Back catalogue: All genres

Notes: The 3:1 Mixer has two section of 3 inputs to a single output. Each input will be mixed at 1/3 of the level of the input. Each section has an LED indicator indicating activity on the output. Section 1 is normalled to section 2 so it can easily behave as a 6:1 mixer as well.

Width: 2HP
12V: 30mA
-12V: 30mA

Module power connector can be connected either way.

Notes: The 3:1 Mixer has two section of 3 inputs to a single output. Each section has an LED indicator indicating activity on the output. Section 1 is normalled to section 2 so it can easily behave as a 6:1 mixer as well.

Notes: The randomness of the Music Thing Modular Turing Machine, in the Intellijel 1U format. Alan retains all of the same functionality as the original including the connectors for the expanders.

While this module has little to do with the original Turing Machine (by Alan Turing), it is a shift register based sequencer. You cannot program this sequencer, instead it builds random sequences that can be locked in.

Alan comes tested, calibrated and ready to bring random voltages.

Three good resources for getting started with Alan:

DivKid’s video on the Turing Machine
David’s video the Alan
Turing Machine manual
Based on open source design by Tom Whitwell under Creative Commons (CC-BY-SA) license.

Width: 21hp
12V: 45mA
-12V: 20mA
Module power connector can be connected either way

Notes: Alan (micro Turing Machine) Shift Register Based Sequencer

The randomness of the Music Thing Modular Turing Machine, shrunk down to 6HP. Alan retains all of the same functionality as the original including the connectors for the expanders.

While this module has little to do with the original Turing Machine (by Alan Turing), it is a shift register based sequencer. You cannot program this sequencer, instead it builds random sequences that can be locked in.

Alan comes tested, calibrated and ready to bring random voltages.

The After Later Audio panel is black and gold and made from FR4. The package will include a power/ribbon cable and a one year warranty.

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


Alan (micro Turing Machine) Shift Register Based Sequencer

The randomness of the Music Thing Modular Turing Machine, shrunk down to 6HP. Alan retains all of the same functionality as the original including the connectors for the expanders.

While this module has little to do with the original Turing Machine (by Alan Turing), it is a shift register based sequencer. You cannot program this sequencer, instead it builds random sequences that can be locked in.

Alan comes tested, calibrated and ready to bring random voltages.

The After Later Audio panel is black and gold and made from FR4. The package will include a power/ribbon cable and a one year warranty.

Notes: ***B-STOCK: Box opened, product in perfect working order***


This is a new build of a micro Mutable Instruments Elements. It features jack lights that can be turned on/off via a jumper on the back. This module comes loaded with the most recent firmware, with the new Chords mode that unlocks a whole new world of potential.

These modules use tall bushing potentiometers to offer a more stable feel. You can see the difference in the last picture. You will feel much less wiggle with the tall bushing (left) than with traditional trimmer style (right).

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Notes: The full power of Mutable Instruments Elements packed into 18hp. It features jack lights that can be turned on/off via a jumper on the back. This module comes loaded with the most recent firmware, with the new Chords mode that unlocks a whole new world of potential.

Based on open source designs by emilie gillet under Creative Commons (CC-BY-SA) license.

Width: 18hp
12V: 130mA
-12V: 10mA

Notes: An exact hardware replica of the Mutable Instruments Ears, which is based on the Music Thing Modular's Mikrophonie.

The ridges on the panel are less defined than on the Mutable version, so the texture is a bit more subtle.

Notes: A 6HP version of Mutable Instruments Peaks that adds CV inputs and attenuverters for each of the four parameters.

It can be an ADSR-style envelope generator, an LFO and a drum emulator. By default, the Dead Man's Catch (DMC) firmware will be loaded, which adds the Alt ENV, ALT LFO, ALT Tap, Alt Drum modes below.

The module is calibrated, comes with a power cable, and a one year warranty.

Additional Dead Man's Catch firmware modes:

Basic (original modes):

Envelope
LFO
Tap LFO
Bass/Snare Drums

Alternative ENV:

Double attack envelope
Repeating attack envelope
Looping envelope
Randomized AD envelope
Bouncing ball envelope

Alternative LFO:

Frequency-modulated LFO (folded sine FM)
Frequency-modulated LFO (random FM)
Varying wave shape LFO ( folded sine WS mod)
Varying wave shape LFO ( random WS mod)
Phase-locked loop oscillator

Alternative TAP Mini-sequencer:

ModSequencer
Pulse Shaper
Pulse Randomizer
Turing Machine
Bytebeats

Alternative DRUM:

FM drum Generators
Randomized bass and snare drum generators
Randomized high hat

Notes: Two channel expander for Bartender

Mixer section

Each channel has the following:

Stereo or mono - Each channel can be treated as a stereo channel or a mono channel with two summed inputs.

