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Notes: Top-of-the-range version of Sennheiser's consistently excellent HD25 headphones, bundled with a full range of accessories. One of our favourite models for DJ and studio use.

Supplier's notes:
The HD 25 PLUS is identical in design to the HD 25 but spoils its users with extra accessories and two included cables. Users can choose between a coiled steel cable (length: 3m/1m) and a straight, 1.5m steel cable.

The PLUS version also comes with a handy storage pouch and a second set of ear pads in a soft velour version.

Notes: The UDG Slingbag trolley deluxe specially designed to protect your LP's during travelling. With a capacity up to 60 records, this bag is perfect for mobile DJ's use or as an optimal complement to the UDG sling bag. Constructed from high-quality fabrics, foam padded walls, electroplated zipper, comfort top-carry handle, detachable shoulder strap, and in-line wheels will provide secure and dynamic travel experience.

Notes: The AT-XP series cartridges provide a high-quality sound for vinyl DJ's. Offering all of the features of a DJ cartridge, but with a Hi-fi sound, the XP series are perfect for the stage and club DJ who prioritises sound quality.

- Audiophile DJ cartridge AT-XP7 pre-mounted on the AT-HS6BK headshell
- VM dual magnet construction
- Durable robust design for high-quality specialist DJ playback
- Tapered aluminium cantilever providing outstanding rigidity
- Compatible with the replacement styli ATN-XP3 and ATN-XP5 as well
- Configuration with single cartridge (AT-XP7). The replacement stylus (ATN-XP7) and a headshell bundle, consisting of the replacement stylus and the headshell AT-HS6BK (AT-XP7/H) are available separately

Notes: The original favourite and improved Magma classic. Now with loads more strength thanks to the new improved trolley-board system. Unbeatable for the DJ who is on the road a lot, the 100 trolley is a proven, practical and convenient transport solution.

The materials used, the design of the new reinforced fivefold glued bottom board and extra strong front stand, are all tested to ensure the highest strength possible and guarantee the best stability and a long life.

Notes: 'Tangle Quartet' is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined 'mix' output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalised to 5v thus providing manual mix control in the absence of control signals.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~80ma
Size: 8 HP
Depth: 32mm (including power header)

Notes: The new RIOT LP-TROLLEY 50 is dedicated to the passionate vinyl pros who want to conveniently travel with their records from gig to gig. Crafted from high-grade material components such as the extra-rugged Tarpaulin fabric, PVC-coated zippers and smooth rolling precision inline wheels, it can accommodate up to 50 pieces of 12-inch records and also meets the permitted carry-on luggage size of almost every airline.

Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod64X is 64HP with 2.16" (55mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick, or a barrel cable to daisy-chain to a Pod or Row Power that's already powered.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. The power supply can handle up to 1.4A of +12V, which is plenty of juice for even the most modern digital modules. (Or if you prefer to DIY your power supply, Pods are also available unpowered)

Each Pod64X typically will house up to six modules, but more can be accommodated using a multi-power cable accessory.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Pods can even daisy- chain with the 4ms Row Power system making them a convenient outboard mini-skiff. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

64 HP of Eurorack modular space
Extra room for deep modules
Standard M3 threaded holes
100% lightweight anodized aluminum
Built-in Power supply
Red, White, and Blue LED power indicators

Includes:

64HP Pod, black anodized aluminum
Built-in power supply with six Eurorack power headers
Extra deep (2.16"/55mm) fits virtually every Eurorack module
M3 x 8mm pan-head screws, stainless steel (20)
Adhesive rubber feet (4)
Does not include barrel cable or power brick
Power Supply:

Four 16-pin Eurorack power shrouded headers
+12V max 1.4A
-12V max 0.67A
+5V max 1.0A
Power input: Two barrel jacks for daisy-chaining
15V-20VDC, 2.1mm positive tip
Exterior dimensions:
Width: 329.7mm (12.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 64HP
Weight:
0.5 kg = 17 oz

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod60 is 60HP with 1.34" (34mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod60 includes twenty (20) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: DJ-friendly version of AIAIAI's excellent modular headphones. Configured here with punchy S02 drivers, on-ear PU leather earpads and coiled cable.

Supplier's notes:
TMA-2 DJ has been put to the test on stages all over the world. With its reinforced headband and powerful bass, it's a specialized piece of equipment for the hardworking musician.


The titanium-coated S02 speaker unit delivers a punchy and intense sound representation focused on bass and low-end dynamics. Combining the durable H02 nylon headband and the E02 on-ear PU leather earpads providing high isolation results in a powerful sturdy headphone suitable for live performance and electronic/bass heavy music.



