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Notes: ***B-STOCK: Box opened, product is in excellent condition and in perfect working order***


Mini synthesizer on the top. Mini sequencer on the bottom.

Power supply: +/-12VDC (reverse-polarity protected!).
Width: 18HP
Depth: 0.83in / 21mm

Notes: Constellator is an all-analog delay pedal capable of producing up to 600ms of lush echo with adjustable modulation and a comprehensive sound palette. From percussive slapback and doubler sounds to chorused-out, long delays with endless repeats, the Constellator's MN3005 bucket brigade chips provide superior overall headroom and tape-like saturation when pushed to the limit. The Feel toggle switch adjusts several parameters simultaneously for an additional coloring of LFO modulation. With the Feedback control maxed out, the Constellator is capable of self-oscillation which can be pitched up or down by turning the Time knob. Runs on standard 9VDC.

Knob-by-knob

Time: Sets your delay time. Clockwise for slower, counter-clockwise for faster.
Mix: Controls your dry/wet balance.
Mod: Controls the modulation depth. Adds color and warp.
Repeats: Sets the amount of feedback in the delay line.
Feel: Selects between two distinct modulation types. When the switch is pushed in, a chorus effect is selected. When the switch is not pushed in, a vibrato effect is selected.

King of bucket brigades

The pair of analog delay chips used in the Constellator are new production replicas of the mighty Panasonic MN3005 Bucket Brigade Devices (BBD) found in some of the most iconic vintage delay pedals of all time. With 4096 individual "buckets" and +15V power rails, the MN3005 provides the longest possible delay time and most available headroom in an analog delay. Luscious.

Make your ow myth

Develop shimmering delay lines with crystalline overtones and watch them scatter across the canvas in your mind. Constellate your own myth into being.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 10M
Output impedance: 150ohms

Body

Length: 1.5"
1.5
Width: 3.75"
Height: 1.75"
Weight: 0.5lbs

Notes: Multi-format case player/mixer

One Size fits all! Custom designed for the mobile-DJ to hold a CDJ, multimedia players or a 4-channel club-mixer. The included foam strips provide universal fit for all Pioneer DJ, Denon, Allen & Heath, Denon, Rane, Reloop etc. models. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles and heavy duty butterfly latches this case provides ultimate protection for mobile use on the road.

Fits

Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X-1850 / X-1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RM-80 Digital
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four

Specs

Outer dimensions: 58 x 40 x 23 cm
Inner dimensions: 43,8 x 33,1 x 8,4 cm
Weight: 8,8 kg

Notes: Fuzz sculptor with an appetite

Star Eater is an all-analogue, dual footswitch super-jumbo Fuzz with a footswitchable booster and variable filter stage, allowing players to easily sculpt a massive array of inspiring, unique fuzz tones. On the fuzz side, newly-available, precision-matched transistor pairs are utilized to ensure that each and every unit is perfectly dialled in to "the sweet spot" that can be so elusive to find in vintage pedals. A rocker switch provides your choice of Germanium or Silicon colour. Downstream from the fuzz, a powerful booster stage drives the filter in the Star Eater. Scoop and Bump voicings for the filter can be selected via a rocker switch, drastically changing the frequency response of the Sweep control throughout its entire range. Built to last and designed to inspire, the Star Eater brings a unique approach and a new standard of performance to the world of boutique fuzz pedals. Runs on standard 9VDC.

Knob-by-knob

Hunger: Determines the amount of gain in the fuzz.
Volume: Determines the output level of the fuzz.
Sweep: Sets the frequency response of the filter. Note: The Sweep knob is only active when the Contour footswitch has been turned on.
Voice: Selects between Silicon (Si) and Germanium (Ge) diode clipping in the fuzz circuit.
Contour: Changes the shape of the tone.

Back to the future

Inspired by the chunky chassis feel of the late 70s and early 80s, Star Eater was designed to offer a fun, tactile user experience and make it easy for players to fine tune their own signature fuzz tone.

Model

Model name: Star Eater
SKU: FUZ
Function: Super-Jumbo Fuzz with Filter
Category 1: Distortion
Bypass: True Bypass

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 1k
BodyLength (in): 3.5
Width (in): 4.75
Height (in): 2
Weight (lbs): 1

Notes: The Fold Processor is a voltage-controlled wave multiplier and sub-octave generator. The circuit is based on a classic diode design that adds odd harmonics by folding the incoming signal, followed by subdivided square waves.