CV inputs for both panning and level control

Two send buses - You can route each channel to one of two send buses. Each send bus is stereo. You can choose if you want the send to come before or after the level/panning controls.

Mute - The mute has both latching mute (up) and a momentary mute (down). The mute uses a capacitor to slow the turn off and on of the mute action. So it is mostly click-less, but you may find an occasional pop.

Cue bus - You can route each channel to the cue bus.

Expandable Mixer Series

Bartenders can be cascaded to create 8ch, 12ch, or 16ch mixer. The main level is what is sent the main level control can act as a group control.

Barbacks can be added to add 2ch to your mix. Barbacks can also be cascaded enabling up to a 16ch mixer configuration.

Send-VCA can be added for CV control of the level of the send.

DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 10hp
12V: 125mA
-12V: 100mA

Notes: Neatly implemented performance mixer with four stereo channels. CV control of level and pan, two pre- or post-fader stereo send busses, quiet mutes and cueing via a front-panel headphone socket.

Supplier's Notes:
Four channel stereo production mixer

Mixer section

Each channel has the following:

Stereo or mono - Each channel can be treated as a stereo channel or a mono channel with two summed inputs.

CV inputs for both panning and level control

Two send buses - You can route each channel to one of two send buses. Each send bus is stereo. You can choose if you want the send to come before or after the level/panning controls.

Mute - The mute has both latching mute (up) and a momentary mute (down). The mute uses a capacitor to slow the turn off and on of the mute action. So it is mostly click-less, but you may find an occasional pop.

Cue bus - You can route each channel to the cue bus.

Mains Section

Two stereo sends outputs
Two stereo returns - which can also be used to directly insert into the main mix.
Main stereo outputs - level controlled with the slider and stereo VU meter.
Main mono output - summed output of the main L&R. If you are after an 8ch mono mix, you can use each channel in stereo mode, use the level control to control the level and then pan control to control the levels of the two channels.

Cue Section

1/4" Headphone jack along with level control
Fader control to listen to the main mix, cue mix, or an adjustable mix of the two.
Expandable

Bartenders can be cascaded to create 8ch, 12ch, or 16ch mixer. The main level is what is sent the main level control can act as a group control.

Barbacks can be added to add 2ch to your mix. Barbacks can also be cascaded enabling up to a 16ch mixer configuration.

Send-VCA can be added for CV control of the level of the send.

DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 24hp
12V: 260mA
-12V: 225mA

Notes: Bartender is the centerpiece of the mixer system. Four stereo channels, with two stereo aux send and two stereo returns. Each channel can be used in a mono mode where both channels are mixed. If you want to do eight channels of mono, you can put the channels in stereo mode (I know it feels backwards) and then use the pan control to control the crossfade between each channel, and then take the mono output. There is a built in cueing system so you can monitor channels in your headphones and control the blend with the main output. You can expand a Bartender with both a Barback and/or another Bartender. When connecting two Bartenders, the main level control on the 'expander' Bartender acts as a group control.

Notes: Third-party clone of the open-source Mutable Instruments Plaits oscillator/sound source. All the same functionality in a compact 8hp format with full-size knobs for the key functions.

Supplier's Notes:
Functionally identical clone of the Mutable Instruments Plaits. Beehive strikes a nice balance between size, reducing 12hp down to 8hp, and playability by offering full size knobs for the four main functions. Beehive also retains the same depth of the original module at 25mm. This module uses After Later's new aluminum knobs which have a nice non-slip texture and allow for more finger space over the standard 1900H Davies knobs.

Notes: Revised take on the excellent Benjolin dual oscillator and filter from Rob Hordijk, featuring the 'rungler' stepped CV generator and extensive output options.

Supplier's Notes:
Benjolin V2 - Rob Hordijk's latest revision of the classic Benjolin. The core of the Benjolin continues to be two oscillators, the rungler (stepped CV generator), and a multimode filter.

This latest revision adds:

Reworked oscillator and filter sections

All levels are adjusted to eurorack standards

Two different steps modes (8/16 and 127)

Double and single clock rate

Externally clockable

External filter input with blend control

Notes: CV/Audio Mixer and Dual VCA

CV sections

Blend has two CV sections each with:

Input (normalled to a +5V signal):
Attenuverter
Output

CV Mixer section

Blend takes the outputs of the two CV sections and offers the following:

Min output
Max output
Comparator output (level brought down to 4.5V)
Sum output

The min and max sections do not attempt to be precision min/max measurements. They will be within two diode drops of the actual min or max voltage.