In the Box.

S02 Speaker unit: Punchy.

E02 Earpads: PU leather, on-ear.

H02 Headband: Nylon, Silicone padding

C02 Cable: Coiled w/adaptor, black, 4 mm, 1.5 m.



Technical Specifications.

Driver diameter: 40 mm

SPL: 117 dB

Resonance frequency: 90 Hz

Impedance: 32 Ohm

Rated power: 30 mW

Max power: 70 mW

Diaphragm material: Titanium Coated

Magnet type: Neodymium

Notes: Exciting entry-level interface from legendary studio brand SSL, best known for their high-end mixing consoles and outboard gear. 2-in, 2-out design with 'Legacy 4K' feature to add classic analogue sound.

*** New Loopback feature - May 2023 ***

Loopback allows you to take the output audio stream from your SSL 2 or SSL 2+ and record it back into the DAW (or another application). This can be really useful for music makers, podcasters and streamers.

To take advantage of the new loopback feature of the SSL 2/2+ you will need to update your SSL2/2+ using the SSL USB Audio Firmware updater.

Supplier's notes:
Solid State Logic studio tools have been at the heart of music production for over 40 years, helping world famous artists, producers and studios to create so many of the records you've come to know and love. Now, with SSL 2, you get all that hit-making know-how in your own personal studio.

With beautifully SSL-designed analogue microphone preamps and immaculate 24/192kHz conversion for studio-quality recording, pristine monitoring path and high-performance headphone amp for crystal-clear playback and an intuitive front-panel low-latency monitor mix control, you're always ready to capture the next great performance.

The 'Legacy 4K' mode - inspired by classic SSL consoles, gives you the ability to add extra analogue character and sparkle to your sources when needed.

To top it all off, the included 'SSL Production Pack' software bundle, which includes some of SSL's own studio-grade Native plug-ins and a carefully selected range of DAWs, samples, loops and virtual instruments from industry leaders, gives you an incredible arsenal of tools for creating your next hit.

Notes: Buchla-inspired modular business in Korg's small and affordable Volca range. Amazingly creative and experimental synth power in a tiny little box. Highly recommended.

Supplier's notes:
A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.
Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.
The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:
The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:
Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:
volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:
While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:
The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:
Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:
Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

Connectors that allow synchronized performance and external control:
With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.

Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: Goldring D12GX stylus is designed to fit the current Goldring 1012GX phono cartridge or old model 1010 or 1012, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The Goldring 1012GX record cartridge uses the acclaimed Gyger-2 diamond stylus. This is a fine-line type which gives smooth extended high frequencies, low distortion and reproduces a highly detailed and dynamic sound. Advanced diamond tip polishing ensures excellent tracking ability and reduces record wear. The 1012GX represents outstanding value for money and has become one of Goldring's most popular cartridges.

Replacement stylus: 1012GX - D12GX

Notes: The Pod48X is 48HP with 2.00" (51mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod48X includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: Incorporating a new hidden trolley system, smooth rolling in-line wheels, electroplated zippers and integrated combination lock, the world's best selling 12" trolley bag has been reinforced and strengthened to provide you with even greater protection and durability. The Slingbag will hold approximately 65 records.

Notes: ZED-6FX delivers Allen & Heath's renowned build and audio excellence in a compact, portable format, making it the ideal choice for quality conscious musicians, singer / songwriters and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6FX is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analog warmth and depth. ZED-6FX is the first mixer to include a specially created suite of studio quality reverbs, delays and special multi-model FX, crafted by Allen & Heath's acclaimed in-house effects aficionados. Guitarists will be pleased to know that ZED-6FX comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

ZED-6FX features an exceptional new preamp design, created by analog guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analog range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

ZED-6FX boasts a brand new suite of studio quality reverbs and delays, painstakingly crafted to enhance your recordings and performances. Special multi-model effects provide uniquely dynamic combinations of reverbs and delays.

All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

ZED-6FX comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: A compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain.

The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.

Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.

Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*

Notes: Back in 2008, the original Z5000 was not only the world's first Eurorack DSP effects module but also the first Tiptop Audio module released. It brought voltage controlled digital effects to Eurorack for the first time and the Z5000 was eventually replaced by the Z-DSP open source platform. Now, years later with over a decade of experience developing audio effects for Eurorack signals we are introducing a totally new version of the Z5000: a compact stereo 8HP multi effect with voltage controlled parameters, VC analogue clock generator driving the DSP chip and 24 of our creme de la creme reverbs, delays, modulation, harmonization and pitch modulated effects. A number of programs in the Z5000 combine more than one effect, in series or parallel, that represent studio techniques from-the early days till modern times often leaning toward the more experimental side.