The wave folder creates new waveforms from standard sine, triangle, sawtooth, and square waves and includes a CV input with an attenuator, making it very easy to create beautifully animated folding sounds. Adjustable voltage-controlled Inject alters the bias point creating an even wider palette of sounds.

The subdivide generator squares the fold output generating 4 more sounds spaced one octave apart, each with its own gain knob and mixed to the Subdivide output jack. Mixing the four can create anything from discordant square wave swarms to sweet harmonic oscillator stacks, from a stable square version of the folded wave to freaky PLL-like glitched slides.

Overall results can sound evil at times and sweet at others, a true multi-faced devil.

Size: 12HP
Depth: 31mm
Power: +12V 60ma / -12V 55ma

Notes: A 'Swiss Army knife' for your modular system, Select 2 provides two highly accurate gate-controlled voltage processors in 6 HP. These allow you to create, switch, mute, hold, invert, attenuate, offset, add/mix and subtract voltages, from slow control voltages (CV) up to audio frequencies.

Each processor features two signal inputs, with the left input used by default. A gate on the 'select' input switches to the right signal input instead. The signal inputs are normalised to the precision +5 V reference (left) and 0 V (right).

Following the input section is a hold circuit. A rising edge on the 'hold' input freezes the input voltage at that moment, until the gate input goes low again. While most sample/track-and-hold modules only manage a few seconds, Select 2’s 'low droop' design enables it to store a held voltage accurately for several minutes.

The end of the signal path consists of a gated polariser/attenuverter. Using the knob, the voltage at the output can attenuated and/or inverted: the gain is -1 (inverted) at the minimum setting, 0 at the centre and +1 (unity gain) at the maximum. The polariser can be disabled using the 'unity' gate input. This unique ability enables a variety of interesting gate-controlled signal modulations. Dual-colour LEDs show the output voltage of each processor.

Finally, if the A output socket is left unused, the signal is mixed together with the B output. This enables signal offsetting, CV mixing, pitch transposing etc.

Notes: This 1u version will be functioning as its 3u counterpart but with four channels.

More info to follow.

Notes: Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Artists and producers can save time on tracking sessions by recording dry tracks first, then using Canvas Re-Amp's custom transformer to convert line-level signals, optimizing them to work with amps and guitar pedals of any kind to explore limitless tones and sounds.

Using a Re-Amp

1. From your DAW, audio track goes into the Canvas Re-Amp.
2. Out from Re-Amp into pedals or mic'd amp.
3. Out from pedals / amp back into DAW.

Specs

Frequency Response: 20Hz To 20kHz
THD+N: 0.07% @ 20Hz / +4dBu Input 0.001% @ 1kHz / +4dBu Input
Maximum Input Level: +21dBu @ 20Hz
Noise Floor: -116dBu
Signal To Noise Ratio: 114dB @ 1kHz
Input: Balanced Line-Level
Input Impedance: 3k Ohms
Output: Unbalanced Instrumental-Level
Output Impedance: 2.5k Ohms
Common Mode Rejection Ratio:79dB @ 20Hz / +4dBu Input
Power Requirement : None - Passive
Audio Circuit: Transformer Isolated

Review: The legend of the late great David Bowie will always live on, particularly with spectral releases like this still appearing on the regular. Rock 'n' Roll Star! vharts Bowie's journey to Ziggy Stardust across no fewer than six CDs and a blue-ray disc that include early home demos, radio sessions and live performances, session recordings, outtakes and alternate versions of tunes from his The Rise and Fall of Ziggy Stardust record. Unreleased gems on the album include an alternate rendition of 'Lady Stardust,' an unheard version of the cherished 'Shadow Man,' and an upbeat interpretation of The Who's 'I Can't Explain.' Interestingly, Bowie later slowed down and covered this for the PIN-UPS album.

