Search dance music

Notes: The Magnetic Mount is a versatile magnetic mounting system for attaching microphones, lights and other accessories to any MagSafer iPhoner or other smartphone with a magnetic case. It features an ultra-strong magnet for complete security, even with vigorous use, and comes with three removeable attachments for maximum flexibility. This includes both short and long cold shoe arms for shooting in landscape or portrait mode, plus a long arm for mounting your smartphone onto a tripod, handle or desktop arm for use in a wide range of video or content creation applications.

Mechanical specifications- Magnetic Mount

Weight (grams): 75
Dimensions (millimetres):
Length: 57
Width: 12
Height: 57

Mechanical specifications- long cold shoe arm

Weight (grams): 15
Dimensions (millimetres): Length: 22
Height: 97

Mechanical specifications- short cold shoe arm

Weight (grams): 9
Dimensions (millimetres): Length: 22
Height: 52

Mechanical specifications - 14 inch tripod mount

Weight (grams): 31
Dimensions (millimetres): Length: 28
Height: 113

What's in the box

1 x Magnetic Mount
1 x Long Cold Shoe Arm
1 x Short Cold Shoe Arm
1 x 1/4-inch Tripod Mount

Notes: IsoAcoustics introduce the next evolution of their specialized line of speaker stands for the audio professional, music hobbyist, audiophile, and music lover. The new ISO Series of speaker stands provide superior acoustic isolation and enhance the sound clarity of any speakers including studio monitors, home theatre systems and sound reinforcement.

With a lower profile and new contemporary design, the ISO Series of stands positions your studio closer to the supporting surface or meter bridge, and the new redesigned isolators moves the acoustic performance another step forward.

IsoAcoustics ISO Series speaker stands are built with a unique, patented isolation technology that provides a high degree of isolations and manages the speaker's energy to deliver authentic, uncoloured sound. This next generation of speaker stands effectively eliminates energy transfer into the supporting surfaces. Bass becomes tighter, overall imaging is enhanced and your speakers are enabled to perform to their full potential. Following the same design philosophy as the ISO-L8R Series, these isolation stands provide 14 variations of height and tilt adjustment to optimize the placement and performance of studio monitors by getting the tweeters in the correct alignment with the listening position.

Whether you're a pro mixing in the studio - a musician creating in a home project environment - or an audiophile who appreciates every nuance of music and sound - you'll hear and appreciate the difference with the ISO Series speaker stands. It's simply the best investment you can make for superior audio.

ISO-155:

Designed for medium size speakers and studio monitors. These stands provide 14 variations of height and tilt to optimize speaker placement and performance. Isolate your studio monitors from the supporting surface and allow them to breathe so they can deliver the clearest and most accurate sound possible.

6.1"x7.5"/15.5x19cm Short: 2.9"/9.5cm Tall: 8.75"/22.5cm 40 lbs/18kg

Notes: A digital DJ looking for a professional, durable case solution for your Ableton Push 3? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Ableton Push 3, this case is perfect for the travelling DJ that needs to protect their equipment.

Specifications

Colour: Black
Weight: 0,90 kg / 1.98 lbs
Outer Dimensions (W x H x D): 42.4 x 40.7 x 6.1 cm | 16.7 x 16.0 x 2.4 inch
Inner Dimensions (W x H x D): 38.4 x 32.2 x 4.5 cm | 15.1 x 12.7 x 1.8 inch
Material: Durashock moulded EVA foam

Protection:

Covers main material 600D polyester with 5 mm EVA durashock moulded body
Water repellent laminated nylon exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Extra space for cables
Heavy duty handle
Easy grip zipper pulls

Fits

Ableton Push 3 + extra cables

Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA

Notes: The ISO-PUCK mini is the new little brother of the popular ISO-PUCK, offering the same benefits but designed for lighter speakers and monitors. The IsoAcoustics ISO-PUCK mini provide an innovative new approach in isolating studio monitors, speakers and other systems. This unique design provides a high degree of isolation while resisting lateral movement and oscillations, which results in greater sound clarity and focus. This versatile isolation tool is possibly the most cost effective upgrade available for improving the performance and clarity of your speakers or monitors.

Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult

Notes: The MIDI Solutions Quadra Thru is a 1 in 4 out MIDI Thru Box. All MIDI messages appearing at the input are sent to all four Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

The Quadra Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Notes: The Kenton Thru-5 is a high quality MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. It is powered from a mains adaptor (wall wart) so you can fit and forget.

Comes with multi-region power supply

Notes: The Nano Pulsar takes tremolo beyond the ordinary and mundane. Equipped with a collection of tremolo-modulating waveforms and the option of operating in Triangle or Square Wave modes, the Nano Pulsar is a tremolo/panner treasure chest. In mono, it's simply amazing, or, connect it in stereo to create shifting waves of sound that surround you and fill your space with weaving, pulsating energy.

For all its power, the Nano Pulsar's layout is intuitive and using it is easy. There's often a perceived volume drop with tremolo when the effect is engaged so we've included a Volume control. It allows a player to fine-tune their output level when the effect is on, and is a very useful addition.

The Nano Pulsar's Depth knob adjusts the amount of tremolo applied to the signal. Past maximum (around 1 o'clock) the modulation becomes asymmetric and warps the audio signal between positive and negative phase. This creates a unique style of tremolo which sounds great alone or can be used in combination with other effects like the Oceans 11's Shimmer patch to produce compelling synth-like sounds and textures.

The Rate knob provides a full range of speed adjustments for the tremolo or pan effect, and when you start to max out the Rate and Depth controls you enter ring modulation territory for a surreal sonic joyride!

Unlock a world of advanced sound shaping and control. Create tremolo and panning effects that go from sublimely beautiful to downright shocking. The compact Nano Pulsar will be your do-it-all, go to pedal for all things tremolo and panning.

Specifications

Circuit: Analogue
Bypass: Buffered Bypass
Audio: Stereo Out
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 30mA

Notes: The Headliner 2-Tier Desktop Synth Stand was designed to improve your workflow and help you stay organized while fitting more gear on your production desk. It fits two compact devices like synthesizers, controllers, drum machines, and effects modules. The angled design makes it easier to reach knobs and view LCD screens.

The Headliner 2-Tier Desktop Synth Stand is adjustable in width from 7.3" to 11.5" and fits a variety of devices from Roland, Korg, Elektron, and more (partial list below). It is made from solid steel and includes non-slip rubber strips for added stability.

