Review: Alessandro Alessandroni is a library music legend who set the blueprint for the genre early on and then managed to get even more famous because of providing the iconic whistle on famous spaghetti western 'A Fistful of Dollars'. The influential composer and musician had a big say in the world of soundtracks during the 60s and 70sFour Flies have often released his work or covers of it. The tunes on this 7" are taken from an obscure 1975 Italian film by Elio Bartolini. They walk the thin line between disco and funk and jazz-funk with big horn and rhythm sections. Both might have been lost forever if it weren't for the fact that this label put them on the now modern classic and hard to find compilations Esterno Notte and Esterno Giorno.
Review: 'Anything Goes Vol. 7' the latest vinyl release EP from Rollover Edit Service, a subsidiary of Anything Goes, is back. Delve into the Italian music scene of the 70s and early 80s with four meticulously edited gems; all four versions here are billed as originals, credited to contemporary producers' hands (Black Pomade, Pablot, etc.) yet are heavily built around each respective sample. Our highlight is the hard-won, twangy B4, 'Prima O Poi Ti Prendero'.
Review: From the dedicated Neopolitan archivists Periodica comes a holy grail reissue of a deep cover, highly coveted release from 1983. The groove on Tonino Balsamo's 'Sta Guagliona Mo Dda' is an absolute neck-snapper, with the toughest drum machine beat carrying slinky b-lines and slick synth lines alike while Balsamo flows in a semi-rap style over the top. It's a monster given a fresh master to cut it with any modern jam you care to throw its way in the mix, and the instrumental is on hand for those who want to zero in on that throbbing arpeggio. Also watch out for the dirty beatdown 'Voglia E Mare', which lays the synths on even thicker.
Review: 'Storia Fantasy' is a second release from Reparto Vinile that again marries Italo influences to a range of different genres. The label is based in Monferrato in Italy (which is a UNESCO World Heritage Site) and it is helmed by influential Italian Luca Bernascone. Here he assumes his new production alias Cabopolonio for a super new single. The vocal version is a nice mood tempo roller with lush pines and cosmic twinkles, vibraphone melodies and a nice retro edge to it. The instrumental version is a little more deep and slow. The dub element means it seduces even more and marks a second fine drop from this label.
Review: Periodica sublabel Serie Pegaso launched last year to carry further works from the network of artists related to the Italian groove stable. After a mini album from Rosa and an LP from The Funkin' Machine, the latest drop features a new project called Capinera. If you're into any of the sounds Periodica are known for, you're sure to find a lot to love about this sunny slice of synthy, yacht-ready disco funk. 'Il Volo' is nestled on the A-side in a swirl of smooth sax, mellow chords and a supremely laid back rhythm section. 'Suonno' on the flip has a slightly peppier step, but it's still chilled enough to keep from breaking a sweat. This is sophisticated party music, after all.
Sono Come Sono (Whodamanny instrumental remix) (4:29)
Sono Come Sono (Whodamanny remix) (4:00)
Sono Come Sono (Whodamanny extended instrumental remix) (6:26)
Review: Internationally acclaimed Italian singer, multi-instrumentalist and songwriter Chiara Civello unveils a new single, 'Sono Come Sono', blending a mixture of Neapolitan funk and club-infused rawness into four mixes. With the title roughly translating to 'it is what it is', the tune is a true, happy reflection on all things being immutable, and struggle being ultimately futile. Party on!
Review: LA-based disco-funk outfit Colletivo Immaginario are keepers of the flame for honey-glazed grooves with a faithful 70s studio sound that simply melts in the ears. This new single is the first 12” on the Domanda label they call home, and it shows off the band at their best, with core members Alberto Lincetto, Nicolo Masetto and Tommaso Cappellato joined by none other than Danilo ‘MCDE’ Plessow moonlighting on Moog for the six-minute odyssey ‘Tempo Al Tempo’. As well as the spellbinding original version on the A side there’s a show-stopping twist on the track from legendary remixer Patrick Gibin on the flip which zeroes in on the house-compatible qualities of the rhythm section to make for a DJ-friendly version which will light a fire under any assembled throng of party people.
