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Review: During the making of Arkhon, her ninth solo album as Zola Jesus, Nika Roza Danilova found herself in the middle of an almost crippling creative block. Listening to the album, you'd never know. Crafted with the help of a small number of hand-picked collaborators (producer Randall Dunn and drummer/percussionist Matt Chamberlain included), it's a confident, ear catching and constantly invigorating set, with Danilova's trademark vocals seemingly soaring above backing tracks that, while rooted in the darker and more atmospheric end of electronic pop, defy simple categorization. Highlights are plentiful, with our picks including the percussion-laden power pop builds of 'The Fall', the alternately dreamy and breathlessly intense 'Into The Wild', the tactile, slow-build opener 'Lost' and heart-aching piano ballad 'Desire'.
… Read more in stock $8.33
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Cat: WARPCD 354. Rel: 27 Apr 23
Indie/Alternative
Review: Sean Bowie's fifth full-length as Yves Tumor arrives with an epic title (the academically minded will be debating its meaning for years to come), a grandiose electro-rock/post-punk goes-electroclash sound, and a bagful of valedictory reviews. It's basically an extension of Bowie's previous work with a few twists, but that's no bad thing; after all, the artist's distinctive sound and strong songs have always been an impressive calling card. Highlights are plentiful, from the fizzing, 21st century punk-funk of 'Lovely Sewer', and the Prince-does-Nine Inch Nails-flex of 'Parody', to the alternately jangling and sleazy 'Operator', and the post-ESG dancefloor heaviness of 'Fear Evil Like Fire'.
… Read more in stock $8.86
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Review: Given that Isle of White twosome Wet Leg (AKA late twenty-somethings Rhian Teasdale and Hester Chambers) broke through with an insanely infectious chunk of monosyllabic rap-sporting post-punk pop, the stupidly catchy 'Chaise Longue', it seems fitting that the song lands early on their self-titled debut album - track two, to be precise. While the set features little else quite as upbeat, energetic and unashamedly joyous, it's still a boisterous and at times brilliant debut full of tongue-in-cheek lyrics, low-slung post-punk intent, raucous references to vintage '80s and '90s indie, weighty guitar riffs and ear-catching melodic motifs. It's the kind of set capable of pushing them towards super-stardom and will undoubtedly be warmly received by critics.
… Read more in stock $8.08
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Cat: FAPO 17691. Rel: 15 Apr 22
Folk/Americana
Review: Tamara Lindeman was at a real transition point in life when What Am I Going to do With Everything I Know was first unveiled. A six track strong EP, here the moodiness and tangible sense of isolation, loneliness, and hopelessness that had once emanated from her voice dissipates into equally tender and gentile thoughts on an impending marriage and all that may come with it. For some, an equally troubling time in their lives, for others something to truly work towards and - when it finally arrives - celebrate, either way it's a subject ripe for emotional songwriting.
But in actual fact, Lindeman, her fiance and troupe treat the concept of matrimony with something close to apathy, or at least lackadaisical 'might as well'-ness. The culmination of this record, 'Almost Careless', sees her ask the question 'what if', but in a way that's neither excited nor nervous, but simply filled with inquisitiveness and a matter of fact consideration.
… Read moreBut in actual fact, Lindeman, her fiance and troupe treat the concept of matrimony with something close to apathy, or at least lackadaisical 'might as well'-ness. The culmination of this record, 'Almost Careless', sees her ask the question 'what if', but in a way that's neither excited nor nervous, but simply filled with inquisitiveness and a matter of fact consideration.
in stock $9.07
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VARIOUS
Cat: CDCHD 1555. Rel: 29 Nov 19
Indie/Alternative
Review: And the award for most apt compilation title of the year goes to... While on face value it may seem like the USA's Pacific North West and UK's English North West have very little in common, this collection of tracks confirm there are similarities. And they go further than the damp conditions both regions often have to endure. Cheshire-born Burgess and West Coast native Stanley have been friends for 30 years, and their respective homelands collide here. Tim Peaks Diner, established by the former as a festival pop up, apparently owes much of its stylings to "Twin Peaks", and that series-cum-movie-cum-legend has inspired much of the soundtrack to said eatery. New Wave (The Chills), opiate folk (Gwenno), psychedelic country (Blue Orchids) and plenty more help capture the mood of a fantastical waypoint on some fictional road trip.