Features
Fits two devices like synthesizers, controllers, drum machines, and effects modules
Improve your workflow and stay organized while fitting more gear on your production desk
Angled stand makes it easier to reach knobs and view LCD screens
Solid steel construction with non-slip rubber pads keep stand in place
Width adjustable from 7.3" to 11.5"
Best fits devices from 8" to 14" in width
Each tier has a depth of 7"
Overall dimensions of stand (WxDxH): 7.3"-11.5" x 14" x 10.75"
Includes non-slip rubber strips
Fits: Akai Fire, Akai LPD8, Akai MPX8, Alesis SR-16, Arturia SparkLE, Behringer Crave, Behringer TD-3, Behringer RD-6, Dreadbox Typhon, Elektron Digitone, Korg nanoPAD2, Korg SQ-1, Korg Volca Bass, Korg Volca Beats, Korg Volca Drum, Korg Volca Kick, Korg Volca NuBass, Korg Volca Sample 2, Native Instruments Maschine Mikro MK3, PreSonus ATOM SQ, Roland Boutique Series, Roland MC-101, Roland TB-3 Touch Bassline, Roland TR-6S, and more.

Notes: APC Key 25 Mk2

The new APC Key 25 Mk2 is a versatile and compact MIDI keyboard controller that seamlessly delivers the power to perform and create anywhere, for the perfect combination of clip launching and composing in Ableton Live. Bring your original melodies, chord structures and layered harmonic ideas to life with APC Key 25.
Focus on your performance

40 brilliant RGB-backlit pads

APC Key 25 Mk2 features 40 new RGB-backlit pads for a brilliant and precise representation of your Ableton Live session clips. Whether in the studio or on stage, the scrollable RGB-enabled pad matrix will boldly shine through. In the heart of your most creative moment, launch and activate loops, instruments, vocals, and more with confidence.

Launch an immersive music-creation experience

APC Key 25 allows you to trigger individual loops, samples, and melodies or entire Scenes for the most imaginative and inspirational music creation performances. 40 RGB-backlit pads on a customizable 5x8 grid accurately reflect clips from your Ableton Live Session and are always in reach for the ultimate navigational experience, even with large sessions.

The keys to your creativity

Your melodic performance

The APC Key 25 authentically brings out your melodic ideas. Dive into Ableton's powerful instruments and express your music on your own terms. Create your own bass lines with AIR Technology's Hybrid 3, and layer dynamic piano sounds with the Mini Grand Virtual Instrument. Combined with Ableton's Scene and Clip launching workflow, APC Key 25 allows you to add original performances to your tracks.

Gen 2 keybed - performance and feel

APC Key 25 features 25 keys with the Gen 2 Dynamic Keybed for melodic and harmonic music creation. Play your own chords, arpeggios, solos, and soundscapes with the incredibly versatile keys. Use the Octave Up/Down buttons for expanded note range. The dedicated Sustain button adds space and dimension to your playing, ensuring the APC Key 25 is ready for any musical moment.

Simple controls for powerful music making

A more powerful Ableton experience

Enjoy serious hands-on control for a powerfully creative Ableton Live experience. APC Key 25 features 8 endless 360-knobs to adjust volume, pan, insert effect sends and more for smooth, intuitive control of your sessions. Tweak reverbs, sweep filters, or write automation that will bring your music to life. Shape your sounds instantly using the assignable endless 360-knob controls.

Precise intuitive control

Create your own distinct sounds with ease. With Device Mode, the APC Key 25 knobs are automatically mapped to the eight Macro Controls of Ableton Live's selected device. Control multiple parameters with one knob to generate totally innovative sounds. Get more hands-on control with Soft Keys for easy access to Solo, Mute, Stop and Record arm functions.

Ableton Live Lite and AIR technology software bundle

Launch with Ableton Live Lite

APC Key 25 includes Ableton Live Lite software. Start creating and making music with this powerful clip launching DAW packed with instruments, mixing effects, samples, and the ability to record and mix audio and MIDI. Ableton Live Lite offers all the tools to transform your musical ideas into exciting songs and performances.

Elevate your sound with AIR

Elevate your sound with the included virtual instrument pack from award-winning sound design company AIR Music Technology. In addition to Ableton Live Lite, APC Key 25 also includes multiple world-class plugin instruments including Hybrid 3 - a powerful polyphonic analogue synth, Mini Grand - an acoustic piano instrument, and Velvet - a vintage electric piano instrument.

APC KEY 25 MK2 Technical Specifications

Note Keys: 25 velocity-sensitive keys; 10-octave range with octaveup/down buttons
Clip Buttons: 40 RGB backlit clip-launch buttons in 8x5 matrix Knobs 8 360O knobswith 4 modes
Inputs / Outputs: 1 USB port
Power: USB-bus-powered
Dimensions: 12.4" x 7.6" x 1.9" 315 x 193 x 47 mm (width x depth x height)
Weight: 2.1 lbs. 0.9 kg

Notes: A Digital DJ looking for a professional, durable case solution for your Akai MPC One+ controllers? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Akai MPC One+ controllers, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Color: Black
Weight: 0,56 kg / 1.232 lbs
Outer Dimensions (W x H x D): 38.3 x 28.6 x 6.7 cm | 15.1 x 11.2 x 2.6 inch
Inner Dimensions (W x H x D): 37.3 x 27.6 x 5.7 cm | 14.6 x 10.8 x 2.2 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior

Extra's:
Heavy-duty handle
Convenient carry handle
Easy grip zipper puller

Fits: Akai MPC One+, Akai MPC One, power adapter & extra cables

Please note: The Akai MPC One Controller is not included in this purchase, it is shown for demonstration purposes only.

Notes: Korg is always building new ways to experience hands-on, fun music-making. Now, you can too.

The Nu:Tekt NTS-1 digital KIT is a unique, flexible, and easy DIY synthesizer that you can easily assemble yourself, without any soldering (tool included!).

The first of its kind from KORG's DIY-focused Nu:Tekt brand, NTS-1 packs a powerful synth and multi-effects engine into a compact form factor that you can carry and connect anywhere. Its DIY nature means it's also very customizable. Explore the possibilities!

Included items: USB cable, owner's manual, screwdriver

Notes: Module A-119 (External Input / Envelope Follower) is designed to allow external audio signals to be integrated into the System A-100. It comprises a pre-amp, envelope follower, and comparator.

The pre-amp has two inputs: an unbalanced input for line level signals, with a gain factor of from 0 to 20, and a balanced input with a gain factor of from 0 to 500, for insertion of low level signals, for instance from a microphone or electric guitar.

