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Notes: Incorporating a new hidden trolley system, smooth rolling in-line wheels, electroplated zippers and integrated combination lock, the world's best selling 12" trolley bag has been reinforced and strengthened to provide you with even greater protection and durability. The UDG Slingbag Trolley Set Deluxe will hold approximately 65 vinyl records and the Slingbag approximately 45 vinyl records.

Notes: Incorporating a hidden trolley system, smooth rolling in-line wheels, electroplated zippers and integrated combination lock, the world's best selling 12" trolley bag has been reinforced and strengthened to provide you with even greater protection and durability. The UDG Slingbag Trolley Set Deluxe will hold approximately 65 vinyl records and the Slingbag approximately 45 vinyl records.

Notes: The 3rd generation of the Yamaha MG Mixer brings with it some neat updated features, great build quality and the same great sound and flexibility that we have come to expect from a Yamaha mixing console. Built with a sturdy metal chassis, the MG III series mixers are designed to last.

The MG-06X is a 6 channel mixer with 2 D-Pre Mic inputs for super-quiet operation. The MG-06X has +48v phantom power for condenser mics and XLR balanced outputs to ensure that no matter how big or small your operation is, the MG06X will act as the lynch-pin mixing desk that you can depend upon.

Also on the MG06X are a bank of Yamaha SPX effects to further enhance your sound with no need to add in additional processors.

Notes: The new Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.

The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.

The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.

Notes: Everyone loves a white speaker cone, right? Firm favourites since their release in 2013, the HS7s are ideal for entry-level production use or as a monitor for home DJ setups.

Supplier notes:
Ever since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process.

By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha's speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5" model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.

Notes: The Yamaha HS5 is a new addition to Yamaha's HS series of active monitors, influenced by the critically acclaimed and highly sought after NS-10 studio monitor speakers.

The Yamaha HS5 Active Studio Monitor features biamped full range 2 way speakers rated at 45W and 25W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as home project studios. The HS5 monitors' design has been informed by the tradition of the legendary NS10M monitors.

Yamaha HS5 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology in the HS5 studio monitors, which also helps to deliver a clean and precise signal. The HS5 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: Streichfett combines the best of the now extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and a monophonic solo section, which is essential for recreating how adult movies sounded thirty years ago. The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser or Reverb. Alternatively, the Effect section can be used to animate the strings registration, allowing spectacular sound morphs.

The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.

Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to delivers rich and creamy pads unlike any other instrument.

Twelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board.

Notes: Introducing a new addition to the DigiTech Whammy Family -- Whammy DT! We've taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

General Specifications
D/A Conversion24 bit
Pitch Bend Range+2/-3 Octaves
Detune Range-4 to -30 cents
Drop Tune Range1-7 Semitones, Octave, Octave + Dry
Power Consumption2.6 Watts (< 288 mA @ 9 VDC)
Power Adapter9 VDC External Adapter
Sample Rate44.1 kHz
Frequency Response20 Hz to 20 kHz
Signal to Noise Ratio> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
Dimensions
Height2.36"
Width8.2"
Depth7.73"
Audio Output
Output Type1/4" Unbalanced TS
Max Output Level+10 dBu
Output Impedance1 kO
Audio Input
Instrument Input Type1/4" Unbalanced TS
Max Input Level+5 dBu
Input Impedance1 MO
MIDI Input5-Pin Din
Footswitch Input1/4" TRS - for use with optional FS3X Footpedal

What's in the box?
1 x Whammy DT Pedal
1 x Power Supply

Notes: The DR-70D is a compact audio recorder that allows the aspiring DSLR user to create audio recordings in very high quality in parallel to their film or video shots. The recorder can be mounted directly between a tripod and the camera or on top of the camera, resulting in a compact package.

With its two built-in microphones, the DR-70D is instantly ready for use in standard situations. In addition, it provides four XLR/TRS combo jacks which can be used to record four channels of audio with excellent sound quality using professional microphones. Thanks to a camera output the recorder's stereo signal can be recorded also on the camera to ease subsequent editing of the material in combination with the slate tone function of the recorder. On the other hand you can use the camera input to monitor the audio of the camera using the recorder.

Features of the DR-70D include overload-resistant, great-sounding preamps with switchable low-cut filter and limiter, handling of microphone signals in mid/side format, 24- or 48-volts phantom power for condenser mics, as well as many common and not so common functions that facilitate capturing, monitoring and subsequent processing of the audio tracks.

The two omnidirectional microphones allow you to easily record natural stereo sound with just this unit. Used together with small shotgun mics, you can even record audio from people speaking in an interview and the ambient sound at the same time (on different tracks), for example, with a compact set up.

The four-channel design enables use of two shotgun mics and the stereo mic to record ambiance and each speaker individually. Since channels 1 and 2 can be set to the stereo input and channels 3 and 4 can be set to the built-in mic, a large variety of microphone setups is possible.

MONO/DUAL MONO mode: This is best for recording the audio of a single performer.
STEREO/DUAL STEREO mode: This is best for recording with the built-in microphone or a stereo mic.
2MIX/DUAL 2MIX mode: This creates stereo files of the signals of multiple inputs that have been mixed.

The mixer can take a total of 4 channels from among the four XLR inputs that support phantom power, the stereo mini-jack input and the built-in stereo mic. In addition to adjust pan and input level, this unit also offers a limiter, a five-setting low-cut filter and a delay that can compensate for distances between mics. Moreover, a mid-side decoding function allows the use of two microphones in mid-side configuration.

Mic preamps, which receive and amplify microphone input signals, have a large impact on the quality of the recorded audio material. The DR-70D uses Tascam original HDDA (High Definition Discrete Architecture) microphone preamps that we created through careful selection of parts. For example, we chose the NE5532 for the operational amplifier, which has a strong effect on audio quality. With a mic amp circuit that uses discrete architecture comprised of meticulously-chosen parts, we have achieved an equivalent input noise of -120 dBu.

The A/D converter that converts analogue signals to digital is made by Cirrus Logic and is equivalent to those used in our successful DR series of linear PCM recorders. Recording at resolutions up to 96 kHz/24 bit is supported.

The designer of the DR-70D focused on making the unit small so that it does not interfere with camera-work when it is attached to a camera support system or stabilizer. The unit has tripod screw threads on the bottom side and a removable camera attachment screw on its top. A hot shoe mount is also included so you can attach the recorder in the way most convenient for you by placing it between a tripod and the camera or on top of the camera with a hot shoe.

