might hear in a school playground, but Frederick Knight meant it to lament a close love interest's lack of ever having fallen in love. "Do you know how it feels to fall in love?" trills the Alabama soul great's distinctively high vocals, as a complex yet lulling backing beat sends us bowling straight down the love train's tracks. Fun fact: these tracks are never-heard-before rarities, preceding the artist's biggest run of commercial success in the mid 1970s. The B, as well, is a highly sampleable and minimal synth-soul affair, with honest sonics and sad themes to boot.
Review: Absolute funk fire from Gladys and co; "Love Is Always On Your Mind" is arguably one of their most overlooked jams in history. Heavily swung and quite gritty in comparison to their other work, it's an instant floor display lavished with stacks of energy and groove. Flip for the heavily referenced, sampled and edited 1980 classic "Bourgie Bourgie". Silky soul disco at its finest. Another white hot reissue success from Buddah.
Review: Hot on the heels of his Discosaurs EP, which saw him expertly re-edit a swathe of obscure disco jams, Pascal Garnier AKA Krewcial delivers another hot-to-trot dose of dancefloor focused rearrangements. This time round, he's chosen to do a bit of (we think) multi-track "versioning", offering a trio of reworks of the same killer cut: Chaka Khan's 1980 disco hit 'Clouds'. The 'Extended Clouds' version is fairly faithful to the original, just longer and even more epic. Arguably more revolutionary and revelatory is the 'New Clouds' take, which opts for a denser, more freewheeling disco-funk sound with crunchy guitar licks aplenty and heavier bass. On the 'Acoustic Clouds' take he removes the groove entirely, instead showcasing Chaka's vocal and the original instrumentation. It's a real treat!
Review: 2 more gems from the ever growing Dynamite Cut 7 inch series. First up and first time ever on a 45 featuring Linda ''Tequilla'' Logan on vocals on a dirty funk drenched groove. On the flip the rare super sexy 7 inch version of the infamous Turn Off The Lights taken from the original tapes is presented here. Infectious essential classic funk for the nu & old generation alike.
Review: This is the debut release by the French duo Last Bongo In Paris, also known as Cleon & Jazzy Pidjay. Both are DJs and producers with a background in Latin funk and jazz-funk, and these influences more than strongly shine on 'Green Season', a release whose priority is heavy breakbeats backed by a whismical, live-instrumental flavour. The title track swims and sways through meandering kazoos and psychedelically-filtered falsettos, while the B-side brings up the flip with yet three more incredible live-but-edited-in-post numbers, plus a really weird, never-heard-before 'Bonus Scratch'.
Review: Dynamite Cuts is one of the most aptly named labels in the game. Its latest releases have focused on The Last Poets with 'Tribute To Obabi' droopy on the same day as this one to kick off 2023 in style. As per that 45rpm, this one features a special 7" edit of a longer tune in 'Blessed Are Those Who Struggle'. It's laced with musings on oppression and slavery with funky drumming and speak-sung vocals making for a compelling mood. On the A-side is the Afro-jazz of ''It's A Trip' complete with unique vocal styles and funky basslines.
Review: 1977's Delights of the Garden, which saw The Last Poets accompanied by legendary soul-jazz sticks-man Bernard Purdie, remains one of the proto-rap innovators' greatest albums. The team behind the Dynamite Cuts label clearly agree, because they've decided to stick two of the set's most magical tracks on one must-have 45. On the A-side there's a chance to savour LP highlight 'It's a Trip', where the band sings and speaks over skittish, loose-limbed Purdie breakbeats, fizzing funk guitars and rubbery bass. Turn it over for special (and tastefully executed) 7" edit of 'Blessed Are Those Who Struggle', a classic chunk of politically charged proto-rap featuring killer drum work from the ever-impressive Purdie. In a word: essential!