Review: After their hair-dropping debut LP Latin Freaks, Funkool Orchestra keep the stovetop hot with a high-energy 7" vinyl, bridging the delta between their first and second albums. A Maledetta Discoteca production, 'Tengo Che Ffa' blends Mediterranean funk, disco, and Neapolitan groove into an allusive proto-P-funk prance, especially if, at least, the B-side's title is to be believed. The latter alternately named 'Dance With Pezz', we hear them pick up the pace with a clav-spiced, conga-crammed number. Take it from us: the record is a clavi-net good.
Sacred Love (feat Giulia La Rosa (Clapping version)) (4:19)
Review: As Galathea, Sicilian producer Massimo Napoli has been cooking up some outstanding cuts for the Italian Space Echo label over the past couple of years. Afro-Latin rhythms, soul jazz, dub and more besides all feed into his sound, which manifests perfectly on this new single fronted by vocalist Giulia La Rosa. 'Sacred Love' has a stripped-back, minimalist approach which makes it all the more potent, as Napoli exercises a restraint which creates drama and tension in the negative space around the groove. La Rosa's smouldering vocal is the icing on the cake for this deep, funky cut which will turn heads each and every time it gets dropped.
Review: Here's something rather special: I Bellissimi Dischi di Ornavass is an Italian duo project exclusively focusing on niche dance and disco experimentations, but their selections have an extra-curatorial and quality weight to them. It's not clear as to how much editing or post-prod has been added to the music, but this EP contains four tracks selected from the vaults of the secluded Archivio Fonomeccanico Ornavassese, a collection of old tapes and machines in Northern Italy that were long ago used to create sound effects and music for movies and radio shows in the 1970s-80s. Needless to say, SOMAR, a new Italian label that focuses on obscure and avant-garde sounds, have done god's work in putting this one out.
Review: 'Maledetta Quella Notte' is the first EP by Il Mago del Gelato, a new band from Milan (IT) with a strong Mediterranean imprint. This first album of theirs runs through funk, afrobeat and jazz; all the divergent strands make up the project, later convergent and blending in a nigh-perfect balance. Warm, watery, jazz-futuristic and easy on the ears, it's all held together by the uniquely Milanese fusion of vocoder, percussion, 80s synths, and roots guitars.
Review: Francesco Fisotti is the leader of the new Italian disco-funk band Le Dune and this makes their debut release. 'Sugar' features a fusion of electronic drums, synths and groovy bass with a retro feel but fresh modern production flair next to vibrant guitars. When you pair all that with catchy, pop-driven vocals you have a timeless disco vibe that will unique all manner of dancers. Alongside the original version, the Extended Mix emphasises the groove, the Instrumental Version' leans into a percussive, tribal sound while the 'La Notte Mix' co-produced by Issam Dahmani delivers a late 80s proto-house feel.
Review: Larry Manteca brings some uptempo bossa brilliance here to the always well worth checking Four Flies label out of Italy. The Milan-based producer brings classy yet party-starting vibes to this one with clarinet-funk driving thing forward with elements of jazz, soul, library and erotic scores all colouring the airwaves. This is the artist's first ever 7" record and what a record it is: 'Ufo Bossa' is rich in lounge-style sounds with boss rhythms and clacking hits under a soulful female vocal from Yasmine Zekr. 'Intergalactic Porno Scene' on the backside might be the best name tune we have ever heard as well as being a nice libidinous bit of cosmic space funk.
Review: Latest in our cornucopian supply of Afro-funk and dance crossover music comes Italian supergroup Addict Ameba with a new, sophomore single version of the 2024 LP Caosmosi, which followed on from 2020's Panamor, and demonstrated an impressive ear for stylistic continuity. Led up by the Josh Idehen-featuring single 'Look At Us', this polydirectional power mover crossed between desert blues, Afrobeat, Latin rock and Ethio-jazz, all while offering a slickly maximised sound - careful not too sacrifice all the headroom, though it occupied more than enough space to cross into the periodic threshold of weird. This 7" study of the record, focusing on tracks 'Caosmosi' and 'Por Nostalgia', suggest two of the album's best selective choices for the roving DJ.
Review: The first drop on the new Disco Mind Records is a top collection of well-designed and perfectly executed re-edits by two Italian disco stallions, Paul Older and Bplan. Each of these men is respected for previous works on the likes of Toy Tonics and Tropical disco and here they delve into their collections and come out with four fiery and authentic new cuts. 'Ma Quale Amore' is a peak time bomb, there is groove and funk to spare on 'Travolgente' and much more to win over all sorts of disco lovers. A great start to what is sure to be a fine label.
