Back catalogue: All genres

Notes: The 4ms Nocto Loco is an octave pedal capable of going as low at three octaves down in pitch. It can also function as a tremolo effect with the Pulse and Speed knobs.

Notes: - Speed: Rate of the effect, from a steady swell, to a rapid fire arm
- Symmetry: From ramp-up sawtooth, to triangle, to ramp-down (pulse width when Smoothness is at square)
- Depth: Amount of effect from barely a shudder to full tremulation. Can achieve silence to blaring loud squarewave chop
- Spacing: Loud/quiet "balance" waveshaper... Adjusts spacing between volume pulses
- Smoothness: Blend between full on/off squarewave "chop" to smooth buttery sine-tri-round wave
- Gain: Overall boost/cut

Notes: Introducing the Devil's Triad Essentials, All-Pedal's newest pedal designed in collaboration with Jeff Loomis. Built on the original Drive section of the now famous Devil's Triad, the "Essentials" provides you with one of the most versatile drive pedals ever created. All-Pedal started with the same Drive circuit, which is already able to deliver a wide range of drive tones. To this, an active three band EQ was added, tuned to the ideal frequencies for dialling in the best match for your particular amp or emulator. Then, the design weas finished off with an all new integrated Boost section. Now you not only have the ability to boost the output signal coming from the Drive section, but you can also boost the gain of the Drive itself. In addition, both of these Boost controls have a small area of cut available in the minimum settings. This means you have the ability to preset Post volume cut or boost, and Pre cut or boost. It sounds amazing on it's own, or when used to shape the drive tones of your favourite amp. The Devil's Triad Essentials aims to be your essential tone shaping tool.

Overdrive

Analogue op-amp drive provides depth and tightness to any amplifier while emphasizing your pick attack.
Drive input impedance: (Measured) ~ 400K @ 1kHz
Total Output: 20db
Power Draw: 37mA @ 9VDC

Boost

Pre & Post boost knobs for ultimate control on the front and back of the drive circuit.
Boost: Analog op-amp
Measured input impedance: 325K @ 1KhZ
Boost: Unity - 20db

3 band EQ

Highly tuneable 3-band EQ section, designed specifically for guitar. With rugged construction, unparalleled touch sensitivity, amp-like dynamics, and versatile tone shaping onboard.
High: Active 10db boost / 15db cut, centre frequency 4kHz
Mid: Active 7.5db boost / 7.5db cut, centre frequency 1kHz
Low: Active 7.5db cut / 13db cut, centre frequency 70Hz

Technical details

Size: 4.7" x 2.6" (121mm x 66mm)
Power: 9V Power Jack (No battery connector inside)
Power Draw: 37mA
True Bypass

Notes: The GALACTAVISE is Allpedal's flagship compressor. Built with the musician's needs in mind, it boasts an uncompromisingly sweet compressor circuit with a Mix control for dialling in that perfect balance of compressed tone and clean tone.

The top end can often be make or break with many compressor circuits, so AllPedal also added the ability to adjust just the right amount with the Presence control. Made with the highest quality components for a low noise floor and road-worthy durability.

Let the GALACTAVISE blast your tone into orbit!

GALACTAVISE is the best guitar compressor pedal for musicians seeking to balance their sound's dynamics. As the best compression pedal on the market, it allows guitarists to control their volume levels efficiently, ensuring a consistent sound output. This guitar compression pedal is an essential tool for both studio recording and live performance.

As with all their effect pedals, AllPedal took special care in the GALACTAVISE's aesthetics with its finish, sophisticated artwork and anodized knobs.

GALACTAVISE is proudly made by hand in Paducah, KY in the USA using the latest cutting-edge technology in the pursuit of ultimate tone.

Notes: Allpedal Microdose

Advanced Analogue Optical Phaser The Microdose is an optical, stage selectable analogue phaser, handcrafted with our hyper-detailed approach to usability, and tone. The Microdose is the first phaser launched by AllPedal, sometimes liquid-y smooth, sometimes chewy and lush.

Beginning with the Level control, you can always dial in the perfect volume for your phase tone. It also gives you the ability to mix in additional dry signal for a pleasant, subtle phasing effect. This control can also take you into pitch modulation territory when set to 100% wet. Res adds feedback, which makes for those over-the-top phase tones we all know and love. The Depth control adjusts the intensity of the effect, giving you everything from vintage 70's phase tones to sounds from a sci-fi soundscape. The wide range Rate control allows for both extremely slow and extremely fast modulation. Coupled with the Multiplier knob and the Tap Tempo switch, getting your effect locked in to the beat couldn't be easier. Sixteen wave shapes are available via the Waveform control and the Wave Set selector switch. Lastly, the Microdose includes an Exp pedal input for controlling the Rate. It works with many instruments including electric guitar, synthesizers, and bass.

Microdose is proudly made by hand in Paducah, KY in the USA using the latest cutting-edge technology in the pursuit of ultimate tone.

Notes: ALM's versatile MFX effects module translates to a compact pedal format, suitable for guitar, synth or any other instrument. Understated looks conceal a super versatile combo of 18 stereo programs with assignable parameters and MIDI control.

Supplier's Notes:
Standalone stereo multi effects processor

The 'MFX Pedal' brings all the effects and functionality of ALM's popular Eurorack MFX module to both guitars and synths in standalone form with 18 different fully featured effects programs and additional MIDI, Knob and Expression pedal control, tap tempo, an optional analogue gain stage and true relay (or DSP) based bypass.

Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP effect technologies from the dawn of digital effects in the 70s to the present day. Reshape sounds with the distortion and dynamics engines. Bend time space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one-of-a-kind granular and glitch engines.

The MFX Pedal user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to knobs, MIDI or expression control. Each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.

Available for the first time outside of modular, the MFX pedal easily brings the character and uniqueness of ALM effects to your guitar rig, DAW-less setup, mixer effects send or synth collection.

Tech Specs
Power: 9V DC power, center negative
Current Draw: 100mA (200mA+ supply recommended)
Input Impedance: 1MOhm
Output Impedance: 1Kohm
Max Input level: +8 dBu (2 Vrms ~ approx 5Vpp)
Optional Gain Stage: +10 dB
Bypass: True Relay & Buffered DSP based
Expression input: 0-3V
Dimensions: 125x65x70mm
16 Bit / 44.1Khz Stereo processing with 32 bit floating point DSP
ARM CPU based DSP

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


ALM's versatile MFX effects module translates to a compact pedal format, suitable for guitar, synth or any other instrument. Understated looks conceal a super versatile combo of 18 stereo programs with assignable parameters and MIDI control.

