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JHS Pedals 3 Series Harmonic Trem Effects Pedal (modulation effects pedal)
Cat: 1076235 Rel: 13 Feb 26 • View all Effects pedals
Tremolo pedal combining affordability and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
In 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the Harmonic Tremolo. Essentially, the amp's signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe. The 3 Series Harmonic Trem allows you to utilize Leo Fender's revolutionary effect in a package much easier to tote than a vintage amplifier. Toggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect.
… Read moreIn 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the Harmonic Tremolo. Essentially, the amp's signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe. The 3 Series Harmonic Trem allows you to utilize Leo Fender's revolutionary effect in a package much easier to tote than a vintage amplifier. Toggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 13 Feb 26 $105.42
(No payment required now - pay when released)
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Ohm Force Bohm:Performer Sidechain/FX/Stereo Processing Module for Bohm (sidechain/FX/stereo processor module)
Cat: 1089463 Rel: 22 Aug 25 • View all Synth modules
Optional expansion for the Bohm Stereo Kick Synthesiser module, allowing further customisation of kick sounds.
Notes: Bohm:Performer is a mixer for both the main Bohm Stereo kick module and the Bohm: groove expander, blending dual kick engines with external stereo input, offering precise side-chain ducking, intuitive one-touch DJ effects (filters, beat/slip rolls), and full CV assignabilityiempowering live performers with seamless, dynamic mix control.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 22 Aug 25 $134.82
(No payment required now - pay when released)
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Neuzeit Drop Snapshot-Based MIDI Control Center for Live Performance (MIDI controller)
Cat: 1089439 Rel: 22 Aug 25 • View all MIDI controllers
Snapshot-based MIDI control center for live performance.
Notes: Which live performer doesn't know this situation: You build the tension to immeasurable heights, add another filter here, three more effects there, hands go up in the air, everyone's waiting for the big drop and then you realize: You can't find your way out of the chaos you've created!
The sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever.
This doesn't have to happen!
With Drop, you can now map your MIDI equipment across devices and easily store different controller positions as snapshots. During performance, you can jump back to these snapshots at any time (JUMP mode) and trigger them. All of this can be quantized and with variable fade time, allowing you to use a snapshot for slowly building tension and automatically have multiple controllers move simultaneously.
A particularly useful feature, is firing snapshots in DROP mode at exactly the right moment, precisely at the end of a pattern of, for example, 8 bars. For this purpose, Drop features an integrated master clock that counts any number between 1 and 32 bars (= cycle). In DROP mode, you can schedule a snapshot to trigger at the end of a cycle, build tension and go crazy on effects until then, and lean back as the snapshot automatically turns the controllers at exactly the right moment, bringing your live set back to solid ground.
Saving and recalling snapshots is quick and simple even during live situations, allowing you to work spontaneously with new snapshots on-the-fly during your performance. The LED buttons always provide clear visual feedback about what's happening. If you want to plan further ahead, you can prepare sequences of DROP snapshots according to your song arrangement in the studio. Then use CHAIN mode to automatically trigger them sequentially on stage. Multiple chains and banks of snapshots are available, allowing you to configure your live set according to a song-by-song structure.
As with our Warp Synthesizer, Drop has two main operating levels: The PLAY level with direct hands-on access to the most important parameters, and the MENU level for studio configuration. The PLAY level is reduced to the essentials, such as the clear progress display (how many bars until the DROP at the end of the cycle), similar to a countdown clock. The buttons can be used for beat jumps, allowing you to spontaneously extend or shorten a break. Also, the number of bars per cycle and the quantization behavior can be changed on-the-fly. Everything is easily and directly accessible without submenus or hidden button combinations.
Mapping is done in the MENU level, directly on the device. No additional software is required, ensuring Drop isn't dependent on outdated operating systems in the future. Copy/paste/move functions and MIDI-Learn help with quick setup. Furthermore, an integrated MIDI monitor allows recording and analyzing incoming and outgoing messages. All possible MIDI commands are supported, including 14-bit CCs (NRPN), Program Change, Bank Select, Aftertouch, Pitchbend, and of course CCs and Notes.
Each controller enables macro mapping by sending up to eight different MIDI messages simultaneously to any MIDI output port. Individual curves can be assigned to each destination. This allows you to control multiple devices simultaneously with one knob, giving you a manageable number of highly expressive controls for your live set.
MIDI messages can also be assigned to snapshots, so that, for example, device programs and banks can be changed automatically in sync with a snapshot DROP.
On the output side, four MIDI In/Out ports via TRS jacks (types A and B) and two USB-C ports are available. Device and host modes are automatically detected, allowing connection not only to synths and grooveboxes but also to external keyboards, two laptops, or other MIDI controllers via USB.
Thanks to the multiple outputs, each connected device gets its own dedicated MIDI port with full data rate and all 16 MIDI channels, plus its own independent MIDI clock. This can even be adjusted individually for each output down to the millisecond, ensuring all devices run in perfect sync. Additionally, there are two CV outputs that can also be used for clock signals or as freely assignable 0-5V CV voltages. If one of the receiving devices accidentally falls out of sync, e.g., by accidentally pressing the stop/play button, Drop offers a quickly accessible resync button that resynchronizes all devices at the beginning of the next bar. As a master clock generator, there's also a nudge function for manual beat matching (DJ-style), or you can simply synchronize Drop to an incoming MIDI clock or a 0-5V clock from your modular system.
Another function is the reception and forwarding of incoming MIDI signals. Via the MIDI merge function, incoming messages can be filtered by channel and distributed to the connected devices. This allows a master sequencer that outputs sequences for all devices on multiple channels to be connected and appropriately routed through Drop. Drop adds the MIDI messages from its own controllers (MIDI merge), so the receiver gets the sum of both signals. You can go even further and integrate an external MIDI keyboard, allowing you to play some of your own notes in addition to the sequencer. Such routing was previously mainly reserved for software solutions, but now you can save having a laptop on stage, as Drop takes over this hub function.
The silicone buttons for snapshots can also be used as a 4x4 clip launcher for Ableton Live integration, parallel to snapshot control. Simply load the corresponding script from below into the appropriate folder on your computer. Drop now offers navigation through Ableton clips with RGB LED feedback, play/stop functionality for clips and tracks, scene triggering, and even the ability to start a scene in sync with a snapshot DROP.
Even without Ableton, the button matrix doubles as a convenient mini keyboard, allowing you to trigger notes on your favorite synth without lugging around extra gear. It includes practical features like customizable scales and transpose functions to enhance your playing flexibility.
Drop can be powered via USB-C, allowing it to be elegantly connected to a laptop with just one USB-C cable. However, an external power supply is also included to effectively prevent the notorious ground loops in branched USB setups. The power supply also contains globally compatible power adapters (EU, UK, US, AU), making it ready for global tours. The package also includes a USB-C cable, a USB-C to USB-A adapter, and two MIDI-TRS cables with 3.5mm stereo jacks.
The solid metal housing, metal faders and encoders, and high-quality soft-touch buttons guarantee long-lasting enjoyment and professional touring reliability.
… Read moreThe sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever.
This doesn't have to happen!
With Drop, you can now map your MIDI equipment across devices and easily store different controller positions as snapshots. During performance, you can jump back to these snapshots at any time (JUMP mode) and trigger them. All of this can be quantized and with variable fade time, allowing you to use a snapshot for slowly building tension and automatically have multiple controllers move simultaneously.
A particularly useful feature, is firing snapshots in DROP mode at exactly the right moment, precisely at the end of a pattern of, for example, 8 bars. For this purpose, Drop features an integrated master clock that counts any number between 1 and 32 bars (= cycle). In DROP mode, you can schedule a snapshot to trigger at the end of a cycle, build tension and go crazy on effects until then, and lean back as the snapshot automatically turns the controllers at exactly the right moment, bringing your live set back to solid ground.
Saving and recalling snapshots is quick and simple even during live situations, allowing you to work spontaneously with new snapshots on-the-fly during your performance. The LED buttons always provide clear visual feedback about what's happening. If you want to plan further ahead, you can prepare sequences of DROP snapshots according to your song arrangement in the studio. Then use CHAIN mode to automatically trigger them sequentially on stage. Multiple chains and banks of snapshots are available, allowing you to configure your live set according to a song-by-song structure.
As with our Warp Synthesizer, Drop has two main operating levels: The PLAY level with direct hands-on access to the most important parameters, and the MENU level for studio configuration. The PLAY level is reduced to the essentials, such as the clear progress display (how many bars until the DROP at the end of the cycle), similar to a countdown clock. The buttons can be used for beat jumps, allowing you to spontaneously extend or shorten a break. Also, the number of bars per cycle and the quantization behavior can be changed on-the-fly. Everything is easily and directly accessible without submenus or hidden button combinations.
Mapping is done in the MENU level, directly on the device. No additional software is required, ensuring Drop isn't dependent on outdated operating systems in the future. Copy/paste/move functions and MIDI-Learn help with quick setup. Furthermore, an integrated MIDI monitor allows recording and analyzing incoming and outgoing messages. All possible MIDI commands are supported, including 14-bit CCs (NRPN), Program Change, Bank Select, Aftertouch, Pitchbend, and of course CCs and Notes.
Each controller enables macro mapping by sending up to eight different MIDI messages simultaneously to any MIDI output port. Individual curves can be assigned to each destination. This allows you to control multiple devices simultaneously with one knob, giving you a manageable number of highly expressive controls for your live set.
MIDI messages can also be assigned to snapshots, so that, for example, device programs and banks can be changed automatically in sync with a snapshot DROP.
On the output side, four MIDI In/Out ports via TRS jacks (types A and B) and two USB-C ports are available. Device and host modes are automatically detected, allowing connection not only to synths and grooveboxes but also to external keyboards, two laptops, or other MIDI controllers via USB.
Thanks to the multiple outputs, each connected device gets its own dedicated MIDI port with full data rate and all 16 MIDI channels, plus its own independent MIDI clock. This can even be adjusted individually for each output down to the millisecond, ensuring all devices run in perfect sync. Additionally, there are two CV outputs that can also be used for clock signals or as freely assignable 0-5V CV voltages. If one of the receiving devices accidentally falls out of sync, e.g., by accidentally pressing the stop/play button, Drop offers a quickly accessible resync button that resynchronizes all devices at the beginning of the next bar. As a master clock generator, there's also a nudge function for manual beat matching (DJ-style), or you can simply synchronize Drop to an incoming MIDI clock or a 0-5V clock from your modular system.
Another function is the reception and forwarding of incoming MIDI signals. Via the MIDI merge function, incoming messages can be filtered by channel and distributed to the connected devices. This allows a master sequencer that outputs sequences for all devices on multiple channels to be connected and appropriately routed through Drop. Drop adds the MIDI messages from its own controllers (MIDI merge), so the receiver gets the sum of both signals. You can go even further and integrate an external MIDI keyboard, allowing you to play some of your own notes in addition to the sequencer. Such routing was previously mainly reserved for software solutions, but now you can save having a laptop on stage, as Drop takes over this hub function.
The silicone buttons for snapshots can also be used as a 4x4 clip launcher for Ableton Live integration, parallel to snapshot control. Simply load the corresponding script from below into the appropriate folder on your computer. Drop now offers navigation through Ableton clips with RGB LED feedback, play/stop functionality for clips and tracks, scene triggering, and even the ability to start a scene in sync with a snapshot DROP.
Even without Ableton, the button matrix doubles as a convenient mini keyboard, allowing you to trigger notes on your favorite synth without lugging around extra gear. It includes practical features like customizable scales and transpose functions to enhance your playing flexibility.
Drop can be powered via USB-C, allowing it to be elegantly connected to a laptop with just one USB-C cable. However, an external power supply is also included to effectively prevent the notorious ground loops in branched USB setups. The power supply also contains globally compatible power adapters (EU, UK, US, AU), making it ready for global tours. The package also includes a USB-C cable, a USB-C to USB-A adapter, and two MIDI-TRS cables with 3.5mm stereo jacks.
The solid metal housing, metal faders and encoders, and high-quality soft-touch buttons guarantee long-lasting enjoyment and professional touring reliability.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 22 Aug 25 $1,195.52
(No payment required now - pay when released)
FORTHCOMING
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Elektrofon Klang 4-Voice Polyphonic Controller & Sequencer Module (controller/sequencer synth module)
Cat: 835247 Rel: 31 May 25 • View all Synth modules
A 4-voice polyphonic controller module in 14HP.
Notes: «Klang» is a 4 voice polyphonic controller. It stores, traverses and manipulates chord progressions.
Overview
«Klang» is a unique take on polyphonic control within Eurorack.
Displaying chords in a circular clock-like display, and giving the user immediate control over every aspect without "menu diving" makes for an easy to use and inspiring module.