Notes: The NT-USB is a highly versatile side-address microphone that is ideal for recording singing and musical performances in addition to spoken applications such as podcasting and voice-over.

It is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the Apple iPad using RODE Rec, GarageBand, or any other recording app that accepts an external microphone. Use on the Apple iPad requires a suitable USB connection adaptor, such as the Apple Camera Connection Kit.

The body of the NT-USB features a zero-latency stereo headphone monitoring (3.5mm) jack, which allows you to monitor the microphone input in realtime, along with dials to adjust the monitoring level and mix between the computer/iPad audio and the microphone input.

A premium pop-filter is included, which fits onto the base of the mic, positioning the filter the ideal distance from the capsule to minimise plosives (hard 'B', 'T' or 'P' sounds that produce a harsh sound) during singing or speech. Also provided is a high-quality stand mount with industry standard 3/8" thread, desktop tripod stand that allows the NT-USB to sit at a comfortable height on a tabletop, and a pouch for storage of the microphone when not in use.

Perfect for streamers and gamers, not just podcasters and voiceovers.

This product is compatible with the Rode PSA1 and the PSA1+.

Notes: Designed for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is designed to allow the user freedom of use, without the technique related issues typical of directional end-address microphones.

Additionally its frequency response has been specially tailored for voice reproduction, to maximise intelligibility and deliver crisp, clear results in almost any condition.

The microphone features a durable die-cast aluminium alloy body coated in a discrete matte black anti-glare finish. An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam wind shield.

It is supplied with a removable microphone 'flag' that can accommodate high visibility branding.

The Reporter is covered by Rode's industry leading support guarantee, with a twelve month warranty 'out of the box' that is easily increased to ten years free of charge, following online registration of the microphone.

Notes: The 3rd generation of the Yamaha MG Mixer brings with it some neat updated features, great build quality and the same great sound and flexibility that we have come to expect from a Yamaha mixing console. Built with a sturdy metal chassis, the MG III series mixers are designed to last.

The MG-06X is a 6 channel mixer with 2 D-Pre Mic inputs for super-quiet operation. The MG-06X has +48v phantom power for condenser mics and XLR balanced outputs to ensure that no matter how big or small your operation is, the MG06X will act as the lynch-pin mixing desk that you can depend upon.

Also on the MG06X are a bank of Yamaha SPX effects to further enhance your sound with no need to add in additional processors.

Notes: Inspired by the legendary UDG ProducerBag, the UDG Ultimate ProducerBag Large has been created to cater for those electronic musicians who crave more space for their performance equipment.

Fits: Pioneer DJM-S5, Toraiz SP-16, Denon DJ Prime Go, Novation AFX, Akai MPC Live II, Reloop Elite, Rane Seventy, Seventy-Two, NI Maschine Jam, and various pedalboards

The UDG ProducerBag Large offers increased space for performers using laptops up to 18.4" and larger MIDI Controllers. Constructed from high quality fabrics, the backpack style UDG ProducerBag Large features padded walls with an adjustable divider to create an internal partition to suit your own requirements. Available in black, the bag offers both comfortable transportation and padded protection for your valuable items.

Specifications

Colour: Black, Orange inside
Weight: 3,25 kg / 7.15 lbs
Outer Dimensions (W x H x D): 56.0 x 45.0 x 18.0 cm | 22.0 x 17.0 x 7.1 inch
Inner Dimensions (W x H x D): 46.5 x 32.0 x 15.0 cm | 18.3 x 12.6 x 5.9 inch
Material: Water Resistant Nylon 420D
Protection: Padded MIDI Controller compartment
Bottom guards fabrics protect from scuffing and abration.

Extras

6 pockets for Accessories and smaller gears
Top carry handles
Ergonomic detachable shoulder strap
Integrated combination lock.