Supplier's Notes:
Standalone stereo multi effects processor

The 'MFX Pedal' brings all the effects and functionality of ALM's popular Eurorack MFX module to both guitars and synths in standalone form with 18 different fully featured effects programs and additional MIDI, Knob and Expression pedal control, tap tempo, an optional analogue gain stage and true relay (or DSP) based bypass.

Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP effect technologies from the dawn of digital effects in the 70s to the present day. Reshape sounds with the distortion and dynamics engines. Bend time space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one-of-a-kind granular and glitch engines.

The MFX Pedal user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to knobs, MIDI or expression control. Each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.

Available for the first time outside of modular, the MFX pedal easily brings the character and uniqueness of ALM effects to your guitar rig, DAW-less setup, mixer effects send or synth collection.

Tech Specs
Power: 9V DC power, center negative
Current Draw: 100mA (200mA+ supply recommended)
Input Impedance: 1MOhm
Output Impedance: 1Kohm
Max Input level: +8 dBu (2 Vrms ~ approx 5Vpp)
Optional Gain Stage: +10 dB
Bypass: True Relay & Buffered DSP based
Expression input: 0-3V
Dimensions: 125x65x70mm
16 Bit / 44.1Khz Stereo processing with 32 bit floating point DSP
ARM CPU based DSP

Notes: The AFA Baron Samedi Fuzz pays homage to the legendary Jordan Bosstone, but sounds nothing like one. Additional gain and a very strange tone control add aggression, fullness and bite to the sound. The interactivity of the top three knobs make this a raucous device that yields an entire variety of sounds, from a great vintage fuzz tone to synthier sounds with faux-portamento decay.

Guaranteed to summon harmonics from other worlds, the AFA Baron Samedi encapsulates the vulgarity, the madness and sheer joy of the electric guitar. Whether you're playing mellower brass sounds on a jazz solo from hell, gated faux-bass single-note riffs or all-out scooped mid riffs, this pedal will take every note to the afterlife and back.

Did we just say guitar? For those unafraid to experiment and stand out, the Baron is a devastating effect, live or in the studio, to use on drum machines, synthesisers and bass guitar too.

Hand-built with pride in Bombay, India.

Notes: The Chemical Burn is a take on a juggernaut of 60s fuzz sound - the Shin-ei/Companion Superfuzz FY-6. Chemical Burn is an almost-faithful reproduction of this classic, with a few modern twists that make it more usable and versatile and add new operation modes to this classic circuit. The basis of operation remains the same.

If you're looking for a subtle fuzz that cleans up well when you back off the volume control, you're clearly in the wrong place.

Notes: Although the Godeater was designed for bass guitar, it might just be the most versatile Animal Factory pedal yet.

With extreme compression and saturation in the low end, this is a very unique circuit that is not a clone of any existing pedal.

The idea behind the Godeater was to be able to run the pedal 100% distorted and have a full, strong bass response without having to dial the clean signal back in.

The Godeater distinguishes between global gain and saturation with two stages of gain control.

The very musical EQ can thin out the sound or go deep into the subs.

From adding a subtle grunt, blending clean and dirty sounds to full doomy chords, this pedal does it all and more.

The extended bass response makes it an ideal choice for downtuned or baritone guitar, but also bass synths and drum machines.

Power: 9-12V DC, 100 mA, Uses a 2.1 mm DC jack with negative center (Boss-style pedal standard power supply)

Input Impedance: nom. 1MO

Output Impedance: nom. approx 2kO

Notes: Suitable for guitar, synths, drum machines and more, the updated Godeater refines the boutique saturation/distortion pedal, offering more precise control over low frequencies. New filter-keyed sidechain, advanced routing and MIDI integration add major flexibility.

Supplier's Notes:
The new Godeater+ is the successor to the successful Godeater pedal from Indian manufacturer Animal Factory.

The Godeater was primarily designed for electric basses and saturates the sound in the lower frequencies. However, it is not limited to bass guitars. The pedal can also be used with synthesizers or guitars. The pedal can also be interesting in combination with drum computers. The main aim of the Godeater+ is to create a pedal that allows you to create a distorted sound without losing the low frequencies.

Notes: Ozymandias - Dual overdrive pedal for guitar with exceptional distortion sounds

Ozymandias is a stacked dual-overdrive/distortion pedal that offers a plethora of usage options, choices fit for the King of Kings. From a near-clean boost with unparalleled headroom to full bore bourbon-swilling crunch, this one rules them all.

Features and Controls
Ozymandias contains two independent overdrive circuits, with identical controls but marked differences in tone and voicing:

The CROOK channel (left side, blue LED) boasts a full, fat thick sound and amp-like voicing. This channel is more articulate, grainy and has a huge low end.

The FLAIL channel (right side, red LED) is voiced in the midrange, with more drive and compression. This high-mid voicing will cut through a mix on pretty much any instrument.

Both channels have GAIN, TONE and VOLUME controls. For more textural control, each channel has three-way switches for hard (GRIND) and soft (GRIT) clipping, as well range (FULL/MID).

Each channel of the Ozymandias has its own set of input and output jacks. This allows you to split the output from each channel into separate amplifiers or even process two different instruments independently.

The mysterious square in the middle switches between two modes:

Series (Light off): FLAIL channel -> CROOK channel -> Output 2
Parallel (Light on): FLAIL channel -> Output 1; CROOK channel -> Output 2
Thanks to internal 22V operation, Ozymandias offers far greater headroom than most overdrive pedals from a regular 9V pedal power supply. Even with the gain dimed, this pedal is extremely reactive to playing dynamics and pick attack.

Notes: The Pit Viper is a solid state overdrive which can go from a rather clean boost to a roaring "all controls to 11" sound.

It features controls for Gain, Tone and Volume as well as switches to alter the clipping behaviour.

The cases are made from distressed hand polished aluminium with hand etched graphics, every single one is unique!

Notes: The TranZformer GT is a multifunction pedal that is designed to easily and affordably bring the world-famous analog sound of API to your guitar. Offering the user an unsurpassed level of sonic control, the TranZformer GT combines an API 525 feedback-type compressor with a guitar-optimized 3 band equalizer, both independently in/out switchable. The unit also features phase invert switches on each output, ground lift, clip indicator and transformer output. Like all API products, the TranZformer GT is built to API's exacting standards and remains true to the design philosophy that has made API the leader in professional analog gear for nearly 50 years.