Review: Heading to stores in limited numbers with a 'no further vinyl reissues or represses in future' message to reiterate the need to grab a copy while you can, Sal Panzera's 1981 debut single has long been regarded as one of Italian disco's hardest to find (and therefore sought after) obscurities. The hype is warranted though. While it does boast some subtle synth sounds here and there, this is proper post-chic disco complete with rubbery, Bernard Edwards style bass, cut-glass disco strings, echo-laden drum fills, Nile Rodgers-esque guitar licks and a strong lead vocal from Panzera. The original seven-inch version is great, but the flip-side Re-Clap re-edit, which extends the percussive intro and groove-based sections (effectively delivering the 12" mix the track was always crying out for), is even better. Pre-ordering is recommended on this one, as it will most likely sell out very quickly.
Review: We really have a soft spot for the Four Flies late out of Italy. Their mix of world, Latin, library, jazz and plenty of other cultured in-between sounds always brings a smile to our face and dancers to our dance floors. This new 7" takes the form of a second single to be taken from Psyche's (aka Naples collective Marcello Giannini, Andrea De Fazio and Paolo Petrella) debut long player which is due in May. It's a compelling cut that offers a rich exploration of rhythm and the movements of an imaginary ritual dance. Synths and drums, guitar and bass and percussion all interplay delightfully.
Review: There is very little info out there - well, none that we can find - about this new Siffleur label or the artists behind it. Siffleur is the word for a male professional whistler but surely has no bearing here as these are two world-flavoured disco jams. 'Pino' is as tropical as they come with darting synths and Spanish (maybe) vocals over lush synth solos and gliding disco grooves. 'Adriano' ups the ante with big horn stabs and chunky drum funk. It's the sound of a bustling dance floor at 1am, with plenty of drama and heart.
Review: Originally released in 1979 on Dominant Records, this double single features production by Italian composers and vocalists Antonio Iglio and Antonio Moxedano. 'Tigre' and 'Gennarino 'O Sioux'' saw extreme demand after becoming instant cult classics. The bass is tight and the vocal melodies are instant foot tappers, you'll be humming it for hours. The original 7" is one of the most wanted and rarest around, with very few copies ever going on the second hand market - reaching the hundreds in some cases - a huge leap forward for the Neapolitan Disco Funk scene, and a testament to the pure talent of these artists in what was arguably the beginning of a golden era for Italian funk and soul.
Review: Alberto Baldan Bembo, who was also known as "Ali" Ben Djamballa, Bedan, Blue Marvin, or Shorty Baldan, was a versatile musician who mastered the vibraphone, organ, and piano early on in his life. His musical journey began in 1959 with the group I Menestrelli del Jazz, and he later went on to join Bruno De Filippi's ensemble in 1963. He became a noted sideman who worked with the likes of renowned Italian singer Mina and alongside his role in the music scene, he made significant contributions as a film soundtrack composer and released several albums, including the sought-after Codice d'amore orientale soundtrack. His 1974 album, The Soul Of Ali Ben Djamballa is one of the cult collector favourites that mixes up Afro-flavored funk with European Library Music grooves. Tracks like 'Blue Jeans' and 'Niger' and real favourites that offer solid breaks and funky rhythms.
Review: Rome label Maledetta Discoteca Records encouraged a bunch of talented local musicians to get together and play live, embrace spontaneity and do their improvised best. What results is this new record, which is funk at its core, but which is coloured by so much more around the edges. Recorded in the historic Auditorium 900 studios with sound engineer Fabrizio Piccolo, the record takes in everything from 70s instrumentals to progressive funk, Hispanic rock and more with all manner of wah wah guitars, synths and organ bringing each groove to life in tiles fashion.
Review: Gruppo Sound's enigmatic discography spans over thirty titles from the 80s and 90s, shrouded in mystery and intrigue. Despite limited information about the collective, their library music albums can be found across various labels managed by Flipper Music publishing group. Behind the pseudonym lies multi-instrumentalist Gabriele Ducros, son of renowned composer Remigio Ducros. Gabriele Ducros, the sole creator behind Gruppo Sound, ventured into music libraries and soundtracks before crafting tracks for notable television commercials, earning international acclaim. New York City, a compilation attributed to Gruppo Sound, features Gabriele Ducros' diverse musical influences, blending funk and jazz elements with electronic instrumentation. Each track reflects a fusion of styles, echoing the experimentation of the era when synthesisers were emerging. From urban vibes to dreamy atmospheres, the album paints a vivid sonic landscape. Electronic keyboards evoke nostalgia, while flute and saxophone add depth and texture. With a blend of computer-generated melodies, playful themes, and sophisticated fusion compositions, the album encapsulates the essence of the Big Apple's musical spirit.
