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Notes: ***B-STOCK: Box opened, product in perfect working order***


This is a brand new build of a JakPlugg designed Pachinko, which is a micro version of Mutable Instruments Marbles. It retains all of the functionality of the original but takes up less space (12HP) than the original Marbles (18HP).

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module.

The panel is a custom black After Later Audio panel that offers metallic gold accents.

The module comes with a power cable and a 1 year warranty.

Notes: This is an exact hardware replica of the Mutable Instruments Plaits module.

Width: 12hp
12V: 50mA
-12V: 5mA

Notes: A clever hybrid of quad VCA, function generator and more in this chunky module. Four channels of oscillators, envelope generators and VCAs, plus slew, voltage sources and plenty of CV control.

Supplier's Notes:
Four channels of function generator, oscillator, slew limiter, envelope, and VCAs. This module brings the ultimate in flexibility as it can be used as a standalone synth voice, a massive amount of modulation, or a four channel envelope generator w/ mixer. We believe this makes QARV a great first module and a great addition to the largest of systems.

All four channels have the following features:

Uni-polar oscillator mode
Attack and release time control via potentiometer and via input jack
Shape control that controls shape for both attack and release
Output attenuverter
VCAs that normal to each subsequent channel (CH1 -> CH2, etc.). So you can get a mix of all four channels out of the CH4 VCA output (unless you patch a VCA output from an earlier channel)
Channels 1 & 4

Voltage source (CH1 - 5V & CH4 - 10V)
CH1 & CH4 can be switched between IN (slew mode) and TRIG (envelope) mode
RISE and FALL gates. You can use our G&T module to turn these gates into triggers.
Channels 2 & 3:

Bi-polar oscillator mode
Dedicated IN and TRIG jacks (helpful for adding offset to a triggered ENV)
BOTH input jack to simplify patching both the attack and release (also inverts the input to give more standard pitch tracking of higher voltage equals higher pitch)

Notes: A 22hp version of Mutable Instruments Elements. It is functionally equivalent and therefore runs all firmware options and having identical sound characteristics. This version is great compromise between the tight spacing of Atom and full size original, which is a bit large.

Width: 22hp
12V: 130mA
-12V: 10mA

Module power connector can be connected either way on the module side.

Notes: Six segment generator. Looping or one shot envelope generator. Chainable, so it can be expanded to link multiple units.

An exact hardware replica of the Mutable Instruments Stages.

Dimensions
14 HP
25 mm deep

Current Draw
80 mA +12V
20 mA -12V
0 mA 5V

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Six segment generator. Looping or one shot envelope generator. Chainable, so it can be expanded to link multiple units.

An exact hardware replica of the Mutable Instruments Stages.

Dimensions
14 HP
25 mm deep

Current Draw
80 mA +12V
20 mA -12V
0 mA 5V

Notes: Neat and tidy MIDI/CV interface in the Intellijel 1U format. Based on the Mutable Instruments Yarns module, retaining all the functionality, including Roland SH-101-inspired sequencer.

Supplier's Notes:
All of the goodness of Mutable Instruments Yarns, but in an Intellijel 1U format. All four voices of functionality are retained, with 3.5mm jacks for the MIDI input/output. There is also a connector on the back to connect to the Intellijel case jacks.

Summary of Yarns capabilities:
Single voice (note, velocity, modulation, aftertouch, gate, trigger, and clock reset output), two voice, and four voice modes.
Monophonic and polyphonic configurations
SH-101 style sequencer with up to 64 notes.
Microtuning
Transform the CV outputs into digital oscillators.

24 HP

+12V - 60mA
-12V - 2mA

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


This is where Storm and Monsoon meet to create the latest improvements on the original Clouds design. With Typhoon you get all of the features of Storm combined with sliders and layout of Monsoon in 16hp. Typhoon runs the SuperParasites firmware, so no more having to swap between Parasites and Kammerl firmware options. Some of the notable features are:

Dedicated blend controls for Feedback, Panning, Mix, and Reverb (similar to Monsoon)

All eight modes from Parasites and Kammerl

Stereo VCAs

input/output mutes

Exponential and linear pitch controls

Universal CV routing and random CV signals

Comes with an exclusive black and gold panel, power cable and one year warranty.

Notes: This is where Storm and Monsoon meet to create the latest improvements on the original Clouds design. With Typhoon you get all of the features of Storm combined with sliders and layout of Monsoon in 16hp. Typhoon runs the SuperParasites firmware, so no more having to swap between Parasites and Kammerl firmware options. Some of the notable features are:

Dedicated blend controls for Feedback, Panning, Mix, and Reverb (similar to Monsoon)

All eight modes from Parasites and Kammerl

Stereo VCAs

input/output mutes

Exponential and linear pitch controls

Universal CV routing and random CV signals

Comes with an exclusive black and gold panel, power cable and one year warranty.

Notes: ***B-STOCK: Box opened, product in perfect working order***


This is where Storm and Monsoon meet to create the latest improvements on the original Clouds design. With Typhoon you get all of the features of Storm combined with sliders and layout of Monsoon in 16hp. Typhoon runs the SuperParasites firmware, so no more having to swap between Parasites and Kammerl firmware options. Some of the notable features are:

Dedicated blend controls for Feedback, Panning, Mix, and Reverb (similar to Monsoon)

All eight modes from Parasites and Kammerl

Stereo VCAs

input/output mutes

Exponential and linear pitch controls

Universal CV routing and random CV signals

Comes with an exclusive black and gold panel, power cable and one year warranty.

Notes: Ornament & Crime for 1U Intellijel format

This is functionally identical to the 3U version, just re-oriented to fit in 1U racks. Ornament & Crime is designed by mxmxmx.

The apps currently available in Ornament & Crime:

CopierMaschine is an enhanced version of the original quantising digital emulation of a four stage analogue shift register (ASR).