Review: Celebrating its 30-year anniversary with a monolithic deluxe edition, Green Day's Dookie has gone on to become one of the cornerstones of pop-punk, pre-dating Blink-182 with its global expansion. Spawning timeless anthems such as 'Basket Case', 'Longview' and pop smash hit 'When I Come Around'; the album signalled the artistic prowess and bright future the band have continued to live up to in the decades since. Complete with 17 previously unreleased demos, studio outtakes and both their Woodstock 1994 and unreleased Barcelona 1994 live performances, as well as a 36-page book cataloguing the creative journey of these formative years, this 6xLP beast is not for the faint of heart but for the devout and avid legions of generation spanning followers the trio still continue to amass to this day.

Notes: ***B-STOCK: Product with some signs of usage but in perfect working order***


The 100 LP Bag Trolley is the original favourite, new and improved Magma classic. Now with extra strength thanks to the new improved trolley-board system. The 100 LP Bag Trolley is unbeatable for the DJ who is on the road a lot as it is a proven, practical and convenient transport solution.

The materials used, the design of the new reinforced fivefold glued bottom board and extra strong front stand, are all tested to ensure the highest strength possible and guarantee the best stability and long life.

Notes: The new Ikey-Audio HDR7 is the ideal portable digital recorder. It can be taken anywhere and is a great choice for recording interviews, pod-casts, meertings, class lectures, seminars and live performances.

The HDR7 features 2 studio-quality condensor microhpones configured to an X/Y pattern offering 360- of rich audio capture. With the HDR7 you can record your media with crisp and sharp sound quality that accurately reproduces the source. It also has a 1/8" mic input and a 1/8" line in with a 3-way adjustable input gain to record any source. The HDR7 also has an 1/8" output jack for playback.

The HDR7 brings unmatched flexibility, allowing you to record as an MP3 or AAC from 64kbps to 320kbps as well as WAV or AIFF up to 24bit/96kHz, above and beyond CD quality! Record directly onto the 1GB provided SD card or use an SDHC card up to 32GB and easily transfer your audio files to your computer with the high speed USB 2.0 connection.

The HDR7 is also stand mountable (with an included stand) and comes with an AC adaptor, windscreen, USB cable, 1GB SD memory card, cloth carry case & 4 AA batterys so its ready start work right out the box

Review: LP1 1983-1987 44:13 MIN
LP2 Nazi Jazz self released 1987 43:56 MIN
LP3 1985-1988 Sauretod 1985 - 1988 45:28 MIN
LP4 Maria Zerfall in Phase Pervers 42:30 MIN
LP5 Ware Das Blut Nicht Rot (Turnabout TapesTurn 00Z) 89-91 41:57 MIN
LP6 Totenstille, Der Rest Ist Fluch self-released 1991 42:21 MIN
LP7 Tote Zone, self-released, 1993 41:45 MIN
LP8 Zerose - Liebe, Sex & Zartlichkeit Music To Turn To - Turn Endz 1, 1991 46:11 MIN
Bonus 7inch 13:46 Min

Notes: Freez is a voltage controlled locked looper. It captures moments of audio in buffers, where they can be minced and mangled beyond recognition. Once frozen, adjusting size will cause pitch and timbre changes to the locked audio.

Adjusting the sample rate control will distort and decimate the incoming audio as well as warp the time domain of the currently locked buffer. From beat repeat to granular audio buffer, Freez will create new sounds and textures out of any input signal.

Notes: Customized to transport and protect the Numark NS6II DJ-Controller. Crafted from 9 mm vinyl laminated plywood, sturdy aluminium profiles and heavy duty butterfly latches, it provides you with secure transport and workstation in one. Thanks to the integrated gliding laptop platform and the convenient cable access port, the setup is ready for action in no time at all.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Quirky stuff from Dreadbox's small but innovative effects pedal range. VCA compression meets envelope filtering with Eurorack-compatible CV patch points making it suitable for synths and other instruments, as well as guitars.

Supplier's Notes:
Kinematic is a Greek based word, which describes motion - of points, bodies or systems of bodies, without the consideration of the forces that cause them to move.

Dreadbox Kinematic is a VCA based Compressor and an Envelope Filter effect pedal suitable for fretted instruments and synthesizers, with eurorack compatibility.

