Back in stock: All genres

Notes: ***B-STOCK: Box opened, product in perfect working order***


The latest in 1010's innovative range of compact devices, the Bento is a fresh take on sampling and sequencing, offering an alternative to conventional options such as Akai's MPC series. Pure standalone creative flow.

Supplier's notes:
Sample Every Flavour

Bento is a portable, all-in-one sampling production lab that brings together flexible sequencing, expressive performance tools, and pro-level connectivity-perfect as the centrepiece of your desktop or mobile rig. Whether you're looping on the go, launching clips live, or sequencing your entire synth setup, Bento gives you the tools to shape your sound from idea to performance.

With pristine 24-bit sound quality, a bright 7" touchscreen, 16 responsive pads, and deep control over samples, MIDI, and effects, Bento offers a fast, fluid workflow in a compact and portable form. Sequence one-shots, build multi-sample instruments, and chop loops using Bento's flexible tracks, scene-based sequencing, and expansive modulation and FX engine.

Designed to replace laptops, simplify cabling, and integrate seamlessly with your gear, Bento features multiple stereo inputs and outputs, USB-C host and device ports, dual TRS MIDI I/O, and a built-in battery for up to 3 hours of mobile creativity.

Recording Capabilities

Capture loops quickly with the option to synchronize the start and stop times to the clock
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Store recorded samples as WAV files on the micro SD card

What's included

bento - sampling production lab
MicroSD card with over 160 patches and over 200 wav files
USB C power cord
USB C power and data splitter
Type B TRS MIDI To MIDI 5 Pin DIN adapter
QR Code with link to the Quick Start Guide

Technical Specs

8 tracks with multiple patch types-sample banks, multisamples, slicers, granular, loops, and external MIDI
16 pressure- and velocity-sensitive pads
7" diagonal touch screen
8 context-sensitive endless encoders
3 stereo inputs, 3 stereo outputs, 1 stereo headphone out
2 TRS MIDI inputs & 2 TRS MIDI outputs (Type A & B)
USB-C host and device ports
Internal battery with 3 hours in low power mode
Includes 155 Patches and over 5000 sample files
Expandable via microSD card
24-bit ADC/DAC
MIDI sequencing, modulation, and CC control support
Compatible with 100 x 100 VESA mounts
Product dimensions: 8" x 8.5" x 2", 2 lb (20.4 x 21.8 x 5.1 cm, 936 grams)
Package dimensions: 10.25" x 8.5" x 2.75", 2.7 lb. ( 26 x 21.6 x 7 cm, 1.2 kg)

Notes: The Nanobox series kicks off with a tiny wavetable synth. 1010music's Fireball offers eight-voice polyphony, touchscreen control, built-in effects and custom user wavetables. Small but spicy.

Supplier's Notes:
Red Hot Wavetable Synthesis

Bring some heat to your music creation workflow with Nanobox | Fireball, a polyphonic wavetable mini synthesizer with intuitive touchscreen control. Featuring eight voice polyphony, two wavetables and an oscillator, Fireball unlocks a huge array of sounds, from punchy and aggressive leads to atmospheric pads. Touchscreen X/Y control allows you to instantly morph and shape sounds with the swipe of a finger. Choose from hundreds of professionally designed presets and wav files, or quickly create your own patches with deep parameter control via the 2" touchscreen. Integrate fireball seamlessly with your existing tabletop gear or create on-the-go thanks to a compact design that fits in the palm of your hand.

What is included:

Nanobox | Fireball compact polyphonic granular synthesizer with touchscreen control
MicroSD card with presets and wav files
USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Includes 123 presets and 103 wavetables
Wavetables use 2048 samples per cycle and 256 cycles
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: Oscillators: 96kHz Rest of Engine: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type A/B selectable
Clock Input: 4 PPQ
MIDI support: Note On/Off, Mod Wheel, Sustain, Pitch Bend, Mono & poly Aftertouch, assignable CCs, and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

Notes: 1010's Nanobox range expands with the Razzmatazz, a tiny drum machine with FM synthesis, sampling and a built-in sequencer. Small but powerful, with built-in MIDI and touchscreen control.