Harrington 1200 provides basic neo-Riemannian Tonnetz transformations of triadic chords, triggered by the digital (gate/trigger) inputs.

Automatonnetz combines Tonnetz transforms with a "vector" sequencer - it can be both a chord sequencer and a melody sequencer, but not of the usual kind.

Quantermain is a quad pitch quantiser for external voltages, with editable scales; it can do clocked (trigger-driven) quantising, or continuous quantising, with a latency of under 100 microseconds; it also features quad Turing Machines, May-Verhulst logistic maps or byte beats as optional, semi-random, internally generated CV sources.

Meta-Q is a dual-channel quantiser, similar to Quantermain, but also offering scale and note mask sequencing.

Quadraturia is a wavetable quadrature LFO, based on the "Easter egg" in the Mutable Instruments Frames module.

Low-rents is a dual Lorenz and Rossler (strange attractor) modulation generator, partially based on the "Easter egg" in the Mutable Instruments Streams module.

Piqued is a quad voltage-controlled envelope generator, based on envelope generator code from the Mutable Instruments Peaks module, but extending it with voltage control, additional envelope types, including re-triggering (looping) envelopes, additional segment shapes, adjustable trigger delays, and a unique Euclidean "trigger filter" which turns the app into a Euclidean rhythm generator which can output envelopes, not just gate or trigger pulses.

Sequins is a dual-channel step sequencer offering 4 "tracks" of up to 16 steps each; tracks can themselves be sequenced.

Dialectic Ping Pong is a quad bouncing ball envelope generator, based on a hidden mode of the Mutable Instruments Peaks module.

Viznutcracker, sweet! is a quad "byte beat" equation generator, which can be used as an audio source to generate curious but often interesting 8-bit noises and tunes, or which can be clocked by an external source to produce "byte beat" control voltage sequences. "Byte beats" were first described in 2011 by viznut (aka Ville-Matias Heikkila).

Acid Curds is both a chord quantiser (sometimes called a "harmonic quantiser" for external pitch voltages), and a chord progression sequencer.

References is an utility app that outputs specific reference voltages on each channel to help tune or calibrate VCOs and other modules. It also includes a high-precision frequency meter and note tuner, a high-precision BPM (beats per minute) tempo meter, and a closed-loop calibration mode.

Width: 30hp
12V: 85mA
-12V: 10mA

Notes: uO_C

This is a new build of Micro Ornament & Crime, a variant of the popular Ornament & Crime designed by mxmxmx. The firmware is Stock by default.

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module. Eurorack power cable included.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


uO_C

This is a new build of Micro Ornament & Crime, a variant of the popular Ornament & Crime designed by mxmxmx. The firmware is Stock by default.

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module. Eurorack power cable included.

Notes: uTides is a micro version (8HP) of the Mutable Instruments Tides v2 (2018). It retains all of the original functionality of the full size version, both software and hardware. Its core is a triangle function generator and waveshaper that can be used as an LFO, oscillator, AD-style envelope generator (EG), and AR-style EG. Tons of utility nicely packed into 8HP.

The module is calibrated, comes with a power cable, and a one year warranty.

Notes: TMA-2 HD is the optimal listening experience. Highly detailed and precise sound representation and ultra soft over-ear cushions with Alcantara and memory foam.

The high-end S05 speaker unit with Bio-Cellulose delivers a clear and highly detailed sound representation. Combining the H04 headband and the E08 over-ear Alcantara earpads providing high isolation results in super comfortable headphone with high-end audio suitable for long and critical listening sessions.

In the Box.

S05 Speaker unit: Detailed.

E08 Earpads: Alcantara, over-ear.

H04 Headband: Nylon, Microfiber padding.

C15 Cable: Straight triad, black, 4 mm, 1.5 m.



Technical Specifications.

Driver diameter: 40 mm

SPL: 113 dB

Resonance frequency:80 Hz

Impedance: 32 Ohm

Rated power: 40 mW

Max power: 100 mW

Diaphragm material: Bio-Cellulose

Magnet type: Neodymium

Notes: Wireless version of AIAIAI's outstanding studio headphones. Wireless+ technology allows lossless streaming with ultra-low latency. Usual stylish modular approach and quality build.

Supplier's Notes:
Empowering music creators with the freedom to create wirelessly. The TMA-2 Studio Wireless+ is a versatile professional headphone, designed for today's dynamic creative workflow. Featuring new W+ Link technology for ultra-low latency and uncompressed audio, added Bluetooth 5.0 with +80 playback, and a coiled hi-fi cable.

Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.

Uncompressed and robust 16ms latency connection for high quality wireless audio designed for enhanced freedom and creativity.

Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Seamlessly switch to Bluetooth 5.0 with +80h playback for everyday listening and inspiration, and a coiled hi-fi cable included for a traditional connection.

Signature AIAIAI bio-diaphragm speakers tuned for clarity and detail. Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort with Alcantarar over-ear memory foam cushions. Soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantarar, ideal for longer sessions.

Responsible modular headphones - designed to last. Upgrade and expand as technology or needs evolve to extend the functional lifetime of the product and create less waste for the planet.

Specifications

Speaker unit

Driver diameter: 40 mm.
Sensitivity: 97 dB @ 1mW.
Rated power: 40 mW.
Max power: 100 mW.
Diaphragm: Bio-cellulose.
Magnet: High grade neodymium.
Resonance freq.: 80 Hz.
Impedance: 32 Ohm

Transmitter

W+ Link audio quality: Lossless.
W+ Link latency: 16 ms.
Operating range: 12 metres.
Playback time: 30 hours.
Charging time: 3 hours.
Battery: 2700 mAh.