The module can store up to 99 chords, where each chord is made up of 4 voices.
Each voice is represented by a colored indicator on the clock-face which in turn is controlled by an encoder.
The indicators points to notes on the chromatic scale drawn in 360- around the clock-face.
Interface
The big grey encoder in the middle of the module lets you browse the chords - the active chord and total chord count is shown just above the encoder on the display.
The + button lets you ad a new chord. The new chord is added after the currently active chord, and the new chord is then set as the active chord.
The - button removes the current chord.
Inputs
The module has 3 inputs - 1 trigger input and 2 bipolar CV inputs.
Trigger input
The trigger input triggers a chord change.
If the direction input is unconnected, a single trigger results in a single step in the forwards direction.
Direction input (+-5V)
The direction input normalizes to a single step in the forwards direction.
You can feed this input a bipolar CV (+-5V).
Direction maps the total chord count to 5V. This means that +5V results in a single trigger progressing +n steps, where n is the total chord count.
A negative voltage will do exactly the same but resulting in backwards stepping.
0V equals no movement.
Transpose input (+-5V)
This bipolar CV lets you transpose the current chord up or down within 1 octave.
It is therefore a 5V/oct input.
The reason for this is that it is intended to be used with an analoge voltage source like the Pressure Points from Make Noise, or any other analoge sequencer.
It is much easier to fine tune a 5V/oct signal with a regular potentiometer than a 1V/oct signal.
Outputs
Each voice has a separate color coded 1V/oct CV output.
… Read moreOverview
«Klang» is a unique take on polyphonic control within Eurorack.
Displaying chords in a circular clock-like display, and giving the user immediate control over every aspect without "menu diving" makes for an easy to use and inspiring module.
The module can store up to 99 chords, where each chord is made up of 4 voices.
Each voice is represented by a colored indicator on the clock-face which in turn is controlled by an encoder.
The indicators points to notes on the chromatic scale drawn in 360- around the clock-face.
Interface
The big grey encoder in the middle of the module lets you browse the chords - the active chord and total chord count is shown just above the encoder on the display.
The + button lets you ad a new chord. The new chord is added after the currently active chord, and the new chord is then set as the active chord.
The - button removes the current chord.
Inputs
The module has 3 inputs - 1 trigger input and 2 bipolar CV inputs.
Trigger input
The trigger input triggers a chord change.
If the direction input is unconnected, a single trigger results in a single step in the forwards direction.
Direction input (+-5V)
The direction input normalizes to a single step in the forwards direction.
You can feed this input a bipolar CV (+-5V).
Direction maps the total chord count to 5V. This means that +5V results in a single trigger progressing +n steps, where n is the total chord count.
A negative voltage will do exactly the same but resulting in backwards stepping.
0V equals no movement.
Transpose input (+-5V)
This bipolar CV lets you transpose the current chord up or down within 1 octave.
It is therefore a 5V/oct input.
The reason for this is that it is intended to be used with an analoge voltage source like the Pressure Points from Make Noise, or any other analoge sequencer.
It is much easier to fine tune a 5V/oct signal with a regular potentiometer than a 1V/oct signal.
Outputs
Each voice has a separate color coded 1V/oct CV output.
coming soon $366.18
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Cat: 1025150 Rel: 31 May 25 • View all Drum machines
Portable synthesiser & sequencer
Notes: Wee Noise Makers PGB-1 is an advanced yet portable synthesizer and sequencer that allows you to craft complex musical pieces anywhere. This all-in-one, open-source, customizable device is designed to empower aspiring musicians, seasoned creators, and makers. It isn't just an instrument-it's your gateway to the world of music production and audio synths.
PGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
… Read morePGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 25 $316.26
(No payment required now - pay when released)
FORTHCOMING
Related products...
Jolin Rosa Infinite Morpher Module (mixer/switch synth module)
Cat: 1063029 Rel: 31 May 25 • View all Synth modules
A multi-mode crossfader, scanner, and switcher that allows seamless morphing between up to four inputs and outputs
Notes: ROSA is a multi-mode crossfader, scanner, and switcher that allows seamless morphing between up to four inputs and outputs. With its three operating modes (Scan, Wave, and Pass), you can easily shape and route signals to fit any patch.
A quick overview:
Scan Mode: Morph between up to four inputs with adjustable curves using the KNEE control.
Wave Mode: Independently control the four VCAs for complex dynamic changes.
Pass Mode: Route a single input (or mix multiple inputs) to up to four outputs, perfect for quadraphonic setups or parallel processing.
Infinite Analogue Potentiometer: For smooth, continuous transitions.
Global SHUT Control: CV-controlled mute for immediate silence.
… Read moreA quick overview:
Scan Mode: Morph between up to four inputs with adjustable curves using the KNEE control.
Wave Mode: Independently control the four VCAs for complex dynamic changes.
Pass Mode: Route a single input (or mix multiple inputs) to up to four outputs, perfect for quadraphonic setups or parallel processing.
Infinite Analogue Potentiometer: For smooth, continuous transitions.
Global SHUT Control: CV-controlled mute for immediate silence.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 25 $294.06
(No payment required now - pay when released)
FORTHCOMING
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OXI Instruments One MKII Portable Hybrid Sequencer (black edition) (audio sequencer)
Cat: 1086720 Rel: 30 May 25 • View all Sequencers
A premium sequencer for studio and live performance, featuring 8 sequencers, a 128-pad grid, 8 CV/Gate outputs, MIDI, Bluetooth, and USB connectivity. Enhanced with extra function buttons, a larger screen, and advanced tools.
Notes: The OXI One MKII is the culmination of years of refinement, shaped by invaluable input from our community and artists. We've integrated powerful new features and optimized the workflow for unparalleled speed and creativity. The result? The most robust, intuitive, and affordable sequencer available today.
The OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. More is More. Long celebrated as a go-to sequencer for melodic creativity, the OXI One MKII is now equally powerful on the rhythmic front.With expanded generative options, it allows you to effortlessly add dynamic variations to your compositions - unlocking endless creative possibilities. Featuring conditionals, modulation lanes, and LFOs tied to each sequencer mode, the OXI One MKII ensures that your creativity moves at the speed of inspiration. This sequencer empowers you to craft intricate, evolving patterns with ease. With a top of the line repeats engine, accumulators, and the enigmatic Flow button your compositions will be taken to the next level. More than just a studio centerpiece, the OXI One MKII is a powerful performance tool. With enhanced performative features, it equips you to play your arrangements and compositions live with precision and freedom. Whether in the studio or on stage, the OXI One MKII is your ultimate creative partner.
While the OXI ONE MKII is a new release, it retains the familiar workflow of the original OXI ONE now refined and enhanced. With significant feature upgrades and improved usability, the MKII sets a new standard as the ultimate sequencer.
With 6 sequencer modes OXI One MKII is the most versatile sequencer on the Market.
Multitrack: 8 independent tracks with customizable parameters; expandable to 64 tracks for vast creative potential.
Chord: Innovative chord generator with diverse types, voicings, Chromatic Mode, and custom scales for rich progressions.
Poly: Up to 7 voices with unique per-note chance and logic conditions for dynamic editing.
Mono: Full control over monophonic tracks, enhanced with accumulators for intricate melody creation.
Stochastic: Generative sequencing for evolving melodies with precise rhythm and pitch control.
Matriceal: Rule-breaking sequencer with four independent lanes for velocity, octaves, and notes, designed for experimental flexibility.
Our innovative CHORD MODE lets you effortlessly create dynamic chord progressions with diverse chord types,voicings, and bass options via intuitive menus. The built-in chord arpeggiator transforms chords into lush, evolving soundscapes. The HARMONIZER syncs other instruments to your chords, maintaining perfect harmonic unity. MODULATE your chord track with LFO, MOD lanes, or External CV. Applied modulations carry over to linked instruments, keeping your music dynamic and evolving.
4 Knobs For Total Control Of Any Parameter: All parameters of every menu are shown in the screen and can be modified with their respective encoder. No menu diving needed. With OXI One MKII the workflow is even more refined.
The OXI ONE MKII elevates sequencing with enhanced logic conditionals, transforming simple compositions intointricate, vibrant sequences effortlessly. Its innovative Accumulator and Repeats Engine delivers rapid, intuitivevariation, setting it apart from other sequencers. Expanded with eight modulation lanes per track and a broaderrange of internal destinations, the modulation system is more powerful than ever. Plus, a fresh suite of generative tools sparks inspiration, breathing life and endless creative possibilities into your music.
OXI ONE MKII supports both modern and legacy connectivity, ensuring full integration with all your studio gear sonothing gets left behind.DIN Sync, MIDI, CV/Gate, USB, and Bluetooth allow you to connect anything to the OXIONE MKII. 8 CV and Gates, use USB as Device or Host mode, Bluetooth to connect your tablet or mobile phoneand use it as another musical instrument and with the Split v2 expansion you can connect up to 6 MIDI Lanes. Nothing is left out in your studio with OXI ONE MKII.
OXI ONE MKII is built for durability and performance, using premium components, advanced technology, andrugged materials to handle demanding studio use and tough touring conditions. Featuring a sleek aluminiumun body, high-grade silicone pads, and robust aluminium knobs, it delivers professional build quality at an accessible price - making it one of the best value sequencers on the market.
… Read moreThe OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. More is More. Long celebrated as a go-to sequencer for melodic creativity, the OXI One MKII is now equally powerful on the rhythmic front.With expanded generative options, it allows you to effortlessly add dynamic variations to your compositions - unlocking endless creative possibilities. Featuring conditionals, modulation lanes, and LFOs tied to each sequencer mode, the OXI One MKII ensures that your creativity moves at the speed of inspiration. This sequencer empowers you to craft intricate, evolving patterns with ease. With a top of the line repeats engine, accumulators, and the enigmatic Flow button your compositions will be taken to the next level. More than just a studio centerpiece, the OXI One MKII is a powerful performance tool. With enhanced performative features, it equips you to play your arrangements and compositions live with precision and freedom. Whether in the studio or on stage, the OXI One MKII is your ultimate creative partner.
While the OXI ONE MKII is a new release, it retains the familiar workflow of the original OXI ONE now refined and enhanced. With significant feature upgrades and improved usability, the MKII sets a new standard as the ultimate sequencer.
With 6 sequencer modes OXI One MKII is the most versatile sequencer on the Market.
Multitrack: 8 independent tracks with customizable parameters; expandable to 64 tracks for vast creative potential.
Chord: Innovative chord generator with diverse types, voicings, Chromatic Mode, and custom scales for rich progressions.
Poly: Up to 7 voices with unique per-note chance and logic conditions for dynamic editing.
Mono: Full control over monophonic tracks, enhanced with accumulators for intricate melody creation.
Stochastic: Generative sequencing for evolving melodies with precise rhythm and pitch control.
Matriceal: Rule-breaking sequencer with four independent lanes for velocity, octaves, and notes, designed for experimental flexibility.
Our innovative CHORD MODE lets you effortlessly create dynamic chord progressions with diverse chord types,voicings, and bass options via intuitive menus. The built-in chord arpeggiator transforms chords into lush, evolving soundscapes. The HARMONIZER syncs other instruments to your chords, maintaining perfect harmonic unity. MODULATE your chord track with LFO, MOD lanes, or External CV. Applied modulations carry over to linked instruments, keeping your music dynamic and evolving.
4 Knobs For Total Control Of Any Parameter: All parameters of every menu are shown in the screen and can be modified with their respective encoder. No menu diving needed. With OXI One MKII the workflow is even more refined.
The OXI ONE MKII elevates sequencing with enhanced logic conditionals, transforming simple compositions intointricate, vibrant sequences effortlessly. Its innovative Accumulator and Repeats Engine delivers rapid, intuitivevariation, setting it apart from other sequencers. Expanded with eight modulation lanes per track and a broaderrange of internal destinations, the modulation system is more powerful than ever. Plus, a fresh suite of generative tools sparks inspiration, breathing life and endless creative possibilities into your music.
OXI ONE MKII supports both modern and legacy connectivity, ensuring full integration with all your studio gear sonothing gets left behind.DIN Sync, MIDI, CV/Gate, USB, and Bluetooth allow you to connect anything to the OXIONE MKII. 8 CV and Gates, use USB as Device or Host mode, Bluetooth to connect your tablet or mobile phoneand use it as another musical instrument and with the Split v2 expansion you can connect up to 6 MIDI Lanes. Nothing is left out in your studio with OXI ONE MKII.