Review: Featuring the world famous London Community Gospel Choir (LCGC) remixed here by Ayce, 'Rather Be' is a masterpiece, blending soul, funk and house with gospel-tinged vocals from Annette Bowen. The mix elevates the original, adding a contagious funk groove that brings joy to every beat. The uplifting choir harmonies, sublime horns and heavenly pads are joined by wicked guitar riffs, creating an infectious rhythm that will have you dancing all night. The eight minute instrumental version allows the music to shine with its vibrant keys and dynamic production. LCGC, Europe's premier contemporary gospel choir, brings their signature power and positivity, while Ayce's remix takes it to the next level, blending soulful house with funk and r&b. With a rich history of collaborations with major artists like Madonna, Elton John and Jessie J, LCGC's performance here is nothing short of electrifying.
Review: Dreamy, lo-fi souldance from Curtis Lee, a rare name in the world of soul and funk who released but one small on Canton, Ohio's Spade Records in 1979 - this now cutely-reissued single, 'Steppin'. Featuring the crooner doubling up with an uncredited female vocalist on a late-night boozy rendezvous, we're keen to learn a new meaning of the word "steppin'". 'Funkadize Me Please' is an equally charming and naive B-side, predictive of the stark minimality found in much UK soul.
Review: The Leo Zero Edit Archive is here, you can safely assume, to serve up edits from the vast archives of Leo Zero. The first volume is a doozy that kicks off with 'Love Affair' - a lazy and low sung funk burner with noodling bass riffs and a glorious vocal full of happiness. 'Let Me Love U' has a yearning male vocal that is as lovestruck as they come over more leggy mid tempo beats. 'Easy Does It' is defined by its superb string stabs and rolling drums and 'For A Living' closes out with a more house learning disco beat that is fat and fantastic. We can't wait for more.
Review: Two formerly passed-over bonus tracks from two of Lettuce's earlier records, 2008's Rage! and 2012's Fly respectively. The US collective and Berklee College graduates, seasoned stalwarts of funk and soul, first featured 'Monorail 3000' and 'Star Children' as afterthoughts on their otherwise sprawling third and fourth records, both funded by Velour Recordings. The tracks alternate between dextrose sweetness on the light-rail A and cosmic rocketship B-side, demonstrating the great versatility of these all-heart alumni.
Review: The Lewis Connection was a Soul / Funk band from Minneapolis who may have looked like your average local band save for one exception - the guest member addition of Prince. These tracks are lifted from the self-titled album and "Got To Be Something Here" with Prince on background vocals and guitar marks the first time he appeared on a release by another artist on a track he did not write. In addition, it's also considered an early record of what would become the signature Minneapolis funk sound. This fine historically rich tune will be available in 45 rpm format for the first time.
Review: Light Touches Records continues its mission to shine a spotlight on rare gems, forgotten classics, and unknown grooves with their tenth release, helmed by Andrea Passenger. Digging deep into disco, afro, boogie and funk, Passenger delivers four expertly edited tracks. On the A-side, 'Roots' offers a driving disco tune for peak-time moments, while 'Psych Afro Roller' takes things into more adventurous territory. On the flip, 'New Dance' adds boogie flair with quirky synths, and 'Feel The Feeling' wraps it up with a moody, deeper vibeiall edited without overdubs for maximum authenticity.
Review: The red hot Dynamite Cuts label happily serves up this slice of rare groove magic from Little Beaver. The unique artists write both of the tunes included on this 7" for his "When Was The Last Time" album and neither has appeared in this format before now. It comes with a cover as iconic as the tunes, which are both soul-stirring and heart-wrenching slower dancers. 'Concrete Jungle' has an eye-watering falsetto over deep bass and swooning strings with plenty of funky chords, then 'I Just Love The Way You Do Your Thing' is another aching beauty with elegant grooves.
Review: These two rare 1970s Panamanian gems are long-forgotten tracks from The Meditators and Los Misticos that now get pressed up to a very colourful 7", though we also have a plain black version. These Latin psych-funk recordings were created for radio but were stored away for many years and now listening back they offer a glimpse into the vibrant, underground scene of Panama. Beautifully remastered and licensed through Tamayo Records, these rediscovered songs are now available after originally being pressed in extremely limited quantities. These tracks provide a unique chance for listeners to experience Panama's hidden musical treasures while adding some heat to any collection.