Headband

W+ Link audio quality: Lossless.
W+ Link operating range: 12 metres.
Bluetooth version: 5.0.
Charging time: 2 hours.
W+ Link latency: 16 ms.
W+ Link playback time: 16 hours.
Bluetooth operating range: 10 metres.
Battery: 970 mAh.
Bluetooth codecs: AAC, SBC.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Empowering music creators with the freedom to create wirelessly. The TMA-2 Studio Wireless+ is a versatile professional headphone, designed for today's dynamic creative workflow. Featuring new W+ Link technology for ultra-low latency and uncompressed audio, added Bluetooth 5.0 with +80 playback, and a coiled hi-fi cable.

Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.

Uncompressed and robust 16ms latency connection for high quality wireless audio designed for enhanced freedom and creativity.

Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Seamlessly switch to Bluetooth 5.0 with +80h playback for everyday listening and inspiration, and a coiled hi-fi cable included for a traditional connection.

Signature AIAIAI bio-diaphragm speakers tuned for clarity and detail. Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort with Alcantarar over-ear memory foam cushions. Soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantarar, ideal for longer sessions.

Responsible modular headphones - designed to last. Upgrade and expand as technology or needs evolve to extend the functional lifetime of the product and create less waste for the planet.

Specifications

Speaker unit

Driver diameter: 40 mm.
Sensitivity: 97 dB @ 1mW.
Rated power: 40 mW.
Max power: 100 mW.
Diaphragm: Bio-cellulose.
Magnet: High grade neodymium.
Resonance freq.: 80 Hz.
Impedance: 32 Ohm

Transmitter

W+ Link audio quality: Lossless.
W+ Link latency: 16 ms.
Operating range: 12 metres.
Playback time: 30 hours.
Charging time: 3 hours.
Battery: 2700 mAh.

Headband

W+ Link audio quality: Lossless.
W+ Link operating range: 12 metres.
Bluetooth version: 5.0.
Charging time: 2 hours.
W+ Link latency: 16 ms.
W+ Link playback time: 16 hours.
Bluetooth operating range: 10 metres.
Battery: 970 mAh.
Bluetooth codecs: AAC, SBC.

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


Wireless version of AIAIAI's outstanding studio headphones. Wireless+ technology allows lossless streaming with ultra-low latency. Usual stylish modular approach and quality build.

Supplier's Notes:
Empowering music creators with the freedom to create wirelessly. The TMA-2 Studio Wireless+ is a versatile professional headphone, designed for today's dynamic creative workflow. Featuring new W+ Link technology for ultra-low latency and uncompressed audio, added Bluetooth 5.0 with +80 playback, and a coiled hi-fi cable.

Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.

Uncompressed and robust 16ms latency connection for high quality wireless audio designed for enhanced freedom and creativity.

Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Seamlessly switch to Bluetooth 5.0 with +80h playback for everyday listening and inspiration, and a coiled hi-fi cable included for a traditional connection.

Signature AIAIAI bio-diaphragm speakers tuned for clarity and detail. Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort with Alcantarar over-ear memory foam cushions. Soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantarar, ideal for longer sessions.

Responsible modular headphones - designed to last. Upgrade and expand as technology or needs evolve to extend the functional lifetime of the product and create less waste for the planet.

Specifications

Speaker unit

Driver diameter: 40 mm.
Sensitivity: 97 dB @ 1mW.
Rated power: 40 mW.
Max power: 100 mW.
Diaphragm: Bio-cellulose.
Magnet: High grade neodymium.
Resonance freq.: 80 Hz.
Impedance: 32 Ohm

Transmitter

W+ Link audio quality: Lossless.
W+ Link latency: 16 ms.
Operating range: 12 metres.
Playback time: 30 hours.
Charging time: 3 hours.
Battery: 2700 mAh.

Headband

W+ Link audio quality: Lossless.
W+ Link operating range: 12 metres.
Bluetooth version: 5.0.
Charging time: 2 hours.
W+ Link latency: 16 ms.
W+ Link playback time: 16 hours.
Bluetooth operating range: 10 metres.
Battery: 970 mAh.
Bluetooth codecs: AAC, SBC.

Notes: ***B-STOCK: Without original box, product in perfect working order***


Wireless version of AIAIAI's outstanding studio headphones. Wireless+ technology allows lossless streaming with ultra-low latency. Usual stylish modular approach and quality build.

Supplier's Notes:
Empowering music creators with the freedom to create wirelessly. The TMA-2 Studio Wireless+ is a versatile professional headphone, designed for today's dynamic creative workflow. Featuring new W+ Link technology for ultra-low latency and uncompressed audio, added Bluetooth 5.0 with +80 playback, and a coiled hi-fi cable.

Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.

Uncompressed and robust 16ms latency connection for high quality wireless audio designed for enhanced freedom and creativity.

Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Seamlessly switch to Bluetooth 5.0 with +80h playback for everyday listening and inspiration, and a coiled hi-fi cable included for a traditional connection.

Signature AIAIAI bio-diaphragm speakers tuned for clarity and detail. Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort with Alcantarar over-ear memory foam cushions. Soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantarar, ideal for longer sessions.

Responsible modular headphones - designed to last. Upgrade and expand as technology or needs evolve to extend the functional lifetime of the product and create less waste for the planet.

Specifications

Speaker unit

Driver diameter: 40 mm.
Sensitivity: 97 dB @ 1mW.
Rated power: 40 mW.
Max power: 100 mW.
Diaphragm: Bio-cellulose.
Magnet: High grade neodymium.
Resonance freq.: 80 Hz.
Impedance: 32 Ohm

Transmitter

W+ Link audio quality: Lossless.
W+ Link latency: 16 ms.
Operating range: 12 metres.
Playback time: 30 hours.
Charging time: 3 hours.
Battery: 2700 mAh.

Headband

W+ Link audio quality: Lossless.
W+ Link operating range: 12 metres.
Bluetooth version: 5.0.
Charging time: 2 hours.
W+ Link latency: 16 ms.
W+ Link playback time: 16 hours.
Bluetooth operating range: 10 metres.
Battery: 970 mAh.
Bluetooth codecs: AAC, SBC.

