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Review: Hip hop super group Run The Jewels aka Brooklyn-based rapper-producer El-P and Atlanta-based rapper Killer Mike continue to turn out new albums that continue to get a great reception. But at the same time, their old albums are still much sought after and so are being reissued. Run The Jewels 2 first came back in 2014 and received widespread acclaim from critics. They appreciated its darker, more layered production and Killer Mike and El-P's lyricism and chemistry and its guest contributions from the likes of Zach de la Rocha, Travis Barker and Diane Coffee.
… Read morecoming soon $24.38
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Feeding The Machines (limited translucent blue vinyl 2xLP + download code with bonus tracks)
Cat: PLANT 43016LP. Rel: 28 Jul 25
Electro
Review: UK electro wizard Plant43 marks his 25th year in the game in the only way he knows how: with another wonderful album, his 10th overall. It comes on his own now five year strong Plant43 Recordings and as he continues to lay it down with his residency at Tresor. Feeding The Machines is full of signature excellence, from the lithe rhythms of 'Information Decay' to the jittery drums and introspective chords of 'Anthropomorphic Algorithms' via the dark, hurried urgency of the paranoid 'Absolute Inertia'. This is another long player that is as adventurous as it is emotive and cinematic.
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Cat: JSV 221. Rel: 11 Jul 25
Broken Beat/Nu Jazz
Review: The legendary 'Rhythm of Life' by American soul star James Mason returns with a series of remixes on this vinyl-only EP. Fresh interpretations come from DJ Mitsu the Beats, Dego and Yukari BB who all do their thing to cuts from sometime Roy Ayers Ubiquity man Mason's 1977 solo album. Dego's jazzy remix of 'Free' and Yukari BB's synth-heavy take on 'Good Thing' are standouts and DJ Mitsu the Beats adds percussive warmth to both 'Free' and 'Mbewe' by infusing the originals with mellow funk and hip-hop grooves. This one packs a super hot jazz-funk punch for the more open-minded dancefloors
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Review: The UK's renowned jazz-funk outfit Speedometer spawns a new single here that takes the form of a bunch of classy covers, all taken from their recent third album Four Flights Up. The A-side offers a refined version of 'Am I Your Woman?', plus a take on the Chi-Lites' classic 'Are You My Woman (Tell Me So)' with Ria Currie's standout vocals lodging deep in your soul. This one was inspired by a night spent dancing at a club in Osaka during their 2005 Japan tour and arms with a smooth groove. On the B-side, they do a fine job of 'Nam M'Yoho Ren'Ge Kyo,' originally by the Night Blooming Jazzmen, by delivering a tight, funky groove with exceptional horn and drum arrangements.
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Review: Organic Analogue returns with a rediscovery of Beppu's rare dubbed-out electronica and circuit-bent techno. Andrew Hargreaves is the Manchester-based producer behind this alias which was first making waves back in the late-2000s. Back then it was three limited CDr EPs in 2009, which came with just 50 copies each, that made a stir and still stand up today. As such, the sought-after recordings receive a proper vinyl pressing and have been mastered by Miles Whittaker. Two distinct remixes from Demdike Stare also add further quality and contemporary context to the origins, which blend dub techno and braindance with textured noise. IPOP continues Organic Analogue's tradition of spotlighting overlooked talent having already done so with names like DJ Guy and Jean-Louis Huhta.
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AZUKA MOWETA & HIS ANIOMA BROTHERS BAND OF AFRICA / ABELARDO CARBONO / QUANTIC / ORIENTAL BROTHERS INTERNATIONAL BAND
Cat: AFROCOL RMX3. Rel: 13 Jun 25
International
Review: The third volume of the AfroColombia Remix series merges African and Colombian sounds with contemporary electronica. It's a collaboration between Colombian labels Galletas Calientes and Palenque Records that celebrates Palenque's 20+ years of activism and Galletas Calientes' two-decade legacy while honouring the late Abelardo Carbono with a remix of his track 'La PiNa Madura' by Voilaaa - it's a standout here with hints of funk, soul and disco all bringing the sunshine. The compilation also reinterprets Nigerian Igbo Highlife and Ekobe music thanks to producers Captain Planet, Uproot Andy and Caribombo. They bring new, funky energy to timeless classics while preserving the original cultural essence.
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Load (Remastered) (gatefold 180 gram poor twisted orange vinyl 2xLP + inserts + MP3 download code)
Cat: BLCKND 11R1W. Rel: 13 Jun 25
Metal
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Looked Me Right In The Eye
Yoke
First Iota (feat Angelina Nonaj)
Circle Of Dust
Review: Formed in 2020, Tommy Paslaski, Ben Paulson and Akeem Asani have evolved their sound as Purelink from dub techno and '90s drum 'n bass to vaporous jazz and post-rock elements. Their second album embraces fluidity by mixing live instrumentation and vocals with their signature ambient and rhythmic experimentation. It also reflects a period of upheaval as they moved from Chicago to New York City and went on to incorporate acoustic and electric elements alongside contributions from Loraine James and poet Angelina Nonaj. Tracks like 'First Iota' and 'Kite Scene' explore evolving, atmospheric soundscapes and the album culminates in the rather more euphoric 'Circle of Dust'.