The Envelope Follower reads the signal level of the input, and puts out a proportional voltage as an envelope at its own output.

The comparator generates a gate signal whenever the input goes above an adjustable trigger threshold.

Three LED's help you keep track of overload, the envelope, and the gate signal.

Notes: Module A-151 (Quad Sequential Switch) is like an electronic four-position rotary switch.

It includes trigger and reset inputs, four in / outputs, and a common out / input. Each time a pulse is received at the trigger input socket, the common out / input is connected to the next in / output. After the fourth in / output, the next trigger makes it step back to the first again, and so on. A positive pulse at the reset input switches the out / input immediately back to the first in / output (see Fig. 1). Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Four LEDs indicate the active in / output (i.e. the on that is connected to the out / input at any particular time).

Notes: Total Mixing Performance in a Small Package:

MIDImix is a portable compact high-performance mixer that has the unique ability to control your Digital Audio Workstation (DAW) with the press of a single button, giving all musicians and producers complete, uncomplicated mastery over mixing and processing of their digital music creations on the go.

Until now, you had to build and layer your mixes at the performance site first, then transfer that mix at a later time to your DAW for post-mix processing and manipulation. What a pain. This is not the way you'd like to do it, because of the time lag between constructing the initial mix and then not being able to work on it until later in your DAW. This meant you only had a limited ability to create the exact mix you wanted in real time.

The On-Site Mixing Problem Solved:

Akai Professional's portable MIDImix solves this problem completely. With Akai Professional's famous build quality and cutting-edge engineering, it combines a high-performance mixer with 8 individual line faders and a master fader, 24 control knobs arranged 3 per channel and 1 to 1 mapping with Ableton Live (Ableton Live Lite is included). You can send all the mixer's settings to their DAW with a single press of a button, for unprecedented management and precise control over your DAW's functionality. This is great - it means that you can mix and modify/manipulate your projects concurrently in real time, giving you a much wider array of creative options as a result of the far greater creative flexibility afforded by MIDImix.

Nothing Else Like It:

Up until now, there was just no solution for musicians and producers who needed a compact, easily portable way to mix and process their projects on site. But MIDImix is the best solution for portable mixing on the go. MIDImix offers an intuitive, familiar mixer layout, solid connectivity with the most popular DAWs, and legendary Akai Professional quality. MIDImix is exactly what you need to do great mixes and professional processing on site - at the same time.

Notes: The DS2 is a compact desktop studio arm that's ideal for microphones, cameras, smartphones, lights and other accessories up to 900g. With its heavy base stand, there's no need for clamps or mounting points - simply sit it on your desk or other flat surface. It features two pivot points so you can quickly reposition your equipment, and its integrated cable guide slots will ensure your desktop remains tidy.

Weight (grams): 1471g
Dimensions (millimetres):
Length: 170mm
Width: 120mm
Height (folded): 190mm
Height (extended): 380mm
Maximum Capacity: 900g

Compatible Products (including, but not limited to): Can be used with any microphone, accessory or other product that is under 900g and either features or is compatible with an accessory that has a 3/8" or 1/4" thread mount.

Thread Mount: 3/8"-16 UNC Thread (1/4"- 20 UNC adapter included in the box)

In The Box:
DS2 Arm
DS2 Base
M4 Screws (x2)
3/8" to 1/4" thread adapter
M3 Hex key
Quick Start Guide

Notes: 61-key version of Nektar's affordable but high quality USB MIDI controller keyboard. Synth action keys with full-size velocity-sensitive keys, pitch bend and mod wheels, plus volume and transport controls.

Supplier notes:
The Nektar SE61 USB MIDI controller keyboard has all the features you need to start making music with your computer. It is compatible with any MIDI music software, sports a full-size keyboard with velocity, includes all the performance controls you'd expect and even has Nektar DAW control features. Simply plug the supplied USB-cable in and go: Capture your ideas while they are fresh!

The keys are a keyboard controller's most important feature. So it's been ensured that the SE61 has keys that are fun and expressive to play: Its synth-action keybed has 61 velocity-sensitive full-size keys with a defined and firm feel. And as everyone has their own playing style and preferences, a choice of 4 different velocity curves are included (plus 3 fixed ones) so you can adjust the keyboard response to your needs.

No matter if you want to play a complex solo in the style of Herbie Hancock or are just trying to make an EDM wobble bass more lively by adding modulation: the SE61's large Pitch Bend and Modulation Wheels will get you there. They have a tight grip and offer just the right resistance. For piano-style sustain effects, you can connect a switch or pedal to the foot switch socket on the back of the SE61.

Four buttons and one MIDI-assignable fader to the left of the keys make the SE61 even more flexible: Shift the keyboard up or down -3/+4 octaves with multi-coloured LED indicators showing the exact status. Or transpose the keys +/- 12 semitones with the transpose buttons right below.

These buttons can easily be reassigned to switch MIDI channel, change MIDI programs or select tracks and browse patches when DAW integration is active. Better still, pressing a key combination change the Octave and Transpose buttons function to send out MMC transport functions so you can activate start, stop and record directly from your keyboard.

Take control a notch further: Most soft- and hardware products with MIDI have their parameters assigned to so-called MIDI CC messages. This lets you do cool things such as changing filter cut-off, panning, effects bypass or any other parameter that has a MIDI CC assigned to it from a hardware control on your SE61.
Simply set the MIDI Fader, Modulation Wheel or foot switch pedal to control the MIDI CC message you want. Your assignments are stored over power cycling, so next time you can continue where you left off right away.

How about getting a better workflow without any of this nerdy stuff? How about transport control, level mixing and track selection directly from the SE61? Take control of your DAW's most important functions with our Nektar DAW Integration software! Of course, the SE61 works with any MIDI software, but with custom Nektar DAW Integration you can do even more: Use the Transpose buttons for track or patch change, always have the currently selected track's volume assigned to the fader and turn the Octave and Transpose buttons into Play, Stop, Record and Rewind buttons. How's that for giving the mouse a break?
Nektar DAW Integration for SE25 surrently supports Bitwig, Cubase, Garageband, Logic, Nuendo, Digital Performer, Mixcraft, Reason, Reaper, Sonar and Studio One. (In order to take advantage of Nektar DAW Integration, you need to register your SE25 and download the integration files from your user account.)

SE61 keyboards are USB class compliant and don't require a driver to operate. Installation and connection is easy; just plug the keyboard in to a USB port on your computer. You can also connect an Impact SE49 keyboard to an iOS device using the optional Apple USB camera connection kit. A 1/4" input jack allows you to add a foot switch pedal for sustain or sending MIDI messages.