Review: While Toy Tonics' first Italomania compilation, released back in 2010, featured fresh reworks of classic Italian disco tracks, this belated sequel celebrates a new generation if Italian disco and nu-disco artists. This - as they have made clear - is not synth-heavy Italo-disco revivalism, but disco revivalism and disco-house fusion made by Italians. It's a great collection all told, with highlights including the hybrid disco-boogie brilliance of Tommiboy's 'La Sfinge (featuring D Disco Band)', the synth disco-meets-jazz-funk flex of Severino and Giocomo Mora's 'Maledetto', the coloruful nu-disco excellence of Munk & Kapote's 'La Musica (Hot DJ version)', the orchestrated disco cheeriness of 'SessoSpaghetti (extended mix)' by Finniani & Angeleri - an authentically eccentric excursion - and the synth-heavy squelch of 'Tropica' by Giovanni Damico.
Review: Neapolitan duo Massimo Di Lena and Lucio Aquilina are Nu Genea, masters of the Balearic form and musical wizards who transport you to a better place in an instant. Four years later their last album they finally return with more sumptuous sounds in the form of Bar Mediterraneo, which swings open its doors and invites you in for a cocktail or two. Acoustic instruments, voices and synthesizers all come together on this funk, soul, Afro, Latin and jazz fusion and it's exactly the sort of record you needing your life when the temps begin to rise.
Review: On their debut album, 2016's the Tony Allen Experiments, Naples twosome Nu Guinea re-invented tracks by the legendary Afro-beat drummer as synth-heavy chunks of deep jazz-funk and nu-Balearica. For this follow-up - their first full length entirely made up of their own compositions - the duo serves up a set of jazz-funk, disco and boogie cuts rich in both their trademark colourful analogue synthesizer sounds and live instrumentation. It's a formula that guarantees a string of memorable highlights, from the sun-kissed peak-time brilliance of "Disco Sole" and rubbery, funk-fuelled "Je Vulesse" (a killer vocal number), to the wobbly downtempo trip of "A Voce E Napule" and Mizell Brothers fizz of closer "Parev Ajare", the album's most synthesizer-heavy cut.
Review: Danse Cette Zik by Parbleu, released on Periodica Records, is a fascinating journey through equatorial grooves and multicultural influences. The debut LP from this mysterious ensemble offers a blend of dynamic disco, futuristic funk and cinematic jazz fusion infused with Caribbean dub, Latin tropicalia and Afrobeat rhythms. From soulful serenades to mystical chants and expressive diva performances, the album's evocative instrumentals and breathtaking vocals create a mesmerizing tapestry of sound. Funky guitars, reggae riffs and jazz-rock solos interplay with fusion synthesizers and island-inspired percussion, while basslines pulse with 70s fusion fire and Italo synth-funk grooves. Expertly crafted at West Hill Studio, Danse Cette Zik is an imagined world of exotic landscapes, perfect for coastal paradises, desert vistas, or moonlit nightclub escapades. It's a thrilling adventure in sonic exploration that showcases Parbleu's unique blend of musical influences and creative vision.
Review: Pellegrino & Zodyaco's skillfully intertwine Neapolitan disco, funk, jazz and world music while channelling a spirit of creative escape of this new album, which is inspired by Henri Laborit's 'Eloge de la fuite'. It explores conscious escapism as a return to authenticity and seeks a "common language" through sound by merging Mediterranean melodies with global rhythms, vintage instruments and ethnic percussion that all bridge past and present. Four years after his last outing, Morphe, Pellegrino is still in top form here with a soulful, genre-blurring portrait of modern Naples that reflects the fact that, in the city, musical traditions meet modern experimentation.
Review: Not to be confused with 80s synth-poppers or an early Carl Craig alias, Psyche is in fact a crack team of players from Naples who have been active for some two decades. In more recent times you might have heard Marcello Giannini, Andrea De Fazio and Paolo Petrella playing as part of Nu Genea's touring band, but after their first tour in 2018 they formed this project as a means of exploring a more minimal, flowing approach to playing their chosen instruments. If Psyche is in some ways a back to basics record, it's also a showcase for their incredible talent at weaving gently psychedelic grooves from simple ingredients. The sound has a perfect treatment, with plenty of reverb and analogue warmth in the mix, all the better to savour the laconic instrumental pieces the band perform.