Supplier's Notes:
Create the juiciest beats and tastiest rhythms with Nanobox Razzmatazz, a mini drum sequencer that combines powerful FM synthesis and sampling. Featuring advanced voice architecture, razzmatazz puts a huge range of percussive sounds at your fingertips-from deep and gritty kick drums to searing snare hits and crisp hi-hats. Perform using 8 touchscreen pads or your favorite midi controller, and craft up to 16 rhythms using an innovative visual sequencer that allows you to see all pad states and steps simultaneously. Shape the sound of each pad by combining any variation of two FM oscillators and a WAV file-plus two filters, two envelopes, a resonator, a snap generator, and three additional effects.

You can even choose from four unique types of distortion to create incredibly distinct and powerful drum sounds. Enjoy massive analogue drum sounds and an innovative feature set, all in a compact package that goes anywhere.

Technical Specs

Includes 120 presets and 112 wave files
8 pads that can support 2 FM Oscillators and WAV file each
Sample memory per WAV of 30 seconds
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, assignable CCs, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

What is included:

Nanobox | razzmatazz mini drum sequencer with FM synthesis and sampling
MicroSD card with presets and wav files
Color matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Review: ***B-STOCK: Creasing to corner of outer sleeve, record slightly warped***


The 39 Orbits pair of Nick Annies and Twink put out only two releases and they were back in 1993. In the years since though, they have become real digger's delights that now fetch high prices on the second-hand market if and when copies come up. But not anymore - Cosmic Soup has assembled this welcome 180g 12" which features tracks from those original records as well as one previously unreleased cut. 'Mercury' is pure dreamy post-rave prog house, as is the slightly more direct 'Outer Limits.' 'After Life' is high-speed house with lush synth work and 'Orbit's Theme' gets more deep and inwardly reflective.

Review: The combined talents of pianist-producer Alfa Mist and jazz drummer Richard Spaven have spelt the formation of a new hip-hop act, 44th Move, whose debut album for Black Acre debuts today. Centring on the notion of an "R&D mindstate", the pair bring a tonally lowered, electronicised sound to the table, teaming up with two further confidants - Bristol turntablist Awkward and Detroit rapper Quelle Chris - for an extended jaunt through techno, r&b and rap, arrayed in overarching drapes of moody jazz.

Review: For Record Store Day 2025, Bloom Japan presents a lovely 7" from the 45TRIO, who reimagine Minnie Riperton's classic 'Inside My Love.' This reinterpretation delivers a lush, jazz-infused instrumental take that honours the original's unique sensuality while introducing a fresh, soulful groove for modern 'floors. 45TRIO's tasteful blend of live instrumentation and vintage tones helps breathe new life into this timeless gem while the B-side offers a stripped-down version perfect for late-night spins or sample hunters. This is one to pick up and drop during those loved-up moments.

Notes: Great value from 4ms's twist on the Stereo Triggered Sampler module, this time capable of playing and manipulating stereo or mono WAV files from an SD card.

Supplier's Notes:
The Sampler is a variation of the Stereo Triggered Sampler.

Record, play and loop stereo .wav files with an SD Card. Includes the same 2022 Sampler Pack from the Stereo Triggered Sampler.

Features:

The Sampler plays stereo or mono .wav files from an SD Card. Samples are arranged into banks by placing .wav files into folders (each folder is a bank). A maximum of 10 samples can be loaded in a bank. There is a maximum of 60 banks (600 samples maximum total).
Sample files are limited to 4GB each, which is over 6 hours at 44k/16b/stereo.