You can start producing, performing, and designing sounds like a pro from day one with the included Bitwig 8-Track DAW. It includes over 50 software instruments and effects for use on up to 8 audio or MIDI project tracks, and you can use any 3rd party VST plug-ins you might own, too. The 'Bitwig Essentials Package' comes as part of this package as well, featuring a highly versatile handpicked selection of loops, clips and samples, to make it even easier to get you started.

SPECIFICATIONS:
61 velocity-sensitive full-size keys (synth-action)
4 velocity curves + 3 fixed ones
4 buttons: Octave Up/Down, Transpose Up/Down
30 mm volume fader
Transport control via secondary button function*
Works with any DAW or MIDI music software on OS X, Windows and Apple iOS.

Connections
USB port (USB-powered), 1/4" TS jack foot switch input (footswitch optional)
Weight & Dimensions: 98.5 cm (L) x 19.7 cm (D) x 6.9 cm (H), 3 kgs

Notes: Your powerful and lightweight KeyStep 37 will instantly become portable with a proper case to protect it during travel. From composing in your DAW to jamming with hardware, the KeyStep 37 can go with you anywhere with this PULSE Case.

Description:

The PULSE Case for the Arturia KeyStep 37 was designed by musicians to be highly versatile for all your mobile mobile scenarios, from tossing it in the trunk to packing it inside your luggage. The KeyStep 37 case is made from rigid EVA material that holds its shape, and is shockproof and water-resistant.

This PULSE Case features an interior mesh pocket that can store any extra cables, as well as an ultrasoft velvet interior lining to prevent any scratches on the surface of the KeyStep 37. With the PULSE Case, you'll never have to worry about traveling with your controller, so you can focus on making great music!

Specifications:

Perfect fit for your Arturia KeyStep 37

Comfortable molded handle

Interior pocket for holding cables

Versatile and lightweight

Interior dimensions: 22.25 x 7 x 3 inches

Exterior dimensions: 23 x 8 x 3.5 inches

Notes: This is a buffered/active mult with LED indicator. You get two channels of 1 to 3 multiples within a 2HP module. The output of channel 1 is normalled to channel 2 so it can also be treated as a 1 to 6 multiple as well.

Active vs Passive mults:

With a passive mult you are effectively just plugging multiple things into the same jacks. This will often cause some voltage drop in each of the signals. With an active (or buffered) mult you will not get any voltage drop from the original signal.

Comes with a black and gold panel, power cable and one year warranty.

Usage note:

The red stripe of the power ribbon cable goes towards the top of this module.

Notes: The Stereo Mixer 1U provides a convenient way to combine your mono and stereo sources into a single stereo mix. There is level control over the first two channels and, using a rear connector, you can chain multiple Stereo Mixer 1U's together into a hidden 3rd stereo channel without using up channels on the front panel. The chain i/o connectors are fully compatible with the Mixup connectors so you are able to mix 1U and 3U mix chains together as needed.

The Stereo Mixer 1U is a versatile, expandable audio mixer for the Intellijel 1U format. It has two pairs of front panel inputs, each with its own level control, and a mixed output pair. For each input pair, the left channel is normalled to the right channel, for mono operation.

Using 3-pin Link connectors on the back panel, you can chain multiple Stereo Mix 1U's together in series, giving you the ability to mix together even more inputs, or to create sub-mixes for routing audio around larger systems. You can also these same connectors to patch Intellijel's Mixup and XY IO 1U modules to these back-panel chains, and you can connect them directly to the 14" audio jacks on an Intellijel Palette Case, a 7U case with 2nd-generation Audio Jacks Board, an Outs module, or a v2 Headphones 1U.

Stereo Mix 1U is designed specifically for audio (and not for CV mixing), it's AC-coupled, and uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.

Width: 16HP
Depth: 25mm
Power: 17mA @ +12V
23mA @ -12V

Notes: The Row Power 25 is a clean, regulated, and protected power supply module for Eurorack systems. It requires a barrel-style power brick (15V - 20V DC) and supplies power to modules via flying bus cables, direct connection, and/or bus boards.

The Row Power 25 provides 25W of power for any Eurorack modules (typically 4-10 modules*):

+12V @ 1.4A maximum, 1.0A recommended
-12V @ 0.8A maximum, 0.5A recommended
+5V @ 1.0A maximum, 0.8A recommended

*number of modules can vary depending on each module's power consumption.

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Multiple Row Power modules can be powered from a single power brick by daisy-chaining with an inexpensive barrel cable. The Row Power 25 can also be daisy-chained to Pods. Each Row Power and Pod will be independently regulated and protected for ultra-low cross-talk between rows.

Notes: Erica Pico INPUT module is just what you need to interface your modular system with external synths or even your mp3 player or mobile phone.

It boosts external signal to modular synth signal level.

With the Pico Input, line signals from, for example, a synthesizer, drum-computer, audio interface or smartphone can be raised to modular level. The module delivers up to 40 dB of gain. Thanks to its two channels, users can comfortably process mono as well as stereo material.

The Pico Input comes equipped with two signal paths. Each signal path features an audio input, a volume potentiometer and an output. Up to 40 dB of amplification are available. Using jumpers on the circuit board, it is possible to dampen the maximum gain to 20 dB. The module's first input is a stereo jack, meaning the user can connect a smartphone or tablet without any adapter cables. In this case, incoming signals are distributed internally to both channels.

Notes: Module A-160-2 is an enhanced version of the standard clock divider A-160. The module is a frequency divider for clock/trigger/gate signals, designed to be a source of lower frequencies, particularly for rhythm uses. The Clock input will take any digital signal from, eg. LFO, MIDI sync, or the gate from a MIDI-CV interface. At the outputs, you have access to three sets of seven different sub-divided clock signals, from half the clock frequency down to 1/128. The low/high levels of the output signals are 0V and about +10V.

The A-160-2 also has a reset input. Whenever a reset signal is sensed, all outputs are set to certain levels which depend upon the selected mode.

