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ADDAC System ADDAC220 Dual Envelope Follower+ Module (envelope follower synth module)
Cat: 1088356 • View all Synth modules
An analog/digital hybrid for better dynamic range analysis,
Notes: The new ADDAC220 Dual Envelope Follower + is ADDAC's latest stereo envelope follower, which can generate CV from two simultaneous envelopes, enabling the user to control any range of other instrument/module parameters. The module is an analog/digital hybrid, allowing greater precision and analysis of an incoming signal.
The level of an incoming audio signal gain can be set by using the Gain control. Then, the signal is then fully rectified and passed through an analog envelope follower with a fixed short attack and decay. The analog signal is then sent into a 12bit ADC (analog to digital converter) of an MCU (microcontroller unit), and hereafter the signal is processed digitally. Whenever the ADC detects audio clipping the Clip led will light up.
Then, the digitized signal is then passed through a Savitsky-Golay filter for noise reduction smoothing of the incoming signal, before it is slewed using the Attack and Decay controls. The MCU keeps a history of the last sampling points and detects the minimum and maximum values, which reflect the current dynamic range and maps the signal minimum and maximum amplitude to 0V and the maximum voltage detected.
This new mapped signal is then processed via the Response Curve control balacing the response like one would with a standard AD envelope with LOG/EXP control. The Envelope Gain attenuverter control goes up to x2 amplification and sets the attenuation / amplification factor of the output range, while the red LED monitors this level with precise visualization across the full output range
… Read moreThe level of an incoming audio signal gain can be set by using the Gain control. Then, the signal is then fully rectified and passed through an analog envelope follower with a fixed short attack and decay. The analog signal is then sent into a 12bit ADC (analog to digital converter) of an MCU (microcontroller unit), and hereafter the signal is processed digitally. Whenever the ADC detects audio clipping the Clip led will light up.
Then, the digitized signal is then passed through a Savitsky-Golay filter for noise reduction smoothing of the incoming signal, before it is slewed using the Attack and Decay controls. The MCU keeps a history of the last sampling points and detects the minimum and maximum values, which reflect the current dynamic range and maps the signal minimum and maximum amplitude to 0V and the maximum voltage detected.
This new mapped signal is then processed via the Response Curve control balacing the response like one would with a standard AD envelope with LOG/EXP control. The Envelope Gain attenuverter control goes up to x2 amplification and sets the attenuation / amplification factor of the output range, while the red LED monitors this level with precise visualization across the full output range
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $368.46
(No payment required now - pay when released)
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Clank Axis 3 Dimensions Amplitude Management Module (envelope generator synth module)
Cat: 1084174 • View all Synth modules
Dual envelope generator that features an integrated VCA, crossfader and voltage controlled mixer section.
Notes: In only 12hp, Axis condenses all the classical blocks for the audio amplitude management, redefining the classical envelope -> vca -> mixer path. The idea is to manipulate a sound over three axes: its length, its volume, and its place inside the stereo field.
Axis is a dual envelope generator that features an integrated VCA, a crossfader, and a voltage-controllable mixer section. The initial concept was to combine digital control over an analog VCA to closely emulate the classic Vactrol sound. After more than a year of refinement, Axis has evolved into more than just that. It offers exceptional versatility, providing a wide range of waveforms and the unique capability to simulate the natural percussive qualities of different materials. All this is in a complete analog path.
For the function generator section, we choose a faster method over the classic AD/ ADSR style: a selection of waveforms studied to give back a precise musical effect can be selected with the shape knob. The function length is independent from the actual wave shape and can be settled with the fader timeX from 30hz to 15 seconds. Also, setting the timeX fader at its maximum level will leave the VCA open.
A more typical collection of envelopes can be found in the first half of the dial. All kinds of sounds, from plucked notes to long volume swells passing through lead-friendly lines, can be obtained here.