Notes: The ART COOLSwitchPro A/B-Y Switch with Isolation is a handy foot-operated box that lets you switch an instrument signal (guitar, bass, or keyboard) to either of two amplifiers or amp channels, A or B. The "Y" function sends the input signal to both the A and B outputs in parallel.

Switch-selectable features on the B channel add versatility to the basic switching functions. A high quality audio transformer can be switched in to provide isolation between the input and output signals. This helps reduce the danger of shock when the amplifiers are at a different potential. Also, this isolation, along with a ground lift function, helps to eliminate the hum caused by ground loops. A phase reverse function lets you make sure both amps are in phase.

The ART COOLSwitchPro is completely passive with true bypass and is housed in a rugged, stable case with industrial-grade footswitches spaced for easy operation. It will provide many years of reliable service, whether on stage or in the studio.

Notes: The LSwitch is a normally closed (NC) latching footswitch for use with various effect units or amplifiers that have an external footswitch jack. The onboard LED is supplied power by the switching circuitry on the host device; not all host units will necessarily power the LED properly, but the footswitch will work in spite of this.

Notes: Classic whammy octave

Aural Dream Classic Whammy Octave Guitar Effect Pedal provides Monophonic and polyphonic Pitch Shift Up and Down 1 octave and 2 octaves,True Bypass .

-Providing multiple octave effects combinations from 1 and(or) 2 Octaves by pitchshifting up and(or) down.
-True Bypass,compact and solid design.
-Power saving,the current is only 50mA
-Providing Monophonic and polyphonic PitchShift octave effect accuratly.
-The simplified Organ effect can be obtained by adding and subtraction of the octave and dry sound combination.

5 parameter knobs:

VOLUME1:Adjusting the volume of the mode indicated by the SUB knob.
VOLUME2: Adjusting the volume of the mode indicated by the ADD knob.
DRY:Original sound volume adjustment.
SUB: "-1" means to drop one octave, "- 2" drop two octaves.
ADD: "+ 1" means to rise one octave, "+ 2" means to rise two octaves.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specifications

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Crystals Harmony

Aural Dream Crystals Harmony Guitar Pedal includes 4 Delay Harmony effects and Pitchshifting 24 simetones or Octave(s)for creating cascaded crystal particles effects .

-4 crystal particle harmony algorithms runs on any semitone in the range of -12 semitones to 12 semitones.

-True bypass,compact and solid design;Power saving,the current is only 50mA.
-Tone filter is used to control the sound effect from bright to dark.
-Using Feedback and Mix,we create cascaded ascending or descending crystal particles Delay harmony sequence with fixed scale difference.
-Using internal reverse,internal delay and internal transposition created beautiful "crystals"effect.

5 parameter knobs:
Tone: Tone adjustment.
Mix: Dry/wet ratio,"0"indicates the position of pure dry sound,"-"indicates Mix ratio in the down pitch area,"+"indicates Mix ratio in the rising pitch area.
FDBK: Feedback coefficient adjustment.?indicates feedback adjustment in the range of 0 to 6th semitones,?indicates feedback adjustment in the range of 7th to 12th semitones.
Half-steps: "0"indicates original sound;When FDBK knob is in ?controlling area,Half-steps knob indicates pitch in the range of 7th to 12th semitones; When FDBK knob is in ? controling area,Half-steps knob indicates pitch in the range of 0 to 6th semitones.
MODE: 4 different effects.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specifications

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Detune

Aural Dream Detune Guitar Pedal provides 4 detune effects and 4 adjustable Cents Pitchshift,similar to Chorus and Shimmer,True bypass .

-4 different cents.
-True Bypass ; compact and solid design.
-Power saving,the current is only 50mA.
-4 kind of detune modes on smoothness,including detune,reverse detune,High smoothness detune and High smoothness reverse detune .
-Using delay can create the beautiful detune effect with sense of space and presence.

Detune produces the sound by detuning the dry signal -40~+40 cents.

It's good for making dual-track voice or sound which is similar to chorus.

5 parameter knobs:
Tone: Tone adjustment.
Mix: Ratio of original sound to effect sound.
Time: Delay time adjustment.
Smooth: Selection of 4 detune effects.
Cents: Detune range adjustment[-40cents, -20cents, 0cent, +20cents, +40cents].

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specification parameter

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Digital Compressor

Aural Dream Compressor Guitar Effect Pedal includes Stompbox compressor and Studio compressor with Dynamic Output,True Bypass.

Product Feature:

-2 Compression effects.
-Realizing large range dynamic compression.
-True bypass mode,compact and solid design.
-Lookahead function can quickly track mutation and respond to compression.
-Extremely power saving,current only 50mA.

5 knobs of Compressor pedal:

Att: Starting compressing and responding to the sound saltation accurately.
Ratio: Compression ratio.
Threshold: Threshold of compression initiation.
Rel: Release speed of compression.
Look ahead: Tracking the dynamic range of sound and the sound saltation quickly to realize compression easily.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specifications:

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Digital Delay

Aural Dream Digital Delay Guitar Effects Pedal provides 8 Delay Space effects including Echo,Tape,Analog,Band,Sweep and Reverse Delay,True bypass.

-8 different Delay Space effects.

-True Bypass ; compact and solid design;Power saving,the current is only 50mA.
-Special band delay,sweep delay,reverse delay and ducking delay are added.
-Not only providing the bending changes of the sound,but also the sense of space and vacant.
-Delay time,feedback and humidity ratio regulation provides a variety of natural and realistic delay effects in fixed mode.

5 knobs of Digital Delay:
Tweak/Ducking:The function in Ducking mode is Ducking function,and in the remaining modes is Tweak function.
Time: Time adjustment.
Mix:Mixing ratio of original signal and delay effects.
F.back::Feedback adjustment.
Selection knob for 8 Delay effects:
Echo:Echo delay(Tweak:Brightness adjustment).
Modulate:Modulation delay(Tweak:Speed adjustment).
Reverse:Reverse delay (Tweak:Reverse time adjustment).
Analog:Analog delay (Tweak:speed adjustment).
Tape:Tape delay (Tweak:Bending force adjustment).
Ducking:Compression delay (Ducking:Compression threshold adjustment).
Sweep:Sweep delay (Tweak:Sweep speed adjustment).
Band:Frequency band delay (Tweak:frequency band adjustment).