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VARIOUS
Cat: CH 037LP. Rel: 06 Jun 25
Indie/Alternative
The Moodists - "Gone Dead"
Voigt/465 - "Voices A Drama"
The Take - "Summer"
Essendon Airport - "How Low Can You Go ?"
The Apartments - "Help"
Ash Wednesday - "Love By Numbers"
Primitive Calculators - "Pumping Ugly Muscle"
The Makers Of The Dead Travel Fast - "The Dumbwaiters"
Ron Rude - "Piano Piano"
Xero - "The Girls"
The Limp - "Pony Club"
The Fabulous Marquises - "Honeymoons"
Slugfuckers - "Cacophony"
Equal Local - "Lamp That"
Tame O'Mearas - "Sweat & Babble"
The Particles - "Apricot's Dream"
People With Chairs Up Their Noses - "Song Of The Sea"
Wild West - "We Can Do"
The Pits - "Words"
One Note Song
Knots
Electric Fans - "Garden Of Uluru"
The Voice Of Drama - "A Song Of Colours"
Synthetic Dream - "Work"
Yclept Dinmakers - "Yclept Enemy"
The Plants - "The Path"
Review: Originally released in 2001 and now receiving its first ever vinyl pressing, Can't Stop It! is Chapter Music's landmark compilation of Australian 70s and 80s post-punk, documenting an integral and formative era in the outback's musical underground. Featuring contributions from lesser known acts who would harbour future members of Aussie alternative staples such as Nick Cave & The Bad Seeds, Einsturzende Neubauten, The Dirty Three and The Go-Betweens, this collection features artists who were either solely independent or who benefited from the foresight of in-the-know labels such as Au-Go-Go, M Squared, Missing Link and Innocent Records. Pinning Chapter Music to the post-punk map at the time of initial release, even garnering them a write-up in The Wire as part of their first taste of international recognition, this newly revitalised vinyl edition comes completely remastered, along with six never-before-reissued bonus tracks, as well as updated liner notes and photos.
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Telephone Operator
If You Ask Me (I Won't Say No)
What Was Heaven?
You Know Better Than I Know
Twilight
(Millions Of People) No One Like You
Many A Time
I Just Wanna Touch
You & I
XL1
Many A Time (dub)
Telephone Operator/I Just Wanna Touch/If You Ask Me (I Won't Say No)/(Millions Of People (No One Like You) (dub)
Review: Given the sharp left-turn that Shelley took with his solo career after leaving The Buzzcocks, it's sort of irrelevant if you're a fan of his seminal punk band or not. This second solo album - now reissued - is an entirely different kettle of fish. Whilst the 80s is famed for a lot of innocuous releases, due to the industry flush with cash, this stellar electro pop album - originally released in 1983 - stands the test of time: it's more experimental and artful than the run-of-the-mill chart-botherers of the time. This is a record that conveys Shelley's ability to write timeless, direct, hard-hitting singles ('Telephone Operator') and veer into more sprawling and adventurous arrangements ('What Was Heaven?') with the fluency of a true auteur. Producer Martin Rushent is due his flowers here, too, as it was his and Shelley's evolved embrace of innovative studio techniques during these sessions that set the bar for The Human League and other classic acts around the scene at the time.
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Three Cheers For Sweet Revenge (Deluxe Edition) (red & black marbled vinyl 2xLP)
Cat: 009362 4838937. Rel: 06 Jun 25
Punk/Hardcore
Helena
Give 'Em Hell, Kid
To The End
You Know What They Do To Guys Like Us In Prison
I'm Not Okay (I Promise)
The Ghost Of You
The Jetset Life Is Gonna Kill You
Interlude
Thank You For The Venom
Hang 'Em High
It's Not A Fashion Statement, It's A Deathwish
Cemetery Drive
I Never Told You What I Do For A Living
I'm Not Okay (I Promise) (live In London For BBC radio 1’s “The Lock Up”)
Helena (live In London For BBC radio 1’s “The Lock Up”)
The Ghost Of You (live In London For BBC radio 1’s “The Lock Up”)
You Know What They Do To Guys Like Us In Prison (live In London For BBC radio 1’s “The Lock Up”)
Review: The sophomore full-length from New Jersey goth-punks My Chemical Romance was originally released in 2004, changing both the course of their career trajectory as a band but also altering the mainstream acceptance of the goth/emo/alt scene in the 21st century ever since. While it was 2006's third full-length The Black Parade which would cement the band as alt rock legends, Three Cheers For Sweet Revenge was an unprecedented success, fusing the macabre darkness of Misfits and Alkaline Trio with stadium-sized hooks to put the likes of Blink-182 or Green Day to shame. Boasting the pop-punk hit 'I'm Not Okay (I Promise)', whilst the later singles 'Helena' and 'The Ghost Of You' illustrated their expansive yet understated weaving of emo, post-hardcore and punk rock, all elevated by vocalist Gerard Way's uniquely grim lyricism, experience as a graphic novel illustrator and Billy Borgan-style vocal fractures. Selling over 3 million copies in the US alone, even being certified Platinum less than a year after initial release, this semi-modern fully classic punk staple returns with a revitalised deluxe edition, housed with updated artwork and offering an entirely new remix as well as four previously unreleased live recordings.
