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Items 1 to 20 of 20 on page 1 of 1
ART DJ Pre II Phono Preamplifier (phono preamplifier)
Cat: 343707 Rel: 11 Feb 09
 
Interface between turntable and audio recording/playback system, analog input capacitance can be switched between 100pF and 200pF
Notes: The DJ PRE II acts as an interface between your turntable and your audio recording/playback system. The analog input capacitance can be switched between 100pF and 200pF to optimize your phono cartridge response. A switchable low cut filter removes turntable rumble while leaving the audio pristine. The front gain trim control and signal/clip LED allow you to optimize the preamp's gain for a wide range of input sources. The built-in low noise phono preamp circuitry is highly accurate and precisely conforms to the RIAA standard. The line output jacks are low impedance and can be used with any sound card. Housed in an all aluminum black anodized case, the DJ PRE II can be powered by a wide variety of external supplies. If you need to amplify and EQ your vinyl records to interface with your audio workstation, sound card, home stereo system or main monitor system, the DJ PRE II gives you flawless audio reproduction in a rugged and reliable package.
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 2 in stock $50.80
Cat: 450022 Rel: 12 Mar 12
 
Passive audio interface
Notes: The DTI (Dual Transformer/Isolater) is a high quality totally passive audio interface that uses a pair of high performance transformers to totally separate input and output signal grounds, thereby isolating two systems and reducing hum and ground-loop noise. The DTI's audio transformers have an extremely flat and wide frequency response and can handle high signal levels while maintaining an isolated balanced output. This gives the DTI a very clean and neutral sound with a wide variety of signal sources. The transformers are wound for 1:1 unity gain and are designed to be used with impedances from 600 Ohms to 100k Ohms.

What further sets the DTI apart from other lesser isolation boxes is its connection versatility, with XLR, 1/4" phone, and RCA type phono connections on all inputs and outputs. This allows it to easily fit into virtually any audio system and be the clean patch point between all types of systems.

Whether you need an interface between a computer based audio workstation and your monitor system, isolation on long cable runs in a fixed installation, isolation of a signal source from your recording equipment, or in many cases, just a safer connection between two audio systems, the DTI can accommodate.

The compact black anodized all aluminum case and it's passive design allow the DTI to provide years of trouble free service in Live Sound, Permanent/Fixed Install, DJ, and virtually any PA application. Its full feature set, rugged construction, and high-end specifications make the DTI the obvious choice.
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 1 in stock $54.12
Cat: 677561 Rel: 15 Jun 18
 
2-channel compressor/limiter, ideal for digital or analogue recording devices
Notes: The DUAL LIMITER has a unique design that will enhance the sonic textures of your audio system for years to come. Developed in partnership with studio and live-sound engineers, the DUAL LIMITER is very musical.

The heart of the Dual Limiter is a unique PWM gain control circuit. Combined with its intelligent detector, the result is a Classic sounding compressor/limiter without the traditional nose and distortion artefacts.

The DUAL LIMITER may be used as either a compressor or a limiter with all of the following:

- Multitrack or analogue recording device
- In a mixer's channel insert points
- Between a microphone preamp and signal processors
- Between pre-amplified electronic musical instruments (synthesizers, guitars, bass, samplers, acoustic instruments with pickups) and other line-level equipment
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 3 in stock $196.63
ART Dual RDB Interface DI Box (audio/MIDI interface)
Cat: 450016 Rel: 18 Apr 12
 
Dual re-amping direct box
Notes: The Dual RDB is the ideal interface solution for any application where stereo or dual line level signals from recording interfaces, computers, mixers, iPods, consumer audio or video machines need to be connected to XLR microphone or 1/4" instrument level inputs.

The unit has 2 x high quality isolation transformers that prevent ground loops when connecting various systems together.

The Dual RDB accepts 1/4" TRS and XLR line level inputs and outputs mic or instrument levels. The Dual RDB's variable level controls allow volume control to be set at the source rather than in the studio, AV room, audio closet or installation rack. A 20Hz to 20 kHz frequency response ensures the Dual RDB will function transparently with any high quality audio source.