***The digital effector needs to be best connected by Amp's FX Loop port.

Specifications

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Digital Wah

Aural Dream Digital Wah Guitar Effect Pedal provides 8 Wah modes including Multiple Wah Effect and Tremolo wah effect,True bypass.

-8 different Wah effects .
-True bypass,compact and robust design;extremely power saving,current only 50mA.
-Providing triangle waveform wah and sine waveform wah.
-Providing multiple Wah and Tremolo Wah effects.
-With speed,scanning range and sensing intensity adjustment.

Knobs of Digital Wah:
Rate: Speed adjustment.
Range:Dynamics adjustment.
Freq: Frequency adjustment.
Sense:Sensing intensity adjustment.

Selection knob of 8 Wah effects:
S-wah: Sine wah.
S-Twah:Sine tremolo wah.
T-wah:Triangle wah.
T-Twah:Triangle tremolo wah.
S-Mwah:Sine multiple wah.
S-TMwah:Sine tremolo multiple wah.
T-Mwah:Triangle multiple wah.
T-TMwah:Triangle tremolo multiple wah.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specification parameter

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Doubling Slapback

Aural Dream Doubling Slapback Guitar pedal provides 4 Doubling/Slapback modes and 6 modulation waveforms reaching 24 effects ,True Bypass.

-4 Doubling/Slapback effects.
-True Bypass;compact and robust design;extremely power saving, current only 50mA.
-Providing Doubling,slapback and Doubling+Tremolo effects.
-6 modulation waveforms including trapezoid wave and sawtooth wave.
-Dynamic Doubling effect with Flanger or Chorus timbre can be obtained through speed adjustment.

3 parameter knobs:
Rate: rate adjustment.
Depth: depth adjustment.
Time: delay time adjustment.

6 modulation waveforms knobs:

Sine: sine wave.
Tri 1: triangle wave 1.
Tri 2: triangle wave 2.
Saw up: upper sawtooth waveform.
Saw down: lower sawtooth waveform.
Trapezoid: trapezoid waveform.

4 Double/Slapback Effects selection knobs:
1.Digital doubling: doubling effect.
2.Analog doubling: analog circuit doubling effect.
3.Slapback+Tremolo:
When the rate knob and depth knob are turned off, it is the slapback effect. At this time, the waveform selection knob does not work.
4.Doubling+Tremolo:
Tremolo is not adjustable in this effect.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specifications

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: EQ boost/cutoff

Aural Dream EQ Boost Cut-off Guitar Pedal provides Parameter EQ,Shelf filter and Peak filter including Boost and cutoff function.

-It has optional low frequency shelf filter and high frequency shelf filter,and the gain can be adjusted from -12db to 12dB.

-True bypass, compact and solid design.
-Power saving,the current is only 50mA.
-The peak filter can create the excitation or resonance of a certain frequency band, or create a band notch.
-Boost or cutoff is achieved through the choice of frequency and gain,so as to realize the function of parameter EQ.

5 parameter knobs:
FC1:Frequency center 1 adjustment,LFS:Frequency adjustment for Low frequency shelf filter,HFS:Frequency adjustment for High frequency shelf filter.
FC2:Frequency center 2 adjustment.
BW2:Bandwidth 2 adjustment.
GAIN1: Gain 1; Gain range[-12dB,-6dB,0dB,+6dB,+12dB],functions with FC1.
GAIN2: Gain 2; Gain range[-12dB,-6dB,0dB,+6dB,+12dB],functions with FC2 and BW2.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specification parameter

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Fixed Harmony

Aural Dream Fixed Harmony Guitar Pedal provides Delay Harmony and PitchShifting 24 semitones or Octave(s) effect for Cascaded harmony of the fixed scale difference,True Bypass.

-Using accurate harmonic algorithm runs on any semitone in the range of -12 semitones to 12 semitones.
-True Bypass,compact and solid design;Power saving,the current is only 50mA.
-Tone filter is used to control sound effect from bright to dark.
-Using Feedback and Mix to operate on the played notes and create a Cascaded series of ascending or descending harmony with fixed scale difference.
-Using delay time and feedback can create Lush harmonic sequence with sense of space and presence.

5 parameter knobs:

Tone: Tone adjustment.
Mix: Ratio of original sound to effect sound.
FDBK: feedback adjustment. ?indicates feedback adjustment area in the range of 0 to 6th semitones, ?indicates feedback adjustment area in the range of 7th to 12th semitones;More feedbacks will be produced with identifier going from the sharp end to the wide end.
Time: time adjustment;"-"indicates delay time in the down pitch area,"+"indicates delay time in the rising pitch area.
Half-steps: "0"indicates original sound;When FDBK knob is in ?controlling area,Half-steps knob indicates pitch in the range of 7th to 12th semitones; When FDBK knob is in ? controling area,Half-steps knob indicates pitch in the range of 0 to 6th semitones.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specification parameter

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Legend Formant Synthesizer

Aural Dream Legend Formant Synthesizer Guitar Effects Pedal provides 9 Human Vowels,4 Resonance modes and transition Voice based on expanding Wah Filter similar to"Talk box".

-4 resonance modes;The effect pedal combined with Distortion,Overdrive and Fuzz pedals are better.
-True Bypass ; compact and solid design;Power saving,the current is only 50mA.
-Using Ctrl knob to select the transition between vowels controlled by 3 different knobs.
-Start,Mid and End knobs control 3 different vowels respectively to achieve 9 vowels.
-Using the characteristics of vocal formants, the formant synthesizer transforms the guitar signal into a similar human vocal tract sound.

5 parameter knobs:
Start: control three optional vowels;It sounds /a/ for hot at 8 o'clock, /u/ for foot at 12 o'clock, and /i/ for bit at 4 o'clock.
Mid: control three optional vowels;It sounds /er/ for bird at 8 o'clock, /e/ for bet at 12 o'clock, and /ae/ for bat at 4 o'clock.
End: control three optional vowels;It sounds /ow/ for bought at 8 o'clock, /oo/ for boot at 12 o'clock, and /iy/ for beet at 4 o'clock.
Ctrl: select any vowel in three knobs of Start,Mid and End,When Ctrl is between S-M-E,it indicates a transition tone between vowels controlled by three knobs.
Mix: respectively pointing to the mixing ratio of 4 resonance modes.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specification parameter

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Listen Reverb

Aural Dream Listen Reverb Guitar Effects Pedal provides 8 Reverb modes and Predelay control including Spring,Plate,Gate,Hall and Reverse Reverb,True Bypass .