Hundreds of samples included on microSD card
Extremely quiet, low noise and low jitter design
Stereo or Mono output

A knob and CV jack selects the Sample to play, and the Start Position knob and CV jack control where in the sample playback will begin. The Length knob and CV jack determine how much of the sample is played back: from tiny grains, to percussive hits, to longer loops... or just the entire file.

Pressing Play or firing a trigger into the Play Trig jack will play the sample. Holding the Play button down for a second will toggle looping.

There's also a Reverse button and jack for backwards playback, and an End Out jack for synchronizing loops, or cascading sample playback with other events.

To record samples, hold Play and Reverse for two seconds. Press Play again or fire a trigger into the Play/Rec Trig jack to start and stop recording. Each recording will create a new stereo 48kHz 24bit .wav file in the current bank's folder. Recordings can be as long as your card has the capacity for: a 256GB card is 18 days of continuous recording (432.9 hours). Audio data is split into maximum 4GB wav files on the microSD card.

Play button/trigger jack: Tapping the button or receiving a trigger starts/re-starts the sample
Sample CV/knob: select which sample within the channel's bank
Pitch CV and Pitch knob: playback pitch (-10 to +4 octave range)
Start Pos CV/knob: position in the sample to begin playback (loop start point)
Length CV/knob: playback time (loop end point)
Length knob at max: entire file is played
Length knob 50%-99%: 200ms - 5s of the sample is played (beginning at the Start Position)
Length knob <50%: Percussive decay envelope is applied to the playback (attack-only envelope if playing Reverse)
Length <1%: Tiny grains are played (can be used to sweep through sample file data manually)
Reverse button/jack: toggles forward/backwards
Bank button: selects channel's bank
Reverse + Start Pos button/knob combo allows for setting volume of playback
Maximum file size for playback: 4GB per file (6.7 hours per file at 44.1kHz/16b/stereo)
microSD Card is hot-swappable when Busy light is off: no power-down required to change cards.
Samples that are pre-loaded into memory can continue playing while card is swapped.

File Organization:

Using a computer, the intuitive automatic bank loading features make dragging and dropping your entire sample library a snap. No files need to be renamed. Just create folders and put up to 10 samples in each. If you want a folder to be associated with a particular colour of the Bank button, name the folder a colour name (such as "Blue - Loops").

Ships with a high-speed 16GB microSD card, loaded with hundreds of samples created for 4ms, from musicians such as Richard Devine, Wobbly, Moor Mother, Robert Aiki Aubrey Lowe, Joseph Pailo, Russell E.L. Butler, Hugo Paris & Marc Kate, Paul Barker, Baseck, Animal Collective, Cristian Vogel, Jay E, Marcus Fischer, Chris Carter, Daedelus, Nero Bellum, Anna Sitko, Thomas Fang, Bogdan Raczynski, and more (Sample List)

Intuitive bank/colour organization system; no need to rename your wav files
Record new samples directly to a bank with the Record Input jacks...
... or drag your folders of sound files onto the microSD card, and each folder will become a bank.
Folders starting with a colour name will be loaded into that colour bank
Example "Blue - Frooty Loops" will load into the Blue bank
Sub-folders are ignored, only folders in the root directory are scanned for wav files
Works best with UHS Speed Class 3 cards with |3| symbol printed on the card

Specs:

Electrical and Mechanical Specifications:
Module Size:
16 HP Eurorack format module
10-pin Eurorack power header
1.3" (33mm) maximum depth with power cable
Power consumption:
+12V: 135mA
-12V: 41mA
+5V rail: not used
Connect red stripe of power cable towards the bottom of the module, which is marked with a white stripe and the words -12V and POWER
Audio Inputs:
20Hz to 10kHz (+/-0.1dB); -6dB rolloff @ 20kHz
21V peak-to-peak maximum before clipping
Audio Outputs:
0Hz (DC) to 22kHz with maximum -1.8dB difference between file data and output
+10.5V to -10.5V maximum output
Trigger inputs:
Latency: 0.7us typi