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Review: In the four years since the unprecedented success of 2021's Grammy-nominated third album Glow On, Baltimore experimental hardcore heroes Turnstile have become legitimately one of the biggest bands in modern rock. Following their longest gap between full-lengths yet, likely due to their majorly expanded hectic touring schedule, Never Enough appears poised to maintain the intense momentum whilst continuing to build upon their uniquely singular vision for what was once regarded as a niche subgenre. From the opening title-track's anthemic, simplistic-by-design stadium-punk riffage elevated by bubbling, euphoric synths to the jangling disco-pop dance-punk grooves of 'Seein' Stars' to the chaotic yet positive abrasion of 'Birds', all signs point to yet another intriguing, incomparable opus bursting at the seams with levels of creativity, ability and energy beyond the confines of any genre or band working today. Officially enlisting longtime touring member and former Chubby & The Gang guitarist and Yorkshire-born Meg Mills following the departure of Brady Ebert, the record will also expand upon the four-track musical film Turnstile Love Connection which announced their previous effort with a fully realised version this time around, offering up music videos to all 14 tracks in a style reminiscent of The Who's iconic album-film Tommy, entirely directed by frontman/mastermind Brendan Yates, who also serves for his first time as the record's producer. With the album/film release set to coincide and premiere at New York City's Tribeca Film Festival, Turnstile continue to shatter the boundaries and limitations of what a hardcore punk band were once thought capable of accomplishing.
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Review: Since the release of their Grammy-nominated third full-length Glow On in 2021, Baltimore hardcore experimentalists Turnstile have legitimately ballooned to one of the biggest acts in modern rock music. Returning four years on with their longest gap between albums yet due to their immensely expanded touring schedule, Never Enough seeks to maintain the momentum whilst building upon their unique vision for what was once an admittedly niche subgenre. With the opening title-track's anthemic stadium-punk vibes complete with ethereal synths and bombastic, purposefully simplistic riffage, to the jangling disco-dream-pop banger 'Seein' Stars' to the blistering yet positive chaos of 'Birds', all signs point to the band nailing their mission statement for the scene, with yet another intriguing opus brimming at the seams with creativity, energy and incomparable proficiency. Their first work to mark the arrival of former Chubby & The Gang guitarist and Yorkshire-born Meg Mills following the departure of Brady Ebert, the album will also be complimented by a musical film, essentially offering music videos to all 14 tracks in a style reminiscent of The Who's iconic album-film Tommy. Due to premiere at the Tribeca Film Festival in New York City, Turnstile continue to decimate the boundaries and limitations of what a hardcore punk band can accomplish.
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Review: This album is one that is always going to be reissued until the end of time. It's pure, raw, inescapably good soul music that was popularised in recent years by Floating Points and his Melodies International label. The 1976 debut album by Chicago soul, rare-groove and jazz-funk fusionists Tomorrow's People was led by the Burton Brothers. This reissue comes on red vinyl for the first time and is full of a dynamic blend of styles-from the sax-driven disco-funk of 'Let's Get Down With The Beat' to the doo-wop-tinged 'Hurry Up Tomorrow' and the fiery 'Hurt Perversion'. The 20-minute title track, Open Soul, is a mesmerising space-soul journey which kicks off this highly sought after gem in style.
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Forever Young
Wings
Burning Down Inside
Seasons
Standing Alone
Lay Your Body Down
Walk On Fire
Nothing But Love
Strip Me Down
Sail Away
Review: Although forming in 1987, the initial tenure of New York City hard rock heroes Tyketto was a simple case of wrong place, wrong time. 1991's debut album Don't Come Easy was a moderate success, boasting the hit single 'Forever Young' and taking them on the road with Whitesnake, but by the time they would submit their second full-length to Geffen Records, it would be outright rejected due to label's increasing interest with the grunge scene and a desire to leave "hair metal" and all of its intersecting genres in the 80s. With a myriad of lineup changes, even featuring Steve Augeri on vocals for a spell before his time in Journey, the band would eventually dissolve until 2004. One reunion tour would lead to another, and as of 2025, they're still playing shows, with the vast majority in attendance likely there to hear the barrage of bangers this overlooked AOR-meets-glam metal debut offers.
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Review: Greatest Fits is a deep dive into the superb sounds of German avant-garde new wave pioneer Gina X on the cult Dark Entries label. This double LP compilation spans the whole of the bold, boundary-blurring career of Gina X Performance, which came together first in 1978 when singer Gina Kikoine and producer Zeus B set out to create "the absolute union of music, poetry and travesty". With selections take from four of thieves albums, you'll find their signature blend of icy electro, camp theatrics and subversive pop throughout, and it all ranges from the pulsing 'Nice Mover' to the decadent 'No G.D.M.' Greatest Fits is both a musical time capsule and a vital reminder of how far ahead Gina X always was while also serving as a celebration of queer culture and synth-driven hedonism.