Stand adapter (14 inch) on bottom side to attach the unit to a tripod
DSLR bracket for easy camera attachment and removal
Hot shoe mount (accessible when not using the DSLR bracket)
Handles on the front left and right sides protect the screen and can be used to attach a shoulder belt

The DR-70D has a camera input jack that can be used to monitor the audio from the DSLR camera. By using this with the DR-70D monitor selection function, you can efficiently monitor the audio from not only the DR-70D but also from the DSLR camera.

The camera output jack is designed to output the mixed audio to the camera so that the same audio can be recorded by the DR-70D and the camera. Since the input level varies by camera maker and there are usually few adjustments related to volume on DSLR cameras, this unit has an output volume dial that can be used to make adjustments.

The built-in generator can produce slate tones that can be used as references when aligning audio and video. In addition to being able to produce slate tones when recording starts or when it starts and stops, the SLATE button can be used to add slate tones at any desired point.

Automatic insertion: Choose from inserting a slate tone at the beginning of recording or at both the beginning and end of recording
Manual insertion: Press the SLATE button to produce a tone.

Features at a glance
Compact, professional-grade audio recorder designed to be used in combination with a DSLR camera
Uses an SD/SDHC/SDXC card as recording medium (up to 128 GB)
High-quality recording inputs through Tascam original High Definition Discrete Architecture (HDDA) microphone preamps
NE5532 operational amplifiers for even higher audio performance (also used on DA-3000)
In addition to ordinary stereo recording, simultaneous recording of up to four channels is possible
Four channels can be mixed down to a stereo signal
Recording levels can be adjusted independently for inputs 1-4
Dual recording function allows two files to be recorded simultaneously at different levels
Recording at 44.1/48/96 kHz, 16/24-bit, linear PCM (WAV format)
Broadcast Wave Format (BWF) supported as WAV recording format
Two built-in omnidirectional microphones
Four XLR/TRS combo inputs can provide phantom power (+24V/+48V)
+24 dBu maximum input level (20 dB headroom)
Additional unbalanced input for channels 1 and 2 (stereo mini jack) supports mics that require plug-in power, allowing the input of video mics and other high-output mics
Switchable low-cut filter conveniently reduces low-frequency noise (40/80/120/180/220 Hz)
Switchable limiter to prevent clipping
Audio can be output to a DSLR camera for recording
Camera input enables convenient monitoring of audio from a DSLR camera
Selectable mid-side decoding for use with MS microphone setups
Slate tone functions (automatic/manual) to simplify synchronization of video files when editing
A new file can be created during recording
Selectable delay to eliminate time lags caused by differences in the distances of two input sources
QUICK button allows easy access to various functions
Slate tones can also be used for moving to specific locations
Equalizers for playback, and level alignment function to enhance the perceived overall sound pressure
File name format can be set to use a user-defined word or the date
Resume function to memorize the playback position before the unit is turned off
Line output and headphones output with individual level controls (3.5-mm jack)
Dedicated remote control jack for use with RC-10 and RC-3F (sold separately)
Hold switch to prevent accidental operation
Low-noise buttons
128 x 64 pixel LC display with backlight
USB 2.0 port
Stand adapter (14 inch) on bottom side to attach the unit to a tripod
DSLR bracket for easy camera attachment and removal
Hot shoe mount (accessible when not using the DSLR bracket)
Handles on the front left and right sides protect the screen and can be used to attach a shoulder belt
Operates on four AA batteries, an optional AC adapter (Tascam PS-P520U), optional external battery pack (Tascam BP-6AA) or USB bus power

Notes: The WoggleBug music synthesizer module is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 "Source of Uncertainty," expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges). The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!

Features:
Complete Complex Random Voltage system, no external modules necessary
Two VCOs, Phase Lock Loop, Lag Processor, Clock, Burst Generator and Sample & Hold
Generates 7 Random Signals simultaneously: Smooth VCO, Woggle VCO, Ring Mod, Stepped, Smooth, Woggle, Burst
Generates voltage controlled Master Clock
External inputs for S&H (Heart IN) and Ring-Mod (Influence)
Disturb button adds performance element
Wonderful for modulating the Morphagene and DPO

Specifications:
Width: 10hp
Max Depth (incl. power cable): 32mm
Power: 50mA@ +12V; 40mA @ -12V

Notes: Pressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.

Notes: Transform your electric guitar into a sitar!

Very few instruments offer as much harmonic and dynamic flexibility as a sitar. Electro-Harmonix has streamlined the essence of the sitar into a compact enclosure that offers a polyphonic lead voice and tuneable sympathetic string drones that dynamically react to your playing. With the EHX Ravish Sitar Emulator, you can create your own custom scales for the sympathetic strings while you set the decay time for the lead voice.

Two expression pedal inputs allow you to bend the pitch of the lead voice and control the volume of the sympathetic strings simultaneously. These unique controls offer the player the ability to program the Ravish to become a totally unique and organic instrument unto itself.

The Ravish is a truly new design with the flexibility to be a crossover tonal wonder.

Download free Ravish settings

Transform your electric guitar into a sitar
Lead sitar voice tracks your notes polyphonically with a wide range of tonal possibilities
Selectable decay speed for the Lead voice
Sympathetic string drone simulation with a wide tonal range
Selectable keys and scales including major, minor and exotic provided for the Sympathetic strings
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 160mA
Year Released: 2011

Notes: It's a multi-tap delay, it's a looper, it's an echo with reverse... it's got all the Hazarai!

The EHX Stereo Memory Man is a real time performance tour de force. World class echoes with modulation and reverse are just a few of the choices. As a Looper, it has up to a full 30 seconds of loop time. The Stereo Memory Man with Hazarai is destined to be one of the most creative instruments you will ever own. Ethereal tone-scapes to full musical performances are only limited by your imagination. And it's all in stereo.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Stereo
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 170mA
Year Released: 2007

Notes: Robotise, harmonise... rule the vocoder world!

The EHX V256 Vocoder welds your voice to your axe inspiring the twist of creativity that can make all of the difference. Bend your gender, drone your tone and invite aliens into your work of art. You want flexibility? The V256 lets you adjust the vocoder from 8 to 256 bands taking you back to the 80's and propelling you into the future at the same time. Bring your vocals up to snuff with advanced processing "Reflex Tune"... today's most popular pitch correction effect.

Specifications:

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 200mA
Year Released: 2009

Notes: You can never have too many knobs, right? The PC4 packs 24 rotary pots into a handy little box, allowing you to control software and hardware parameters over MIDI. Nice.

Supplier's notes:
PC4 is a universal controller for all kinds of midi controllable hard- and software.