These are the most important features of the module:

Three different sets of dividing factors, selected by a three-position switch at the front panel:
- Power of two: 2, 4, 8, 16, 32, 64, 128
- Prime numbers: 2, 3, 5, 7, 11, 13, 17
- Integer: 2, 3, 4, 5, 6, 7, 8

Two output modes, selected by a two-position switch at the front panel:
- Gate mode: outputs act like the outputs of typical binary dividers
- Trigger mode: in this mode the outputs are AND-wired with the clock signal (i.e. the clock pulsewidth affects the pulsewidth of the outputs)
- Clock edge type selected by a jumper on the pc board:
- Positive: the rising edge of the clock signal triggers the state change of the outputs
- Negative: the falling edge of the clock signal triggers the state change of the outputs

Reset behaviour by two jumpers on the pc board:
- Level triggered: the level at the Reset input triggers the Reset
- Edge triggered: the edge of the signal at the Reset input triggers the Reset
- Positive: a high level (> 2.5V) or the rising edge at the Reset input triggers the Reset
- Negative: a low level (< 1 V) or the falling edge at the Reset input triggers the Reset

Output polarity selected by a jumper on the pc board:
- Positive: non-inverted outputs
- Negative: all seven outputs are inverted

Width: 4HP / 20mm
Depth: 35mm (Measured from the rear side of the front panel)
Current: +12V: +50mA, -12V: -0mA

Notes: A-138s is a simple but useful 4-in-2 mixing tool. It has four inputs available. Each input is equipped with an attenuator (Level) and a panning control that is used to distribute the signal to the left and right output. Beyond stereo mixing it is equally suited to create variable parallel routings. For example: Any of the four inputs may be routed in variable intensity to feed two filters.

You may regard the A-138s as a smaller version of the A-138m Matrix Mixer.

Inputs and outputs are DC coupled, i.e. the module can be used for the mixing of control signals too.

- 3U Eurorack module, 8 HP wide, 30 mm in depth
- Power consumption: 10 mA at +12 V and 10 mA at -12 V

Notes: 'O/A/x2' is a dual channel attenuverter with each channel also including a bipolar voltage offset and LED monitoring. The module is primarily intended for fine grain flexible 'editing' of control signals (i.e changing the phase, level and DC offset of an LFO signal) but also has uses with audio signals such as attenuation, inversion and mixing.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~50ma
Size: 4 HP
Depth: 32mm (including power header)

Notes: This is a simple 1U module designed to allow the monitoring of a system using headphones. However, if your cat isn't easily scared, the headphone jack doubles as a TRS stereo line level output. Simply connect the signal that you want to monitor to the 1/8? jacks, plug in your headphones, and adjust the volume as desired.

Notes: Plastic dust cover for Soma Laboratory Terra.

*** The Terra is not included, it is shown in the pictures for demonstration purposes only. ***

Notes: Poti II expander notable features:

- per-channel input and output attenuation for the SINE and ASSGN outputs
- per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
- stores settings during a power cycle
- LED indication of the discrepancy between the stored setting and current pot position
- 4HP
- +10/-0mA from Batumi II

Notes: Theremin module for generating a variable control voltage by approaching/removing hand to/from an antenna.

The distance range is about 30 cm. Additionally the module is equipped with a Gate output with adjustable threshold level. To simulate the original Theremin two A-178, a VCO (e.g. A-110) and a linear VCA (e.g. A-130 or A-132) are required. But of course the A-178 can be used to control other functions in the A-100 (e.g. filter frequency, modulation depth and/or speed, tempo, attack/decay time and so on).

The CV output voltage of the A-178 can range - according to the setting of the front panel controls - from -10V...+10V.

The gate output switches from 0V to about +10V.

Power consumption: 60mA at +12V and 20mA at -12V

Depth: 40mm

HP : 8

Notes: Introducing the PULSE Case for the Make Noise 0-Coast and 0-CTRL, which can store two Make Noise modules in one very convenient case. Analog Cases have included two cutouts in the case to transport the power supplies below the modules, and the included mesh pocket gives you plenty of space for storing patch cables. Of course, this case can also fit the new Make Noise Strega as well, so your mobile modular performance options are almost limitless!

The PULSE Case for the dual Make Noise instruments is made with durable EVA plastic, the same lightweight material used for football helmets and surfboards. With a PULSE Case, you can toss these synths in your backpack and take it anywhere to jam. Inside the top lid, there's a mesh pocket for storing patch cables, so that you can keep everything for your jam together in one place.

The PULSE Case for the Make Noise 0-Coast and 0-CTRL is molded to the exact dimensions of the semi-modular instruments, so you won't have to worry about the analog components getting damaged when you take your synths on the road.

Specifications

Perfect fit for the Make Noise 0-Coast and 0-CTRL
Made from lightweight and durable EVA material
Internal storage pocket for cables
Custom-molded and die-cut interior
High-quality black velvet lining
Exterior: (15 x 8.82 x 3.31) Inches

Notes: Arturia MiniFuse 1 is a portable 1 in / 2 out audio interface audio interface designed to work for you, whatever your style. Record your vocals, guitar, podcast, or produce your track at the highest studio quality. A complete software bundle with instruments, recording software, and effects is included - recording and producing has never been easier.

MiniFuse comes from the award winning Arturia AudioFuse line of studio audio interfaces. Class-compliant & Bus-powered means you can plug in and go, and you won't need an additional power supply as it's USB powered. Recording has never been easier.

MiniFuse 1 fits right into your setup with a straightforward set of ins and outs. Its single combo input lets you easily connect either XLR or 1/4" jack cables. Plug into your computer with quick & compact USB-C compatibility. Finally, connect USB devices like your MIDI keyboard with the additional USB hub socket.

For audiophiles, MiniFuse boasts a 110db dynamic range and a class-leading equivalent input noise of -129dB. For everyone else, that means that every recording you make sounds incredible, with rich dynamics, clear noise-free signal, and studio-grade quality - you can't go wrong.

Break the mold and take your studio on the go. MiniFuse is not only compact and lightweight; its rugged aluminium casing can handle the mobile producer's lifestyle. Put it in your bag, get out there, and find the sound you've been looking for.

Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. Better still, with the MiniFuse Control Center app, you can control its inputs, outputs, settings, and firmware updates in one place

Keep your creativity fresh and your inspiration flowing with step-by-step music production tutori-als, mixing hacks, and Ableton project templates designed by artists, producers, and beatmakers, featuring the software that's included with MiniFuse. Updated frequently, no subscription re-quired, and free with your MiniFuse. MiniFuse comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge.

Arturia FX

Colour your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus.

Ableton Live Lite

Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse.

Analog Lab Intro

Instantly add inspiring sounds from Arturia's award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds.

Auto-Tune Unlimited 3-months free subscription

Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month sub-scription to the industry's favorite voice tuning plugin.

GUITAR RIG 6 LE

An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones.