More unusual, the last section of the knob is thought to simulate the acoustic vibration of a percussed object. Starting with a triangular envelope, from this point on, the more you turn the knob, the more rebounds will be added, simulating the natural ring of a material. Using this section at low rates can generate complex envelopes that could also be suitable for the vibrato-style AM effect. The envelope generator section includes a mode switch (cycle,trigger,hold), a trigger/gate input, an EOC trigger out, a function output, a CV for the envelope shape selection, and one CV for time.
As a cherry on the cake, a crossfader is placed at the end of the chain, blending both Axis halves. With a dedicated fader and CV control, raising it will invert the L/R output, creating nice stereo effects or moving the voices around the stereo field.
The VCA section is more straightforward: it has an audio input/output[1] and a VCA CV input[3].
You can plug the audio I/O to use Axis in its completeness and eliminate a lot of cables and mess!
Soundwise, here at Clank, we are all about vactrols LPGs, but since we knew it's not the most versatile option on the market, we came up with a different design. Blending together a VCA with a not-so-step filter, we obtained a VCA with a nice mild LPG flavor: enough to sound not so "clicky" but not too slow to inficiate really fast sounds.
By default, the envelope created by the function generator is normalized to the CV in of the VCA. Plugging a cable into the VCA in breaks the normalization, in this way you can use a different source to control the VCA and free the function generator for LFOs or modulation duties.
The range Y fader sets the strength of the envelope, but you can also see this control as a volume fader, which is nice since you won't necessarily need an additional volume for your voice after the Axis. Take into consideration that since the Axis VCA is actually a low-pass gate, lowering the rangeY fader also affects the cutoff frequency. The range fader also has its CV control to program dynamic changes to the sound. Basically, it's a VCA over a VCA that permits every note to be at different intensities. Last but not least, Range CV can also be fed by a unipolar modulation CV to obtain vibrato effects or audio rate AM modulations
… Read moreAxis is a dual envelope generator that features an integrated VCA, a crossfader, and a voltage-controllable mixer section. The initial concept was to combine digital control over an analog VCA to closely emulate the classic Vactrol sound. After more than a year of refinement, Axis has evolved into more than just that. It offers exceptional versatility, providing a wide range of waveforms and the unique capability to simulate the natural percussive qualities of different materials. All this is in a complete analog path.
For the function generator section, we choose a faster method over the classic AD/ ADSR style: a selection of waveforms studied to give back a precise musical effect can be selected with the shape knob. The function length is independent from the actual wave shape and can be settled with the fader timeX from 30hz to 15 seconds. Also, setting the timeX fader at its maximum level will leave the VCA open.
A more typical collection of envelopes can be found in the first half of the dial. All kinds of sounds, from plucked notes to long volume swells passing through lead-friendly lines, can be obtained here.
More unusual, the last section of the knob is thought to simulate the acoustic vibration of a percussed object. Starting with a triangular envelope, from this point on, the more you turn the knob, the more rebounds will be added, simulating the natural ring of a material. Using this section at low rates can generate complex envelopes that could also be suitable for the vibrato-style AM effect. The envelope generator section includes a mode switch (cycle,trigger,hold), a trigger/gate input, an EOC trigger out, a function output, a CV for the envelope shape selection, and one CV for time.
As a cherry on the cake, a crossfader is placed at the end of the chain, blending both Axis halves. With a dedicated fader and CV control, raising it will invert the L/R output, creating nice stereo effects or moving the voices around the stereo field.
The VCA section is more straightforward: it has an audio input/output[1] and a VCA CV input[3].
You can plug the audio I/O to use Axis in its completeness and eliminate a lot of cables and mess!
Soundwise, here at Clank, we are all about vactrols LPGs, but since we knew it's not the most versatile option on the market, we came up with a different design. Blending together a VCA with a not-so-step filter, we obtained a VCA with a nice mild LPG flavor: enough to sound not so "clicky" but not too slow to inficiate really fast sounds.
