ADMN & Mister Joshooa - "LFOs Are Tight" (Delano Smith mix) (6:51)
ADMN - "Technology Is Creepy" (7:13)
Remote Viewing Party - "Pink Panther" (6:29)
Review: Detroit label Infolines is back with their third release, arriving in the form of this exciting four track various artists EP. Label boss ADMN, a local staple of the scene affiliated with Paxahau and Movement Festival, makes his vinyl debut here alongside Mister Joshooa (My Baby) with the low slung minimal tech house of "LFOs Are Tight" which is absolutely perfect tackle for the afterhour. It then receives an absolutely hypnotic and arcane rework by local legend Delano Smith. Over on the flip, we have one seriously oddball groove on the slo-mo tip titled "Pink Panther" by local outfit Remote Viewing Party, comprised of Aran Daniels and Mike Petrack.
Review: Coyu's Barcelona-based Suara label continues to push the thresholds of hard techno, with this new one by legend Cisco Ferreira under his reknowned The Advent moniker. Brace yourself for The Movement EP, featuring heavy duty sonic artillery that must be handled with extreme caution. From the brutalist dystopian slammer "Witches Spell" to the unrelenting peak time fury of "Live 98 Tour" which is reminiscent of timeless classics like "Bad Boy", to the Detroit style breakneck electro funk of "Same 4" which is a collaboration with his son Zein. Ferreira proves yet again that even after 30 years in the game, he is still miles ahead of the rest - respect!
Review: EPM20 Ep2 goes off on an electro tangent here. On this one, we have veteran producer Cisco Ferreira aka The Advent teaming up with his son Zein on the ferocious electro dystopia of "Strangeform" and as if that was not enough, another legend, the one and only Carl Finlow appears next with the abstract, cybernetic beats of "Optogenetic". Over on the flip, we have someone by the name of Detroit's Filthiest (quite an accolade!) who is in fact Motor City stalwart Julian Shamou (Motor City Electro Company) known for his work as 313 Bass Mechanics or Digitek, and longstanding hero of the Midwest Freddie Fresh should need no introduction; his contribution here under the Modulator alias is the deep mind IDM journey "Promars".
Review: Clut deliver a specialised clout-glut with a fresh split EP from rising artist Alric Aerial, who here teams up with yet another artist who's so far flown under the label's radar - Electrodynamique. Here the pair deliver four electro-dancefloor tracks primed for every situation: sleazy bar, backlit festival stage, ironic doomsday scenario, you name it. This EP's cascading sixteenths flow like metallic droplets, their acid lines and FM blurps splurging forth with increasing restlessness and impertinence, and decreasing self-control. Particularly squelchy is Aerial's 'Tough Cuts', which moves trigger-happy on the cutoff filter whilst dungeon-bound sine tones splay across the top edges of the track, like ectoplasms left behind after a string of Zeno's paradoxes have been solved. 'We Are The City' by Electrodynamique indulges a final emery note, abrading its curveball electro mix to a grinding, apocalyptic oblivion.
Review: A new collaboration of Philoxenia Records founders Luigi Di Venere and Neu Verboten, Affekt Unit is informed by an aim to "spark new feelings on the dancefloor". The three track Discorgy EP celebrates their musical obsessions - Italo house, Frankfurt EBM-house and trance - with the result proving an electrifying crossover of these classic genres together with surprising new sounds. 'Oct-Opus' boasts a serious electro component, fused with progressive trance, UK bass, techno, transcendental rave and even a climactic outbreak of rave-era breaks. The title track 'Discorgy' draws from Euro dance and EBM, experimenting with a polyrhythmic bass line and bringing the kind of 'stadium house' that The KLF were always aiming for. Closing track 'Dreams Of Wrestlers' is cosmic house at its sweetest and beefiest, spruced here and there with Italo stabs and pianos, drum machine fills and some lovely subtle filtering. Not so much a case of something for everyone than everything from everyone, you might even say.
Review: Thankfully, Richard D. James has decided to finally release at least some of the output that he's been banging on about since mid-2000s. In a number of interviews, the might Aphex Twin hinted that he has vast artilleries of tracks stacked up and unreleased, probably more on purpose than out of laziness...or maybe not. What we do know is that AFX is reborn after the string of acid 12"s released about 10 years ago on Rephlex, that saw the alias become one of the most popular of James' alter egos. Orphaned Deejay Selek is a collection of tunes that contain all of the Twin's magic and unpredictably, but that also cut straight to the point and head to the middle of the dance floor. This is banging brain dynamite coated in the man's iconic style and flair. Welcome back AFX, and many hats off to Warp for making it happen.
Review: AgainstMe makes a powerful debut on Renegade Methodz with 'Diagonal Prism', a four-track EP that offers up his refined minimalist approach to techno. Known for meticulous sound design, AgainstMe brings a fresh yet distinctive style to this Greek label and is sure to pick up plenty of new fans as a result. The EP opener 'Drama' introduces dense grooves and subtle yet impactful drum patterns that build tension, while a throbbing synth weaves in and out. The title track relies on hypnotic repetition and driving rhythms, while '4PM' brings peak-time energy with crisp, dynamic beats. Closing with 'Spasmoi' AgainstMe delivers a compelling club groove that masterfully balances intensity and rhythm.