Fits:

Up to 18.4" laptop
Pioneer DJM-S5, Toraiz SP-16, DJS-1000, DJM-750MK2
NI Traktor Kontrol S2 MK2, Maschine Jam/ MK3/ MK2, Traktor Z2
Denon DJ Prime Go, MC6000 MK2, MC3000
Numark iDJ Live II, Mixtrack II / Pro II
Rane Seventy, Seventy-Two
Akai MPC Live II, APC 40 MK2, MPD232, MPD26, MPD32
Reloop Elite, Beatpad/2, Beatmix, Digital Jockey-3, Jockey 3 Remix, Terminal Mix 2
Novation AFX, 25SL MK2, Launchkey 25, Nocturn 25
Hercules DJConsole RMX2, DJControl Jogvision, DJ Control Air+ S
M-Audio Oxygen 25, Trigger Finger Pro, Xponent
Stanton SCS.4DJ, DJC.4
Livid OHM 64
Vestax VCI-380/400/400DJ,
Arturia Drumbrute, Keylab 25
Various pedalboards

Notes: The Native Instruments Traktor Kontrol F1 is the definitive hardware for controlling the powerful Remix Decks in Traktor Pro 2.5. You can launch clips in a perfectly intuitive, DJ-centric way - control Remix Decks just like regular track decks, switching between up to 64 x tracks, loops and one-shot samples on each deck. With your signature sound at your fingertips, it's time to blur the line between DJing and live performance.

The Kontrol F1 includes around 4 GB of premium grade sound, pre-loaded as Remix Sets. Or you can import your own samples, and even capture loops and sounds live, using the controller's stylish multi-color pads and ergonomic faders. Expand the creative potential of any Traktor set-up, with or without timecode vinyl, and transform your DJ set into a dynamic live performance.

The Traktor Kontrol F1 workflow is rooted in DJ culture. Remix Sets, made up of your individual loops and sounds, load just like regular tracks in the super-powerful Traktor Pro 2.5 software. And your drum loops, bass lines, percussion, vocals and lead sounds are ready for dropping into your performance.

4 x volume faders and four dedicated filter knobs provide full sonic access to the Remix Deck slots, and to add more flavor, you can route individual slots through Traktor's FX units. Scratch your live production via Native Scratch timecode control and then mix and fade into a traditional track on another deck, fuse classic DJ workflow with the future of DJing.

Just load up the included sound collection and dive into a new level of interaction with your music. The hardware and Traktor Pro 2.5 software respond as one. Ultra-tight integration is complemented by advanced visual feedback, assign a sample a particular color on the hardware, and see the software instantly follow suit.

The Traktor Kontrol F1's slim profile fits anywhere. Slot it between your mixer and decks or expand your controller set-up with multiple F1s, its intuitive feel and striking visual presence is matched only by its addictively fun playability.

Ready to remix also means you get around 4 GB of premium-grade loops and one-shot samples in the F1 package. This sound collection provides more than 10 x complete remix sets, packed with inspiring, studio-quality material for enhancing your sets, jamming and live remixing.

http://www.youtube.com/watch?v=aINKALs3Vso

The sonic spectrum includes beats, basses, leads, and more, spanning ten musical genres, including house, techno, dubstep, hip hop, tech house and drum'n'bass.

*** INCLUDES 44 POUNDS E-VOUCHER UPON REGISTRATION OF TRAKTOR KONTROL F1 WITH NATIVE INSTRUMENTS. TERMS AND CONDITIONS CAN BE FOUND HERE; https://www.native-instruments.com/en/support/e-voucher-terms-and-conditions-2017/ ***

Notes: The Grado DJ200i is hand engineered for a premium quality rich warm and unique sound, the DJ200i is built and designed to meet the demanding needs of the professional DJ. A step above anything else in this price bracket and many cartridges priced significantly higher.

The Grado specially engineered transmission line cantilever allows for the ideal transfer of music signal and for safe and effective stylus back-cueing. The prestige model DJ200i uses a modified 4 x piece cantilever technology, oxygen free wire in the coils and a specially designed, high polished, diamond mounted in a brass bushing for possibly, the most advanced DJ cartridges ever offered to the professional DJ market.

Notes: Bring hands-on control to your software with Presonus' simple little USB controller. Physical transport controls and a nice long fader to help streamline your creative process in your DAW.

Supplier's notes:
The latest generation of PreSonus classic USB control surface, the FaderPort enables you to record and mix with a smooth, touch-sensitive, motorized, 100 mm fader; transport controls; and many of the new workflows introduced in the FaderPort 8 and 16. Manage markers, punch in and out with a footswitch (not included), arm tracks, and employ the innovative Session Navigator to control your favourite DAW application quickly and easily. The FaderPort connects via USB 2.0 and offers native control of PreSonus Studio One DAW (Studio One Artist is included), including Control Link support and parameter follow, allowing quick hardware access to any control.

Notes: Beautiful closed-back headphones from Sennheiser, ideal for critical listening and mix applications. Not the cheapest, but sound on par with much more expensive options.