-8 Reverb effects including Spring,Plate,Gate,Hall and Reverse Reverb.

-True Bypass,compact and solid design;Power saving,the current is only 50mA.
-Providing Predelay adjustment with spatial models to influence presence.
-Using Decay adjustment to affect reverberation time.
-Using fast response Tone filter from bright to dark tone.

5 knobs of Listen Reverb:

Decay:decay adjustment of reverb time.
Tone :tone adjustment.
Mix :dry to wet ratio adjustment.
Predelay: predelay adjustment,which directly affects the sense of space.
8 types of reverb effect:
Spring Reverb
Plate Reverb
Gate Reverb
Reverse Reverb
Room Reverb
BigRoom Reverb
Hall Reverb
Chapel Reverb

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specifications

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Octave Divider

Aural Dream Octave Divider Guitar Effects Pedal provides Monophonic and Polyphonic Pitch drop 1 octave and(or) 2 octaves with adjustable time difference.

-Providing multiple down Octave effects combinations by PitchShifting down 1 and/or 2 Octaves.

-True Bypass;compact and solid design.
-Power saving,the current is only 50mA.
-We can get accurate monophonic and polyphonic shifting octaves effect.
-Adjustting delay time between dropping 1 Oct and dropping 2 Octs.

5 parameter knobs:
The DOWN OCT1: Adjusting the volume of 1 octave down.
The DOWN OCT2: Adjusting the volume of 2 octaves down.
MIX: Ratio of dry sound to effect sound.
TONE: Tone adjustment.
DELAY TIME: Delay time adjustment,"1"indicates the delay time of 1 octave down; "2"indicates the delay time of 2 octaves down.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specifications

Electronic parameters:
Working voltage: DC9V
Chip inner voltage: 1.8VWorking current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Digital Chorus

Aural Dream Super Chorus Guitar Effect Pedal provides 4 chorus modes and 8 modulation waveforms reaching 32 chorus effects,True bypass.

-4 different Chorus effects.
-True Bypass ; compact and robust design;extremely power saving,current only 50mA.
-Providing multiple voice chorus effect and Flanger type chorus effect.
-8 modulation waveforms including trapezoid wave and sawtooth wave.
-Using time adjustment to get space chorus effect.

The 4 parameter knobs are:

Rate: rate adjustment.
Depth: depth adjustment.
Time: Chorus time adjustment.
Selector knob for chorus effect:
1: Chorus1 effect: adjusting the ratio of the original sound to the effect sound of chorus1.
2: Chorus2 effect: adjusting the ratio of the original sound to the effect sound of chorus2.
3: Analog chorus effect: adjusting the ratio of original sound to effect sound of analog chorus.
4: Modulation chorus effect: adjusting the ratio of the original sound to the effect sound.
8 modulation waveforms are:
Sine:Sine wave.
Tri 1:Triangle wave 1.
Tri 2:Triangle wave 2.
Tri 3:Triangle wave 3.
Saw up:Sawtooth up wave.
Saw Down:Sawtooth down wave.
Ladder 1:Ladder wave 1.
Ladder 2:Ladder wave 2.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specification parameter

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Digital Flanger

Aural Dream Super Flanger Guitar Effect Pedal provides 3 Flanger modes,6 modulation waveforms and 2 feedback modes reaching 36 effects,True Bypass.

-3 Flanger modes,providing standard Flanger,Analog Flanger,and Thru_zero Flanger effects.

-True Bypass,compact and solid design.
-Power saving,the current is only 50mA.
-6 modulation waveform with trapezoid and sawtooth waves.
-Providing 2 feedback modes incliuding atypical negative feedback mode,it is easy to get a more wonderful,unique jet flanging effect.

The 5 knobs are:
Rate: rate adjustment.
Depth:depth adjustment.
Fdbk: Feedback coefficient adjustment(The middle position is 0,and the two sides are respectively positive and negative feedback).
Selection knob for Flanger effects:
Mix1:Dry to wet ratio of Digital flanger.
Mix2:Dry to wet ratio of Analog Flanger.
Mix3:Dry to wet ratio of Thru Zero Flanger.
6 modulation waveforms:
Sine: sine wave.
Tri 1: triangle wave 1.
Tri 2: triangle wave 2.
Saw up: Upper sawtooth wave.
Saw down: Lower sawtooth wave.
Trapezoid:trapezium wave.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Digital Phase

Aural Dream Super Phase Guitar Effect Pedal provides 4 Phaser modes,6 modulation waveforms and 2 feedback modes reaching to 48 phase effects,True Bypass.

-4 different phase effects.
-True Bypass;compact and solid design;Power saving,the current is only 50mA.
-Providing script 45,script 90 and classic vibe phase effects.
-6 modulation waveforms including trapezoid wave and sawtooth wave.
-Providing 2 feedback modes including atypical negative feedback model,it is easy to get a more wonderful and unique Doppler phase effect after distortion stompbox.

The 5 knobs are:
Rate: modulation rate.
Depth: modulation depth.
Fdbk: feedback coefficient (from negative feedback to positive feedback).
Phase type knob:
Mix 1---Script 45.
Mix 2---Digital phaser.
Mix 3---Classic Vibe.
Mix 4---Script 90.
At the same time the knob is increasing gradually to adjust the ratio of dry and wet.
6 modulation waveforms in the middle position knob:
Sine---sine wave .
Tri 1---triangle wave 1 .
Tri 2---triangle wave 2.
Saw up---Upper sawtooth wave .
Saw down---down sawtooth wave .
Trapezoid--- trapezoid wave.

***The digital effect pedal needs the best connection through the FX Loop port of Amp.

Specifications

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Super Ring

Aural Dream Super Ring Guitar Effects Pedal provides 2 ring modes and 6 modulation waveforms through adjusting rotary rate and fluctuating depth of Ring to simulate Tubular Bell,Chime and Bells sound,True Bypass.

-2 ring modes,providing standard bells and surrounding and convoluting bells-2 Ring modes include surrounding and convoluting bells.

-True Bypass,compact and solid design;Power saving,the current is only 50mA.
-Freely controling rotary rate and fluctuating depth of Ring.
-6 modulation waves including trapezoid and sawtooth waves.
-Through the speed,depth,frequency and the ratio of dry and wet,we can be immersed in the dream of the melodious bell series.