10 mm wide
140 mm high
85 mA / 9 V DC / Negative Center

SPECIFICATIONS:

Circuit: Analog

Bypass: CMOS

Audio: Mono

Inputs / Outputs
IN/OUT : TS Unbalanced 6.4mm jack
Filter / Level / EG Out : 3.5mm mini jack

Power Supply: 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)

Dimensions (cm): 14 x 10 x 5.6

Current Draw: 85mA

Notes: The Division 6 Dual Mini Sequencer gives you two handy little sequencers behind one Eurorack panel. Why would you need more than one sequencer? Why would you need mini sequencers?

More sequencers = more steps
Use one for playing notes and the other for transposing those notes
Can be used as a clock divider
Run in parallel for multiple CVs / triggers
Each one gives you the standard CV and gate out, plus an ACC out (Accent? Accessory?) Use it to open up a filter, enable a glide, trigger a drum, or whatever you can think of.

The two sequencers will run completely independently, or you can daisy-chain them using the XP IN/OUT jacks to create sequences of any length.

Each sequencer has its own internal clock to get you up and running in a hurry, but you can connect an external clock if you need greater control of tempo or want to sync with other devices.

The module stores your latest sequence even when the power has been removed (plus some other ones in v2!).

While this kit is designed to give you a Eurorack module, the PCB patterns for the jacks also have holes that will accept Johnson/Cinch-style banana jacks. There are also standoff holes on the main PCB, so you can mount them behind your own custom panel.

This module has lots of LEDs and is very shiny, but only two of them are ever on at a time which keeps it from loading down your power supply.

Inputs:
CLK IN (External clock input)
XP IN (Expansion input; Starts sequencer back at step 1. Use for daisy-chaining multiple units)

Outputs:
XP OUT (Sends pulse when sequencer goes past last step. Use for daisy-chaining multiple units)
CV OUT
GATE OUT
ACC OUT (Can be programmed on or off in each sequence step)

Power supply: +12VDC (reverse-polarity protected!).
Power supply (Optional): +15VDC
Current draw: 30ma (+12V) / 0ma (-12V) / 0ma (+5)
Width: 18HP
Depth: 0.83in / 21mm

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Designed for some serious stank, The Supa Funk is an old-school, dual-band envelope filter, but with some totally modern twists! Featuring a responsive and articulate attack generator plus an expanded control set, it also features the new Color knob that blends in a second low-pass filter to help you to go from a classic bom-chicka-wow-wow funk, all the way to rich, throaty and vocal filter sweeps. So, plug in and mash that stomp switch if you're ready to get down and boogie... you supply the groove and this little box will bring the funk!

Solid Gold FX have already cut their tone teeth on former filter devices, the Funkzilla and Funk-lite. Supa Funk is the distillation of everything Solid Gold FX have learned from previous filter fests, helping to bring you a pedal that perfectly captures the groovy tones of the past, while filtering out all of yesteryears shortcomings. Hence you get superb dynamic and smooth filter tones, that perfectly follow and embellish every single nuance of your playing. While the blendable second low-pass filter enables you to create filter tones so rich that they will make Jeff Bezos weep.

Housed in a compact and intuitive package, the pedal's 5 knobs and a single toggle lets you determine if you're slinging out subtle low-pass sweeps or shooting sonic lasers. Depth adjusts the width or peak of the envelope effect, letting you go from shallow waves to super sweeps in seconds flat. Freq sets the centre frequency of the filter, where counter-clockwise lets you hone in on those beefy and dubby tones, while clockwise will give you brighter tones that really cut.

Attack adjusts both decay time and sensitivity. Going clockwise allows the envelope to trigger with ease and keeps it open for longer, while counter-clockwise lets you tame the trigger sensitivity and keep the filter decay shorter and snappier. Turning Attack fully counter-clockwise turns off the envelope, to allow you to dial in fixed filter tones with the Frequency knob - great for creating filtered lo-fi tones or classic cocked-wah sounds.

Color blends in the second low-pass filter. Going counter-clockwise will give you brighter and sharper filter tones, while turning that bad boy clockwise will bring out all the chewy growl and girth you could ever want. Finally, the Level pot lets you determine how loud you want the funk, while the Direction toggle lets you get classic forward sweeping filter tones to the left, and shooting futuristic filter rockets to the right.