… Read more in stock $9.91
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Review: Having previously celebrated dance and pop hits of the 1980s, the long-running Now That's What I Call Music series - itself established that decade - has turned its attention to "alternative". It's a catch-all term that basically includes anything with indie roots, meaning a mix of goth, post-punk, indie, new wave, indie-dance and skewed synth-pop that emerged from the underground rather than the A&R departments of major labels. There's plenty of big hits and iconic cuts stretched across the four discs (think The Smiths, Simple Minds, Joy Division, REM, The Jam, New Order, Pixies, Sisters of Mercy etc), alongside lesser-celebrated favourites from the likes of Pop Will Eat Itself, Tom Robinson (the decidedly Balearic 'Atmospherics', which was co-written by Peter Gabriel), Sugacubes, Kissing The Pink and Big Audio Dynamite.
… Read more in stock $9.95
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Cat: JAG 395CD. Rel: 06 May 22
Indie/Alternative
Review: Sharon Van Etten is in a philosophical mood on her sixth album, We've Been Going About This All Wrong, offering up a series of songs concerned with considering "how we feel, mourn and reclaim our agency when we think the world may be falling apart". While her lyrical inspirations may be weighty, the American singer-songwriter has a knack of cloaking her deeply personal words - delivered emotively, as you'd expect - in beautiful arrangements. Some of these bristle with her trademark "dark drums" and breath-takingly poignant synth sounds, while others are sparse and stripped-back, with just an acoustic guitar backing Van Etten's voice. She's kept the album under wraps - refusing, surprisingly, to release any teaser singles - but it's definitely been worth the wait.
… Read more in stock $9.37
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Cat: RRM 016. Rel: 30 Jan 23
Folk/Americana
Review: Given their roots as an all-female band helmed by two sisters, it's not surprising that Northumbrian folk stars the Unthanks have used their platform to deliver numerous albums inspired by, or made in tribute to, creative women. Perhaps the most famous of these is 2017's 'Diversions Volume 4: The Songs and Poems of Molly Drake', which first hit stores in 2017. Now reissued, the album sees them deliver interpretations of poems and songs written by Nick Drake's mother, Molly, whose incredible work only came to light following her death in 1993. It's an inspired and evocative collection all told, with sweet renditions of Drake's songs - laid to tape in typical Unthanks fashion, with the Unthank sisters' harmony vocals accompanied by evocative folk instrumentation - accompanied by acapella readings of some of her thoughtful and emotive poems.
… Read morein stock $8.40
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Review: The world is full of heart-rendering electronic pop. So much so, you sometimes have to ask yourself if we can handle - or indeed actually need - any more. Rendered almost-immune to the emotionally barrage that seems to haunt our airwaves, playlists, and Made In Chelsea episodes, anyone who still has feelings in 2023 is doing well by all accounts.
Then along come Synthia, billed by the Big Crown label as a 'supergroup', comprising production don Leon 'El Michels Affair' Michels, and vocalist Claire Cottrill, AKA Clairo. Debate over what constitutes a 'group' aside, So Low, a startling double-A is enough to make you forget everything we just talked about, throw away the idea of overkill, and dive right in. As if born to score something cool, reflective, thought-proving and devastatingly romantic, fans of Electric Youth, Cocteau Twins and Almagris should be here already.
… Read moreThen along come Synthia, billed by the Big Crown label as a 'supergroup', comprising production don Leon 'El Michels Affair' Michels, and vocalist Claire Cottrill, AKA Clairo. Debate over what constitutes a 'group' aside, So Low, a startling double-A is enough to make you forget everything we just talked about, throw away the idea of overkill, and dive right in. As if born to score something cool, reflective, thought-proving and devastatingly romantic, fans of Electric Youth, Cocteau Twins and Almagris should be here already.
in stock $7.62
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Cat: 405053 8877502. Rel: 25 May 23
Indie/Alternative
Review: Suicide are generally referenced in terms of their earth-shattering late 70s debut, but of course Martin Rev and Alan Vega did work together after that. A Way Of Life was their third album, released in 1988 when the world around them had changed so much from when they started out, and yet their sound was still devastating and imposing amidst the culture of bands they'd influenced. Recorded with The Cars' frontman Rip Ocasek, the resulting nine industrial pop songs are as brilliant as anything from their fabled earlier works, and in this special expanded edition we're also treated to a fully remastered version including a clutch of additional tracks including their live cover of Bruce Springsteen's 'Born In The USA'.
… Read more in stock $7.82
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Review: Based out of Brooklyn, New York, The Still Brothers is a group made up of two childhood friends, Andrew LeCoche of Ula Ruth and Evan Heinze from The Shacks. They started their musical adventure way back in the 6th grade. In the decade since they have managed to record and tour with their own respective groups, as well as work on their own distinctive brand of indie together. Here they tap up Sloshy for a feature on a new 7" that comes via Lewis. 'It's Not Over' is a dreamy cut lush vocal harmonies and lo-fi drums making for a beautifully melancholic sound. 'Crazy' has slightly more primate drum breaks and the Shoshy is just as smooth.