Review: Originally formed in 1980 in Reno, Nevada, 7 Seconds are often credited as one of the most vital and criminally overlooked pioneering hardcore punk acts. Following on from their much-adored 1985 EP-cum-LP Walk Together, Rock Together, their 1986 follow up New Wind featured slower tempos and a notable imbuing of melody, with the project going on to be credited as an integral blueprint for the hardcore scene's eventual embracing and transition into pop-punk and indie rock. This long overdue reissue from Trust Records arrives complete with the complimentary Change In My Head, which is a totally new take on the classic album featuring tracks remixed in their entirety by Ian MacKaye (Minor Threat, Fugazi) alongside Inner Ear Studios' Don Zientara. Restoring and reimagining unreleased cuts from the original LP such as 'Change In My Head' and 'Compro', these bonus tracks offer a fresh snapshot of 7 Seconds in transition, but still very much firmly rooted in their hardcore ethos (before literal U2 comparisons would arise with later output). This limited double LP also comes with a 24-page oral history featuring unseen photographs, flyers, and memorabilia.

Review: NY breakbeat craftsman 88 Katanas gets explorative on Silent Force with four outstanding jungle adventures. The brilliantly titled 'The Standard Of The Archipelago' ignites the EP with a brisk drumfunk type of flavour that's comparable to Seba. From there we move inland to brutalist terrains... 'Radiant Energy' is a halftime march through thick swamps and woodland, and 'Bit Rot' takes us onto elevated fields where the air is fresher but the ground is very slippery underfoot. 'Subconscious Emotions', meanwhile, takes us back to a much calmer shore where a good looking ship awaits for voyage home.

Review: Portuguese legend and 30-year scene veteran A Paul is no stranger to Planet Rhythm - in fact he has already dropped an EP on the vital label this year. But now he's back with more on this Shadow Light six tracker. The opener is fast and dubby, stripped back and seductive for body and mind. 'Magnatizm' fizzes with more electricity and alien energy and 'Nocturnal' brings manic, anxiety-inducing loops. There is glitch and pent-up tension in 'Magnolia' while 'Dramatism' and 'Naperon' close out with more streamlined and tunnelling techno depths.

Review: ***B-STOCK: Sleeve slightly damaged, record slightly warped***


A² was the electro, breaks and tech house duo Andy Panayi and Alec Stone, and this outing on R.A.N.D. Muzik Recordings is a four-track collection that comes years after the tragic passing of Panayi so serves as a poignant tribute from his close friends and family. Honouring Andy's legacy, the release captures the duo's innovative electronic spirit and is both a celebration of their work and a touching farewell. Musically 'Street Renegade' is a lithe breakbeat sound, 'Upton Park Breaks' is more dark and textured and 'Electro Boogie' is just that while 'Reckless' closes on a more spaced out and cosmic tip.

Review: Planet Orange Records' fifth release is a four-tracker from the legendary minds behind Alien Recordings, aka A2 and Stopouts, who take one side each. From the opening moments, the Beyonders EP weaves a thread between the halcyon days of tech and minimal from the 90s but with forward-thinking energy. A²'s 'Glider' is a happy, piano-laced celebration to start with ,then 'Let's Get It Together' cuts loose with lithe pads and more mid-tempo drums. Stopouts steep up for the flip and soon melts the mind with some tightly woven acid and cosmic tech on 'Sin City' and 'Kartwheel' then brings a more freewheeling and loopy groove with some neon colours dripping down its face.

Review: After years of silence following the loss of Sonny Knight in 2017, former Lakers members Blair Krivanek and Cy Pierpont return with their new project, Ace Box Shift. The duo have made plenty of standout contributions to the soul revival scene before now and here they debut on Secret Stash Records with another pair of fiery instrumental cuts that work exceptionally well for DJs and dancefloors alike. They find Krivanek's jazz-infused guitar work meeting Pierpont's pounding rhythms with raw, funk-driven results that make for a bold, high-energy comeback that pays tribute to their roots while also moving things onwards.