OXI ONE MKII is built for durability and performance, using premium components, advanced technology, andrugged materials to handle demanding studio use and tough touring conditions. Featuring a sleek aluminiumun body, high-grade silicone pads, and robust aluminium knobs, it delivers professional build quality at an accessible price - making it one of the best value sequencers on the market.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $842.24
(No payment required now - pay when released)
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OXI Instruments Pipe MKII Interface Module for One MKII (interface synth module)
Cat: 1086721 Rel: 30 May 25 • View all Synth modules
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $105.42
(No payment required now - pay when released)
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OXI Instruments Split MKII MIDI Converter for One MKII (MIDI converter)
Cat: 1086722 Rel: 30 May 25 • View all MIDI converters & accessories
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $65.47
(No payment required now - pay when released)
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NANO Modules OCTA 4-Channel Analogue Drum Module (drum synth module)
Cat: 1086687 Rel: 30 May 25 • View all Synth modules
4 channel drum module inspired by the TR-808.
Notes: NANO modules are excited to introduce you to OCTA, the upcoming 4-channel Analog Drum module, inspired by the iconic TR-808 and redesigned with a modern twist.
OCTA delivers punchy and dynamic analog drums, with individual outputs, mute switches, CV control over Drive, and a built-in Tilt EQ and Compressor for creative shaping. We've stayed faithful to the original circuits, but added key controls to give each voice more range and modular versatility.
… Read moreOCTA delivers punchy and dynamic analog drums, with individual outputs, mute switches, CV control over Drive, and a built-in Tilt EQ and Compressor for creative shaping. We've stayed faithful to the original circuits, but added key controls to give each voice more range and modular versatility.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $271.87
(No payment required now - pay when released)
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RYK Algo Quad Complex Oscillator Bank Module (FM synth module)
Cat: 1088778 Rel: 30 May 25 • View all Synth modules
An FM synth engine with hands-on control - 18HP
Notes: ALGO's four oscillators can be configured in series or parallel combinations, to create Complex FM or additive sound textures.
A unique Algorithm Display indicates the signal flow from one oscillator to another - easy to understand FM with pretty twinkly lights!
Each oscillator has controls for Level and Frequency, allowing easy adjustment of FM timbres, no menu diving snorkels needed.
Modulation inputs for Frequency or Level for each oscillator - patch in a couple of Envelopes, and you have an instant FM synth voice.
Bored of Sine waves ? A generous Wave Warp control bends things through Triangle to Pulse wave and back again.
Wave Warp can be applied to Carrier, Modulator or both types of oscillator.
For the more discerning mangler, Wave Folding is also available in three delicious flavours; Symmetric, Asymmetric and Soft Clip!
A Global Detune spread control with CV input is great for creating Netflix apocalypse drones that descend into the abys.
Lastly an onboard Stereo Chorus can add a vivacious 1980's shimmer to all your FM creations.
Oh, nearly forgot. It's Stereo!
… Read moreA unique Algorithm Display indicates the signal flow from one oscillator to another - easy to understand FM with pretty twinkly lights!
Each oscillator has controls for Level and Frequency, allowing easy adjustment of FM timbres, no menu diving snorkels needed.
Modulation inputs for Frequency or Level for each oscillator - patch in a couple of Envelopes, and you have an instant FM synth voice.
Bored of Sine waves ? A generous Wave Warp control bends things through Triangle to Pulse wave and back again.
Wave Warp can be applied to Carrier, Modulator or both types of oscillator.
For the more discerning mangler, Wave Folding is also available in three delicious flavours; Symmetric, Asymmetric and Soft Clip!
A Global Detune spread control with CV input is great for creating Netflix apocalypse drones that descend into the abys.
Lastly an onboard Stereo Chorus can add a vivacious 1980's shimmer to all your FM creations.
Oh, nearly forgot. It's Stereo!
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $367.30
(No payment required now - pay when released)
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Cat: 1088783 Rel: 30 May 25 • View all Synth modules
A compact quad-channel modulation machine - 12HP
Notes: Welcome to the Envy Machine ! A compact quad-channel modulation machine, with an envious array of Envelopes, LFOs, random voltages even Knob Recording. With four channels of modulation, ENVY MACHINE makes an ideal companion to the RYK ALGO module
Each of the four channels on the ENVY MACHINE can be set to one of five super-flexible modulation modes:
- ADSR Envelope
- AD Envelope
- AD LFO
- Random Voltage
- Recordable Knob Voltage Control
Ghost hand - Parameters can be animated using KNOB RECORDING to create timed variations in your patch. Oh, and with the dedicated MOD input per channel, you can use an external CV to control anything - TIME, LEVEL, WAVESHAPE and more.
Polarity paradox - Modulation inputs AND channel Outputs come with bipolar attenuverters, now you can choose either bipolar or unipolar, with continuously variable level control.
Slippery slopes - WAVESHAPES are continuously variable between LOG, EXPO, SIN, TRAPEZOID, and SQUARE!
… Read moreEach of the four channels on the ENVY MACHINE can be set to one of five super-flexible modulation modes:
- ADSR Envelope
- AD Envelope
- AD LFO
- Random Voltage
- Recordable Knob Voltage Control
Ghost hand - Parameters can be animated using KNOB RECORDING to create timed variations in your patch. Oh, and with the dedicated MOD input per channel, you can use an external CV to control anything - TIME, LEVEL, WAVESHAPE and more.
Polarity paradox - Modulation inputs AND channel Outputs come with bipolar attenuverters, now you can choose either bipolar or unipolar, with continuously variable level control.
Slippery slopes - WAVESHAPES are continuously variable between LOG, EXPO, SIN, TRAPEZOID, and SQUARE!
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $261.87
(No payment required now - pay when released)
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KMA Machines Geminus Stereo True Double Tracker Effects Pedal (pitch/frequency effects pedal)
Cat: 1086705 Rel: 30 May 25 • View all Effects pedals
Notes: The first outing for KMA's unique and custom AI driven True Double Tracker technology was in the ENDGAME, their powerhouse end-of-chain pedal. KMA designed their dead-simple-to-use, TDT Algorithm in ENDGAME to be as authentic to the doubling recording process as possible, but they realise that not everybody needs all the bells and whistles of such an all-encompassing device.
However, the processing power requirements required for TDT meant a simpler device wasn't yet possible. But as demand from the community grew, KMA's team worked hard to squeeze it down and make it happen.
So, meet GEMINUS - all of KMA's True Double Tracker goodness in a compact pedal that's suitable for any board. Whether playing live or recording with a single instrument, GEMINUS is the perfect solution for adding "fatness" and "width" to your performances - it really does feel like you are playing the same riff twice!
Enabled via the soft bypass footswitch, GEMINUS accurately replicates the minor differences that exist between two separate recordings. The TDT WIDTH control spreads your doubled tracks, anywhere from completely centred (0%) to 50% left and right (centre indent) and 100% left and right split.
KMA has carried out extensive research on how to make double tracking sound exactly how they think it should perform. In the process, they've spent thousands of engineering hours working on our own proprietary technology, even developing our own custom neural network AI with onset detection in the process for our algorithms.
The mode for the TRS input and output jacks is selected by the toggle switch. You can choose between stereo in and out, mono in and stereo out or mono in to mono out, so no matter your signal and tonal desires, GEMINUS will fit into your rig with ease.
For the most accurate performance (and just like the real double tracking scenario in the studio), their custom True Double Tracker algorithm should ideally be fed with a mono signal. Obviously if you are trying to emulate what traditionally happens in the studio, you wouldn't normally double up a stereo source. Having said that, the TDT algorithm has been optimised to still have a useful and very pleasing widening effect on stereo input signals, just take care that using too much doubling on some stereo sources may cause your carefully crafted reverb, delay or other modulation effects to turn to mush or even add phase issues.
To help tailor the Doubling to your own taste, the TIME control changes the timing range of the doubled AI-driven onset detection. Essentially, it's all about the tightness of the doubled signal to fit differing playing styles. Variable from an extra tight mode, that's perfect for extra fast riffs, to a looser timing that can just the right amount of density to more open playing styles, this control is a powerful weapon to make your riffs fit your musical goals. The centre detent is GEMINUS' default factory position, but turning the knob left will give a tighter feel. Crank the knob to the right and the doubled signal becomes much more relaxed.
While the LEVEL control affects the balance of the doubled signal against the original source. Useful for those times where you might want maximum width, but a little less (or even more) of the sound to be doubled against the original. Centre detent of the knob is GEMINUS' default factory position. There's some clever panning stuff going on under the hood here too, so neither the doubled or original signal is louder on one side or the other, when in Stereo.
Finally, the new PITCH selector switch can add some additional movement to your doubled signal, extending the usefulness of GEMINUS beyond standard doubling. When the switch is at the centre default position (-) there is no pitch adjustment, (~) adds some subtle modulation, while (?) adds even more wobble. In this mode, it doesn't mean that your second guitarist will sound like they are off on a quest for enlightenment all on their own (!), it is just super handy for those times when you want more chaos and instability in your ensemble.
To top it all off, they've added a switchable real True/Buffered bypass and 'silent' relay-based soft switching. When KMA were testing our new pedal platform, they really loved the clarity and signal integrity of KMA's Buffered Bypass, plus there are zero clicks and pops when switching in this mode, which is why it is the recommended and default mode on shipping. However, they know some players have some special devices like extra fussy vintage fuzz pedals and the like, so they added the ability to select True Bypass mode via an internal dip switch.
Phew, seems that there's quite a lot going inside GEMINUS then. We believe our True Double-Tracker in this pedal is the best sounding, yet easiest to use doubler you'll ever play - period.
Go forth and multiply your riffs!
… Read moreHowever, the processing power requirements required for TDT meant a simpler device wasn't yet possible. But as demand from the community grew, KMA's team worked hard to squeeze it down and make it happen.
So, meet GEMINUS - all of KMA's True Double Tracker goodness in a compact pedal that's suitable for any board. Whether playing live or recording with a single instrument, GEMINUS is the perfect solution for adding "fatness" and "width" to your performances - it really does feel like you are playing the same riff twice!
Enabled via the soft bypass footswitch, GEMINUS accurately replicates the minor differences that exist between two separate recordings. The TDT WIDTH control spreads your doubled tracks, anywhere from completely centred (0%) to 50% left and right (centre indent) and 100% left and right split.
KMA has carried out extensive research on how to make double tracking sound exactly how they think it should perform. In the process, they've spent thousands of engineering hours working on our own proprietary technology, even developing our own custom neural network AI with onset detection in the process for our algorithms.
The mode for the TRS input and output jacks is selected by the toggle switch. You can choose between stereo in and out, mono in and stereo out or mono in to mono out, so no matter your signal and tonal desires, GEMINUS will fit into your rig with ease.
For the most accurate performance (and just like the real double tracking scenario in the studio), their custom True Double Tracker algorithm should ideally be fed with a mono signal. Obviously if you are trying to emulate what traditionally happens in the studio, you wouldn't normally double up a stereo source. Having said that, the TDT algorithm has been optimised to still have a useful and very pleasing widening effect on stereo input signals, just take care that using too much doubling on some stereo sources may cause your carefully crafted reverb, delay or other modulation effects to turn to mush or even add phase issues.
To help tailor the Doubling to your own taste, the TIME control changes the timing range of the doubled AI-driven onset detection. Essentially, it's all about the tightness of the doubled signal to fit differing playing styles. Variable from an extra tight mode, that's perfect for extra fast riffs, to a looser timing that can just the right amount of density to more open playing styles, this control is a powerful weapon to make your riffs fit your musical goals. The centre detent is GEMINUS' default factory position, but turning the knob left will give a tighter feel. Crank the knob to the right and the doubled signal becomes much more relaxed.
While the LEVEL control affects the balance of the doubled signal against the original source. Useful for those times where you might want maximum width, but a little less (or even more) of the sound to be doubled against the original. Centre detent of the knob is GEMINUS' default factory position. There's some clever panning stuff going on under the hood here too, so neither the doubled or original signal is louder on one side or the other, when in Stereo.
Finally, the new PITCH selector switch can add some additional movement to your doubled signal, extending the usefulness of GEMINUS beyond standard doubling. When the switch is at the centre default position (-) there is no pitch adjustment, (~) adds some subtle modulation, while (?) adds even more wobble. In this mode, it doesn't mean that your second guitarist will sound like they are off on a quest for enlightenment all on their own (!), it is just super handy for those times when you want more chaos and instability in your ensemble.
To top it all off, they've added a switchable real True/Buffered bypass and 'silent' relay-based soft switching. When KMA were testing our new pedal platform, they really loved the clarity and signal integrity of KMA's Buffered Bypass, plus there are zero clicks and pops when switching in this mode, which is why it is the recommended and default mode on shipping. However, they know some players have some special devices like extra fussy vintage fuzz pedals and the like, so they added the ability to select True Bypass mode via an internal dip switch.