Review: AgainstMe makes a powerful debut on 47 with four tracks of deep, spiralling techno rooted in Berlin's famous underground energy. The Greek producer showcases his signature multi-dimensional sound design well here as he fuses dynamic rhythms and immersive atmospheres with great precision. Each track builds on a foundation of undulating basslines and intricate textures, which takes you on a trip through shifting sonic terrain. From hypnotic momentum to cavernous depth, there is a balance between raw propulsion and detailed production that makes for a bold, immersive statement that positions AgainstMe as a key rising voice in forward-thinking techno.
Review: Agents Of Time return to Afterlife with the 'Midnight Drive In Santiago', EP following on from their debut Forest Of Lies in 2018. Though they fit well within the Afterlife oeuvre, the Chilean trio nonetheless channel a singular sound, bringing synthy, Miami-vice-gripped arp builds to a downtempo pace, amounting to a no less than composed but exciting take on the vintage sonic sublime. Most of us haven't been to Santiago to experience what it might be like to night-drive there; but we're more than sure that this EP will still survive the car test and provide a worthy vicarious alternative, with the toothy cascades and chromatic synth swells of 'Midnight Drive' and emergent arps of 'Chain Reaction' making for a compelling second-best.
Review: Agonis' debut album Neutropia receives a well-earned remix treatment here. Originally released in 2021, the album showcased Agonis' evolution beyond deep, hypnotic techno by incorporating half-paced drum & bass, rolling amen breaks, trip-hop and futuristic techno. Neutropia Remixed broadens this palette further with four distinctive reworks. Carrier slows 'Thermo' into a half-time rhythmic masterpiece, Christina Vantzou crafts a mesmerising drone trip, upsammy injects shimmering dynamics into 'Algoflash' and Felix K transforms 'Pyrchid' into an intricate drum workout.
Review: Basel-based experimental labels Amenthia Recordings and A Walking Contradiction join forces for their first collaborative release here in the form of the Flash Crash/Hack Crash EP. Both labels are known for pushing boundaries within their close-knit creative circles and this one features Agonis' heavy stepper and Konduku's whirlpool of low frequencies on the Amenthia side, while Lemont continues the low-end, tripped-out vibe. Varuna represents A Walking Contradiction and delivers swampy, slow-motion sounds in their signature style. This release embodies both labels' commitment to daring, unconventional electronic sounds.
Review: David Agrella has dropped some great work in recent times on the Seven Hills label as well as his own R.F.X.N. and now is charged with kicking off a new imprint Path. It opens with 'Yes I Am Available' which is a silky blend of minimal tech and balmy cosmic pads. 'At The Tone' is a more percussive number that is stripped back to some dry tech beats, and 'Contented Regrets' then shuts down with a dark, more menacing edge for those freak after-party moments. All three are well designed and sure to do a job.
Review: Religion, and specifically gospel music, always played a key part in shaping the sounds and emotions of easy house music. It is clearly going to have just as much impact on this new label God Iz Enough which debuts with an EP of the same name from Tomi Ahmedeus. His style on the opener is to lay down raw and dusty beats with an early Windy City feel and infuse them with evocative, guttural gospel vocals that really bring them to life and make them inescapably emotive. 'The Rise Of The Guttersnipe' strips things back a little and brings a shuffling tech vibe with some glistening melodies while 'Ms Ludus' is a gorgeous ambient closer.
Kidz (Elena Colombi's Are The Kids Alright remix) (6:14)
Review: This is the debut EP from DJ, producer and multidisciplinary artist Sol Leon under the moniker aka-Sol. It marks years of creative evolution and finds him blending vibrant energy with raw emotion across three tracks. aka-Sol channels a psychedelic edge into the punk roots of electronic music here by using modular synths and analogue textures to challenge modern club norms and genre boundaries. It results in a fearless offering that is equal parts love letter and provocation and invites headbanging and liberation on the dancefloor. A remix by Osare! Editions' Elena Colombi completes the EP, with experimental, post-punk and club intersections.
Review: Four distinct late-night techno tracks, each packing a punch. Side-1 opens with 'Guilt', a tight, dark, and brooding techno banger, designed to keep the dancefloor moving with its relentless energy. Following that is 'Troia', a primal, alien-like track that mesmerises with snappy rhythms and hypnotic soundscapes. On Side-2, 'Crea' delivers a stomping, sci-fi-infused beat that feels like a journey through futuristic landscapes, perfect for intense moments in a set. Closing out the EP is 'Vowels', an eerie, dark cut with unsettling atmospheres that create a sense of mystery and tension. The 'Crea EP' is a showcase of Alarico's range in techno, blending brooding moods with driving rhythms, making it an ideal pick for late-night sessions.