Notes: ***B-STOCK: Box opened, product in perfect working order***


AIAIAI team with legendary label Ninja Tune to recycle unsold vinyl records as part of a sustainability drive. Wireless TMA-2 design features unique driver units and subtle logo branding.

Supplier's Notes:
The TMA-2 Ninja Tune Edition is a collaboration with legendary UK label Ninja Tune. Custom TMA-2 headphones featuring speaker units made from recycled Ninja Tune vinyl, AIAIAI signature sound, and Bluetooth 5.0.

Aiaiai teamed up with Ninja Tune to develop a custom TMA-2 Headphone made from recycled vinyl.

The headphones have a customized, detailed and rich sound representation based on Aiaiai Bio-Cellulose S05 drivers. It comes with the comfortable choice of both on-ear and over-ear vegan leather cushions, and 20 hours of high quality wireless audio via Bluetooth 5.0, making it ideal for long and critical listening sessions.

The TMA-2 is Aiaiai's award winning headphone trusted by artists all over the world. It's a modular headphone system enhanced and refined over the last 10 years.

Modularity is the ability to upgrade and expand as technology or the user evolves, extending the functional lifetime and ensuring less waste for the planet - designed to last.

The speaker unit contains a diaphragm that is precision-grown from NAC Audio bio-cellulose, making it stiffer, lighter and stronger than regular PET speaker units. This allows for the sound-producing diaphragm to vibrate without the levels of distortion found in other speakers. Each of these qualities result in more accurate and detailed sound from the speaker, with the ability to retain clarity of sound at high volumes.

Specs:

Driver diameter: 40 mm
SPL: 113 dB
Resonance freq.: 80 Hz
Impedance: 32 Ohm
Rated power: 40 mW
Max power: 100 mW
Diaphragm: Biocellulose
Magnet: High grade Neodymium

Notes: The AION Modular 904A Low Pass filter is an Eurorack clone of the classic Moog Modular Low Pass filter (should not be confused with the Mini Moog Low Pass filter).

The 904A Low Pass filter attenuates frequencies above the Fixed Control Voltage (cutoff frequency) point at a rate of 24dB per octave. The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Regeneration knob (resonance) varies the amount of internal feedback, creating a resonant peak at the cutoff frequency.
The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
(sets the frequency band in two-octave steps)
1- 1Hz to 5kHz
2- 4Hz to 20kHz
3- 16Hz to 80kHz

Specifications:
Power: +12 40mA, -12 25mA
Depth: 40mm
Doepfer compatible

40 mA +12V
25 mA -12V
0 mA 5V

Notes: Premium sound quality from this premium module, based on the classic Moog high-pass filter. Steep 24dB/oct filter curve with precise CV-controlled cutoff frequency tracking over a 12-octave span.

Supplier's Notes:
The AION Modular 904B High Pass filter is an Eurorack clone of the classic Moog Modular High Pass filter.
The 904B High Pass Filter attenuates frequencies below the Fixed Control Voltage(cutoff frequency) point at a rate of 24dB per octave.

The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
LOW- 4Hz to 20kHz
HIGH- 10Hz to 50kHz

Specifications:
Power: +12 60mA, -12 50mA
Depth: 40mm
Doepfer compatible.

60 mA +12V
50 mA -12V
0 mA 5V

Notes: The AION Modular 904C Filter Coupler is an Eurorack clone of the classic Moog Modular 904C.

The 904C Filter Coupler connects the 904A Lowpass and the 904B Highpass together to produce a Bandpass or a Band Reject filter response.

Bandwidth can be extended to three octaves and Center Frequency ranges from 5Hz to 20KHz. Both can be controlled manually or via control voltage.

The 904C provides a wide variety of signal processing and we strongly encourage experimentation but we advise to start with the following settings:

904A Fixed Control Voltage +6
904A Frequency Range 2
904B Fixed Control Voltage -1
904B Frequency Range LOW

The 904A and the 904B are required to use the 904C.
In the "OFF" position, the 904A and 904B are disconnected from the 904C an can be used independently.

The connection cables are provided with the module.

30 mA +12V
15 mA -12V
0 mA 5V


Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible.

Notes: When a dynamically varying signal is applied to the input of the 905, the output will consist of a series of closely spaced echoes, the subjective effect of which is similar to that of reverberation of sound. If a small amount of "echo signal" is mixed with a larger amount of "direct signal" (Reverberation Control set slightly clockwise), the effect of a typical concert hall is obtained. If the echo signal only is passed (Reverberation Control is set fully clockwise), an exaggerated echo suggesting a cave is obtained. The relative amount of echo signal and direct signal can be continuously changed from 100% direct signal to 100% echo signal.

Specifications:
Power: +12 (25mA), -12 (25mA)
Depth: 40 mm
Doepfer compatible

Notes: The CP3 module is a 4 x 1 mixer with positive and negative outputs and a maximum gain of two. This mixer can combine both AC and/or DC voltages. The module has a switch which, in the ON position, allows unwanted spikes to be removed from the waveforms. There is also a passive multiple.

Input Impedance: 25k ohms
Output Impedance: 100 ohms
S/N Ratios: better than 60dB

Notes: Chateau vinyl offeres a perfectly protected, shock absorbing and cushioned space for 75 x 12inches.
Two equal subdivisions that can be divided to both sides.
This unique feature makes record selecting more comfortable in different club situations.
Each chateau vinyl bag contains the flight cover, an easy, lightweight and highly sustainable solution to protect and extend the life of your chateau vinyl. Advise to all the flying DJs: don't check-in without!

Notes: Chateau vinyl offeres a perfectly protected, shock absorbing and cushioned space for 75 x 12inches.
Two equal subdivisions that can be divided to both sides.
This unique feature makes record selecting more comfortable in different club situations.
Each chateau vinyl bag contains the flight cover, an easy, lightweight and highly sustainable solution to protect and extend the life of your chateau vinyl. Advise to all the flying DJs: don't check-in without!