The device has 24 standard pots with rubber knobs designed in a 4 x 6 matrix. Various kinds of midi commands like control change, pitchbend and program change are possible.

Of course you can assign the pots to any of these commands by learning incoming midi commands like software it does. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instruments, effects and DAW's. Use the internal 16 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

A special feature is the switchable snap function for all pots. This simple function is very rare on standard midi controllers with pots. It avoids possible annoying value jumps.

Three switchable midi routings makes the unit much more flexible for complex midi setups.

Simultaneous control of external gear and software instruments is no problem for the PC4 due to the available USB and MIDI ports.

Notes: The all-rounder has 8 push-encoders without detents, 9 faders and 8 buttons, all switchable to 8 controller groups that allow to control a total amount of 264 control parameters. A 4-digit-display and 8 leds show the current values of all controls.

Various kinds of MIDI commands like program change, pitchbend, aftertouch and control change in relative and absolute mode with different acceleration amounts are possible. All these properties are fully programmable on the devices very fast and easy for each control separately.

The encoders can work as high resolution 14bit controllers too (control change or pitchbend) which makes them suitable for sensitive parameters like resonating filter cutoffs or similar things.

Use the internal 18 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

The little box is also a great extension for your Ableton Live setup.

There you can control all the continues parameters like track volumes, rack macros, send amounts, track pannings and switchable patameters like clip launch/stop, mute, solo, rec arm, monitor and track select. A special control surface script for Ableton Live 8/9 with all necessary mappings is enclosed in the package. With that script you can also use two UC4 devices to control up to 16 tracks simultaneously.

Check out this amazing power box and you will get a reliable mate...

Notes: The ultimate sequencing powerhouse.

BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.

BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.

Step into the spotlight

Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.

With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!

Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.

Perfect performance

BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.

Take control

Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.

Plays well with others (very, very well)

With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.

Notes: Four channel voltage controlled Clock Divider/Multiplier with master Tap Tempo. Each channel can be synced to the tap tempo, to the channel above, or to an external clock. Each channel also has a reset jack.

With a Tap Tempo button and five sync'ed clock outputs, the QCD is a versatile head-of-the-chain "Master" clock module, and/or a complex rhythmic pattern generator.

Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.

Notes: The Polaris is a 4-stage cascaded OTA filter designed by David Dixon. It builds on the lineage of the Dr. Octature and Atlantis filters, but with a totally revised core and resonance control. Along with dedicated LP, HP and BP outputs it features a configurable MULTI output capable of an unprecedented 27 different filter modes.

With drive turned down the Polaris is capable of buttery smooth filtering, and the cutoff control range has been fine-tuned for playability. With the drive dialled up and the new asymmetric multi distortion circuit engaged it creates a more aggressive sound. Not content to be just a filter, the Polaris's AP phaser mode combined with frequency modulation can be used to achieve a phaser effect.

With so much versatility in a modest size, the Polaris is an ideal filter for a starter system and an excellent addition to the tonal palette of a larger modular.

Notes: Hybrid compact mixer / 4x4 USB interface:
ZEDi-10 combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface, making it a perfect all-round choice for musicians, recording artists and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-10 is a versatile companion for every step of the creative journey.

The studio quality, 24-bit / 96kHz, 4×4 USB interface makes it easy to capture stunning multitrack recordings direct from the mixer to a Mac or PC without the need for any extra equipment. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that two of ZEDi-10's mono channels feature Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

Mixer + USB interface:
ZEDi-10 offers the best of both worlds, incorporating a studio quality 4 in / 4 out, 24-bit/96kHz USB audio interface for hassle-free multitrack recording and playback to/from a Mac or PC, or to an iOS device using the iOS camera kit. The USB output source can be set up in several different ways to match your workflow.

Cubase LE Music production software included:
ZEDi-10 comes with the acclaimed Cubase LE software. Cubase LE offers powerful yet easy-to-use software tools for audio recording, editing, MIDI sequencing and mixing. Its vast range of proven editing and sequencing tools can be used for a large range of music styles and areas of application. From singers and songwriters recording vocal lines to rock bands jamming in their rehearsal room, Cubase LE is as easy as it gets - with outstanding audio quality as well as time-saving recording and editing functionality.

Cubasis LE mobile music production app:
The mixer also comes bundled with the Cubasis LE app. Cubasis LE is the compact version of Steinberg's streamlined, multi-touch sequencer for the iPad, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze.

Exceptional audio quality:
ZEDi-10 features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analogue range is famous for. For tonal shaping, the precise 3 band MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

Road tough:
All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

Made for guitars:
ZEDi-10 comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

It's an Allen & Heath:
Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. Your studio monitors deliver, but what about when you're on the go? What if there was a reference monitor that could free you from the confines of the studio walls and provide you the truth in your music no matter where you are - mixing in a small makeshift recording space, mastering in a hotel room, working in your own studio, or composing on the go? Wouldn't that be sweet?

Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration of sound, and can do so in every listening environment. Sound too good to be true? Read on...

iLoud Micro Monitors are two extremely portable, high-performance bi-amped speakers that deliver a combined 50W RMS of power for superior bass, plenty of headroom and an expansive stereo image. Whether you're recording, editing, mixing, or mastering audio, iLoud Micro Monitor ensures your mix will translate well to the huge variety of consumer devices - headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems.

With iLoud Micro Monitor, you will hear the truth in your music no matter whether you're mixing, mastering or just listening to your favourite tunes at home. And best of all, it offers its portability, power and flexibility at a price that's affordable for everyone.

A legacy of power:
When the original iLoud Bluetooth speaker was released, it set a new standard for portable power and sonic accuracy. iLoud Micro Monitor is a natural evolution of that design, and just like its highly popular predecessor, it offers a completely new and unmatched portable sonic experience.

Its two speakers are powered by ultra-efficient class D power amplifiers that push a combined 50 W RMS of power. Each speaker sports a 3/4" silk dome tweeter, a 3" paper-cone performance woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it's able to deliver pleasing high frequencies, an exceptionally "open" midrange and a solid and controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it's nearly inconceivable for a speaker system of this size and at this price point.

Sonically Transparent Monitoring System:
iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitor as well as also controlling the dynamic range so that the drivers are always controlled. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves.

Adjustable audio:
You're bound to come across all sorts of listening environments when you're on the go. Most speakers can't handle this kind of variety, but iLoud Micro Monitor can. Its internal DSP is controllable thanks to three dedicated EQ switches. You get switches for bass and treble as well as a "DESKTOP" compensation switch - this lets you switch between a "free field" and "desktop" setup effortlessly.

