Review: Two titans of African music come together for a collaboration that will sadly never be repeated after the passing of the late Hugh Masekela. Allen's instantly recognisable drumming and Masekela's iconic trumpet are a match made in heaven - after all their paths first crossed back in the 70s thanks to Fela Kuti's galvanizing energy. Forget the throwback stuff trying to capture the spirit of the originators, this IS the originators sounding cool and deadly in every way. Funk lovers, Afrobeat heads, curious ears and dancing souls take heed - this right here is an unmissable transmission from two grandmasters in their field.
Review: Vibrant Essential by Taro Hakase & THE LADS, features nine selected tracks, offering a rich listening experience that transcends genre boundaries with its violin-centered compositions. Known for blending classical and contemporary elements, Hakase's work takes on a new warmth and texture in this analog format, perfect for fans and audiophiles alike. A must-have for those seeking something uniquely vibrant and timeless in sound.
Review: Classic jazz funk album from the legendary Johnny 'Hammond' Smith with a special version with six previously unissued bonus out-takes. Released in 1975 and his 32nd long player, it heralded a fresh chapter in his career that saw him exploring more electronic instrumentation and deeper shades of funk in a similar way to Roy Ayers or Bob James. The result was a timeless document that carries motifs of many of today's artists; the harmonies of "Can't We Smile?", for instance, smack of Plantlife while the punctuated piano work and mirrored squiggling synths on "Song For The Family" echoes with Flying Lotus-style whim. Also a key source of breaks for many junglists, Gears is a historic document that's not only played a strong role in electronic music but still sounds incredible today.
Review: Johnny Hammond was a prolific organist, composer and multidisciplinary artist active throughout the USA for the majority of the 20th Century. By the time the lesser-known LP and meditation on devilish excess 'Gambler's Life' was released in 1974, Hammond's sound had grown unusually cacophonous and was noisy to a kind of perfection that could only be described as an acquired taste. That doesn't deter us, though: this reissue from Soul Brother carefully pays homage to the late great's 28th album, with the broken wonk of 'Rhodesian Thoroughfare', the voluptuous funk of 'Star Borne' and the melismatic virtuosity of 'Virgo Lady' all tempting us back towards the broad gate.
Review: The Harlem Gospel Travelers' new album, Rhapsody, is a vibrant exploration of the diverse musical influences that shaped their sound. Released on limited edition Rhapsody Swirl Vinyl with gold foil stamping on the cover, this album is ideal for collectors or those looking for something special. Vocalists Ifedayo Gatling, Dennis Bailey, and George Marage delve into the 1960s era when gospel began incorporating soul and funk elements. Inspired by Numero Group's 2006 release, Good God! A Gospel Funk Hymnal, the album reinterprets gospel funk tracks with their unique flair, from the high-energy 'God's Been Good to Me' to the hip-hop-inflected 'Get Involved.' Having gained acclaim with their debut, He's On Time (2019), and their 2021 follow-up, Look Up!, the trio, guided by mentor Eli "Paperboy" Reed, continues to push boundaries. Rhapsody is both a nod to the past and a bold step forward, blurring genre lines and redefining gospel music. The balance of traditional gospel while fusing newer genres with it is nothing short of breathtaking.
Review: The Harlem Gospel Travelers' new album, Rhapsody, marks a dynamic return for the trio, composed of Ifedayo Gatling, Dennis Bailey, and George Marage. Following their well-received 2022 release Look Up!, Rhapsody dives into a rich, often overlooked era of gospel music, blending traditional elements with influences from soul and funk. The inspiration behind Rhapsody came when Eli "Paperboy Reed," the group's mentor and friend, suggested they explore and reinterpret tracks from the Numero Group's Good God! A Gospel Funk Hymnal. The result is a collection that spans from the spirited soul of 'God's Been Good to Me' to the hip-hop-tinged 'Get Involved,' showcasing the group's ability to transcend the conventional boundaries of gospel. Originally formed as a quartet, the group reconfigured as a trio, bringing Bailey into the fold before recording Look Up!. Their journey began when Gatling and Marage met while studying under Reed, leading to the release of their debut album, He's On Time, in 2019, which garnered praise and attention from the likes of Elton John.Rhapsody is a project that not only honors the gospel tradition but also pushes it forward, offering a sound that is both rooted in history and refreshingly contemporary.