Splice Creator Plan

3-months free subscription Access millions of hi-def royalty-free samples and plugin presets, from lo-fi drum loops to punchy vocal one-shots, and add them to your personal collection for life.

Huge software bundle includes: Ableton Live Lite, Analog Lag Intro, 4 x Arturia FX, Auto-Tune 3-month subscription, GUITAR RIG 6 LE, Splice 3-month subscription, and more...

Included Software

Ableton Live Lite: For your recording and mixing needs

Analog Lab Intro: Classic and modern synthesizer and keyboard sounds

4 x Arturia FX: A world-class preamp, plate reverb, tape echo and chorus effects

Auto-Tune Unlimited: 3-month subscription to the leading pitch tuning software

GUITAR RIG 6 LE for guitar amplification emulations and guitar

Line Inputs
Input impedance: 16kO
Maximum input level: +22dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.05dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)
Instrument Input
Input impedance: 1MO on Tip
Maximum input level: +11.5dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -91dB typical (un-weighted)
Microphone Preamps
Input impedance: 2.5kO
Maximum input level: +9dBu
Gain range: 56dB
Equivalent Input Noise (EIN): -129dB typical (A-weighted)
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)
Speakers
Output impedance: 94O
Maximum output level: +12dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 107.5dB typical (A-weighted)
THD+N @ 1kHz: -101dB typical (un-weighted)
Phones
Output impedance: 10O
Maximum output level: +11.4dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 104dB

Notes: The perfect lightweight travel case for your Digitakt or Digitone! Just zip it up and go make music anywhere. Analog Cases' durable PULSE cases are designed for mobile electronic musicians.

Description:

PULSE cases are made from molded EVA that holds its shape and provides excellent protection. This case is designed to hold the Digitakt or Digitone along with its power supply, and it also includes a nylon mesh compartment for holding your cables.

Specifications:

Perfect fit for your Digitakt or Digitone + cables

Versatile and lightweight

Spacious and comfortable handle

High quality Analog Cases logo zipper puller

Interior dimensions: 10.25 x 7.25 x 2.75 inches

Notes: This PULSE case was designed with one thing in mind: keeping your MicroKorg / MicroKorg XL+ in good condition and working properly. There's no need to settle for a generic gig bag. This is the one you've been waiting for!

Description:

This lightweight and user-friendly case is custom molded to the exact dimensions of the MicroKorg / MicroKorg XL+. Its rigid exterior will provide excellent protection for your synth.

Made with high-quality, durable materials, this case features a velvet-lined interior that will give you peace of mind when traveling with your MicroKorg. And this case also has a spacious interior pocket for storing your cables.

Specifications:

Perfect fit for your Korg MicroKorg / MicroKorg XL+

Separate compartment for holding cables

High-quality, premium handle designed for comfort

Extra-large premium zipper

Interior dimensions: 22 x 9 x 3.75 inches

Exterior dimensions: 23.75 x 11 x 3.75 inches

Notes: MoCo is a fully passive monitor controller that helps you to provide perfect control over the playback volume of your studio monitors.

"Fully passive" means that there are no active components involved, that could in any way alter the audio signal - keeping the maximum sound quality level for your studio monitors. MoCo provides two separate stereo inputs (one with balanced 1/4" TRS connectors, one with both unbalanced RCA and unbalanced 1/8" TRS connectors) and two separate stereo outputs (one with balanced XLR connectors, one with balanced / unbalanced 1/4" TRS plus unbalanced 1/8" TRS connectors). MoCo does not change your signals from unbalanced to balanced: what goes in, goes out!

Via one switch you can select the input signal and with separate buttons, each output can be enabled. Also there is a switch that changes the monitor signal to mono and you can mute the playback audio signal quickly at the touch of a button. A quick swap of the left and right audio signal channels is also possible. And of course, the stylish big knob in the center of MoCo controls the actual playback volume.

Features/specifications

2x mono balanced 1/4" TRS input (input A)
2x mono unbalanced RCA input (input B)
1x stereo unbalanced 1/8" mini jack input (input B)
2x mono balanced XLR output (output A)
2x mono balanced / unbalanced 1/4" TRS output (output B)
1x stereo unbalanced 1/8" mini jack output (output B)
Selected high quality potentiometer for passive volume control
A/B input selection switch
L/R switch to swap left & right audio channels
Independent A and B buttons to enable and disable the outputs
Mono downmix button (mixes left to right channel and right to left channel)
Mute button to mute output signal instantly
Approx. dimensions: 164 mm (length), 130 mm (width), 55 mm (height)

Notes: The ultimate case for your 16" or 15" MacBook Pro! Compatible with the 2022, 2021 or 2020 16" MacBook Pro, or the 2016-2019 15" MacBook Pro.

The Analog Cases PULSE MacBook Pro Case has been carefully designed to the unique needs of highly mobile creative professionals. If you demand the highest level of protection for your MacBook Pro, our PULSE Case will deliver.

The case features a die-cut EVA foam insert that is custom-fitted to the exact dimensions of both the 16" / 15" MacBook Pro. In the unfortunate event of any falls, the EVA material is shock-resistant and will absorb the blow to prevent any damage to your laptop.

A spacious storage area underneath the laptop has a dedicated compartment for your charger, plus two other large compartments that are a perfect fit for many popular external hard drives such as LaCie or Western Digital. The upper lid of this case features two additional storage pockets for your cables and accessories.

This case also features a super-soft velvet interior lining, ballistic nylon exterior, comfortable and ergonomic handle, and our signature sleek and minimalist aesthetics.

Description

Whether you're a music producer, photographer, video editor, or podcaster, you'll appreciate the serious protection, versatile storage options, and compact design of our rigid molded case.

The PULSE MacBook Pro case is the ONLY case that features a die-cut EVA foam insert that is custom-fitted to the exact dimensions of the 16" or 15" MacBook Pro.

As a creative professional, your external hard drive, battery packs, and cables are just as important as your laptop itself. That's why this case has been designed for maximum versatility and storage capacity. A spacious storage area underneath your MacBook Pro has a dedicated compartment for your charger, plus two other large compartments.

And that's not all. The upper lid of this case features two additional storage pockets for your cables and accessories, which are separated by a padded divider to keep everything organized and protected. The storage pockets can be securely sealed with a velcro strap to ensure that your gear remains in place during travel.