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 2 in stock $73.53
Cat: 450026 Rel: 12 Mar 12
 
Dual channel active direct box, comes with super quality battery
Notes: The DUALXDirect provides 2 x independent high quality active interfaces that let you connect instrument, line, or speaker level signals to a mixer or other balanced inputs. Each of the high impedance 1/4" and XLR inputs (provided via combo jacks) are buffered and converted by very low noise active electronics into an isolated, balanced, low impedance signal output. The DUALXDirect has an extremely flat and wide frequency response and can handle high signal levels. This gives the DUALXDirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.

The input attenuator switches allow for a wide range of signal levels and the input Thru jacks allow for tapping off of your signal chain. The ground lift switches let you totally separate the input and output signal grounds, when appropriate, to isolate 2 systems, thereby reducing hum and ground-loop noise.

The DUALXDirect's active circuitry is powered by phantom voltage from the output connections or by an internal 9V battery, when external power is not available. When powered by a battery, it draws less than 7.5 mA which should provide more than 100 hours of operation with a new battery (alkaline recommended). If phantom power is available, then the DUALXDirect will automatically draw its power from the external source. The power on/off switch lights more dimly when the unit is running off of the battery, lights more brightly when it is running off of phantom power, and is off when the unit is inactive.

The compact black-anodized all aluminum case and it's active design allow the DUALXDirect to provide years of trouble free service in live sound, permanent/fixed install, DJ, and virtually any PA application. It's full feature set, rugged construction, and high-end specifications make the DUALXDirect the obvious choice.

The Art ARTcessories DUALXDirect features

Fully active design
Phantom voltage or 9V battery powered
Converts high-impedance balanced / unbalanced inputs into 600 Ohm balanced outputs
Switchable input attenuation (0, -30 dB)
Switchable ground lift
1/4" TRS / XLR combo connector inputs
XLR connectors for balanced outputs
Rugged extruded aluminum case
Frequency Response: 10 Hz - 100 kHz, i 0.5 dB @ +0 dBu
THD: <.05% (typical)
Dynamic Range: >100 dB (typical)
Channel Separation: > 80 dB (typical)
Maximum Input Level: +4, +34 dBu
Maximum Output Level: +6 dBu (battery powered), +14 dBu (phantom powered)
Input Connections: 1/4" TRS XLR female balanced / unbalanced (2), 470k Ohm
Thru Connections: 1/4" TRS (2)
Output Connections: XLR male balanced (2), <600 Ohm
Input Attenuation: Switchable, (0, -30 dB)
Power Requirements: 9V @ 7.5 mA (battery, alkaline recommended), 18 - 48V DC @ 6.4 mA (phantom power per channel)
Dimensions (DWH mm): 99 x 117 x 47
Weight: 0.38kg
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 1 in stock $56.35
Cat: 450014 Rel: 12 Mar 12
 
2 x passive interfaces let you connect instrument, line or speaker level signals to a mixer or other balanced inputs
Notes: The DUALZDirect provides 2 x independent high quality totally passive interfaces that let you connect instrument, line, or speaker level signals to a mixer or other balanced inputs through high performance audio isolation transformers. Each of the high impedance single-ended 1/4" inputs is converted by a transformer into an isolated, balanced, low impedance signal output. The DUALZDirect's audio transformers have an extremely flat and wide frequency response and can handle high signal levels. This gives the DUALZDirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.

The input attenuator switches allow for a wide range of signal levels and the input Thru jacks allows for tapping off of your signal chain. The ground lift switches let you totally separate the input and output signal grounds, when appropriate, to isolate 2 x systems, thereby reducing hum and ground-loop noise.

What further sets the DUALZDirect apart from other DI boxes are its extended features and versatility. Art have added switchable low pass filters that cut out all very high frequency interference. These Bessel filters on the outputs are placed out of the audio range and are primarily intended to reduce radio frequency interference before it gets into the main system. The filters are also very effective in reducing any digital computer noise artifacts when using the DUALZDirect as an interface between a computer-based audio workstation and your monitors. The pase invert switches, while not normally included with your run of the mill DI box, have been added to allow you to switch signal polarity right at the source. This feature is especially handy when you are combining a direct tap with a microphone feed in the mix.