Supplier's notes:
The newly developed HD 300 PRO delivers a neutral, high-resolution working sound. Its huge depth of detail passes through even in the loudest of environments. Irrespective of whether you are editing, playing or composing music, and regardless of whether you're behind a drum kit, at the mixing desk, in a live setting or in the studio, the HD 300 PRO provides the details that you need for making good decisions.

The HD 300 PRO works at the same level of precision that you apply to your production. To make this possible, we have pushed its acoustic properties to the boundaries of physics and recalculated them. Firstly, it's linear frequency response. It doesn't interpret, but rather ensures neutral transparency - the basis for good decisions. Its sound pattern remains delicate and precise in every application - across the entire spectrum.

Secondly, we have reduced distortion, wobbling motions and partial vibrations of the diaphragm to a minimum. Together with highly sensitive transducers, this construction guarantees powerful and distortion-free reproduction even at high sound pressure levels. Not to mention the recalculated air volumes in front of the ear. The HD 300 PRO gives the sound a remarkably natural, three-dimensional quality.

The design of the HD 300 PRO represents a smart combination of wearing comfort and ambient noise attenuation. Its circumaural, viscoelastic earpads can barely be felt even after several hours. And they provide reliable protection even against very loud ambient noise. To achieve this, we have designed the acoustic unit to be more isolated than a monitoring set has ever been. Even after sessions lasting several hours, you will detect only its sound - not its weight.

What's in the box?

1 x HD 300 PRO headphones
1 x Cable (1.5m with 3.5mm jack)
1 x 1/4" Adapter jack
1 x Quick start guide

Notes: NI's more affordable Komplete Kontrol A range offers a keenly priced take on the flagship S models. Here in 49-key format, the semi-weighted keybed offers great feel.

Supplier's notes:
Get hands-on with your music:

Music-making is at its best when it's fast, fun, and physical. Find the right sound, make it your own, perform, and capture the results - all from a responsive, semi-weighted keyboard. Complete with four premium instruments plus MASCHINE Essentials, A-Series keyboards come with everything you need to bring your ideas to life.

Find your sounds faster:

With hundreds of presets to choose from, finding the right sound can be a chore. With KOMPLETE KONTROL, however, all of your KOMPLETE and NKS presets are intuitively tagged and organised, so finding the right one is fast and easy. What's more, you can hear a preview of each sound as you browse, without loading individual instruments.

Need some serious low end? Use the encoders and OLED display to select SYNTH > BASS > SUB BASS, then listen through the presets and load up the right one for your track.

Pre-mapped and ready to play:

All of your KOMPLETE and NKS instruments and effects are pre-mapped to the KOMPLETE KONTROL hardware by the people who know them best - the instrument designers themselves. Essential parameters like envelope controls and filter cutoffs are instantly displayed on the OLED display as you touch the corresponding knob. That means you can see exactly what you're adjusting in real time - whether it's in kHz, dB, or BPM.

Perform creatively:

With Smart Play, you never need to worry about hitting a wrong note - just pick a scale and play. Activate chord mode to create a rich progression by playing single keys, then switch on the arpeggiator and turn it into an expressive musical performance. And for keyboard novices, Easy Mode maps the white keys to whichever scale you like.

Capture your ideas:

No matter your setup, A-Series is designed to fit right into your existing workflow, with immediate access to transport, mixing, and editing controls in your favourite DAW. Logic Pro X and GarageBand are currently supported, with advanced integration for Ableton Live, Cubase, and Nuendo coming soon after launch. And if you're just getting started, the included MASCHINE Essentials allows you to capture and arrange your ideas direct from your hardware - no additional software needed.

Instruments included:

With more than 4,500 sounds and 9.7 GB of content included, A-Series keyboards come with everything you need to start making music. Register your hardware and get two powerful synths, two meticulously sampled pianos, and more. Plus with MASCHINE Essentials, you'll have all the tools you need to go from inspiration to finished track.

Notes: Small desktop enclosure for Eurorack modules with 42 HP space and a maximum depth of 32mm. A relatively strong power solution with an external power supply and an on/off switch located at the case is included.

The power supply provides:

- 850 mA at +12V
- 850mA at -12V
- 500mA at +5V

The power distribution has 14 connectors and the case can house exactly fourteen modules from Erica's Pico Series.

Notes: The ultimate real analog synth for everyone.

UNO Synth is the ultimate portable, monophonic, true analog synthesizer and IK Multimedia's entry in the hardware synthesiser world.

IK Multimedia combined two decades of experience in software and hardware development with the expertise of Italian boutique synth-maker Soundmachines and IK's synth guru, Erik Norlander (one of the brains behind acclaimed synths like the Alesis Andromeda). The result is a no-compromise instrument with massive analog sound that's also easy to use with hands-on programmability and advanced features at an unbeatable price.