Review: The Danza Nativa label is fresh off the back of a fine fifth birthday celebratory 2 part compilation but wastes no time getting back to business. Alderaan is the man in charge with his second for the label and 'Transition' kicks off with some mad LFO business melting your mind. Psyk remixes it into a more paired back and spooky subterranean techno prowler. With 'Vortex' there is yet more nocturnal menace with ticking hi-hats seeing rhythm as squelchy, unsettling sounds peel off the beats. 'Futurismo' closes down with a gurgling lead line and distant sci-fi sounds that complete this most futuristic EP.
Review: Aleqs Notal shares a machinic new EP of counfounding delights for the Industrial Light label, also run by the artist and based out of Paris. Named after the artist's debut release which shared equal sides with fellow producer Modern House Quintet, here Notal changes the game, occupying a full four sides of wax. The A-siders 'City Smile' and 'True I Am' bring atmospheres of motoric rigidity, functioning as premier schema for the human navigation of comparatively less human urban environments. 'Let Me In' and 'Confused Reaction' offer similar blueprints, though there's an ever so slightly upped acidity on the B2.
Review: Syncrophone presents the very first vinyl release from Aleqs Notal's label, Industrial Light. Notal here teams up with longtime friend and fellow producer Modern House Quintet, and together they lay down four pure dancefloor heaters for the contemporary disco-goer. Opening with two functional acid house bustlers, we then get deeper with things with the latter's nocturnal shuffle 'Nadrezacalenis', before ending on a return to utility with 'Disokouron' as well as an inversion of the A1, 'Message From The P', in an upped Chicago house style.
Review: Leeds is a city that has always primarily been known for its house scene, but Nathan Alexander is an ever more vital talent who is delving deep into futuristic techno. After a fine outing on Drum Workouts late last year, he's now back on NIX with a shadowy, body-moving three-tracker. Opener 'Language' sets the tone with sharp stabs and a moody tension that gets the space-trip underway. 'Pulsewidth' raises the energy with heavy low-end and warped textures, glitchy stabs and funny, swinging drums. The title track 'Skin' stretches into tribal rhythms, hypnotic vocal snippets, and deep filter sweeps and taps into that liminal space where reality slips. All in all, these are seriously punchy but sensual and immersive late-night weapons.
Review: It's double figures for Bruto Industries, who as the name suggest like to offer up brutalistic techno bangers. These latest six missives come from Alf who opens with lurching beat beats and zippy synth loops that lock you in the moment. 'Servil Comadreja' is another broken beat rocker this time with twitchy synth modulations and acid lines slashing through the mix. There is raw machine rigidity to 'La Tipica Historia' that echoes the vibe of EBM and three further cuts keep exploring a rase of textures and busted rhythms with 'Raquitismo' being particularly heavy.
Review: Ibrahim Alfa Jnr has been making and releasing techno ever since he was just 17 years of age. At that time he had already been playing piano for over a decade and since then he has secured a master's degree in the sonic arts. He is a live act and DJ who has played across the world and now lands on the Swiss label Acquit Records. This new and translucent red 12" opens with the sonorous bells and drones of 'Red Lights' over crispy, metallic, broken techno drums. 'Eternity' is another brash bit of broken beat techno, 'Rattle' does just that and 'Metal Mikey' cuts loose on some spangled synths and tribal drumming. 'Commodities' is a low-key drum track that will make 'floors jack.
Review: Naarm-based producer Sam Alfred shows no signs of slowing down as we continue to be impressed by the material coming out of Australia right now. After releasing the energetic 'Suzuka' EP, completing a sold-out headline tour and playing a packed set at MODE Festival, he's now back with more full flavour beats. This one disk off with a real house anthem inspired by 90s club music with punchy piano, airy synths, and a driving cowbell rhythm. 'Care 4 U' has carefree garage house vibes a la salute, 'Keep It' brings some euro dance and trance energy and 'Distance' is a peak-time acid-laced pumper. Brilliant stuff.
Review: The sixth release in the 303 Pattern series marks the first time artists' identities are revealed. What doesn't change is the fact this is a powerful 12" of hard-hitting, hypnotic and atmospheric acid techno with the legendary Roland TR-303 at its core. Alien Rain makes his debut on the label with 'Holosexual's' raw drums and distorted acid lines, Akkaelle's 'Acid Mood' delivers funky, bouncy techno energy with atmospheric depth and Sour returns with another hypnotic, high-intensity bomb. Closing in style is Dima Gastroller who drops a banger of an acid techno track that should come with a health warning for anyone with a weak heart.
Review: Following up last year's Time And Nothingness on Charlotte De Witte's KNTXT, Francesco Pierfelici aka Alignment returns to the imprint for an absolutely riveting new EP. Power is a fitting title for this massive four tracker, where the Berlin-based Italian wastes no time in an attempt to fire the synapses. Pure elevation is to be experienced on the euphoric rave energy of the title track which opens up in a big way, followed by 'Disconnection' which will pummel you into submission - peak time style - with its assortment of classic dance music motifs throughout. Over on the flip, the EP's highlight exists in the form of the euphoric modern trance reconstruction titled 'Frequency'.
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