Review: On limited reissued 7" comes the title track from The Lost Generation's 1973 debut album. The Chicago soul/r&b group formed in the early 1970s amid irruptive uncertainties and changes in the USA. Their name reflected this anxious mood, and their music drew on many similar emancipatory subjects and projects, bottling the tense, civil fronts formed between American communities in the 1960s. "Fighting, crying, bleeding, dying" resound in call-responsive bel canto on this lead album cut, which grieves the losses and disenfranchisements suffered during the Civil Rights era. With a horizon-gazing front cover and burgeoning sound, this irrefutably hopeful soul anthem suggests all is not lost.
Review: Love's Command have been "riding the rocket of Brit funk" ever since day one says ROCit who now serves up a pair of new cuts from them. This record is designed to spread love and pace and it does that with feel-good vibes from the off. 'Aliens From Above' is an out-there funk sound with tight, quick drumming, plenty of neat guitar riffs and a cosmic feel from the lush synths. Add in vocoder vocals and you have a trip to outer space that you will never want to end. Flip it over and you get a more dubbed-out version that is no less of an adventure.
Review: Latin Fever Vol. 3 offers a vibrant collection of tracks from Luchito & Nestor, as well as solo efforts by Nestor Alvarez (a.k.a. Neil Anderson). Luchito & Nestor's rendition of The Olympics' 'Good Lovin' kicks things off with a blistering Latin boogaloo twist, featuring infectious rhythms and lively brass. The instrumental Part 2 replaces lead vocals with a dynamic flute topline, adding a fresh layer to the classic hit. On the flip side, Nestor Alvarez's 'La Gordita Americana' is an uptempo boogaloo groover led by horns and piano, delivering an energetic and danceable vibe. The collection concludes with 'Ixo's Taxi,' a skeletal xylophone-led funk track that brings a unique, nostalgic charm. Each track on this release has a rich blend of Latin rhythms and boogaloo energy, making this an exciting 7" to hit the dancefloor to.
M Hawk - "Beat Me Till I'm Blue" (No Horns version) (2:41)
The Mohawks - "Beat Me Till I'm Blue" (Horns version) (2:42)
Review: 'Beat Me Till I'm Blue' is a wonderfully funky classic by The Mohawks presented under the M Hawk alias, the Hawk in question being none other than KPM Music Library overlord Alan Hawkshaw, who wrote the themes from everything from Grange Hill to Countdown. It was a real cornerstone of the late-1960s library and soul-infused grooves of the sort that diggers still fawn over today, and sample fiends still search out. The track delivers Hawkshaw's distinctively driving Hammond organ riffs, tight drum breaks and irresistible rhythms, all of which have made it a favourite among DJs for decades. Two versions are served up here, one with the iconic horns and one with them stripped away, and both offer plenty of energy. .
Review: Bjorn Wagner's all-star tropical disco band, Magic Source, loves a cover version. The outfit's first EP boasted, as a bonus cut, a superb (and colourful) take on Tom Tom Club's 'Genius of Love'. On this belated sequel, they've gone one better by re-inventing A Guy Called Gerald's pioneering UK house classic 'Voodoo Ray' as a driving, all-live tropical disco jam. It's cleverly done, with all the key elements being replicated, sometimes in canny ways (the acid lines now become Clavinet lines, the synth-bass is now bass guitar, and so on). It's a fantastic cover all told and one that is far more than a smile-inducing novelty. Also superb is flip-side 'Interplanetary Bounce', a spacey jazz-funk/disco fusion cut rich in fuzzy horns, vintage synth sounds and shuffling drums.
Review: Although Main Ingredient member Cuba Gooding later scored a mid-'80s hit with a synth-heavy re-make of "Happiness Is Just Around The Bend", it's the band's 1974 album version that remains the superior version. Gently dubbed-out around the edges and rich in killer early disco instrumentation, it remains one of the band's standout moments and should be in any discerning DJ's collection. On this timely reissue, it comes accompanied by a slightly lesser known chunk of peak-time brilliance: string-laden 1981 underground anthem "Evening of Love". Although not particularly fast by disco standards (around 113 BPM if our calculations are correct), it's something of an energy-packed stormer.