… Read morePlayed by: Manu Archeo, DJ ROCCA
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Review: Texas-based Ben Hixon and Atlanta's Stefan Ringer collide on this new split EP for the increasingly vital Dolfin label. It is Ringer who starts with a tight, grinding groove on 'Moving Walkway' with spoken word snippets and kaleidoscopic synth sequences bringing a trippy and unusual energy to the menacing bass. His 'PLGLY' (SR Big Room mix) is then a heavy beatdown with synths that snap and crack while jazzy percussion and dark vocals bring extra character. Hixon's 'Feels Extremely Good' is a busy, off-balance mix of deep house drums and mind-melting synth refrains while 'My Family' offer a blissed-out and soul-drenched closer.
… Read morePlayed by: Marcel Vogel
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Review: The always excellent Minimal Wave presents a rare EP from Greek electronic pioneers In Trance 95 here. Alex Machairas and Nik Veliotis formed the duo in 1988 and very much helped define Greece's early electronic scene with their minimal synth and EBM-inspired sound, all of it usually marked by analogue warmth, hypnotic melodies and a futuristic sensibility. This release captures their innovative spirit and cult legacy across six unreleased tracks recorded between the late 80s and early 90s in Athens. It sounds magnificent and is a long-overdue glimpse into their visionary archive for new fans, or a fine reminder of their roots for those who have always been tuned in.
… Read morePlayed by: Gumshoe
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Review: US veteran JT Donaldson makes the sort of killer tech house that immediately makes you want to move. This time out the Dallas, Texas resident lands on Dolfin Records with a deeper sound that is raw and heavy. 'Choose' rides on knackered-sounding kick with just deft synth smears for company. 'Don't Sweat' has a double-time rhythm with sombre chords adding the soul and 'Want Her Around' gets the hips swinging with its lovely claps, muted, softly glowing sustained synths and lumpy deep house drums. Flipping the script yet again. 'Sunday Drive' is a more nimble and jazzy dancer and 'Take 2' is a sunny house sound with hints of Metro Area nu-disco synth magic and a big fat bassline.
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Review: The London trio of Molinaro, Moreiya, and Wendy Lavone aka Rest Symbol's self-titled debut brings together exotica, orchestral ambience, psychedelic dub and smoky soul for Brian Foote's new label FO. It's a record that reinvents downtempo music by transforming crumbled breaks into gooey caramel with string phrases aged under tape noise and Moreiya's voice sunk deep into endless reverb. There is a surrealist style to this album that brings new life to the embers of trip-hop as crackling samples and orchestral drones make for something decidedly futuristic.
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Bonded By Blood
Exodus
And Then There Were None
A Lesson In Violence
Metal Command
Piranha
No Love
Deliver Us To Evil
Strike Of The Beast
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Bringing It Down To The Bass
Me And My Axe
Boston Rocks
Uncle Funkster
Turn It Over
Beyond The Bass Clef
Fire Across The Sky
Floating In Dark Waters
Espressoville
Bungie Bass
Give The Cello Some
The Bass
Road Dogs
On The Drums
Coda
Review: He's played with everyone from Bowie, Lou Reed and Lennon - just the tip of a truly humungous session work iceberg - as well as his longstanding service with King Crimson and Peter Gabriel, but Tony Levin's more than capable of whipping up a musical storm without any celebrity help. This is the bassist's latest solo affair, released in September 2024 and, together with a lengthy list of collaborators - among them KC guitarist Robert Fripp - it bends jazz, funk, rock and experimental soundscapery into numerous new shapes. 'Give The Cello Some' is a delight, answering the question "what kind of music would ZZ Top make if they were fronted by Captain Beefheart?" 'Road Dogs' kicks off half metal riffing, half Krautrock linear grooving before hitting a prog/jazz interface and 'Beyond The Bass Clef' is a serene, beatless, almost classical piece. Full of surprises, this is the sound of a master of the bass game following no-one else's lead for a change - and loving every moment.
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From Zero (Deluxe Edition) (gatefold translucent emerald green vinyl 2xLP + booklet)
Cat: 009362 4834915. Rel: 15 May 25
Metal
From Zero (intro)
The Emptiness Machine
Cut The Bridge
Heavy Is The Crown
Over Each Other
Casualty
Overflow
Two Faced
Stained
IGYEIH
Good Things Go
Up From The Bottom
Unshatter
Let You Fade
The Emptiness Machine (live)
Heavy Is The Crown (live)
Over Each Other (live)
Casualty (live)
Two Faced (live)
Review: With the untimely and tragic passing of Chester Bennington in 2017, it was the natural presumption that Californian nu-metal turned alt rock megastars Linkin Park would cease to exist. Surprising their avid fanbase by announcing news of their reformation with Dead Sara vocalist Emily Armstrong, as well as new drummer Colin Brittain (Rob Bourdain opted not to join the reunion), From Zero offers a nod to their original band name Xero whilst simultaneously ushering in their new era. Sonically, the band are doing their utmost to both pay credence to their heavier origins while naturally rerouting towards their newfound vision. Serving as follow up to 2017's pop-oriented and critically panned One More Light, the understandable decision to re-embrace aspects of their nu-metal motifs is commendable, whilst modifying and building upon their past sonics to craft comfortable musical bedrock for the new voice of their band. Comparing to prior albums may be inescapable for diehard fans with the material owing humble countenance to the Linkin Park of yesteryear, while this deluxe edition expands upon the original version's somewhat succinct (or rushed) 11 tracks over 30 minutes with an additional three bonus cuts as well as five live versions.