… Read morePlayed by: The Allergies
in stock $8.86
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Review: There's no 'difficult second album' syndrome evidence on Squid's sophomore full-length. While it lacks the forthright, math rock and post-punk-inspired immediacy of the Brighton band's acclaimed full-length debut, the density, inventiveness and experimentation that marks out O Monolith more than makes up for it. For proof, check recent single 'Swing (In a Dream)', a wall of sound affair that builds through approaching waves of instrumentation (first picturesque 16-bit synths and acoustic guitars, then grooves, trumpet solos and finally grizzled guitars), the laidback post-punk-funk of low-slung treat 'Undergrowth', and the skittish, jazz-flecked, layered soundscape that is 'The Blades', where squally horn solos and dense alt-rock guitars catch the ear.
… Read more in stock $9.37
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Review: The return of Slowdive has been one of the minor miracles of the 21st century thus far - having originally split up in a mist of disinterest and press opprobrium in the Britpop-damaged mid-'90s, the band have watched their profile and reputation slowly rise to the extent of them now being regarded as scene pioneers and innovators. True to its eponymous name, this album is the sound of these Thames Valley charmers re-asserting everything that made them magical in the first place a full quarter century on, not to mention a dizzying collision of ethereal harmonies, heavenly guitar cascades and opiated dreamstates possessed of a timeless allure.
… Read more in stock $8.86
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Review: The self-titled comeback LP from Reading based shoegaze pioneers Slowdive proved one of the most mercurial and delicate dream-pop projects of 2017, while owing testament to their singular, highly influential vision. While a follow up has been teased since 2020, lockdown delays as well as personal loss has hindered the work to the point of monolithic proportions. Promising a more introspective, minimal electronic based backdrop in order to process the passing of both vocalist/guitarist Rachel Goswell's mother and drummer Simon Scott's father, Everything Is Alive serves as a muted, nuanced return to form, from a collective of artists still driven by their passion, ability and endlessly attentive focus to their ethereal craft.
… Read more in stock $8.86
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Review: On his new single 'Pacifico Waves', Joel Sarakula takes the scenic route down a pacific coastline, searching for peace, enlightenment and the perfect sunset. Travelling and searching is nothing new to Sarakula: it's almost his default way of being. Born and raised in Sydney, Australia before swapping oceans to live in the UK and more recently onwards to Gran Canaria: "I've been busy making my islands smaller" he jokes. But the music on 'Pacifico Waves' sounds like none of these places: with its easy drum shuffle, soulful guitar hooks and smooth vocal harmonies it distinctly evokes Southern California. It's such a potent portrait of the West Coast that if not for the contemporary lyrics and some modern production techniques, it could be a long lost hit from an early 80s LA studio band.
… Read morePlayed by: Marco Gallerani
in stock $9.12
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Review: Re-grouped and, if the introductory stomp here is much to go by, re-charged, Manchester's PINS return with a generous helping of sound clash business, melding filthy electro sleaze and playful rock with two deft and confident hands, the results of which should score big with fans of seductive disco sludge. And let's face it that's pretty much most of us. Tracks like 'Read My Lips' and 'Bad Habit' are fine examples of a dark but alluring edge this lot seem more than capable of creating, while 'Daisies' could almost replace Wilson Phillips to score the final scene of 'Bridesmaids'. Which is certainly no bad thing. "We can keep going" the band threaten over 'Ghosting''s compressed but intense rave punk. Based on this, we're more than happy with that idea.
… Read morein stock $9.07
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Review: We're big fans of the great work that ZYX has been doing recently and it seems as though that is going to continue into 2023 if this first release of the year is anything to go by. Paul Crazy's 'Believe Me' is an Italo disco classic hit from back in 1984 that gets a top reissue on 12" vinyl. This version includes both the original vocal and the instrumental as well as, as is often the case with reissues from this label, a fine remix from Flemming Dalum. He flips the original into a more rigid and chugging disco stomper while a lush Victor Ark remix brings the dreamy arps.
… Read morein stock $8.13
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Cat: APEEP 904. Rel: 05 Apr 22
Indie/Alternative
Review: Andy Partridge, of legendary Swindon post-punk players XTC, here delivers a brand new solo outing for his own simian shelter (and by extension, label), Ape House. By way of four noisy, grinding, discordant yet emotive sonic 'trading cards', Partridge sings of love and its winding ups and downs, nailing the janky and rocky emotions felt therein. Lo-fi yet sprawling in its proggy indie jazzy ambition, we're forced to agree that Love Is, indeed, The Future.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $9.12
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Review: Neon Indian main brain Alan Palomo returns under his own name for World Of Hassle, the latest full-length project and exploration of a completely different sound altogether. His first album under his own name, it's something of a departure from his previous synthpop/chillwave oeuvre, homing in on a brighter, kookier disco, funk, and house verve. Thematically, the album is adventurous and playful, having been inspired by Palomo's travels around the world, ups-and-downs in the music industry, and personal relationships.
