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ESI Kkey Air 37 37-Key Wireless Portable MIDI Keyboard Controller (wireless MIDI keyboard)
Cat: 1086673 • View all MIDI keyboards
Ultra-slim, light weight MIDI keyboard.
Notes: Meet Xkey Air - the ultimate mobile MIDI keyboard, able to go wherever the music takes you. Featuring an ultra-slim lightweight design, Xkey Air is made for creation wherever inspiration strikes you. From the studio to your living room and everywhere in between, this keyboard brings professional performance anywhere. Simply link Xkey Air to your device and play along with the best apps and recording software. Xkey Air is a fully class compliant, USB and Bluetooth MIDI controller that works with all MIDI apps on virtually all platforms.
The Xkey sets you free.
… Read moreThe Xkey sets you free.
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $235.24
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ESI XSynth Virtual Analogue Subtractive Synthesiser (analogue keyboard synthesiser)
Cat: 1086658 • View all Synthesisers
Portable synthesiser with master keyboard,
Notes: 4-in-1 production companion on the go. Looks like a master keyboard, but it's so much more! Xsynth is a full-featured synthesizer perfect for sketching ideas wherever you are. Unrivalled in the compact range!
The Xsynth may look like a master keyboard, but it's so much more: As a fully-fledged synthesiser, it's perfect for sketching ideas and turning them into reality - anytime, anywhere.
Based on the acclaimed Xkey series, this portable syntehsiser offers not just umatched mobility but also an integrated MIDI and audio interface. Whether in the studio, on the road, or at home, the Xsynth is the ideal solution for those who value performance, flexibility, and sleek design.
Works with all major DAWS: Xsynth is USB-powered, no AC adapter needed. Connect Xsynth via USB-C to your Mac, PC and mobile devices, like iPhone and iPad (needs camera connetion kit). Xsynth works with all MIDI compatible apps and software. Free editor app available for macOS and Windows.
Bundled software: Xsynth comes with a powerful bundle software package including Bitwig Studio 8-Track DAW, Steinberg, WaveLab LE audio editor and Steinberg Cubasis LE.
… Read moreThe Xsynth may look like a master keyboard, but it's so much more: As a fully-fledged synthesiser, it's perfect for sketching ideas and turning them into reality - anytime, anywhere.
Based on the acclaimed Xkey series, this portable syntehsiser offers not just umatched mobility but also an integrated MIDI and audio interface. Whether in the studio, on the road, or at home, the Xsynth is the ideal solution for those who value performance, flexibility, and sleek design.
Works with all major DAWS: Xsynth is USB-powered, no AC adapter needed. Connect Xsynth via USB-C to your Mac, PC and mobile devices, like iPhone and iPad (needs camera connetion kit). Xsynth works with all MIDI compatible apps and software. Free editor app available for macOS and Windows.
Bundled software: Xsynth comes with a powerful bundle software package including Bitwig Studio 8-Track DAW, Steinberg, WaveLab LE audio editor and Steinberg Cubasis LE.
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $252.99
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Clank Thererec Sketchable Dual Function Generator Module (function generator synth module)
Cat: 1084191 • View all Synth modules
Smart dual-function generator - 6HP
Notes: Thererec is a 6hp smart dual-function generator based on a different approach! Two modern proximity sensors have replaced all the Attack/Decay thing, and this not only saved a lot of space but also turned Thererec into a whole new thing: a fusion between THEREmin gestural expressiveness and a tape RECorder,
Thererec, indeed, can quickly capture your hand movements and translate them into complex Envelopes and LFOs, adding a lot of expressiveness to your set. Once recorded, your movements can be mangled in both time and amplitude; they can be cycled or triggered in one-shot mode, letting you create complex but synchronized control voltage streams.
A straightforward movement with immediate feedback: move your fingers, listen, and connect yourself to the environment. Your body will do the rest.
Thererec sensors will track your movements to generate a voltage flow, and the LEDs and the CV outputs will reflect those movements.
… Read moreThererec, indeed, can quickly capture your hand movements and translate them into complex Envelopes and LFOs, adding a lot of expressiveness to your set. Once recorded, your movements can be mangled in both time and amplitude; they can be cycled or triggered in one-shot mode, letting you create complex but synchronized control voltage streams.
A straightforward movement with immediate feedback: move your fingers, listen, and connect yourself to the environment. Your body will do the rest.
Thererec sensors will track your movements to generate a voltage flow, and the LEDs and the CV outputs will reflect those movements.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $282.97
(No payment required now - pay when released)
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Rode Wireless Go (Gen 3) Compact Wireless Microphone System (white) (wireless microphone)
Cat: 1083179 • View all Wireless Microphones | Wireless Microphone Systems
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $276.31
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VARIOUS
Antone's: 50 Years Of The Blues (coloured vinyl 4xLP + tri-coloured vinyl 7" box set + booklet in slip-case)
Cat: LPANT 3515C. Rel: 22 Aug 25
Blues
Bobby Rush & Jimmie Vaughan - "Going Down" (LP1: The Last Real Texas Blues album)
Benny Turner - "Reconsider Baby" (feat Derek O'Brien)
Jivin Gene - "Flip, Flop & Fly" (feat Charlie Sexton)
Kam Franklin - "You’ll Lose A Good Thing"
Lil Ed Williams - "If You Change Your Mind"
Kim Wilson & The Fabulous Thunderbirds - "Talkin’ ‘Bout My Friends"
McKinley James - "Those Lonely, Lonely Nights"
Lurrie Bell - "The Sky Is Crying" (feat Joe Sublett)
Ruthie Foster - "Lead Me On"
Doyle Bramhall II - "Bad Boy" (LP2: The Last Real Texas Blues album - Continued)
Big Bill Morganfield - "Just Like A Bird Without A Feather"
John Primer - "Honest I Do"
Eve Monsees - "Lookin’ Good" (feat Lurrie Bell & Billy Gibbons)
Lynn August - "The Things That I Used To Do" (feat Marcia Ball)
CJ Chenier - "Willie The Wimp"
Sue Foley - "You Got Me Where You Want Me"
Kam Franklin - "If (I Could Be With You)"
Lavelle White - "Message From Miss Lavelle" (feat Derek O'Brien & Marcia Ball)
Lou Ann Barton - "Sugar Coated Love" (LP3: Tell Me One More Time)
Snooky Pryor - "I’m So Glad"
Angela Strehli - "It Hurts Me, Too"
Lazy Lester - "No Special Rider"
Lavelle White - "You’re Gonna Make Me Cry"
Doug Sahm - "I Won’t Cry"
Marcia Ball & Lou Ann Barton & Angela Strehli - "A Fool In Love"
Doyle Bramhall - "Too Sorry"
Sue Foley - "Gone Blind"
Barbara Lynn - "Hear From My Daddy"
Kim Wilson - "Don’t Touch Me"
Pinetop Perkins - "Going Down Slow"
Pinetop Perkins - "Chicken Shack/Sugar Bear Intro" (LP4: We Went live In '75)
Jimmy Rogers - "Walking By Myself"
Sunnyland Slim - "Built Up From The Ground"
Otis Rush - "Double Trouble"
Eddie Taylor - "Bigtown Playboy"
Buddy Guy - "Look On Yonders Wall"
Angela Strehli - "What It Takes To Get A Good Woman"
Albert Collins - "Cold, Cold Feeling"
Gary Clark Jr - "Catfish Blues"
James Cotton - "Midnight Creeper"
Los Lobos - "Three Hundred Pounds Of Joy" (7")
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Doolin-Dalton
Twenty-One
Out Of Control
Tequila Sunrise
Desperado
Certain Kind Of Fool
Outlaw Man
Saturday Night
Bitter Creek
Doolin-Dalton/Desperado (reprise)
Review: On their second album Desperado, the Eagles went deep into the idea of the American Wild West. With their country twang, Glenn Frey and Don Henley's songs were already cowboy-friendly, but this album took the concept further. Released in 1973, it captures everything you love about the Eagles from shit-kickin' rock n' roll like 'Out of Control' facing off with sentimental classic 'Tequila Sunrise'. After all this time it's the title track which remains one of the band's most beloved songs - everything a lonesome man on the prairie needs to hear after a hard day and a hoedown.
… Read morePre-orders at Juno
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Dec 25 $217.49
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Tucker & Bloom Rich Medina 45 7" Vinyl Record Bag (camo ballistic, stainless steel) (7" vinyl record bag)
Cat: 1069382 • View all Record bags
7" vinyl record bag
Notes: This stylish and rugged 7" carrier is a product that is not only practical for the working-class DJ who carries 45 RPM records but further, almost any other working professional looking for a durable, high-quality shoulder bag to add to their toolkit or traveling luggage. The build quality is fantastic. Some of the features are the Bison chrome-tanned leather ABS-covered external frame, leather handles and leather velcro flap for a rolling bag. The open main chamber is lined in velveteen-flocked nylon fabric with shock-absorbing closed-cell foam and double ring sliders brass casting with nickel plating.
Industrial-etched metal Rich Medina X Tucker & Bloom name plate of brass or stainless steel adds to the luxurious look. Heavy-duty #8 nylon self-healing YKK zipper with lockable pulls along with zippered top pocket for adapters, a flashlight, USBs and storage items extends the versatility and usefulness. With room for over 160 seven-inch records, DJ needles, headphones and more, you have the ultimate bag to secure your items with style and security.
… Read moreIndustrial-etched metal Rich Medina X Tucker & Bloom name plate of brass or stainless steel adds to the luxurious look. Heavy-duty #8 nylon self-healing YKK zipper with lockable pulls along with zippered top pocket for adapters, a flashlight, USBs and storage items extends the versatility and usefulness. With room for over 160 seven-inch records, DJ needles, headphones and more, you have the ultimate bag to secure your items with style and security.
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $249.68
(No payment required now - pay when released)
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Tucker & Bloom Rich Medina 45 7" Vinyl Record Bag (navy ballistic, stainless steel) (7" vinyl record bag)
Cat: 1069385 • View all Record bags
7" vinyl record bag
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $249.68
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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 13 Jun 25 $264.10
(No payment required now - pay when released)
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VARIOUS
Lovely Runner (Soundtrack) (Set Version) (coloured vinyl 3xLP box set)
Cat: STEU 04433091. Rel: 08 Aug 25
Soundtracks
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Review: Alva Noto and Ryuichi Sakamoto's VIRUS series collects the pair's five minimalist electronica EPs 'Vrioon', 'Insen', 'Revep', 'UTP_' and 'Summvs (Remaster)'. Now compiled in a single compendium, which now takes shape as a limited edition slipcased nine album box set, the VIRUS name acronymises all five titles in an eco-friendly, cream-coloured case. With each EP appearing in order, commencing with the digital Y2K dusts of 'Vrioon' (2002) and ending on the more recent textural terminus 'Summvs' (2021), we've a whole two decades' worth of musical stylistic progression and transgression here. Each EP counterposes the other convincingly, not creating a through-lined opus more than complementing each other through sheer happenstance.
