Breakbeat charts

Review: The Future Sound Of London are well-known for their intense sectioning-off of various albums into sagas. Conceived as far back as the late 1990s, the 'Environments' album series has been routinely topped up on a slow but steady basis, and has thus far manifested as a grand total of seven psychedelectronic odysseys. 'Environments Seven', which came out earlier in 2022, is testament to the duo's madcap penchant for sagaizing; indeed, this seventh instalment in the LP is split into a trilogy, and 'Environments 7.02' is the second in said trilogy.

Review: When electronic musicians invent new words, you know you're in for an accompanying sonic treat. u-Ziq aka. Mike Paradinas' latest record Grush aims at something between a crush and a grunt - as if to suggest the violent hydraulic floorings of the former and the cave-manic disinhibition of the latter. Sonically, this follows suit with Paradinas' as-ever ascendant, wompy-breaksy sound, which this time comes peppered with additional flavours of black MIDI and generative sound-spurts honed at live shows; the ultimate aim of the album is to replicate the nonstop feel of a live tour, with each track here having been meticulously road-tested and polished for home listening (or not - get out there and dance to the thing, couch potatoes!)

Review: It comes as a surprise that brothers Tom and Ed Russell - Tessela and Truss, together known as Overmono - are set to release their debut album. That's because their names are synonymous with a certain bleak UK techno sound, following the trend of imagery associated with the likes of St. Etienne, Mt. Kimbie or Real Lies, plus their music and live sets have seen to a wealth of stonking tracks over the years. They're arguably the popularisers of live techno for the next generation, so in 2023, we're floored by the Mandela-effecting notion that they haven't put out an album before. Thankfully, 'Good Lies' is their magnum opus, blending elements from emotive UK soul (the St. Panther feature on 'Walk Thru Water'), future garage (spot the Tirzah samples on 'Is U'), and pirate radio chatter and crud (basically every other track). Nu-school ravers rejoice; this is your defining album.

Review: A quarter of a century on, Chemical Brothers' second studio album returns to stores in expanded form. The original album remains the high watermark of the (now often derided) big beat movement - a bolshy, thrill-a-minute ride that races between funk-fuelled, break-heavy hits ('Block-Rockin' Beats'), rock-tinged heaviness (the title track), fuzz-fuelled post-techno hedonism ('Electrobank'), La Funk Mob-influenced trip-hop ('Piku'), heady ambience ('Loft in the K-Hole') and riffs on the Beatles' 'Tomorrow Never Knows' ('Setting Sun' with Noel Gallagher and the incredible 'My Private Psychedelic Reel'). The second disc on this bonus edition boasts a quintet of previously unreleased tracks and alternate versions, with our highlights including the opioid pulse of 'Cylinders' and the slamming techno breathlessness of 'It Doesn't Matter (alternate mix)'.

Review: Last year, the Hartnoll brothers gave their debut album, 1991's 'Green Album' (officially simply titled Orbital) the deluxe reissue treatment, offering an expanded quadruple CD edition backed with a detail-packed hardback book. They've now moved on to its similarly superb sequel (the 'Brown Album') from 1993. It gets a similar treatment, with a freshly remastered version of the original album (CD1) being joined by two discs of single versions, B-sides, remixes and 'Peel Session' cuts (including legendary Underworld and Psychik Warriors Ov Gaia takes on 'Lush 3', and the duo's own originally US-only extension of 'Impact'), and a fourth CD containing a previously unreleased live recording from the Limelight in New York in 1992. Oh, and a fine hardback book telling the story of the album. An early Christmas present for Orbital fans!

Review: While not as widely known or celebrated as those who came in his wake (and cite his work as an inspiration), Rephlex alumnus Bogdan Raczynski makes music every bit as alluring - and, like one of those he influenced, Richard D James, a fan of playful press releases and eye-catching interview quotes. He's variously described his amusingly new title as an AI-made attempt at EDM, the soundtrack to a rejected Tesla infomercial, a collection of ten-year-old tracks and a bid to crack "the lucrative coffee shop playlist market". Whatever the truth, it's a melodious, warm and ear-catching collection of cuts that flits between cheery electronica, off-kilter IDM, immersive and maximal club cuts, joyful ambient soundscapes and short, sweet numbers that refuse to outstay their welcome. Another winner from a master of his craft.

Review: There's a strong argument to be made that 1993's Orbital II, popularly known as 'The Brown Album', is the Hartnoll brothers' finest single album - a sublime fusion of bustling breakbeats, heady vocal samples (many provided by then unknown vocalist Alison Goldfrapp), twisted acid lines, memorable melodic motifs, and rush-inducing breakdowns. Here reissued in remastered and expanded form, the set - which includes fan favourites 'Lush 3', 'Halcyon' and the superb 'Impact (The Earth is Burning)' the album sounds as fresh and forthright as ever. This time round, it includes a second CD featuring key cuts from the two-part 'Raddicio' EP (including two takes on the Scott Walker-sampling 'The Naked & The Dead') and superb revisions of Lush 3 by Underworld and Psychick Warriors Ov Gaia.