Review: 9T Antiope's Horror Vacui intersects where the eerie tale of a mysterious house mirrors the complexities of human existence lie. Nima Aghiani and Sara Bigdeli Shamloo masterfully blend elements of Iranian heritage with contemporary sonic exploration, delving into themes of identity, displacement and the relentless passage of time. Through sparse instrumentation and haunting vocals, the duo navigates the liminal spaces between past and present, old and new, creating an atmospheric soundscape that is both unsettling and captivating. The title track, with its subtle shifts in language and texture, encapsulates the album's exploration of memory and the fear of forgetting. Horror Vacui is an album that defies easy categorisation, balancing on the precipice between structure and formlessness, heaviness and softness. It challenges listeners to confront their own fears and uncertainties, urging them to embrace the space between dualities. In doing so, it offers a profound meditation on the nature of existence itself, leaving a lasting impact on the listener's psyche and memory.
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