Phew, seems that there's quite a lot going inside GEMINUS then. We believe our True Double-Tracker in this pedal is the best sounding, yet easiest to use doubler you'll ever play - period.
Go forth and multiply your riffs!
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $230.81
(No payment required now - pay when released)
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Ohm Force Bohm:Groove Rhythm Expander Module for Bohm (kick module)
Cat: 1089467 Rel: 30 May 25 • View all Synth modules
Optional expansion for the Bohm Stereo Kick Synthesiser module, offering a second kick for more complex grooves and patterns.
Notes: The Bohm:Groove adds a secondary kick voice, that can be triggered via clock divisions, allowing the user to build more complex grooves around the main kick. Craft dynamic percussive textures with ease. Sync a secondary kick to clock divisions and fine-tune every tap's level, pitch, and FX using intuitive controls.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $137.59
(No payment required now - pay when released)
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WMDevices Clear Fader Caps (pack of 50) (fader caps)
Cat: 1089473 Rel: 30 May 25 • View all Synth Module Accessories
Pack of 50 caps to protect the faders on your modular setup.
Notes: Protect the faders on your favorite modules while making them more comfortable to use at the same time!
Perfect size for modules like the WMD Performance Mixer, Malekko Voltage Block, STG Graphic Sequencer, TTSH, Roland JU-06, and more. Custom sized to fit faders snug and clear in color so you can still see the LED indicator. The WMD clear fader cap is a must have for any module with plastic faders.
… Read morePerfect size for modules like the WMD Performance Mixer, Malekko Voltage Block, STG Graphic Sequencer, TTSH, Roland JU-06, and more. Custom sized to fit faders snug and clear in color so you can still see the LED indicator. The WMD clear fader cap is a must have for any module with plastic faders.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $39.67
(No payment required now - pay when released)
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WMDevices Clear Fader Caps (pack of 10) (fader caps)
Cat: 1089475 Rel: 30 May 25 • View all Synth Module Accessories
Pack of 10 caps to protect the faders on your modular setup.
Notes: Protect the faders on your favorite modules while making them more comfortable to use at the same time!
Perfect size for modules like the WMD Performance Mixer, Malekko Voltage Block, STG Graphic Sequencer, TTSH, Roland JU-06, and more. Custom sized to fit faders snug and clear in color so you can still see the LED indicator. The WMD clear fader cap is a must have for any module with plastic faders.
… Read morePerfect size for modules like the WMD Performance Mixer, Malekko Voltage Block, STG Graphic Sequencer, TTSH, Roland JU-06, and more. Custom sized to fit faders snug and clear in color so you can still see the LED indicator. The WMD clear fader cap is a must have for any module with plastic faders.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $11.09
(No payment required now - pay when released)
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RYK Time Slice Quad-Channel Audio Looper Module (looper synth module)
Cat: 1088772 Rel: 30 May 25 • View all Synth modules
Audio looper module featuring 4 channels and cyclic FX.
Notes: Want to mess with the fabric of time? In four dimensions? Now you can, with TIME SLICE the quad-channel Eurorack audio looper. Four channels of audio I/O with big fat rolling buffers for each channel.
Classic vintage-style pitch shifters to mess with time, and three flavours of filters to mutate and recycle your audio. Recycle the cycle with buffers used as delay lines with cyclic FX, as well as loopers.
Unique retrospective loop mode for the performance challenged musician.
Get complex and cross patch between buffer channels for deep spaghetti-time wormholes.
More jacks than you can shake a stick at, to trigger or modulate anything you care to automate.
Not Swiss made, but keeps impeccable time, and can play friends with MIDI and clock-sync.
Includes exciting funky red circle display thing at no extra cost, and big tappy playable Track and Function buttons!
… Read moreClassic vintage-style pitch shifters to mess with time, and three flavours of filters to mutate and recycle your audio. Recycle the cycle with buffers used as delay lines with cyclic FX, as well as loopers.
Unique retrospective loop mode for the performance challenged musician.
Get complex and cross patch between buffer channels for deep spaghetti-time wormholes.
More jacks than you can shake a stick at, to trigger or modulate anything you care to automate.
Not Swiss made, but keeps impeccable time, and can play friends with MIDI and clock-sync.
Includes exciting funky red circle display thing at no extra cost, and big tappy playable Track and Function buttons!
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $532.64
(No payment required now - pay when released)
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Acid Rain Technology Ripsaw Stereo Super Oscillator Module (oscillator synth module)
Cat: 1088790 Rel: 30 May 25 • View all Synth modules
A stereo super saw/square oscillator featuring 4 voices of 7 detunable saw/square waves - 6HP
Notes: Ripsaw is a 6hp stereo super saw/square oscillator just like chainsaw with a few extra additions:
- 4x voices of 7 detunable saw/square waves to allow for more complex chords
- unique "display" built from 77 blue LEDs
- manual and CV control over wave shape and spread like chainsaw
- a new "shift" parameter that offsets the frequency of a second oscillator that hard syncs each waveform for a unique "supersync" sound
- waves panned across stereo outputs like chainsaw
- fine tune adjustment and optional onboard semitone quantization selectable on the encoder/display
… Read more- 4x voices of 7 detunable saw/square waves to allow for more complex chords
- unique "display" built from 77 blue LEDs
- manual and CV control over wave shape and spread like chainsaw
- a new "shift" parameter that offsets the frequency of a second oscillator that hard syncs each waveform for a unique "supersync" sound
- waves panned across stereo outputs like chainsaw
- fine tune adjustment and optional onboard semitone quantization selectable on the encoder/display
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $320.69
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Jolin Krono Multi-Modal Programmable Clock Generator Module (clock generator synth module)
Cat: 1089432 Rel: 30 May 25 • View all Synth modules
Digital multi-mode clock generator module with a tap tempo among other features - 4HP
Notes: KRONO offers multiple clock modes (including Euclidean, Logic, Probabilistic, and more), tap-tempo or external clocking, real-time A/B output swapping, and full state memory.
All 12 outputs are customizable, and everything runs on an STM32F411 - with open code available via GitHub for advanced users and developers.
Modes - firmware v1.0
Ratios: Direct multiplications and divisions of the base tempo for proportional rhythmic ratios.
Euclidean: Generates Euclidean rhythms by distributing K pulses over N steps.
Musical: Applies common musical ratios (e.g., triplets, dotted notes, predefined swing divisions).
Probabilistic: Outputs trigger based on defined probability thresholds for each output.
Sequential: Generates clocks based on mathematical sequences (Fibonacci, prime numbers).
Swing: Applies individual swing/shuffle levels per output, delaying even beats.
Polyrhythm: Assigns independent X:Y ratios to outputs; output 6 can generate a logical sum.
Logic: Applies logic operations (AND, OR, XOR, NAND, XNOR) between internal clocks or external inputs (if configured).
Phasing: Generates pulses with configurable time offsets (phase shifts) relative to the main clock.
Chaos: Creates unpredictable rhythmic patterns based on chaotic algorithms
… Read moreAll 12 outputs are customizable, and everything runs on an STM32F411 - with open code available via GitHub for advanced users and developers.
Modes - firmware v1.0
Ratios: Direct multiplications and divisions of the base tempo for proportional rhythmic ratios.
Euclidean: Generates Euclidean rhythms by distributing K pulses over N steps.
Musical: Applies common musical ratios (e.g., triplets, dotted notes, predefined swing divisions).
Probabilistic: Outputs trigger based on defined probability thresholds for each output.
Sequential: Generates clocks based on mathematical sequences (Fibonacci, prime numbers).
Swing: Applies individual swing/shuffle levels per output, delaying even beats.
Polyrhythm: Assigns independent X:Y ratios to outputs; output 6 can generate a logical sum.
Logic: Applies logic operations (AND, OR, XOR, NAND, XNOR) between internal clocks or external inputs (if configured).
Phasing: Generates pulses with configurable time offsets (phase shifts) relative to the main clock.
Chaos: Creates unpredictable rhythmic patterns based on chaotic algorithms
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $183.08
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Ohm Force Bohm Stereo Dual-Voice Kick Synthesiser Module (kick module)
Cat: 1089447 Rel: 30 May 25 • View all Synth modules
Kick synthesiser module featuring nine models, vast scope for sculpting sounds and a randomizer - 18HP
Notes: The Ohm Force Bohm is a stereo dual-voice kick synthesis and percussion module with nine different synthesis modes for all sorts of sounds, plenty of CV-modulation options and hands-on knob control over all of the key parameters. Precision sound-shaping knobs with wide sweet spots make flawless tweaks effortless. The Bohm has multiple CV ooptions for triggering the main kick voice, controlling the length and sustain.
There are two optional expanders for the Bohm, the Bohm Groove expander and the Bohm Performer expander. The Bohm Groove is a rhythm expander that adds a secondary kick voice triggered by clock divisions for rhythmic bass and percussion additions. The Bohm Performer expander adds a stereo FX input for processing, a volume fader, side-chain ducking and various DJ-style effects.
… Read moreThere are two optional expanders for the Bohm, the Bohm Groove expander and the Bohm Performer expander. The Bohm Groove is a rhythm expander that adds a secondary kick voice triggered by clock divisions for rhythmic bass and percussion additions. The Bohm Performer expander adds a stereo FX input for processing, a volume fader, side-chain ducking and various DJ-style effects.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $355.08
(No payment required now - pay when released)
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OPT90 Cassette Speaker Portable Bluetooth Speaker (ivory) (portable speaker)
Cat: 1089417 Rel: 30 May 25 • View all Portable Speakers | Portable Bluetooth Speakers
Bluetooth speaker modelled after a cassette tape, featuring 6 hours of battery life.
Notes: The OPT90 cassette speaker blends retro aesthetics with quality and portability- Bluetooth-compatible, lightweight and compact, and capable of 6 hours of continuous playback at full volume. The cassette case can be used as a stand.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $21.92
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OPT90 Cassette Speaker Portable Bluetooth Speaker (gold) (portable speaker)
Cat: 1089419 Rel: 30 May 25 • View all Portable Speakers | Portable Bluetooth Speakers
Bluetooth speaker modelled after a cassette tape, featuring 6 hours of battery life.
Notes: The OPT90 cassette speaker blends retro aesthetics with quality and portability- Bluetooth-compatible, lightweight and compact, and capable of 6 hours of continuous playback at full volume. The cassette case can be used as a stand.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $21.92
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OPT90 Cassette Speaker Portable Bluetooth Speaker (silver) (portable speaker)
Cat: 1089420 Rel: 30 May 25 • View all Portable Speakers | Portable Bluetooth Speakers
Bluetooth speaker modelled after a cassette tape, featuring 6 hours of battery life.
Notes: The OPT90 cassette speaker blends retro aesthetics with quality and portability- Bluetooth-compatible, lightweight and compact, and capable of 6 hours of continuous playback at full volume. The cassette case can be used as a stand.
… Read morePre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $21.92
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Qu-Bit Bloom v2 Fractal Sequencer Module (sequencer synth module)
Cat: 1086697 Rel: 27 May 25 • View all Synth modules
Updated version of Qu-Bit's Bloom sequencer module, boasting 3 channels with 64 steps per channel.
Notes: Inspire new growth in your musical garden with Bloom, a fractal sequencer capable of generating infinitely evolving melodies.
In its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!
Each channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!
Bloom's roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!
Bloom's front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!
Beyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.
Plant the seeds of your next patch with Bloom.
… Read moreIn its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!
Each channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!
Bloom's roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!
Bloom's front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!
Beyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.
Plant the seeds of your next patch with Bloom.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 27 May 25 $493.80
(No payment required now - pay when released)
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OPT90 Cassette Speaker Portable Bluetooth Speaker (clear black) (portable speaker)
Cat: 1089408 Rel: 23 May 25 • View all Portable Speakers | Portable Bluetooth Speakers
Bluetooth speaker modelled after a cassette tape, featuring 6 hours of battery life.
Notes: The OPT90 cassette speaker blends retro aesthetics with quality and portability - Bluetooth-compatible, lightweight and compact, and capable of 6 hours of continuous playback at full volume. The cassette case can be used as a stand.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 23 May 25 $21.92
(No payment required now - pay when released)
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Polyend Mess Multi-Effects Step Sequencer Pedal (multi effects pedal)
Cat: 1087266 Rel: 23 May 25 • View all Effects pedals
Multi effects pedal featuring 120 high quality stereo effects and a 16 step sequencer.
Notes: MESS is a pedal that opens up a new world of possibilities. MESS blends traditional sound shaping with generative and performance power with four independent effect tracks can befreely assigned to over 120 studio-quality effects, all with sequenceable control over multiple parameters. Start a sequence and create entirely new textures that evolve in time - from lush ambient washes to glitchy chaos. Or switch off the sequencer and use MESS as a powerful, traditional multi-effects pedal.