Specifications

Die-cut EVA foam insert customized to the exact dimensions of the 16" or 15" MacBook Pro

3 dedicated storage compartments for accessories that measure:
- 12" x 3.3" x 1.1"
- 7.2" x 3.2" x 1.1""
- 3.7" x 3.2" x 1.1"

2 interior storage pockets, each measuring 15.4" x 8.3"

Exterior case dimensions: 18.75" x 12.5" x 3.25"
Interior case dimensions: 16.4" x 11" x 3"
Weight: 3.4 lbs

Notes: Enigma Expander for micro Turing Machine (Alan)

An expander for After Later's Alan module (a smaller version of the Turing Machine) that enables you to manipulate the stepped CV sequence. This enables you to create a different, yet related sequence to the main Alan output.

The module comes with the required cable to connect to the main module. Our black and gold panel is designed to complement Alan, Aftter Later's micro version of the Turing Machine.

The module comes with a 1 year warranty.

Notes: Morcom Expander for micro Turing Machine (Alan)

An expander for After Later's Alan module (a smaller version of the Turing Machine) that exposes the pulse outputs from the main Alan module. You get 7 seven random outputs and then 4 that are derived from other 7 outputs. When 1 and 2 are high then the 1+2 outputs is high. You can get some great rhythmic effects using these in conjunction with the main stepped CV output.

The module comes with the required cable to connect to the main module. The panel is designed to compliment Alan, After Later's micro version of the Turing Machine.

The module comes with a 1 year warranty.

Notes: The compact and complete VCA. Filtering and mixing rolled into one powerful unit. The Dreadbox Eudemonia Filter is an analog wave generator processor. It provides accurate mixing capabilities and features a dual filter in series. The filters are a 24dB resonant Low Pass Filter and an 18dB non-resonant High Pass Filter - these allow you to shape your sound before sending to your output. In order to keep things in line, the exponential VCA has a peak indicator to help you reference your levels.

Power Consumption: 61mA @ +12V , 69mA @ -12V
61 mA +12V
69 mA -12V
35 mm deep
10HP

Notes: The Meris MIDI I/O is a MIDI-TRS control interface which opens up unlimited control capabilities for up to four Meris pedals. The interface offers remote control, the saving of multiple presets offline and much more, all via your favourite MIDI controller device - even wirelessly via Bluetooth.

Finished in stylish black paintwork, it allows control of all your Meris pedal's parameters via MIDI and can control up to 4 separate pedals, using different MIDI channels.

MIDI I/O supports MIDI input and output from all Meris pedals and therefore allows unlimited offline preset saving and loading, so you can recall all your preset creations and with the amount of control each Meris pedal gives you, this is a hugely valuable feature.

Using a wireless Bluetooth/MIDI dongle and the MIDI I/O also can allows full control of all parameters of your Meris pedal via your iPhone with a suitable MIDI controller app, when using a suitable Bluetooth MIDI adapter (like Yamaha's MD-BT01 or similar). The interface has MIDI in and out activity status LEDs so you can keep tabs on what's sending and receiving MIDI.
As a bonus, the Meris MIDI I/O is also compatible with pedals from other companies like Empress and Chase Bliss*.

9V DC center-negative, 10mA, 2.1mm jack

Dimensions 3.7" wide, 2.6" deep, 1.5" tall

Weight 6.4 ounces

Includes 1 Flat 11" TRS cable. (No power supply included.)

Notes: Want some distorted drums or thicken up the final mix but you are short in rack space? Pico Drive is the answer! Pico Drive is combined wavefolder overdrive module that features manually adjustable Gain and Drive level, CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping.

Features:
Manual Gain and Drive controls
CV control over Gain and Drive
Wavefolder
Output signal limiter
Input and output protection against undesired overvoltage

Technical specifications:
Audio output level: -5...+5V
CV level (full span): -5V - +5V
Power consumption: 29mA @ +12V, 29mA @ -12V
Module width: 3HP
Module depth: 35mm

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
6 HP wide

Notes: The CTRL Case MPC ONE is custom designed to a hold the new AKAI MPC ONE and is a very lightweight and convenient solution to carry your sampling workstation well protected to your next studio or live session. Crafted from rigid Durashock molded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize audio cables and accessories.

FITS:
Akai MPC One

SPECS
Outer measures: 32 x 32 x 13,5 cm
Inner measures: 28 x 28 x 10 cm
Weight: 0,8 kg

Notes: The mmT is an optional 3HP expander which connects directly to the expand socket on the rear of the mmMidi using supplied cable.
It maps the third configured MIDI channel key presses to corresponding trigger/gate outputs as shown on the mmT front panel.
It's useful for controlling drum modules and in particular the ALM Squid Salmple.

Dimensions
3 HP
38 mm deep

Current Draw
30 mA +12V
0 mA -12V

Notes: Compact and simple four-input mixer module from Uncle Dieter. Linear pots make it suited to mixing CV signals but it can also handle audio. Mixed signal hard-wired to two sockets.

Supplier notes:
Module A-138n is a simple four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator available. The output is twice available (two sockets, hard-wired like a multiple).

HP : 4

Notes: Today's mobile devices make it easier than ever to share your music with the world. From Instagram live-streams to YouTube videos, SoundCloud playlists and more, social media and smartphones have become a key aspect of how many musicians get heard and connect with fans.

iRig Stream makes it easier than ever to share, letting you connect instruments, mixers and more to your iPhone, iPad, Android device and Mac/PC, with convenient features designed just for use on today's most popular platforms. Whether it's mono or stereo, live playing or an existing mix, iRig Stream gets you connected to all your favourite apps, so you can start connecting with listeners instantly.

Get connected:

iRig Stream makes it easier than ever to connect. With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads, and Android devices, as well as Mac & PC - even the latest devices.

2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth & drum machine setups, and more. Whether you're looking to stream your DJ set, record band practice, jam along with your favourite song, or even host a podcast, iRig Stream lets you connect a massive range of gear.

Sound your best:

iRig Stream offers 24-bit, 48 kHz A/D and D/A converters to ensure a clean, professional signal regardless of the platform you'll wind up on. And adjustable input gain and easy-to-read level indicators let you dial in the right sound level instantly

Make your voice heard:

iRig Stream offers a unique headphone / microphone jack, wired just like your smartphone, so you can listen and talk over the stereo input simultaneously.

The mic input is mixed into the stereo inputs, to ensure it works with any app, and offers adjustable volume. Best of all, it works with most headphones with a built-in mic*, and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre, giving you a wide range of options for any situation.