Review: Pioneering Japanese psychedelic rock Acid Mothers Temple & the Melting Paraiso U.F.O. (AMT) were formed in 1995. Their relentless output has spawned various offshoots over the years, such as Acid Mothers Temple & the Cosmic Inferno and Acid Mothers Temple SWR, synthesising and alien cosmo-grammar in sound, one that perhaps only the most acid-casualtied tongues can interpret or speak. Now present through Rolling Heads comes their latest album for 2025: Holy Black Mountain Side comprises three psychedelic pieces, reticulating a series of recording sessions held down between 2021 and 2023, at one point reinterpreting a traditional folk song, and throughout enlisting guest bass from Taigen Kawabe of Bo Ningen. Each record comes wrapped in unique artwork by lead improvisor Kashiwagi Ten, adding an extra layer of veiled mystery to each: no two records are visually alike.

Review: Mario Acquaviva's 1983 jam 'Notturno Italiano' is a hugely sought after Italian boogie gem. Mother Tongue have dug it out the archives and enlisted some key names to offer up reworks and reconstructions, with Azymuth's Alex Malheiros and Daniel Maunick going first. They offer vocal and instrumental versions with life-affirming jazz Rhodes and cool, seductive rhythm sections that take you into the cosmos. Eternal deep house hero Ron Trent then does his escapist and spiritual thing on a lush and star-gazing dub that transcends genre. All three of these are irresistible.

Notes: Rack power bringing 2.5A (2500mA) on both the +12V and -12V rails. There is a 5V rail, but it pulls from the +12V rail, up to 750mA. So only use the +5V rail if you have to.

Comes with 12-position flying bus cable and wall power supply. The wall power supply is the same unit as After Later Audio use on their cases, so there's plenty of headroom and you don't have to worry about memorizing which amperage is for which.

This should be roughly enough for 2 rows of modules in a 104hp case. If you just need power for 1 row, check out our Warp Drive module.

Notes: With Time | The Roger Miret Archives

"Agnostic Front was a product of one of the most notorious and dangerous times of New York City history. The band captured those times sonically and visually. An image and sound that could have only risen from the grimy streets of old New York City. A time when the struggle fuelled incredible branches of creativity not only sonically but mainly within the underground wave of Artist clashing with Punks evolving into an inspirational era fuelled by the New York City Punk boom that bridged and reached the world in many inspirational ways."

"These are some of my archives that I have cherished my whole life. A time capsule of an era where life presented the darkest days of my life with light at the other end of the tunnel and that light was ambient even though it all seemed in black and white there was that one colourful rose rising from the concrete grime of the New York City streets. That colourful rose was my life, my soul growing and reaching my maximum being and my purpose and path in life."
-Roger Miret

Early archives from the collection of Roger Miret, chronicle the beginning of the New York Hardcore scene, and the DIY ethic that created the sound and feel of Agnostic Front.

348 pages of Early Flyers, Art, photography, and tour stories.

Notes: Soft on-ear memory foam cushions covered with PU leather. The thickness and materials gives high isolation and a punchy sound. Strong bass and low end dynamics.

Notes: Configured specifically for DJs, the superb TMA-2 modular headphones are offered here in DJ Wireless 'preset', featuring ultra-low-latency high-fidelity performance.

Supplier's Notes:
Danish audio company AIAIAI, known for pushing the boundaries in professional audio, is expanding the possibilities of music performance by releasing TMA-2 DJ Wireless - the world's first headphones specifically designed for wireless DJing. Now DJs can finally confidently free themselves from the cable, without compromise.

What truly sets the TMA-2 DJ Wireless apart is its groundbreaking ultra-low latency wireless technology, delivering a delay-free experience for precision beatmatching and cable-free mixing. Coupled with over 25 hours of battery life, they offer uninterrupted performance for lengthy sets.