Review: Formed by three members of Nu Genea's touring live band, Psyche are the latest distinctively retro-futurist outfit to emerge from Naples' colourful and creative underground music scene. While the band's sun-soaked, aurally vivid sound does reference some of the same sounds as Nu Gunea - and the mix of electric, acoustic and electronic instrumentation is similar in places - Psyche is a deliberately more minimalist beast, with an emphasis on groove, improvisation, and a palette of influences that consciously references Afrobeat, Mediterranean and South American musical culture, library funk and dusty B-movie soundtracks. The results are undeniably impressive, with the trio conjuring up tracks that are as sun-bright and hazily psychedelic as they are funky and floor-friendly.
Review: There's always something to catch the ear in the tradition of disco and funk from Naples, and so it goes with this diggers' delight by Stani Labonia. Originally released on It/RCA in 1978, it's an album with a quirk in its lavish arrangements, which were put together by the likes of Pino Daniele and many other respected figures from the history of Neaopolitan music. It's Labonia who gives the album its unique, wild energy though, while Jenny Sorrenti brings some wonderful vocal additions to 'E Jennifer Non Sa'. If you're into the world of European soul oddities from yesteryear, you're going to love this reissue on La Matta.
Review: Tullio De Piscop is an Italian drummer of some repute. He worked solo and with his quartet and interest in his records, many of which were recorded back in the 70s, has piqued recently resulting in a load of reissues. Sotto E 'Ncoppa is one of them and it was recorded back in 1976 and has since gone up in value and rarity. It's a jazz-rock fusion album with a whole host of electric guitar, bass, saxophones and pianos on it that embelish each cut and make the whole thing packed with detail.
Ramasandiran Somusundaram - "Contrabbando Di Fagioli"
Jaen Paul & Angelique - "Africa Sound"
Weyman Corporation - "Kumbayero"
African Revival - "Soul Makossa"
Lara Saint Paul - "The Voodoo Lady"
Beryl Cunningham - "Why O"
Augusto Martelli & The Real McCoy - "Calories"
Prognosi Riservata - "MAAGGO"
Review: Four Flies continue their mission to plunge Italy's funk-historical depths. The pinnacle of their search so far for the sure-to-exist pearly gems on the sands thereunder is the new Africamore compilation, which homes in like a heat-seeking torpedo on the particular Afro- ends of the funk sound prevalent in the nation, in the crucial years between 1973 and 1978. This period was notable for its facilitating fertile ground for the emerging discotheque market in Italy at the time. From psychedelic-tinged tunes like Jean Paul & Angelique's 'Africa Sound' to Afrobeat-esque club banger 'Kumbayero' by Albert Verrecchia; from groundbreaking Afro-cosmics like Chrisma's 'Amore to mind-blowing floor-fillers like Beryl Cunningham's 'Why O', this is a multivalent compilation, among the best out there to document the burblings of that crosswise stew of disco, funk, electro and world musics.
Ramasandiran Somusundaram - "Contrabbando Di Fagioli" (3:09)
Jean Paul & Angelique - "Africa Sound" (4:37)
Weyman Corporation - "Kumbayero" (5:00)
African Revival - "Soul Makossa" (3:41)
Lara Saint Paul - "The Voodoo Lady" (5:12)
Beryl Cunningham - "Why O" (4:14)
Augusto Martelli & The Real McCoy - "Calorie" (4:25)
Prognosi Riservata - "MAAGO" (3:05)
Review: Continuing Four Flies' dedication to delving into lesser-explored periods of Italian music, Africamore: The Afro-Funk Side of Italy (1973-1978) takes us on a captivating carpet-ride into the intersection of Afro-funk and the Italian soundscape prevalent in the six years between 1973 and 1978 - a time when disco was still in its nascence, and the nightclub market was rapidly expanding. Bottling the critical moment at which DJs such as Dave Mancuso discovered Manu Dibango's 'Soul Makossa' - with classics such like Jean Paul & Angelique's 'Africa Sound' and Nat King Cole's 'Calypso Blues' following as floor-bound hits - all these productions pushed the boundaries of dance music at a time when disco had not yet taken over.
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