VCA Sections:

There are two VCA sections that are also have a mix output. The CV input for each VCA is normalled to the output of a CV section. The VCA circuits are LM13700 based so they will slightly color the sound. The response curve is nearly linear but offers a slight exponential curve.

Power:

40 mA +12V
40 mA -12V

25 mm deep

Notes: An 8HP redesign of the Erica Synths Swamp module which was originally inspired by the famous Wiard Wogglebug module. Bog has moved the smooth range switch to the front panel and added an input for the S&H circuit (commonly called the Heart input).

Notes: CEM3340 Based Oscillator

A triangle core oscillator that is based on the same CEM3340 chipset used in legendary synths (SH-101, Prophet 5, MemoryMoog). Offers a wide frequency range from 80s cycles up to 40kHz.

Four waveform outputs (TRI, SAW, PULSE, SINE)

V/OCT tracking over 5+ octaves

Linear FM with attenuator

Choice of hard sync or soft sync (set via jumper on back)

PWM attenuator and input (normalled to 5V)

LFO/VCO switch will change from audio rate to LFO rate (choice of two LFO timings, 8 sec or 80 sec, via jumper on the back)

Size: 6hp

Notes: Brooks is a 4hp thru zero oscillator. It still packs in a lot of features but will work better in most cases as the 2nd and/or 3rd oscillator in the system. Key features:

Thru zero FM oscillator
Tuning switch enables ranges of 0V, 3V, and 6V
Tuning knob offers 4 octave range, when coupled with the switch you get a full 10 octaves.
Both hard sync and time reverse (soft sync)

The chip used for the core of this module is the SSI2130, which has a tendency to lock up on startup when the power rails come up asymmetrically, which is most common in Intellijel power supplies. If the unit locks up on startup, just flip the LFO/VCO switch to get it behaving.

COCO - Create your Own Complex Oscillator

With COCO system the aim is to bring all the goodness of a complex oscillator while aiming to minimize some of the downsides. The main thing that I appreciate about them is that you can have a lot of fun without having to patch too much. By default, you can get some very deep sounds that go far beyond the standard bleep and bloop. On the downside, complex oscillators are big and have a fixed set of capabilities.

The COCO system allows you to choose your oscillator features and choose your control module and connect them all together into a complex oscillator. You can then break them down and each module also works as a standalone module as well. So when you need that extra oscillator for your performance case, you can break the system down and use it accordingly.

Oscillators

You can connect up to a total of three oscillators in a complete COCO system. It is recommended to have at least two or it will not be much fun as a system. The typical configuration would be having one Cascades and two Brooks.

Each oscillator in the COCO series can send and receive Exp FM, sync, and a MOD bus.

For Exp FM (v/oct) and sync, the routing is controlled by the control module via the Track and Sync switches. The exp FM routing is handy for doing chords without having to worry about copying precision voltages. Everything is internally routed with high precision op amps.

MOD wave - Each oscillator controls what it sends as a modulation wave. Cascades has a jumper on the back to change between SIN and MOR outputs, while Brooks will always send SIN. Each oscillator then has an arrow next to each jack that receives a MOD wave signal. One twist on this is that Canyon can also be configured to send it's mix output as the MOD wave to OSC1, instead of receiving from OSC2. This is because the stepped voltage patterns that come from Canyon can be quite fun to use on an oscillator!

Cascades - Cascades is the fully featured thru-zero oscillator with an octave switch, voltage-controlled wave shaping (via Morph), amplitude modulation, along with a large variety of waveform ouptuts. A notable oddity is the inclusion of the COS output, which is great for some stereo effect. The idea being that Cascades works best as a main oscillator. But you can use either oscillator in any position in the overall system.

Brooks - Brooks is a smaller thru-zero 4hp basic VCO that has all the basic waveforms, FM control, sync, and Time Reverse which simply reverses the wave. While it is a fully capable oscillator it works best as a modulation oscillator in the COCO system.

Control Modules

The control modules do two things in the system, they control the routing for the exp FM and sync, and they add either upper (Valley) or lower (Canyon) harmonics. The switches control the routing of exp FM and sync between the oscillators, while only Canyon has any mod bus controls, which is available as a jumper on the back.

Valley - Valley is a wavefolder (aka adds upper harmonics) that offers some mixing at the input, along with controls over order (number of folds) and control over even or odd harmonics (more details). This is meant to be the opposite of the grit in Dirty Laundry and aims to be a nice clean wavefolder.

Canyon - Canyon is a sub-harmonics generator (aka add lower harmonics). You can think of it as a level-controlled clock divider where each knob controls the level of a sub-division (three is 1/3, five is 1/5, etc.). You can then either output just the odds or the evens via dedicated jacks or have a crossfade between the two. The clock that is being sub-divided can be changed for the odds and evens sides independently so you can get some wonky cross modulation effects.