… Read more in stock $9.12
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Review: It's fair to say that "Ur Fun", the first album in years recorded by of Montreal frontman Kevin Barnes on his own, is less an album-proper and more a collection of very, very strong singles. Each vying for attention against some intimidating competition elsewhere on the track list, it's important to make clear that while all are individuals, the LP doesn't feel disjointed or cluttered. It's just a whole lot of, fun. "You've Had A Good Time" seems to summon the spirit of the Pet Shop Boys circa 1989. "Deliberate Self Harm Ha Ha" might remind some of Kasabian, and '"Gypsy That Remains" is a dreamy, deep-but-direct synth workout wearing heart firmly on sleeve. Sonically diverse, it's impossible to deny that to pull off something like this you really need a master songwriter and instrumental crafts-person.
… Read morein stock $7.98
FORTHCOMING
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Review: With just their third single, Exposed to Some Light, Nightbus continues to showcase their moody and atmospheric sound, drawing comparisons to many well regarded bands. The track unfolds like a captivating narrative, drenched in nostalgia yet tinged with a sense of dread. Originally born from a poem written during a cold January weekend, the song explores the idea of bringing something to the forefront of one's mind and current headspace. Through their minimal yet evocative video, Nightbus invites listeners to delve into their introspective world.
… Read morePre-orders at Juno
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(No 12k Lg 17Mif) New Order & Liam Gillick: So it Goes (2xCD + 24 pages booklet)
Cat: CDSTUMM 450. Rel: 12 Jul 19
Coldwave/Synth
Review: In the summer of 2017, New Order returned to Granada Studios in Manchester - the site of their first TV appearance - to perform a special concert. With the accompaniment of a "12-piece synthesizer orchestra" and a stunning, ever-changing stage set designed by Liam Gillick, the legendary Manchester band delivered an extended set featuring radically reworked versions of tracks from their back catalogue. This evocative live album presents the recording of the concert in its entirety, with Bernard Sumner and company mixing bona fide hits ("Shellshock", "Bizarre Love Triangle") with album tracks, lesser-celebrated songs and the odd stunning soundscape (a particularly beautiful version of "Elegia"). As you'd expect, it's superb and a cut above most live albums.
… Read more in stock $8.25
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Cat: REWIGCD 158. Rel: 01 Jan 90
Indie/Alternative
Soft As Snow (But Warm Inside)
Lose My Breath
Cupid Come
(When You Wake) You're Still In A Dream
No More Sorry
All I Need
Feed Me With Your Kiss
Sueisfine
Several Girls Galore
You Never Should
Nothing Much To Lose
I Can See It (But I Can't Feel It)
Review: ***B-STOCK: Creasing to corner of outer sleeve, product unopened & in excellent condition***
Some 33 years after it first hit record stores, My Bloody Valentine's debut album still sounds undeniably fresh. Isn't Anything, which appeared on the back of two similarly ground-breaking EPs, genuinely moved guitar-based music forwards, in part by combining Kevin Shields and company's more traditional alternative rock inspirations - think Dinosaur Junior, Sonic Youth and the jangling sixties psychedelia of the Byrds - with then cutting-edge production techniques, subtle nods towards hip-hop and an impressive dedication to achieving layered, immersive sound. Sometimes loud, gnarled and intense and at other times becalmed, dreamy and otherworldly, the album remains breathlessly inspiring all these years on.
… Read moreSome 33 years after it first hit record stores, My Bloody Valentine's debut album still sounds undeniably fresh. Isn't Anything, which appeared on the back of two similarly ground-breaking EPs, genuinely moved guitar-based music forwards, in part by combining Kevin Shields and company's more traditional alternative rock inspirations - think Dinosaur Junior, Sonic Youth and the jangling sixties psychedelia of the Byrds - with then cutting-edge production techniques, subtle nods towards hip-hop and an impressive dedication to achieving layered, immersive sound. Sometimes loud, gnarled and intense and at other times becalmed, dreamy and otherworldly, the album remains breathlessly inspiring all these years on.
in stock $7.51
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Review: Mumford & Sons drop a surprise single release alongside Pharrell Williams, 'Good People', delivering on a long-awaited promise to hop in the studio together after years of knowing each other. Finally falling back on their immediate instincts, 'Good People' hears the band and the solo wunderkind sing of tiredness and revelation, making adept use of a dry, driving, sportsmanlike instrumental palette (think hand claps, stomps, gospel harmonies). Though cryptic in theme, the mood on this one-off is one of triumph and impending miracle works to come.