The compact black-anodized all aluminum case and it's passive design allow the DUALZDirect to provide years of trouble free service in live sound, permanent/fixed Install, DJ, and virtually any PA application. It's full feature set, rugged construction, and high-end specifications make the DUALZDirect the obvious choice.
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 1 in stock $41.83
Cat: 515499 Rel: 10 Dec 13
 
19" rackmount balanced patchbay for studio or live use
Notes: The ART P48 48 point balanced patchbay is the best solution for organising cables while optimising connectivity in any studio or live PA rack. Designed for maximum convenience, each pair of TRS 1/4" balanced I/O can be configured for normal or half normal operation.

The fully shielded steel 19" 1U rackmount chassis has reversible rack ears for maximum flexibility.
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 1 in stock $127.62
Cat: 458005 Rel: 02 Jun 12
 
3 channel personal mixer
Notes: How do you connect a CD player, a synthesizer and the line output from a bass amp to a tape deck? Use a simple stereo mixer. The PowerMIX III can accept either mono or stereo signals and mixes them down to stereo or identical L/R mono signals.

Additionally, the PowerMIX III provides a headphone output with its own level control.

Usage:

1. Plug the AC adapter into the 12V DC input on the PowerMIX III and plug the other end into a 120V AC wall socket.

2. Plug your stereo signal sources into the separate L/R Inputs on channels 1 to 3. Mono sources can be plugged into the Left Input on any channel. It is not recommended that you connect 2 mono sources to any one channel.

The specifications:

Maximum gain: +27 dB
Input impedance: 10k Ohms
Maximum input level: +30 dB
Maximum output level: +13 dB
Output Impedance: 100 Ohms
Total harmonic distortion: > 0.005%
Adapter: included
Power: 12V DC
Dimensions: 143mm x 92mm x 45mm
Weight: 590g.
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 1 in stock $93.89
Cat: 455712 Rel: 11 May 12
 
2 x channel Vactrol-based compressor/leveling amplifier
Notes: The Pro VLA II is a tube driven Vactrol-based compressor/leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the Pro VLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.

Capable of delivering a far more musical natural sounding and sonically transparent compression than competitive units in its class, the Pro VLA II uses an Opto-electronic circuit rather than the more typical design VCA driven level detection circuit. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical audio applications.

Exceptional signal integrity with extremely low noise and low distortion is achieved in the Pro VLA II by utilizing a transformerless design throughout.

Unlike typical compression units that use Voltage Controlled Amplifiers (VCA's) to handle level detection, the Pro VLA II's Opto-electronic design allows a far more transparent and musical sounding compression without sounding aggressive or un-natural. This Vactrol based optical electronic circuitry is the basic component of the classic highly sought after compressors of past.

The Vactrol design allows the Pro VLA II to react to audio signal in much the same way the eye naturally adjusts to fluctuations in light levels, smoothly, quietly and almost imperceptibly.

The Pro VLA II is a soft knee leveling amplifier by design. Although capable of providing dramatic compression effects, the Pro VLA II was designed to excel in any application where transparent, expressively musical dynamics control is desired.

Large highly visible backlit analog VU meters accurately display input and output levels while extremely fast 10-segment LED's display gain reduction. For added functionality, the LED's display either average level for mastering & mixing applications or peak hold for monitoring individual sources when tracking audio.

XLR and 1/4" TRS balanced inputs and outputs are provided to ensure the Pro VLA II can connect with any audio source or hardware. A +4 dBu/-10 dBu mode switch optimizes the Pro VLA II I/O for either consumer or professional equipment.
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 1 in stock $462.86
ART SCC Studio Control Centre (studio control centre)
Cat: 607369 Rel: 08 Apr 16
 
Compact studio control center with up to 3 selectable sources & master mute / mono switches
Notes: The ART SCC is the ideal compact solution allowing you to take complete control of your studio space. Three selectable stereo sources can be quickly and easily routed to any or all of three sets of stereo balanced outputs from the front panel. Sources can be individually selected or blended from the front panel. Separate trim pots ensure proper levels between sources can be preset. A large single volume knob controls the overall output level of the system.