Everyone always loves a little dessert, and that's kinda where SUM+INV comes in. It's a little utility that is helpful in two ways for COCO. First, you can use it as a 3:1 mixer by patching the top two inputs and the bottom input. This is handy when trying to mix your three oscillator outputs. Second, it can be helpful for quadrature output with the SIN and COS feeding each channel and therefore giving you 0, 90, 180, and 270 phases.

Notes: Canyon is a sub-harmonics generator with two sections fed by two different clock sources. The first section offers odd sub harmonics, dividing the clocks by 1, 3, 5, and 7. The second section offers even sub harmonics, dividing the clocks by 2, 4, 6, and 8. These two section outputs are then mixed together via a voltage controlled crossfader. The outputs can either be used in the audio range to create rich sounds or used at slower rates as CV sources, even patched back into one of the oscillators. Each side of Canyon can also be clocked independently, which can lead to some rich tones.

Note - The tracking switch is labelled backwards on Canyon so it tracks OSC2 and OSC3 in the up position.

COCO - Create your Own Complex Oscillator

With COCO system the aim is to bring all the goodness of a complex oscillator while aiming to minimize some of the downsides. The main thing that I appreciate about them is that you can have a lot of fun without having to patch too much. By default, you can get some very deep sounds that go far beyond the standard bleep and bloop. On the downside, complex oscillators are big and have a fixed set of capabilities.

The COCO system allows you to choose your oscillator features and choose your control module and connect them all together into a complex oscillator. You can then break them down and each module also works as a standalone module as well. So when you need that extra oscillator for your performance case, you can break the system down and use it accordingly.

Oscillators

You can connect up to a total of three oscillators in a complete COCO system. It is recommended to have at least two or it will not be much fun as a system.

The typical configuration would be having one Cascades and two Brooks.

Each oscillator in the COCO series can send and receive Exp FM, sync, and a MOD bus.

For Exp FM (v/oct) and sync, the routing is controlled by the control module via the Track and Sync switches. The exp FM routing is handy for doing chords without having to worry about copying precision voltages. Everything is internally routed with high precision op amps.

MOD wave - Each oscillator controls what it sends as a modulation wave. Cascades has a jumper on the back to change between SIN and MOR outputs, while Brooks will always send SIN. Each oscillator then has an arrow next to each jack that receives a MOD wave signal. One twist on this is that Canyon can also be configured to send it's mix output as the MOD wave to OSC1, instead of receiving from OSC2. This is because the stepped voltage patterns that come from Canyon can be quite fun to use on an oscillator!

Cascades - Cascades is the fully featured thru-zero oscillator with an octave switch, voltage-controlled wave shaping (via Morph), amplitude modulation, along with a large variety of waveform ouptuts. A notable oddity is the inclusion of the COS output, which is great for some stereo effect. The idea being that Cascades works best as a main oscillator. But you can use either oscillator in any position in the overall system.

Brooks - Brooks is a smaller thru-zero 4hp basic VCO that has all the basic waveforms, FM control, sync, and Time Reverse which simply reverses the wave. While it is a fully capable oscillator it works best as a modulation oscillator in the COCO system.

Control Modules

The control modules do two things in the system, they control the routing for the exp FM and sync, and they add either upper (Valley) or lower (Canyon) harmonics. The switches control the routing of exp fm and sync between the oscillators, while only Canyon has any mod bus controls, which is available as a jumper on the back.

Valley - Valley is a wavefolder (aka adds upper harmonics) that offers some mixing at the input, along with controls over order (number of folds) and control over even or odd harmonics (more details). This is meant to be the opposite of the grit in Dirty Laundry and aims to be a nice clean wavefolder.

Canyon - Canyon is a sub-harmonics generator (aka add lower harmonics). You can think of it as a level-controlled clock divider where each knob controls the level of a sub-division (three is 1/3, five is 1/5, etc.). You can then either output just the odds or the evens via dedicated jacks or have a crossfade between the two. The clock that is being sub-divided can be changed for the odds and evens sides independently so you can get some wonky cross modulation effects.

Everyone always loves a little dessert, and that's kinda where SUM+INV comes in. It's a little utility that is helpful in two ways for COCO. First, you can use it as a 3:1 mixer by patching the top two inputs and the bottom input. This is handy when trying to mix your three oscillator outputs. Second, it can be helpful for quadrature output with the SIN and COS feeding each channel and therefore giving you 0, 90, 180, and 270 phases.

Notes: Cara (uMarbles)

This is a new build of a micro version of Mutable Instruments Marbles. It retains all the functionality of the original full-sized module but takes up less space. It comes with jack lights that can be disabled via a jumper on the back.