By default, the envelope created by the function generator is normalized to the CV in of the VCA. Plugging a cable into the VCA in breaks the normalization, in this way you can use a different source to control the VCA and free the function generator for LFOs or modulation duties.
The range Y fader sets the strength of the envelope, but you can also see this control as a volume fader, which is nice since you won't necessarily need an additional volume for your voice after the Axis. Take into consideration that since the Axis VCA is actually a low-pass gate, lowering the rangeY fader also affects the cutoff frequency. The range fader also has its CV control to program dynamic changes to the sound. Basically, it's a VCA over a VCA that permits every note to be at different intensities. Last but not least, Range CV can also be fed by a unipolar modulation CV to obtain vibrato effects or audio rate AM modulations
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $442.37
(No payment required now - pay when released)
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Clank Chaos 6-Channel Aleatoric Brain Module (clock generator/CV modulation/sequencer synth module)
Cat: 1084154 • View all Synth modules
Six channel CV/gate/looper module.
Notes: Chaos is excellent for modulation purposes or as a clock multiplier/ divider, but that's only scratching the surface... It takes a different approach to writing sequences than traditional sequencers, as it is built on six touring machines combined with an effective pattern and clock generator. One of the biggest challenges in electronic music production, especially when it comes to sequencing, is finding that sweet spot between hands-on control and possibilities.
It can be frustrating because many sequencers with lots of fun and playable controls don't always pack the punch you need. On the flip side, you have those bigger menu-based sequencers with tons of options but can feel overwhelming with all the programming they require. It's designed to help you overcome these challenges and make your music-making experience smoother and more enjoyable, whether you're jamming or writing a song you want to execute live.
Typically, a sequencer starts with a blank canvas. However, with Chaos, you begin with all possibilities at your disposal and can easily narrow them down to fit your vision with just a few adjustments. This makes creating a sequence that conveys a specific mood quick and straightforward. Once you have established this initial mood, you can loop it from the last step to step 32 whenever you hear something you like. At this point, you can choose to modify the entire loop or adjust the parameters of any individual step. There is no need for extensive menu navigation; simply pressing a button and turning the encoder gives you control over parameters such as gate time, gate probability, gate width, gate ratcheting, gate swing, notes, scale, slew, and slew amount.
The LED bar continuously displays the voltage output of the selected channel, as well as the gate and each parameter's value, eliminating the need for a screen. You can save and recall the entire sequence of its six channels at any time. Additionally, there is an internal function that allows you to randomize all parameters or just a select few within a specified range, helping you discover new melodies to work with.
Chaos is an endless reservoir of tunes and is incredibly quick and powerful for composing sequences, gate patterns, or modulation. In a short time, it will become the brain of your system.
Six CV outputs can be used for a wide range of applications; everything from chaotic modulations to fine-tuned sequences can be obtained. Thanks to its interface you can quickly adjust the voltages from where the random engine picks new values and then edit them in every aspect.In addition, Slew amount, Quantization, and external sampling are available on every channel.
Thanks to its 6 gate outputs, Chaos can be used as your system's quick and effective clock manager and gate pattern generator. Chaos also provides a stable master clock (10mS to 10Sec) from a separate output and can be clocked from external devices. On every channel, you can set Probability, Width, Swing, Ratcheting, and Time as a multiplier/divider of the master clock or unquantized in mS.
You can freeze the last 1 to 32 steps of randomly generated CVs and Gates in a locked loop when you hear something you like. Loops are not static; every parameter of Chaos can be used again to change the loop behavior in a non-destructive way.
Entering sequencer mode means taking control of every aspect of the looped sequence generated by the random engine. You can change time, width, probability, ratcheting, slew, slew amount, note, note deviation, etc., for each of the 32 steps of all six channels.
Thanks to the external input, you can substitute the random generator with external voltages, transpose a sequence on the fly, and a lot more.