You can also position iLoud Micro Monitor at two angles of inclination, so you can optimize your listening experience to suit the characteristics of the room you're working in.

Get connected:
You can easily use iLoud Micro Monitor with all your favourite gear. Sending an audio signal to it couldn't be easier. It has inputs for both RCA and 1/8" connectors, and it can also be paired via Bluetooth to any Bluetooth-enabled device. With all of its inputs, you'll always be able to use its ultra-linear sound to monitor your music no matter where you are or what device you're using.

The perfect laptop monitoring companion:
Reference monitor sound anytime and everywhere - iLoud Micro Monitor makes it possible. Its two speakers make for one incredibly small and portable system that delivers exceptional sound in any environment. Their compact size make for the perfect monitoring system to use while traveling with your laptop. They easily pack up into a gig bag or backpack so you can use their phenomenal sound anywhere.

***NOW INCLUDES FREE T-RACKS METERING SUITE UPON REGISTRATION WITH IK MULTIMEDIA***

Notes: Gritty drum voice module based on new old stock Yamaha FM synthesis chips, also capable of a decent range of synth tones. User-friendly knobby interface with a decent range of CV inputs for modulation.

Supplier's notes:
'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.

The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.

The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.

Notes: An analogue drum machine clone of the famous TR606, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

The design of the analogue circuit and the sequencer gives it a warm and groovy sound as its elder with much more varied sound possibilities.

The very intuitive sequencer takes on the original spirit while bringing new and unique features and allows you to quickly create complex patterns and grooves while offering great flexibility for live jam and more sound variations.

Among the highlight and new features we find:

-A new design and better ergonomics:
- A new design very elegant and modern.
- New pots / knobs, bigger, more flexible and very pleasant.
- Carrying bag and decksaver (dust cover) included.
- Numerous possibilities for customizing the LEDs colours to better identify your patterns and more.

A modern and very powerful sequencer :
- 64 user patterns, up to 64 steps per pattern.
- Non-volatile memory (no more batteries required !!!).
- Adjust the swing / shuffle to add groove to your productions.
- Ability to switch between WRITE (recording mod) and PLAY (playback mode) without interrupting the playback of the pattern.
- Individual instruments mute switch.
- Ability to save kits.
- New Fill function, let you add variation (break / rolls) to a pattern. Once the pattern Fill cycle is finished the sequence automatically returns to the main pattern.
- Roll and Flam function adds realism to your patterns and especially the fills.
- Nuances / Modulations. This unique function makes it possible to bring life into your sequences by adding complex variations (tone modulation) more or less subtle. The modulation controls the TONE setting, a different NUANCE setting can be programmed for each instrument.
- Advanced editing features like COPY / PASTE / CLEAR and much more.
- All the parameters are controllable via midi control change (Midi CC).

A modern audio section and connectivity :

- Analogue audio circuit.
- Excellent audio specifications and noise floor (widely improved compared to the original).
- Clap and Rim Shot instruments not present on the original.
- 9 instruments (Bass Drum, Snare Drum, Low Tom, Hi Tom, Cymbale, Open Hat, Closed Hat, Rim Shot, Clap).
- CLOSED et OPEN HIHAT chunk like the original. Which give you this so much desired HiHat sound when closed and open hats are programmed on the same steps.
- 7 separates outputs and 1 main output (mono).
- 1 Midi in and out.
- Volume knob per instruement.
- TONE setting per instrument, let you modify the sound (tune or decay or snap) for each instrument. Then the edited instruments could be saved as a Kit.

Specifications- Drum Drone TT-606

Instruments
Bass Drum
Snare Drum
Low Tom
High Tom
Cymbal
Open Hi-hat
Closed Hi-hat
Rimshot
Hand Clap

Main Controls

Tempo Knob
Volume Knob
Track/Instrument Selector Knob
Mode Selector Knob
Accent Level Knob
Tone Knob
MIDI Out / Thru Selector Switch
Power On / Off Switch

Instrument and Submix Level Controls
Bass Drum | Snare Drum | Toms |
Cymbal | Open+Closed Hi-hat |
Rimshot+Hand Clap

Data Storage

User Patterns: 64 | User Tracks: 9 | User Drum Kits: 32 |
User Clips: 16 per instrument

Operating Modes

Pattern Write | Pattern Play | Track Play | Track Write

Pattern Features

Pattern Length: 1-64 steps
Per-instrument, per-step modifiers: Accent, Flam, Roll
Programmable Fill variation for each pattern
Time scales: 16th note, 32nd note, 8th note triplet, 16th note triplet
Assignable pattern LED colour

Pattern Copy / Paste functions

Track Features

Visual track programming system | Maximum Length: 240 bars |

Per-bar fill variation option

Tone Control Parameters

Bass Drum: Tuning
Snare Drum: Snare Snap
Low Tom: Tuning
High Tom: Tuning
Cymbal: Decay Time / Tuning
Open Hi-hat: Decay Time
Closed Hi-hat: Tuning
Rimshot: Timbre
Hand Clap: Density

Global Features

Shuffle Amount | Flam Time | MIDI In / Out channels
Illuminated buttons: 26 | Tap Tempo Input | System LED colour
Nuance: Automatic rhythmic Tone variation (per-instrument)

Outputs

Main Mix (1/4" mono, +15dBu)
Headphone (1/4" stereo, +10dBu)
Bass Drum (1/8" mono)
Snare Drum (1/8" mono)
High + Low Tom (1/8" mono)
Cymbal (1/8" mono)
Open + Closed Hi-hat (1/8" mono)
Rimshot (1/8" mono)
Hand Clap (1/8" mono)
MIDI Out / Thru

Inputs: Power (9VDC, 300mA) | MIDI In Negative Tip Barrel

PC Functions

Cyclone Studio application for PC & Mac enables Drum Drone software update and user data backup & restore using MIDI SysEx transfer.

Physical

Dimensions: L310mm x W130mm x H35mm | Weight: Unit 783g
(Boxed with accessories) 1.332kg

Included Accessories

100-240v Universal Power Adapter | Near Invisible Force Field |
Case Transporter | Printed User Manual

Available Accessories

7 Lines 1/8 to 1/4 output cable snake |
Triple 100-240v Universal Power Adapter |

Available Accessories

7 Lines 1/8 to 1/4 output cable snake | Triple 100-240v Universal Power Adapter

Notes: The TT-78, from Cyclone Analogic, is the next step in their collection of classic reproductions of iconic drum machines. The TT-78 is modelled after the classic CR-78 drum machine from Roland, produced in 1978. The TT-78 contains all the modern upgrades one would expect, while also being housed in a sleek shell, similar to the TT-303 and TT-606. It has the same intuitive sequencing functions as the previous Cyclone Analogic unit, but with a completely different sound palette, using sounds like Bongos, Congas, Maracas, and Guiro. There are seven individual outputs, providing independent jacks for most of the sounds. It also comes complete with MIDI In, Out and Thru, for synchronizing the TT-78 with all one's other gear.