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VARIOUS
Cat: AC 016. Rel: 19 May 25
Electro
Review: Alien Communications has sent out some otherworldly transmissions to cult electro talents ERP, Client_03, Plant43 and Carl Finlow and in return they have been sent a series of killer new tunes for this bumper double 12". ERP's 'Telenovela' I first to cast off into the cosmos with solar winds gently blowing over kinetic drums and far-sighted celestial pads. MOY brings some wonky acid turbulence to the trip on 'Pale Nimbus' and Juno favourite Carl Finlow gets a little grubby with his gloopy, sordid electro wobbler 'Woven'. Another titan of the scene, Radioactive Man, comes through with a winky gem that harks back to Two Lone Swordsmen on 'Space Junk', with many other essentials from the likes of DMX Crew and Domenic Cappello making this utterly essential.
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Conversing With Angels (translucent marbled vinyl 12" limited to 200 copies)
Cat: VESSELRECORDINGS 011. Rel: 19 May 25
Deep House
Review: The Vessel Recordings Group label is headed up by Ira James who has shown he has great taste when it comes to tapping into global house sounds. This new EP is another standout with Toronto talent Demuir behind the beats. He brings his signature mix of influxes to this one starting with 'Conversing With Angels' which has disco-tinged loops and soulful, feel-good vibes that liven up any party. 'Everynight' has a deep cut and funky groove that is made all the more arresting and emotive with the vocals and smart synth filters, while 'Mizz Hunni' comes as a hefty tech stomper and also as a dub.
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Review: Vick Lavander is a name that has always been a byword for deep house quality. His sound is couched in a classic template but comes with subtle tweaks and plenty of its own musical character. BEYOND is a bumper collection of beats which proves just that. There are silky and cosmically minded sounds like 'Time & Time Again' next to subtly jazzy dancers like 'Sunset BLVD' and dubby, elegant grooves like the life-affirming 'Grace'. The pace picks up with joints like 'Knights' but never at the expense of atmosphere and slows right down with swab-tinged downbeat delights like 'Good Timing'. A magnificently rich work.
… Read morePlayed by: Shaka (Local Talk/ Nervous), LEGO EDIT
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Break The Fall
Crooked Teeth
My Medication
Born For Greatness
American Dreams
Periscope
Help
Sunrise Trailer Park
Traumatic
None Of The Above
Ricochet
Nothing
Bleeding Through
Review: While many would chalk California's Papa Roach up to being another flash-in-the-pan late 90s/early 00s nu-metal outfit who had a few major singles and nothing more, dig a little deeper and their consistency and longevity makes them quite the exception to the rule when compared to their once peers in other forgotten groups such as Spineshank. Gearing up for what will be their 12th full-length studio album to be released later in 2025, serving as follow up to 2022's Ego Trip, the band have opted to reissue their much adored ninth LP Crooked Teeth. Originally released in 2017, the record has been praised for its sonic balancing between the more radio-rock oriented sound of their latter-day output and the dusting off of their rap-metal "old school" style prevalent on cuts such as the lead single title-track that swings from grooving hard rock to full on digitally produced rap bars, while a further signalling to their past selves in the modern era comes from the guest feature by hip-hop/pop-punk/pop star Machine Gun Kelly on 'Sunrise Trailer Park'.
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Cat: CLCR 145V. Rel: 16 May 25
Metal
Broken Sword Rotten Shield
From Dog's Mouth, A Blessing
Corpselight
Lament Of All Things
Mirrorhelm
Knight's Oath
To Ruin & The World's Ending
Review: Seemingly unable to rest on any of their laurels for long, and already returning just a year on from 2024's noise-rock indebted sixth full-length Coagulated Bliss, ever-prolific grindcore stalwarts Full Of Hell are back with the ferocious Broken Sword, Rotten Shield EP. Featuring notably cleaner production than ever heard prior, the material pays homage to classic death metal motifs whilst eschewing the Melvins worship of their previous outing, with cataclysmic blasbeats and face-metling guitar solos underpinning vocalist Dylan Waker's inhuman shrieks and bellows. Commenting on the retro-style artwork featuring what can best be described as a "dog knight", Walker elaborates - "The dog knights represent these pure defenders against a world of darkness and the feeling of utter grief and defeat when we lose these companions. Along side that metaphor, the song also explains that in this world, all living things are rendered equal in the end, and for some that's a mighty fall."