To complete its all analogue funk-a-riffic tonal pallet, the Supa Funk is housed in a beautiful 70's retro themed enclosure with top mounted jacks and soft touch true-bypass switching and is built entirely by a passionate team of gearheads in SolidGoldFX's Montreal shop.

Notes: ***B-STOCK: Without original box, product in perfect working order***


Desktop Eurorack moduile case 3U - 84HP with power supply on the left side.

Plexiglas side panels 5mm thick.

Aluminium chassis.

6cm deep, but only 4cm deep all along the 5HP of the power supply. Check your modules before!

Tech specs:
- Width : 84HP
- Depth : 6cm
- Depth all along the 5HP of the power supply : 4cm
- Current Consumption : +12V : 2.4A ; -12V : 1.2A ; +5V : 0.5A

Notes: The Palmer Monicon L is a precise analog volume control that connects between computers or audio interfaces and self-powered monitor loudspeakers. To prevent signal coloration the circuitry is all passive, the LED indicators and built-in headphone amplifier are powered by the included DC adapter.

The Monicon L's stereo input is on balanced combo sockets, the AUX input features a 3.5 mm TRS jack and RCA connectors. The compact console sports dual outputs for two pairs of monitor speakers and a summed mono output on XLR connectors. The stereo and AUX inputs are alternatively selectable, the outputs can be activated individually and in tandem. Besides the large stereo volume knob the Monicon L provides mono, mute and PFL switches, a 6.35 mm TRS headphone jack as well as separate AUX and headphone level controls for additional convenience.

Notes: The Magma DJ Controller Workstation S2 is customized to hold the new Traktor S2 DJ-controller and a laptop.

Crafted from 9mm vinyl laminated plywood, sturdy aluminium profiles and heavy duty butterfly latches, The Magma DJ Controller Workstation S2 provides you with secure transport and workstation in one. Thanks to the integrated gliding laptop platform and the convenient cable access port, the setup is ready for action in no time at all.

Notes: The Five Amp is a throwback to SynthRotek's original 5A Power Supply with some upgrades. It uses a quality 12V power brick for the +12V power regulation instead of a +12V converter. The plus side of doing it this way is that whatever amperage the -12V and +5V rails are not using can be used by the +12V rail, which always draws the most of the three.

Five Amp comes in three different power configurations. It is recommended that you select an option based upon your -12V rail draw. For a rule of thumb, Red (with red LEDs) will power a single row of 84 or 104HP, Green will power two rows of 104HP, and Blue will power three to four rows of 104HP.

Notes: Snare drum emulator with noise and shell behavior controls.

Eurorack (3U) form factor - 12 HP width
Depth: 50mm

Notes: The MIDI Solutions Dual Footswitch Controller provides a 1/4" stereo phone jack input for connection to an external dual footswitch or two contact closures which can be used to trigger MIDI events. Triggered MIDI events are merged with incoming MIDI messages and sent to the MIDI output of the Dual Footswitch Controller.

Triggered event types are programmable and include:
Note
Control Change
Pitch Bend
Program Change
Start/Stop
System Exclusive

Other functions include:
Program Change INC/DEC
Rechannelize
Transpose
Tap Tempo
Note-on Filter

MIDI Echo and Footswitch Toggle parameters are selectable on/off.

The Polarity of each footswitch can be determined automatically on power-up, or can be programmed to normally-open or normally-closed. It's also possible for the Dual Footswitch Controller to send out the state of its footswitches immediately on power-up rather than waiting for each to be depressed.

The Dual Footswitch Controller is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). This is easily done with the MIDI Solutions Programming Tools software. Once programmed, its settings are retained even after power is removed. The Dual Footswitch Controller can be reprogrammed with new settings as often as needed.

The Dual Footswitch Controller is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Notes: Receiver unit is compatible with standard 19" racks using the included rack ears and front mounting antenna accessories. The RF carrier frequency is selected on the receiver and synchronized to the transmitter via infra-red at the touch of a button. Up to 2 RU210 systems can be operated together on the EU licence-free band.

Notes: Smoother and more compact.

A new model of expression/volume pedal.