Mess features 120 high-quality, stereo effects, ranging from traditional to the experimental. Choose from analog-style modulation and time-based staples or innovative spectralizers andnew ways to use granular engines.
MESS's 16-step grid pad is a real time sequencer and editor - with intuitive hands-on control that rewards experimentation without an advanced degree in sound design required. Sequence effect parameters, start or stop sequences without cutting out the effects, or build complex
polyrhythmic patterns that evolve as you play.
Each track runs independently, with detailed control over parameters, time divisions and length .Create slow spectral sweeps by slowing a sequencer down to 1/16th of the chosen tempo while increasing the speed of a microlooper for chaotic glitchy stutters all in the same patch. MESS has the tools to build-up textures or tear them apart.
MESS turns effects into an instrument. Unlike conventional multi-effects units that rely on staticpresets, MESS offers dynamic, programmable, and performative sound design. This effectspowerhouse is equally at home on pedalboards, in modular synth setups, or integrated intoDAW-less setups making it ideal for guitarists, synthesists, drum machine enthusiasts, and sound designers.
… Read moreMess features 120 high-quality, stereo effects, ranging from traditional to the experimental. Choose from analog-style modulation and time-based staples or innovative spectralizers andnew ways to use granular engines.
MESS's 16-step grid pad is a real time sequencer and editor - with intuitive hands-on control that rewards experimentation without an advanced degree in sound design required. Sequence effect parameters, start or stop sequences without cutting out the effects, or build complex
polyrhythmic patterns that evolve as you play.
Each track runs independently, with detailed control over parameters, time divisions and length .Create slow spectral sweeps by slowing a sequencer down to 1/16th of the chosen tempo while increasing the speed of a microlooper for chaotic glitchy stutters all in the same patch. MESS has the tools to build-up textures or tear them apart.
MESS turns effects into an instrument. Unlike conventional multi-effects units that rely on staticpresets, MESS offers dynamic, programmable, and performative sound design. This effectspowerhouse is equally at home on pedalboards, in modular synth setups, or integrated intoDAW-less setups making it ideal for guitarists, synthesists, drum machine enthusiasts, and sound designers.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 23 May 25 $549.29
(No payment required now - pay when released)
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OPT90 Cassette Speaker Portable Bluetooth Speaker (clear yellow) (portable speaker)
Cat: 1089412 Rel: 23 May 25 • View all Portable Speakers | Portable Bluetooth Speakers
Bluetooth speaker modelled after a cassette tape, featuring 6 hours of battery life.
Notes: The OPT90 cassette speaker blends retro aesthetics with quality and portability- Bluetooth-compatible, lightweight and compact, and capable of 6 hours of continuous playback at full volume. The cassette case can be used as a stand.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 23 May 25 $21.92
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Happy Nerding ADSR Envelope Generator Module (black) (envelope generator synth module)
Cat: 1086749 Rel: 16 May 25 • View all Synth modules
Envelope generator module - 5HP
Notes: ADSR (Attack-Decay-Sustain-Release) is a module designed to generate a voltage, which acts as the envelope with the adjustable stages. This envelope, generated in response to the incoming gate signal or manually pushed button, can then be used to shape the sound amplitude via VCA, modulate filter's cutoff frequency or any other parameters expecting CV control.
It features exponential Attack, Decay and Release stages, switch to select fast/slow operation mode, push button with led indicator to manually activate the envelope.
… Read moreIt features exponential Attack, Decay and Release stages, switch to select fast/slow operation mode, push button with led indicator to manually activate the envelope.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 16 May 25 $89.32
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Happy Nerding ADSR Envelope Generator Module (silver) (envelope generator synth module)
Cat: 1086761 Rel: 16 May 25 • View all Synth modules
Envelope Generator Module - 5HP
Notes: ADSR (Attack-Decay-Sustain-Release) is a module designed to generate a voltage, which acts as the envelope with the adjustable stages. This envelope, generated in response to the incoming gate signal or manually pushed button, can then be used to shape the sound amplitude via VCA, modulate filter's cutoff frequency or any other parameters expecting CV control.
It features exponential Attack, Decay and Release stages, switch to select fast/slow operation mode, push button with led indicator to manually activate the envelope.
… Read moreIt features exponential Attack, Decay and Release stages, switch to select fast/slow operation mode, push button with led indicator to manually activate the envelope.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 16 May 25 $89.32
(No payment required now - pay when released)
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ADDAC System ADDAC511 VC Stochastic Voltage Generator Module (voltage generator synth module)
Cat: 1080319 Rel: 08 May 25 • View all Synth modules
This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer
Notes: Based on the ADDAC501 Complex Random module, the 511 expands the concept to become an even more powerful random/stochastic voltage generator. Four channels, all capable of being used for envelopes, modulation sources, sequencers and much more.
Supplier's Notes:
This module greatly expands on the principles of the ADDAC501 Complex Random from 2013.
This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.
The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.
Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.
The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.
Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V
… Read moreSupplier's Notes:
This module greatly expands on the principles of the ADDAC501 Complex Random from 2013.
This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.
The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.
Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.
The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.
Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V
3 in stock $624.73
Click for better price!
or call +44 20 7424 1960
quote 1080319
quote 1080319
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After Later Audio Bartender v2 Stereo Production Mixer Module (mixer synth module)
Cat: 1087273 Rel: 06 May 25 • View all Synth modules
4 channel mixer module that with two stereo aux sends and returns.
Notes: Bartender is the centerpiece of the mixer system. Four stereo channels, with two stereo aux send and two stereo returns. Each channel can be used in a mono mode where both channels are mixed. If you want to do eight channels of mono, you can put the channels in stereo mode (I know it feels backwards) and then use the pan control to control the crossfade between each channel, and then take the mono output. There is a built in cueing system so you can monitor channels in your headphones and control the blend with the main output. You can expand a Bartender with both a Barback and/or another Bartender. When connecting two Bartenders, the main level control on the 'expander' Bartender acts as a group control.
… Read more! low stock $395.03
Click for better price!
or call +44 20 7424 1960
quote 1087273
quote 1087273
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Crazy Tube Circuits Venus Tube Overdrive/Distortion Effects Pedal (B-STOCK) (distortion effects pedal)
Cat: 1088785 Rel: 01 Jan 90 • View all Effects pedals
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***
Venus is a real tube overdrive that brings the magic of a legendary tube-driven circuit into a modern, compact format. Inspired by the most iconic tube overdrive pedal in history, Venus delivers everything from smooth, bluesy breakup to fully saturated distortion.
Equipped with a high-quality ECC832 tube, Venus offers exceptional dynamic response and tonal flexibility. The three-band EQ provides precise frequency control, while the tube bias knob allows users to shape the compression and saturation of the overdrive. Whether used as a transparent boost or a full-bodied drive, Venus delivers the warmth and harmonic complexity only a real tube circuit can provide.
A switchable line driver/buffer ensures a strong, clear signal throughout the chain, making Venus a reliable choice for both live performances and studio applications. The power-up preset function for the footswitch lets users set their preferred bypass/engage state when powering on the pedal.
Designed for players who crave the richness of a tube-driven circuit without the bulk, Venus is the perfect companion for any setup from vintage amps to modern pedalboards.
… Read moreVenus is a real tube overdrive that brings the magic of a legendary tube-driven circuit into a modern, compact format. Inspired by the most iconic tube overdrive pedal in history, Venus delivers everything from smooth, bluesy breakup to fully saturated distortion.
Equipped with a high-quality ECC832 tube, Venus offers exceptional dynamic response and tonal flexibility. The three-band EQ provides precise frequency control, while the tube bias knob allows users to shape the compression and saturation of the overdrive. Whether used as a transparent boost or a full-bodied drive, Venus delivers the warmth and harmonic complexity only a real tube circuit can provide.
A switchable line driver/buffer ensures a strong, clear signal throughout the chain, making Venus a reliable choice for both live performances and studio applications. The power-up preset function for the footswitch lets users set their preferred bypass/engage state when powering on the pedal.
Designed for players who crave the richness of a tube-driven circuit without the bulk, Venus is the perfect companion for any setup from vintage amps to modern pedalboards.
1 in stock $276.73
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Erica Synths Pico DSP 8 Custom Stereo Effects Module (B-STOCK) (delay/distortion/effect/panning/reverb module)
Cat: 1088796 Rel: 01 Jan 90 • View all Synth modules
B-STOCK: Product with some signs of usage but in perfect working order
Notes: ***B-STOCK: Product with some signs of usage but in perfect working order***
Pico DSP is a small brother of the popular stereo effects processor Black Hole DSP. It contains eight algorithms, in detail four delays, two types of reverb, Leslie speaker emulation and an Overdrive/Bitcrusher. Each effect is editable in two parameters. One of them can be modulated using the CV input. Pico DSP features clear, high-resolution sound. Alongside the established standards, it is also possible to generate lots of freaky special effects.
… Read morePico DSP is a small brother of the popular stereo effects processor Black Hole DSP. It contains eight algorithms, in detail four delays, two types of reverb, Leslie speaker emulation and an Overdrive/Bitcrusher. Each effect is editable in two parameters. One of them can be modulated using the CV input. Pico DSP features clear, high-resolution sound. Alongside the established standards, it is also possible to generate lots of freaky special effects.
1 in stock $133.53
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Erica Synths/Ninja Tune Zen Delay Effects Unit (B-STOCK) (delay effects unit)
Cat: 1088672 Rel: 01 Jan 90 • View all Effects units
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***
Classy stuff from the London label's debut collab with one of our favourite synth brands. Classy stereo delay with analogue filtering and creamy valve distortion. Perfect for studio or live use.
Supplier's Notes:
Ninja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit, the Zen Delay.
Features
Controls: delay time, feedback, delay mod (5 presets), tap button, dry/wet, bypass switch, filter cutoff, resonance, drive, input level, filter mode
Inputs
Stereo In: 2x standard jack
MIDI In: standard MIDI socket
CV In: standard jack
Outputs
Stereo Out: 2 x standard jack
Delay times: 1-5000ms with 1/8...x8 of clock/tap rate in beat mode
Inspired by a trip to Berlin's trailblazing music hardware trade show Superbooth, Coldcut's Matt Black and longtime friend Dr Walker (Liquid Sky artist collective / Air Liquide) envisaged the exciting possibilities of a custom hardware effects unit. The result is the creation of the Zen Delay i the first-ever hardware effects unit produced in collaboration with an electronic music label.
Bringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.
Created and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths' signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.
Crafted in close collaboration with DJs and producers, the Zen Delay was uniquely developed with both live and studio use in mind and is suitable for many different performance situations, musical styles and instruments. While most delay devices are designed as 'stomp boxes' for guitarists, the device is equally powerful in the hands of electronic music producers, artists and DJs, adding a unique, warm and powerful sonic character to drum machines, loops, vocals, synths, samples or any other source. Even full tracks or a live stereo mix can be enhanced by the combination of analogue and digital circuitry, breathing new life into iPad performances and giving traditional digital synths and drum machines a huge kick.
The Zen Delay is a product of our expertise on vacuum tube designs, our powerful, custom DSP platform and the great sound of our filter ICs made and developed in Latvia. It by far exceeded expectations in terms of how it sounds and feels when played. - Girts Ozolin
The Zen Delay is the analogue delay unit I've been waiting for. Stereo warmth, tone and texture. Perfect for live abusage, and studio madness love it - The Bug
The Zen excels at the sort of extreme dub possibilities Coldcut love. Feed it back! - Matt Black
For years I have dreamed of a state-of-the-art stereo valve dub delay for my MPC that perfectly masters all sound aesthetics from "badass" to "psychedelic hypnotically trashed" and now, have a look! There it is... the Zen Delay! - Dr Walker
Power: 12v (power supply for worldwide use is included)
In/Out levels: 3.2v peak to peak
DAC
114 dB dynamic range
-100dB THD+N
ADC
108 dB dynamic range
-98 dB THD+N
Dimensions: 21 x 15 x 5 cm
Weight: 870g
… Read moreClassy stuff from the London label's debut collab with one of our favourite synth brands. Classy stereo delay with analogue filtering and creamy valve distortion. Perfect for studio or live use.
Supplier's Notes:
Ninja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit, the Zen Delay.