… Read morePre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 23 May 25 $240.79
(No payment required now - pay when released)
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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $202.51
(No payment required now - pay when released)
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Tucker & Bloom Rich Medina 45 7" Vinyl Record Bag (navy ballistic, brass) (7" vinyl record bag)
Cat: 1069375 • View all Record bags
7" vinyl record bag
Pre-orders at Juno
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We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $249.68
(No payment required now - pay when released)
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Tucker & Bloom Rich Medina 45 7" Vinyl Record Bag (camo ballistic, brass) (7" vinyl record bag)
Cat: 1069378 • View all Record bags
7" vinyl record bag
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $249.68
(No payment required now - pay when released)
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Rode Wireless Go (Gen 3) Compact Wireless Microphone System (orange) (wireless microphones)
Cat: 1083165 • View all Wireless Microphones | Wireless Microphone Systems
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $276.31
(No payment required now - pay when released)
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Related releases...
Uoon I
Uoon II
Duoon
Noon
Trioon I
Trioon II
Landscape Skizze
Aurora
Morning
Logic Moon
Moon
Berlin
Iano
Avaol
Barco
Siisx
Mur
Ax Mr. L
City Radieuse
Veru 1
Veru 2
Attack / Transition
Grains
Particle 1
Transition
Broken Line 1
Plateaux 1
Silence
Particle 2
Broken Line 2
Plateaux 2 / End
Microon I
Reverso
Halo
Microon II
Pionier IOO
Ionoscan
By This River
Naono
Microon III
By This River - Phantom
Monomom
Kizuna
Review: Spanning five EPs beginning with the 2002 EP 'Vrioon', the VIRUS compendium marks an important era in the shared history of minimalist magna Ryuichi Sakamoto and Alva Noto. The look-back comes after the duo first connected through a mutual appreciation for each other's work in the early 2000s: Sakamoto had become interested in experimental electronica and came across Nicolai's (Noto's) minimalisms under the Alva Noto moniker. Intrigued by the precision and texture of Nicolai's sound, Sakamoto reached out; though he was hardly able to predict the unbalanced, restlessly abstract expressionist sound to follow: the sonic equivalent of a sputtery colour field painting.
… Read morePre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 23 May 25 $240.79
(No payment required now - pay when released)
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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $235.24
(No payment required now - pay when released)
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NANO Modules OCTA 4-Channel Analogue Drum Module (drum synth module)
Cat: 1086687 Rel: 30 May 25 • View all Synth modules
4 channel drum module inspired by the TR-808.
Notes: NANO modules are excited to introduce you to OCTA, the upcoming 4-channel Analog Drum module, inspired by the iconic TR-808 and redesigned with a modern twist.
OCTA delivers punchy and dynamic analog drums, with individual outputs, mute switches, CV control over Drive, and a built-in Tilt EQ and Compressor for creative shaping. We've stayed faithful to the original circuits, but added key controls to give each voice more range and modular versatility.
… Read moreOCTA delivers punchy and dynamic analog drums, with individual outputs, mute switches, CV control over Drive, and a built-in Tilt EQ and Compressor for creative shaping. We've stayed faithful to the original circuits, but added key controls to give each voice more range and modular versatility.
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $271.87
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Cat: 1088783 Rel: 30 May 25 • View all Synth modules
A compact quad-channel modulation machine - 12HP
Notes: Welcome to the Envy Machine ! A compact quad-channel modulation machine, with an envious array of Envelopes, LFOs, random voltages even Knob Recording. With four channels of modulation, ENVY MACHINE makes an ideal companion to the RYK ALGO module
Each of the four channels on the ENVY MACHINE can be set to one of five super-flexible modulation modes:
- ADSR Envelope
- AD Envelope
- AD LFO
- Random Voltage
- Recordable Knob Voltage Control
Ghost hand - Parameters can be animated using KNOB RECORDING to create timed variations in your patch. Oh, and with the dedicated MOD input per channel, you can use an external CV to control anything - TIME, LEVEL, WAVESHAPE and more.
Polarity paradox - Modulation inputs AND channel Outputs come with bipolar attenuverters, now you can choose either bipolar or unipolar, with continuously variable level control.
Slippery slopes - WAVESHAPES are continuously variable between LOG, EXPO, SIN, TRAPEZOID, and SQUARE!
… Read moreEach of the four channels on the ENVY MACHINE can be set to one of five super-flexible modulation modes:
- ADSR Envelope
- AD Envelope
- AD LFO
- Random Voltage
- Recordable Knob Voltage Control
Ghost hand - Parameters can be animated using KNOB RECORDING to create timed variations in your patch. Oh, and with the dedicated MOD input per channel, you can use an external CV to control anything - TIME, LEVEL, WAVESHAPE and more.
Polarity paradox - Modulation inputs AND channel Outputs come with bipolar attenuverters, now you can choose either bipolar or unipolar, with continuously variable level control.
Slippery slopes - WAVESHAPES are continuously variable between LOG, EXPO, SIN, TRAPEZOID, and SQUARE!
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $261.87
(No payment required now - pay when released)
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KMA Machines Geminus Stereo True Double Tracker Effects Pedal (pitch/frequency effects pedal)
Cat: 1086705 Rel: 30 May 25 • View all Effects pedals
Notes: The first outing for KMA's unique and custom AI driven True Double Tracker technology was in the ENDGAME, their powerhouse end-of-chain pedal. KMA designed their dead-simple-to-use, TDT Algorithm in ENDGAME to be as authentic to the doubling recording process as possible, but they realise that not everybody needs all the bells and whistles of such an all-encompassing device.
However, the processing power requirements required for TDT meant a simpler device wasn't yet possible. But as demand from the community grew, KMA's team worked hard to squeeze it down and make it happen.
So, meet GEMINUS - all of KMA's True Double Tracker goodness in a compact pedal that's suitable for any board. Whether playing live or recording with a single instrument, GEMINUS is the perfect solution for adding "fatness" and "width" to your performances - it really does feel like you are playing the same riff twice!
Enabled via the soft bypass footswitch, GEMINUS accurately replicates the minor differences that exist between two separate recordings. The TDT WIDTH control spreads your doubled tracks, anywhere from completely centred (0%) to 50% left and right (centre indent) and 100% left and right split.
KMA has carried out extensive research on how to make double tracking sound exactly how they think it should perform. In the process, they've spent thousands of engineering hours working on our own proprietary technology, even developing our own custom neural network AI with onset detection in the process for our algorithms.
The mode for the TRS input and output jacks is selected by the toggle switch. You can choose between stereo in and out, mono in and stereo out or mono in to mono out, so no matter your signal and tonal desires, GEMINUS will fit into your rig with ease.
For the most accurate performance (and just like the real double tracking scenario in the studio), their custom True Double Tracker algorithm should ideally be fed with a mono signal. Obviously if you are trying to emulate what traditionally happens in the studio, you wouldn't normally double up a stereo source. Having said that, the TDT algorithm has been optimised to still have a useful and very pleasing widening effect on stereo input signals, just take care that using too much doubling on some stereo sources may cause your carefully crafted reverb, delay or other modulation effects to turn to mush or even add phase issues.
To help tailor the Doubling to your own taste, the TIME control changes the timing range of the doubled AI-driven onset detection. Essentially, it's all about the tightness of the doubled signal to fit differing playing styles. Variable from an extra tight mode, that's perfect for extra fast riffs, to a looser timing that can just the right amount of density to more open playing styles, this control is a powerful weapon to make your riffs fit your musical goals. The centre detent is GEMINUS' default factory position, but turning the knob left will give a tighter feel. Crank the knob to the right and the doubled signal becomes much more relaxed.
While the LEVEL control affects the balance of the doubled signal against the original source. Useful for those times where you might want maximum width, but a little less (or even more) of the sound to be doubled against the original. Centre detent of the knob is GEMINUS' default factory position. There's some clever panning stuff going on under the hood here too, so neither the doubled or original signal is louder on one side or the other, when in Stereo.
Finally, the new PITCH selector switch can add some additional movement to your doubled signal, extending the usefulness of GEMINUS beyond standard doubling. When the switch is at the centre default position (-) there is no pitch adjustment, (~) adds some subtle modulation, while (?) adds even more wobble. In this mode, it doesn't mean that your second guitarist will sound like they are off on a quest for enlightenment all on their own (!), it is just super handy for those times when you want more chaos and instability in your ensemble.
To top it all off, they've added a switchable real True/Buffered bypass and 'silent' relay-based soft switching. When KMA were testing our new pedal platform, they really loved the clarity and signal integrity of KMA's Buffered Bypass, plus there are zero clicks and pops when switching in this mode, which is why it is the recommended and default mode on shipping. However, they know some players have some special devices like extra fussy vintage fuzz pedals and the like, so they added the ability to select True Bypass mode via an internal dip switch.
Phew, seems that there's quite a lot going inside GEMINUS then. We believe our True Double-Tracker in this pedal is the best sounding, yet easiest to use doubler you'll ever play - period.
Go forth and multiply your riffs!
… Read moreHowever, the processing power requirements required for TDT meant a simpler device wasn't yet possible. But as demand from the community grew, KMA's team worked hard to squeeze it down and make it happen.
So, meet GEMINUS - all of KMA's True Double Tracker goodness in a compact pedal that's suitable for any board. Whether playing live or recording with a single instrument, GEMINUS is the perfect solution for adding "fatness" and "width" to your performances - it really does feel like you are playing the same riff twice!
Enabled via the soft bypass footswitch, GEMINUS accurately replicates the minor differences that exist between two separate recordings. The TDT WIDTH control spreads your doubled tracks, anywhere from completely centred (0%) to 50% left and right (centre indent) and 100% left and right split.
KMA has carried out extensive research on how to make double tracking sound exactly how they think it should perform. In the process, they've spent thousands of engineering hours working on our own proprietary technology, even developing our own custom neural network AI with onset detection in the process for our algorithms.
The mode for the TRS input and output jacks is selected by the toggle switch. You can choose between stereo in and out, mono in and stereo out or mono in to mono out, so no matter your signal and tonal desires, GEMINUS will fit into your rig with ease.
For the most accurate performance (and just like the real double tracking scenario in the studio), their custom True Double Tracker algorithm should ideally be fed with a mono signal. Obviously if you are trying to emulate what traditionally happens in the studio, you wouldn't normally double up a stereo source. Having said that, the TDT algorithm has been optimised to still have a useful and very pleasing widening effect on stereo input signals, just take care that using too much doubling on some stereo sources may cause your carefully crafted reverb, delay or other modulation effects to turn to mush or even add phase issues.