4 parameter knobs:

Rate: speed adjustment.
Depth: depth adjustment.
Freq: the frequency adjustment of the bell sound.This knob determines the tone of the bell sound.It can change the guitar sound from the temple ancient bell to the modern bell sound.
Mix: Mix ratio of original sound to effect sound.

Selection knobs for 6 modulation waveforms:
Sine: sine wave.
Tri 1: triangle wave 1.
Tri 2: triangle wave 2.
Saw up: Upper sawtooth wave.
Saw down: Down sawtooth wave.
Trapezoid: trapezoid wave.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specification parameter

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Digital Tremolo

Aural Dream Super Tremolo digital Guitar Effects Pedal provides 6 modulation waveforms including Rate,Depth,Mix and Gain adjustment,True Bypass.

-True Bypass;compact and solid design.
-Power saving,the current is only 50mA.
.-6 modulation waveforms including trapezoid wave and sawtooth wave.
-Bring the undulating sense of the real wave form in the process of playing.
-Use speed and depth to adjust the rhythm of the volume change.

The 5 knobs are:
Rate: Speed adjustment.
Depth: Depth adjustment.
Gain: Output gain adjustment.
Mix: dry and wet ratio.
6 modulation waveforms in the middle knob:
Sine : sine wave.
Tri 1 : triangle wave 1.
Tri 2 : triangle wave 2.
Saw up : upper sawtooth wave.
Saw down : down sawtooth wave.
Trapezoid : trapezium wave.

***The digital effect pedal needs the best connection through the FX Loop port of Amp.

Specifications

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Digital Vibrato

Aural Dream Super Vibrato Guitar Effect Pedal provides 4 vibrato modes and 6 modulation waveforms reaching 24 effects,True Bypass.

-4 vibrato modes.

-True Bypass ; compact and solid design.
-Power saving,the current is only 50mA.
-6 modulation waveforms including trapezoid wave and sawtooth wave.
-Providing multiple sound or multiple Vocal part vibrato effects.

The 5 knobs are:
Rate: Speed adjustment.
Depth: Depth adjustment.
Time: delay time adjustment.

Vibrato effects knob:
Digital: digital vibrato.
Lush: Lush vibrato: multiple voices vibrate simultaneously forming multiple vibrato parts.
Analog: Analog vibrato effect.
Analog Lush: Analog Lush vibrato pedal.

6 modulation waveforms in middle knob:
Sine:sine wave.
Tri 1:triangle wave 1.
Tri 2:triangle wave 2.
Saw up:Upper sawtooth wave.
Saw down:down sawtooth wave.
Trapezoid:trapezoid wave.

***The digital effect pedal needs the best connection through the FX Loop port of Amp.

Specifications

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Truth Modulation

Aural Dream Truth Modulation Guitar effect pedal provides 8 Modulation effects including Flanger Chorus Pitchshift Tremolo Phaser Vibrato Ring effect,True Bypass.

-8 Modulation effects.

-True bypass,compact and solid design.
-Power saving,the current is only 50mA.
-Providing pitchshift harmony delay effect and Double effect.
-In fixed mode,adjusting the position of other knobs to get different timbres in this mode.

The 5 knobs are:
Speed (FRQ): speed or frequency adjustment.
Depth: depth adjustment.
Mix: dry to wet ratio adjustment;except for vibrato(corresponding to gain adjustment).
Tweak: this knob has different adjustment parameters with different modulation effects.
The 8 modulation effects for selection knob are:
Flanger tweak: controls the scanning depth range of depth.
Chorus tweak: controls the scan depth range of depth.
Vibrato tweak: controls the scanning depth range of depth.
Tremolo tweak: output gain adjustment.
Doubling tweak: controls the scanning depth range of depth.
Phase tweak: feedback coefficient adjustment.
Ring tweak: output gain adjustment.
Pitchshift tweak:
speed:pitch adjustment in octave reduction range.
depth:delay time adjustment.
tweak: delayed feedback coefficient adjustment.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Specification parameter

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Valley Echo

Aural Dream Valley Echo Delay Guitar Effects Pedal provides 3 echo modes including Analog and QuadTap Echo effect,True Bypass.

-3 different Echo effects.

-True Bypass;compact and solid design;Power saving,the current is only 50mA.
-Tone filter is used to adjust the brightness of echo effect.
-Adjusting the sense of space and the sense of presence by scattering.
-QuadTap echo imitate the echoes between changeable Valley shapes.

5 parameter knobs:
Tone: tone adjustment.
Mix: ratio of original sound and echo.
Time: delay time adjustment.
Fdbk: feedback adjustment.
DIFF knob: It controls three echo modes;the range sign from minimum to max adjust the scattering extent of echo.
Diff 1: Digital echo.
Diff 2: Analog echo.
Diff 3: Quad tap echo.

***The digital effect pedal needs to be best connected by Amp's FX Loop port.

Electronic parameters:

Working voltage: DC9V
Working current: 50mA
Battery: self-provided
Case material: aluminum alloy

Item weight(g): 285
Item size(mm): 120x65x50
Packing weight(g): 400
Packing size(mm): 145x90x60

Notes: Your Eventide H9 is one of the most advanced guitar pedals, but it only has two buttons. Unleash its full potential with a new kind of auxiliary switch. Meet the OX9 - a handcrafted H9 auxiliary switch with a form-fitting design that gives you more control and takes up less space on your board.

Stop fiddling with your iPad on stage and use your feet (like we used to do it the 20th century). The OX9's two additional buttons let you unleash the full potential of your H9 (with no hands)! The OX9 saves you a ton of pedalboard real-estate versus other auxiliary switches.

The input jack on the OX9 allows you to add another button or an expression pedal. The OX9's custom designed and moulded plug ensures you can still access every jack on the back of your H9.

The OX9 has a laser cut bottom plate, so it securely attaches to your H9 without hiding any of its sexy contours! Every OX9 is assembled, tested, and packaged in Klecknersville, PA.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Your Eventide H9 is one of the most advanced guitar pedals, but it only has two buttons. Unleash its full potential with a new kind of auxiliary switch. Meet the OX9 - a handcrafted H9 auxiliary switch with a form-fitting design that gives you more control and takes up less space on your board.

Stop fiddling with your iPad on stage and use your feet (like we used to do it the 20th century). The OX9's two additional buttons let you unleash the full potential of your H9 (with no hands)! The OX9 saves you a ton of pedalboard real-estate versus other auxiliary switches.

The input jack on the OX9 allows you to add another button or an expression pedal. The OX9's custom designed and moulded plug ensures you can still access every jack on the back of your H9.