Since its launch in 1994, the XVP-10 expression/volume pedal has become a long-selling success, and now it's available in an updated rendition. With its tough aluminum body and stylish design, it delivers stability in a compact form.

Intricate features have also been added, including the use of rubber to allow enhanced grip, and improved gears that provide smoother operation. A new black anodized finish on the exterior emanates a sense of high quality.

Two sets of input/output and one expression:
The XVP-20 gives you all the functionality you want from an expression/volume pedal. It provides two sets of input/output as well as one expression jack. While the output and expression jacks are available on the previous model, the XVP-20 delivers even better operability.

Compact and sturdy aluminum body:
The augmented compact body design improves portability, and the sturdy aluminum body ensures a sense of stability underfoot. The black anodized exterior finish is an ideal match for KORG's flagship KRONOS workstation.

Pedal mechanism with enhanced grip strength and smoothness:
Rubber is used on the top surface of the footboard and on the bottom of the body, providing better grip strength and improved stability. The pedal uses a durable gear mechanism for trouble-free operation. Additionally, the gears now have more teeth, delivering an extremely smooth operation.

Adjustable minimum volume and torque:
The minimum volume knob lets you adjust the volume range that can be controlled by the pedal. The knob has been moved from its previous location under the footboard to the back of the body, making it easier to control. A torque adjustment screw is also provided, allowing easy adjusting to the operating torque (weight) of the footboard to suit your preference.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Surf Rider IV brings the surf and sand in a ground-up redesign that packs 3 distinct spring tank emulations, based on some of everyone's favourite vintage spring-laden pieces. The available reverb modes include a tight tank, based on the 60s Reverberocket, the classic splash of Solid Gold's early silver panel Super Reverb and the SGFX fantasy tank, with a slightly exaggerated drip and decay for when you want Misirlou to sound certifiably otherworldly.

Housed in a compact package, with expanded controls and added features like soft-touch bypass switching with trails, selectable momentary or latching modulation and top-mounted jacks, the Surf Rider IV is guaranteed to satisfy like a cool breeze in the sweltering heat. So, plug in honey bunny, crank it up and get your Dick Dale on!

Whether you add just a touch for a little extra depth and space or if you like your rig soaking wet and dripping with the sounds of a crashing waves, nothing quite captures the vibe of surf and summer like a good spring tank. So, here's how you operate your new favourite splash machine.

The pedal comes jam packed with 3 distinct spring reverb tanks, selectable via the 3-position toggle, each carefully crafted to give you the ultimate spring reverb experience.

Reverb-O-Rocket: Modelled after the shorter spring tanks found on Solid Gold's '62 Reverberocket and Space Echo, the Reverb-O-Rocket is designed to add depth and space to your sound, without soaking your rig. This tighter tank is crafted to emphasize the warmth of your guitar while maintaining a smooth and subtle spring reverb tail.

Super Reverb: Delivering the classic splash of Solid Gold's favourite 4x10 Fender, the Super Reverb is the ultimate amp style spring reverb emulation. Wider tails that bounce back and forth with that unmistakable metallic twerp. So get ready to be drenched in that classic 60s sound.

Fantasy Reverb: Put on your board shorts and dive into the Fantasy Reverb. If you like it soaking wet, dripping with 'verb and splashy like a crashing wave, this is the one for you. A spring reverb where each characteristic of the attack and tail is pushed to physically impossible limits. Exaggerated decay, floppier springs and a thicker body are all there when you need to go to eleven.

Surf Rider IV's Decay knob sets the amount of time your signal bounces back and forth in the spring tank. If you turn it up all the way, your signal will clang, twerp and bounce with a huge tail.

Level controls the volume of the reverb (wet) signal while the Dwell control adjusts how lively your spring tank will be. Turn it up all the way and get lost in the clangy ambience that a spring tank is famous for. Alternatively, just turn it down to get a warmer 'verb. While the Body control sets how chunky the reverb is. Looking for a huge, echoey tail? Crank it all the way up! Want the reverberations to cut through the mix? Turn it down.

Want to add even more movement to your surfing tones? Well Surf Rider IV also has you covered. The multi-function footswitch not only turns the pedal on or off, but when held down will activate a mild pitch modulation. Internal dip switches set the function of the bypass and modulation. The Speed and Depth of the modulation can also be adjusted to taste.