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Idag
Drommar Av Is
Drommen Om Dod Och Forruttnelse
Om Du Vill
Glantan
Burning Cross
Irreligious Flamboyant Flame
Christmas
Spirit
Om Du Vill (Slight Return)
Review: Over two decades since their initial formation, Idag serves as the seventh full-length from Swedish occult rock/proto-doom metal legends Witchcraft, marking their follow up to 2020's sombre, acoustic dark folk, ironically titled Black Metal. Speaking on the project, founding guitarist/vocalist and sole original member Magnus Pelander states: "This album will reap souls and destroy wicked minds. And perhaps mend a couple of broken ones." Astute rock occultists quickly surmised the nod to Chicago psych rockers Coven's 1969 debut album, Witchcraft Destroys Minds & Reaps Souls, which marked the deepest foray into all things gloom and doom the rock scene had witnessed up until that point, even birthing the "sign of the horns", with Witchcraft doing their best to honour the pioneers with an all-encompassing work. From the monolithic, eight-minute opening title-track to the swaggery, 70s-indebted progressive rock and metal roots of 'Irreligious Flamboyant Flame', all underpinned with delicate folk pieces to provide vital respites, Witchcraft have ultimately delivered an awaited full accounting of who they are as a band.
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Lightning In A Bottle (Deluxe Edition) (gatefold 2xLP in spot-varnished sleeve)
Cat: HPS 329LP. Rel: 07 May 25
Metal
Review: Having recently struck internet-age meme-gold thanks to iconic frontman (and sole original member) Bobby Liebling's iconic, seemingly "drugged out" gaze whilst performing live on stage, there really could be no more ample time for doom metal pioneers Pentagram to be releasing a new album. Returning a full decade on from 2015's Curious Volume, the band's ninth full-length Lightning In A Bottle offers up yet another entirely new revitalised lineup featuring guitarist/producer Tony Reed (Mos Generator, Big Scenic Nowhere), drummer Henry Vasquez (Legions of Doom, Saint Vitus, Blood of the Sun) and bassist Scooter Haslip (Mos Generator, Saltine), while the decades of performing, touring and admitted drug addiction have done little to dilute Liebling's looming presence and powerful vocal cadence. Unmistakeably still Pentagram, complete with heaving grooves and occult charisma, the material doesn't simply rethread past glories, but makes a vital case for the band's inarguable place in the doom metal cosmos, with Liebling balancing his aura with sobering introspection of his own years of opioid abuse on standout cuts such as 'Dull Pain' or the haunting 'Lady Heroin', where he ponders - "Lady Heroin, have I seen the last of you?" We hope so, Bobby, but we hope to see plenty more of you eyeballing fans in the front row whilst getting your macabre groove on.
… Read more in stock $28.80
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Review: Marking Indica Dubs' 100th release in serious style, 'When Jah Come' by Danman takes the form of a powerful tribute to the late Jah Shaka, whose influence shaped generations of dub and roots sounds and musicians. This long-anticipated dubplate was famously championed by Shaka himself and comes laden with deep, earth-shattering basslines, spiritual vocals that touch your inner psyche and militant rhythms with unmistakable reverence. It is a celebration and a memorial that honours Shaka's legacy while showcasing Danman's ever-commanding voice and Indica Dubs' unrivalled production strength.
… Read more in stock $25.48
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Lo Fi City Pop (limited 'dodgeblue' vinyl LP with obi-strip)
Cat: PLP 7536CB. Rel: 06 May 25
Hip Hop/R&B
Review: Following the success of Lo-Fi Ghibli in 2022, underground hip-hop head Grey October Sound is back with a new cover album that finds him reimagining iconic Japanese city-pop tracks through lo-fi hip-hop. It is another gem from P-VINE that features laid-back reinterpretations of classics such as Miki Matsubara's 'Mayonaka no Door,' Yasuha's 'Fly-Day Chinatown,' and Taeko Onuki's 'Tokai' alongside songs by Tatsuro Yamashita, Mariya Takeuchi and Yumi Arai. It's. Lush world of carefully hinted at nostalgic melodies with relaxed beats soothing mind, body and soul, all with a lo-fi and retro city-pop charm.
… Read more in stock $37.67
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Cat: ACBT 16721. Rel: 06 May 25
50s/60s
Review: Buddy Holly defied rock star stereotypes with his Ivy League style and horn-rimmed glasses, yet his impact on music rivals legends like Elvis and Little Richard. This 20-track collection celebrates the legacy of Holly and The Crickets and takes in many of their most iconic hits like 'That'll Be the Day' and other gems released under his various different monikers. Despite his tragic death in 1959, Holly's brief yet brilliant career left an indelible mark on rock 'n' roll after he emerged by mixing up Texas country roots with r&b influences with great guided by producer Norman Petty. Holly's sound was both fresh and timeless, and this album proves what a pioneer he was.
