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Review: The last ten years have seen no shortage of bands with their delay pedals set to stun intent on capturing an aura of dreamlike radiance. Yet Texas 'pop-noir' troupe Cigarettes After Sex are no ordinary shoegazers, for a variety of reasons - frontman Greg Gonzalez' androgynous and dulcet tones may be part of the appeal, yet moreover it's the quality of the songwriting here, which never falls prey to the style-over-substance traps of their peers. Indeed, this debut is more than enough to justify the considerable hype around this outfit, being a collection of ditties as sultry as they are atmopsheric.
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Review: Having recently released the impressively in-your-face Live at Primary CD, it's something of a surprise to see CV313 dropping another live recording so soon. To be fair, Live Excursions first surfaced digitally last year via their own Bandcamp site, and now makes its way onto CD for the first time. The recordings themselves are vintage too, having been captured at a warehouse party in Detroit back in 2001. According to the Echospace website, the tracks were performed live using only outboard kit and a 16-channel mixer, with no computer trickery. Whatever the method, the resultant tracks are long, trippy, and immersive forays into dub techno and ambient in CV313's trademark style.
… Read morePlayed by: Jay Simon (Must Have Records), Toki Fuko
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Cat: SCENE 71. Rel: 09 Jan 24
Ambient/Drone
Review: This reissued version of Idyll from Marine Eyes is a newly expanded edition with plenty of new remixes of the original material included on the CD. Each of those asked to offer up remixes have been part of the original artists' "musical path, helping me believe in myself, encouraging me to share my art with the world, and inspiring me with their own art." Alongside those, there is also an alternative version of 'Roses All Alone' which is a window into how the original sessions sounded before the veil was stopped back. There is also a new B-side cut 'Make Amends' which wasn't on the original album which came out some two years ago now.
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Review: 'Mordechai is another blissed-out record from Texan party-chill-psyche trio Khruangbin. It's also among the outfit's most defined and driven, a smooth, sticky hot funk odyssey made for hazy afternoon soirees. Leader Laura Lee is, as ever, unfathomably siren-like on vocals, her bass grooves aiding the process of seduction no end. Even at the most upbeat and anthemic, 'Time (You and I)', it's hard not to feel woozy and intoxicated by the pared-back breaks and guitar lick combination. Dance floor ammo for sure, as is Pelota. Overall, though, it's an album best savoured slowly, allowing you to fully appreciate every lackadaisical moment of opiate goodness, with tracks such as 'Father Bird, Mother Bird', 'One To Remember' and 'Shida' summoning stunning sticky, heavy, deep atmospheres.
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Jon SAVAGE / VARIOUS
Jon Savage's Ambient 90s (limited unmixed CD)
Cat: CTRUE 32CD. Rel: 08 Jan 24
Ambient/Drone
Review: The 1990s was arguably the first 'golden age' of ambient - a time when the inherently atmospheric and laidback style not only exploded in popularity, but also became the post-club soundtrack of choice for a whole generation. This personal survey of the 90s ambient scene from journalist and author Jon Savage does a good job in gathering together a representative selection of genuine gems and overlooked classics, drifting between the bubbly, deep space brilliance of Richard H Kirk's Sandoz project ('Limbo'), bleeping ambient house ('Calm' by 2 Cabbages on a Drip), early progressive house (React 2 Rhythm), electronic psychedelia (the tabla rhythms and swirly noises of Rapoon), ambient blues (Underworld), IDM (U-ziq), and glacial, slow-motion bliss (Biosphere).
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Cat: GI 360CD. Rel: 14 Aug 20
Soundtracks
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Review: With the combination of band name and album title this one's always going to be a bit of a tearjerker, packed with self-reflection and self-loathing. No regrets, though, as Greg Gonzalez muses on sensuality, the loss of those we care about, the loss of self to another and the endless yearning of the human heart. Shades of Lord Huron and a wealth of gloomy shoegazers can be felt, but even though "Cry" represents a next step for Cigarettes After Sex - edging into more minimalistic territories - it's still immediately identifiable as this band, and so won't fail to instantly resonate with avid fans. Packed with an exquisite, opiate balladry at once heartfelt and heartbroken, it's hard to tell whether this is exactly what you need to hear when living through your blue period or precisely what you shouldn't listen to. Either way, it's quiet impact is immense.
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Review: Given their famously militant approach to music formats, it's a surprise to see Paranoid London's previously vinyl-only 2014 debut album finally being issued on CD. For those who missed out first time around, it's well worth checking. As you might expect, it makes great use of both vintage analogue equipment and similarly old skool influences, in turn doffing a cap to Phuture-style Chicago acid, Inner City, hip-house, Green Velvet, Dance Mania style ghetto-house, and stripped-back, dancefloor-friendly machine soul. Despite the ragged nature of some of the material, it's both hugely listenable and hangs together impressively - no mean feat given the DJ-friendly nature of the tracks. It all adds up to a retro-futurist treat.
… Read morePlayed by: Julian Sanza, Billy Bogus
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Review: There was much talk ahead of the release of Darkstar's debut album as to whether the London based outfit could live up to the promise of their stunning breakthrough single "Aidy's Girl Is A Computer" on Hyperdub in 2009. The answer, in short, is yes. In the course of the past 12 months Aiden Whalley and James Young have morphed from a production team into a band, adding vocalist James Buttery along the way, and North, the fruits of their labour, is a fragile, delicate and beautiful record. Tracks like "Gold" and ""Dear Heartbeat"" showcase an 80s synth pop sensibility, forming the backbone of an album that is steeped in worry and melancholia. Buttery's vocal talents add an extra layer of depth to the music, particularly on the poignant, piano driven opening and closing track "In The Wings" and "When It's Gone". There is much to explore on North, which will go down as one of 2010's most affecting electronic albums.