… Read more in stock $9.12
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Review: Appropriately titled, beguiling, cosmic-tipped, gritty stuff. No matter how long it has ever been since you got something new in from Thurston Moore it's always a pleasure, and a bold reminder of just how much the Sonic Youth hero still has to say. Not that he's particularly talkative on "Spring Swells", one of three simultaneous singles which together form a coherent body - the other two being "Three Graces: Alice Moki Jayne" and "Pollination". It's a single that's as much of an assault on the senses as it is a minutely detailed prog-rock symphony. Never really finding a groove, instead it bolts from the starting block before slamming the breaks on, transforming into a staccato whirlwind, spiralling, building, rolling and crashing through crescendos that never seem to release. Like the introduction to the most powerful gig you've never seen, it's the work of a bonafide master of arrangements, capable of conjuring genuine emotion from obscure noises.
… Read morein stock $7.92
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Review: Japanese-American indie-rocker Mitski was once a cult favourite, but in recent times her audience has grown exponentially, helped by the critical praise heaped on her fourth album, 2016's Puberty 2. Two years on, Be The Cowboy arrives amongst a blizzard of publicity and many more positive reviews. It's certainly a hugely impressive set, with each of the 14 songs dealing with romantic and interpersonal relationships in some way. There's much heartache, of course, expressed both lyrically and in Mitski's distinctive, emotion-rich vocal delivery. Musically, the album never sits still, either, darting between grandiose slabs of poignant moodiness and the kind of jaunty, disco-tinged goodtime grooves that belie their melancholic inspirations.
… Read more in stock $8.86
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Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
The Lounge Society has been hotly tipped for a while, with plenty of Ones To Watch declarations coming their way at the start of 2021. They have served up super quick selling 7"s like 'Generation Game' which touched on the unrest in American society and then their follow up headed into edgy punk-funk territory, sneering at culture wars and decrying the impact of a class divided society. Now comes 'Cain's Heresym' which takes aim at the negligent political class as well as highlighting the danger inherent in the spread of misinformation and their disdain for celebrity-worshipping. The young English band are heirs apparat to the throne of protest music.
… Read moreThe Lounge Society has been hotly tipped for a while, with plenty of Ones To Watch declarations coming their way at the start of 2021. They have served up super quick selling 7"s like 'Generation Game' which touched on the unrest in American society and then their follow up headed into edgy punk-funk territory, sneering at culture wars and decrying the impact of a class divided society. Now comes 'Cain's Heresym' which takes aim at the negligent political class as well as highlighting the danger inherent in the spread of misinformation and their disdain for celebrity-worshipping. The young English band are heirs apparat to the throne of protest music.
in stock $8.43
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Review: Exactly pinpointing the essence of Little Dragon's sound is tough - it's always soulful and groovy, but it's not soul in the classic sense and there's plenty of other musical influences in the mix - but by now it barely matters. Each of their albums thus far has been special, and Slugs of Love is no exception. The Swedish four-piece impresses early with the head-nodding grooves, echoing house pianos and swirling atmospherics of 'Frisco', opts for a New York no-wave disco flex on 'Slugs of Love', and offers a perfect platform for mic man JID to the warped, hip-hop-goes-synth-pop shuffle of 'Stay'. There are highlights aplenty elsewhere across the album too, with our picks including Damon Albarn hook-up 'Glow', the moody house-not-house of 'Gold' and the picturesque, breakbeat-driven pop breeziness of 'Tumbling Dice'.
… Read more in stock $9.12
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Review: Long Island outfit The Lemon Twigs frequently leave critics confounded and confused, in part because their shape-shifting style tends towards the over-the-top and grandiose. Rooted in a love of 70s glam, the theatrical rock pomp of Queen and a tongue-in-cheek love of overblown rock operas, they seem to delight regular listeners while rubbing reviewers up the wrong way. On Everything Harmony, their new album, they've re-set their influences once more, delivering a blend of folk-rock, Simon & Garfunkel style folk revivalism, prime Beatles and the close harmony bliss of the Beach Boys, with a dash of fuzzy garage rock and giddy psychedelia thrown in. It's well-crafted and expertly executed stuff that's hugely easy-going and enjoyable, whatever sniffy critics may say,
… Read more in stock $9.59
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Review: Ever-changing Slovenian collective Laibach seems to have mellowed with age, with the band's inherent desire to court controversy (see their 2015 performances in North Korea for a relatively recently example) currently curtailed. Love Is Still Alive, which marks their first new music since the release of last year's well-received album Wir Sind das Volk, is actually an "extension" of the music they wrote to soundtrack the 2019 film 'Iron Sky -The Coming Race'. It is, they say, a "trip through space music genres of recent decades" (albeit with bonus nods to country, pop and so on) that loosely tells the story of a spaceship full of post-apocalyptic survivors making their way across the solar system. It's a lot of fun, all told, with the band expertly showcasing the breadth of their musical knowledge as well as skip-fulls of imagination.