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Black version of AJH's random voltage generator, based on the ultra-rare 1970s EMS RVG. Complex, triggerable modulation source with multiple outputs and full CV control.

Supplier's Notes:
The Random Voltage Event Generator (RVG) is a faithful replica of the vintage EMS Random Voltage Generator. It produces random voltages which vary smoothly or in a step-wise manner. Random timing pulses are also available. The rate of change of all outputs is voltage controllable over a wide range.

Just like the original RVG it uses four unijunction transistors - three of them are configured as ramp and hold generators and the fourth is an LFO. It produces two separate random voltages but also the clock time between pulses can be randomised.

The module offers some extra features: it is possible to add a bias voltage to either of the random voltage outputs, and also add slew to Voltage 1. There is a CV control of the LFO frequency and clock speed as well as CV control of the Time variance.

The internal LFO can be tapped thanks to dedicated outputs for both sawtooth and triangle waveforms, and the waveform shape follows the time variance. The internal clock can be started using an external gate or with the help of the manual trigger button that works when the clock is stopped.

The TR-IN input allows an external clock to be used instead of the internal LFO. There is also a gate output, the gate length changes in proportion with the time variance, and the duty cycle of the gate can be varied from 1% to 99%.

*limited edition!

Module Width: 14hp

Module Depth: 26mm (Including power lead)

Current Usage: 95mA Positive, 70mA Negative

Notes: Black version of AJH's random voltage generator, based on the ultra-rare 1970s EMS RVG. Complex, triggerable modulation source with multiple outputs and full CV control.

Supplier's Notes:
The Random Voltage Event Generator (RVG) is a faithful replica of the vintage EMS Random Voltage Generator. It produces random voltages which vary smoothly or in a step-wise manner. Random timing pulses are also available. The rate of change of all outputs is voltage controllable over a wide range.

Just like the original RVG it uses four unijunction transistors - three of them are configured as ramp and hold generators and the fourth is an LFO. It produces two separate random voltages but also the clock time between pulses can be randomised.

The module offers some extra features: it is possible to add a bias voltage to either of the random voltage outputs, and also add slew to Voltage 1. There is a CV control of the LFO frequency and clock speed as well as CV control of the Time variance.

The internal LFO can be tapped thanks to dedicated outputs for both sawtooth and triangle waveforms, and the waveform shape follows the time variance. The internal clock can be started using an external gate or with the help of the manual trigger button that works when the clock is stopped.

The TR-IN input allows an external clock to be used instead of the internal LFO. There is also a gate output, the gate length changes in proportion with the time variance, and the duty cycle of the gate can be varied from 1% to 99%.

*limited edition!

Module Width: 14hp

Module Depth: 26mm (Including power lead)

Current Usage: 95mA Positive, 70mA Negative

Notes: Really clever noise-based oscillator from AJH. Drones, sweeps and bleeps aplenty, ranging from tamed to out-of-control filth. Also doubles up as a more conventional ring mod and distortion module.

Supplier's notes:
This 14HP wide module is a voltage controlled noise based oscillator, or noisillator for short. It generates 1/f noise and this is then sent through a feedback loop which allows the noise to be "tuned" to varying degrees depending on the settings of the frequency and resonance controls, or incoming frequency or resonance CV's. The tuned circuit can be FM modulated too, for some thunderous sweeping sounds. We have bright and dark outputs, which are pre and post filter respectively. The Bright output will always have a degree of noise present in the signal, whereas the Dark output can be tuned noise only when 4 pole resonance is selected. We also have an external Sync input, which will reset the resonant waveform, and we also have an Audio input, so that an external signal can be mixed into the resonant loop. Combinations of external waveforms to these two inputs can create some massive drone sounds, or sweeping sync sounds.

There is also an XOR ring modulator, which can be used as a module in its own right too. Lastly, we have an XOR amplifier, which is another independant circuit that can be used to add noise and distortion to any audio signal.

Notes: Truly unique one from AJH, based on the sound of NASA's Apollo voice transmissions. Think outside the box and process drums and synths through this thing. Freaky. May or may not allow you to communicate with real astronauts.

Supplier's notes:
Here's a bit of fun for all fans of space missions from the previous century! This module is designed to re-create the ground to space and space to ground transissions from the Apollo era.

To be "Mission Control Houston" the Quindar PTT (push to talk) button adds a short 2,525Hz Qindar tone to the start of the transission, then at the end of the message the PTT button or switch is released and a short 2,475Hz Quindar tone is added to the audio. The bandwidth is slightly reduced in this mode.

For "Astronaut comms" we press the Capsule PTT switch, which allows us to add coloured noise, distortion, bandwidth reduction and either hum or LGM (Little green men space tone) noise to the audio signal. A deep space electret condenser mic is supplied and an be used with the MIC input.

Obviously the Lunar Module can also be used to add noise, hum, distortion, bandwidth reduction and LGM noise tone to any modular level audio too, and if the mic is left attached theremin like sounds can be added too with careful loudspeaker feedback.

Notes: AJH Synth have had quite a few requests for a variant of MiniMod contour generator with Release added to the envelope so that it is full ADSR but still with the characteristics of the Model D - so this is what they have done!

The DH-ADSR is exactly the same circuit as the original Model D envelope and therefore features the same contour shape and retrigger behaviour, but with the addition of a release control. However, they have also added a pulse delay and pulse stretch circuit, along with a re-trigger facility (both of these can be switched out of circuit so that the envelope is a simple ADSR unit).

The addition of pulse stretching and retrigger makes it into an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notable Features:

- PREDELAY - This control determines how long (up to 10 seconds) the start of the envelope is held off, after a gate is received. This ability to delay the onset of the envelope is especially useful when used in conjunction with a standard ADSR: With both envelopes receiving the gate simultaneously complex envelopes can be produced as the DH-ADSR only starts running through its stages after the standard ADSR has completed. Once their outputs are mixed together in a mixer a single evolving envelope with multiple stages is produced!