Designed for apps:

If you're ever tried streaming or sharing audio on social media, you know many apps only support mono signals - so iRig Stream offers a mono/stereo switch to compensate. Stereo passes both inputs as left & right channels, and mono mixes them together to a single channel, ensuring you won't lose anything panned to one side.

iRig Stream also offers a loopback function that lets you mix the output of your device with the incoming signal. Load up a backing track in your favourite music app, jam along on your instrument, then send both signals together to a video or live-stream - all on one device!

Comprehensive compatibility:

iRig Stream works with any app that records or streams audio or video, so you'll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video recording app. Record, trim, edit and share, right from your device.

Built to go and to last:

iRig Stream is compact enough to slip into the pocket of your backpack, so it's ideal for use on the go. It runs off your device's battery, so there's no batteries to run out mid-show, but can also charge your device with an optional power supply, to keep you going for extended sessions.

Includes:

- iRig Stream interface
- Lightning to mini-DIN connection cable (60cm/23.62")
- USB C-Type to mini-DIN connection cable (60cm/23.62")
- USB A-Type to mini-DIN connection cable (60cm/23.62")

Notes: Module A-196 contains a so-called phase locked loop (PLL). The basic PLL system is shown in the sketch at the bottom of this page. A PLL consists of three parts: voltage-controlled oscillator (VCO), phase comparator (PC), and low-pass filter (LPF). All parts are normally connected to form a closed-loop frequency-feedback system.

This is how a PLL works: The output of the internal VCO (linear CV control, rectangle output) is compared with an external signal (e.g. the rectangle output of a A-110 VCO) in the so-called phase comparator (PC). The output of the phase comparator is a digital signal (low/high/tristate) that indicates if the frequency resp. phase difference of the two input signals is negative, zero or positive. The output of the phase comparator is processed by a low pass filter (LPF) to generate a smooth voltage that is used to control the frequency of the internal VCO. The 3 units VCO, PC and LPF form a feedback loop that works like this: The control voltage (output of the LPF) increases as long as the external frequency is higher than the frequency of the internal VCO und stops increasing when both frequencies become identical. The control voltage decreases as long as the external frequency is lower than the frequency of the internal VCO und stops decreasing when both frequencies become identical.

But there are some stumbling blocks: Different types of phase comparators with advantages and disadvantages can be made. Some phase comparators e.g. even lock at harmonics, i.e. if the two frequencies to be compared are integer multiples. But for some applications this can be used to create interesting effects. The A-196 contains 3 different types of phase comparators: PC1 is a simple exclusive OR, that even locks at harmonics. PC2 is a so-called RS flipflop and PC3 a more complex digital memory network. The user can select one of the three phase comparators with a 3-position switch. When PC2 is used a LED displays the "locked" state, i.e. when the frequency of the internal VCO is identical to the external frequency.

Special attention has to be directed to the frequency of the LPF. To obtain a smooth control voltage for the VCO the frequency of the LPF has to be much smaller than the lowest frequency of the internal or external audio signal. Otherwise the frequency of the internal VCO will jitter or wobble around the correct frequency. But for special effects this frequency jitter can be used intentionally. Example: frequencies in the range 50Hz...1kHz have to be processed with the PLL. Therefore the frequency of the LPF has to be about 10Hz or even less. Such a low frequency of the LPF causes a noticeable slew of the internal VCO. When the frequency of the external signal jumps e.g. between 500Hz and 1kHz it takes about 0.1 second until the internal VCO reaches the new frequency (like portamento). So one has to find a compromise between frequency jitter and portamento. But these remarks are valid only for the "ideal" working PLL. As the A-196 is used in a musical environment the "problems" and disadvantages with jitter and slew time lead to additional musical applications like portamento effects, wobbling frequencies or harmonic locking according to the type of frequency comparator and time constant of the PLL low pass filter. Instead of the internal manually controlled low pass filter the voltage controlled slew limiter A-171 can be used to obtain voltage control of this parameter. Normal audio filters (e.g. A-120, A-121) cannot be used for this job as the minimum frequency is to high (down to a few Hz or even less necessary) and the signal has to be DC coupled due to the low frequencies. Audio filters are normally AC coupled.

Another very important application of a PLL is frequency multiplication in combination with an external frequency divider. For this the output of the PLL-VCO is processed through an external frequency divider (e.g. A-163, A-160, A-161, A-115) before it is fed to In1 of the phase comparator. In this case the frequency of the PLL-VCO will be a multiple of the master frequency. E.g. if the A-163 is used and adjusted to dividing factor 5 the frequency of the PLL-VCO will be 5 times the frequency of the master VCO. Consequently, frequency division (A-163) leads to frequency multiplication with the PLL circuit. In combination with the PLL low pass frequency several effects can be realized (frequency multiplication with portamento or wobbling). The frequency multiplication can even be used to drive a graphic VCO. If your graphic VCO e.g. has 8 steps (e.g. A-155) and you use a frequency divider with factor 8 in the PLL feedback the output of the graphic VCO has the same frequency as the master VCO. Another application is the generation of pseudo-harmonics (not real harmonics as only rectangle waves are available) or clock generation for switched-capacitor filters.

Notes: Module A-138n is a simple four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator available. The output is twice available (two sockets, hard-wired like a multiple).

The module is the slim version of module A-138a and offers nearly the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-138a. The module is primarily planned for applications where only limited space is available. The only functional difference compared to the A-138a is the missing attenuator for the (dual) output.

Notes: If you need the production power of FL Studio, but don't need to deal with audio recording or audio clips, then FL Studio Fruity Edition 20 will fit the bill. FL Studio Fruity Edition 20 gives you full access to a powerful piano roll editor, which lets you sequence and arrange your virtual instruments to your heart's desire. It also gives you access to FL Studio's powerful step sequencer, 18+ virtual instruments, and over a dozen built-in effects and processors. Add to that unlimited tracks, VST and DXi instrument support, and full automation capabilities, and you'll be hard pressed to find another electronic music production system that offers as much value as Image Line's FL Studio Fruity Edition.

What you can do with FL Studio Fruity Edition 20:

- Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula-based control of links.

- Record & play MIDI input recording from keyboards, drum pads and controllers.

- Sequencing and arranging with pattern and linear workflow possible.

- Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.

- Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favourite plugins and applications.

- Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.

- Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano rolls in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.

- Determine your own project design - In FL Studio 20, you decide how your project will be laid out, including multiple 'Arrangements'. Unlike the competition, FL Studio 20's Playlist is a totally flexible and virtually unbounded workspace where - Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.

- The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FL's proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that's flexibility.

- Effects - What about effects? FL Studio 20 includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process.

Notes: Great for generating random voltages from white noise, arpeggios from sawtooth waves, and downsampling audio signals.