The days of compromise are over. Now everyone can own a real analog synth with professional sound.

And UNO Synth is proudly made in IK's own Italian manufacturing facility to ensure the highest quality standards. Like the majority of IK hardware products, UNO Synth is built using a combination of IK's state-of-the-art, automated mounting machines and test systems and fine, renowned Italian craftsmanship.

Seasoned synth professionals and beginners alike will love UNO Synth's high-quality, pure analog audio path and its ultra-compact form factor. With both classic and modern synth sounds instantly at hand, UNO will put a smile on the face of synth fans of every musical genre. All this in a synth module that can be easily carried anywhere.

Electronic music lovers or first-time synth users will get instant satisfaction from this affordable, easy-to-use instrument even if they are new to analog synths or synth programming. Thanks to its onboard presets and easy-to-play keyboard with selectable scales and arpeggiator, UNO Synth is the perfect gateway into the synthesizer world.

The highly flexible synthesis engine not only excels in producing the rich, warm, punchy, deep bass sounds that are the core of a high-quality monophonic synth, it's also perfectly designed to bring a wide sonic palette of leads, drones, arps, sequences, sweeps and effects.

While UNO Synth is monophonic nature, its two independent oscillators can be tuned differently to also generate interesting pad-like interval sounds as well as octaves. Pulse width modulation of each oscillator provides the ability for a single oscillator to sound like two while the second oscillator can be tuned to an octave or interval for advanced modular-style timbres from the greatest classic synths.

Ease-of-use with powerful programming:

UNO Synth comes with 100 grab-and-go presets (80 fully rewritable), making it ready to play right out of the box. Each preset not only includes the sound programming, it also includes an associated arpeggio and sequence for even greater musical expression and portable sonic power.

This makes it easy for everyone to find the perfect sound, and beginners and professional producers alike will have great inspirational starting points to make working with the UNO Synth faster, more productive and more enjoyable.

Ultra-portable, battery-powered, to make music everywhere:

UNO Synth's ultra-compact dimensions make it among the smallest monophonic synth available. With its light weight (only 400g) and its battery-power supply (4xAA included) or USB power-supply (for battery power banks), UNO Synth gives musicians of all kinds the freedom to make music everywhere without being tied to a location! Fully untethered, it's the ideal analog synth to carry around all the time.

Use it standalone, live with your keyboard or with your DAW:

Electronic music lovers or DJs can make music with UNO Synth whenever and wherever the inspiration strikes. The built-in audio input also allows for daisy chaining other external audio device (like drum machines) so they can be used together with UNO Synth without the need for an additional mixer, keeping the set up at minimum for the greatest portability.

Notes: Erica Synths Snare Drum is developed in collaboration with the French company e-licktronick and it's our take on analogue snare drum circuits adapted for modular systems. Sharp, punchy sounds, Accent & CV control over key parameters of the module make it distinctively expressive in studio and live performances.

Features
Tune, Snappy, Noise tone and Decay controls
CV control with attenuators over Tune and Decay
Manual trigger
Accent for better expression

Specifications
Decay range: 150ms - 260ms
Audio output level: -5...+5V
CV level (full span): -5 - +5V
Accent CV level: 10V
Trigger level: 5V
Trigger time: 1ms
Power consumption: 37mA@+12V, 35mA@-12V
Module width: 10HP
Module depth: 35mm

On this run of modules the Pitch & Decay CV inputs are inverted: rising CV will decrease pitch, falling - increase.

Notes: Erica Synths Drum Mixer Lite is compact version of Drum Mixer. It features extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and add power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.

Features:
6 inputs
Built in vactrol based drum compressor with Amount and Decay control
Three inputs assignable to main or aux send outputs
Main and Aux Send outputs
Signal level indicator LEDs

Mixer gain: -+6dB
Power consumption: 59mA@+12V, 36mA@-12V
Module width: 10HP
Module depth: 35 mm

Notes: The EVEN VCO is a voltage-controlled oscillator that offers stability and high precision tuning over 10 octaves. A redesigned temperature compensation circuit maintains the oscillator stable against voltage and temperature drops.

Specifications:

Current needs: +12V: 36mA, -12V: 26mA
Width: 8 HP
Depth: 22mm, (28mm DIY) including power connector
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.

Notes: The Sampling Modulator is a multi-function module that lies somewhere between a VCO, a Sample & Hold, and an 8 step trigger sequencer.

Sequencer Clocked Sample & Hold

In this mode it acts like a regular Sample and Hold (S&H) but since it is "sequencer clocked", it is capable of much more interesting patterns than the usual S&H melodies.