TMA-2 DJ Wireless deliver professional-grade sound, tuned for powerful bass and clear treble, with high sound isolation to cut through the noise of any environment. Designed with durability in mind, the TMA-2 DJ Wireless builds on over a decade of proven TMA-2 DJ performance, featuring a robust yet lightweight construction that ensures long-lasting comfort during extended sets.

"With the TMA-2 DJ Wireless, we set out to create wireless DJ headphones that truly meet the demands of DJs. For years, wireless technology meant compromising on performance, but with our ultra-low latency wireless technology, we are finally able to deliver a solution that offers both Freedom and precision. This is a game-changer for DJs looking to break free from cables" - Frederik Jorgensen, Founder

Notes: ***B-STOCK: Dinked corners, but product is in excellent condition and in perfect working order***


The story is about Taina, a nine-year-old, Afro Boricua basketball novice growing up in Brooklyn during a pandemic who learns valuable life lessons from family, friends, and the community, both on and off the court. The narrative seamlessly weaves social-emotional learning with math, arts, social justice, identity, culture, and sports education, all in a fun (and at times goofy) manner!

-Written by Bobbito Garcia and illustrated by Estafania Rivera Cortes.
-58 large full colour printed pages (8.5" x 11"). Hardcover w/matte finish.
-Age range: 7+ and beyond.
-A helpful tool for social-emotional learning as well as math, social justice, identity, culture, and sports education.
-For any store that buys the book, Bobbito Garcia offers to do a personalized video drop to post on their socials and he'd repost it in his stories on IG. He would also add the store to the website of where people can go to buy the book locally (aimhighlittlegiant.com).

-"A brilliant, beautiful and spiritual basketball revelation disguised as a children's book."-Scoop Jackson, author of The Game Is Not A Game
-"A unique reframing of basketball delivered through New York City's diversity, geometry and spirituality."-Max Resetar, editor of SLAM MAGAZINE
-"Yet another achievement for the brilliant Bobbito Garcia who inspires the youth to championship heights! There is a giant in all of us."-Dan Klores, director of Basketball: A Love Story

"Bobbito Garcia's street-smart text and Estafania Rivera Cortes' starburst illustrations make for a buoyant, fun, and thoroughly modern experience. Call 'I got next' on AIM HIGH!" -Alexander Wolff, author of Big Game, Small World: A Basketball Adventure

"I've been documenting hip hop, sneaker, and basketball history in books, films, and magazines since the '80s, so imagine the thrill for me to finally write fiction, and especially for kids! The experience was liberating and allowed me to flex my experiences as a parent, which I haven't shared much of at all publicly. I truly hope the multiple communities I exist in have the opportunity to see themselves in the words and illustrations" -Bobbito Garcia

Brilliantly illustrated by Estefania Rivera Cortes, an artist based in San Juan, Puerto Rico with a compassion for social causes, Aim High, Little Giant, Aim High! is an unprecedented presentation of NYC's unique outdoor basketball culture, created for children of any background to enjoy. The book is published by We Are Little Giants, an independently Black and Puerto Rican owned business.

Review: It has been almost two years since the Fatima Al Qadiri's debut LP dropped on Hyperdub, and we're as excited now for her follow-up as when we'd heard the first one. This is because Qadiri provides us with everything to satisfy our need states; through an awry and granular sound, the artist is able to transmit a whole spectrum of moods and feelings. This makes Brute an album for anyone, and it can be enjoyed both by the party-goers and the moody corner-dwellers. The intro is a detached sort of skit that distances itself form any sort of shape, but so we're dropped in a post-futuristic world of pseudo grime, broken, detuned techno and tropical electronica. To be honest, there would be no other place for it than the mighty Hyperdub. Big release.

