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Back catalogue: Experimental/Electronic
Juno's full catalogue of Experimental/Electronic
Singles
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Albums
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Review: In June, Actress delivered an RA mix that was nothing short of surprisingientirely new, unheard material from Darren S. Cunningham himself. Asked if it was an album, he called it "a collage -Braque," leaving interpretation open. This CD edition captures the essence of Actress's sound: fluid, shape-shifting, and unconcerned with traditional definitions. Whether a mixtape or sonic collage, it's unmistakably Actress, offering listeners a raw, evolving soundscape that resists labels and challenges boundaries, making it an essential piece for fans of his ever-innovative style.
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Review: After five years apart, Italian composer Eraldo Bernochi and Japanese violinist, electronica producer and current Tangerine Dream member Hoshiko Yamana return with a sequel to their much-loved 2020 album Mujo. Described by the pair's label, Denovali, as "a deeply cinematic experience", Sabi cannily combines the slow-burn, trance-inducing synthesizer sequences of Tangerine Dream, the intergalactic electronic expressiveness of ambient techno, the thematic movements of modern classical, Yamana's emotive violin motifs and the spaced-out ambient iciness often associated with Geir Jensson's Biosphere project. It's a genuinely brilliant album all told, with the pair smartly sashaying between hazy melancholia, string-laden creepiness and picturesque aural colour.
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Cat: RM 4238CD. Rel: 12 May 25
Review: With a title inspired by the utterances of The Oracle of Delphi, a cult of female priestesses who reportedly "changed the course of civilisation" by inhaling volcanic vapours, it's clear that Lee Burtucci and Olivia Block's first collaborative album is rooted in paganistic visions and experimental mysticism. It's comprised of two lengthy tracks, each accompanied by edited 'excerpts', and combines Burtucci's experimental synth sounds and tape loops with Block's processed vocalisations and hazy field recordings. Dark and suspenseful, with each extended composition delivering a mixture of mind-mangling electronics, creepy ambience and musical elements doused in trippy effects, it sits somewhere between the charred "illbient" of DJ Spooky and the deep space soundscapes of the late Pete Namlook.
… Read morePlayed by: Juno Recommends Ambient/Drone
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Cat: CON 916CD. Rel: 28 Aug 24
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Al Azif (CD limited to 200 copies)
Cat: ETR 048LUCESIA99. Rel: 18 Jul 24
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Cat: SR 566CD. Rel: 10 Apr 25
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Cat: DA CD04. Rel: 19 Sep 24
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Void Ov Voices: Baalbek (CD with obi-strip)
Cat: SOMA 047CD. Rel: 04 Apr 24
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Review: Deepspace's 'Neon Blue Utopia' is the 16th album from the Brisbane-based artist is a heady brew of ambient electronica, spacewave and post-rock, conjuring a dreamlike world like a cyberpunk film score filtered through a kaleidoscope. 'Utopia=Visions' sets the tone with its expansive soundscapes and shimmering textures, evoking a sense of awe and wonder. Tracks like 'Parkour on Lazarus Heights' and 'Rainy... Precinct' paint a vivid picture of this futuristic metropolis, with their pulsating rhythms and otherworldly sounds capturing the city's vibrant energy and neon-lit glow. 'Entering Aquarium Prefecture' and 'Bubble Echolalia District' delve into the surreal, their off-kilter rhythms and disorienting soundscapes suggesting a world where reality is fluid and dreams are tangible. The album's second half continues the exploration, venturing into darker and more experimental territories. 'Floor 426-B' and 'Empty Office Space' hint at the city's hidden depths and the lurking shadows beneath its gleaming facade. A proper journey through a world of sonic imagination, this is an immersive and evocative soundscape-fest.
… Read morePlayed by: Juno Recommends Ambient/Drone
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Cat: CVSD 115CD. Rel: 14 Jan 25
Review: A groundbreaking document of avant-garde music from Romania, originally released in 1981 under Ceaucescu's oppressive regime, that's grown in reputation enough over the years to now necessitate a reissue. This compilation, featuring Dumitrescu and three other visionary composersiOctavian Nemescu, Stefan Niculescu and Corneliu Cezaridefies both the political climate and conventional musical boundaries. Opening with Dumitrescu's 'Movemur Et Sumus', the album immediately plunges into uncharted sonic territory. Strings are transformed through radical processing, oscillating between shimmering abstraction and visceral intensity. Nemescu's 'Combinatii In Cercuri' marries intricate ensemble writing with electronic textures added in 1980, creating a circular, evolving soundscape. Niculescu's 'Sincronie' combines composed and improvisational elements, culminating in a hauntingly dramatic exploration of stasis and movement, with Dumitrescu contributing both piano and conducting. Finally, Cezar's 'Rota' blends Balkan and Romanian folk influences with startling electronic effects and prepared instruments, evoking natural sounds like wind and waves alongside experimental timbres. Recorded in a Bucharest radio studio against all odds, this album showcases the revolutionary potential of Dumitrescu's Ansamblul Hyperion, a daring chamber group he founded in 1976. Newly remastered from the original tapes, the reissue preserves the original cover art and reintroduces these boundary-pushing works to a global audience. With its fusion of spectralism, acousmatic exploration and Eastern traditions, this release remains as daring and relevant as ever.