… Read morePlayed by: Ennio Styles
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Review: Long-serving Tortoise guitarist Jeff Parker has made some magical solo albums in recent times, combining his particular take on jazz guitar with chopped-up instrumentation, dusty samples, post hip-hop beats and a large dollop of experimental intent. On Forfolks, his latest missive on Chicagoan imprint International Anthem, Parker flips the script, delivering an octet of solo guitar works that's as varied as it is jaw-droppingly good. Beginning with a piece of layered, cyclical minimalism reminiscent of Reich and Pat Metheny's 'Electric Counterpoint', Parker flits between jazzy interpretations of classic guitar pieces, droning and effects-laden soundscapes, lilting soundscapes, melancholic masterpieces and meditations on a theme.
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Review: Given that Isle of White twosome Wet Leg (AKA late twenty-somethings Rhian Teasdale and Hester Chambers) broke through with an insanely infectious chunk of monosyllabic rap-sporting post-punk pop, the stupidly catchy 'Chaise Longue', it seems fitting that the song lands early on their self-titled debut album - track two, to be precise. While the set features little else quite as upbeat, energetic and unashamedly joyous, it's still a boisterous and at times brilliant debut full of tongue-in-cheek lyrics, low-slung post-punk intent, raucous references to vintage '80s and '90s indie, weighty guitar riffs and ear-catching melodic motifs. It's the kind of set capable of pushing them towards super-stardom and will undoubtedly be warmly received by critics.
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Played by: Wesley Matsell
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Gilles PETERSON / STUART BAKER / VARIOUS
CUBA: Music & Revolution Culture Clash In Havana Experiments In Latin Music 1975-85 Vol 2 (unmixed 2xCD)
Cat: SJRCD 496. Rel: 05 Nov 21
International
Review: Given that Gilles Peterson and Stuart Baker's Cuba: Music and Revolution - Culture Clash in Havana is one of the standout compilations of 2021, hopes are naturally sky-high for this speedy sequel. Like its predecessor, volume 2 focuses on music and made and released on the Caribbean island between 1975 and '85, this time round largely focusing on rare fusions of salsa, Latin jazz, disco, soul and funk, mostly licensed from records that have never been available outside Cuba. It's another stunning selection all told, with highlights including the heady Cuban disco/salsa fusion of Orquesta Los Van Van, the fiery disco-funk of FA 5, the heavily percussive hedonism of Luis Carobonell and the fuzzy psychedelic rock of Grupo De Experimentacion Sonora Del ICAIC. In a word: essential.
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Cat: VPGS 7055. Rel: 18 Aug 17
Roots/Lovers Rock
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Review: Japanese avant-garde artist Phew (real name Hiromi Moritani) has released a string of inspired solo albums since the turn of the '80s, though few are quite as atmospheric and majestic as 1992's 'Our Likeness'. Like some of her other albums from the period, it was produced by Conny Plank and Can's Jaki Liebezeit, with various industrial and post-punk musicians joining in the fun. As this reissue proves, it remains a fantastic album - a set rooted in krautrock, post-rock and dub in which her expressive vocals sit amongst a mixture of squally guitars, loose-limbed drums, dubby bass, trippy electronics and effects aplenty.
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Bob STANLEY / PETE WIGGS / VARIOUS
Winter Of Discontent (unmixed CD)
Cat: CDCHD 1603. Rel: 26 Jan 23
Indie/Alternative
Played by: Juno Recommends Rock/Indie
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VARIOUS
Future Disco 15: Mirrorball Motel (mixed CD + unmixed CD)
Cat: NEEDCD 47. Rel: 23 Sep 22
Disco/Nu-Disco
Played by: THE REFLEX
in stock $8.50
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Review: Ezra Collective has described their hotly anticipated second album, 'Where I'm Meant To Be', as "a thumping celebration of life". As with their previous work, it's rooted in the band's love of on-stage improvisation - call-and-response instrument solos abound throughout - and peppered with contributions from guest vocalists including Sampa The Great, Emeli Sande and Nao. Musically, it's undoubtedly joyous, blurring the boundaries between contemporary UK jazz, afrobeat, hip-hop, dub, Latin rhythms and soft-touch electronics. The plentiful highlights include steppers-powered dub-jazz workout 'Ego Killah', sparkling opener 'Life Goes On' and the Afro-Cuban brilliance of 'Victory Dance'.
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Review: In interviews promoting Fossora, her tenth album, Bjork joked that it started life as "her Clarinet album" - a nod to the set's extensive (and sometimes experimental) use of regular and bass clarinet instrumentation. Really, though, it's her lockdown album, and one partly inspired by the grief she felt following the passing of her mother in 2018. In many ways it's an astonishing set, with the Icelandic artist adding her own distinctive lyrics and vocals - still effortlessly emotional and addictive after all these years - to tracks that brilliantly fuse, mix and mangle red-lined tribal drums, fuzzy IDM style electronics, brass band arrangements, jazz instrumentation and, on the inspired title track, increasingly intense, break-neck dancefloor rhythms that tend towards the gabber end of the spectrum. Unusual, entertaining and utterly beguiling; it's another brilliant album from a genuine one-off.
… Read more in stock $9.92
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Cat: SPCD 1485. Rel: 17 Nov 22
Indie/Alternative
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