*Supplied with Euro two pin to UK three pin adapter*

Notes: TouellSkouarn Strakal Brulu is a handmade distortion and fuzz module. The great sound is due to the new-old-stock east-German germanium transistors.

Very characteristic for the module's sound if the feedback that is coupled to the feedback. The more fuzz, the more feedback - the Strakal Brulu 2 can get pretty nasty and it screams a lot at high fuzz settings and low input level. The fuzz amount can be voltage controlled, with an inverse attenuator. Input and output levels can also be set separately.

Notes: The 1022GX record cartridge is recommended for the discerning listener. The diamond stylus is a Vital PH type, which provides increased resolution and ensures the maximum accuracy of musical reproduction.

Notes: Raise the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more!

Building on the synthesis platform of the award-winning Superego, the EHX Superego+ Synth Engine raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. Plus, we've added a complete effects section featuring 11 effects types, an EXP input for effect parameter control/preset recall and an EXT jack for a 3-button controller.

The Superego+ is equipped with the following effects:
DETUNE: pitch detune, EXP pedal controls pitch
DELAY: warm, analog sounding delay, feedback is preset, EXP controls delay time up to 2 seconds
ECHO: pristine digital delay, feedback is preset, EXP pedal controls delay time up to 2 seconds
FLANGE: Electric Mistress style w/filter matrix, rate and feedback. EXP pedal controls rate
PHASE: Small Stone style phase shifting with rate and depth control. EXP controls rate
MOD: pitch-based vibrato or chorus. EXP controls rate
ROTARY: rotary speaker style sound. Depth controls tweeter/horn balance. EXP pedal controls rate
TREM 1: sine wave tremolo. EXP controls rate
TREM 2: square wave tremolo. EXP controls rate
PITCH: pitch shifting effect over a +/- one octave range. EXP controls whammy
FILTER: resonant low-pass filter. EXP pedal controls frequency

The pedal provides enough sound shaping control to please the most sonically adventurous player and is equipped with Dry, Effect, Attack, Decay, Threshold, Layer and Gliss knobs, plus Rate and Depth knobs for the Effects Section. Four foot-switchable Freeze modes: Moment, Sustain, Auto and Latch, plus a Live Effects mode where the dry signal is routed thru the built-in effects and the internal synth engine is disabled, are included.

The polyphonic Superego+ works with guitar as well as other instruments including bass, keyboards, vocals, drums, etc. and comes equipped with an EHX 9.6DC-200 AC Adaptor.

Creates synth effects, sound layers, glissandos, infinite sustain and more
Four Freeze modes
Built-in effects section with 11 effect types
EXP input for effect parameter control
EXP Presets sweep between snapshots of 7 knob parameters; create and save one set of snapshots for each FX type
Live Effects mode where the dry signal is routed thru the built-in effects and the internal synth engine is disabled
EXT jack for a 3-button controller
Power adapter included

Specifications
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 140mA
Year Released: 2017

Notes: Brilliant experimental box inspired by electroacoustic musicians including John Cage. Signal processing, mixing, sound generation and the ability to send voltages to physical devices like motors and buzzers. Super creative.

Supplier's notes:
The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!

Let's get more detailed...

The Field Kit boasts 7 separate functional blocks all focussed on receiving or generating all types of signals. They are designed to operate together as a coherent electroacoustic workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

The Four Channel Mixer is the beating heart of the Field Kit, providing a fully functional mixer with individual Gain, Mix Level and Tone control over each channel and individual Master- and Aux sub-mixes.

The level of the Master and Aux Channels can be set with the Master Volume and Aux Volume controls and the channels being sent to the Aux sub-mix can be set with dedicated Aux Select-buttons. The Aux sub-mix is pre-fader.

The CV Radio is a CV-controllable radio receiver capable of receiving radio frequencies on AM/FM and SW bands. Additionally it provides the ability to catch electromagnetic waves for further processing inside the Field Kit. The frequency of the radio can be set with a dedicated multifunctional Search-control which acts both as a manual CV-source and as an input attenuator for a CV-signal.

The Envelope Follower in the Field Kit applies two functions to the waveform you send to the input: full-wave rectification (mirroring of negative portions of the waveform) and low-pass filtering (averaging). It can also be used for frequency doubling of a signal, which is a great tool to have in the electroacoustic domain.

The Low Frequency Oscillator generates periodically varying voltages to be used as control signals. The output waveform can be set with a three-position Waveform-control and gives out either a Square-, Triangle- or a mix of Square and Triangle waveforms.

A very cool function of the Field Kit is the DC Interface. You can use its output voltages to run little motors, fans, solenoids, buzzers and control them with control voltage signals. You can pick up the vibrations and electromagnetic waves with the contact microphones and electromagnetic pickup.

The Signal Interface is a nifty toolset to transform the raw signals of a wide variety of sensors and switches into signals that can be used with the Field Kit or other gear. This means you can trigger or control sound by light, heat, humidity, distance, speed, acceleration, proximity, pressure, force, level, all depending on what type of switch or sensor you are using! Ideal for sound installations!

Notes: Goldring D42 stylus is designed to fit the current Goldring 1042 phono cartridge or old model 1040, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The 1042 is a record cartridge for the audiophile who demands the ultimate sonic performance from their system, together with the convenience of a user replaceable stylus. The extended groove contact of its Gyger-S diamond gives the 1042 unsurpassed resolution of the fine groove modulations, producing an exceptionally detailed, smooth and musical sound.

Replacement stylus: 1042 - D42

Notes: Goldring D22GX stylus is designed to fit the current Goldring 1022GX phono cartridge or old model 1020 or 1022, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The 1022GX record cartridge is recommended for the discerning listener. The diamond stylus is a Vital PH type, which provides increased resolution and ensures the maximum accuracy of musical reproduction.

Replacement stylus: 1022GX - D22GX

Notes: The BF-22 VCF is a dual Hi/Low-pass filter inspired by the Sallen-Key filter from the early MS-20.

DISCLAIMER: This filter brings to your modular system the character of early MS-20 sound: Kick-ass-rocking-dirty screams! It inherited not only it's amazing sound, also MS-20 noise floor. If noise floor is an issue for you, this might not be your filter.