Review: Contemporary jazz talent Melissa Aldana is back on the legendary BlueNote label with her second album here. Echoes Of The Inner Prophet is, says the great label, "a musical voyage to explore the depth of the spiritual journey" and has been co-produced by Aldana and Lage Lund. The tenor saxophonist is joined three by the talented Lund on guitar, as well as piano from Fabian Almazan, Kush Abadey on drums and Pablo Menares on bass. The eight-track work is a mix of some all-new original compositions that "seek profound truths through introspection, intuition, and self-reflection" and chief amongst them is an opening track dedicated to the great Wayne Shorter.

Review: The 5th release from this Barcelona-based electronic label delivers a compelling mix of minimal and tech house with futuristic flair. 'Loving Matter' on Side-A starts things off with an electro groove, layered with techno elements and a touch of EBM. Its cool, dark vocal adds a layer of intensity, perfectly capturing the track's atmospheric edge. On Side-B, 'Whisper' has a trance-infused techno vibe, flowing smoothly with its subtle, hypnotic energy. The final track, 'Slowtrance', boasts a deep bassline and a fusion of retro trance and progressive sounds. The bouncy rhythm still carries an ominous tone, keeping the energy dynamic while leaning into darker, more introspective territory. This release is a masterful combination of old-school and modern electronic elements, with enough depth to impress fans of both techno and trance.

Notes: Algoriddim revolutionizes DJing with world's first AI based Digital Vinyl System (DVS) for mobile devices

Also being introduced for the first time, new patent-pending Neural MixTM Vinyl pushes the boundary of DVS technology, offering isolated stems for any song right on the B-side of the control vinyl.

Users can simply drop the needle of the analogue turntable onto one of three distinct tracks on the physical record to play either the original song, its instrumental version, or the acapella - just like on a 12" single from back in the day.

This feature is powered by an enhanced DVS control tone exclusive to djay Pro AI which has a unique control data stream imprinted into the grooves of each of the three distinct sections of the vinyl.

This drives the patented Neural MixTM technology running on Mac, iPad, or iPhone, using cutting-edge artificial intelligence to separate any song into its original components in real-time.

Features

Allows full control of djay on iOS devices via professional analogue turntables using special time code vinyl
Two turntables and an iPhone - Bypasses the need for laptops, computers, or hard-drives in the DJ booth
DJs can now connect their iOS device directly to their mixing system, optimized user interface automatically adapts when DJ hardware is connected

Hardware Setup

Plug-and-Play DVS for your iOS device

You can now connect your iOS device directly to your mixing system. The optimized user interface automatically adapts when DJ hardware is connected.

Control Vinyl

The next generation of DVS technology

Algoriddim has partnered with the world leading DJ manufacturers to develop a wide range of premium DJ controllers, DJ mixers, and accessories, co-branded and designed to seamlessly integrate with Algoriddim's award-winning DJ apps.

This feature is powered by an enhanced DVS control tone exclusive to djay Pro AI which has a unique control data stream imprinted into the grooves of each of the three distinct sections of the vinyl. This drives the patented Neural MixTM technology running on Mac, iPad, or iPhone, using cutting-edge artificial intelligence to separate any song into its original components in real-time.

Mobile & Desktop

Mac. iPad. iPhone. DVS without compromises.

AlgoRiddim have worked closely with some of the world's top DJs and carefully adapted djay's user interface to perfectly complement any connected hardware. It's a unique blend of tactile and touch based control. Moreover, djay's audio engine has been fine tuned for digital vinyl control to offer the tightest scratching, most accurate time-stretching, and lowest latency possible - no matter if you're using your Mac, iPad, or iPhone.

Q: What do I need in order to use DVS with djay?

A: DVS in djay is supported with any compatible mixer, turntable, and control vinyl (see below). Depending on which device you are using djay on, you might need one of the following adapters in order to connect your mixer:

iPad or Mac with USB-C port: USB-C to USB Adapter
iPad or iPhone with Lightning port: Lightning to USB 3 Camera Adapter

Q: Which mixers are supported?