To help tailor the Doubling to your own taste, the TIME control changes the timing range of the doubled AI-driven onset detection. Essentially, it's all about the tightness of the doubled signal to fit differing playing styles. Variable from an extra tight mode, that's perfect for extra fast riffs, to a looser timing that can just the right amount of density to more open playing styles, this control is a powerful weapon to make your riffs fit your musical goals. The centre detent is GEMINUS' default factory position, but turning the knob left will give a tighter feel. Crank the knob to the right and the doubled signal becomes much more relaxed.
While the LEVEL control affects the balance of the doubled signal against the original source. Useful for those times where you might want maximum width, but a little less (or even more) of the sound to be doubled against the original. Centre detent of the knob is GEMINUS' default factory position. There's some clever panning stuff going on under the hood here too, so neither the doubled or original signal is louder on one side or the other, when in Stereo.
Finally, the new PITCH selector switch can add some additional movement to your doubled signal, extending the usefulness of GEMINUS beyond standard doubling. When the switch is at the centre default position (-) there is no pitch adjustment, (~) adds some subtle modulation, while (?) adds even more wobble. In this mode, it doesn't mean that your second guitarist will sound like they are off on a quest for enlightenment all on their own (!), it is just super handy for those times when you want more chaos and instability in your ensemble.
To top it all off, they've added a switchable real True/Buffered bypass and 'silent' relay-based soft switching. When KMA were testing our new pedal platform, they really loved the clarity and signal integrity of KMA's Buffered Bypass, plus there are zero clicks and pops when switching in this mode, which is why it is the recommended and default mode on shipping. However, they know some players have some special devices like extra fussy vintage fuzz pedals and the like, so they added the ability to select True Bypass mode via an internal dip switch.
Phew, seems that there's quite a lot going inside GEMINUS then. We believe our True Double-Tracker in this pedal is the best sounding, yet easiest to use doubler you'll ever play - period.
Go forth and multiply your riffs!
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $230.81
(No payment required now - pay when released)
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Doepfer A-149-3 Fluctuating Random Voltages Module (random synth module)
Cat: 1081649 • View all Synth modules
Based on the homonymous "Fluctuating Random Voltages" by Buchla, with more functions added
Notes: A-149-3 is the third module of the A-149-x range. In this group, this module present several functions of Don Buchla's "Source of Uncertainty 265/266" (SOU) modules that cannot be realized with existing A-100 modules. Some functions of Buchla's 265 and 266 SOU can be realized with existing A-100 modules.
Module A-149-3 is based on the homonymous "Fluctuating Random Voltages" by Buchla. Compared to the historic original, a lot of functions have been added. For example the user has access to virtually all internal signals (e.g. Noisy Triangle or S&H) and there are a lot of adjustable parameters which were fixed in the original.
For example, the frequency and noisiness of the internal triangle oscillator, the correlation of the S&H and manual or automatic frequency control of the S&H clock oscillator. The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. That way e.g. the S&H or slew unit can be used independent from the other units.
The functions in detail:
As in the original a digital noise signal is filtered in three different ways. The three "noise flavours" are available at three sockets and can be used for all kind of noise applications:
+3db (+3dB per octave, a bright noise, also called blue noise)
-3dB (-3dB per octave, a dark noise, also called red or brown noise, Allan Strange calls it "reciprocal white noise")
Flat (flat spectrum, also called pink noise)
In the original the -3dB output is used add some noise to an internal triangle oscillator with fixed frequency (~ 100 Hz) and fixed "noisiness". The result is called "noisy triangle". In the A-149-3 the frequency of the triangle oscillator and the level of the noisiness can be adjusted. The frequency is adusted by means of the Frq. control and the Range switch (~ 110Hz ... 5 seconds period in position high). In addition one can select between the -3dB and Flat output as noisiness source by means of an internal jumper. When Noisiness control is fully CCW one obtains a clean undisturbed triangle signal. With Noisiness control fully CW the result is a triangle signal with a lot of noise or randomness. The noisy triangle signal is available at the socket "N Tri" and is displayed with a dual colour LED.
The "N Tri" signal is normalled to the signal input of the subsequent Sample&Hold unit (S&H). The clock signal for the S&H is generated by an internal rectangle oscillator. This signal is normalled to the S&H clock socket and is displayed by an LED. One can select between manual and automatic control of the clock period by means of a toggle switch. In position "man." the period is controlled manually by the "Period" control. With control "Period" fully CCW one obtains the shortest period or highest frequency. Turning the control up increases the period or lowers the frequency. In position "auto" of the switch the period is controlled by the slew unit.
In this position a vactrol is used to define the frequency of the S&H clock. This vactrol is controlled in the same way as the vactrols of the slew unit, i.e. the period of the S&H clock changes simultaneously with the slew time. In the historic original only the auto mode was available. There was no manual control available.
The S&H has another special feature: the Correllation control. It's a feedback function where shares of the S&H output are fed back to the S&H signal input and mixed with the actual S&H input signal. The result is slurring the signal like a sub-audio lowpass filter, kind of a "digital slew function" because the gradation of the signal persists.
The S&H output is availabe at the corresponding socket and is displayed with a dual colour LED.
The S&H output is normalled to the signal input of the subsequent Slew Limiter unit (SL). The core of the slew limiter are two vactrols (vactrol = combination of a light emitting diode/LED and a light dependent resistor/LDR built into lightproof case). The brightness of the vactrol LEDs can be controlled manually (control "Man." of the slew unit) and by an external control voltage (socket "SL CV" with associated attenuator "CV" of the slew unit). The brightness of the vactrol LEDs is displayed at the top of the front planel. As already mentioned a third vactrol can be used to control the frequency of the S&H clock oscillator simultaneously to the slew limiter. The SL output is availabe at the corresponding socket and is displayed with a dual colour LED.
Due to the access facilities to many of the internal signals and connections it's possible to use the sub-units also for other applications. E.g. the noisy triangle signal, the S&H unit (incl. correlation) or the SL unit can be used for other signals. The S&H clock can be applied also from outside to synchronize the S&H to other signals.
If required, the internal clock signal is available at a pin header of the pc board.
Controls, Switches and Displays:
Slew Unit
Man.: manual adjustment of the slew time
CV: attenuator for the SL CV input
LED: display of the slew function (bright = short slew lime, dark = long slew time), identical to the brightmess of the vactrol LEDs
Triangle LFO
Frq.: LFO frequency, range ~ 110 Hz ... 5 seconds period
Noise: adjustment of noisiness (= perturbance of the triangle signal)
+3dB/-3dB: switch for the source of noisiness
LED: display of the noisy triangle signal, dual color LED (rot = positive / yellow = negative output voltage)
Sample&Hold (S&H)
Period: period of the internal clock signal for the S&H unit, fully CCW = shortest period or highest frequency, fully CW = longest period or lowest frequency
LED: display of the internal clock signal
Correl.: adjustment of the correllation of the S&H unit
Man./Auto: switching between manual and automatic control of the clock frequency, when auto is selected the clock frequency is controlled by the slew unit
LED: display of S&H output, dual color LED (rot = positive / yellow = negative output voltage)
Slew Limiter (SL)
LED: display of SK output, dual color LED (rot = positive / yellow = negative output voltage)
Sockets:
+3dB : filtered digital noise with +3dB per octave (output)
-3dB : filtered digital noise with -3dB per octave (output)
Flat : flat noise output
N Tri : Noisy Triangle output, about 10Vpp (-5V ... +5V)
S&H In: S&H signal input, normalled to N Tri
S&H Out : S&H signal output
SL CV: control voltage of the slew limiter unit, connected to the corresponding attenuator "CV" of the slew unit
S&H Clk: clock input of the S&H unit, normalled to the internal clock oscillator
SL In: slew limiter input, normalled to S&H Out
SL Out : slew limiter output
The arrow symbols indicate the normalling of sockets. Outputs are inverse labelled.
Technical details:
Frequency range of the triangle LFO: about 110 Hz ... 5 seconds period
Output level of the triangle LFO: ~ 10 Vss (-5 V...+5 V)
Frequency range of the internal clock oscillator: about 3 seconds ... 30Hz
Output level of the internal clock oscillator: ~ 10 Vss (0 V...+10 V)
Required input level of the S&H clock input: +5V
Depth: 45mm
8 HP
… Read moreModule A-149-3 is based on the homonymous "Fluctuating Random Voltages" by Buchla. Compared to the historic original, a lot of functions have been added. For example the user has access to virtually all internal signals (e.g. Noisy Triangle or S&H) and there are a lot of adjustable parameters which were fixed in the original.
For example, the frequency and noisiness of the internal triangle oscillator, the correlation of the S&H and manual or automatic frequency control of the S&H clock oscillator. The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. That way e.g. the S&H or slew unit can be used independent from the other units.
The functions in detail:
As in the original a digital noise signal is filtered in three different ways. The three "noise flavours" are available at three sockets and can be used for all kind of noise applications:
+3db (+3dB per octave, a bright noise, also called blue noise)
-3dB (-3dB per octave, a dark noise, also called red or brown noise, Allan Strange calls it "reciprocal white noise")
Flat (flat spectrum, also called pink noise)
In the original the -3dB output is used add some noise to an internal triangle oscillator with fixed frequency (~ 100 Hz) and fixed "noisiness". The result is called "noisy triangle". In the A-149-3 the frequency of the triangle oscillator and the level of the noisiness can be adjusted. The frequency is adusted by means of the Frq. control and the Range switch (~ 110Hz ... 5 seconds period in position high). In addition one can select between the -3dB and Flat output as noisiness source by means of an internal jumper. When Noisiness control is fully CCW one obtains a clean undisturbed triangle signal. With Noisiness control fully CW the result is a triangle signal with a lot of noise or randomness. The noisy triangle signal is available at the socket "N Tri" and is displayed with a dual colour LED.
The "N Tri" signal is normalled to the signal input of the subsequent Sample&Hold unit (S&H). The clock signal for the S&H is generated by an internal rectangle oscillator. This signal is normalled to the S&H clock socket and is displayed by an LED. One can select between manual and automatic control of the clock period by means of a toggle switch. In position "man." the period is controlled manually by the "Period" control. With control "Period" fully CCW one obtains the shortest period or highest frequency. Turning the control up increases the period or lowers the frequency. In position "auto" of the switch the period is controlled by the slew unit.
In this position a vactrol is used to define the frequency of the S&H clock. This vactrol is controlled in the same way as the vactrols of the slew unit, i.e. the period of the S&H clock changes simultaneously with the slew time. In the historic original only the auto mode was available. There was no manual control available.
The S&H has another special feature: the Correllation control. It's a feedback function where shares of the S&H output are fed back to the S&H signal input and mixed with the actual S&H input signal. The result is slurring the signal like a sub-audio lowpass filter, kind of a "digital slew function" because the gradation of the signal persists.
The S&H output is availabe at the corresponding socket and is displayed with a dual colour LED.