Review: Pianist and composer Ricardo Marrero and The Group's A Taste is as rare as an honest politician. Now the magical Latin sounds are available for all once more as P-Vine serves up a special edition 7" with 'Babalondia' and 'And We'll Make Love' making this a must-cop. They are taken from a debut album that is as good as it gets and originally came on the famed tax scam label TSG. The a-side here brings the funk with floor-filling grooves to spare while on the flip it's more of a mellow outing with vibrant female vocals getting you in the mood and the groove.
Nico Gomez & His Afro Percussion Inc - "Lupita" (7:16)
Review: Mr Bongo continue to churn out top-quality re-edits and here they enlist Danny Krivit aka. Mr. K, the New York producer who has longstandingly helped prop up the dance scene there since the early 1960s. Krivit is responsible for perhaps some of the earliest and most significant disco and funk edits on Earth, so we're more than happy to hear these new ones out, in which he lends his ear to two mambi from Latin extraordinaires Sabu Martinez and Nico Gomez. Percussive clanks and boxy slaps abound on this audiophiles' charm.
Review: James Mason's 'Rhythm of Life' - one of the long overlooked but now celebrated musician's most popular cuts - has never appeared on a seven-inch single before, in part because its' six-minute length made it more suitable for 12" singles and LPs (it first appeared as the title track of Mason's 1977 debut album). Dynamite Cuts have decided to address this by preparing their own (fully licensed) seven-inch edit, which successfully chops down the high-octane, spiritually inspired jazz-funk gem without losing any of its energy or soul. This time round it comes backed by another classic cut from the Rhythm of Life LP, the more laidback, spacey synth solo-sporting jazz-funk warmth of 'Good Thing'.
Review: The University Of California Santa Cruz Chamber Singers is a group from the 70s headed up by Bob Masters that released two cult albums A Birthday Celebration and Voices. Their lush, lavish, soul-enriching sound is a harmonious balm that here on the newly reissued 'Children Of Bahia' gets paired with some Latin-tinged jazz sounds, shuffling samba rhythms, busy Rhodes keys work and plenty of organic percussive layers thanks to Randy Masters and Solar Plexus. 'Torremolinos (Windmills)' is an equally spiritual sound with more prominent flutes and dancing piano chords all energising every fibre of your being.
Review: Legofunk Records is back with a more summer-ready and vibrant funk sounds this time with Matalo in charge of some super hot beats. 'Si Senor' is a fiery opener that is dense with whistles, percussion, vocals and Latin rhythms. 'Escucha Mi Melodia' is an undulating groove with twanging guitars and steam male top lines while 'Esclavo' dials it back a little to a more ass-wiggling bit of tropical funk. Last of all is the slinky sound of 'Everything Is Drum' with its steel drum sounds and loose-limed percussion.
Review: Reggae Dynamite Vol.6 explodes onto the scene with four irresistible tracks that capture the essence of early reggae. Max Iss & The Minions kick things off with the infectious title track, setting the tone for an EP filled with soulful rhythms and vibrant melodies. Donnoya Drake delivers a stellar rendition of the funk-soul classic 'Mr Big Stuff,' while reggae legend Dave Barker lends his smooth vocals to 'Gimme Little Sign,' adding his own twist to the soul nugget. The instrumental track, 'Gimme Little Version,' by Woodfield Rd Allstars, rounds out the EP with its lively organ-led groove. Produced by Neil Anderson, each song is expertly crafted, blending elements of reggae, funk, and soul to create an electrifying listening experience. Whether you're a seasoned reggae enthusiast or new to the genre, Reggae Dynamite Vol.6 is guaranteed to get you moving and grooving from start to finish.
Review: Yet another reissue of this enduring classic. Legendary Miami songstress Gwen McCrae had plenty of huge hits in her arsenal, from '90% Of Me Is You' to 'It's Worth The Hurt.' Her biggest tune by far is the sure fire dance floor heater 'Keep The Fire Burning.' The strident disco funk beats, the soaring vocal and the impossible warmth and soul of it all never fail to make a mark. Here it is backed with the more slow and deep cut funk of 'Funky Sensation,' which gets those hips swinging and hands clapping.
