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Back catalogue: Funk
Juno's full catalogue of Funk
Albums
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Keine Nummer
Malta
Seven Up
Just Now
Elfer Raus
Dadort
Keine Nummer (take One - 2022)
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Review: Neville 'Breeze' McKeith is undoubtedly a legend of Black British music - albeit one not known to the majority of listeners. His CV is impressive; as well as being a founder member of jazz-funk outfit Light of the World, McKeith was also an integral member of Beggar & Co (known for disco hit '(Somebody) Help Me Out') and currently wields his guitar for The Brit-Funk Association. Unusually, this is only his second solo album, and arrives 41 years after his first. It acts as a showcase for his virtuoso guitar playing (he switches between lead, rhythm and acoustic guitar across the set), offering a mix of jazz-funk, fusion, contemporary jazz and soul songs and instrumentals. It's mostly new original material, but wisely McKeith has also included a handful of rather good interpretations of classic cuts.
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Review: Since emerging in their home country a decade ago, Caixa Cubo have flitted between labels (most notably Heavenly Recordings and Jazz 'N' Milk) while establishing trademark sound that expands on the jazz-funk-meets-samba-jazz template created by fellow countrymen Azymuth (like that band, they're a trio based around drums, bass and organ/electric piano). Unsurprisingly, they've now found a home on Joe Davis's Brazil-focused Far Out Recordings, a stable that has done much to champion Azymuth in the UK. Modo Avia (air mode) is typically warm, breezy and gently tropical, fusing killer grooves and infectious, off-kilter rhythms with brilliant solos, infectious riffs and far-sighted musical flourishes. It feels like the sort of set that will be talked about in hushed tones in 30 or 40 years, and we can think of no greater praise than that.
… Read morePlayed by: Pete Haigh
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Cat: OFBCD 5009. Rel: 20 Mar 25
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Review: Cymande's Renascence is a serious return to form, reviving the spirit and groove of their 1974 classic Promised Heights but with a fresher bite. Still a cornerstone for early hip-hop heads and funk aficionados on both sides of the Atlantic, they're back with the same politically sharp, soulfully positive vibe that put them on the map. It's an album that reminds us Cymande's sound hasn't aged; they're just here to finally get the flowers they've always deserved.
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Review: Over the course of two fine, full-length excursions, Don Glori (real name Gordon Li) has perfected a warm, breezy and frequently life-affirming trademark sound that cannily joins the dots between jazz, samba, MPB, jazz-funk and soul. He leans into the latter elements more on summery third set Paper Can't Wrap Fire, drawing on the talents of a wealth of Melbourne music friends across nine sublime tracks. There's much to admire throughout, from the sun-soaked jazz-funk/soul fusion of 'Brown Eyes' and summery head-nodder 'Janet', to the spiritual jazz joy of 'Song For Ants', the Brazilian brilliance of 'Precious' and the oceans-deep nu-jazz shuffle of 'Saturn's Return'.
… Read morePlayed by: Pete Haigh, Juno Recommends Broken Beat Nu Jazz
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Review: Following a pair of well-received albums on Juicebox Recordings (not to be confused with A Guy Called Gerald's 1990s label of the same name), self-styled "nu-funk" duo Franc Moody have transferred to Night Time Stories for the release of new album Chewing The Fat. Like its predecessors, it blends a left-of-centre, Hot Chip style sensibility with colourful and nostalgic synth sounds, disco strings, good grooves and nods aplenty to both 21st century electronica and the Halcyon days of synth-funk in the 1980s. The results are frequently superb, with highlights including the throbbing-but-sparse 'Square Pegs In Round Holes', jaunty opener 'Driving On The Wrong Side of the Road' and the blissful, tactile and string-laden nu-disco bounce of 'Bloodlines'.
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Review: Guts is a renowned French producer, DJ and vinyl connoisseur known for curating impeccable selections of global sounds. He has done so three times before for this series on Heavenly Sweetness and now returns with a fourth volume that arrives just in time for party season. This essential compilation traverses vibrant Latin rhythms, dynamic Afrobeat, soulful grooves and infectious tropical rhythms to make for a far-travelling listen. Again it shows off Guts' unmatched ability to uncover hidden gems and present them with fresh energy in an eclectic yet cohesive celebration of music's global spirit.
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Review: Soul legend Isaac Hayes' enduring legacy as a soul visionary echoes through this second volume of his singles, which picks up from where the first left off. The collection spans 1972 to 1976, a time when Hayes transitioned from Stax to his own Hot Buttered Soul label. Tracks like 'Hung Up On My Baby' and the relentlessly funky 'Chocolate Chip' showcase his blend of lush orchestration with raw, gritty grooves, a style deeply rooted in the soul-rich streets of Memphis, where Hayes' early musical foundations were laid. As he moved away from Stax's structure, Hayes embraced a new sense of creative freedom, merging cinematic soul with the emerging sounds of disco, perfectly captured in 'Disco Connection'. The production, unpolished and alive, channels the intensity of Hayes' sound from the early 70s, pushing boundaries while remaining deeply personal. This release is a reflection of the man's profound influence on soul music, one that continues to reverberate through generations.
… Read morePlayed by: Juno Recommends Soul
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Cat: MBCD 205. Rel: 19 Apr 25
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Cat: AJXCD 902. Rel: 13 Mar 25
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Review: Journey Through Life witnesses Afrobeat pioneer, pallbearer and powerhouse Femi Kuti's very latest transformation in sound, as we witness the artist turn vividly, self-reflectively inward. The LP proposes a rare self-produced window into Femi's personal evolution, spanning childhood memories to fatherhood and, of course, the unshakable presence of family. As he puts it: "At the end of the day for me family is all that matters. The essence is to manage such events and let love prevail." Long celebrated for his uncompromising political voice, Femi leans evermore into an already evident vulnerability, revisiting earlier material through several, pylonic stylistic anchors: his signature horn-laced grooves, not to mention themes of personal legacy and posterity.