If you're more into generative stuff or want to add a bit of craziness to the patch, you can use the Chaos function to randomize all the parameters on a channel. A sophisticated control named entropy is available on every parameter to set the distance of the new value from the last one.
Chaos can save and recall 10 slots where you can save entire sets or preferred channel behavior. Recall can also be done with an external voltage.
… Read moreIt can be frustrating because many sequencers with lots of fun and playable controls don't always pack the punch you need. On the flip side, you have those bigger menu-based sequencers with tons of options but can feel overwhelming with all the programming they require. It's designed to help you overcome these challenges and make your music-making experience smoother and more enjoyable, whether you're jamming or writing a song you want to execute live.
Typically, a sequencer starts with a blank canvas. However, with Chaos, you begin with all possibilities at your disposal and can easily narrow them down to fit your vision with just a few adjustments. This makes creating a sequence that conveys a specific mood quick and straightforward. Once you have established this initial mood, you can loop it from the last step to step 32 whenever you hear something you like. At this point, you can choose to modify the entire loop or adjust the parameters of any individual step. There is no need for extensive menu navigation; simply pressing a button and turning the encoder gives you control over parameters such as gate time, gate probability, gate width, gate ratcheting, gate swing, notes, scale, slew, and slew amount.
The LED bar continuously displays the voltage output of the selected channel, as well as the gate and each parameter's value, eliminating the need for a screen. You can save and recall the entire sequence of its six channels at any time. Additionally, there is an internal function that allows you to randomize all parameters or just a select few within a specified range, helping you discover new melodies to work with.
Chaos is an endless reservoir of tunes and is incredibly quick and powerful for composing sequences, gate patterns, or modulation. In a short time, it will become the brain of your system.
Six CV outputs can be used for a wide range of applications; everything from chaotic modulations to fine-tuned sequences can be obtained. Thanks to its interface you can quickly adjust the voltages from where the random engine picks new values and then edit them in every aspect.In addition, Slew amount, Quantization, and external sampling are available on every channel.
Thanks to its 6 gate outputs, Chaos can be used as your system's quick and effective clock manager and gate pattern generator. Chaos also provides a stable master clock (10mS to 10Sec) from a separate output and can be clocked from external devices. On every channel, you can set Probability, Width, Swing, Ratcheting, and Time as a multiplier/divider of the master clock or unquantized in mS.
You can freeze the last 1 to 32 steps of randomly generated CVs and Gates in a locked loop when you hear something you like. Loops are not static; every parameter of Chaos can be used again to change the loop behavior in a non-destructive way.
Entering sequencer mode means taking control of every aspect of the looped sequence generated by the random engine. You can change time, width, probability, ratcheting, slew, slew amount, note, note deviation, etc., for each of the 32 steps of all six channels.
Thanks to the external input, you can substitute the random generator with external voltages, transpose a sequence on the fly, and a lot more.
If you're more into generative stuff or want to add a bit of craziness to the patch, you can use the Chaos function to randomize all the parameters on a channel. A sophisticated control named entropy is available on every parameter to set the distance of the new value from the last one.
Chaos can save and recall 10 slots where you can save entire sets or preferred channel behavior. Recall can also be done with an external voltage.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $453.57
(No payment required now - pay when released)
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Zoom H5studio Handy Recorder (handheld recorder)
Cat: 1080762 • View all Portable audio recorders | Handheld recorders
Handheld recorder with high grade microphones and preamps.
Notes: The H5studio was made for seamless and professional production. Creators can record flawless audio with stunningly clear microphones, studio-grade preamps, and 32-bit float recording.
The 19.4mm microphones capture audio with incredible frequency response, 140 dB max SPL, and an expansive dynamic range. Their increased size captures recordings with unmatched depth and clarity.
The H5studio features Zooms F-series preamps, giving your audio unmatched clarity (-127 dBu EIN). With dual AD converters and 32-bit float, it delivers an impressive 132dB dynamic range, capturing everything without noise or distortion.