Review: This 50th Anniversary Edition resurrects a forgotten gem of 1970s soul-jazz, showcasing the masterful arrangements and musicianship of The Harold Wheeler Consort. It's a thrilling colliision of jazz harmonies, funk grooves and soulful melodies, with Wheeler's piano leading the way through a series of vibrant and eclectic compositions. From the infectious energy of the title track to the smooth sophistication of 'Then Came You', the album is a testament to Wheeler's talent as a composer and arranger. The B-side continues the journey, with tracks like 'Color Me Soul' and 'Feel Like Makin' Love' showcasing the band's versatility and deep understanding of soul and jazz traditions.
Review: Here comes a special Japanese edition of Harvey Sutherland's superb Boy album. Since debuting in 2013, Mike Katz has released a lot of music under this alias, always flitting between interconnected styles (electronic disco, deep house, jazz-funk, nu-boogie, revivalist New Jersey garage and Italo-disco) without ever laying down an album of all-new music. Boy, then, is a significant milestone in the Melbourne producer's career and offers an exploration of what he calls "neurotic funk" - a boundary-blurring fusion of jammed-out analogue electronics and live instrumentation that draws on a multitude of musical styles without neatly sitting in any one pigeonhole.
Review: Ernie Hawks is the occasional artistic alias of virtuoso flautist and trombonist Erno Haukkala, a Helsinki-based musician best known for his membership of long-serving Finnish funk combo the Soul Investigators. Fittingly, his debut solo album was produced in cahoots with the long-running band. Throughout, his band-mates provide brilliant backing for his languid trombone solos, jaunty flute lines and - on rare occasions - wild harmonica playing. It's a very enjoyable and impressive set, all told, with Haukkala's compositions variously drawing influence from classic soul, Cymande, Ennio Morricone's "Spaghetti Western" soundtracks and the higher quality end of the library music spectrum. Naturally, it's all brilliantly played and produced, with an emphasis on gentle mood enhancement.
Review: When it comes to hunting the very of best library music cuts out there, De Wolfe's discography is likely the best place to start, and finish. The British music production company were the first to license such music exclusively for film and TV and thus single-handedly popularised the now DJ's favourite genre. Here on this reissue, Aussie producer, musician and double bassist Johnny Hawksworth (one of two famous library musician "hawks", only once removed from the perhaps more eminent Alan Hawkshaw), prizes open both falcon's eyes and auriculars: 'Bite Hard Breaks', the star, makes for an unfathomably cool piece for the playing of seductive games. Unsurprisingly, but with this fact not known to many, this record has been much sampled by hip-hop titans, from Beyonce to Drake to Jay Z to Madlib.
Review: This is a bold, progressive funk album from one of the genre's masters in Isaac Hayes. Although Hayes who was rooted in r&b was often overlooked in favour of prog-rock bands like Emerson, Lake and Palmer, his music was just as expansive and expressive across his career. This album served as the soundtrack for Hayes' first major film role and perfectly matches the gritty, exaggerated tone of the movie. Over time, its tracks were reimagined and sampled and influenced works from Geto Boys to Quentin Tarantino films, which has ensured it a lasting legacy in both cinema and music history.
Review: The original motion picture soundtrack for The Truck Turner delivers a thrilling blend of gritty funk, soul and high-energy jazz that perfectly complemented the 1974 blaxploitation classic. Composed by the great Isaac Hayes, the soundtrack is a dynamic showcase of his signature style that blends soulful melodies with intense orchestral arrangements. Tracks like 'Main Theme' and 'Breaking Into The Business' capture the raw energy and tension of the film while Hayes' deep voice and lush arrangements bring an added layer of sophistication to the score.