… Read morein stock $8.21
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Review: 'Mordechai is another blissed-out record from Texan party-chill-psyche trio Khruangbin. It's also among the outfit's most defined and driven, a smooth, sticky hot funk odyssey made for hazy afternoon soirees. Leader Laura Lee is, as ever, unfathomably siren-like on vocals, her bass grooves aiding the process of seduction no end. Even at the most upbeat and anthemic, 'Time (You and I)', it's hard not to feel woozy and intoxicated by the pared-back breaks and guitar lick combination. Dance floor ammo for sure, as is Pelota. Overall, though, it's an album best savoured slowly, allowing you to fully appreciate every lackadaisical moment of opiate goodness, with tracks such as 'Father Bird, Mother Bird', 'One To Remember' and 'Shida' summoning stunning sticky, heavy, deep atmospheres.
… Read more in stock $8.86
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Review: Fans of luxurious, bittersweet, grown-up synth-pop rejoice - Junior Boys are back with their first album in six years! The Canadian twosome's music has lost none of its depth and sparkle, with Waiting Game containing the same key ingredients as its predecessors - namely dreamy, warming chords, soft-focus drum machine rhythms, melancholic melodies, occasional guitars and the distinctive, evocative vocals of front man Jeremy Greenspan. It's a formula that rarely fails if truth be told, so it's no surprise to find that Waiting Game is a genuinely strong set. Our picks of a very strong bunch include the simmering, sunset-friendly warmth of the CD-closing title track and the hushed, ultra-deep shuffle of 'Night Walk', where bubbly electronics, woozy pads and lo-fi electronic drums catch the ear.
… Read more in stock $9.59
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Review: Tsampikos Fronas is June, and on this fresh new LP for Artificial Dance he rather sips away from the dance sounds of his earlier career. The material here was recorded between 2018 and 2020 by the Berlin based innovator and it is an exploration of more sparse soundscapes than previously. It has a cyber punk feel and dystopian overtone with each track filled with tension and plenty of nods to sci-fi movie soundtracks. It is all crafted from analogue sequencers and analogue polyphonic synths as well as modular synthesizers which lend it an ice cold rhythm and haunting sense of futurism.
… Read morein stock $9.46
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Every Now & Then (180 gram vinyl LP + MP3 download code)
Cat: MA 0084LP. Rel: 13 Oct 16
Indie/Alternative
Review: This Australian and now London-dwelling three-piece made their name by balancing out their psychedelic explorations with a somewhat Madchester-derived pop sensibility, and this second album sees them throwing this delicate balance into orbit by effectively offering more of everything - the sonic textures here are more adventurous, the hallucinogenic swirls of sound more lustrous, yet the choruses are as indelible and infectious as ever. A party album with a 'Screamadelica'-esque experimental edge, 'Every Now And Then' makes these three space cadets sound like genuine contenders.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $8.08
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Parting Galaxies On A Forlorn Leaderboard (white marbled vinyl 12" + MP3 download code)
Cat: PERSEPHONICSIRENS 10. Rel: 11 Aug 21
Coldwave/Synth
Review: The next release on Persephonic Sirens comes from Inventory With Hamilton, which is the new project of label chief Michael Wollenhaupt (aka Ancient Methods) with Wahiba Khadri - who collaborate for the first time since 2018's The Jericho Records. Parting Galaxies On A Forlorn Leaderboard features four diverse sonic excursions that are presented in a singular style, yet still consistent with the label's dark aesthetic. From the electrifying imaginary film score of 'Petit Oratorio Des Oiseaux Migrateurs' which leads into the pitch black EBM pulse of 'Angstblute' over on the flip, and ending with the haunting cold wave of 'Lethe' - prepare to enter the void!
… Read morein stock $8.02
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Review: A warm welcome back to perennial genre-benders Hot Chip, who return to stores after three long years with their eighth album, some 21 years after making their debut. Freakout/Release is no dramatic change in direction, but instead a further distillation of what has always made the band so appealing - a trademark fusion of synth-pop, loved-up house sounds, lilting and sometimes melancholic lead vocals, loose-limbed organic drums, nods to Prince and an ability to craft killer hooks. There are highlights aplenty, from the gravelly live hip-hop funk of 'The Evil That Men Do' (where rapper Cadence Weapon delivers a star turn) and the subtly post-punk influenced, saucer-eyed brilliance of 'Hard To Be Funky' (featuring Lou Hayter), to the classic Hot Chip sing-along flex of 'Time' and the krautrock-tinged 'Out of My Depth'.