32-bit float and 16/24-bit formats each have their advantages. 32-bit float prevents clipping but requires post-production. 16/24-bit eliminates the need for post-processing but requires gain adjustment to prevent clipping. The H5studio offers the best of both worlds with 32-bit float and dedicated gain knobs - no clipping and no need for post-production.
The H5studio captures up to six tracks (four iso-tracks plus a stereo mix) with sample rates up to 192 kHz.
Carefully engineered RF shielding keeps interference from smartphones and Wi-Fi routers out of your recordings, anywhere you go.
The H5studio features "advanced look-ahead" limiters which anticipate potential overloads and prevent distortion before it reaches your track.
The two locking XLR/TRS inputs support +48V phantom power and +4dBu line level. There is also a 3.5mm stereo jack with plug-in power.
The H5studio's 3.0 capsule system supports 32-bit float and gives creators more options to use the right mic for their recording.
Monitor input levels and real-time waveforms with the full color LCD, making it easy to adjust and monitor audio in real time.
Use the loud 20 mW headphone output to monitor or listen back to your recordings in any environment.
Use the 3.5mm stereo LINE OUT to connect directly to a camera, easily syncing your audio and video.
The built-in speaker has a maximum output of 250mW for previewing recordings on the spot.
The H5studio is a 4-in/2-out USB audio interface for Mac, Windows, iOS, and Android, supporting 32-bit float and 16/24-bit recording. Stream live and simultaneously record a backup to microSD.
… Read moreThe 19.4mm microphones capture audio with incredible frequency response, 140 dB max SPL, and an expansive dynamic range. Their increased size captures recordings with unmatched depth and clarity.
The H5studio features Zooms F-series preamps, giving your audio unmatched clarity (-127 dBu EIN). With dual AD converters and 32-bit float, it delivers an impressive 132dB dynamic range, capturing everything without noise or distortion.
32-bit float and 16/24-bit formats each have their advantages. 32-bit float prevents clipping but requires post-production. 16/24-bit eliminates the need for post-processing but requires gain adjustment to prevent clipping. The H5studio offers the best of both worlds with 32-bit float and dedicated gain knobs - no clipping and no need for post-production.
The H5studio captures up to six tracks (four iso-tracks plus a stereo mix) with sample rates up to 192 kHz.
Carefully engineered RF shielding keeps interference from smartphones and Wi-Fi routers out of your recordings, anywhere you go.
The H5studio features "advanced look-ahead" limiters which anticipate potential overloads and prevent distortion before it reaches your track.
The two locking XLR/TRS inputs support +48V phantom power and +4dBu line level. There is also a 3.5mm stereo jack with plug-in power.
The H5studio's 3.0 capsule system supports 32-bit float and gives creators more options to use the right mic for their recording.
Monitor input levels and real-time waveforms with the full color LCD, making it easy to adjust and monitor audio in real time.
Use the loud 20 mW headphone output to monitor or listen back to your recordings in any environment.
Use the 3.5mm stereo LINE OUT to connect directly to a camera, easily syncing your audio and video.
The built-in speaker has a maximum output of 250mW for previewing recordings on the spot.
The H5studio is a 4-in/2-out USB audio interface for Mac, Windows, iOS, and Android, supporting 32-bit float and 16/24-bit recording. Stream live and simultaneously record a backup to microSD.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $399.80
(No payment required now - pay when released)
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Clank Endline Bridge To Outer World Module (mixer synth module)
Cat: 1084322 • View all Synth modules
Stereo mixer module with four channels, sub-mix capabilities, sends, returns, a headphone output and transformer-balanced outputs - 10HP
Notes: Endline is the ultimate solution for your audio chain needs. This high-quality 10hp module offers four stereo channels of summing, sub-mix capabilities, two sends and returns, a headphone output, and transformer-balanced outputs. Not only does it process audio with incredible accuracy and clarity, but with its compact 10hp size it also fits seamlessly into your setup. With Endline, you have the opportunity to enhance your audio processing capabilities and enjoy top-of-the-line sound quality that will elevate your listening experience.