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Cat: NYAHH 016CD. Rel: 27 Feb 25
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Can't Fly Away
25 Yellow Doors
Lieber Herr Deustchland
Schwindebek III
Children's Toy Etude
Begluckte Schlagbohrmaschine
Stay Or Leave
Das Meer
So Far (alternative version)
Transformationrolle
Woke Up Outside The Dust Bin
We Are The Hollow Men
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Review: Unheard Of Hope - one prominent tine of the holy trinity / label supergroup known as TAR/MM/UOH - specialises is that all-too-rare subsection of music, the avant-garde. Theirs is a seedier aesthetic, preferring the more traditional, yet grimmer and demurer ends of this hotly contestable musical "approach", and perhaps emblematic of this is the latest record by Guatemalan cellist and vocalist, Mabe Fratti. Out on every format - tape, CD, vinyl - Sentir que no sabes ("feel like you don't know") hears Fratti's crystalline vocals glint like life-giving liquids, and sound too to effuse from the same fruitful source as its watershed cello lows and occasional blossomy arp-pop structures (ballad 'Pantalla azul' is by far the poppiest moment). The evident confidence brought to the record lends it an element of surprise, too, when we discover that it is entirely thematically rooted in doubt. In the words of the artist, this is a record born of the "moment when you feel you don't know anything and you are soft like jello and any fork can go through you." When one finds strength in permeability, one embraces what is normally registered as a pure antagonism, and all seemingly rigid particulars are changed for ever.
… Read morePlayed by: Juno Recommends Downtempo
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Cat: CDTOT 86. Rel: 20 Oct 22
Review: The Future Sound Of London are well-known for their intense sectioning-off of various albums into sagas. Conceived as far back as the late 1990s, the 'Environments' album series has been routinely topped up on a slow but steady basis, and has thus far manifested as a grand total of seven psychedelectronic odysseys. 'Environments Seven', which came out earlier in 2022, is testament to the duo's madcap penchant for sagaizing; indeed, this seventh instalment in the LP is split into a trilogy, and 'Environments 7.02' is the second in said trilogy.
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L'immagine Di Me Lontano (CD limited to 200 copies)
Cat: SPS 2367. Rel: 26 Sep 23
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Cat: AFFINCD 11. Rel: 07 May 25
Review: German pair Markus Guentner and Joachim Spieth rightly got plenty of acclaim for their 2023 ambient album Overlay and now it gets revisited with a top selection of remixes that breathe new life into the original compositions. Prominent ambient and experimental artists such as Hollie Kenniff, Rafael Anton Irisarri and Pole all show their class while newer names like Abul Mogard smears synths into a misty wonder on 'Scope', Galan/Vogt layer in angelic vocal tones to 'Valenz' and Leandro Fresco brings a lightness of touch that fills with optimism on opener 'Apastron. Guentner and Spieth themselves provide two alternate versions of their originals that bring new emotional and sonic depth.
… Read morePlayed by: Joachim Spieth
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Cat: HDBCD 067. Rel: 06 Jun 24
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Review: Irish producer Iglooghost continues to redefine electronic music with a conceptually rich and sonically dense third album. Drawing from the desolate landscapes of a coastal UK town overrun by primordial detritus, the record fuses UK garage, coldwave, drill and more into a visceral, cinematic experience. Created while squatting in a Kent coast garage near a sewage plant, Iglooghost's surroundings heavily influenced the album's dark, aquatic tone. Blending relentless percussion with eerie melodies, the album unfolds like a near-future sci-fi soundtrack. Tracks like 'Germ Chrism' deliver pummeling trap-meets-IDM chaos, while slower cuts like 'Spawn01' evoke the hushed intimacy of early Portishead. Iglooghost's vocals take center stage, ranging from snarling hooks to delicate whispers, imbuing the music with a surreal humanity. Thematically cohesive yet wildly experimental, the album's soundscapes mimic waterlogged radio transmissions, stuffed with textures, rhythms and cinematic interludes. Despite its grim undertones, a cartoonish, surreal charm runs throughout, melding genres and abstract storytelling into relentless, goosebump-inducing club music. This record reaffirms Iglooghost's mastery of world-building and his ability to craft a vivid, otherworldly atmosphere from the interplay of sound and narrative.
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