A separate cue source input with its own outputs and level control allows a separate headphone mix to run in parallel to the main mix. The headphone output can easily switch between the cue source and the main input source with the touch of a single button on the front panel.

Additional controls on the SCC include a master mute switch, and a mono switch allowing you to sum the stereo inputs to mono to check phase in any mix.

In a typical studio setup, one set of inputs on the SCC would connect to the main output of your DAW workstation or computer audio card. Secondary outputs or headphone output would be connected to the SCC's Cue Mix input allowing for a second, completely separate headphone mix. Other sources (keyboard, iPod, analog sub mixer etc) can connect to the additional stereo inputs.

Outputs would be connected to nearfield and midfield monitors or monitors and subwoofer. Multiple inputs and outputs can be used at the same time.
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 1 in stock $175.64
Cat: 542511 Rel: 01 Aug 14
 
Dual / Stereo Compressor / Limiter Expander / Gate unit, rackmountable
Notes: The SC2 is a highly sophisticated and flexible dynamics processor designed for easy operation and great tone. The unit can be adjusted to provide anything from smooth subtle compression to hard limiting. Noise reduction is provided by a fast solid gate or a subtle expander.

The Attack and Release functions allow the user to set the general operating range and then automatically adapt to the audio being processed. A full auto mode is also available. The ultra-precise LED meters while two LED meters clearly display the gain reduction for each channel.
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 2 in stock $183.29
Cat: 516421 Rel: 17 Dec 13
 
100 watt power amplifier with 10Hz to 40KHz frequency response
Notes: The SLA-1 Studio Linear Amplifier is a robust yet compact power amplifier designed for studio or even select live applications. It has been designed and engineered to provide clean, quiet power and excellent sound with ultra-low noise and distortion.

Rated at 100 watts rms/channel @ 8 ohms (130 watts rms/channel @ 4ohms), with a frequency response from 10 Hz to 40 kHz the SLA-1 is perfect for professional, project and home studios. Capable of delivering 260 Watts when bridged mono into an 8 ohm load, the SLA-1 can easily move out of the studio and into any live rig or installation as an ideal monitor amplifier or zone amp solution.

The SLA-1 has been designed to deliver in the most demanding audio applications. Housed in an aluminum and steel single space 19-inch rackmount chassis, the SLA-1 uses a proven toroidal transformer design for unmatched long-term reliability.

The SLA-1 features SmartFan, an advanced, thermal dependent fan assisted convection cooled system. The SmartFan system is dependent upon the internal ambient temperature of the unit, and runs at high or low levels depending on the amplifier's cooling needs.

XLR and 1/4-inch TRS balanced inputs as well as multi-way output binding posts are ensure the SLA-1 can be quickly and easily tied in to any system without modification. A simple to install tamper proof cover is included.
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 1 in stock $259.30
Cat: 515506 Rel: 10 Dec 13
 
Rackmount metered power distribution system
Notes: The SP 4x4 features a backlit linear meter to monitor input voltage, which gives the user a familiar analog style readout when monitoring voltage from a power source.

The SP 4x4 also features ART's "4x4" distribution on the back of the unit - four of the eight rear outputs are 1.25" apart. This allows the user to plug in wide power cables and multiple wall wart devices, and still have eight total power outlets to choose from. Built into the SP 4x4 is a surge and spike protection system, designed to protect powered equipment from harmful electric surges and spikes.

The unit also has RFI and EMI filtering, a 15 amp breaker, and a total power capacity of 1800 watts. The SP 4x4 also features a front-located on/off power switch (which lights up when turned on), and a front mounted circuit breaker reset switch. The rugged, all steel chassis occupies 1U rack spaces and is intended for installation into standard 19" equipment racks.