Review: Legendary Miami songstress Gwen McCrae had plenty of huge hits in her arsenal, from '90% Of Me Is You' to 'It's Worth The Hurt.' Her biggest tune by far is the enduring classic and sure fire dance floor heater 'Keep The Fire Burning.' The strident disco funk beats, the soaring vocal and the impossible warmth and soul of it all never fail to make a mark. Here it is backed with the more slow and deep cut funk of 'Funky Sensation,' which gets those hips swinging and hands clapping.
Review: Dynamite Cuts' current reissuing efforts once more focus on the legacy of the classic library label De Wolfe Music, this time selecting three choice songs from Frank McDonald and Chris Rea, two esteemed musicians who together debuted these cuts while forming a part of the in-house De Wolfe label ensemble, Patchwork. All three numbers are nighttime alleyway slinkers, recalling, in their finger-snapping funk palette, a slick combo of flared trousers, leather jackets, sunshaded visages and strange bumps in the night.
Golden Flamingo Orchestra - "The Guardian Angel" (4:43)
Carol Grimes - "Uphill Peace Of Mind" (4:33)
Review: The Messin About crew are back once again to show they have made a fine art of arsing about. This 7" offers up two more rarities that have never before made it to vinyl but very much deserve to have done. First up they offer the lush and soulful US disco of Golden Flamingo Orchestra's 'The Guardian Angel' which will warm through any wintery dancefloor. On the flip they change the vibe entirely with Carol Grimes's 'Uphill Peace Of Mind,' which is indeed a grimy UK funk weapon that packs a seriously rhythmic punch.
Review: After a start in the immensely popular Buffalo Springfield and a two-year stint forming Poco in 1968, he entered into a partnership with a young singer/songwriter called Kenny Loggins. Their career lasted for seven years producing multiple albums together. In 1979 Jimmy Messina released his first album which featured the well-regarded Jazz Fusion and Smooth Jazz tracks 'Do You Want To Dance & 'Love is Here'. Dynamite Cuts collects both of these for an appearance on this 7". For fans of eclectic 70s gems, this little 45 will get some strong play.
Review: If heavy and fuzzy funk is your bag, we'd heartily recommend checking out this straight-to-tape live session from Bjorn Wagner's long-serving Mighty Mocambos outfit. It was recorded at an in-store live performance at German store Groove City live December and comes complete with atmospheric crowd noise and a raw, heavyweight sound that only enhances the band's live credentials. Vocalist Nicola Richards makes her soulful presence felt on loose-limbed, breakbeat-driven deep funk opener "Something's Missing", before returning to lead the party on the wonderfully fiery and funky flipside "Keep It Movin". Sandwiched in between you'll find the slower, crunchier and more bass-heavy instrumental jam "St Pauli Second Line".
Review: P-Vine has got a couple of treasures up its sleeve for you here with a newly remastered reissue of The Mighty Ryeders single 'Let There Be Peace'. This has never before been put out on its very own 45rpm and the original single is a much sought after and expensive gem, with the B-side featuring Muro aka King Of Diggin's 'Evil Vibrations', a tune best known as a sample source for De La Soul on their 'A Roller Skating Jam Named Saturdays'. Flip this new version over and you will find an edit of it that is just as compelling.
Review: Once falling prey to the tendency for rare records to be heavily priced up and thus rendered inaccessible to buyers on the secondhand market, Florence Miller's 'I'm Just A Lonely Girl/The Groove I'm In' now sees a long-awaited reissue via its original label P&P. Very little about Miller is known, save for her involvement in the label run by Peter Brown, on which just two records were ever released. But these two cuts - one of which is more lonesome and serene, and the other skewed towards bombast - are eternal testaments to her talent, and have become sought-after staples of the Northern Soul scene.