These modules use tall bushing potentiometers to offer a more stable feel. You can see the difference in the last picture. You will feel much less wiggle with the tall bushing (left) than with traditional trimmer style (right).

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module. Eurorack power cable included.

Width: 10HP
Depth: 34mm
Height: 3U
Power Consumption: +12V: 80mA -12V: 20mA

Notes: Cascades is After Later Audio's most fully featured analogue oscillator. Some of the unique features are:

Through zero FM oscillator
Morph output with CV control to morph between TRI, SAW and PUL waves.
Octave switch to simplify tuning
Cosine output - fun for stereo - also for going full analogue quadrature with the SUM+INV module
VCO and LFO ranges
Amplitude modulation built-in with either offset or full wave rectification for the modulating wave.
Switchable mod wave output between morph out and SIN (jumper on back)

Two notes:

The COS output can only be tuned to work with either the VCO or LFO range. At the "factory", After Later Audio have tuned it for VCO usage. Stay tuned for tuning instructions if you would prefer to use it for LFO range.

The chip used for the core of this module is the SSI2130, which has a tendency to lock up on startup when the power rails come up asymmetrically, which is most common in Intellijel power supplies. If the unit does lock up on startup, just flip the LFO/VCO switch to get it behaving.

COCO - Create your Own Complex Oscillator

With COCO system the aim is to bring all the goodness of a complex oscillator while aiming to minimize some of the downsides. The main thing that I appreciate about them is that you can have a lot of fun without having to patch too much. By default, you can get some very deep sounds that go far beyond the standard bleep and bloop. On the downside, complex oscillators are big and have a fixed set of capabilities.

The COCO system allows you to choose your oscillator features and choose your control module and connect them all together into a complex oscillator. You can then break them down and each module also works as a standalone module as well. So when you need that extra oscillator for your performance case, you can break the system down and use it accordingly.

Oscillators

You can connect up to a total of three oscillators in a complete COCO system. It is recommended to have at least two or it will not be much fun as a system. The typical configuration would be having one Cascades and two Brooks.
Each oscillator in the COCO series can send and receive Exp FM, sync, and a MOD bus.

For Exp FM (v/oct) and sync, the routing is controlled by the control module via the Track and Sync switches. The exp FM routing is handy for doing chords without having to worry about copying precision voltages. Everything is internally routed with high precision op amps.

MOD wave - Each oscillator controls what it sends as a modulation wave. Cascades has a jumper on the back to change between SIN and MOR outputs, while Brooks will always send SIN. Each oscillator then has an arrow next to each jack that receives a MOD wave signal. One twist on this is that Canyon can also be configured to send it's mix output as the MOD wave to OSC1, instead of receiving from OSC2. This is because the stepped voltage patterns that come from Canyon can be quite fun to use on an oscillator!

Cascades - Cascades is the fully featured thru-zero oscillator with an octave switch, voltage-controlled wave shaping (via Morph), amplitude modulation, along with a large variety of waveform ouptuts. A notable oddity is the inclusion of the COS output, which is great for some stereo effect. The idea being that Cascades works best as a main oscillator. But you can use either oscillator in any position in the overall system.

Brooks - Brooks is a smaller thru-zero 4hp basic VCO that has all the basic waveforms, FM control, sync, and Time Reverse which simply reverses the wave. While it is a fully capable oscillator it works best as a modulation oscillator in the COCO system.

Control Modules

The control modules do two things in the system, they control the routing for the exp FM and sync, and they add either upper (Valley) or lower (Canyon) harmonics. The switches control the routing of exp FM and sync between the oscillators, while only Canyon has any mod bus controls, which is available as a jumper on the back.

Valley - Valley is a wavefolder (aka adds upper harmonics) that offers some mixing at the input, along with controls over order (number of folds) and control over even or odd harmonics (more details). This is meant to be the opposite of the grit in Dirty Laundry and aims to be a nice clean wavefolder.

Canyon - Canyon is a sub-harmonics generator (aka add lower harmonics). You can think of it as a level-controlled clock divider where each knob controls the level of a sub-division (three is 1/3, five is 1/5, etc.). You can then either output just the odds or the evens via dedicated jacks or have a crossfade between the two.

The clock that is being sub-divided can be changed for the odds and evens sides independently so you can get some wonky cross modulation effects.

Notes: A simple VC panner with CV-controlled level. The left input normals to the right input to give an easy way to add panning to a mono signal.

Expandable

Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4hp
12V: 40mA
-12V: 40mA

Notes: This is an exact hardware replica of the Mutable Instruments Veils 2020 module. After Later used the "hard-to-find" OPA1679 opamps, but we did switch the package from TSSOP to SOIC, to keep costs down. It is the same part/specs, just a different package.