Power: The SRIV requires a center-negative 9VDC power adapter with at least 70mA of current (not included).

Dimensions: 4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)

Notes: The Yamaha HS5 is a new addition to Yamaha's HS series of active monitors, influenced by the critically acclaimed and highly sought after NS-10 studio monitor speakers.

The Yamaha HS5 Active Studio Monitor features biamped full range 2 way speakers rated at 45W and 25W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as home project studios. The HS5 monitors' design has been informed by the tradition of the legendary NS10M monitors.

Yamaha HS5 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology in the HS5 studio monitors, which also helps to deliver a clean and precise signal. The HS5 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: Module A-174-4 modules outputs three control voltages generated by a spring-loaded X/Y cross potentiometer (so-called joy stick) and a Gate signal. The control voltages for X and Y are controlled by the X and Y position of the joystick in the usual way. The third control voltage Z is controlled by the rotation of the spring-loaded joystick knob. The Gate signal is generated by a button at the center/top of the joystick knob.

For each control voltage the non-inverted signal (X, Y, Z) as well as the inverted signal with adjustable offset (-X+XO, -Y+YO, -Z+ZO) are available. The generic joystick control voltages are bipolar, i.e. they range from typ. -5V (lowest position) via 0V (center position) to typ. +5V (highest position). The "Overlap" switches can be used to add a fixed offset voltage of typ. +5V to the non-inverting output in question so that the output voltage range changes to typ. 0...+10V (rather than -5...+5V). That's necessary if e.g. a VCA has to be controlled, which requires a pure positive control voltage range. The switches are named "overlap" because they allow the overlapping of the non-inverting CV output (X, Y, Z) with the inverting output (-X+XO, -Y+YO, -Z+ZO) for crossfading applications. With the overlap switch "on" and appropriate setting of the offset control it's possible to obtain a control voltage range of 0...+10V for the non-inverting output and +10V...0V (i.e. same range but opposite direction) for the inverting output.

The offset voltages which are added to the inverting outputs can be adjusted by means of three small potentiometers. That way different kinds of control voltage ranges are possible, e.g.
-5V ... +5V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = off, Offset = 0)
0 ... +10V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = on, Offset = max)
-5V ... +5V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = off, Offset = max)
0 ... +10V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = on, Offset = 0)
On top of this the four quadrant voltages Q1, Q2, Q3 and Q4 are available. A quadrant voltage becomes positive when the joystick is positioned in the quadrant in question.
Each CV output is equipped with an LED that displays the present voltage.

Because of the construction height of the joystick (about 7 cm) the module cannot be installed into the cases A-100P6, A-100P9, A-100PMS6, A-100PMS9 and A-100PMS12 during transportation as the depth of the case cover is not sufficient. Into the base cases A-100PB and A-100PMB as well as in all other cases without cover the module can be installed without problems.

HP : 12

Notes: The Sefour Vinyl Addict Feeder, Black is a compact and elegant vinyl storage solution that can hold up to 300 vinyl records in an upright, feeder-style format. The stylish and sleek design gives you instant access to all of your vinyl and with built-in chrome bars, you can organise your vinyl to always have your favourites to hand. Compact and functional, the Vinyl Addict Feeder is only 95cm tall, making it ideal for apartment living where space is at a premium. Designed in a sleek, all-black finish, the Vinyl Addict Feeder will complement any living space or anywhere in the house you choose to put it. Ideal for DJ's or music enthusiasts, the Vinyl Addict Feeder will become the centrepiece of your setup.

Specifications

Weight: 20kg
Dimensions (W x H x D): 95 x 33 x 46cm
Colour: Colour

Notes: Gera is a component of the Leibniz subsystem that allows masking individual bits of the digital data by the use of logical AND operation.

It features 8 individual gate inputs that affect the individual bits of data, as well as 8 illuminated tact switches for manual inverting of each control input. When connected to Drezno that is processing a waveform or voltage, masking of individual bits yields various forms of quantization. However, Gera can function on its own. The AND operation is a basic building block for sequence automation, chaos and rhythm generation, and various computer-like modular patches.