The S&H output is normalled to the signal input of the subsequent Slew Limiter unit (SL). The core of the slew limiter are two vactrols (vactrol = combination of a light emitting diode/LED and a light dependent resistor/LDR built into lightproof case). The brightness of the vactrol LEDs can be controlled manually (control "Man." of the slew unit) and by an external control voltage (socket "SL CV" with associated attenuator "CV" of the slew unit). The brightness of the vactrol LEDs is displayed at the top of the front planel. As already mentioned a third vactrol can be used to control the frequency of the S&H clock oscillator simultaneously to the slew limiter. The SL output is availabe at the corresponding socket and is displayed with a dual colour LED.
Due to the access facilities to many of the internal signals and connections it's possible to use the sub-units also for other applications. E.g. the noisy triangle signal, the S&H unit (incl. correlation) or the SL unit can be used for other signals. The S&H clock can be applied also from outside to synchronize the S&H to other signals.
If required, the internal clock signal is available at a pin header of the pc board.
Controls, Switches and Displays:
Slew Unit
Man.: manual adjustment of the slew time
CV: attenuator for the SL CV input
LED: display of the slew function (bright = short slew lime, dark = long slew time), identical to the brightmess of the vactrol LEDs
Triangle LFO
Frq.: LFO frequency, range ~ 110 Hz ... 5 seconds period
Noise: adjustment of noisiness (= perturbance of the triangle signal)
+3dB/-3dB: switch for the source of noisiness
LED: display of the noisy triangle signal, dual color LED (rot = positive / yellow = negative output voltage)
Sample&Hold (S&H)
Period: period of the internal clock signal for the S&H unit, fully CCW = shortest period or highest frequency, fully CW = longest period or lowest frequency
LED: display of the internal clock signal
Correl.: adjustment of the correllation of the S&H unit
Man./Auto: switching between manual and automatic control of the clock frequency, when auto is selected the clock frequency is controlled by the slew unit
LED: display of S&H output, dual color LED (rot = positive / yellow = negative output voltage)
Slew Limiter (SL)
LED: display of SK output, dual color LED (rot = positive / yellow = negative output voltage)
Sockets:
+3dB : filtered digital noise with +3dB per octave (output)
-3dB : filtered digital noise with -3dB per octave (output)
Flat : flat noise output
N Tri : Noisy Triangle output, about 10Vpp (-5V ... +5V)
S&H In: S&H signal input, normalled to N Tri
S&H Out : S&H signal output
SL CV: control voltage of the slew limiter unit, connected to the corresponding attenuator "CV" of the slew unit
S&H Clk: clock input of the S&H unit, normalled to the internal clock oscillator
SL In: slew limiter input, normalled to S&H Out
SL Out : slew limiter output
The arrow symbols indicate the normalling of sockets. Outputs are inverse labelled.
Technical details:
Frequency range of the triangle LFO: about 110 Hz ... 5 seconds period
Output level of the triangle LFO: ~ 10 Vss (-5 V...+5 V)
Frequency range of the internal clock oscillator: about 3 seconds ... 30Hz
Output level of the internal clock oscillator: ~ 10 Vss (0 V...+10 V)
Required input level of the S&H clock input: +5V
Depth: 45mm
8 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $249.68
(No payment required now - pay when released)
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Rides In The Strom Stormnest 2x66HP Powered Synth Module Enclosure Case (synth module enclosure case)
Cat: 1080030 • View all Synth Module Accessories
2x66HP aluminum Eurorack case
Notes: 2x66HP Aluminum Eurorack case
Inbuilt M3 Threads
PCB with 20 Power Sockets
Inbuild Power Supply +1A/-1A/+0,5A
ON/OFF Switch and Mini USB Power source (5V)
STORMBAG Case inclusive Shoulder Strap and Handle
Laptop stand with six heights
Power Wall with interchangeable Power Adaptors (UK/US/EU)
Size: 41cm x 32cm x 6cm (Bag), 35cm x 28,5cm x 3,5cm (Case)
Weight: 2kg (alltogether) / 1,1kg (case)
… Read moreInbuilt M3 Threads
PCB with 20 Power Sockets
Inbuild Power Supply +1A/-1A/+0,5A
ON/OFF Switch and Mini USB Power source (5V)
STORMBAG Case inclusive Shoulder Strap and Handle
Laptop stand with six heights
Power Wall with interchangeable Power Adaptors (UK/US/EU)
Size: 41cm x 32cm x 6cm (Bag), 35cm x 28,5cm x 3,5cm (Case)
Weight: 2kg (alltogether) / 1,1kg (case)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $262.98
(No payment required now - pay when released)
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4ms Pod104X Powered Synth Module Enclosure Case (synth module enclosure case)
Cat: 1083066 • View all Synth Module Accessories
Low cost, portable 104HP modular enclosure case.
Notes: The 4ms Pod104X is a 104HP low-cost, portable, compact enclosure that turns synthesiser modules into a table-top instrument. Pods come with an integrated power supply which allows you to daisy-chain multiple units in different configurations using only a single power brick.
The Pod104X has an integrated power supply with thirteen standard Eurorack power headers. All Pods work with all modules that use 10 and/or 16-pin power cables.
Pods are meant to be daisy-chained. When you plug a Power Brick into one of the jacks on the back of a Pod, the other jack can be used to power an additional Pod. Simply connect a Barrel Cable from one Pod to the next. You can continue to daisy-chain Pods to make long chains! With the 45W Power Brick sold for use with Pods, eight or more Pods can be daisy-chained (depending on the total power consumption of all the modules).
… Read moreThe Pod104X has an integrated power supply with thirteen standard Eurorack power headers. All Pods work with all modules that use 10 and/or 16-pin power cables.
Pods are meant to be daisy-chained. When you plug a Power Brick into one of the jacks on the back of a Pod, the other jack can be used to power an additional Pod. Simply connect a Barrel Cable from one Pod to the next. You can continue to daisy-chain Pods to make long chains! With the 45W Power Brick sold for use with Pods, eight or more Pods can be daisy-chained (depending on the total power consumption of all the modules).
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $254.11
(No payment required now - pay when released)
FORTHCOMING
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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $278.52
(No payment required now - pay when released)
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Armed Forces (Super Deluxe Edition) (coloured vinyl 3xLP + coloured vinyl 3x10"LP + 3x7" box set + poster + booklets + postcards + memorabilia)
Cat: UMEB 003197201. Rel: 12 May 25
Indie/Alternative
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 12 May 25 $229.69
(No payment required now - pay when released)
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Review: Bruce Springsteen has been sitting on these recordings for yearsiwhole records, not sketchesisome finished, some forgotten. Now they finally surface, spanning 1983 to 2018, and offer a different kind of self-portrait: one less polished and more exploratory. The earliest material finds him navigating a path between the haunted quiet of 'Nebraska' and the radio gloss of 'Born in the USA'. Later sessions toy with drum loops, synth beds and orchestral swells. One batch plays like the soundtrack to a film that never existed; another leans into pedal steel and modest country sketches. There are borderland narratives, noir-ish ballads, E Street-style anthems. That New Jersey gritithat plainspoken clarity he's carried since the boardwalk daysiruns through even the softest tracks. He says he made this music to please himself and close friends, and you hear that freedom in its variety: some songs feel raw and just-found, others fully formed. There's no tidy arc, but that's part of its charm. Across seven discs and 82 songs, what emerges isn't a legacy project but something quieter: a window into how a working musician keeps working. You don't come away with answersionly a better sense of how far Springsteen will follow a song just to see where it leads.
… Read morePre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 27 Jun 25 $255.21
(No payment required now - pay when released)
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Welx Ultrafast 2TB Dual USB-C & USB-A Drive (USB drive)
Cat: 1082720 • View all
USB drive for DJ's featuring both C & A drives.
Notes: Tired of spending ages just to transfer 100 tracks to your USB from Rekordbox? Most USB drives aren't designed with DJs in mind. What really impacts speed isn't always advertised many drives handle large files well (like videos) but struggle with rapid updates of multiple small files, like track metadata, cue points, and analysis data.
For DJs, efficiency is everything. Your library needs to update, transfer, and sync seamlessly - because every second on stage matters.
These drives have been pushed to the limit with over 350 hours of nonstop DJ sets across two weeks, tested on Pioneer DJ and Denon DJ standalone units and media players. They've endured intense media recording, including DJ performances and 4K ProRes video capture, alongside rigorous Stressdisk tests to verify long-term memory durability.
Designed to withstand extreme conditions, they've been exposed to high heat and dust in the Black Rock Desert, and subjected to 500+ cycles of plugging and unplugging to simulate years of real-world use. Built for DJs who demand reliability in any environment.
This drive is pre-formatted in FAT32 to ensure seamless performance across all DJ equipment. While some newer setups support ExFAT or HFS, FAT32 remains the most reliable option for full compatibility even with gear that's a few years old.
To maintain optimal performance and prevent potential library issues, it's recommended to keep 10-15% of the storage free. This ensures smooth operation and a hassle-free DJ experience.
… Read moreFor DJs, efficiency is everything. Your library needs to update, transfer, and sync seamlessly - because every second on stage matters.
These drives have been pushed to the limit with over 350 hours of nonstop DJ sets across two weeks, tested on Pioneer DJ and Denon DJ standalone units and media players. They've endured intense media recording, including DJ performances and 4K ProRes video capture, alongside rigorous Stressdisk tests to verify long-term memory durability.
Designed to withstand extreme conditions, they've been exposed to high heat and dust in the Black Rock Desert, and subjected to 500+ cycles of plugging and unplugging to simulate years of real-world use. Built for DJs who demand reliability in any environment.
This drive is pre-formatted in FAT32 to ensure seamless performance across all DJ equipment. While some newer setups support ExFAT or HFS, FAT32 remains the most reliable option for full compatibility even with gear that's a few years old.
To maintain optimal performance and prevent potential library issues, it's recommended to keep 10-15% of the storage free. This ensures smooth operation and a hassle-free DJ experience.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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VARIOUS
KOMPAKT 500 (limited coloured vinyl 5xLP box set + 10" + art book)
Cat: KOMPAKT 500. Rel: 20 Jun 25
Minimal/Tech House
Sam Taylor-Wood - "I'm In Love With A German Film Star" (Gui Boratto mix - edit - Produced By Pet Shop Boys)
Review: After 32 years promoting a distinctive blend of off-kilter Cologne techno, mind-altering minimalism, ambient pop and trippy tech-house, Kompakt Records has notched up 499 releases. It makes sense, then, that the long-serving German label would be keen to mark release number 500 with something suitably special. They've done just that, offering up a lovingly produced box set that does a fantastic job of celebrating the imprint's journey to date. There are five, differently coloured discs packed with (mostly edited) versions of lesser-known early gems and Kompakt classics, plus a bonus picture disc containing 50 locked grooves, and a 100-page, 10" hardback book telling the label's story to date. It's an incredible product all told, one blessed with a host of electronic household names - The Orb, Laurent Garnier, John Tejada, DJ Koze - and deeper cut, cementing the label's status as a gamechangers and pack leaders.