Based on open source designs by emilie gillet under Creative Commons (CC-BY-SA) license.

Width: 10hp
12V: 50mA
-12V: 50mA

Notes: Clouds

This is a new build of a Mutable Instruments Clouds. This module is identical to the now discontinued factory made Clouds. This module loads parasites 2.01 Firmware by default.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Notes: An interface for the case 1/4" jacks in Intelljel cases. The jacks are marked as if they are part of the case, so the jacks marked out, require an input.

The module sports both input and output for either a consumer line level (0.447Vpk) or a professional line level (1.095Vpk). These levels are controllable via jumper on the back of the module. It can also have a single input and output channel switched to pedal level. The case output is fed to the headphone amp that has a corresponding level control. The module otherwise does not have any level control and relies on using a VCA or other module to perform any level controls.

The module can essentially be run in one of three modes:

1) Stereo line level in and out

2) Stereo line level in and out via the left side and mono pedal in and out on the right side. In this mode the stereo line levels leverage TRS on the 1/4" jacks. You can use the included 3.5mm couplers to get TRS on the 3.5mm side.

3) Mono line level in and out via the left side and mono pedal in and out on the right side.

For Palette 64hp users only have two 1/4" jacks. You can choose if you want to use the case jacks as either inputs, outputs, or one input and one output.

Notes: This is an exact hardware replica of the Mutable Instruments Clouds.

Notes: Full size version of Mutable Instruments Tides V2 (2020). It retains all of the original functionality of the full size version, both software and hardware. Its core is a triangle function generator and waveshaper that can be used as an LFO, oscillator, AD-style envelope generator (EG), and AR-style EG.

Based on open source designs by Emilie Gillet under Creative Commons (CC-BY-SA) license.

Width: 14hp
12V: 50mA
-12V: 20mA

Notes: This is an exact hardware replica of the Mutable Instruments Marbles.

Notes: Dirty Laundry is a destructive harmonic generator. The FOLD side can function as a standard Buchla-inspired wave folder but then extend into chaos when you engage the pre-fold PRESS section. The Press section creates all kinds of initial harmonics that really give the Fold section something to sink its teeth into. This results in a nice range of controlled harmonics from simple fold activity to anarchy.

The Press and Fold sections can function either as two parallel sections or as single serial unit. There are crossfaders between the sections and at the end of chain to help with blending between these two distinct sections. In development I mainly use it as a serial unit as I think it's most fun that way. But I found the need to control the mixes to get what I was after, so I added some extra patch points to make it parallel capable.

The module will work well with all waveforms (speech is fun) but I often stick with sine and triangle waves as I find them the most pleasing starting point. While most folders won't work well with square waves, the RES/DRIVE circuit will cause some rippling and make the FOLD much more interesting.

Width: 14hp
12V: 77mA
-12V: 70mA
Power connection is either way on module side

Notes: DVCA is a dual VCA based on the Mutable Instruments Veils. It features two separate voltage controlled amplifiers, both with a gain and a response curve potentiometer, that is variable from linear to exponential. The outputs are normaled, so when no patch cable is present on output 1, output 2 will contain both signals, allowing the module to be used as a mixer.

The DVCA can be chained together with other DVCAs to make a multi-channel mixer. On the back there are 2 single pins (one on the left side and one on the right) that will say IN and OUT on the PCB. If the DVCAs are side by side you can use a jumper to connect them, or you can use a female-female dupont cable with 2 female ends to connect them if you'd like to spread them out throughout your case.

Comes with jack lights that can be disabled via a jumper on the back.

Based on open source designs by emilie gillet under Creative Commons (CC-BY-SA) license.

Width: 22hp
12V: 17mA
-12V: 17mA

Notes: DVCA

DVCA is a dual VCA based on the Mutable Instruments Veils. It features two separate voltage-controlled amplifiers, both with a gain and a response curve potentiometer, that is variable from linear to exponential. The outputs are normalized, so when no patch cable is present on output 1, output 2 will contain both signals, allowing the module to be used as a mixer. Several DVCAs can be daisy-chained for voltage-controlled mixer operation. It comes with jack lights that can be disabled via a jumper on the back.

These modules use tall bushing potentiometers to offer a more stable feel.

The module is fully assembled and tested. Eurorack power cable included.

Notes: Enigma Expander for micro Turing Machine (Alan)

An expander for After Later's Alan module (a smaller version of the Turing Machine) that enables you to manipulate the stepped CV sequence. This enables you to create a different, yet related sequence to the main Alan output.

The module comes with the required cable to connect to the main module. Our black and gold panel is designed to complement Alan, Aftter Later's micro version of the Turing Machine.