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Counter Point (Japanese Edition) (CD with ob-strip)
Cat: SGJZ 2107. Rel: 05 Dec 24
in stock $10.71
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Cat: QROBIN 80CDD. Rel: 13 Mar 25
Review: Rufus and Chaka Khan's final stretch balances the unfiltered funk of their live performances with the studio polish of their later work. Their live recordings deliver an electrifying set, reworking classics like 'Tell Me Something Good' and 'Sweet Thing' into extended, groove-heavy jams. 'Ain't Nobody' stands outinot just as the lead single but as a masterclass in electro-funk, pairing airtight drum programming with Chaka's soaring vocal for a career-defining moment. Their studio material shifts towards sleek 80s production, offering a more restrained but still soulful contrast. A dynamic farewell from an era-defining partnership.
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Review: Satellites' self-titled 2020 debut album won plenty of plaudits, with critics the world over hailing the Tel Aviv-based band's blend of vintage, Turkish style psychedelic folk-rock and dancefloor adjacent grooves indebted to funk, soul and disco. Aylar, the six-piece's belated sequel, continues in this vein, with the band arguably being bolder with their musical choices. For proof, check the cosmic strut of opener 'Tisaldi Mehmet Elmi', a psych-funk transformation of a traditional Turkish folk song, the low-slung grooves and sweet retro-organ melodies of 'Midnight Sweat', the gritty, thrusting and hallucinatory 'Yok Yok' and the future dancefloor anthem that is psychedelic Turkish disco gem 'Zuluf Dokolmus Yuze'.
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Cat: 198028 86182. Rel: 09 May 25
Everyday People (J PERIOD edit)
Hot Fun In The Summertime (Interlude)
Hot Fun In The Summertime (mono single Master)
Everybody Is A Star (mono single Master)
Thank You (Falettinme Be Mice Elf Agin)
Thank You For Talkin’ To Me, Africa (alternate mix)
Family Affair (Questlove Rhythm King edit)
Runnin’ Away (alternate mix)
Just Like A Baby
Babies Makin’ Babies (Interlude)
If You Want Me To Stay (Alternate Version)
Thankful N’ Thoughtful (Alternate Version)
Family Affair (Wedding Band Interlude)
Can’t Strain My Brain
Stand! (Take 1)
Que Sera, Sera (Whatever Will Be, Will Be)
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Jazz Is Dead 22 (CD)
Cat: JID 022CD. Rel: 24 Jan 25
Review: Ebo Taylor, a towering figure in highlife and afrobeat, recorded his latest album during his debut US touria milestone that came at the remarkable age of 88. Teaming up with Adrian Younge and Ali Shaheed Muhammad, Taylor crafted a psychedelic journey steeped in 70s-inspired rhythms. Tracks like 'Beye Bu, Beye Ba' and 'Kusi Na Sibo' reflect his spiritual depth and lyrical wisdom, exploring themes of gratitude and divine guidance. Recorded at Linear Labs, the album pulses with fuzzed-out guitars, polyrhythmic percussion, and Taylor's signature vocal style, standing as both a testament to his enduring brilliance and a crown jewel in the Jazz Is Dead series.
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VARIOUS
Cat: MRBCD 302. Rel: 21 Mar 25
Review: International favourites on the boogie-and-beyond selection circuit, Horse Meat Disco deliver the first edition in a brand new compilation tracking yet more heat disco of a Brazilian flavour. Some 13 years in the making, much love and attention has been poured into this compendium, which unearths tracks from the seemingly endless urban goldmines of Brasilia and Rio, twin obsessive loci, nurtured by founding member Luke Eagle amid an extended exploration of the South American nation's dance music culture. Having learned to dance samba and paraded the Rio Carnival, this is a compilation rooted in worldly experience, made up largely of 7" finds. Chief among the brilliants are Ze Carlos' Italoesque wonder 'Venha' and the well-spiced 'Sol De Verao' by Lafayette, spanning years' worth of digging.
… Read morePlayed by: Pete Haigh
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VARIOUS
Cat: TRCD 9125. Rel: 06 Feb 25
Review: Tramp Records celebrate a whopper milestone, with the label's 125th record taking shape as a reconnaissant celebration of 1970s soul jazz and funk, forming part of the Praise Poems series. Launched to fare an interminable journey through the many privately pressed, furtively released and/or criminally undersung jazz-funk-soul records of yore, and with an international focus, this is a rather special case of one such compilation series making it to its tenth edition, and still retaining the kind of quality control and assiduity most comp-curators may only dream of. From the opening, ultra-headsy 'Fields Of Laughter' by the chartless American band Color Me Blu, to instrumental AOR from pianist George Melvin's short-lived Quintet, you can expect to hear super-rarities here, with some originals only having heard but two acetates to their names at first press.
… Read morePlayed by: Juno Recommends Funk
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Cat: LL 016CD. Rel: 24 Jan 25
Review: 'Linear Labs: Sao Paulo' marks Adrian Younge's next chapter, bringing together unreleased tracks from his global collaborations. Known for blending analog warmth with modern sound, Younge delivers an exciting mix of psychedelic soul and hip-hop. The album includes highlights like 'Something About April III' and 'Don't Cry for the Devil' with Snoop Dogg, alongside contributions from artists like ALA.NI, Bilal, and Stereolab's Laetitia Sadier. Each track taps into different influences, from Brazilian samba to Middle-Eastern psych, creating a dynamic sonic experience. This CD release presents Younge's curated vision of musical innovation, a must-have for fans of his boundary-pushing sound.
… Read more in stock $13.81