… Read more in stock $8.86
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Review: According to news stories when this EP was first announced, The Horrors' own frontman Faris Badwan describes the band's new song, 'Against the Blade', as a "further descent into chaos". A track about giving up hope, abandoning control, and coming to terms with the eternal human position of facing off against the world, rather than actually being part of it.
Listening to the tune now it's easy to buy into that description. The band have always had an uncanny ability to terrify and enthral, and this is a prime example of that. Opening with a searing refrain-cum-wasp-in-jar-noise, we soon explode into a monster metal riff with solid funk undertow, making for a tune that's destined to be a live favourite. Over the other side, 'Twisted Skin' sticks with the industrial-leaning feel.
… Read moreListening to the tune now it's easy to buy into that description. The band have always had an uncanny ability to terrify and enthral, and this is a prime example of that. Opening with a searing refrain-cum-wasp-in-jar-noise, we soon explode into a monster metal riff with solid funk undertow, making for a tune that's destined to be a live favourite. Over the other side, 'Twisted Skin' sticks with the industrial-leaning feel.
in stock $9.35
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Review: Julia Holter herself describes this new album as "the cacophony of the mind in a melting world," and it provides the American singer, songwriter with her first studio album since 2015's Have You In My Wilderness. Aviary is an intrigue to say the least and it's hard not to feel as if a horror-thematic runs throughout its 11 tracks, with moments of temporary insanity and distress intertwining with hair-raising spots a ghostly allure, and it's as if any lightness in the album has had to pass its way through a thicket of darkness first. There's much dissonance to be heard here too but in a pleasantly unsettling way akin to listening to an orchestra tune itself, and with all the deep and meaningful aspects behind Holter's inspirations, it's a hell of a ride.
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Review: Almost seven years have now passed since Sean Dickson delivered his debut album under the now familiar Hifi Sean alias, the colourful blend of house, disco and downtempo sounds that is 'Ft'. On his belated sophomore set, Dickson has decided to aim higher, not only joining forces with long-serving British soul singer-songwriter David McAlmont, but also by opting for an expansive sound that makes greater use of sinewy strings and organic instrumentation. The results are undeniably impressive, with McAlmont's honeyed voice rising above backing tracks that fit between post trip-hop British soul and dancefloor-baiting takes on Dickson's beloved house. Highlights include synth-house hit 'All In The World', the crackling, subtly P-funk influenced 'Maybe', and the 'Unfinished Symphony' style loveliness of 'Beautiful'.
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Review: Following a couple of years spent re-releasing many of her classic albums, alongside sets featuring demo versions of the same songs, Polly Jean Harvey is finally ready to release a new album - her first for seven long years. Reunited with long-time collaborators John Parish and Flood, Harvey delivers alluring, at times otherworldly songs - delivered beautifully and with more than a hint of world-weary emotions - backed by sparse, effects-laden instrumentation, metronomic grooves and plenty of pastoral, folk-influenced intent. We've not listened to the lyrics intently enough (yet) to adequately discuss their themes, but in advance Harvey's label promised "biblical images and references to Shakespeare" amongst the introspection and hard-worn commentary.
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Review: Now happily back in business following drummer Joe Seward's long recovery from a near-fatal accident in 2018, Oxford four-piece Glass Animals return with what could be their most colourful, vibrant and ear-catching album to date. Musically, it's all effervescent, synthesizer-driven production, dreamy vocal arrangements, neon-lit R&B sounds and hip-hop inspired beats, yet the songs are deeply personal, with front man Dave Bayley (assisted on standout "Tokyo Drifting" by rapper Denzel Curry) offering autobiographical lyrics for the very first time. It's a great combination, all told, and one that makes "Dreamland" really sparkle.
… Read more in stock $9.42
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Review: Long-faced Boston blues trio GA-20 deliver a swampy, bluesy take on Dolly Parton's classic, 'Jolene'. While the original Parton number's lyrics dealt in the instantly-memorable theme of a queen bee stealing the singer's beloved - "just because you can" - the original song could nonetheless be accused of obscuring the melancholic feel of the lyrics, by lending them an uptempo dance backing. GA-20 might be credited with fixing that problem here, stripping things back to a lilting blues plod, convincingly reworked into a vintage, boxy, sepia-toned context.
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Review: Fontaines D.C. is one of the most exciting new bands to have emerged in the last year. Their debut Dogrel was a standout offering that turned plenty of heads and now under a year later they are back with more brilliance. The grizzly, punk laced 'A Hero's Death' has snarling vocal work from the front man while big walls of impenetrable guitars wash over you in arresting ways. On the flip, 'I Don't Belong' is less angsty, with a more subdued sound and forlorn sounding voice repeating the title's refrain to sombre effect.