Features
Controls: delay time, feedback, delay mod (5 presets), tap button, dry/wet, bypass switch, filter cutoff, resonance, drive, input level, filter mode
Inputs
Stereo In: 2x standard jack
MIDI In: standard MIDI socket
CV In: standard jack
Outputs
Stereo Out: 2 x standard jack
Delay times: 1-5000ms with 1/8...x8 of clock/tap rate in beat mode
Inspired by a trip to Berlin's trailblazing music hardware trade show Superbooth, Coldcut's Matt Black and longtime friend Dr Walker (Liquid Sky artist collective / Air Liquide) envisaged the exciting possibilities of a custom hardware effects unit. The result is the creation of the Zen Delay i the first-ever hardware effects unit produced in collaboration with an electronic music label.
Bringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.
Created and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths' signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.
Crafted in close collaboration with DJs and producers, the Zen Delay was uniquely developed with both live and studio use in mind and is suitable for many different performance situations, musical styles and instruments. While most delay devices are designed as 'stomp boxes' for guitarists, the device is equally powerful in the hands of electronic music producers, artists and DJs, adding a unique, warm and powerful sonic character to drum machines, loops, vocals, synths, samples or any other source. Even full tracks or a live stereo mix can be enhanced by the combination of analogue and digital circuitry, breathing new life into iPad performances and giving traditional digital synths and drum machines a huge kick.
The Zen Delay is a product of our expertise on vacuum tube designs, our powerful, custom DSP platform and the great sound of our filter ICs made and developed in Latvia. It by far exceeded expectations in terms of how it sounds and feels when played. - Girts Ozolin
The Zen Delay is the analogue delay unit I've been waiting for. Stereo warmth, tone and texture. Perfect for live abusage, and studio madness love it - The Bug
The Zen excels at the sort of extreme dub possibilities Coldcut love. Feed it back! - Matt Black
For years I have dreamed of a state-of-the-art stereo valve dub delay for my MPC that perfectly masters all sound aesthetics from "badass" to "psychedelic hypnotically trashed" and now, have a look! There it is... the Zen Delay! - Dr Walker
Power: 12v (power supply for worldwide use is included)
In/Out levels: 3.2v peak to peak
DAC
114 dB dynamic range
-100dB THD+N
ADC
108 dB dynamic range
-98 dB THD+N
Dimensions: 21 x 15 x 5 cm
Weight: 870g
1 in stock $519.75
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IK Multimedia iLoud MTM MKII Active Studio Monitors & ARC Microphone Pair Bundle (white, pair) (B-STOCK) (studio monitors/microphone)
Cat: 1088681 Rel: 01 Jan 90 • View all Studio monitors
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***
Updated version of IK's MTM monitors offer even better performance in the same compact package. Available here as a pair bundled with ARC measurement microphone for precise calibration.
Supplier's notes:
IK Multimedia iLoud MTM MKII Active Studio Monitor (single)
Deeper. Louder. More accurate.
iLoud MTM MKII offers sonic perfection and volume levels previously unavailable in this class of reference monitors. Maintaining its iconic form, MTM MKII sports more efficient drivers and twice the processing power under the hood to turn any space into the ideal mixing and mastering setup.
Enjoy clear, neutral sound with the deep, controlled low end you'd expect from a speaker twice the size and linear phase response that rivals speakers twice the price. Its MTM design and precise time alignment make hours of fatigue-free listening possible while minimizing acoustic interactions, which is ideal for desktop use.
With advanced ARC auto-calibration, MTM MKII guarantees improved acoustic performance in any space in seconds. Connected to a computer, award-winning X-MONITOR software adds deep customization and breathtaking emulations of 20+ top studio monitors and other playback systems to A / B your mixes instantly for the perfect translation.
MTM MKII is like having an entire suite of precision-tuned monitoring tools.
Ultra-nearfield monitors for critical mixing
iLoud MTM MKII features a pair of 3.5" high-performance woofers and one 1" high-definition, back-chamber loaded tweeter with improved speaker drivers for superior volume and low end, plus improved clarity and articulation in the midrange. The Midrange-Tweeter-Midrange symmetrical design (D'Appolito configuration) provides ultra-precise, defined, point-source sound that can't be achieved by traditional 2-way systems at close distances, meaning you'll mix better and with less ear fatigue.
Designed to work faster in more situations
In addition to improved speaker drivers, iLoud MTM MKII maintains tight vertical dispersion, minimizing the acoustic impact of desktop placement and ceiling and floor reflections to ensure the most accurate possible sound. MTM MKII offers a wider horizontal dispersion, creating a broader sweet spot for easier mixing than other MTM designs while maintaining the smoothest in-room response. Better power efficiency and extended max SPL mean iLoud MTM MKII also offers superior performance as an FOH mixing monitor, immersive speaker or other volume-dependent tasks.
Next-generation ARC room correction
iLoud MTM MKII adds a deeper, more comprehensive ARC auto-calibration derived from IK's flagship iLoud Precision series. Connected via USB to a Mac / PC with X-MONITOR, this 4-space measurement offers an unmatched definition and reliable translation in virtually any environment, so your mixes will always sound their best. A rapid, single-point measurement option can be done anywhere without a computer. Connect an ARC MEMS microphone (sold separately) to each speaker's mic input, and you'll be up and running in moments.
X-MONITOR integration
Also inherited from IK's flagship iLoud Precisions, iLoud MTM MKII now offers full X-MONITOR integration. This exclusive, award-winning software gives you complete control over every speaker element beyond the rear controls. Also, it allows for precise delay compensation between units for improved stereo imaging.
A single solution to A / B mixes
In addition, X-MONITOR allows you to switch between virtual monitoring voices, emulating the frequency and phase response of other top studio monitors and reference systems. With 4 buttons to quickly recall various voices, X-MONITOR with MTM MKII becomes an entire reference monitoring system in one elegant solution.
Stereo to immersive sound anywhere
IK have packed all this technological sophistication into a compact format that takes up 30% - 50% less space than comparable designs and weighs just 5 pounds. With tilting desktop mounts included, it's the ideal desktop solution for home, project or mobile recording. There's also an included isolation pad for horizontal placement wherever needed.
Bottom mic stand mounts securely position iLoud MTM MKII behind a console for studio or FOH use or even on boom arms to create immersive setups anywhere quickly with no tools required. A custom mounting bracket is also available to easily install MTM MKII as overheads or wall speakers in any studio.
The ideal immersive audio solution
All these amazing features, plus a selectable 80 Hz low-frequency cutoff, also make iLoud MTM MKII the ideal monitor for today's immersive studios. Learn how iLoud MTM MKII is ideal for use with ATMOSr and other multi-channel audio systems!
Specs
iLoud MTM MKII Specifications
Type: 2-Way / 3-speakers bi-amped, digitally controlled studio monitor
LF drivers: 2 x 3.5" composite cellulose fiber, custom-made mid-woofers
HF drivers: 1" low distortion, back chambered silk dome tweeter
Acoustic design: DSP tuned bass reflex
Number of amps per speaker: 2
Amplifiers type: High efficiency Class-D
Total power: 100 W RMS
LF power: 70 W RMS
HF power: 30 W RMS
Crossover type: Digital, linear phase
Crossover frequency: 2.8 kHz
Frequency response: 48 Hz to 28 kHz + / - 2 dB, 36 Hz to 32 kHz @ -10 dB
Phase response: System remains coherent within + / - 15- from 200 Hz to 20 kHz
Sensitivity at +4 dBu: -6 dBu signal generates a 94 dB SPL @ 1 m
Sensitivity at -10 dBV: -17 dBu signal generates a 94 dB SPL @ 1 m
Continuous, long term SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 97 dB
Peak SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 110.5 dB
Peak SPL, half space, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 112.5 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
LF extension switch: Sets -3 dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -4 dB at 160 Hz and +1 dB at 1.8 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Total Latency (TOF): 2.44 ms
Connectors: 1x combo XLR-1 / 4" TRS balanced input; 1 / 8" TS ARC microphone input, 1 x USB type-B, AC POWER socket
Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 120 W max power consumption
Dimensions
Size: 264 mm / 10.39" x 160 mm / 6.3" x 130 mm / 5.12"
Weight (per speaker): 2, 5 kg / 5.5 lbs (speaker + foot)
Package includes
1 x iLoud MTM MKII monitor
Power cord
Tilting stand
Horizontal support feet
Locking key
1 x ARC Microphone
1 x ARC Microphone clamp
1 x XLR to 1/8" (3.5mm) TS cable for ARC microphone (2.5m/8.2ft)
… Read moreUpdated version of IK's MTM monitors offer even better performance in the same compact package. Available here as a pair bundled with ARC measurement microphone for precise calibration.
Supplier's notes:
IK Multimedia iLoud MTM MKII Active Studio Monitor (single)
Deeper. Louder. More accurate.
iLoud MTM MKII offers sonic perfection and volume levels previously unavailable in this class of reference monitors. Maintaining its iconic form, MTM MKII sports more efficient drivers and twice the processing power under the hood to turn any space into the ideal mixing and mastering setup.
Enjoy clear, neutral sound with the deep, controlled low end you'd expect from a speaker twice the size and linear phase response that rivals speakers twice the price. Its MTM design and precise time alignment make hours of fatigue-free listening possible while minimizing acoustic interactions, which is ideal for desktop use.
With advanced ARC auto-calibration, MTM MKII guarantees improved acoustic performance in any space in seconds. Connected to a computer, award-winning X-MONITOR software adds deep customization and breathtaking emulations of 20+ top studio monitors and other playback systems to A / B your mixes instantly for the perfect translation.
MTM MKII is like having an entire suite of precision-tuned monitoring tools.
Ultra-nearfield monitors for critical mixing
iLoud MTM MKII features a pair of 3.5" high-performance woofers and one 1" high-definition, back-chamber loaded tweeter with improved speaker drivers for superior volume and low end, plus improved clarity and articulation in the midrange. The Midrange-Tweeter-Midrange symmetrical design (D'Appolito configuration) provides ultra-precise, defined, point-source sound that can't be achieved by traditional 2-way systems at close distances, meaning you'll mix better and with less ear fatigue.
Designed to work faster in more situations
In addition to improved speaker drivers, iLoud MTM MKII maintains tight vertical dispersion, minimizing the acoustic impact of desktop placement and ceiling and floor reflections to ensure the most accurate possible sound. MTM MKII offers a wider horizontal dispersion, creating a broader sweet spot for easier mixing than other MTM designs while maintaining the smoothest in-room response. Better power efficiency and extended max SPL mean iLoud MTM MKII also offers superior performance as an FOH mixing monitor, immersive speaker or other volume-dependent tasks.
Next-generation ARC room correction
iLoud MTM MKII adds a deeper, more comprehensive ARC auto-calibration derived from IK's flagship iLoud Precision series. Connected via USB to a Mac / PC with X-MONITOR, this 4-space measurement offers an unmatched definition and reliable translation in virtually any environment, so your mixes will always sound their best. A rapid, single-point measurement option can be done anywhere without a computer. Connect an ARC MEMS microphone (sold separately) to each speaker's mic input, and you'll be up and running in moments.
X-MONITOR integration
Also inherited from IK's flagship iLoud Precisions, iLoud MTM MKII now offers full X-MONITOR integration. This exclusive, award-winning software gives you complete control over every speaker element beyond the rear controls. Also, it allows for precise delay compensation between units for improved stereo imaging.
A single solution to A / B mixes
In addition, X-MONITOR allows you to switch between virtual monitoring voices, emulating the frequency and phase response of other top studio monitors and reference systems. With 4 buttons to quickly recall various voices, X-MONITOR with MTM MKII becomes an entire reference monitoring system in one elegant solution.
Stereo to immersive sound anywhere
IK have packed all this technological sophistication into a compact format that takes up 30% - 50% less space than comparable designs and weighs just 5 pounds. With tilting desktop mounts included, it's the ideal desktop solution for home, project or mobile recording. There's also an included isolation pad for horizontal placement wherever needed.
Bottom mic stand mounts securely position iLoud MTM MKII behind a console for studio or FOH use or even on boom arms to create immersive setups anywhere quickly with no tools required. A custom mounting bracket is also available to easily install MTM MKII as overheads or wall speakers in any studio.
The ideal immersive audio solution
All these amazing features, plus a selectable 80 Hz low-frequency cutoff, also make iLoud MTM MKII the ideal monitor for today's immersive studios. Learn how iLoud MTM MKII is ideal for use with ATMOSr and other multi-channel audio systems!