- Use of the bipolar mixer found in the MINIMOD CV MIX-OFFSET-VCA module can enhance this technique even further, with more precise control over the polarity/offset of the envelope mix possible. Using the VCA of this module could allow for external modulation over either/both of the signals. It goes on...

- HOLD - When in Del-Hold mode (switch down) the HOLD control determines the gate length applied to the envelope, and thus controlling its length/overall shape. When the switch is up, normal ADSR action is produced.

- RETRIG - In this mode the DH-ADSR becomes an LFO, which can mimic the "Trapezoid" function of the vintage EMS designs. HOLD controls the length of the trapezoid shape, and PREDELAY allows for adjustable gaps between each repeat of the shape produced.to an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notes: This has two LFOs, each with variable waveshape from Saw to Triangle to Ramp waveforms, or variable Pulse width on the Square wave output. LFO 1 has the addition of a low range and a Sync input. The nominal maximum frequency of the LFOs when in Triangle shape is 20Hz, but under certain combinations of settings they will go much higher, well into audio range.

Also included is a DC coupled VCA, the input of the VCA is normalised to the output of LFO 2, so a 0 to +5V input to the VCA CV input gives control of the LFO waveform amplitude. It can also be used as a stand alone VCA.

This module is very useful for controllers such as the Waldorf KB37 where the modulation wheel gives out 0 to +5V, this can be routed to the VCA CV module so the level of the modulation waveform can be easily controlled. This makes it very easy to add VCO vibrato or filter 'wah' with control of modulation amount from the modulation wheel or other controller.

Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.

Notes: AJH Synth have had quite a few requests for a variant of MiniMod contour generator with Release added to the envelope so that it is full ADSR but still with the characteristics of the Model D - so this is what they have done!

The DH-ADSR is exactly the same circuit as the original Model D envelope and therefore features the same contour shape and retrigger behaviour, but with the addition of a release control. However, they have also added a pulse delay and pulse stretch circuit, along with a re-trigger facility (both of these can be switched out of circuit so that the envelope is a simple ADSR unit).

The addition of pulse stretching and retrigger makes it into an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notable Features:

- PREDELAY - This control determines how long (up to 10 seconds) the start of the envelope is held off, after a gate is received. This ability to delay the onset of the envelope is especially useful when used in conjunction with a standard ADSR: With both envelopes receiving the gate simultaneously complex envelopes can be produced as the DH-ADSR only starts running through its stages after the standard ADSR has completed. Once their outputs are mixed together in a mixer a single evolving envelope with multiple stages is produced!

- Use of the bipolar mixer found in the MINIMOD CV MIX-OFFSET-VCA module can enhance this technique even further, with more precise control over the polarity/offset of the envelope mix possible. Using the VCA of this module could allow for external modulation over either/both of the signals. It goes on...

- HOLD - When in Del-Hold mode (switch down) the HOLD control determines the gate length applied to the envelope, and thus controlling its length/overall shape. When the switch is up, normal ADSR action is produced.

- RETRIG - In this mode the DH-ADSR becomes an LFO, which can mimic the "Trapezoid" function of the vintage EMS designs. HOLD controls the length of the trapezoid shape, and PREDELAY allows for adjustable gaps between each repeat of the shape produced.

Notes: Two independent Contour Envelope Generators in a single 12hp wide Eurorack module. These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3V and -10v supply voltages of the original; so they exactly replicate the original envelope response along with all of it eccentricities. Extra features include manual trigger buttons and envelope status LED's.

The contour generators played a larger part in the sound of the Model D than many people realise. There are two factors that make them unique, firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D "punch". Secondly, the re-trigger behaviour is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally, or the filter opens incrementally with each extra key press.

AJH Synth have added independent Decay switches for each individual Contour Generator rather than the shared switch on the original synthesiser, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).

Notes: This has two LFOs, each with variable waveshape from Saw to Triangle to Ramp waveforms, or variable Pulse width on the Square wave output. LFO 1 has the addition of a low range and a Sync input. The nominal maximum frequency of the LFOs when in Triangle shape is 20Hz, but under certain combinations of settings they will go much higher, well into audio range.

Also included is a DC coupled VCA, the input of the VCA is normalised to the output of LFO 2, so a 0 to +5V input to the VCA CV input gives control of the LFO waveform amplitude. It can also be used as a stand alone VCA.

This module is very useful for controllers such as the Waldorf KB37 where the modulation wheel gives out 0 to +5V, this can be routed to the VCA CV module so the level of the modulation waveform can be easily controlled. This makes it very easy to add VCO vibrato or filter 'wah' with control of modulation amount from the modulation wheel or other controller.

Notes: Another excellent offering from AJH's Minimoog-inspired MiniMod series. Generating bursts of repeating envelopes, the Multi Burst is like a twist on classic LFO modulation. Versatile.

Supplier's Notes:
The MiniMod Multi Burst Envelopes module generates variable length bursts of repeating envelopes that can change over time, with CV control of all functions.

The BURSTS control selects a "Burst Sequence" of between 1 and 40 individual envelopes. The envelope shape of a burst is chosen with the rotary switch, or it can be varied using an external CV, so that it is even possible to chose a different envelope shape for each individual burst in a sequence.

The width of the envelope (i.e. the attack and decay time) is varied with the P-WIDTH control and this can also be CV controlled as a sequence is progressing, so it is possible to vary the envelope speed of each individual envelope burst while a Burst Sequence is running.

The repeat time of individual bursts in a Burst Sequence is set with the LFO Rate control. The LFO rate can be varied with an external CV as a sequence is progressing, so the gap between envelopes can speed up or slow down over time. An external clock can also time the bursts in a burst sequence instead of, or in addition to the internal LFO. Bursts can also be manually incremented with the CLK push button.