A: While djay supports any audio interface, mixer, and MIDI controller that is supported on the respective platform, the following DVS-compatible mixers have been pre-mapped and can be used plug-and-play with djay and DVS:

Allen & Heath Xone:96 (Mac + iOS)
Allen & Heath Xone:PX5 (Mac + iOS)
Denon X1850 Prime (Mac + iOS)
Numark Scratch (Mac + iOS)
Pioneer DJ DJM-900NXS2 (Mac)
Pioneer DJ DJM-S11 (Mac)* ?
Pioneer DJ DJM-S3 (Mac)
Pioneer DJ DJM-S7 (Mac + iOS)
Pioneer DJ DJM-S9 (Mac)
RANE MP2015 (Mac + iOS)
RANE SEVENTY (Mac + iOS)
RANE SEVENTY-TWO (Mac + iOS) *
RANE SEVENTY-TWO MKII (Mac + iOS) *
Reloop ELITE (Mac + iOS)

These mixers are fully mapped (including performance pads) and configured automatically upon connection. You can also use Neural Mix™ directly via the performance pads on some of these mixers.

Pioneer DJM-S11: phono audio input for DVS on iOS requires initial configuration with connection to a Mac or PC every time powered on.

* Some features are not currently supported on these mixers:

Pioneer DJ DJM-S11: waveform display
RANE SEVENTY-TWO: waveform display, djay FX (note: requires holding SHIFT when selecting performance pad modes)
RANE SEVENTY-TWO MKII: waveform display, djay FX (note: requires holding SHIFT when selecting performance pad modes)

Review: Amorphic and Tensal hook back in to the machine to dialyse their crafts once more, with 'Highland Frequencies' offering up four, machine-numbered atoning lambs to our mech overlords, following up the equally arrayed 'Distant Landscapes' EP (2024) on Blueprint. Now bringing their distinctive cataloguing system to the discographic vanitas Mord, four more 'AT' tracks make for an irresistibly well-layered, synthetically one-of-a-kind release. Only 'AT4' gets a subtitle, 'The Sleepwalker', where a sandman's slumbrous, lollygaggling beats somehow, at the same time, betray a subconscious, paradoxical restlessness.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Like a greatest hits of recent Analogue Solutions synths, the Ample combines sound elements from the Fusebox with jack patch points, a patch pin matrix, plus sequencer and CV touch pads from the Generator, creating something new and unique.

Supplier's Notes:
Ample combines the best elements of several of Analogue Solutions' recent products.

The sound elements of Fusebox
Jack patch points of Concussor Eurorack
Patch pin matrix of Vostok
Echo from Dr Strangelove
Sequencer and CV touch pads of Generator

It shares all this yet still has its own sound!

Ample can be as complex or as simple as you want it to be

This synth has been given a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced synthesist endless possibilities.

This synth presents the controls in a user friendly and familiar synth layout that, together with this manual and other resources, enable even the new guy to get great sounds.

Synth - Percussion - Audio Processor

Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.

Circuits included

3x Analogue Oscillators

There are three analogue VCOs - each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.

2x Analogue Low Frequency Oscillator

LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.

Analogue Filter

Ample uses a four pole 24bB per octave low pass filter.

Analogue Amplifier

The VCA can be set to THRU so it is always 'open'. This allows Ample to be used as an effects processor.

2x Analogue Envelopes

There are two EGs - each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.

Modulation

Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' sounds further extended by patching with the jack sockets and pin matrix.

MIDI

MIDI is intentionally kept simple - so you can concentrate on making new sounds and making music - not getting tied up with SYSEX programming.

You get the all important control over filter cut-off using MIDI Velocity.

Patchable External CV Control Sockets

Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.

The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.

Sequencer

Ample has a vintage style 16 step sequencer.

Touch Keys

There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!

Pin Matrix

A neat way to patch the synth.

Echo

Nice lo-fi echo / delay.