Applications for the SP 4x4 include Live Sound Systems/PA, Permanent or Fixed Installations, Church, Club and Practice PA Systems, DJ Sound Systems, Home and Project Recording Systems, and Monitor Systems.
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 1 in stock $119.30
ART SplitCom Pro Mic Splitter/Combiner (microphone splitter/combiner)
Cat: 458020 Rel: 02 Jun 12
 
Microphone controller
Notes: Use the SPLITComPro to split or combine balanced low impedance microphone signals.

As a splitter: the SPLITComPro provides one direct-coupled output and one isolated output from a single microphone. Applications include sending the direct output to the main or FOH mixer, and the second isolated output to a monitor or recording mixer. The main mic output passes phantom power from the main mixer to the amin mic input for use with condenser microphones. The Phantom power is blocked from passing to the isolated mic output.

Aa a combiner: The SPLITComPro provides one output from 2 microphone inputs. The phase switch can be used to invert the relative phase of the isolated mic input. Applications include dual micing of percussion instruments, choirs, and instrument amplifiers. The Phantom power passes through each output to their respective input, (main to main, isolated to isolated), however the phantom power is blocked from passing between the main and isolated signal paths. Only the audio passes between the main and isolated signal paths (it is present on all inputs and outputs).
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 2 in stock $40.86
Cat: 458025 Rel: 02 Jun 12
 
4-channel passive stereo/mono hybrid splitter/mixer
Notes: The SPLITMix4 is a fully passive hybrid mixer that offers a wide variety of configurations. Mix 4 stereo input channels down to 1 stereo output, split a stereo input signal to distribute 4 stereo output channels, or combine the configurations for a wide range of applications. You can even configure the SPLITMix4 as 4 stereo input channels thru 4 independent level attenuators to 4 stereo output channels.

Independent stereo level controls are provided on each channel. All 1/4" connections are stereo TRS (Tip, Ring, Sleeve) and all channel connections have intelligent switching to allow for a wide variety of configurations. Plugging into a mix input channel removes it from the splitter bus, and plugging into a splitter output channel removes it from the mix bus. Stereo or mono operation is determined by the type of 1/4" plug and cabling that you use.

The fully passive design of the SPLITMix4 has no active circuitry to add noise or distortion, and virtually any signal level can be handled. The Level attenuators cover a wide range and offer over 90 dB of attenuation and channel isolation. The SPLITMix4 is designed primarily as a line level device with medium input and output impedances.
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 2 in stock $54.66
Cat: 681328 Rel: 15 Jun 18
 
2-channel microphone preamplifier with discrete, transformer-coupled circuitry
Notes: The TransX two channel microphone preamplifier features a new low noise discrete transformer coupled high performance preamplification circuit. Building upon the quality and success of great sounding products like the Pro MPA II and the Pro VLA II, ART engineers set out to develop the next generation of professional microphone preamplifier to complement our tube-based preamps. The TransX sets a new standard for quality and value. Professional features and spectacular tone are what make the TransX a world-class microphone preamplifier.
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 2 in stock $547.91
Cat: 664557 Rel: 03 Oct 17
 
5-channel mixer with an integrated USB audio interface
Notes: The ART Tube Mix provides a compact versatile audio interface. The Mixer supports two mic inputs, one high Impedance Instrument input, and two line inputs simultaneously. The Tube can be assigned to act as a dual channel tube mic preamp, or stacked and applied to the Instrument input for added warmth and tone with guitar or bass.

All input channels are fully featured with 3-band EQ, two aux sends, pan and level controls. Select inputs include input trim control and clip indicators for optimum level setting. The high impedance instrument input has an amp simulation function as well. Versatile output section allows separate stereo monitor mix on the main buss while recording the via aux buss, or vice versa if required. A flexible Control Room/Headphone section allows routing to monitor the main mix, USB input and aux sends for maximum flexibility.

Authentic VU meters and wood side panels add to the great vintage look and feel of the USB TubeMix.
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$269.54 SAVE 20%
 1 in stock $215.63
ART Tube MP Studio V3 Preamp (tube microphone preamp)
Cat: 250316 Rel: 16 Dec 06
 
Variable voiced tube mic/instrument preamplifier
Notes: Whether you're working with a computer, hard disk or digital multi-track recorder, the Tube MP's TEC award nominated design will allow you to obtain professional results at an affordable price.