Features:

Dual-channel Sallen-Key Filter. Inspired by the early MS-20
High and Lowpass operation.
Two CV inputs per channel with a dedicated atenuverter for the first one.
CV controlled resonance.
The first channel can be linked to the second one with the "Link" switch.

Specifications:

Current needs: +12V: 40mA, -12V: 20mA
Width: 17 HP
Depth: 30mm (including power connector)
Aluminiun, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona.

Notes: Crush Delay v3 is a special Echo-Delay unit based on the PT2399 IC, which is able to offer 400ms of clean delay and up to 2 seconds of dirty repetitions, having a special talent to generate noisy-glitch textures. The module bases its operation on controlling the PT2399 chip with circuit bending techniques, converting the unit in an advanced VC digital trash generator. This third version comes with some interesting new features like redesigned VCAs circuits, wider range for clean delay and reduced depth to make it skiff friendly.

The module features a few VCAs to provide a flexible signal route to maximize module's possibilities. First two VCAs at the inputs to control the amount of signal sent to the delay. The first is routed to both the dry/wet mix and the delay, and the second directly to the delay. Combining the second VCA and the FX Send output allows external feedback routings.

Compared with v2, this third version offers a bigger range of clean delay time as well as a revision of some of the Crush modifiers. Combining those modifiers you will have a access to a vast palette of noises and textures that can be used in many different ways. From ambient/drone patches to even percussion sounds.

The VC Feedback features an automatic gain control to keep levels stable at any feedback level.

- Current needs: +12V: 135mA, -12V: 35mA
- Width: 11 HP
- Depth: 30 mm (inc power connector)
- Aluminium, heat-treated front panel
- Designed, kits prepared and modules assembled in Barcelona

Notes: The best value rotary mixer on the market. Entry-level rotary option from German brand Omnitronic offers similar features and sound to boutique mixers three or four times the price.

Supplier notes:
The TRM-202 MK3 by Omnitronic with its classic ALPS potentiometers (Blue Velvet RK27) and the integrated 3-band frequency isolator offers the classic features of a rotary mixer.

Due to its high quality components, the sound pattern is good and appealing. The large potentiometers of both input channels allow very smooth transitions, hardly realizable with a conventional mixer. Both input channels can be switched between line and phono. A microphone input is also at hand. The kill characteristic provides a total erasure of basses, mids and highs and so enables creative mixing. Due to its booth output and a separate volume control, the TRM-202 MK3 can also be used in clubs without a problem. Thanks to the record output, it is also possible to record own's DJ set.

*** Please note: the 3-pin adapter is not included. ***

Notes: The S-Com 4 is a compact and versatile single-rack space device that provides four channels of high-quality dynamic processing with an Expander/Gate and Compressor/Limiter on each channel.

The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control, as well as a switch for fast or slow release times. The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S-Com 4's Enhancer switch restores high frequencies that are sometimes diminished by heavy compression.

This wide-ranging combination of features makes the S-Com 4 an efficient and versatile audio tool for a wide variety of applications. Its clean and quiet audio characteristics make it ideal where high sonic integrity is imperative.

Notes: The Mackie Big Knob Studio Interface is a modern version of the original Big Knob Studio Command System, combining intuitive design with high-resolution Onyx mic preamps and seamless integration with all major DAWs. Equipped with USB connectivity, the Big Knob Studio Interface features TRS combo and 1/4'' jack input connectors, along with 1/4'' jack balanced/unbalanced output connectors and dedicated headphone outputs.

Onyx Recording/Playback:
The Mackie Big Knob Studio offers high-resolution USB interfacing with resolutions up to 96kHz. Featuring two Onyx microphone preamps, the Big Knob Studio delivers an ultra-wide gain range - up to 60dB - and award-winning sound quality.

Flexible Integration:
The latest addition to the Big Knob series provides models with unique features and a variety of I/O, ensuring that this interface seamlessly integrates within your existing setup. Suitable for a range of applications, the Mackie Big Knob Studio is equipped with dual headphone outputs, a dedicated amp-driven studio out, a true cue mix and much more.

***Now with Pro Tools First (including The Musician Collection), Waveform OEM and DAW Essentials Collection - upon registration***

Notes: Listen Professional circum-aural closed back headphones are the essential work tool for music production. Their tonal balance and precision in terms of audio spectrum make them perfect to evaluate the sound work quality. In addition, their comfort and accessories will make them very attractive for people travelling on business trips. The sound quality and the dynamics of these headphones are very surprising considering that this quality is usually found on more expensive items. The attention to detail of these headphones can be also shown thanks to the various patents and technologies which belong to Focal. Hence, a brand-new driver membrane was developed. The main goal was to propose a solution which would keep all the dynamics from the original track while reproducing accurately every single detail on the whole audio spectrum. Even if Listen Professional headphones are closed, they produce a very lively sound, giving the feeling of semi-open headphones while still providing the isolation of closed headphones.

Focal's core expertise:

The speaker driver has been given a 100% Mylar suspension, whereas the central dome is composed of a Mylar-titanium alloy to provide more rigidity and extended frequency response in the upper end of the spectrum. Thus, the moving part is extremely light, enabling the transducer to exceed 40kHz on a flat baffle. The reproduction of the bass and sub-bass registers also received a great deal of attention. The team of engineers managed to combine two factors which are hardly compatible: a tuning frequency which is as low as possible and extremely low distortion (0.3% at 1kHz - 100dB).

Ear cushions - the ideal acoustics:

The size of the ear cushions (height, width and depth) gives them a volume which makes it possible to achieve a great tonal balance. Microfiber provides a more linear bass response providing a better acoustic output, whereas the acoustic tissue, which is closer to the speaker driver, offers great absorption and linearity in the 3-9kHz register. The bass and lower mid-range sections benefit from remarkable tonal balance and excellent articulation: where compression and frequency response generally suffer on closed-back headphones.

For a frequent and intensive use:

Listen Professional is also equipped with a headband boasting a unique design to ensure comfort and durability. Its curve remains consistent, regardless of the shape or size of the user's head. Combined with the layer of silicone underneath the headband, this ensures that the weight is spread out evenly over the head, preventing the user from feeling any pressure in certain areas, which can be very uncomfortable during long working sessions. The horizontal and vertical rotation of the ear cups operate thanks to one single part: a joint integrated into each one. The ear cups also feature a black structured covering, making them resistant to impacts and scratching.

Provided Accessories:

Rigid carrying case. Thermoformed shell in the shape of the headphones. Can store one cable and an iLok key (not provided), all within its compact dimensions. Two OFC copper 24AWG cables with a very low resistance.