… Read morePre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 20 Jun 25 $235.24
(No payment required now - pay when released)
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JHS Pedals Pulp N Peel V4 Compression Effects Pedal (dynamics effects pedal)
Cat: 1076262 • View all Effects pedals
Compressor pedal with options for parallel compression, overdrive and with preamp/DI box functionality
Notes: The Pulp N Peel V4 is the truly transparent compressor pedal you've been dreaming of. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You're able to add a touch of grit to your tone thanks to the pedal's Dirt mini toggle. Also, whether you're a bassist sending your signal direct or a guitarist running the Pulp N Peel on your pedalboard, the pedal's 1/4", balanced XLR outputs have you covered. This compressor/preamp pedal sports a ton of tone-shaping power, so no matter what your compression needs are, the Pulp 'N' Peel V4 is your go-to solution.
JHS know how much effort you put into getting your tone exactly right. That's why we worked so hard to ensure the Pulp N Peel V4 maintains your instrument's natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note from your amplifier.
Whether you're looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you're there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.
No matter what electric instrument you play, we've outfitted the Pulp N Peel compressor/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.
… Read moreJHS know how much effort you put into getting your tone exactly right. That's why we worked so hard to ensure the Pulp N Peel V4 maintains your instrument's natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note from your amplifier.
Whether you're looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you're there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.
No matter what electric instrument you play, we've outfitted the Pulp N Peel compressor/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $220.82
(No payment required now - pay when released)
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JHS Pedals Flight Delay Time-Based Effects Pedal (blue) (time effects pedal)
Cat: 1076265 • View all Effects pedals
Delay pedal with analog, digital and reverse options alongside optional chorus or vibrato
Notes: The JHS Pedals Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don't. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Analog, Reverse, and Digital) inspired by some all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 "Reverse Mode" - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $262.99
(No payment required now - pay when released)
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Rode Wireless Go (Gen 3) Compact Wireless Microphone System (blue) (wireless microphone)
Cat: 1083157 • View all Wireless Microphones | Wireless Microphone Systems
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $276.31
(No payment required now - pay when released)
FORTHCOMING
Related products...
Rode Wireless Go (Gen 3) Compact Wireless Microphone System (pink) (wireless micrphones)
Cat: 1083168 • View all Wireless Microphones | Wireless Microphone Systems
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $276.31
(No payment required now - pay when released)
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Rode Wireless Go (Gen 3) Compact Wireless Microphone System (purple) (wireless microphones)
Cat: 1083172 • View all Wireless Microphones | Wireless Microphone Systems
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $276.31
(No payment required now - pay when released)
FORTHCOMING
Related products...
Rode Wireless Go (Gen 3) Compact Wireless Microphone System (red) (wireless microphone)
Cat: 1083174 • View all Wireless Microphones | Wireless Microphone Systems
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $276.31
(No payment required now - pay when released)
FORTHCOMING
Related products...
Rode Wireless Go (Gen 3) Compact Wireless Microphone System (green) (wireless microphone)
Cat: 1083160 • View all Wireless Microphones | Wireless Microphone Systems
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $276.31
(No payment required now - pay when released)
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Clank Toolbox Problem Solver/Ideas Enhancer Module (utility synth module)
Cat: 1084207 • View all Synth modules
Utility module - 12HP
Notes: Toolbox is the newest essential utility module for your modular system. It's designed to summarize and replace all those necessary small one-function modules, often overlooked due to their space and cost requirements. With a compact 12hp design, it offers a comprehensive selection of carefully curated blocks to expand and enhance the potential of every patch. The module is also specifically designed for internal interaction, allowing the combination of various basic blocks to achieve compelling outcomes, from complex rhythm creation to unusual sound shaper. Every system needs a Toolbox!
Since VCAs are always not enough, the first two blocks on the top row consist of two linear and very fast VCAs, which are also great for AM modulation. They are arranged from left to right: input (DC coupled), control voltage input (ranging from 0 to 8V), and output. The two inputs and control voltages are normalized from left to right, facilitating easy stereo operation. These VCAs, designed primarily for voltage attenuation, are versatile tools that excel in scenarios requiring linear response. With audio, their true strengths shine when applied to amplitude modulation (AM) scenarios, where the benefits of linear control become quite significant. Although they are optimized for AM and voltage control, using exponential envelopes with these VCAs can transform them into two highly effective and fast VCAs for audio applications.
The threshold CV (0-8V) is crucial for the functionality of the blocks labeled with an asterisk (*): AND/OR gates, sequential switches, and flip-flops. By default, the threshold for each block (the voltage that must be reached at every input for the circuit to operate) is set very low, allowing almost any positive signal to be used. By increasing the threshold with an external voltage, you will change the point at which the circuits marked with the * begin to operate. This may seem a little tricky at first, but once you master all the functionality of the Toolbox, the Threshold CV rarely found in other Eurorack modules will open up many more possibilities!
Still composed of two identical parts, the second and third rows contain two blocks of two-channel summing (A & B). This region offers many ways to combine two signals. From left to right, input A, B, SUM out inverted SUM out, and two Boolean operators: AND/OR While any input signal can be used here, the first two outputs are primarily intended for audio sources. In contrast, the Boolean outputs are more suitable for summing gates and logic signals. This setup also allows for the use of both logic and analog signals together; don't hesitate to experiment with Boolean operators using analog or audio signals.For example, connecting two different LFOs to the input of the summing section can create many gate rhythms from the two Boolean outputs by varying the threshold with external voltages.
Summing mixers/Mult Out: This section consists of two 3-input summing mixers connected in series: the output of the upper mixer is routed to the first input of the lower mixer, allowing you to combine a total of five signals with two outputs available. To break this connection, insert a patch cable into the first input of the lower mixer. This action separates the two sections, enabling you to sum two sets of three signals each. Additionally, the lower section includes a multed output by default.
A bidirectional sequential switch is located at the center of the module and labeled with three "I/O" tags. This often overlooked component allows for a wide range of functions, from the most practical to the most creative. When a voltage exceeding the threshold level is applied to the * input, the switch connects the upper left jack to the lower right one. If the voltage is below the threshold, the lower left jack is connected instead. Being bidirectional, each I/O can function as both an input and an output, enabling a 2:1 or 1:2 configuration. Try using the switch at audio rate; this can function as a versatile oscillator waveform shaper. Think of something other than this block as a simple channel switcher!
On the right side of the sequential switch, we have a more classic block: the flip-flop. This block outputs a square wave at half the frequency of any signal applied to the input, whether audio or gate. Two flip-flops are available, which can be used individually or normalized in series. This block is handy for creating sub-octaves of square format from any sound or as a clock divider.
Offset / Attenuverters: Located at the bottom are two offset and attenuverting channels.This section comprises two identical blocks that can easily attenuate, invert, and offset any input signal. Each block features an input jack, one output, and two small knobs. The first knob functions as an attenuverter, allowing you to invert and scale the signal at the same moment. The second knob, the offset, adds a static voltage of +/-0-8V to the resulting output. This functionality is crucial when seeking a more refined control over voltage or a signal. Without any signal at the input, you can use the offset knob as a manual control generator for any control voltage (CV) in your system. For example, try to change the threshold with it.
… Read moreSince VCAs are always not enough, the first two blocks on the top row consist of two linear and very fast VCAs, which are also great for AM modulation. They are arranged from left to right: input (DC coupled), control voltage input (ranging from 0 to 8V), and output. The two inputs and control voltages are normalized from left to right, facilitating easy stereo operation. These VCAs, designed primarily for voltage attenuation, are versatile tools that excel in scenarios requiring linear response. With audio, their true strengths shine when applied to amplitude modulation (AM) scenarios, where the benefits of linear control become quite significant. Although they are optimized for AM and voltage control, using exponential envelopes with these VCAs can transform them into two highly effective and fast VCAs for audio applications.
The threshold CV (0-8V) is crucial for the functionality of the blocks labeled with an asterisk (*): AND/OR gates, sequential switches, and flip-flops. By default, the threshold for each block (the voltage that must be reached at every input for the circuit to operate) is set very low, allowing almost any positive signal to be used. By increasing the threshold with an external voltage, you will change the point at which the circuits marked with the * begin to operate. This may seem a little tricky at first, but once you master all the functionality of the Toolbox, the Threshold CV rarely found in other Eurorack modules will open up many more possibilities!
Still composed of two identical parts, the second and third rows contain two blocks of two-channel summing (A & B). This region offers many ways to combine two signals. From left to right, input A, B, SUM out inverted SUM out, and two Boolean operators: AND/OR While any input signal can be used here, the first two outputs are primarily intended for audio sources. In contrast, the Boolean outputs are more suitable for summing gates and logic signals. This setup also allows for the use of both logic and analog signals together; don't hesitate to experiment with Boolean operators using analog or audio signals.For example, connecting two different LFOs to the input of the summing section can create many gate rhythms from the two Boolean outputs by varying the threshold with external voltages.
Summing mixers/Mult Out: This section consists of two 3-input summing mixers connected in series: the output of the upper mixer is routed to the first input of the lower mixer, allowing you to combine a total of five signals with two outputs available. To break this connection, insert a patch cable into the first input of the lower mixer. This action separates the two sections, enabling you to sum two sets of three signals each. Additionally, the lower section includes a multed output by default.
A bidirectional sequential switch is located at the center of the module and labeled with three "I/O" tags. This often overlooked component allows for a wide range of functions, from the most practical to the most creative. When a voltage exceeding the threshold level is applied to the * input, the switch connects the upper left jack to the lower right one. If the voltage is below the threshold, the lower left jack is connected instead. Being bidirectional, each I/O can function as both an input and an output, enabling a 2:1 or 1:2 configuration. Try using the switch at audio rate; this can function as a versatile oscillator waveform shaper. Think of something other than this block as a simple channel switcher!
On the right side of the sequential switch, we have a more classic block: the flip-flop. This block outputs a square wave at half the frequency of any signal applied to the input, whether audio or gate. Two flip-flops are available, which can be used individually or normalized in series. This block is handy for creating sub-octaves of square format from any sound or as a clock divider.
Offset / Attenuverters: Located at the bottom are two offset and attenuverting channels.This section comprises two identical blocks that can easily attenuate, invert, and offset any input signal. Each block features an input jack, one output, and two small knobs. The first knob functions as an attenuverter, allowing you to invert and scale the signal at the same moment. The second knob, the offset, adds a static voltage of +/-0-8V to the resulting output. This functionality is crucial when seeking a more refined control over voltage or a signal. Without any signal at the input, you can use the offset knob as a manual control generator for any control voltage (CV) in your system. For example, try to change the threshold with it.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $227.48
(No payment required now - pay when released)
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Jolin Rosa Infinite Morpher Module (mixer/switch synth module)
Cat: 1063029 Rel: 31 May 25 • View all Synth modules
A multi-mode crossfader, scanner, and switcher that allows seamless morphing between up to four inputs and outputs
Notes: ROSA is a multi-mode crossfader, scanner, and switcher that allows seamless morphing between up to four inputs and outputs. With its three operating modes (Scan, Wave, and Pass), you can easily shape and route signals to fit any patch.