Bit processing logic in Gera is hardware based, hence there is virtually no latency, and the binary signals may change at extreme rates.

Main features:

Logical AND operation on Leibniz data
Masking of individual bits controlled manually and by gate signals
Visual indication by illuminated buttons
6HP
30 mm depth (including ribbon cable brackets)
- +12V: +45mA / -12V: 0mA / +5V: 0mA

Notes: The EnvVCA is compact analogue envelope generator with a built-in low-noise exponential VCA. It's a perfect companion to any VCO, whether you trigger it or self-cycle, and/or use the envelope output to modulate something else. With a wide time range from 30 minutes to 10kHz, it can be used as an LFO, slew limiter, audio or CV VCA, ASR/ADSR envelope generator, audio-rate oscillator, and more.

100% analogue

EnvVCA

8HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
10-pin Eurorack power header

Power consumption
+12V: 83mA, -12V: 81mA

Audio/VCA
100k input impedance, 1k output impedance, DC-coupled
VCA gain range: -90dB to +0.9dB
DC to 20kHz, +/-0.1dB
VCA response to CV: exponential

Envelope Times
Minimum rise or fall time: ~50us (10kHz max frequency)
Maximum rise or fall time: >10 minutes (typically 15-20 minutes per segment)

Jacks:

Env jack:
when fall time > 11ms: Min = -5mV to +40mV, Max = +9.5V
when fall time < 11ms: Min = -200mV to -5mV, Max = +9.5V
Trigger jack: rising edge threshold = 2.5V
Cycle jack: rising edge threshold = 2.5V
Follow jack: active range = 0V to +5V
EOR jack: 0V to 5V gate output
Audio In/Out jacks: -10V to +10V maximum range without clipping

Notes: Simple quad comparator based around the LM339.

It will take your Voltages and turn them into Logic On.

When your signal is higher than the threshold the Gate goes high and the NOT Gate goes low.
When your signal is lower than the threshold the NOT gate goes high and the Gate goes low.

You can set the threshold anywhere from about -10V to +10V.

Input 1 is buffered then normalled to JackSwitches 2->4. So you could send an LFO in to Input 1, set different thresholds for all the inputs and have all the gates/NOT Gates fire at different points from the same LFO.

115 mA +12V
95 mA -12V
29 mm deep
O 5.00 (1 Votes) Average Rating

Notes: Characterful analogue delay designed for live performance. Simple to use but deeply versatile, especially hooked up to an expression pedal (not included). Blast and Warp switches let you manipulate the effect in real time.

Supplier's Notes:
The Cosmic ECHO Squared is an analog lofi delay that will work with just about anything you plug into it. The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. This pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 momentary switches, Blast and Warp.

Contains PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

This big sister of the Cosmic ECHO is tailored to live guitar and keyboard performers. It has all the features of the original plus:

- Expression pedal input over Rate

- Blast and Warp are now momentary stomp switches

- Blast amount knob now accessible externally

Notes: Clever four-channel utility module designed to make it easier to achieve perfect oscillator tracking and transpose CV signals. Also includes some neat quantising and portamento features.

Supplier notes:
The CalTrans solves issues encountered when playing tonal music with a modular system: tracking problems, curves unrelated to Volt per octave ratio, limited octave range, cumbersome transpose, ...

The CalTrans corrects and expands the range of troublesome VCOs and brings V/Oct tracking to anything that oscillates.

Besides calibration, the CalTrans offers live play features. Each channel can be quantized and any combination of them transposed jointly.

A pair of rotary encoders with detent allow an precise selection of octaves and semitones.

VCOs whose tracking doesn't go high enough to follow the leader will see their pitch repositioned in their highest possible octave so that the global harmony is unaffected.

You can add a pinch of portamento and glissando to each channel and save the whole in user presets.

Notes: Stoker Elektrek is equipped with a 2.1 mm hollow connector to supply power to effect pedals. A short adapter cable is included. The module itself draws power from the modular PSU. A look at the other technical data reveals that Stoker Elektrek is compatible with many effect pedals:

- 9V DC power supply
- Up to 750 mA
- Polarity: peak = negative / ring = positive

On top of that, Stoker Elektrek offers two mini multiples, each with one signal input and two outputs, which can also be used as a large splitter.