… Read more in stock $34.35
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Live At The Record Plant 1973 (gatefold green vinyl 2xLP)
Cat: EWR 052LPLTD. Rel: 06 May 25
Reggae Classics/Ska
Review: This electrifying 1973 live broadcast captures Bob Marley & The Wailers during their US tour supporting the Burnin' album. Originally aired on KSAN-FM, the set showcases the legendary lineup of Bob Marley, Peter Tosh, Aston "Familyman" Barrett, Carlton Barrett, Earl "Wire" Lindo and Joe Higgs, all of whom were at the peak of their powers. The album takes in standout cuts from Burnin', including unforgettable contributions from Tosh and the performance follows their short-lived stint touring with Sly & The Family Stone. It's an unfiltered, visceral document of reggae history in the making that reflects the Wailers' seismic impact just before they exploded into international stardom.
… Read more in stock $27.98
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Review: Cardiff noise-rock legends Mclusky make their long-awaited return with the highly anticipated The World Is Still Here & So Are We. Serving as their fourth full-length and first since 2004's The Difference Between Me & You Is That I'm Not On Fire, the album comes following numerous sparse reunion shows and tours since their initial disbandment two decades prior. First revealed through the release of the Unpopular Parts Of A Pig EP during the latter half of 2023, which would mark their first newly recorded output in 19 years, both the title-track as well as 'The Digger You Deep' were said to be the first tastes of their fourth LP, now making good on that promise with a release set for distribution via Ipecac Recordings, the label of musical absurdist Mike Patton (Faith No More, Mr. Bungle). Having worked in the past with the late, great Steve Albini, even opening for Shellac one fateful evening in London's Scala, the iconic noise-merchants seemingly haven't lost an iota of their bite or shitheaded cynicism during their time away, evidenced as such as in the blistering lead single 'Way Of The Exploding Dickhead'.
… Read more in stock $28.26
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Review: Veteran Wackie's artist and reggae don Coozie Mellers returns with a fresh ten-track long player that bridges the label's deep roots heritage with modern reggae sensibilities. It blends crisp digital rhythms with heartfelt lovers' rock and roots textures and features the standout track 'You Move', which was previously released as a 10" single in 2015. Mellers' vocals are beautifully soulful and glide over the smart dubwise arrangements and bring a mix of both warmth and grit, with jams like 'Special Friend' unfurling slowly and seductively and 'Your Love Is Dangerous' being sentimental heart swellers.
… Read more in stock $26.58
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Review: Glasgow's Rebecca Vasmant is back with a sophomore album that comes through a new partnership between Women In Jazz, New Soil, and Marathon Music Group. Building on the acclaim of With Love From Glasgow, the bold Who We Are Becoming is another expansive vision for contemporary jazz in which Vasmant leads a 25-piece ensemble. Across the music, she explores themes of identity, growth and femininity and brings traditional jazz tropes up to date with modern textures. Featuring returning collaborators and new voices like Repeat Beat Poet and flautist GOkU, this record marks the first time Vasmant has included her own vocals, which deepens the personal resonance of the powerful sounds.
… Read more in stock $23.55
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Barretto (50th Anniversary Edition) (180 gram vinyl LP in fold-out sleeve)
Cat: CR 00888. Rel: 08 May 25
International
Review: Craft Latino celebrates the 50th anniversary of the landmark 1975 salsa album by Ray Barretto with a deluxe reissue. This remastered edition of Barretto features the debut of Ruben Blades and Tito Gomez and includes iconic tracks like 'Guarare,' 'Ban Ban Quere' and 'Canto Abacua.' It has long been considered a cornerstone of the genre in which Barretto blends rich Afro-Cuban rhythms with lyrical depth and masterful musicianship from legends like Sly & Robbie and Augustus Pablo. It's a real bit of Latin music history that shines bright and is packed with shuffling rhythms and the sort of expressive percussion and horns that take you to a different continent in an instant.
… Read more in stock $36.85
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Review: The intriguing Road Fever delivers a hurricane of high-octane, body-shaking rhythms from St. Lucia, Dominica and Guadeloupe, all of which capture the zeitgeist of Caribbean music in 2025. This compilation showcases raw, instrumental Dennery Segment and Bouyon riddims that were originally crafted for vocalists and are now presented as standalone tracks. With turbo-charged 150+ bpm beats, minimal percussion, DJ and vocal samples all woven in with synth riffs, these tunes mash up carnival sounds with elements of trap, drill, Haitian konpa and Angolan kuduro for a truly global listen. They have all been compiled by Rozaly and highlight the electrifying energy of the Caribbean's current scene.
… Read more in stock $26.04
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Review: Candeleros is a six-member, Colombia- and Venezuela-rooted collective based in Madrid that fuse Cumbia, merengue, dub and an array of Afro-Caribbean rhythms, creating a psychedelic, postmodern celebration of Latin sound. Their music blends Andean echoes, cinematic textures and hypnotic percussion into what feels like a ritualistic dance experience and has seen them collaborating with artists like Dodosound and Carlos Talez. They always reject the usual genre boundaries while focusing on cultural activism and the power of collective expression and have performed across Europe. As this album shows, their sound is passionate, borderless and proof that Cumbia has truly rooted itself in Europe.