A quick overview:
Scan Mode: Morph between up to four inputs with adjustable curves using the KNEE control.
Wave Mode: Independently control the four VCAs for complex dynamic changes.
Pass Mode: Route a single input (or mix multiple inputs) to up to four outputs, perfect for quadraphonic setups or parallel processing.
Infinite Analogue Potentiometer: For smooth, continuous transitions.
Global SHUT Control: CV-controlled mute for immediate silence.
… Read moreA quick overview:
Scan Mode: Morph between up to four inputs with adjustable curves using the KNEE control.
Wave Mode: Independently control the four VCAs for complex dynamic changes.
Pass Mode: Route a single input (or mix multiple inputs) to up to four outputs, perfect for quadraphonic setups or parallel processing.
Infinite Analogue Potentiometer: For smooth, continuous transitions.
Global SHUT Control: CV-controlled mute for immediate silence.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 25 $294.06
(No payment required now - pay when released)
People also bought...
Make Noise Jumbler 6x6 Channel Analogue Signal Combiner & Distributor Module (mixer/multiple synth module)
Cat: 1084227 Rel: 28 Apr 25 • View all Synth modules
Signal combiner/distributor module ideal for hybrid control voltage mashing, complex waveform mixing, on-the-fly effects re-routing, gate and clock re-combinations and more
Notes: Designed for Make Noise's New Universal Synthesizer System but compatible with all Eurorack modules, the Jumbled is a 6-in/6-out VCA-based signal router, designed to manipulate and reimagine control voltage signals.
Supplier's Notes:
The Jumbler music synthesiser module is a six by six channel analogue signal combiner and distributor for the New Universal Synthesizer System or any Eurorack modular synthesiser. Jumble is one of the N.U.S.S. concepts where the routings of a patch could be re-configured, or jumbled, instantly via voltage control to produce variations on a theme.
Jumbler gives you powerful two-parameter access to the rearrangement of both origins and destinations for up to six modular signals. One to six inputs are routed to one to six outputs, in an order determined by the Rotate control, and combination determined by the Radiate control. Unlike a simple switch module, Jumbler's analogue VCA-based design is specially geared for smooth transitions and hybrid signals.
Jumbler is a great module for hybrid control voltage mashing, complex waveform mixing, on-the-fly effects re-routing, gate and clock re-combinations and more. Some folks have said it is like patching a stack of 6 RxMx circuits.
Width: 10hp
Max Depth (incl. power cable): 43 mm
Power:
178mA@ +12V
92mA @ -12V
… Read moreSupplier's Notes:
The Jumbler music synthesiser module is a six by six channel analogue signal combiner and distributor for the New Universal Synthesizer System or any Eurorack modular synthesiser. Jumble is one of the N.U.S.S. concepts where the routings of a patch could be re-configured, or jumbled, instantly via voltage control to produce variations on a theme.
Jumbler gives you powerful two-parameter access to the rearrangement of both origins and destinations for up to six modular signals. One to six inputs are routed to one to six outputs, in an order determined by the Rotate control, and combination determined by the Radiate control. Unlike a simple switch module, Jumbler's analogue VCA-based design is specially geared for smooth transitions and hybrid signals.
Jumbler is a great module for hybrid control voltage mashing, complex waveform mixing, on-the-fly effects re-routing, gate and clock re-combinations and more. Some folks have said it is like patching a stack of 6 RxMx circuits.
Width: 10hp
Max Depth (incl. power cable): 43 mm
Power:
178mA@ +12V
92mA @ -12V
5 in stock $265.21
Click for better price!
or call +44 20 7424 1960
quote 1084227
quote 1084227
People also bought...
Cat: 1085617 Rel: 29 Apr 25 • View all DJ speakers | DJ monitors
Pair of active, bi-amplified monitoring speakers (2 x 80 watts), each featuring a 5-inch/12.7-cm woofer.
Notes: Great value DJ speakers, ideal for home setups. Excellent clarity, plenty of power and solid bass response thanks to 5-inch Kevlar woofers. Sold as a pair.
Supplier's Notes:
Optimized for music production and mixing, this pair of active, bi-amplified Hercules Monitor 5 speakers (2 x 80 watts RMS) will take your home studio to the next level with precise, clear and powerful audio rendering.
Box contents:
2 monitoring speakers
2 power cables
User manual and warranty information
Speaker Connectivity:
1/4" Jack / TS
RCA
XLR
… Read moreSupplier's Notes:
Optimized for music production and mixing, this pair of active, bi-amplified Hercules Monitor 5 speakers (2 x 80 watts RMS) will take your home studio to the next level with precise, clear and powerful audio rendering.
Box contents:
2 monitoring speakers
2 power cables
User manual and warranty information
Speaker Connectivity:
1/4" Jack / TS
RCA
XLR
1 in stock $264.10
People also bought...
AIAIAI TMA-2 DJ Wireless Preset DJ Headphones (wireless DJ headphones)
Cat: 1081047 Rel: 07 Apr 25 • View all DJ headphones
Wireless DJ headphones.
Notes: Configured specifically for DJs, the superb TMA-2 modular headphones are offered here in DJ Wireless 'preset', featuring ultra-low-latency high-fidelity performance.
Supplier's Notes:
Danish audio company AIAIAI, known for pushing the boundaries in professional audio, is expanding the possibilities of music performance by releasing TMA-2 DJ Wireless - the world's first headphones specifically designed for wireless DJing. Now DJs can finally confidently free themselves from the cable, without compromise.
What truly sets the TMA-2 DJ Wireless apart is its groundbreaking ultra-low latency wireless technology, delivering a delay-free experience for precision beatmatching and cable-free mixing. Coupled with over 25 hours of battery life, they offer uninterrupted performance for lengthy sets.
TMA-2 DJ Wireless deliver professional-grade sound, tuned for powerful bass and clear treble, with high sound isolation to cut through the noise of any environment. Designed with durability in mind, the TMA-2 DJ Wireless builds on over a decade of proven TMA-2 DJ performance, featuring a robust yet lightweight construction that ensures long-lasting comfort during extended sets.
"With the TMA-2 DJ Wireless, we set out to create wireless DJ headphones that truly meet the demands of DJs. For years, wireless technology meant compromising on performance, but with our ultra-low latency wireless technology, we are finally able to deliver a solution that offers both Freedom and precision. This is a game-changer for DJs looking to break free from cables" - Frederik Jorgensen, Founder
… Read moreSupplier's Notes:
Danish audio company AIAIAI, known for pushing the boundaries in professional audio, is expanding the possibilities of music performance by releasing TMA-2 DJ Wireless - the world's first headphones specifically designed for wireless DJing. Now DJs can finally confidently free themselves from the cable, without compromise.
What truly sets the TMA-2 DJ Wireless apart is its groundbreaking ultra-low latency wireless technology, delivering a delay-free experience for precision beatmatching and cable-free mixing. Coupled with over 25 hours of battery life, they offer uninterrupted performance for lengthy sets.
TMA-2 DJ Wireless deliver professional-grade sound, tuned for powerful bass and clear treble, with high sound isolation to cut through the noise of any environment. Designed with durability in mind, the TMA-2 DJ Wireless builds on over a decade of proven TMA-2 DJ performance, featuring a robust yet lightweight construction that ensures long-lasting comfort during extended sets.
"With the TMA-2 DJ Wireless, we set out to create wireless DJ headphones that truly meet the demands of DJs. For years, wireless technology meant compromising on performance, but with our ultra-low latency wireless technology, we are finally able to deliver a solution that offers both Freedom and precision. This is a game-changer for DJs looking to break free from cables" - Frederik Jorgensen, Founder
! low stock $275.19
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quote 1081047
quote 1081047
People also bought...
ALM Pamela's PRO Workout Clocking Modulator Module (clock generator/clock modulator/function generator/LFO/sequencer/digital/quantizer/random synth module)
Cat: 911097 Rel: 18 Nov 22 • View all Synth modules
'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system.
Notes: 'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.
Each output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.
Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.
Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!
Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.
… Read moreEach output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.
Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.
Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!
Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.
5 in stock $286.28
Click for better price!
or call +44 20 7424 1960
quote 911097
quote 911097
People also bought...
ALM MCO MKII Digital VCO & Voice Module (sound source synth module)
Cat: 1057708 Rel: 02 Dec 24 • View all Synth modules
Digital VCO & Voice Module - 6HP
Notes: The MCO MK II is a highly versatile digital VCO and voice module inspired by 90s/00s digital synths shrunk into just 6HP.
It offers a broad collection of unique, high-quality synth voices, each with extensive, customizable parameters. These parameters can be directly controlled or modulated through assignable internal and external sources. Certain per-voice parameters support audio-rate modulation, including FM, sync, and DSP. Each voice also supports up to four-voice chords, external-triggered envelopes, multiple LFOs, and dual audio outputs for comprehensive desktop like synth functionality.
Voices include a multi dimensional wavetable oscillator based on the original MCO, a complex additive synthesis engine, a multi mode 'JP' type digi-synth, a lush virtual analog implementation, a fully featured vocoder, a bass synth for both kicks and sub sonic tones and finally arebirth and porting of our discontinued SID GUTs chip voice.
Each voice includes factory presets as well as the ability to store and recall user presets. All state is preserved across power cycles.
The MCO is designed to be familiar, quick and easy to use with a high resolution colour display and a rich visual user interface.
A USB-C connection allows for easy firmware updates, user wavetables upload and device config backup and restore. Axon expander modules are also supported to increase CV control options.
… Read moreIt offers a broad collection of unique, high-quality synth voices, each with extensive, customizable parameters. These parameters can be directly controlled or modulated through assignable internal and external sources. Certain per-voice parameters support audio-rate modulation, including FM, sync, and DSP. Each voice also supports up to four-voice chords, external-triggered envelopes, multiple LFOs, and dual audio outputs for comprehensive desktop like synth functionality.
Voices include a multi dimensional wavetable oscillator based on the original MCO, a complex additive synthesis engine, a multi mode 'JP' type digi-synth, a lush virtual analog implementation, a fully featured vocoder, a bass synth for both kicks and sub sonic tones and finally arebirth and porting of our discontinued SID GUTs chip voice.
Each voice includes factory presets as well as the ability to store and recall user presets. All state is preserved across power cycles.
The MCO is designed to be familiar, quick and easy to use with a high resolution colour display and a rich visual user interface.
A USB-C connection allows for easy firmware updates, user wavetables upload and device config backup and restore. Axon expander modules are also supported to increase CV control options.