The CLOCK input can work in two ways: 1. As a typical clock 2. In "positive going hard sync" mode allowing you to create shuffling and polyrythmic effects.

The HOLD input can be used to keep certain notes playing.

Analog Down-Sampling Effect

In this mode (with the clock running at audio rates) you can go from nasty and harsh sampling rate reduction to an almost clean signal. (The clock run up to 25Khz without external CV and up to 200Khz with CV on the input).

Sampling Modulator/Shaper

Thanks to the V/Oct clock, by feeding a simple waveshape such as a sine wave to IN, and pitch CV to the VCO as well as to the Sampling Modulator CV input, their related frequencies and aliasing caused by the sampling rate reduction are capable of creating clangorous metallic sounds, 8 bit textures and much more.

The game becomes much more interesting when you try to destroy the wave by flipping on and off the switches of the sequencer (which at times can make it sound like three VCOs running in unison).

To understand how the Sampling Modulator works, keep in mind that we are working with a temperature compensated ramp core VCO with more than 4 octaves of tracking. This allows the timbre to stay the same while you move through the scale as the internal and external VCOs are synced in a fashion similar to "frequency related sampling rate modulation"

Unusual V/oct VCO You can use the trigger outputs as a pulse VCO. Flipping the switches on and off the switches can offer a lot of interesting timbral changes.

Notes: Module A-112 is the combination of a voltage controlled 8 Bit Sampler and a wavetable oscillator. On top of it the module is able to generate some special effects. A-112 was designed as an additional sound source with the typical sounds of the early 8 bit samplers and is not comparable with the modern polyphonic MIDI samplers available on the market.

Sampling mode: 8 bit audio resolution, 128kB memory in 2 banks 64kB each (equivalent to 2 seconds of sampling time for each bank with 32 kHz sampling rate), audio input with attenuator, overload display in record mode (gate LED), possibility of MIDI Dump to store sounds in a computer via MIDI, non-volatile memory for the 2 samples in the module, manual tune control for adjustment of sampling rate for record and play, CV input (~ 1V/Oct), both manual tune and CV determine the sampling rate respectively the pitch (pitch range is 5 octaves), gate input (not a trigger: the sample starts at the positive edge of the gate signal and is played as long as gate is high or until the end of the sample is reached), manual Gate button, non-filtered audio output (thus quantizing noise can be used as an element of the sound intentionally).

Wavetable mode: special appearance of the sampling mode when playing a sample, the audio input is now used as a second control voltage input for moving through the sample in 256 byte wide loops (wavetables). The control voltage required to move through all wavetables applied to the input "Wave CV In" is in the range -2.5V (wavetable 1) ... 0V (wavetable 127) ... +2.5V (wavetable 256) when control "Atten." is set fully clockwise. To achieve the typical wavetable oscillator sounds the sampling memory must contain corresponding wavetable data (e.g. loaded via MIDI dump). These data contain a set of wavetables with different harmonic content (e.g. a filter sweep) to get the typical wavetable sound while moving through the tables via CV. But you may also use a "normal" sample and go through the sample with CV to obtain partially amazing sounds never heard before. You may use for example sampled speech and go with CV through the syllables or speech shreds to get really very extreme sounds. An ideal addition for this feature is the Offset/Attenuator module A-183-2 which can be used to adjust the position of the wavetable (Offset) and the modulation depth (Att.). The corresponding jumper of the A-183-2 has to be set to bipolar offset (as the A-112 requires -2.5V...+2.5V to pass through all 256 wavetables). As modulation source an LFO (A-145, A-146, A-147, A-143-3), ADSR (A-140, A-141, A-142, A-143-1/2) or a random voltage (A-118, A-149-1) may be used. Even a ribbon controller (A-198 or R2M), the Theremin module A-178, the Joystick A-174 or the Wheels module A-174-2 are useful to drive through the wavetables.

Effects: Additionally, the module offers - in a way free of charge - some effects like delay, reverse delay, pitch shifting or freeze. But it has to be pointed out that due to the 8 bit audio resolution these effects are not comparable to high quality effect units and should be understand as an extra for nothing. The A-112 is not an effects unit!

The sampling time of the A-112 is about 1...30 seconds corresponding to a sampling frequency range of about 60kHz...2kHz (64kB@60kHz ~ 1 s, 64kB@2kHz ~ 30 s).

Technical note: the module uses a battery for the non-volatile storage of the sampling data. Batteries have a limited lifespan and have to be inspected at least every two years. For details please refer to the FAQ page of our website: Lifespan of rechargeable batteries (used for memory backup).