Endline is an upgraded version of our previous "SUM" module. It is designed to receive signals from mixers, sub-mixers, and voices, combine them, and output the result. With this new version, we have implemented several new features, including an output section and dual mono or single stereo sends with two dedicated returns.
The sends and return levels can be adjusted to perfectly interface your modular with your external pedals. Moreover, a headphone output with a dedicated level control is included. It features the best-in-class IC that can output 1.5W at 32ohm. With its 128dB signal-to-noise ratio and 112.5 THD, it is not the average headphone output you can find in the Eurorack world.
The line outputs are transformer-balanced (30Hz to 35kHz) and are driven from Burr-Brown OPA. Apart from all those mixing/send-return possibilities, this makes Endline one of the cleanest and most high-end options you can choose in the Eurorack to interface with the world. Lastly, despite its transformers, the device is only 40mm deep.
… Read moreEndline is an upgraded version of our previous "SUM" module. It is designed to receive signals from mixers, sub-mixers, and voices, combine them, and output the result. With this new version, we have implemented several new features, including an output section and dual mono or single stereo sends with two dedicated returns.
The sends and return levels can be adjusted to perfectly interface your modular with your external pedals. Moreover, a headphone output with a dedicated level control is included. It features the best-in-class IC that can output 1.5W at 32ohm. With its 128dB signal-to-noise ratio and 112.5 THD, it is not the average headphone output you can find in the Eurorack world.
The line outputs are transformer-balanced (30Hz to 35kHz) and are driven from Burr-Brown OPA. Apart from all those mixing/send-return possibilities, this makes Endline one of the cleanest and most high-end options you can choose in the Eurorack to interface with the world. Lastly, despite its transformers, the device is only 40mm deep.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $442.37
(No payment required now - pay when released)
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Qu-Bit Bloom v2 Fractal Sequencer Module (sequencer synth module)
Cat: 1086697 Rel: 27 May 25 • View all Synth modules
Updated version of Qu-Bit's Bloom sequencer module, boasting 3 channels with 64 steps per channel.
Notes: Inspire new growth in your musical garden with Bloom, a fractal sequencer capable of generating infinitely evolving melodies.
In its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!
Each channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!
Bloom's roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!
Bloom's front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!
Beyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.
Plant the seeds of your next patch with Bloom.
… Read moreIn its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!
Each channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!
Bloom's roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!
Bloom's front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!
Beyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.
Plant the seeds of your next patch with Bloom.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 27 May 25 $498.36
(No payment required now - pay when released)
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Tangible Instruments Arpeggio Virtual Analogue Synthesiser Arpeggiator & Sequencer (synthesiser/sequencer)
Cat: 1074000 • View all Synthesisers
Arpeggio is a powerful and portable melody maker with a built-in speaker, and battery power.
Notes: Arpeggio is a powerful and portable melody maker with a built-in speaker, and battery power. It's a synthesizer, arpeggiator, and sequencer all in one. You can compose and perform anywhere, save hundreds of melodies and create millions of arpeggiator styles. It creates a looping sequence of the notes you select in real time. It's a completely new musical instrument designed to give you the freedom to make melodies with nuance and distinction. Save hundreds of melodies and create millions of arpeggiator styles. Control your gear wirelessly with MIDI over bluetooth or go old school with control voltage and gate. The notes you select from the one octave keyboard instantly create a looping sequence. Unlike a step sequencer, Arpeggio does not limit you to a set number of notes in your sequence. Add rests into your melody and adjust note lengths, tempo, octave, portamento, and swing. Save your melodic phrases as they are created into one of 512 memory banks. They can be chained together to create more complex melodies.
