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Review: The long running DJ Kicks serious has always been fascinating, offering as it does the chance for DJs and producers known for a particular style to spread their wings musically. Jazz-minded German techno combo Brandt Bauer Frick grab that chance with both hands on their instalment, showcasing an atmospheric blend heavily influenced by nu-jazz and smoky, jazz-flecked deep house. This vinyl edition features ten unmixed cuts from the mix for the selectors out there along with a CD version. On the latter there are numerous pleasing diversions, from the head-nodding analogue boogie of Inkswel and Moog-laden African rhythms of William Onyeabor, to the dense drum workout of their own "Brommel" and the winding synths and ultra-deep production of Fantastic Man's "Late At Night". They also make room for a bit of tech-jazz (Galaxy 2 Galaxy), and the booming late night moves of Cosmin TRG.

Review: Having found a renewed vigour with his Breach alias, Ben Westbeech has been ripping it up with his run of singles over the past few years, and now !K7 have snapped him up for the latest installment in the still-trucking DJ Kicks series that shows just how deeply rooted in house music the long-serving producer is. With the double-pack vinyl edition packing in full versions of many of the standout tracks from the mix, you can get treated to the anthemic vocal tones of Pedestrian, the heartfelt garage tones of Cassio Kohl, the fist shaking grooves of Detroit Swindle and in something of a curveball move, the ethereal electro of Dopplereffekt. For the most part it's direct and soulful house music as you would expect from a man of Ben's pedigree.

Review: Berlin based Cinthie is a firm favourite here at Juno HQ, as well as all around the European house scene. She runs various labels, her own record shop, and all with a great sense of personality. We couldn't be happier that she is next up in the legendary DJ-kicks mix series and of course, she doesn't disappoint. Her selections take in plenty of the raw, stripped back house you would expect. She includes one of her own tunes, the vital 'Organ' as well as fresh material from Ruff Stuff, Anil Aras and Felipe Gordon and puts it all together in an unfussy but hypnotic style. This doubt vinyl album offers you some of the standout cuts.

Review: Eccentric Swedish sitcom enthusiast turned producer DJ Seinfeld is hot property right now, so it's hardly a surprise to see him mixing the latest instalment in the DJ Kicks series. It's rather good, all told, offering a good run through of his influences and inspirations whilst also packing plenty of dancefloor punch. Taken in isolation, the Swede's on-point selections (think breakbeat-driven lo-fi house, dreamy deep house, skewed techno and bubbly post-IDM jams) are often deep, melodious, atmospheric and left-of-centre; brought together, the result is a wonderfully fluid and entertaining mix. Highlights include the downtempo bliss of the producer's own "I See U", the bass-heavy breaks/deep house fusion of Rudolf C's "Deep Sea Survivor", the rushing dancefloor mania of FaltyDL and the loved-up goodness of Project Pablo.

Review: South Korean star Peggy Gou continues her seemingly unstoppable rise by serving up her first ever DJ mix CD. It's a contribution to one of the longest running series in the business, DJ Kicks, and she's used the opportunity to showcase the depth and variety of the music in her crates. Beginning with the classic early '90s ambient of Spacetime Continuum, Gou flits between humid, mid-tempo Balearic house (her own "Hungboo"), acid-fired downtempo electronica, throbbing 1990 peak-time anthems (Weatherall's ace but largely forgotten remix of Sly & Lovechild), hypnotic techno minimalism, main room throb-jobs (Hiver), pulsating electro, classic breakbeat hardcore, post-dubstep, dark tribal drum jams and sunrise ready Motor City brilliance (Deniro).

Review: Up next on DJ Kicks' acclaimed mix series is Numbers doyen and Glaswegian iconJackmaster. In his own words, the 24-track mix sees the charismatic Scot 'delivering an honest journey, unearthing a serious passion for the obscure boundaries of house and techno.' This double LP lifts out eight of the tracks most other DJs will want to get their mitts on, and joins the dots between his hometown of Glasgow with Denis Sulta's festival destroying bass driven epic "MSNJ", then NYC; with Eli Escobar's gutsy EBM-flavoured 'Tension (vinyl mix)". Berlin's status as a dance music mecca is referenced with Dutch transplant Anno Stamm's dark house stomper "A Night Out With Therese" and the legend himself Ricardo Villalobos, with his minimal techno classic from 1996 "Logohitz". DJ Kicks throw in a CD of the mix too!

Review: Jayda G is one of house music's most breakout and cross-over sensations in the last five years. She plays with an obvious passion for what she does, and that is mirrored by the tunes she makes and the selections she digs for. A DJ-kicks from her was always going to be a good time listen and so it proves - her own 'All I Need' takes some beating in the feel-good house realm, but the likes of HAAi's lo-fi shuffler 'Good Ol'Fashioned Rugs', disco stepper 'I Want Your Body' from Royale and House Of Jazz's super soulful 'Hold Your Head Up' come real close.

Review: It would be fair to say that Studio K7 has pulled off something of a coup in getting Kenny Dixon Jr. to agree to compile and mix the latest installment in the long-running DJ Kicks series. It is, somewhat remarkably, the legendary Detroiter's first commercially available mix set. This triple-vinyl edition features a whopping 19 cuts - all in unmixed form - from the 30 track mix. Musically, it's a blazed, jazzy, soulful and groovy as you'd expect, and contains a mixture of downtempo beats, nu-jazz and hazy house cuts from the likes of Flying Lotus, Dopehead, Peter Digital Orchestra, Nightmares On Wax, Soulful Session and Lady Alma.

Review: Given his multiple production aliases, love of collaboration and two acclaimed labels - the effervescent Aus and Simple Music - its surprising Will Saul has time to think, let alone lay down a DJ Kicks mix. That the resultant mix is a woozy, atmospheric, multi-textured voyage through many shades of deep house, techno and bass-flecked electronic music is less surprising. Tightly packed with exclusives - see Bicep's rave-flavoured "Nova", for starters - and with cuts from pals October, George Fitzgerald, Cottam and Axel Boman, amongst others, there's plenty for fans of Saul's ever-evolving sound to cheer. This vinyl edition packs 12 of the 24 cuts from the mix across two slabs of vinyl and you get also get a CD of the mix with Saul building a distinctly warm and wide-eyed vibe over 80 mesmerizing minutes.

Review: The last few years have really seen Paul Woolford reach the top of his game in many different ways. Be it bowel emptying rave as Special Request, festival baiting piano house tunes or chart topping pop dance crossovers under his own name, the man is proving himself to have a real golden touch. He sure does crank out all these tunes at a prolific rate, too, but you still feel he does everything with meticulous precision. This DJ Kicks is a case in point. It touches on all the many different facets of his sound from glossy and feel good house to early Chicago classics, post-rave dreamscapes to brutal jungle breaks. What a legend.

Review: John Talabot joins the likes of Scuba, James Holden and Motor City Drum Ensemble to contribute to the long running DJ-Kicks mix series that's deftly proved there's still mileage in the commercially released Mix CD despite this podcast heavy age we live. The usual double LP edition culls ten cuts from the weighty 27 track mix which the Hivern Disc lad has described as "not an easy mix. It's quite strange". If you've seen Talabot DJ you know the Barcelona based artist digs deep and that's represented well on these ten cuts, with Andy Stott's lurching take on Maps and the similarly minded Tempel Rytmik ( the new project from Talabot and Alexander 'Genius of Time' Berg) contrasting nicely with the more effervescent house from Axel Boman, MCDE and Paradise's Deep Groove. Kudos too for the inclusion of Samo DJ's "Tai Po Kau"!