Notes: Versatile stereo digital filter based on Endorphin's Grand Terminal module. CV-controlled cutoff, resonance and separate high-pass filter. Simple but effective.

Supplier notes:
The Squawk Dirty To Me is a stereo filter with voltage controlled resonance. It features eight filter modes and zero-delay feedback.

- Simple and effective 6hp stereo VCF
- 8 filter modes available with meta CV scanning, famous zero-delay feedback Grand Terminal filters
- Additional hi-pass filter in series quickly cuts the boomy low end

Notes: Viol Ruina is an all-analogue distortion and lowpass filter with an internal envelope follower and self-modulating cutoff. The four-pole design is reminiscent of the classic filters we all know but with a completely new and slightly ridiculous twist. The independently addressable distortion circuit takes VR into overdriven paradise with a shocking amount of drive. Built-in envelope following makes an easy way to create dynamic patches with the flick of a switch, and feedback FM takes VR to a whole new realm of filthiness. Run a sound through VR, you'll get something cool out of it.

Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 35 provides 35W of power, suited for any typical eurorack row (84HP to 168HP):

+12V @ 1.4A
-12V @ 1.25A
+5V @ 1.0A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).

Notes: Outs enables your modular system to output both professional and prosumer compliant audio, and send it to external amplifiers, mixers, recording devices, or DAW interfaces. Using the L+R Level knob, it scales modular-level voltages down to the level required to drive external gear at either the +4dBu balanced professional line-level standard or the -10 dbV unbalanced standard.

Headphone monitoring is also provided via a low noise built-in headphone amp (with its own independent level control), capable of driving a wide range of impedances - from studio grade headphones to portable style earbuds.

To use Outs, simply connect the final output of your patch to the 1/8" inputs (where the built-in activity LEDs light up to indicate the presence and intensity of the input signal). The left input is normalled to the right, so you can create a stereo signal from a mono source. Or if you have an Intellijel Mixup, you can remove a jumper from its rear panel, and connect it to the Outs module using the 3-pin link cable included with the Mixup.

Notes: Ultra-simple 16-step Eurorack CV sequencer with randomisation option and storage for up to 16 patterns. Straight to the point business, all in just 4HP of rack space.

Supplier notes:
Small, easy-to-program sequencers are a bit of a rarity. Vox Digitalis is our answer to this issue. With intuitive displays and simple controls, VD is perfect for all your pitch CV needs. Set your sequence length, dial in each note, randomize, save and load 16 sequences -- VD does all the stuff the big sequencers do, just in 4HP.

Notes: The A-100LC1v is a smaller version of the A-100LC3 with 48 HP of space. It is made out of raw wood, a black coating gives the Eurorack frame a vintage look. The built-in power supply, type A-100SSB, delivers up to 380 mA at +12 V and -12 V as well as 100 mA at +5 V.

The A-100LC1v comes equipped with one 48 HP measuring row for 3U modules. Its power supply features eight connectors for oscillators, filters and so forth. The case is connected to the grid via an IEC power socket.

Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative

Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed thru AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.

Features
10 sets of custom cymbal samples
Analogue VCA and EG
Tune and Decay controls
CV control with an attenuators over Tune and Decay
Sample loop for Crash and Ride
Manual triggers
Accent for better expression

Audio output level: -5...+5V
CV level (full span): -5V - +5V
Accent CV level: 10V
Tigger level: 5V
Trigger time: 1ms
Power consumption: 95mA @ +12V, 36mA @ -12V
Module width: 10HP
Module depth: 45mm

Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: The SL MIXFACE is a complete controller device which combines style and simplicity with a powerful engine. Designed for mobility, you can bring it everywhere and use it in total freedom thanks to its hosting capability and auto-mapping of the main DAW apps.

Through its connectivity and the integrated batteries, it's a perfect portable device, which with a simple gesture becomes the best desk companion.

Press a button and switch the control from the DAW environment to your favourite instrument and vice versa. All the Transport functions are always ready to go, while you can edit any sound parameter of the instrument or mix the tracks of your song.

Connectivity:

The SL MIXFACE is able to host any keyboard turning it into a full 4 layers MIDI controller. Thanks to its connectivity ports it communicates with the computer as device by using Bluetooth and USB at the same time.

Extended capability:

The SL MIXFACE perfectly matches the SL controller line expanding its control capability. Thanks to the magnetic system it sticks on it becoming a natural physical controls extension. Simply plug MIXFACE to an SL keyboard and it gets the control of the 4 layers on the fly.