1 in stock $252.99
People also bought...
Omnitronic TRM-202MK3 2-Channel Rotary DJ Mixer (2-channel DJ mixer)
Cat: 652255 Rel: 01 Dec 17 • View all DJ mixers
2-channel rotary mixer with 3-band frequency isolator for DJs
Notes: The best value rotary mixer on the market. Entry-level rotary option from German brand Omnitronic offers similar features and sound to boutique mixers three or four times the price.
Supplier notes:
The TRM-202 MK3 by Omnitronic with its classic ALPS potentiometers (Blue Velvet RK27) and the integrated 3-band frequency isolator offers the classic features of a rotary mixer.
Due to its high quality components, the sound pattern is good and appealing. The large potentiometers of both input channels allow very smooth transitions, hardly realizable with a conventional mixer. Both input channels can be switched between line and phono. A microphone input is also at hand. The kill characteristic provides a total erasure of basses, mids and highs and so enables creative mixing. Due to its booth output and a separate volume control, the TRM-202 MK3 can also be used in clubs without a problem. Thanks to the record output, it is also possible to record own's DJ set.
*** Please note: the 3-pin adapter is not included. ***
… Read moreSupplier notes:
The TRM-202 MK3 by Omnitronic with its classic ALPS potentiometers (Blue Velvet RK27) and the integrated 3-band frequency isolator offers the classic features of a rotary mixer.
Due to its high quality components, the sound pattern is good and appealing. The large potentiometers of both input channels allow very smooth transitions, hardly realizable with a conventional mixer. Both input channels can be switched between line and phono. A microphone input is also at hand. The kill characteristic provides a total erasure of basses, mids and highs and so enables creative mixing. Due to its booth output and a separate volume control, the TRM-202 MK3 can also be used in clubs without a problem. Thanks to the record output, it is also possible to record own's DJ set.
*** Please note: the 3-pin adapter is not included. ***
7 in stock $294.04
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Buchla & TipTop Audio Quad Sample & Hold/Polyphonic Adapter Model 264t Module (sample & hold synth module)
Cat: 1069586 Rel: 08 Apr 25 • View all Synth modules
Quad sample & hold, CV modulation module - 18hp
Notes: Part of TipTop's exceptional series of Eurorack-format Buchla modules, the 264t provides four sample-and-hold circuits, plus a logic circuit designed to control polyphonic patches. Deceptively simple but surprisingly creative, like most Buchla modules.
Supplier's Notes:
Four independent sample-and-hold circuits, plus a specialized logic circuit for expediently implementing polyphonic patches.
Sample-and-hold's are essentially one-cell analog memories. They are useful for "remembering" the instantaneous value of a control voltage (a detected envelope, for example), for generating equally spaced steps from a constant slope input (as from a 281t envelope generator), and for converting any continuously changing voltage (a random voltage, for instance) into a series of discrete values.
The 264's sample-and-hold circuits have two operating modes: sample and track. In the sample mode, the value of the input is sampled and applied to the output whenever a pulse is received. The output remains at this value until the next pulse arrives. The track mode di ers in that an input is applied to the output for the duration of the pulse. The output tracks the input until the end of the pulse and remains at a constant value until the next pulse.
To use the 264t as four independent channels set the separate/common switch to separate. A single CV can be set to all four channels by setting the operate/common to common and plug CV in the the back jack on the with right side.
The Model 264t includes a polyphonic adaptor, which performs the logic necessary to implement four-voice polyphony. Facilities are incorporated for fine tuning and f.m. modulating the oscillators; light emitters display the adaptor's operation.
Specifications:
Size: 18 HP - Depth: 45mm
Power: +12V 60mA / -12V 30mA
… Read moreSupplier's Notes:
Four independent sample-and-hold circuits, plus a specialized logic circuit for expediently implementing polyphonic patches.
Sample-and-hold's are essentially one-cell analog memories. They are useful for "remembering" the instantaneous value of a control voltage (a detected envelope, for example), for generating equally spaced steps from a constant slope input (as from a 281t envelope generator), and for converting any continuously changing voltage (a random voltage, for instance) into a series of discrete values.
The 264's sample-and-hold circuits have two operating modes: sample and track. In the sample mode, the value of the input is sampled and applied to the output whenever a pulse is received. The output remains at this value until the next pulse arrives. The track mode di ers in that an input is applied to the output for the duration of the pulse. The output tracks the input until the end of the pulse and remains at a constant value until the next pulse.
To use the 264t as four independent channels set the separate/common switch to separate. A single CV can be set to all four channels by setting the operate/common to common and plug CV in the the back jack on the with right side.
The Model 264t includes a polyphonic adaptor, which performs the logic necessary to implement four-voice polyphony. Facilities are incorporated for fine tuning and f.m. modulating the oscillators; light emitters display the adaptor's operation.
Specifications:
Size: 18 HP - Depth: 45mm
Power: +12V 60mA / -12V 30mA
More than 10 in stock $286.28
People also bought...
Cat: 693972 Rel: 05 Jul 18 • View all DJ turntables
Quartz-driven DJ turntable with direct drive motor
Notes: A bit of a bargain in the turntable world. Reloop's budget model punches way above its weight, offering features, sound and build quality found on much more expensive models.
Supplier's notes:
The RP-2000 MK2 is a dependable turntable for prospective DJs. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.
Quality direct drive motor and precision-engineered die-cast platter:
Compared to belt-driven turntables, the RP-2000 MK2 transfers its motor force directly to the drive hub - this way a higher torque generates power faster on the precision-engineered platter with minimal wow and flutter. The adjustable pitch control with a range of +/- 8% is suitable for the finest pitch adjustments.
Statically balanced S-shaped tone arm:
The RP-2000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a large number of pick-up cartridges can be connected.
Newly developed top panel and sturdy housing design:
The new deep-black metallic top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.
With pick-up and headshell:
The RP-2000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.
… Read moreSupplier's notes:
The RP-2000 MK2 is a dependable turntable for prospective DJs. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.
Quality direct drive motor and precision-engineered die-cast platter:
Compared to belt-driven turntables, the RP-2000 MK2 transfers its motor force directly to the drive hub - this way a higher torque generates power faster on the precision-engineered platter with minimal wow and flutter. The adjustable pitch control with a range of +/- 8% is suitable for the finest pitch adjustments.
Statically balanced S-shaped tone arm:
The RP-2000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a large number of pick-up cartridges can be connected.
Newly developed top panel and sturdy housing design:
The new deep-black metallic top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.
With pick-up and headshell:
The RP-2000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.
1 in stock $228.60
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quote 693972
quote 693972
People also bought...
Teenage Engineering EP-133 KO II Audio Sampler/Sequencer/Composer (audio sampler/sequencer/drum machine)
Cat: 981487 Rel: 27 Nov 23 • View all Samplers
Audio sampler, sequencer & beat composer
Notes: A creative new approach to sampling, the first release from Teenage Engineering's EP Series is an evolution of the PO-33 K.O! Pocket Operator. Sample, program, sequence and produce in one comapact, retro box.
*** OS 2.0 firmware update- April 2025 ***
Resampling
Song mode
Sidechain
More polyphony
More MIDI
K.O. II just got its first major OS update! Teenage Engineering have managed to pack a ton of new knockout features like resampling to remix and chop sounds, sidechain for groove control, song mode to arrange tracks of up to 9,801 bars, an optimized playback engine with increased polyphony, plus extended MIDI support.
Resampling
Sample any sound source on or off the K.O. II, process it through effects and make a brand new sample from it.
Song mode
Song mode adds the ability to chain scenes and create longer, more structured track arrangements.
Sidechaining
Sidechain allows one sound to control the volume of another, perfect for kick and bass groove control.
More polyphony
Teenage Engineering have managed to increase K.O. II's voice count, now supporting 16 mono or 12 stereo voice polyphony.
More MIDI
Pass notes between units with MIDI thru, keep your gear in sync and pair up to16 devices simultaneously.
Supplier's Notes:
Get ready for Round 2
Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.
The champ is here
A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.
Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.
Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.
Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.
Knock out features
9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool
The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.
Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries
One-two punch
Vintage style keys with a modern touch, combining tactility with pressure sensitivity.
10" EP format
Comes in a limited edition 10" collector's box
Tech specs:
K.O.II highlights
Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C
Dimensions and weight
240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz
Stereo input
24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS
Stereo headphone/line output
24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS
MIDI input and output
TRS type A, MMA compliant
Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop
… Read more*** OS 2.0 firmware update- April 2025 ***
Resampling
Song mode
Sidechain
More polyphony
More MIDI
K.O. II just got its first major OS update! Teenage Engineering have managed to pack a ton of new knockout features like resampling to remix and chop sounds, sidechain for groove control, song mode to arrange tracks of up to 9,801 bars, an optimized playback engine with increased polyphony, plus extended MIDI support.
Resampling
Sample any sound source on or off the K.O. II, process it through effects and make a brand new sample from it.
Song mode
Song mode adds the ability to chain scenes and create longer, more structured track arrangements.
Sidechaining
Sidechain allows one sound to control the volume of another, perfect for kick and bass groove control.
More polyphony
Teenage Engineering have managed to increase K.O. II's voice count, now supporting 16 mono or 12 stereo voice polyphony.
More MIDI
Pass notes between units with MIDI thru, keep your gear in sync and pair up to16 devices simultaneously.
Supplier's Notes:
Get ready for Round 2
Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.
The champ is here
A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.
Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.
Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.
Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.
Knock out features
9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool
The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.
Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries
One-two punch
Vintage style keys with a modern touch, combining tactility with pressure sensitivity.
10" EP format
Comes in a limited edition 10" collector's box
Tech specs:
K.O.II highlights
Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C
Dimensions and weight
240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz
Stereo input
24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS
Stereo headphone/line output
24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS
MIDI input and output
TRS type A, MMA compliant
Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop
More than 10 in stock $288.50
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MOTU M4 USB-C 4x4 Audio Interface (audio interface)
Cat: 755895 Rel: 30 Dec 19 • View all Audio interfaces
USB audio interface
Notes: Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.
The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).
When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.
The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!
Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.
… Read moreThe M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).
When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.
The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!
Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.
4 in stock $256.49
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ALM MFX Stereo Multi-Effects Processor Module (delay/digital/distortion/dual/stereo/dynamics/effect/tuner/utility synth module)
Cat: 867407 Rel: 04 Mar 22 • View all Synth modules
The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor.
Notes: The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor.
It offers 14 different full featured effects programs plus a number of metering utilities.
Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP technologies from the dawn of digital effects in the 70s to the present day. This combines with ALM character and uniqueness to form a highly useful, fun and practical Eurorack effects module.
Reshape sounds with the distortion and dynamics engines. Bend time, space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one of a kind granular and glitch engines. Check signals and tune oscillators with various utilities.
The MFX user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to CV or clocked control. Additionally, each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.