It's equally at home on stage, in the studio, or on the couch. With an editable 2-oscillator virtual analog synthesizer, a built-in speaker, and battery power, Arpeggio can help you make melodies wherever inspiration strikes.
Sequences are created and saved on the fly. You can create a sequence and then save it to a bank while it's playing. Sequences are monophonic and can be up to 128 notes long. Individual steps in a sequence can be of different note lengths, and gate lengths. Like an arpeggiator the sequence length expands as notes are added. You can link melodic sequences together, add rest notes, and delete notes all in real time. Attach the advanced sequencing overlay and scrub through your sequence to delete or insert notes, add slides, and adjust swing to create the exact melody in your head.
A monophonic virtual analog synthesizer. Turn the voice knob to cycle through 24 different synth patches and adjust shape, attack, and portamento. Synth features include: dual oscillators, dual ADSR Envelopes, dual LFOs, six oscillator waveforms, low-pass filter & detune. Dive deeper using the synthesizer overlay and completely customize all synth parameters, create and save your own sounds.
A one octave keyboard from low C to a high B is where you'll play the notes to create your own melodic sequences. Turn the octave knob to shift the pitch of the keyboard up and down to play any note you want. Notes may also be input using an external MIDI controller. In transpose mode the currently playing sequence can be shifted up and down by either selecting a note from the built in one octave keyboard, a whole octave by turning the octave knob or by playing a note on an external MIDI controller. The melody will be shifted up by the number of steps the selected key is away from the low C.
Arpeggio is an amazing instrument all on its own, but its expansive I/O makes it a powerful companion for your other electronic instruments. Add an arpeggiator to any synth. Connect a larger external MIDI keyboard and record a full chord's worth of notes into arpeggio instantly. Expand your sonic palette by using it as a sequencer to control other synthesizers and sound modules. Sync it up to external clock sources for integration with drum machines, samplers, iOS devices and computers. Instant looping sequences. Up, up-down, down, down-up, sequence (as played), reverse styles. Or activate the Arpeggiator Overlay to create your own arp styles and rhythms. Millions are possible.
The Arpeggiator Overlay gives you an insane amount of control over custom arp styles. Start by mixing and matching any two of the base note orders (or just pick one): Up, Down, Sequence, Reverse, and Random. Then apply and combine separate modifiers to each like Inside Out, Skip Forward, Alternating First, Zig Zag, and more. Each arp style can also have an Arpeggiator Rhythm of up to 16-steps. The result of all this is that literally millions of unique arp styles are possible.
The Sequencer Overlay lets you go through each note of your saved sequences and change the pitch or octave, add slide notes where you want, adjust swing, and note probability. Here you can also customize global settings and create sequence frequency patterns to add sections of silence before or after your melodies.
The Synthesizer Overlay lets you explore new sonic territory, tweak and fine tune Arpeggio's built-in synth engine, and create and save your own custom synth presets. The virtual analog synthesizer architecture is designed to reproduce a wide range of timbres. Features include: dual oscillators, dual ADSR Envelopes, dual LFOs, six oscillator waveforms, low-pass filter & detune.
… Read moreIt's equally at home on stage, in the studio, or on the couch. With an editable 2-oscillator virtual analog synthesizer, a built-in speaker, and battery power, Arpeggio can help you make melodies wherever inspiration strikes.
Sequences are created and saved on the fly. You can create a sequence and then save it to a bank while it's playing. Sequences are monophonic and can be up to 128 notes long. Individual steps in a sequence can be of different note lengths, and gate lengths. Like an arpeggiator the sequence length expands as notes are added. You can link melodic sequences together, add rest notes, and delete notes all in real time. Attach the advanced sequencing overlay and scrub through your sequence to delete or insert notes, add slides, and adjust swing to create the exact melody in your head.
A monophonic virtual analog synthesizer. Turn the voice knob to cycle through 24 different synth patches and adjust shape, attack, and portamento. Synth features include: dual oscillators, dual ADSR Envelopes, dual LFOs, six oscillator waveforms, low-pass filter & detune. Dive deeper using the synthesizer overlay and completely customize all synth parameters, create and save your own sounds.