Review: When it comes to crafting party-starting joints featuring classic hip-hop and R&B vocals, few producers can match the output of Gallic rework fiend Jerome Potin AKA Moar. He's in prime form on this ultra-limited "45" too. A-side 'H' crafts a rolling, 4/4 hip-hop tempo beats out of some classic disco licks and then adds Ol' Dirty Bastard and Kelis' vocals from one of the biggest hip-hop hits of 1999. It's a simple idea, brilliantly executed. Flipside 'HH' is equally as funky and accessible, with cut-up edit effects, rubbery slap-bass sounds, jangling acoustic guitar chords, warming synths and the lead vocal from a much-loved R&B jam. Tons of fun!
Review: 45 Loves is a label based in Condom, France that specialises in very limited DJ tools on vinyl 7'. Its next release comes from Jerome Potin aka Moar; producer, remixer, DJ and A&R at the Trad Vibe label from Nantes, who serves up some low-slung grooves on the Funky Party two-tracker. On side A, you've got the late-night boogie-down vibe of 'J', and the long hot sexy summer nights continue over on the flip with the funked-up vocal disco house heater 'JJ'.
Rock Your Money (feat Enois Scroggins & Said) (3:21)
System 3 0 (feat AprilSoul) (4:26)
Review: Marseille's Mofak lays down yet another two modern boogie cuts for the fans. The titular 'Rock Your Money', featuring the vocal talents of Said (IAM) and Elois Scroggins, makes ample use of appended vocoder and telephoning lead vox; all comes wrapped in an ultimately bouncy number, against which Scroggins' vocals are stark. On the B, we hear 'System 3.0', a logical continuation of the A-side's theme, albeit this time gladly accepting the femme vocal assurances of AprilSoul, while Mofak himself hops on the vocoder; both paint a picture of a systematic love, one which cannot survive without vice and indulgence.
Steve Monite - "Only You" (Frankie Francis Disco Jam edit) (7:55)
Tabu Ley Rochereau - "Hafi Deo" (Nick The Record & Dan Tyler re-edit dub) (10:15)
Review: Edits in the hole! Two Afrofunk gems enjoy floor-primed refocuses: Steve Monite's Doing It In Lagos-featured "Only You" gets a little juice from Sofrito's Frankie Francis who really brings the bass out in proceedings. Meanwhile on the B Nick The Record and Idjut Boy Dan Tyler tweak the energy and sheen of Tabu Ley Rochereau's "Hafi Disco" as the drums are given a little more momentum and the chorus and horns are really brought to the centre of the action. Stunning.
Review: Yuki Kanesaka returns with a delicious uptempo remix-cover of Herbie Hancock's thoroughgoing jazz patent, 'Watermelon Man'. In respectful contrast to Hancock's original piece, Kanesaka deploys a to-the-letter rendition of the original's opening Hindewhu whistle hoot - also heard on the mashup B-side - and keeps up Hancock's intended 'mathematical balance' with a nonetheless meatier, dance-ready EQ balance. Legend has it that this was Hancock's first ever song to be composed with commercial success in mind; we're not surprised at its continued proliferation, appreciation and reproduction across the globe - and now in Japan, no less.
Review: Disco re-edit master Moplen has been busy touching up this Jackie Moore gem with sprinkles of his studio magic. The original vocal remains in tact as the trumpets and funky drum breaks power forwards the groove below. A vocal mix makes more of the sublime soul tones and then come two further versions on the flip. The Breakdown remix is one of big breaks but nothing detracts from the lung busting performance of Moore. Last of all is a Chin-mental mix so you really have plenty to chose from.
Time (feat Angela Johnson - 7" Sax intro edit) (4:27)
Review: Micky More & Andy Tee's Groove Culture delivers a fresh spin on jazz-funk classics with a new 7-inch release. The Side-1 features a dj-friendly cover of Lonnie Liston Smith's 'Expansions,' blending disco and house with a funk-driven bassline, soulful vocals, and beautiful keys. On Side-2, it offers a high-energy remake of Light Of The World's 'Time,' featuring Angela Johnson's powerful diva vocals. This track shines with its lively disco vibe, sax intro and dancefloor appeal. Both tracks encapsulate the essence of fun disco and soul and should appeal to a wide range of dance music fans old and young.
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