… Read more in stock $38.23
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Review: 2022 saw the unlikely return of late 90s New York screamo/"skramz" pioneers Saetia, who have seen a massive surge in popularity in the decades since their initial disbandment, due to being credited as a major influence by numerous affluent modern post-hardcore acts such as La Dispute and Touche Amore. Noted for their expansion of the chaotic "emoviolence" sound by imbuing their cataclysmic compositions with heightened melodrama, spoken-word vocals and poetic lyricism pulling from Greek tragedies, both their self-titled EP and sole full-length have been held aloft as quintessential blueprints for the genre in the decades since their original tenure. Following a hectic reunion schedule which has finally brought the group to new foreign shores across the UK and Europe, the three tracks that make up the Tendrils EP serve as their first new material in 26 years, marking the follow up to 1999's Eronel EP.
… Read more in stock $28.26
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Review: Detroit dub techno don Luke Hess says that this is his "most eclectic and techno-driven album to date" and that it blends together his signature subterranean sounds with his indelible Motor City touch. It again works well on cultured dance floors but is also a deeply spiritual album that will have your mind wandering to some lovely places. From the opening moments of 'Dokimion' you're sunk into widescreen soundscapes that pair painterly synths with immersive low ends. Cuts like 'Stoicheo' bring serene melodies and closer 'Hiketeria' is a misty, foggy cut that oozes late-night intimacy.
… Read more in stock $38.23
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Review: Florian TM Zeisig's latest project has been created with perfumer Angel Paradise so blends scent and sound into a multi-sensory experience rooted in the Bavarian Alps. While living in the rural village of Hinang, Paradise studied alpine plants to craft natural perfumes while Zeisig composed Spool, a reflective suite inspired by nostalgia, landscape and the duo's impending departure. Combining field recordings, ambient loops and blurred instrumental vignettes, the music has a wonderfully dreamlike, pastoral atmosphere that has your head lost somewhere beautiful. Paired with the fragrance that comes with it and captures the oily, floral essence of their environment, this is a poignant meditation on memory, nature and the fleeting beauty of physical presence that is unlike anything else you will experience this year.
… Read more in stock $27.98
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Pre-orders at Juno
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Mil Orquideas En Medio Del Desierto (gatefold gold & black smash vinyl LP in spot-vanished sleeve)
Cat: VIS 021V1. Rel: 06 May 25
Punk/Hardcore
Review: The fourth full-length from Mexico's post-metal-tinged melodic crust-punks Habak follows on from two previous collaborative efforts with also Tijuana-based post-rockers Fractal and Los Angeles crust-punk outfit Lagrimas, marking their first sole studio full-length since 2020's Ningun Muro Consiguio Jamas Contener la Primavera. Expanding their diverse, abrasive sonic palette more than ever before, drawing on elements of late 90s "skramz" era screamo, blackened hardcore and shoegazing post-rock, yet all coalesced under the black breath of their obligatory crust-punk sound, Mil Orquiideas en Medio del Desierto illustrates a band reaching the peak of their prowess and potential while offering a unique perspective on all of the above mentioned subgenres, with just that tincture of Mexican folklore for that added, incomparable aura.
… Read more in stock $32.42
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Review: Originally released in 1982 via Earache Records (who're also handling this long overdue reissue), The Ultimate Incantation marked the debut full-length from Polish death metal pioneers Vader. Originally recorded at Sunlight Studio in Stockholm, Sweden with Thomas Skogsberg, both the band and label were ultimately unhappy with the final mixes due to their admitted lack of studio equipment, especially the studio's in-house electronic drumkit which simply could not handle the barrage of blastbeats, leading them to relocate and re-record the album in its entirety at London's Rhythm Studios with producer Paul Johnson. Whilst commended upon release for the band's technical proficiency that helped guide the extreme metal movement, some critics found the desired raw recording quality as too abrasive to truly enjoy, but those critiques have become somewhat redundant over the decades with any extreme metal act worthy of the term and the scene as a whole prioritising raw intensity over studio gloss.
… Read more in stock $28.26
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Broken Bones (Record Store Day RSD 2025) (limited blue & black splattered vinyl LP)
Cat: 502173 2376824. Rel: 08 May 25
Metal
Review: First released in 2012, Broken Bones would serve as the 11th full-length studio effort from glam metal-tinged Los Angeles hard rockers Dokken. The first album in the band's entire tenure to not feature drummer Mick Brown due to scheduling conflicts (replaced for the recording sessions by studio drummer Jimmy DeGrasso), as well as their only work to feature bassist Sean McNabb (Quiet Riot, XYZ, Queensryche), the album served as follow up to 2008's Lightning Strikes Again while initially perceived as a swansong due to the major decade-long gap until 2023's Heaven Comes Down. Packed to the brim with triumphant riffage and soaring choruses, it may not entirely capture the Dokken magic of old but still delivers a retro-fitted 45 minutes of classic-style cuts with its standout track easily being their unique rendition of Jefferson Airplane's 'Today'. Reissued for Record Store Day 2025 on super cool and artwork complimentary blue & black splattered wax.
… Read more in stock $33.23