The ART preamps offer warm tone, useful features and are innovatively designed. ART's line of Tube MP products add presence, clarity and fullness to any signal and is exceptionally low noise. The ART Tube MP Studio V3 features V3 Technology (Variable Valve Voicing), which provides optimized reference points to begin the recording process. The V3 delivers a wide variety of settings designed for various microphones and DI inputs, including guitars, basses, keyboards, synths, electronic drums and much more. Don't settle for a copy cat look alike.

Go with the real thing, the Tube MP by ART.
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 5 in stock $86.45
Cat: 622265 Rel: 18 Dec 06
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The USB Phono Plus is the ideal solution for transferring any highly prized vinyl collection to your computer or laptop. It is also the ideal high performance audio interface between analog and digital sources. Built in low-noise RIAA phono pre-amp circuit with low cut filters (to remove rumble and noise) guarantee pristine audio capture.

Front mounted gain control and Signal/Clip LED allows easy optimization of a wide range of analog input sources. The USB Monitor/headphone provides zero latency monitoring of the input source for easy cueing. The USB PhonoPlusPS can also act as audio playback source for any USB equipped computer or laptop. Optical TOSLINK Input and Output as well as an S/PDIF Input make the USB PhonoPlusPS an ideal analog / digital audio to USB interface as well.

The built-in low noise Phono Preamp circuit is highly accurate and precisely conforms to the RIAA standard. The Line Out jacks are always connected to the input preamp signal for source monitoring or to allow use as a stand-alone phono preamp.

Housed in an all aluminum black anodized case, the USB PhonoPlusPS can be powered by either external power supply or directly via USB port. To ensure maximum versatility, the USB PhonoPlusPS is fully compliant with the USB 2.0 specification and uses USB adaptive mode for playback and USB asynchronous mode for record. It will work with Windows 98SE/ME/2000/XP/Vista/7 USB audio device drivers as well as Apple OS9.1/OS-X computers with native USB support.

USB PhonoPlusPS ships with SoundSaver Express software.
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 1 in stock $89.48
Cat: 455715 Rel: 11 May 12
 
Passive interface lets you connect instrument, line, or speaker level signals to a mixer or other balanced input thru an audio isolation transformer
Notes: The Zdirect is a high quality totally passive interface that lets you connect instrument, line, or speaker level signals to a mixer or other balanced input thru a high performance audio isolation transformer. The high impedance single-ended 1/4" input is converted by the transformer into an isolated balanced low impedance signal source. The Zdirect's audio transformer has an extremely flat and wide frequency response and can handle high signal levels while still maintaining an isolated balanced low impedance output. This gives the Zdirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.

The input attenuator switches allow for a wide range of signal levels and the input thru jack allows for tapping off of your signal chain. The ground lift switch lets you totally separate the input and output signal grounds, when appropriate, to isolate 2 systems, thereby reducing hum and ground-loop noise.

What further sets the Zdirect apart from other DI boxes are its extended features and versatility. ART have added a switchable low pass filter that cuts out all very high frequency interference. This Bessel filter on the output is placed out of the audio range and is primarily intended to reduce radio frequency interference before it gets into the main system. The filter is also very effective in reducing any digital computer noise artifacts when using the Zdirect as an interface between a computer-based audio workstation and your monitors. The phase invert switch, while not normally included with your run of the mill DI box, has been added to allow you to switch signal polarity right at the source. This feature is especially handy when you are combining a direct tap with a microphone feed in the mix.

The compact black anodized all aluminum case and it's passive design allow the Zdirect to provide years of trouble free service in Live Sound, Permanent/Fixed Install, DJ, and virtually any PA application. It's full feature set, rugged construction, and high-end specifications make the Zdirect the obvious choice.
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 4 in stock $31.25
Items 1 to 20 of 20 on page 1 of 1

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