The SLOPE control allows Bursts to start quietly and build in level to maximum, or they can start at full level and then reduce in level as the Burst Sequence progresses. In the centre position all Bursts are of equal level.

Specifications

Module Width: 12hp
Module Depth: 26mm (Including power lead)
Current Usage: 28mA Positive, 12mA Negative
Individual Envelope Length: 20msecs to 2.5 seconds
Internal clock rate: Off, 0.24Hz to 51Hz, or every 4.2 seconds to every 20msecs
Envelope waveshapeS: Sine, LogDown, LogUp, ExpoDown, RampUp, Triangle, RampDown, Pulse
Repeats: 1 to 40
Slope: bipolar, sloping up from 4%->100%, and sloping down from 100%->4%

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Another excellent offering from AJH's Minimoog-inspired MiniMod series. Generating bursts of repeating envelopes, the Multi Burst is like a twist on classic LFO modulation. Versatile.

Supplier's Notes:
The MiniMod Multi Burst Envelopes module generates variable length bursts of repeating envelopes that can change over time, with CV control of all functions.

The BURSTS control selects a "Burst Sequence" of between 1 and 40 individual envelopes. The envelope shape of a burst is chosen with the rotary switch, or it can be varied using an external CV, so that it is even possible to chose a different envelope shape for each individual burst in a sequence.

The width of the envelope (i.e. the attack and decay time) is varied with the P-WIDTH control and this can also be CV controlled as a sequence is progressing, so it is possible to vary the envelope speed of each individual envelope burst while a Burst Sequence is running.

The repeat time of individual bursts in a Burst Sequence is set with the LFO Rate control. The LFO rate can be varied with an external CV as a sequence is progressing, so the gap between envelopes can speed up or slow down over time. An external clock can also time the bursts in a burst sequence instead of, or in addition to the internal LFO. Bursts can also be manually incremented with the CLK push button.

The SLOPE control allows Bursts to start quietly and build in level to maximum, or they can start at full level and then reduce in level as the Burst Sequence progresses. In the centre position all Bursts are of equal level.

Specifications

Module Width: 12hp
Module Depth: 26mm (Including power lead)
Current Usage: 28mA Positive, 12mA Negative
Individual Envelope Length: 20msecs to 2.5 seconds
Internal clock rate: Off, 0.24Hz to 51Hz, or every 4.2 seconds to every 20msecs
Envelope waveshapeS: Sine, LogDown, LogUp, ExpoDown, RampUp, Triangle, RampDown, Pulse
Repeats: 1 to 40
Slope: bipolar, sloping up from 4%->100%, and sloping down from 100%->4%

Notes: The MiniMod Multi Burst Envelopes module generates variable length bursts of repeating envelopes that can change over time, with CV control of all functions.

The BURSTS control selects a "Burst Sequence" of between 1 and 40 individual envelopes. The envelope shape of a burst is chosen with the rotary switch, or it can be varied using an external CV, so that it is even possible to chose a different envelope shape for each individual burst in a sequence.

The width of the envelope (i.e. the attack and decay time) is varied with the P-WIDTH control and this can also be CV controlled as a sequence is progressing, so it is possible to vary the envelope speed of each individual envelope burst while a Burst Sequence is running.

The repeat time of individual bursts in a Burst Sequence is set with the LFO Rate control. The LFO rate can be varied with an external CV as a sequence is progressing, so the gap between envelopes can speed up or slow down over time. An external clock can also time the bursts in a burst sequence instead of, or in addition to the internal LFO. Bursts can also be manually incremented with the CLK push button.

The SLOPE control allows Bursts to start quietly and build in level to maximum, or they can start at full level and then reduce in level as the Burst Sequence progresses. In the centre position all Bursts are of equal level.

Specifications

Module Width: 12hp
Module Depth: 26mm (Including power lead)
Current Usage: 28mA Positive, 12mA Negative
Individual Envelope Length: 20msecs to 2.5 seconds
Internal clock rate: Off, 0.24Hz to 51Hz, or every 4.2 seconds to every 20msecs
Envelope waveshapes: Sine, LogDown, LogUp, ExpoDown, RampUp, Triangle, RampDown, Pulse
Repeats: 1 to 40
Slope: bipolar, sloping up from 4%->100%, and sloping down from 100%->4%

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The MiniMod Multi Burst Envelopes module generates variable length bursts of repeating envelopes that can change over time, with CV control of all functions.

The BURSTS control selects a "Burst Sequence" of between 1 and 40 individual envelopes. The envelope shape of a burst is chosen with the rotary switch, or it can be varied using an external CV, so that it is even possible to chose a different envelope shape for each individual burst in a sequence.

The width of the envelope (i.e. the attack and decay time) is varied with the P-WIDTH control and this can also be CV controlled as a sequence is progressing, so it is possible to vary the envelope speed of each individual envelope burst while a Burst Sequence is running.

The repeat time of individual bursts in a Burst Sequence is set with the LFO Rate control. The LFO rate can be varied with an external CV as a sequence is progressing, so the gap between envelopes can speed up or slow down over time. An external clock can also time the bursts in a burst sequence instead of, or in addition to the internal LFO. Bursts can also be manually incremented with the CLK push button.

The SLOPE control allows Bursts to start quietly and build in level to maximum, or they can start at full level and then reduce in level as the Burst Sequence progresses. In the centre position all Bursts are of equal level.

Specifications

Module Width: 12hp
Module Depth: 26mm (Including power lead)
Current Usage: 28mA Positive, 12mA Negative
Individual Envelope Length: 20msecs to 2.5 seconds
Internal clock rate: Off, 0.24Hz to 51Hz, or every 4.2 seconds to every 20msecs
Envelope waveshapes: Sine, LogDown, LogUp, ExpoDown, RampUp, Triangle, RampDown, Pulse
Repeats: 1 to 40
Slope: bipolar, sloping up from 4%->100%, and sloping down from 100%->4%

Notes: Five-channel mixer with mutes, built-in VCA, switchable overdrive and LED level meter. Simple, straightforward, high-quality stuff from AJH.