The module comes with a 1 year warranty.

Notes: ADSR Style Envelope Generator

An ADSR style envelope generator based on the CEM3310 chipset, found in many classic synthesizers (Pro One, Prophet 5, MemoryMoog). We have added a small twist, end of attack and end of release delayed triggers. The module offers this rich set of features packed into 6HP.

Attack, Decay, Sustain, and Release controls with CV inputs for each.

Threshold controls the required gate level to trigger the envelope

Time range is configurable via jumper on back (shortest attack is 0.5ms and longest is 750ms)

End of attack delayed trigger

End of release delayed trigger

Length of the gate signal controls the length of the sustain phase

Retrig the attack while the gate is still high

Size: 6hp

Notes: Two fuzz channels based on the fuzz face circuit with a built-in pickup simulator.

Gnarly is a 7 knob beast that will destroy whatever you throw at it. It has many dead zones in the pots that will adjust based on the position of other pots. It's all about finding the sweet spots and living on those fine edges. The transistor pairs on this section are replaceable.

Oomph is a 5 knob bass friendly take on the fuzz face and compliments the upper harmonics of the Gnarly section.

Pickup simulator - Fuzz circuits offer unique sound when paired with the inductance of the pickup coils in a guitar. This why it is often suggested to have fuzz pedals as your first in a pedal chain. So After Later built-in a coil to simulate your eurorack signal being emitted by a guitar pickup. After Later also included a pickup simulator output so you can use it to interface with other fuzz instruments (pedals, modules, etc.).

As an added oddness - you can also input your guitar into the pickup sim output (just don't plug anything into the normal input). This will still get you Eurorack level output. Please don't input Eurorack levels into the pickup sim output.

Tips - Experiment with the pickup simulator and buffered signal. Use the PS.Level to keep the signal low, borderline on cutting out. You find lots of joy in the gnarly section by keeping this level at the edge.

Width: 10hp
12V: 15mA
-12V: 10mA

Notes: A multimode filter offering LPF, BPF, HPF, and NOTCH simultaneous outputs in 6HP.

Low pass filter (4 pole)

Band pass filter

High pass filter

Notch filter

Two audio inputs

Two FM inputs with an attenuverter for FM1

v/oct tracking for cutoff CV

CV over Resonance

Resonance will reach self-oscillation

Size: 6hp

Notes: Flip is a 1U Intellijel format module based on the Mutable Instruments Branches. It will take the incoming gate/trigger and route it to one of the two outputs based on a coin flip. You can control the probability of the coin flip with the knob and CV input. CH1 input normalled to CH2 input. The button toggles modes to a latch mode which will always keep one of the outputs high.

Dimensions
14 HP
25 mm deep
Module is a 1U tile in Intellijel format

Current Draw
10 mA +12V
1 mA -12V

Notes: A full size version of Mutable Instruments Warps. It is functionally identical and will run all firmware that ran on the original.

Width: 10hp
12V: 110mA
-12V: 5mA

Notes: Take your gates and generate triggers and take your triggers and generate a gate.

Gate to Trigger section:
Takes a gate signal and give a trigger output on both the rise and fall of that gate. The IN LED will illuminate while the gate input is high.

Trigger to Gate section:
Takes a trig signal to start a gate signal and is normalized from the fall output in the Gate to Trig section. The gate length knob controls the gate length. The fall output will generate a trigger at the end of the gate. The OUT LED will illuminate while the gate output is high.

The module uses a metal shaft pot with our new 10mm aluminum knob.

Notes: Take your gates and generate triggers and take your triggers and generate a gate.

Gate to Trigger section:
Takes a gate signal and give a trigger output on both the rise and fall of that gate. The IN LED will illuminate while the gate input is high.

Trigger to Gate section:
Takes a trig signal to start a gate signal and is normalized from the fall output in the Gate to Trig section. The gate length knob controls the gate length. The fall output will generate a trigger at the end of the gate. The OUT LED will illuminate while the gate output is high.

This is in the 1U Intellijel format.

Notes: Keanu is a partnership with Tim Held and Podular Modcast. At its core, Keanu is a standard 4x4 matrix mixer and VCAs on each output and switch to choose between unipolar or bipolar controls. After Later have also added modulation sources normalled into each channel. So you get some great modulation variety, but can also mix in your external sources.

Channels 1 & 2 CVs are clockable looping function generators with controls for rise/fall lengths, and equipped with end of rise/fall trigger outputs.

Channels 3 & 4 are each a "meandering" voltage source, created by 3 LFOs that are all at different frequencies. There are 3 CV inputs (total) to control their individual rates. You can also add slew to each channel individually to change the oscillators from square to triangle, and this slew also applies to external voltages sent into their channel.