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Review: It has taken five years for FKA Twigs to follow up her astonishing first album, "LP1". With that kind of timeframe, you can't help but have high expectations for the finished product, expectations "Magdalene" more than meets from the off. An artist in the truest sense - with every step and stage in the recording process controlled by her - it's an accomplished comeback for a woman who in the last half decade has experienced both personal loss and major physical challenges. Don't expect more of the same, then, but instead a talent finding new purpose and new confidence following difficult times. With the ever-impressive Nicolas Jaar giving a helping hand, the result is a raw, honest record that's deeply personal, full of self-reflection and, ultimately, accepting and positive. Not to mention destined to be on repeat. Her position as one of the UK's most vital and compelling acts re-confirmed.
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Review: A triumphant return for modern synth-pop chart-toppers Everything Everything, Mountainhead is an album-length analogy for our present condition, and an oozing forth of slick, joyous music at that. "Making a mountain out of a molehill" is certainly lent a positive spin when considered in light of "starting from nothing", i.e. music career-making; Everything Everything did just that in the mid 2010s when they charmed their burgeoning audience with their sophisti-synth prowess, and this is a sophistication that can only be continually reinforced hereon. For their latest concept album Mountainhead, all of society is imagined as working towards the creation of a manmade mountain; at the top is rumoured to be a huge mirror that reflects endlessly recurring images of the self, and at the bottom of the pit is a giant golden snake; the primal fear of all believers. Everything Everything make joyous work of the dreaded maxim, "the taller the mountain, the deeper the hole", delivering glitzing, falsetto'ing gems in the form of 'Cold Reactor' and 'R U Happy?', both of which transcend their initial synthpop reveries to become more than their constituent sum.
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Review: Sam de la Rosa from the Led Er Est band works here with Karen Sharkey from The Coombe for fours tuning wave tracks on Germany's Mannequin. It's de la Rosa's third release and is driven by a perfectly chilly TR-606, its ice cold sounds making for perfectly futuristic electro. The minimal spoken word beats add layers of allure and a dehumanised vibe that makes it all the more occult. 'Who Are You Today?' is a zoned out opener, while 'Slick People' is more creepy and subversive. The artwork is cool, too, and with mixing done by Marcos Cabral, this really is a wining package.
… Read morePlayed by: Ali Renault
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Review: In her solo work, cult Melbourne musician Carla Del Forno has previously shown an aptitude for blurring the boundaries between slow-motion new wave, lo-fi immersive pop, outsider indie haziness, "dub damaged" dreaminess, trippy ambient soundscapes and the kind of krautrock-influenced bliss once perfected by Broadcast. Now based in the Australian bush, Del Forno has built on this distinctive, hard-to-pigeonhole sound on her latest album, which also mines the more laidback end of post-punk pop for inspiration. It's a tricky album to accurately describe, all told, but one blessed with a distinctive feel and sound - one reflective of her relative isolation, love of insomnia-fuelled late night recording sessions and the uniquely sweet but weary sonics of her voice. Like her previous albums, 'Come Around' is a triumph.
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Review: Standers is the second album by anonymous musician Craven Faults, amounting to a pilgrimage through sound to the ancient stone monuments that dot the region of northern England - known as standing stones or standers. Using vintage synthesizers and tape machines, the producer plunges the depths of English folk mysticism, coinciding with the nascent pagan revival that has cropped up in recent times. Sonically, meanwhile, each track moves through cinematic pulses, arpeggiating and filter-sweeping through nods to different eras and years; 1213, 1908, 1966.
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Review: Experience two of Joy Division's iconic post-punk tracks like never before with exclusive 7" vinyl from Numero Group. Codeine's 1994 rendition of 'Atmosphere' captures the essence of solitude with a melancholic yet melodic twist that marked the iconic Manchester band's poignant farewell. Meanwhile, Bedhead from Dallas offers a fresh perspective on 'Disorder' and transforms it into vibrant indie rock. Encased in a sleek black and silver sleeve adorned with embossed braille lettering, these twin readings pay homage to Joy Division's enduring legacy while inviting listeners to explore new interpretations of their timeless classics.
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Review: With the combination of band name and album title this one's always going to be a bit of a tearjerker, packed with self-reflection and self-loathing. No regrets, though, as Greg Gonzalez muses on sensuality, the loss of those we care about, the loss of self to another and the endless yearning of the human heart. Shades of Lord Huron and a wealth of gloomy shoegazers can be felt, but even though "Cry" represents a next step for Cigarettes After Sex - edging into more minimalistic territories - it's still immediately identifiable as this band, and so won't fail to instantly resonate with avid fans. Packed with an exquisite, opiate balladry at once heartfelt and heartbroken, it's hard to tell whether this is exactly what you need to hear when living through your blue period or precisely what you shouldn't listen to. Either way, it's quiet impact is immense.
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