- 5m spiral for domestic use
- 1.2m cable fitted with a 3.5mm stereo jack connector
- 3.5mm and 6.35mm jack adapter

Notes: Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. Your studio monitors deliver, but what about when you're on the go? What if there was a reference monitor that could free you from the confines of the studio walls and provide you the truth in your music no matter where you are - mixing in a small makeshift recording space, mastering in a hotel room, working in your own studio, or composing on the go? Wouldn't that be sweet?

Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration of sound, and can do so in every listening environment. Sound too good to be true? Read on...

iLoud Micro Monitors are two extremely portable, high-performance bi-amped speakers that deliver a combined 50W RMS of power for superior bass, plenty of headroom and an expansive stereo image. Whether you're recording, editing, mixing, or mastering audio, iLoud Micro Monitor ensures your mix will translate well to the huge variety of consumer devices - headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems.

With iLoud Micro Monitor, you will hear the truth in your music no matter whether you're mixing, mastering or just listening to your favourite tunes at home. And best of all, it offers its portability, power and flexibility at a price that's affordable for everyone.

A legacy of power:
When the original iLoud Bluetooth speaker was released, it set a new standard for portable power and sonic accuracy. iLoud Micro Monitor is a natural evolution of that design, and just like its highly popular predecessor, it offers a completely new and unmatched portable sonic experience.

Its two speakers are powered by ultra-efficient class D power amplifiers that push a combined 50 W RMS of power. Each speaker sports a 3/4" silk dome tweeter, a 3" paper-cone performance woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it's able to deliver pleasing high frequencies, an exceptionally "open" midrange and a solid and controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it's nearly inconceivable for a speaker system of this size and at this price point.

Sonically Transparent Monitoring System:
iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitor as well as also controlling the dynamic range so that the drivers are always controlled. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves.

Adjustable audio:
You're bound to come across all sorts of listening environments when you're on the go. Most speakers can't handle this kind of variety, but iLoud Micro Monitor can. Its internal DSP is controllable thanks to three dedicated EQ switches. You get switches for bass and treble as well as a "DESKTOP" compensation switch - this lets you switch between a "free field" and "desktop" setup effortlessly.

You can also position iLoud Micro Monitor at two angles of inclination, so you can optimize your listening experience to suit the characteristics of the room you're working in.

Get connected:
You can easily use iLoud Micro Monitor with all your favourite gear. Sending an audio signal to it couldn't be easier. It has inputs for both RCA and 1/8" connectors, and it can also be paired via Bluetooth to any Bluetooth-enabled device. With all of its inputs, you'll always be able to use its ultra-linear sound to monitor your music no matter where you are or what device you're using.

The perfect laptop monitoring companion:
Reference monitor sound anytime and everywhere - iLoud Micro Monitor makes it possible. Its two speakers make for one incredibly small and portable system that delivers exceptional sound in any environment. Their compact size make for the perfect monitoring system to use while traveling with your laptop. They easily pack up into a gig bag or backpack so you can use their phenomenal sound anywhere.

***NOW INCLUDES FREE T-RACKS METERING SUITE UPON REGISTRATION WITH IK MULTIMEDIA***

Notes: Tetrapad is a versatile, multi-dimensional, touch-sensitive control surface for Eurorack. Each of its four pads use force sensing resistors to respond to both the vertical position of your finger and its pressure. Four push encoders and a shift function give you even more tactile control over your modular system.

Tetrapad operates in numerous modes - each of which configures the module to perform a specific control task. Through these modes, Tetrapad can emulate a bank of faders; a voltage storage device; a finger drumming surface; a chord generator; an 8-key keyboard; four independent LFOs; or an 8-switch panel. The chosen mode determines what type of signal (CV, note, trigger, gate, etc.) is sent from each of Tetrapad's eight independent outputs, while its multitude of multi-coloured LEDs keep you informed of exactly what's happening within each mode.

Tetrapad automatically remembers how you've configured each of its modes and retains these settings when powered off. By default, Tetrapad automatically saves these settings every minute, or whenever you change modes. This makes Tetrapad ideal for live performance, since you know it will always power up with your configurations intact.

Notes: There are many excellent digital reverbs available these days but there is still nothing quite like the timeless and magical character of a true spring reverb.

For the Intellijel Springray II, each tank has a totally different set of characteristics, with many unexpected surprises when feeding it through a wide variety of sound sources. One of the most interesting results is how a slow attack saw waveform from a Dixie almost sounds like a realistic cello!

Version two of the Springray provides a number of changes and improvements to the original design. The shelving EQs have been replaced with a parametric EQ with frequency, Q, and gain controls. The CV inputs for feedback and mix balance have been replaced with inputs to control the filter frequency and gain. Lastly, the feedback and limiter circuits have been redesigned, and the drive quality has been improved.

PLEASE NOTE: Does not include Spring Reverb Tank.

Notes: Great value turntable from one of the most innovative brands in DJ tech. Classic Technics-style design updated with nice modern features like adjustable pitch range and reverse function.

Supplier's notes:
The RP-4000 MK2 is a solid DJ turntable for advanced users. The new MK2 version comes with several improvements, including a newly developed top panel and reworked metallic buttons with enhanced feel as well as a variety of functions.

The precision-engineered die-cast platter is accelerated by a powerful motor with a high-torque direct drive of more than 1.8 kg/cm. The precise motor control with 3 speeds (33 1/3, 45 & 78 rpm) allows for the RP-4000 MK2 to play back any record. The pitch section with a selectable range of +/-8% and +/-16%, respectively, is suitable for the finest pitch adjustments.

The RP-4000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Via the universal connection for pick-up systems (SME) a large number of pick-up systems can be connected.

The new deep black metallic top panel construction is equipped with metallic buttons for start/stop, platter speed, pitch control, reverse function and tempo reset. The improved touch upon hit offers a clear haptic feedback. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

Notes: Muxlicer is a sequential signal processor designed for add a huge range of special functions to your modular setup in the minimum space.

Muxlicer is divided in three main blocks: Digital Step Controller, Gate Generator and Analog Switch (a.k.a. Mux/DeMux).

The module is designed with high "function to HP ratio" philosophy, to have maximum flexibility in minimum space.

Notes: The WAV Recorder from 4ms Company is a high fidelity, two-channel stereo audio recorder with basic playback features. Accepting a wide range of input signals, from line-level to modular-level, the WAV Recorder stores audio onto a microSD card in lossless .wav format up to 96kHz/24-bit. The trigger jack can be used for capturing rhythmic loops or synchronizing multiple WAV Recorder modules for multi-track recording. In Playback mode, the trigger jack or button plays the most recent recording. A simple file/folder navigation system can be used to browse the folders on the card for playing back .wav files. A Gain knob allows for up to +20dB of boost, and an LED Signal Meter indicates clipping and the signal level.

