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Review: 20/20 Vision present the debut release from Manchester based artists Armec. Following releases for Cultivated Electronics and Furthur Electronix, the Caged EP hits the ground running - with a record that spans heavy club-ready electro and futuristic soundscapes. Complete with a hefty remix from German acid connoisseurs Hardfloor.

'Caged' sucks us down the rabbit hole with dense textures fortified by an infectious groove, vast pads, and bubbling synth lines. The Hardfloor remix of 'Caged' submerges us into an acidic electro trip - fuelled by quirky melodic licks, a menacing low-end and body shaking drums.

On the flip side 'Curvature' is an out-and-out understated bomb. Propelled by a squelching, supercharged bassline which soars over Armec's signature textural landscape, it's reinforced by razor sharp hats and a heavy kick-drum. 'Replicants' is a side-winding, emotionally charged cut that feels truly fresh and forward-thinking. Deep, luscious pads are underpinned by a superbly engineered break-beat driven groove.

Review: Although he rarely speaks about the project in public, His Master's Voice is the itechno alias of underground deep house producer (and sometime Raw Soul label contributor) Jaines Bomt. Carry On In My name sees the shadowy German producer return to Delsin for the first time in nearly three years. There's plenty to set the pulse racing throughout, from the breathlessly up-tempo, broken techno rhythms and filthy analogue bass of 'Lotek' and the '90s ambient techno-influenced deep space wooziness of 'Lion', to the Motor City electro-futurism of 'Bassline' and the Autechre-at-their-most-melodic flex of 'Carry On In My Name'.

Review: When it comes to excitable club fodder rooted in club sounds of the late 80s and 90s, the Tone Dropout crew consistently delivers the goods. They're at it again on their 11th multi-artist extravaganza, which giddily sprints between acid-fired breakbeat house with glassy-eyed melodic motifs and spacey bleeps (Sween and Alphonse hook-up 'Downfall'), trancey early progressive house revivalism ('Odyssey T3D' by XOTR), intergalactic electro-bleep fusion (the punchy, Kraftwerk-on-pills excellence of Samuel Padden's 'Teslas Still Alive') and classy bleep and breaks nostalgia (Kostas G's pleasingly sub-heavy, funk break-driven 'Spectrum').

Review: Patrick Conway makes his fantastic debut on the Exotic Robotics label here with four tracks of wires electro electronics. 'Spring Sonnet' kicks off with jittery leads and a nagging pad over silky beats, then 'Early Assembly' casts you adrift in an ocean of rebred with scruffy broken beats spread wide apart. 'Vertical Society' taps into some old school rave energy with big horns, pitched up vocal stabs and jungle beats. The remix from the reggaeton king DJ Python then slows things down to a heavy, bouncy groove with brilliant loops dragging you in further each time.

Review: Dual-minded Frenchman Louis Pierret makes his debut on Karat as he continues to explore the extremities of his passions and interests over four crisp, forward-thinking tracks. 'Changes' eases us in with big swooning emotional tracks and a classically minded 808 electro beat before 'Davy Jones' eases us down a much deeper channel with dub techno soul and a jazz sensibility. Flip for the main attraction as 'Achab' shouts the orders by way of venomous acid, glacial chords and whale-like textures before 'Rhune' brings back ashore on a boat made in the heart of Detroit. Precision engineering. Bon voyage.

Review: Having spent much of the last few years working alongside Lou Savary in cold-wave revivalists Reymour, Luc Bersier has decided to go solo as Marcel Die Sie. His debut release, which also happens to be the inaugural EP of the Rababoo label, naturally inhibits a similar sonic space to his work with Savary, with each of the three original cuts on show offering a mixture of chugging, mid-tempo grooves, wayward electronics, early '80s new wave synth sounds and a subtly psychedelic mood. There are similarly impressive remixes on the flip too, with De Roo's moody, occasionally spacey IDM style take on 'Poetic Frame' being followed by a hypnotic, acid-fired and trance-inducing interpretation of the same track by Dark Entries artist Anatolian Weapons.

Review: Like his brother DJ Sotofett, DJ Fett Burger is not a producer you can 'second-guess'. On one release, you might get surging techno or outer-space ambient, while on another it could be analogue acid house or throbbing machine-disco. On 'Ephemeral Lightspeed', he adds punchy, crunchy breakbeats to a swirling ambient techno soundscape whose trippy and wide-eyed quality is confirmed by the Norwegian producer's accompanying 'Beatless Version'. On the flipside two friends of the Sex Tags family deliver their interpretations. First LNS re-imagines the track as a bouncy, keyboard stab-sporting electro treat, while the Snorre Magnar Solberg revision is a bonkers-but-brilliant, high-octane acid breakbeat rush-a-thon.

Review: After guesting on such labels as E-Beamz, Natural Sciences and Who's Susan, DJ Swagger established the Goddess Music imprint late last year. Fittingly, the label's first vinyl missive features the man himself in cahoots with German mic man Caramelo. The latter delivers a weary-sounding rap over "Saft Und Wasser", a warm and spacey electro cut that's as emotive as it is energetic. DnAonDnA brilliantly re-imagine the track as a hazy chunk of spaced-out electronic dub, before sometime Chiwax, Die Orakel and Natural Sciences artist Orson Wells turns it into a deep and crunchy IDM number. There's a fine bonus too in the shape of DJ Swagger's remix of "X2", a high-octane ghetto-tech/electro number featuring a seriously squelchy bassline and vocal contributions from Jonny5 and Badboyblondey.

Review: Watch yer bassbins, Club Winston is back with another loud n' lairy bit of wub for his wickedly named UKGEORGE label. This is club pressure that's as serious as it is silly, boiling garage and rave tropes down for maximum efficiency and celebrating the limitless joy of a wobbly bassline. "Blurt" keeps things raw and direct, stomping at a nifty tempo and teasing the tension and release with the simplest of ingredients. "Reject" on the flip has a sweeter vibe, using little touches of melody to create a mellower mood but not at the expense of the all-important low end.

Review: Having been dormant for over three years, New York label Satamile returns to continue spreading the gospel of proper electro music with a six-track EP from The Ghost That Walks. Drexciya enthusiasts will be all over this record; the rubbery melody of "The Angriest Angel" recalls the Detroit duo at their most playful but with a simmering undercurrent of tension that is very much the producer's own signature style. Similarly great are the searing analogue synth buzz of "Seven Deadly Sons", the tribal 303 stomp of "Urban Jungle" and the 808 rattle and Belgian rave tones of "Resident Evil". Those who were lost without the label's presence should rest easy - Angry Angels is easily among their extensive catalogue's best releases.

Review: Known for his role in The Pain Machinery and Severe Illusion, Stockholm native Anders Karlsson has more recently begun to explore similar strands of industrial and EBM in a solo capacity as Celldod, issuing several limited cassettes over the course of 2014. Those without the facilities to consume cassettes will be happy to see some of this Celldod material now issued on vinyl thanks to the efforts of Canadian label Suction Records. Some six tracks deep, Pulsdisco features material from the two cassettes of the same name Karlsson released last year and those that like their EBM minimalist and without vocals will find plenty to enjoy here.