Supplier's Notes:
The MiniMod Muting Mixer & VCA is a 10HP wide, five channel audio mixer with many useful features. It is available with either a black (Dark Edition), or a silver front panel.

The mixer section has five input channels, and each channel includes a bi-colour tactile LED switch that can instantly mute or un-mute the channel, replicating the oscillator on/off switches on the original Model D synthesiser. This arrangement is more convenient than regular switches as each illuminated switch shows the on/off status of the associated channel and multiple buttons can be pressed at once, making it very useful for live performance.

AJH have also included a four segment LED level meter so that the overall level can be seen at a glance and adjusted to prevent the output from getting too "hot" and causing distortion in other modules further downstream.

It also features a VCA that is integrated into the output section, and this can be switched from linear to exponential response - this allows it to be used as a voltage controlled sub mixer or as a stand alone VCA with five inputs.

Lastly, AJH added a wonderfully soft and warm sounding overdrive circuit that can be switched in to add smooth, tube like distortion. This works in a similar fashion to a master volume guitar amplifier, so the amount of overdrive can be varied widely with different settings of channel and master output levels.

Module Width: 10hp
Module Depth: 26mm (Including power lead)
Current Usage: 55mA Positive, 25mA Negative

Notes: Sometimes real precision is required with pitch control voltages - this module features a super accurate "Cal" output, which is accurate to <1mV over 20V, translates to one cent over 20 octaves! It is ideal for calibrating the scaling of VCO's, indeed we have been using our own version of this circuit to calibrate our own MiniMod VCO's for the last three years.

As well as being a precision voltage source it is also a very accurate voltage adder, it has two channels (A & B) and both full volts (octaves) or 1/12th volt increments (notes) can be either added to or subtracted from the incoming signal. Perfect for adding a voltage offset to the output of a sequencer or it can be used to add switchable octaves to a VCO which only has course and fine tunes controls.

It also has a "mix" output, which allows either A channel on its own, or with the three way toggle switch channel B can either be added to, or subtracted from channel B, and this is in addition to the addition and subtraction per channel mentioned earlier.

Dimensions: 10HP wide, 26mm Deep

Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Dimensions: 12HP wide, 26mm Deep
Current draw: 55mA Positive, 40mA Negative

Notes: Ultra-versatile LFO module with tap tempo, internal/external clock support, 16 different waveforms and a clever Waveform Twist option, allowing a PWM-style effect.

Supplier's Notes:
The MiniMod Tap Tempo VC-LFO is a 12HP wide LFO with a huge range of useful features including Tap Tempo and internal / external clock control.

Sixteen different waveforms are available over two banks and an eight way rotary switch and Bank switch allow easy waveform selection.

The unique Waveform Twist function allows PWM like duty cycle variation to be applied to fifteen of the waveforms.

CV controllable multiply function - with this we can double, treble, quadruple or half the LFO rate, so that we can vary the modulation frequency but still keep it relative to the tempo of the track.

Large modulation range from 0.05Hz (one cycle every 20 seconds) to 50Hz

Random stepped voltages (similar to S&H) and also a very useful random sloped voltage outputs are also available.

Voltage control is implemented for all functions, including waveform selection and exponential control of modulation frequency

Bipolar and Unipolar outputs are available simultaneously and the built in VCA allows easy control of the modulation level of both outputs.

Module Width: 12hp
Module Depth: 26mm (Including power lead)
Current Usage: 35mA Positive, 25mA Negative

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Ultra-versatile LFO module with tap tempo, internal/external clock support, 16 different waveforms and a clever Waveform Twist option, allowing a PWM-style effect.

Supplier's Notes:
The MiniMod Tap Tempo VC-LFO is a 12HP wide LFO with a huge range of useful features including Tap Tempo and internal / external clock control.

Sixteen different waveforms are available over two banks and an eight way rotary switch and Bank switch allow easy waveform selection.

The unique Waveform Twist function allows PWM like duty cycle variation to be applied to fifteen of the waveforms.

CV controllable multiply function - with this we can double, treble, quadruple or half the LFO rate, so that we can vary the modulation frequency but still keep it relative to the tempo of the track.

Large modulation range from 0.05Hz (one cycle every 20 seconds) to 50Hz

Random stepped voltages (similar to S&H) and also a very useful random sloped voltage outputs are also available.

Voltage control is implemented for all functions, including waveform selection and exponential control of modulation frequency

Bipolar and Unipolar outputs are available simultaneously and the built in VCA allows easy control of the modulation level of both outputs.

Module Width: 12hp
Module Depth: 26mm (Including power lead)
Current Usage: 35mA Positive, 25mA Negative

Notes: The MiniMod Tap Tempo VC-LFO is a 12HP wide LFO with a huge range of useful features including Tap Tempo and internal / external clock control.

Sixteen different waveforms are available over two banks and an eight way rotary switch and Bank switch allow easy waveform selection.

The unique Waveform Twist function allows PWM like duty cycle variation to be applied to fifteen of the waveforms.

CV controllable multiply function - with this we can double, treble, quadruple or half the LFO rate, so that we can vary the modulation frequency but still keep it relative to the tempo of the track.

Large modulation range from 0.05Hz (one cycle every 20 seconds) to 50Hz

Random stepped voltages (similar to S&H) and also a very useful random sloped voltage outputs are also available.

Voltage control is implemented for all functions, including waveform selection and exponential control of modulation frequency

Bipolar and Unipolar outputs are available simultaneously and the built in VCA allows easy control of the modulation level of both outputs.

Module Width: 12hp
Module Depth: 26mm (Including power lead)
Current Usage: 35mA Positive, 25mA Negative