Effect Program List
Digi-PCM Echo
Feature rich digital delay taking inspiration from early prime time rack delay units with added modern features.
Tape-Tech Echo
Tape style delay with a digital pitch shifter bolted on.
Crumbular Echo
More experimental granular style echo.
Ursa Minor Echoverb
Emulation of the classic Ursa Major 'Space station' providing more delays and reverb type effects.
Pocket PL8 Reverb
Emulation of very early digital style reverbs with a dense metallic sound.
Almicon Reverb
Emulation of 80s studio style reverb great for bright rooms and vast synthetic spaces.
Quaidra Reverb
Emulation of a popular 90s rack reverb. Excels at creating airy, atmospheric reverbs.
TY-50 Compressor
Flexible modern compressor great for adding punch, smoothing transients or as a clean mix bus compressor.
Transient Shaper
Fast acting dynamics processor for reshaping the attack and release envelope of any sound.
TH-30 Distortion
A versatile distortion program with distortion types ranging from analog style saturation to intense digital wavefolding.
2051 Bit Corrupter
Real-time audio buffer designed to imitate malfunctioning digital audio equipment.
Modulating Panner
Clock-syncable mono or stereo auto-pan with an additional scan mode that cross fades between 2 input signals. Use for VCA, Panner, crossfader, tremolo type effects.
Ring + Freq Modulator
Pair of classic modulation effects in stereo, tailored towards otherworldly and dissonant sounds.
Ensembles Ensemble
Simulation of classic chorus and ensemble effects. An added digital pitch shifter takes the effect beyond traditional chorus circuits.
Utilities
Simple oscilloscope and VCO tuner.
Technical Specifications
Supply: +12V 50mA Max / -12v 15mA
Size: 6 HP
Depth: 32mm
16 Bit / 44.1Khz Stereo processing
… Read moreIt offers 14 different full featured effects programs plus a number of metering utilities.
Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP technologies from the dawn of digital effects in the 70s to the present day. This combines with ALM character and uniqueness to form a highly useful, fun and practical Eurorack effects module.
Reshape sounds with the distortion and dynamics engines. Bend time, space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one of a kind granular and glitch engines. Check signals and tune oscillators with various utilities.
The MFX user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to CV or clocked control. Additionally, each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.
Effect Program List
Digi-PCM Echo
Feature rich digital delay taking inspiration from early prime time rack delay units with added modern features.
Tape-Tech Echo
Tape style delay with a digital pitch shifter bolted on.
Crumbular Echo
More experimental granular style echo.
Ursa Minor Echoverb
Emulation of the classic Ursa Major 'Space station' providing more delays and reverb type effects.
Pocket PL8 Reverb
Emulation of very early digital style reverbs with a dense metallic sound.
Almicon Reverb
Emulation of 80s studio style reverb great for bright rooms and vast synthetic spaces.
Quaidra Reverb
Emulation of a popular 90s rack reverb. Excels at creating airy, atmospheric reverbs.
TY-50 Compressor
Flexible modern compressor great for adding punch, smoothing transients or as a clean mix bus compressor.
Transient Shaper
Fast acting dynamics processor for reshaping the attack and release envelope of any sound.
TH-30 Distortion
A versatile distortion program with distortion types ranging from analog style saturation to intense digital wavefolding.
2051 Bit Corrupter
Real-time audio buffer designed to imitate malfunctioning digital audio equipment.
Modulating Panner
Clock-syncable mono or stereo auto-pan with an additional scan mode that cross fades between 2 input signals. Use for VCA, Panner, crossfader, tremolo type effects.
Ring + Freq Modulator
Pair of classic modulation effects in stereo, tailored towards otherworldly and dissonant sounds.
Ensembles Ensemble
Simulation of classic chorus and ensemble effects. An added digital pitch shifter takes the effect beyond traditional chorus circuits.
Utilities
Simple oscilloscope and VCO tuner.
Technical Specifications
Supply: +12V 50mA Max / -12v 15mA
Size: 6 HP
Depth: 32mm
16 Bit / 44.1Khz Stereo processing
3 in stock $264.10
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Intuitive Instruments Exquis Pure Expressive MIDI Controller (61-key MIDI controller)
Cat: 1058196 Rel: 15 Jan 25 • View all MIDI controllers
MIDI controller featuring 61 pressure and position sensitive hexagonal keys
Notes: A user-friendly approach to melody and harmony, the Exquis offers an alternative control method for those who want to break away from conventional keyboards. Compatible with MIDI or CV/gate.
Supplier's notes:
A controller, an app, an instrument.
The Exquis controller gives you immediate access to the rules of harmony to improvise with or without theoretical prerequisites, and offers you dimensions of expressiveness that you can quickly master. In combination with the Exquis app, a unique workflow opens up, allowing you to create an entire song in a few minutes: choose sounds, record loops, play the conductor and structure your songs in complete spontaneity.
Exquis offers an intuitive way to guide you on the right path, while allowing you to get out of it. No hassle: just choose a scale, and follow its luminous path to play in tune. Thanks to our default note layout, it's very easy to make chords; Exquis arranges notes that sound good together next to one another. You will be amazed at how harmony falls under your fingers.
Compared to a piano keyboard, on our note layout the semitones are also arranged horizontally, the harmonious (third) notes are always next to one another, and the intervals starting from any note are always the same. If you prefer, you can change the note layout, and soon even create your own tailored note layout using our editor.
On the default note layout, scales can be simply represented by a pair of light paths; whether you are a beginner, amateur or experienced musician, just follow the colors, with one or two hands, to stay in tune and improvise spontaneously. Explore many scales (major, minor, dorian, oriental...) and soon you will be able to create your own using our editor.
Our default note layout goes back to the basic logic of harmony, putting notes that sound good together (thirds) next to one another vertically. Each type of chord (major, minor, diminished, dominant etc) always forms a single and unique transposable form.
Inspired by the finesse of acoustic instruments, the keys of Exquis are both firm enough to play percussion and short notes with precision, and soft enough to modulate long notes with sensitivity. Tap, press, and tilt multiple keys independently using the MIDI Polyphonic Expression (MPE) protocol. The encoders (clickable, with infinite and smooth rotation and with a slight resistance) allow you to control the effects of a sound being played, as well as certain essential settings in the various menus.
In order to allow musicians to create new rhythms and moods, the application natively includes exclusive features. For example, we were inspired by the workshops of Jacob Collier and will soon allow the use of tuplets (particular divisions of beats such as 1/5 or 1/7), useful for creating grooves with a drunk effect.
The Exquis keyboard is a MIDI controller compatible with all software, MIDI synthesizers and modular synthesizers. The Exquis app, although optimized for the controller, is also compatible with all MIDI controllers, and like all MIDI controllers, the Exquis keyboard is compatible with most DAWs and plug-ins.
Dear users of modular synthesizers, Exquis connects directly to your favorite devices thanks to the CV outputs: GATE, PITCH and MOD. You can also connect Exquis to your MIDI synthesizers using the MIDI IN and OUT ports.
… Read moreSupplier's notes:
A controller, an app, an instrument.
The Exquis controller gives you immediate access to the rules of harmony to improvise with or without theoretical prerequisites, and offers you dimensions of expressiveness that you can quickly master. In combination with the Exquis app, a unique workflow opens up, allowing you to create an entire song in a few minutes: choose sounds, record loops, play the conductor and structure your songs in complete spontaneity.
Exquis offers an intuitive way to guide you on the right path, while allowing you to get out of it. No hassle: just choose a scale, and follow its luminous path to play in tune. Thanks to our default note layout, it's very easy to make chords; Exquis arranges notes that sound good together next to one another. You will be amazed at how harmony falls under your fingers.
Compared to a piano keyboard, on our note layout the semitones are also arranged horizontally, the harmonious (third) notes are always next to one another, and the intervals starting from any note are always the same. If you prefer, you can change the note layout, and soon even create your own tailored note layout using our editor.
On the default note layout, scales can be simply represented by a pair of light paths; whether you are a beginner, amateur or experienced musician, just follow the colors, with one or two hands, to stay in tune and improvise spontaneously. Explore many scales (major, minor, dorian, oriental...) and soon you will be able to create your own using our editor.
Our default note layout goes back to the basic logic of harmony, putting notes that sound good together (thirds) next to one another vertically. Each type of chord (major, minor, diminished, dominant etc) always forms a single and unique transposable form.
Inspired by the finesse of acoustic instruments, the keys of Exquis are both firm enough to play percussion and short notes with precision, and soft enough to modulate long notes with sensitivity. Tap, press, and tilt multiple keys independently using the MIDI Polyphonic Expression (MPE) protocol. The encoders (clickable, with infinite and smooth rotation and with a slight resistance) allow you to control the effects of a sound being played, as well as certain essential settings in the various menus.
In order to allow musicians to create new rhythms and moods, the application natively includes exclusive features. For example, we were inspired by the workshops of Jacob Collier and will soon allow the use of tuplets (particular divisions of beats such as 1/5 or 1/7), useful for creating grooves with a drunk effect.
The Exquis keyboard is a MIDI controller compatible with all software, MIDI synthesizers and modular synthesizers. The Exquis app, although optimized for the controller, is also compatible with all MIDI controllers, and like all MIDI controllers, the Exquis keyboard is compatible with most DAWs and plug-ins.
Dear users of modular synthesizers, Exquis connects directly to your favorite devices thanks to the CV outputs: GATE, PITCH and MOD. You can also connect Exquis to your MIDI synthesizers using the MIDI IN and OUT ports.
4 in stock $275.19
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ALM Mega-Tang 4-Channel Linear VCA & Stereo Mixer Module (mixer/VCA synth module)
Cat: 914301 Rel: 05 Dec 22 • View all Synth modules
A 4-channel linear VCA and stereo mixer providing per input control over level, effect send, pan and muting.
Notes: The 'MEGA-TANG' is a 4-channel linear VCA and stereo mixer providing per input control over level, effect send, pan and muting. Designed for live use in mind with a simple & compact layout, the 'MEGA-TANG' builds on the clean and transparent sounding Tangle Quartet VCA by adding a stereo mix output, effect sends (mono send with a stereo return) which pair great with the MFX, manual panning, soft mute buttons with LED indicators and an expansion port for future expandability.
Individual VCA outputs are available which remove the channel from the main mix (useful for cueing and monitoring). All signals are Euro level and bar the effects return, DC coupled for CV use as well as audio.
Technical Specifications
Power: +12V 125ma -12V 125ma
Size: 16HP
Depth: 32mm
Attenuation: approx -70db
… Read moreIndividual VCA outputs are available which remove the channel from the main mix (useful for cueing and monitoring). All signals are Euro level and bar the effects return, DC coupled for CV use as well as audio.
Technical Specifications
Power: +12V 125ma -12V 125ma
Size: 16HP
Depth: 32mm
Attenuation: approx -70db
4 in stock $264.10