The OX9 has a laser cut bottom plate, so it securely attaches to your H9 without hiding any of its sexy contours! Every OX9 is assembled, tested, and packaged in Klecknersville, PA.

Notes: The Seabee is a multi-chorus pedal that delivers the finest analogue bucket brigade chorus tones, but like any Beetronics, it goes a few steps further. By digitally controlling the chorus delay time, the Bees have created Harmochorus - a never-before-heard pitch shifting modulation that can certainly inspire new genres.

Three Chorus modes provide the classic, lush chorus and vibe sounds we all love, with each mode offering the ability to control the effect in different ways. Vary between two different speeds and/or depths, go from zero to full depth intensity, or even increase the chorus delay time for a whole new spectrum of sounds.

Three Harmochorus modes give you a unique and inspiring new approach to the effect. The easiest way to explain it's that, when clean, it sounds like angel bees are accompanying you, and when paired with some buzz, it sounds like a swarm of killer bees producing the most dangerous pitch shifting modulation are after you! You can choose between two different pitches and speeds, a combination of twelve chords and twelve different arpeggio patterns, or simply choose between thousands of random patterns.

No matter which mode you choose, the Seabee will navigate you to inspiring and creative places.

Its simple layout with only three knobs hides a multitude of possibilities with alternate controls, three ramp shapes, tap tempo, a 4-way tone filter, feedback control, and a rate that ranges from very slow to ultra-fast waves, even reaching ring modulator ranges.

There are two stereo output options, 16 onboard presets, full MIDI control, expression in, external tap and 4 input level options so you can process guitar, bass, all kinds of active pickups or synthesizers and still keep the bucket brigade in its sweetest spot?

It's hard to believe that an analogue chorus can be so complete, versatile, unique and intense - all at the same time. But get ready, because Tone Fishing is about to beecome a thing.

Analogue sound path with the finest bucket brigade chorus tones.
3 Chorus modes / 3 Harmochorus modes
Never before heard pitch shifting chorus with arpeggios and random patterns.
Truly expressive ramping gives you musical control.
16 Onboard presets, Tap Tempo, MIDI, Expression and more.
Selectable input level (supports guitar, bass, active pickups, synthesizers and more)
Hand-assembled in Los Angeles, CA.

Packaging Dimensions: 15.2 x 13.7 x 7.6 cm
Weight: 0.49 kg

Notes: The Larva is a 6-stage analog phaser with a built-in preamp and morphing capabilities. It offers two phaser settings, letting you easily switch between different sounds or morph between them for unique transitions. Whether used as a classic phaser, a vibe pedal, or just a preamp, the Larva delivers versatility and creative possibilities, always with the Beetronics unique signature.

The interface is intuitive and simple, yet the pedal can produce a huge amount of sounds and movements unique to this phaser. A bar of LEDs tracks the ramp movement, showing if you're in phase one or two, while the bypass LED doubles as a meter to monitor preamp distortion.

As our first phaser, the Larva brings together a large swathe of creative options with a streamlined, user-friendly design-modulation sweetness with a touch of gain.

Notes: The Nectar "Tone Sweetener" strikes aperfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp.

Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp.

The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom.

True Bypass Design
Power requirement: 9V, 30mA
Made in California, USA

Notes: ***B-STOCK: Box opened, product in perfect working order***

The Octahive.

The OctaHive is a super high gain fuzz with a well pronounced high pitch octave.

The octave mode can be turned on/off by the side toggle switch giving you a huge tonal range.

Octave on!

On the octave mode, things can get really nasty, splashy and gated. It's great for high gain leads, specially when played above the 12th fret. With a little less Honey you can get that "purple haze" tone. At low gain settings it can produce "ring modulator" overtones, great for textures.
The best way to achieve a well pronounced octave, is rolling back the Pre and tone control of your instrument.

The balance between the Pre and Honey is the key to achieve a variety of different sounds.

Octave off!

With the octave off it's a whole different pedal, producing a warm and thicker fuzz tone, making it more versatile and "chord friendly".

The OctaHive was based on the 1970's Tycobrahe Octavia and it can produce classic and modern sounds. A great addition to every pedal board.

Notes: Introducing the Octahive v2, one of Beetronics' legendary bees that has been buzzing since day one! This pedal draws inspiration from the iconic '70s octave pedals, blending vintage tones with modern enhancements.

In "Buzzz" mode, prepare to unleash a ferocious high-gain fuzz that's perfect for low riffage and powerful chords. Enter the mystical "Octave" mode and watch as you're transported to a mind-bending psychedelic wonderland. And here's a tip fit for a Queen Bee: Roll down the "Pre" control, switch to your neck pickup, and watch those beautiful octave harmonics take centre stage.

But that's not all! Beetronics have matched vintage tone with cutting-edge features to enhance your playing experience. Hold the footswitch to instantly switch from "Buzzz" to "Octave", giving you complete control over your sonic destiny. And with a quick double tap, seamlessly shift between modes, keeping your creative flow buzzing.

With three footswitch profiles (fast, medium, lazy), you can customize the speed of your momentary switching. It's all about tailoring the pedal to perfectly suit your unique vibe!

The Octahive v2 is here to deliver the sweetest high octave buzz and allow your creativity to soar. Embrace the hive magic and let your sound bee heard like never before!

Successor to the original Beetronics Octahive
Smaller box size with same dimensions as the Beetronics Vezzpa & Fatbee (Babee Series design)
2 modes: Buzzz (Vintage Fuzz) and Octave (High Octave Fuzz)
Intelligent Bypass switch: double-click to flip modes; hold to momentarily switch between modes
3 footswitch profiles selectable to define speed when momentarily switching between modes via the hold function: fast (20 ms), medium (100 ms), lazy (250 ms)

Specs

Pedal Size - 4.5" x 2.5" x 2.25" (including knobs, switches and etc)
Pedal Weight - 0.80 lbs / 0.3 kilos
Package Weight - 0.90 lbs / 0.4 kilos
Package Size - 4.85" x 2.55" x 3.50"
Requires 9VDC power supply (Center Negative)
*Does not include power supply

Notes: Ever loved something so much you wanted to "bee-come" it? While Beetronics' circuits are primarily original, their bees had classic favourites they "Wannabee-d," so Beetronics embraced these buzzing wonders as their own hive of inspiration, infusing a generous dose of honeyed innovation to craft the ultimate dual overdrive.

