New releases last eight weeks: Reggae Classics/Ska

Review: Prince Buster, born Cecil Bustamente Campbell in 1938, was a key figure in the birth of ska and rocksteady, and infamously embodied the term "rude boy"; he'd come to enshrine a symbol of rebellious youth culture in Jamaica. A leading conspirator in early soundsystem culture, Buster's story stretches as far back as the days of systems such as Tom The Great Sebastian as well as variou Kingston-bound stacks operated by Coxsone Dodd. Now this eagerly awaited third volume from Rock A Shaka continues to compile Buster's best works, the standouts among them being 'A Tribute to The Toughest' from 1967 - believed to be a precursor to the long-loved 'Ghost Dance' - and his cover of James Carr's 'Dark End of the Street,' Ernest Ranglin's 'Come Get Me,' and Winston Samuels' 'I'm Still Here.'

Review: Back in 2019, Soul Jazz marked Record Store Day by releasing a rather tidy seven-inch box set of classic Studio One reggae jams, the simply titled Showcase 45. Six years on, they've decided to reissue the collection on CD in expanded, 18-track form (the original edition featured 10 tracks stretched across five 45s). It provides a perfect introduction to the Studio One universe, showcasing cuts from such masters of reggae, rocksteady and ska as Freddie McGregor ('Beat Down Babylon'), Bob Marley and the Wailers (the original version of the later re-recorded 'One Love'), Jackie Mitoo (the rhythm & blues-tinged, Hammond organ-rich 'Mixing'), the Heptones (the horn-heavy shuffle of 'How Can I Leave You'), Horace Andy (the cheerful-sounding 'Miami Blue') and the Skatalites (bona-fide dancefloor gem 'Sudden Destruction').

Review: .This essential album from Doctor Bird highlights the great Phil Pratt's remarkable work during a pivotal era in Jamaican music. Feel Good All Over: The Sunshot Singles 1972-1973 digs into his work during that golden time and turns out both many well-known hits and some rarer gems, a total of 30 of which appear on CD for the first time. This collection captures the energy of a time when Pratt, alongside a new wave of equally bold and ambitious producers, pushed against the established norms of the island's music scene and brought in new influences. The result is a treasure trove of some of the finest and most influential reggae recordings from the pre-roots period including deep-cut gems like Delroy Wilson's aching 'Heart Made Of Stone', the romantic harmonies of The Soul Syndicate and swagger of 'Phil Pratt Thing'.