Review: Roland Haynes Jr. and his band Phenix may have only released one 45 in 1983, but their legacy extends far beyond that solitary record. This new collection of live recordings from the Quarter Moon club in Orangeburg, South Carolina, reveals the brilliance of Haynes and his ensemble. The album features a vibrant mix of originals and covers, including renditions of tracks by Marvin Gaye, Santana, Hubert Laws and The Jeff Lorber Fusion. These recordings, drawn from Haynes' personal archive, showcase the band's exceptional talent and ability to reinterpret classics while adding their own unique flair. The collection allows Haynes to assert his place among the most innovative jazz and soul artists of his time, capturing the energy and creativity of Phenix in their prime.
Review: Rhino Records, once again, share another classic as part of Rhino Reserves, which re-releases legendary albums on 180-gram premium quality black vinyl. This time, the label offer us a reissue of Eddie Hazel's Dames, Games and Guitar Things (1977), a funk freakout for the ages. After having broken ground as an instrumental player in the ingenious funk and soul supergroup Parliament-Funkadelic, Hazel went on to plant himself in fecund solo soils, delivering standout cuts such as 'California Dreamin'' (featured here on this debut), blending funky blues with a rock edge.
Review: Chicago was a hotbed for talent in the 1970s (well, it always has been and always will be, to be honest) and one of the groups to emerge at that time was Heaven & Earth, a vital soul vocal collective. They released four high-quality albums and this one, 'I Can't Seem To Forget You', was the first on Clarence Johnson's G.E.C. Label. It is packed with super sweet vocals and Dwight Dukes' lush falsetto and has never before been reissued. This version from the good folks at P-VINE has an extra bonus cut 'Promises,' which has previously only been available as a single from 1975.
Review: Hi-Phonic Big 15's Hi-Phonics Hi-Phonics album is a real curio from 1979 that deep diggers have long fawned over. It is the only album from this outfit and it was once reissued on CD in 2004 but never before on vinyl. Musically it blends reggae, soul and jazz-funk into gloriously musical tracks with lavish arrangements and a golden soul for late-night lounge spaces. At times romantic, at others playful, it's as likely to be heard at a sundown session on the beach in Ibiza as it is at a listening bar in London or a street party in Leeds.
The Clark Sisters - "Everything's Gonna Be Alright" (Joey Negro edit)
Sharon Johnson - "A Better Day"
Dan Greer - "Love Is The Message" (Joey Negro edit)
Ricky Womack & Christian Essence - "I Need You" (Joey Negro edit)
Shirley Caesar - "Heavenly Father"
Elbernita 'Twinkle' Clark - "Awake O Zion"
The Clark Sisters - "Overdose Of The Holy Ghost"
Kristle - "I'll Go"
The Young Delegation - "He Lives"
Rahni Harris & Family Love - "He's My Friend"
Review: Dave 'Joey Negro' Lee's Z Record imprint hit the compilation gold mine once again, calling on the curatorial skills of Dave Hill, former Ballistic Brother and founder of the iconic Nuphonic label, to flex his latter day Gospel expertise for the superb Overdose Of The Holy Ghost. This double LP collection sees Hill chart Gospel music through it's 70s and 80s period as the influences of nascent disco and boogie bore fruit. The chance to own the absolutely belting cover version of Sylvester's "I Need You" by Ricky Womack & Christian Essence in edited Joey Negro format will mean instant purchase for many current disc jockeys, but there is plenty more spiritually enlightened disco heat around it. Essential release!
Review: Chicago-native Cecil Lyde's Home Boy And The C.O.L. album is often said to be his standout work. It dropped back in 1984 with his Home Boy group and was a swift follow up to 1982's self titled debut. Earlier works were defined by a lovely lo-fi aesthetic while this record goes big right for the off with an eight minute epic to kick off. 80s electro-funk then defines much of the rest of it with all sorts of big hits along the way. It makes for a luxurious listen with some self-reflective tunes like the ballad 'I Don't Want To Be A Movie Star,' and then some tension building and passionate vocal harmonies. This reissue comes a limited edition LP with obi-strip.
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