The WANNABEE "BEELATERAL BUZZ" is a dual-drive pedal like no other. It combines two classic circuits, each offering three distinct FLAVORS, and lets users weave them together however they like. They can run them side by side or have one flow into the other, unlocking a world of tonal possibilities, as sweet as a jar of honey.

Circuit #0, Beetronics's Bluesbreaker-inspired creation, harmonizes vintage amp tones with crystal-clear crispness, all while preserving that beloved tube-like warmth. Plus, its three flavours give users control over the low-end oomph. Circuit #1 is Beetronics's take on the legendary Klon. All those iconic transparent overdrive tones are here, with a sweet honey twist. Unlike any other Klon, Beetronics' Circuit #1 offers a unique trio of flavours that grant users control over their clean blend level.

This pedal's core houses a truly exceptional Routing System, crafted by Beetronics' expert bees. It's the gateway to exploring unique tones. What makes it stand out is that it lets users not only choose the order of the circuits but also blend them in parallel, something other dual-drive pedals can't do.

In the centre position, users can use the volume controls to mix both circuits in parallel. And with the footswitch, they're in charge of when each circuit kicks in. Flick it to the right, and Circuit #0 flows into Circuit #1; shift left, and Circuit #1 flows into Circuit #0. When chaining one circuit into another, users can simply crank up the volume on the first to push the second into a thrilling buzz of distortion.

The WANNABEE draws inspiration from Beetronics' favourite overdrive circuits and then elevates them to a whole new level, enhancing their tone with a touch of honey and introducing innovative features. It unlocks a world of possibilities by blending both circuits in the most unique ways. Beetronics hopes this can be the ultimate overdrive tool to help users truly BEE THEMSELVES.

Product specs

Pedal Dimensions 5.5" x 4" x 2.5" (including knobs, switches and etc)
Pedal Weight - 1.1 lbs / 0.5 kg
Package Size - 6" x 5.25" x 3"
Requires 9VDC power supply (Centre Negative)
*Does not include power supply

Notes: The Zzombee "Filtremulator" is a one of a kind analogue multi-effect pedal that delivers Filter, Wah, LFO, Randomized Filter, Tremolo, Swells, Overdrive, Fuzz, Low-Octave and the never-before-heard, honey-patented Cross Tremolo, a very unique kind of tremolo that pulses between the fundamental and a low octave.

Its unbeeliavable analogue tones are enhanced by an innovative way of ramping and controlling modulation movements that uses a momentary footswitch in the most musical ways. These controls make the pedal an extension of your instrument, beecoming an essential tool to expand your creativity. The sounds found in the Zzombee are very unique and would require a very complex rig to be recreated. Thats because the instrument signal gets a 4 stage gain buzz selection and runs in parallel to a monophonic low octave beeast, in the most beetronical style. The filter can be applied to either of these with the other remaining untouched.

Three modes of Modulated Filter can create wah-like effects (that will make you wanna ditch your old bulky wah pedal), honey waves of LFO or over sixty five thousand very musical random patterns. Three modes of Modulated Amplitude can create the cross-tremolo, traditional tremolo or volume swells. To top it off, this analogue bee is digitally parasitized and includes tap-tempo function, CV control, external tap, expression out and can save presets.

In the box:

Beetronics Zzombee
Manual
Sticker
Guitar pick

Specs

Pedal Size - 5.5" x 4" x 2.75" (including knobs, switches and etc)
Enclosure Dimensions - 5.5" x 2" x 3.5"
Pedal Weight - 0.9 lbs / 0.40 kg
Package Weight - 0.2 lbs / 0.1 kg
Package Size - 6" x 3" x 5.5"
Current Draw - 100mA
Requires 9VDC power supply (Center Negative)
*Does not include power supply

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Zzombee "Filtremulator" is a one of a kind analogue multi-effect pedal that delivers Filter, Wah, LFO, Randomized Filter, Tremolo, Swells, Overdrive, Fuzz, Low-Octave and the never-before-heard, honey-patented Cross Tremolo, a very unique kind of tremolo that pulses between the fundamental and a low octave.

Its unbeeliavable analogue tones are enhanced by an innovative way of ramping and controlling modulation movements that uses a momentary footswitch in the most musical ways. These controls make the pedal an extension of your instrument, beecoming an essential tool to expand your creativity. The sounds found in the Zzombee are very unique and would require a very complex rig to be recreated. Thats because the instrument signal gets a 4 stage gain buzz selection and runs in parallel to a monophonic low octave beeast, in the most beetronical style. The filter can be applied to either of these with the other remaining untouched.

Three modes of Modulated Filter can create wah-like effects (that will make you wanna ditch your old bulky wah pedal), honey waves of LFO or over sixty five thousand very musical random patterns. Three modes of Modulated Amplitude can create the cross-tremolo, traditional tremolo or volume swells. To top it off, this analogue bee is digitally parasitized and includes tap-tempo function, CV control, external tap, expression out and can save presets.

In the box:

Beetronics Zzombee
Manual
Sticker
Guitar pick

Specs

Pedal Size - 5.5" x 4" x 2.75" (including knobs, switches and etc)
Enclosure Dimensions - 5.5" x 2" x 3.5"
Pedal Weight - 0.9 lbs / 0.40 kg
Package Weight - 0.2 lbs / 0.1 kg
Package Size - 6" x 3" x 5.5"
Current Draw - 100mA
Requires 9VDC power supply (Center Negative)
*Does not include power supply

Notes: For an unplugged sound that's rich, loud and electrifying, step on the V Tone Acoustic Driver DI ADI21. This amazing little box is essential for piezo equipped guitars and will make your acoustic guitar sound come to life!

By their very nature, piezo pickups tend to be very bright, with somewhat reduced bass response and warmth. The ADI21 combines the features of an active DI (direct injection) box with our proprietary microphone/tube emulation. If you don't want to use the emulation feature, the ADI21 also functions as a superb active DI box. The blend control allows you to mix the amount of modeled tone with your instrument's normal output. The resulting sound is more natural with smooth saturation, just as if your guitar were being miked.

Armed with an onboard 3 band EQ, with sweepable mids to keep feedback under control, the ADI21 effectively eliminates the harsh harmonics of piezo pickups. The output is laid out on 1/4" TS or balanced gold plated XLR connectors, which can be used to send a low impedance signal to the mixing console or straight to tape. You also get a ground lift switch to eliminate annoying ground loop hum problems. You can power this little lifesaver with a 9V battery or Behringer's PSU-SB DC power supply (not included).