Specs
iLoud MTM MKII Specifications
Type: 2-Way / 3-speakers bi-amped, digitally controlled studio monitor
LF drivers: 2 x 3.5" composite cellulose fiber, custom-made mid-woofers
HF drivers: 1" low distortion, back chambered silk dome tweeter
Acoustic design: DSP tuned bass reflex
Number of amps per speaker: 2
Amplifiers type: High efficiency Class-D
Total power: 100 W RMS
LF power: 70 W RMS
HF power: 30 W RMS
Crossover type: Digital, linear phase
Crossover frequency: 2.8 kHz
Frequency response: 48 Hz to 28 kHz + / - 2 dB, 36 Hz to 32 kHz @ -10 dB
Phase response: System remains coherent within + / - 15- from 200 Hz to 20 kHz
Sensitivity at +4 dBu: -6 dBu signal generates a 94 dB SPL @ 1 m
Sensitivity at -10 dBV: -17 dBu signal generates a 94 dB SPL @ 1 m
Continuous, long term SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 97 dB
Peak SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 110.5 dB
Peak SPL, half space, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 112.5 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
LF extension switch: Sets -3 dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -4 dB at 160 Hz and +1 dB at 1.8 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Total Latency (TOF): 2.44 ms
Connectors: 1x combo XLR-1 / 4" TRS balanced input; 1 / 8" TS ARC microphone input, 1 x USB type-B, AC POWER socket
Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 120 W max power consumption
Dimensions
Size: 264 mm / 10.39" x 160 mm / 6.3" x 130 mm / 5.12"
Weight (per speaker): 2, 5 kg / 5.5 lbs (speaker + foot)
Package includes
1 x iLoud MTM MKII monitor
Power cord
Tilting stand
Horizontal support feet
Locking key
1 x ARC Microphone
1 x ARC Microphone clamp
1 x XLR to 1/8" (3.5mm) TS cable for ARC microphone (2.5m/8.2ft)
1 in stock $771.10
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Teenage Engineering OP-1 Field Portable Synthesiser (B-STOCK) (digital keyboard synthesiser)
Cat: 1088682 Rel: 01 Jan 90 • View all Synthesisers
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***
Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.
Supplier's Notes:
The beauty of evolution.
Louder, thinner and 100 times better.
Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.
Reworked, refined, reborn.
Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.
The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.
Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.
If it feels thinner, it is.
By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.
The back is warm, velcro and bass.
Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.
The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.
Dimensions: 28.8 cm x 10.2 cm x 2.9 cm
… Read moreUpdated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.
Supplier's Notes:
The beauty of evolution.
Louder, thinner and 100 times better.
Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.
Reworked, refined, reborn.
Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.
The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.
Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.
If it feels thinner, it is.
By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.
The back is warm, velcro and bass.
Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.
The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.
Dimensions: 28.8 cm x 10.2 cm x 2.9 cm
1 in stock $1,528.65
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Qu-Bit Stardust Cosmic Tape Looper Module (B-STOCK) (looper synth module)
Cat: 1089617 Rel: 01 Jan 90 • View all Synth modules
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***
Meet Stardust, a cosmic tape looper.
The foundation of Stardust is a stereo looper with all the essential controls to record and manipulate sound, while supporting click-less looping transitions, an ultra-low noise floor, and high-fidelity audio hardware. However, getting the perfect loop is only half of the equation, Stardust also focuses on the texture and vibe of your recordings. Dial in a classic tape machine style warmth with wow & flutter/tape hiss controls, or take Stardust to new horizons with DSP effects. And, much like the tape-machines it takes it's inspiration from, Stardust can splice and rearrange its loops at the twist of a knob.
With an impressive set of front panel controls, the ability to save, recall, or export recordings, load samples via an included USB flash drive, and a host of configurable settings via our web editor Narwhal, Stardust is a comprehensive looper device.
Power Consumption: +12V=201mA, -12V=13mA, +5V=0mA
… Read moreMeet Stardust, a cosmic tape looper.
The foundation of Stardust is a stereo looper with all the essential controls to record and manipulate sound, while supporting click-less looping transitions, an ultra-low noise floor, and high-fidelity audio hardware. However, getting the perfect loop is only half of the equation, Stardust also focuses on the texture and vibe of your recordings. Dial in a classic tape machine style warmth with wow & flutter/tape hiss controls, or take Stardust to new horizons with DSP effects. And, much like the tape-machines it takes it's inspiration from, Stardust can splice and rearrange its loops at the twist of a knob.
With an impressive set of front panel controls, the ability to save, recall, or export recordings, load samples via an included USB flash drive, and a host of configurable settings via our web editor Narwhal, Stardust is a comprehensive looper device.
Power Consumption: +12V=201mA, -12V=13mA, +5V=0mA
1 in stock $449.38
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Haken Audio EaganMatrix Micro Modular Digital Synthesiser (B-STOCK) (digital desktop synthesiser)
Cat: 1089159 Rel: 01 Jan 90 • View all Synthesisers
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***
Unassuming looks conceal the excellent EaganMatrix sound engine, offering USB-powered synth creativity perfectly matched to Haken's own Warbl Wind Controller but also compatible with MIDI and MPE.
Supplier's Notes:
EaganMatrix Micro
The power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.
The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.
The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.
The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.
Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.
The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.
EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.
Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS
Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.
Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)
… Read moreUnassuming looks conceal the excellent EaganMatrix sound engine, offering USB-powered synth creativity perfectly matched to Haken's own Warbl Wind Controller but also compatible with MIDI and MPE.
Supplier's Notes:
EaganMatrix Micro
The power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.
The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.
The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.
The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.
Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.
The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.
EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.
Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS
Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.
Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)
1 in stock $474.72
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Artium Instruments The Swarm 8-Voice Polyphonic Hybrid Synthesiser & Stereo Effects (B-STOCK) (hybrid desktop synthesiser/effects unit)
Cat: 1089172 Rel: 01 Jan 90 • View all Synthesisers
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***
Hands-on hardware synth goodness in a boutique desktop format, feauting an eight-voice digital supersaw engine and four-pole filter. Built-in delay, reverb, chorus and freeze effects can be used to process external signals.
Supplier's Notes:
Design philosophy
Knob-For-Knob Functionality:
Artium Instruments are committed to knob-for-knob functionality. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated sequences of button presses to access features; everything is conveniently accessible at your fingertips.
Curated, Onboard Effects:
With over a decade of experience in the effects industry, Artium have carefully curated a selection of effects that seamlessly complement the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the inputs on the back.
Plug and Play Functionality:
The Swarm utilizes a USB-C MIDI host for simplicity and ease of use. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility. (These converters typically cost $10-20)
Quality Craftsmanship, Intentional Design:
Artium have invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colours, artwork, and the weight of the enclosure, every detail has been considered. These details matter because the connection a user forms with a piece of gear is almost as crucial in the creative process as the sounds it produces. A lot of love and passion has been poured into every aspect of The Swarm, from its sonic capabilities to its design aesthetics.
Open Source Platform:
Artium desktop synths use an open source platform known as Axoloti or Ksoloti for development and implementation of its products.
Synth core
Oscillator:
The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic unfolds when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.
Control Modes:
The Swarm employs this massive sound through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously, exploring the full range of polyphony. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns, enhancing your creative possibilities.
More Features & Controls:
To shape the sound further The Swarm has a 4 Pole Low Pass Filter with a subtle resonance as well as a simple attack and release envelope.
Onboard effects
All onboard effects can be used with other music equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.
Freeze:
By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time-a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing the device to capture a fresh sample.
Delay:
The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighths, eighths, and triplets.
Reverb:
The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.
Chorus:
The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.
Controls
Synth core:
Detune - Detunes SuperSaw oscillator
Filter - Cutoff frequency of the filter
Attack - Rising edge of envelope
Release - Falling edge of envelope
Arpeggiator:
"ARP" Toggle - Activates Arpeggiator Mode
"HOLD" Toggle - Stores all notes played in memory
Direction - Selects the direction of arpeggiator (UP, DOWN, SEESAW, RANDOM, ORDER PLAYED)
Octaves - Selects the number of octaves played by the arpeggiator
Clock - Speed of the arpeggiator and delay clock
Clock Toggle - Switches between manual clock knob and tap tempo.
Tap Tempo (Yellow Pad) - Tap tempo for arpeggiator and delay clock
Effects:
Freeze (Yellow Pad) - Press to record. Pressing with Freeze Knob at minimum will erase sample
Freeze (Knob) - Sets the level of the frozen, infinite drone
D.Level - Delay signal level
D.Feedback - Number of delay repeats
D.Multiplier - Sets delay multiplier (quarter note, dotted eighth, eighth, triplets)
Reverb - Mix and Decay of reverb increase simultaneously
Chorus - Sets chorus level
Rear panel
Out(L) - Left Output (stereo headphone jack/TRS when Out(R) is unconnected)
Out(R) - Right Output
In(L) - Audio input to send external audio through onboard effects (If source is Mono, use In(L))
In(R) - Audio input to send external audio through onboard
Oct+: Shifts the entire synth up one octave for every press
Oct-: Shifts the entire synth down one octave for every press
MIDI HOST INPUT - Provides power and communication with your USB Midi Controller
USB POWER SUPPLY - USB-C plug to power synth
… Read moreHands-on hardware synth goodness in a boutique desktop format, feauting an eight-voice digital supersaw engine and four-pole filter. Built-in delay, reverb, chorus and freeze effects can be used to process external signals.
Supplier's Notes:
Design philosophy
Knob-For-Knob Functionality:
Artium Instruments are committed to knob-for-knob functionality. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated sequences of button presses to access features; everything is conveniently accessible at your fingertips.
Curated, Onboard Effects:
With over a decade of experience in the effects industry, Artium have carefully curated a selection of effects that seamlessly complement the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the inputs on the back.
Plug and Play Functionality:
The Swarm utilizes a USB-C MIDI host for simplicity and ease of use. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility. (These converters typically cost $10-20)
Quality Craftsmanship, Intentional Design:
Artium have invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colours, artwork, and the weight of the enclosure, every detail has been considered. These details matter because the connection a user forms with a piece of gear is almost as crucial in the creative process as the sounds it produces. A lot of love and passion has been poured into every aspect of The Swarm, from its sonic capabilities to its design aesthetics.
Open Source Platform:
Artium desktop synths use an open source platform known as Axoloti or Ksoloti for development and implementation of its products.
Synth core
Oscillator:
The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic unfolds when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.
Control Modes:
The Swarm employs this massive sound through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously, exploring the full range of polyphony. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns, enhancing your creative possibilities.
More Features & Controls:
To shape the sound further The Swarm has a 4 Pole Low Pass Filter with a subtle resonance as well as a simple attack and release envelope.
Onboard effects
All onboard effects can be used with other music equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.
Freeze:
By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time-a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing the device to capture a fresh sample.
Delay:
The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighths, eighths, and triplets.
Reverb:
The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.
Chorus:
The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.
Controls
Synth core:
Detune - Detunes SuperSaw oscillator
Filter - Cutoff frequency of the filter
Attack - Rising edge of envelope
Release - Falling edge of envelope
Arpeggiator:
"ARP" Toggle - Activates Arpeggiator Mode
"HOLD" Toggle - Stores all notes played in memory
Direction - Selects the direction of arpeggiator (UP, DOWN, SEESAW, RANDOM, ORDER PLAYED)
Octaves - Selects the number of octaves played by the arpeggiator
Clock - Speed of the arpeggiator and delay clock
Clock Toggle - Switches between manual clock knob and tap tempo.
Tap Tempo (Yellow Pad) - Tap tempo for arpeggiator and delay clock
Effects:
Freeze (Yellow Pad) - Press to record. Pressing with Freeze Knob at minimum will erase sample
Freeze (Knob) - Sets the level of the frozen, infinite drone
D.Level - Delay signal level
D.Feedback - Number of delay repeats
D.Multiplier - Sets delay multiplier (quarter note, dotted eighth, eighth, triplets)
Reverb - Mix and Decay of reverb increase simultaneously
Chorus - Sets chorus level
Rear panel
Out(L) - Left Output (stereo headphone jack/TRS when Out(R) is unconnected)
Out(R) - Right Output
In(L) - Audio input to send external audio through onboard effects (If source is Mono, use In(L))
In(R) - Audio input to send external audio through onboard
Oct+: Shifts the entire synth up one octave for every press
Oct-: Shifts the entire synth down one octave for every press
MIDI HOST INPUT - Provides power and communication with your USB Midi Controller
USB POWER SUPPLY - USB-C plug to power synth
1 in stock $396.62
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B-STOCK: Slight surface marks
Notes: ***B-STOCK: Slight surface marks ***
Module A-192-2 contains two independent CV/Gate-to-Midi/USB interfaces. For each of the two sub-units these inputs are available:
- Gate Input (min. +5V)
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For both sub-units a common CV Transpose input is available (1V/octave, range 0...+10V). The voltage applied to this input is added internally to CVN before the Midi note number is generated. It can be used e.g. to transpose two sequences simultaneously by one voltage.
How it works:
Whenever the rising edge of the Gate input is recognized a Midi note on message is generated. The note number corresponds to the sum of the voltages applied to the CVN input and the common CV Transpose Input that is present at the rising edge of the gate signal.