Notes: The little brother to the original DrumBrute arguably packs a bigger punch. Gritty analogue sounds are on offer, but the sequencer is just as inspiring. A great alternative to the usual Roland suspects.

Supplier notes:
This is the drum machine you've been waiting for.

Combining bold, hard-hitting analogue sounds, a monstrous output distortion, performable controls, superb connectivity, and a powerful sequencer, DrumBrute Impact will fill your music with energy and muscle.

Putting the focus on "Brute", DrumBrute Impact features 10 high-energy, refined, punchy analogue sounds.

You can also use the exclusive "Colour" sound-shapers to introduce unique, per instrument effect for some variation. Boost the harmonic content, add some drive, snap, or crack at the touch of a button, you can even automate tonal changes by creating a "Colour" sequence. If you want your drums to push even harder, use the built-in distortion on the output for some drum-optimized crunch.

DrumBrute Impact is a drum machine for musicians and producers who crave raw power and monstrous tone.

Awesome drums made easy:

Sharing the same prize-fighting sequencing architecture found in the original DrumBrute, you'll love the simple, fun, and intuitive sequencer in DrumBrute Impact.

Whether you want to create complex, phasing polyrhythms or straight, pounding rhythms; record a finger-drumming performance; punch in a step-sequenced masterpiece; DrumBrute Impact beats to your rhythm. Use the touch strip to create some real-time glitchy, beat-repeat breakdowns, spice up a single instrument or your whole pattern with a dedicated 'Random' knob, and add some syncopation and groove with the 'Swing' feature.

A true analogue experience:

Connect to your other gear, sync up, and make some music the old-school way.

Get away from computer screens, say goodbye to sub-menus, and jump into the world of tactile, instant, analogue satisfaction. Featuring a huge array of sync and connectivity options, you'll be able to hook up and jam with practically any other synth, sequencer, or MIDI-enabled instrument. Mix on the fly with dedicated controls for every function, multitrack, record, effect, and mix the sound your way with multiple bus outputs. Save patterns that you love, chain them together, and create full songs and live sets, all without looking at a single screen.

DrumBrute Impact is a massive sounding, creativity fuelling beast, with effortless workflow and amazing performance controls.

Notes: The MOD REX is a kinetic tour-de-force that lets you weave compelling, shifting, musical tapestries. Whether you are a guitarist, synthesist or electronic musician you will find it inspires your creativity and stretches your musical boundaries.

Four independent modulation sections:

The heart of the pedal is its four, independent modulation sections synced in time, they are:

MOD features great sounding EHX Vibrato, Flanger, Chorus or Phaser. The Depth knob lets you set the amount of the effect while Feedback controls the resonance of the Flanger and Phaser.

TREM delivers tremolo, an effect that modulates the volume of your signal. The Depth control sets tremolo intensity.

PAN modulates between left and right in stereo operation. In mono operation the PAN section acts as another tremolo section, but with the wave shapes all inverted!

FILTER offers a choice of a modulated LPF, HPF or BPF. In LPF (low pass filter) frequencies above a modulated cut-off point are cut. In HPF (high pass filter) frequencies below a modulated cut-off point are cut, and in BPF (band pass filter) frequencies above and below a modulated centre point are cut.

Each section also features a choice of four LFO shape options: rising sawtooth, triangle, falling sawtooth or square wave. They affect the way the modulation transitions and provide advanced creative control over the specific section as well as the way they interact with each other.

Tempo control that's flexible and powerful:

The MOD REX delivers virtually limitless polyrhythmic possibilities.

Its TEMPO component gives you nine note-length choices for each of the four modulation sections. They are independently selectable in increments starting at a whole note and ranging thru subdivisions that go up to a 16th note. In addition, any of the sections can be bypassed.

The MOD REX's tempo (displayed as beats per minute or BPM) is adjustable with the Tempo knob, Tap Tempo footswitch or by using an expression pedal into its EXP input. It can also be synced to an external device with MIDI Clock or an external pulse clock.

MIDI and the MOD REX:

The pedal's robust MIDI implementation enables you to sync devices quickly and easily as well as automate functions and changes so they occur precisely when and where you want them whether you are working at home, in a studio or live.

The MOD REX accepts MIDI to enable it to tempo sync the modulation rate with an external device, to recall presets via MIDI Program Change messages and to control any parameter on the MOD REX via Control Change messages.

Extras:

The MOD REX lets you save and recall up to 100 presets. It comes from the factory with 20 great programs.

The pedal features full stereo input and output.

An external foot controller input makes banking up and down thru presets quick and easy.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Stereo
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 100mA
Year Released: 2018

Notes: Entry-level controller for NI's Traktor DJ software. Surprisingly feature-packed for such an affordable price. Two channels with integrated mixer and effects, plus RGB pads for hot cues and loops.

Supplier notes:
Whether it's bass-heavy breakdowns, steppy synths, or peak-time rewinds that define your style, the TRAKTOR KONTROL S2 has everything you need to make your mix happen. Craft sets on two decks and get creative with easy-to-use tools like looping, beat syncing, and club-grade effects.

Turn the music you listen to into the sets you play, with a streamlined interface that makes blending tracks a breeze. Plug in, line up a few of your favourite tracks, and get mixing wherever you are. You can leave the beatmatching to TRAKTOR, so you have more time to pick tunes that fit the vibe, experiment with FX, use looping and remix decks, and to define your own sound. Whether you're at a house party, a bar, or the club, you can create mixes made to make you move.

WHAT'S NEW?

The perfect way to really ramp up your mixing, with eight RGB pads on each deck. Cut straight to a hook everybody knows by setting and triggering cue points, or punch in your own edits with samples on a Remix deck.

Upsized, touch-sensitive jog wheels let you cue, scratch, and nudge tracks much more accurately - not to mention perform bigger backspins. They also mean more fun getting hands-on with your music.

A familiar club-standard layout, wherever you go. Browse tracks, adjust beatgrids, use effects and features like Flux Mode, directly on the TRAKTOR KONTROL S2. Everything you need for creative mixes at your fingertips.

Turn up your track transitions with new Mixer FX: Cut bass with a filter instead of EQ for resonant kicks, or get hi-hats galloping with delay. A choice of eight effects and three filters ensures you always have the right tools to hand.

Scale up your set with Steams and loops. Trigger one-shot sounds and samples to inject new energy into your mix.