Notes: This is a new build of a micro sized Mutable Instruments Plaits called Knit.

These modules use tall bushing potentiometers to offer a more stable feel.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Width: 6HP
Depth: 25mm
Height: 3U
Power Consumption: 12V: 50mA -12V: 5mA

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


This is a new build of a micro sized Mutable Instruments Plaits called Knit.

These modules use tall bushing potentiometers to offer a more stable feel.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Width: 6HP
Depth: 25mm
Height: 3U
Power Consumption: 12V: 50mA -12V: 5mA

Notes: 8 channels of audio or modulation over ethernet. There are two modules and a 3' CAT7e cable to connect them together. There are 8 total channels that are unbuffered and bi-directional. The primary usage is to connect two cases or just send a bundle of signals from one part of your larger case to another. You also get the option of buffering up to four channels on each side. This gives you a local copy of the signal and sends buffered copy to the other module, saving you from having to use a MULT to keep a local copy.

Some notes:

When one side of the Light Rail is in buffered mode, you cannot send signals from the opposite side on those 4 buffered channels (the other 4 channels can still be used in bi-directional mode)

If you are after a different longer/shorter cable, you will get the best performance with CAT7e as it offers the shielding, which is used for the ground.

While the cross channel bleed is minimal, you will notice some very minor cross talk between the channels.

Notes: Dual three channel voltage controlled panning mixer

Mixer section

Channel 1 and Channel 2 are three channel mixers with potentiometers to control level of three different inputs for each channel. Each channel then has a potentiometer to control panning as well as CV control for panning and level control

Panning and VCA

The VC panners are equal loudness panning and the VCAs for each channel are linear response.

Built-in LFO

There is a built-in LFO that is normalled to the panning CV input of each channel. CH1 gets the standard LFO and CH2 gets an inverse, enabling alternating channel panning. The default is to use a TRI wave for the LFO, but there is a jumper on the back to switch it to SQU.

Width: 12hp
12V: 140mA
-12V: 120mA

Notes: Monocle is half of a Mutable Instruments Blinds. It has in/out pin headers on the back of the module so you can daisy chain multiple together. You can also daisy chain with After Later's DVCA module as well.

Notes: This is a new build of a Monsoon, which is a variation of Mutable Instruments Clouds with separate CV and controls for the 4 "blend" functions. The 4 LEDs on the sliders indicate incoming control voltage for the 4 main parameters. The button which was used to select blend parameters now simply switches what the 4 LEDs display (audio input monitoring or monitoring the 4 blend amounts.) Parasites 2.01 firmware is loaded by default. Alternative firmware can be loaded by request.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Width: 12HP
Depth: 22mm
Height: 3U
Power Consumption: +12V:120mA -12V:10mA

Notes: Morcom Expander for micro Turing Machine (Alan)

An expander for After Later's Alan module (a smaller version of the Turing Machine) that exposes the pulse outputs from the main Alan module. You get 7 seven random outputs and then 4 that are derived from other 7 outputs. When 1 and 2 are high then the 1+2 outputs is high. You can get some great rhythmic effects using these in conjunction with the main stepped CV output.

The module comes with the required cable to connect to the main module. The panel is designed to compliment Alan, After Later's micro version of the Turing Machine.

The module comes with a 1 year warranty.

Notes: Mult 1U Intellijel Format

This is a buffered/active mult with LED indicator. You get two channels of 1 to 3 multiples within a 2HP module. The output of channel 1 is normalled to channel 2 so it can also be treated as a 1 to 6 multiple as well.

Active vs Passive mults:

With a passive mult you are effectively just plugging multiple things into the same jacks. This will often cause some voltage drop in each of the signals. With an active (or buffered) mult you will not get any voltage drop from the original signal.

Comes with a black and gold panel, power cable and one year warranty.

Usage note:

The red stripe of the power ribbon cable goes towards the top of this module.

Notes: This is a buffered/active mult with LED indicator. You get two channels of 1 to 3 multiples within a 2HP module. The output of channel 1 is normalled to channel 2 so it can also be treated as a 1 to 6 multiple as well.

Active vs Passive mults:

With a passive mult you are effectively just plugging multiple things into the same jacks. This will often cause some voltage drop in each of the signals. With an active (or buffered) mult you will not get any voltage drop from the original signal.

Comes with a black and gold panel, power cable and one year warranty.

Usage note:

The red stripe of the power ribbon cable goes towards the top of this module.

Notes: nRings

This is a new build of a micro version of Rings from Mutable Instruments. MicroRings, also called NanoRings, retains all the same functionality as a full-size Rings module.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

These modules use tall bushing potentiometers to offer a more stable feel.