… Read moreModule A-192-2 contains two independent CV/Gate-to-Midi/USB interfaces. For each of the two sub-units these inputs are available:
- Gate Input (min. +5V)
- CVN Input (defines the Midi note number), 1V/octave standard, range 0...+10V (i.e. 10 octaves)
- CVV Input (defines the velocity value assigned to the Midi note message), can be used alternatively for Midi volume (CC#7), range 0...+5V
- CVC Input (free assignable to any Midi control change number), range 0...+5V
For both sub-units a common CV Transpose input is available (1V/octave, range 0...+10V). The voltage applied to this input is added internally to CVN before the Midi note number is generated. It can be used e.g. to transpose two sequences simultaneously by one voltage.
How it works:
Whenever the rising edge of the Gate input is recognized a Midi note on message is generated. The note number corresponds to the sum of the voltages applied to the CVN input and the common CV Transpose Input that is present at the rising edge of the gate signal.
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Highly versatile analogue effects module with overdrive/distortion/sidechain/envelope follower/equalizer/feedback/VCA/mixer/crossfader/LED meter functionality.
Notes: This module is designed to generate a multitude of aggressive, punchy, violent and absolutely bonkers variations of the original unprocessed sound.
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… Read moreTransform any clean sound into a distorted monster, using 2x drive stages per channel with a wide range of distortion flavors ranging from subtle saturation to extreme fuzz.
Process two channels at the same time and create balanced and smooth or raw and rough transitions between them.
Allow the kick drum and bass line to coexist effectively in the mix, avoiding conflicts in the low-frequency range with env. follower and sidechain.
Shape any sound with 3 band adaptable EQ.
Function as a signal generator as well, this module can be pushed into self-oscillation at any frequency even with no input.
Add sub-octave tones to melodies and bass lines.
Preserve the dynamic range and clarity of the sound through parallel processing, ensuring that the original characteristics are not lost even when applying heavy distortion.
Add character, flexibility and madness to any source that sparks your imagination.
! low stock $440.53
Click for better price!
or call +44 20 7424 1960
quote 1086820
quote 1086820
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Notes: Meet Xkey Air - the ultimate mobile MIDI keyboard, able to go wherever the music takes you. Featuring an ultra-slim lightweight design, Xkey Air is made for creation wherever inspiration strikes you. From the studio to your living room and everywhere in between, this keyboard brings professional performance anywhere. Simply link Xkey Air to your device and play along with the best apps and recording software. Xkey Air is a fully class compliant, USB and Bluetooth MIDI controller that works with all MIDI apps on virtually all platforms.
The Xkey sets you free.
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Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $235.24
(No payment required now - pay when released)
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Notes: Smith: it's an 8 inputs & 8 outputs precision buffered matrix with presets. Each of the 8 outputs can take the signal from any of the 8 inputs, allowing over 16 million possible combinations.
This is not a mixer, the same input can be routed to many outputs, but several inputs can't be present at the same output simultaneously. The module works with both audio and CV signals, ins & outs have i10 volts range and minimum offset (1 millivolt approx.), which makes it perfect for distributing V/Oct signals too.
8 scenes that can be accessed through the dedicated push buttons but also by CV and trigger. 8 banks (with 8 scenes each, 64 scenes per preset). 8 persistent presets (with 8 banks of 8 scenes each).
This module can be used to store 'presets' for your live setup, allowing patch changes and easy rerouting signals with literally just pressing a button.
Another (more chaotic) way to use it is to plug several modulation sources to the inputs (such as envelopes, LFOs, sequenced CVs) and several modulation destinations to the outputs (filter cutoff, PWM, VCAs...). If you want to introduce a variation in the sound, select a different scene or directly randomize the current one to drastically change 'what is modulating what'.
Using audio sources can lead us to interesting territories too, sequencing waveform changes or using different processors (filter, distortion, folder...). Keep in mind that the switch performs pretty fast and the signal is passed without any modification (to preserve its accuracy, which is pretty important when using the module for v/oct) so with audio, the switching may be clicky. This depends on the sound source too, with 'dirty' ones there's no problem but with clean ones, like low pitched sine waves, it will be.
… Read moreThis is not a mixer, the same input can be routed to many outputs, but several inputs can't be present at the same output simultaneously. The module works with both audio and CV signals, ins & outs have i10 volts range and minimum offset (1 millivolt approx.), which makes it perfect for distributing V/Oct signals too.
8 scenes that can be accessed through the dedicated push buttons but also by CV and trigger. 8 banks (with 8 scenes each, 64 scenes per preset). 8 persistent presets (with 8 banks of 8 scenes each).
This module can be used to store 'presets' for your live setup, allowing patch changes and easy rerouting signals with literally just pressing a button.
Another (more chaotic) way to use it is to plug several modulation sources to the inputs (such as envelopes, LFOs, sequenced CVs) and several modulation destinations to the outputs (filter cutoff, PWM, VCAs...). If you want to introduce a variation in the sound, select a different scene or directly randomize the current one to drastically change 'what is modulating what'.
Using audio sources can lead us to interesting territories too, sequencing waveform changes or using different processors (filter, distortion, folder...). Keep in mind that the switch performs pretty fast and the signal is passed without any modification (to preserve its accuracy, which is pretty important when using the module for v/oct) so with audio, the switching may be clicky. This depends on the sound source too, with 'dirty' ones there's no problem but with clean ones, like low pitched sine waves, it will be.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $176.42
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Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $820.04
(No payment required now - pay when released)
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Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $181.71
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Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $252.99
(No payment required now - pay when released)
FORTHCOMING
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Squarp xp32 Hermod+ Sequencer Expander Module (black) (expander synth module)
Cat: 1089317 • View all Synth modules
Expander module for unlocking 32 assignable CV or Gate outputs, amplifying the creative power of your Hermod+ sequencer
Notes: The Ultimate Output Expander For Hermod+
Introducing xp32, the perfect expander for unlocking 32 assignable CV or Gate outputs, amplifying the creative power of your Hermod+ sequencer.
Transform your Hermod+ into a 16-track CV/Gate powerhouse, an expansive MIDI/USB-to-CV interface, a preset manager, or customize your outputs to suit even the most intricate modular setups.
The xp32 opens a new world of possibilities for both live performances and studio setups, giving you the flexibility to realize your most complex musical ideas.
Seamless Integration.
Setting up the xp32 is as easy as connecting the included expander ribbon cable to the back of your Hermod+.
The xp32 integrates seamlessly: Hermod+ will automatically recognize it, and your 32 additional outputs are ready to use instantly.
With the xp32, Hermod+'s 8 CV/Gate tracks remain untouched. Instead, the xp32's 8 additional voices are internally mapped to Hermod+'s MIDI tracks, offering maximum expandability without altering your existing workflow.
Unmatched Precision & Flexibility.
Each of the 32 output jack is powered by a dedicated 16-bit industrial grade DAC, ensuring the best accuracy for all your control voltage signals, from pitch to fine modulations.
Easily configure each output as a Gate (for notes, triggers, or clocks) or as a CV (for pitch, velocity, aftertouch, modulation...).
High-precision.
Low noise.
At the heart of the xp32 are highly-precise digital-to-analogue conversion circuits, developed with meticulous attention to detail. Squarp have incorporated high-end components to guarantee reliable, low-noise, high-performance outputs that you can depend on for both small and large modular systems.
The 32 signal LEDs are driven by a fully analogue current-control circuit, guaranteeing zero digital noise.
Specifications
Power
Consumption : -12V 70mA, +12V 80mA, +5V 20mA
Hardware
Width : 14HP
Depth : 33mm
Height : 128,5mm (3U)
Weight : 170gr (0.37lbs)
32x CV outputs resolution : 16-bit DAC (industrial grade)
32x CV outputs range : -10V to +10V
… Read moreIntroducing xp32, the perfect expander for unlocking 32 assignable CV or Gate outputs, amplifying the creative power of your Hermod+ sequencer.
Transform your Hermod+ into a 16-track CV/Gate powerhouse, an expansive MIDI/USB-to-CV interface, a preset manager, or customize your outputs to suit even the most intricate modular setups.
The xp32 opens a new world of possibilities for both live performances and studio setups, giving you the flexibility to realize your most complex musical ideas.
Seamless Integration.
Setting up the xp32 is as easy as connecting the included expander ribbon cable to the back of your Hermod+.
The xp32 integrates seamlessly: Hermod+ will automatically recognize it, and your 32 additional outputs are ready to use instantly.
With the xp32, Hermod+'s 8 CV/Gate tracks remain untouched. Instead, the xp32's 8 additional voices are internally mapped to Hermod+'s MIDI tracks, offering maximum expandability without altering your existing workflow.
Unmatched Precision & Flexibility.
Each of the 32 output jack is powered by a dedicated 16-bit industrial grade DAC, ensuring the best accuracy for all your control voltage signals, from pitch to fine modulations.
Easily configure each output as a Gate (for notes, triggers, or clocks) or as a CV (for pitch, velocity, aftertouch, modulation...).
High-precision.
Low noise.
At the heart of the xp32 are highly-precise digital-to-analogue conversion circuits, developed with meticulous attention to detail. Squarp have incorporated high-end components to guarantee reliable, low-noise, high-performance outputs that you can depend on for both small and large modular systems.
The 32 signal LEDs are driven by a fully analogue current-control circuit, guaranteeing zero digital noise.
Specifications
Power
Consumption : -12V 70mA, +12V 80mA, +5V 20mA
Hardware
Width : 14HP
Depth : 33mm
Height : 128,5mm (3U)
Weight : 170gr (0.37lbs)
32x CV outputs resolution : 16-bit DAC (industrial grade)
32x CV outputs range : -10V to +10V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $554.82
(No payment required now - pay when released)
FORTHCOMING
Related products...
WMDevices Skorpion Waveform Reanimator Module (waveshaper synth module)
Cat: 1089360 • View all Synth modules
8-stage analogue wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface
Notes: After five years of conceptualization, development, stress, company destruction and relocation, redesign, existential questions, prototyping, and willpower, WMD's Skorpion is ready to decimate and reanimate whatever you throw at it -- creating goosebump worthy sounds you've never heard before.
Skorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.
Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.
Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.
The Controls
The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.
FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).
SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.
SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.
SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.
OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.
The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.
TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.
SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.
HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).
ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.
The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.
The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.
The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.
MACRO SETUP:
Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.
Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.
LFO Rates are slowest at the bottom of the slider and fastest at the top.
Fold, Slope, Shift, and Shape modulation
Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s
… Read moreSkorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.
Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.
Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.
The Controls
The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.
FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).
SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.
SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.
SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.
OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.
The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.
TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.
SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.
HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).
ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.
The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.
The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.
The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.
MACRO SETUP:
Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.
Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.
LFO Rates are slowest at the bottom of the slider and fastest at the top.
Fold, Slope, Shift, and Shape modulation
Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $953.20
(No payment required now - pay when released)
FORTHCOMING
Related products...
Xaoc Devices Oradea 1950 Quadruple Voltage Controlled Resonator Module (resonator synth module)
Cat: 1088989 • View all Synth modules
Oradea is a quadruple voltage controlled analogue resonator which can be ued to enhance external audio, generate tones or mimic the resonant characteristics of physical objects or spaces
Notes: Oradea is a quadruple voltage controlled analogue resonator. You can use it to enhance external audio or to generate tones. It can mimic the resonant characteristics of physical objects or spaces. Oradea's frequency response can be tuned over the entire range of audible frequencies with V/oct response. The module offers precise control over the resonance of each band up to extremely high values with long response to pinging. Oradea is additionaly equipped with four individual trigger inputs for exciting its filters with internally generated, uniform, and finely tuned impulses.
Individual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.
Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection
Expandability
Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.
… Read moreIndividual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.
Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection
Expandability
Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $497.13
(No payment required now - pay when released)
FORTHCOMING
Related products...
Xaoc Devices Arad 1950 Resonator Commander Module For Oradea (expander synth module)
Cat: 1088991 • View all Synth modules
Wxpander for the Oradea quadruple resonato
Notes: Arad is an expander for the Oradea quadruple resonator. It adds three additional features. Arad features direct audio inputs for individual channels, so you can use each channel for a different audio source (the individual channel outputs are already incorporated into the main module). There are buttons and gate inputs for manual and/or remote clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the EXCITE inputs of Oradea, allowing for manual triggering.
Technical details
Eurorack synth compatible
6hp, 30mm deep (incl. ribbon bracket)
Current draw: +10mA / -0mA
Reverse power protection
… Read moreTechnical details
Eurorack synth compatible
6hp, 30mm deep (incl. ribbon bracket)
Current draw: +10mA / -0mA
Reverse power protection
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $108.74
(No payment required now - pay when released)