A one octave keyboard from low C to a high B is where you'll play the notes to create your own melodic sequences. Turn the octave knob to shift the pitch of the keyboard up and down to play any note you want. Notes may also be input using an external MIDI controller. In transpose mode the currently playing sequence can be shifted up and down by either selecting a note from the built in one octave keyboard, a whole octave by turning the octave knob or by playing a note on an external MIDI controller. The melody will be shifted up by the number of steps the selected key is away from the low C.
Arpeggio is an amazing instrument all on its own, but its expansive I/O makes it a powerful companion for your other electronic instruments. Add an arpeggiator to any synth. Connect a larger external MIDI keyboard and record a full chord's worth of notes into arpeggio instantly. Expand your sonic palette by using it as a sequencer to control other synthesizers and sound modules. Sync it up to external clock sources for integration with drum machines, samplers, iOS devices and computers. Instant looping sequences. Up, up-down, down, down-up, sequence (as played), reverse styles. Or activate the Arpeggiator Overlay to create your own arp styles and rhythms. Millions are possible.
The Arpeggiator Overlay gives you an insane amount of control over custom arp styles. Start by mixing and matching any two of the base note orders (or just pick one): Up, Down, Sequence, Reverse, and Random. Then apply and combine separate modifiers to each like Inside Out, Skip Forward, Alternating First, Zig Zag, and more. Each arp style can also have an Arpeggiator Rhythm of up to 16-steps. The result of all this is that literally millions of unique arp styles are possible.
The Sequencer Overlay lets you go through each note of your saved sequences and change the pitch or octave, add slide notes where you want, adjust swing, and note probability. Here you can also customize global settings and create sequence frequency patterns to add sections of silence before or after your melodies.
The Synthesizer Overlay lets you explore new sonic territory, tweak and fine tune Arpeggio's built-in synth engine, and create and save your own custom synth presets. The virtual analog synthesizer architecture is designed to reproduce a wide range of timbres. Features include: dual oscillators, dual ADSR Envelopes, dual LFOs, six oscillator waveforms, low-pass filter & detune.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $391.96
(No payment required now - pay when released)
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Synclavier Knob For Regen (synthesiser control knob)
Cat: 1073973 • View all Synth Accessories
A modern recreation of the original knob found on vintage Synclavier II systems.
Notes: Regen Knob is a precision rate-of-change dial. Using the knob to dial-in settings is not only an authentic way of controlling your Synclavier, but an efficient method to design sounds. Your left hand doesn't leave the knob, your right hand dances over the button panels. You close your eyes and set the parameters by ear. It's all very right-side-brain.
The Regen Knob comes with a bracket and screws to secure the knob to the side of your Synclavier Regen. It can also be used stand-alone. The weight and feel of the knob are identical, as we have used the exact measurements and a balanced spring mechanism. The two-inch diameter knob is milled from a solid bar of instrument-grade aluminium. The interface software and hysteresis algorithm are taken directly from Synclavier II.
… Read moreThe Regen Knob comes with a bracket and screws to secure the knob to the side of your Synclavier Regen. It can also be used stand-alone. The weight and feel of the knob are identical, as we have used the exact measurements and a balanced spring mechanism. The two-inch diameter knob is milled from a solid bar of instrument-grade aluminium. The interface software and hysteresis algorithm are taken directly from Synclavier II.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $335.96
(No payment required now - pay when released)
FORTHCOMING
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Cat: 1025150 Rel: 31 May 25 • View all Drum machines
Portable synthesiser & sequencer
Notes: Wee Noise Makers PGB-1 is an advanced yet portable synthesizer and sequencer that allows you to craft complex musical pieces anywhere. This all-in-one, open-source, customizable device is designed to empower aspiring musicians, seasoned creators, and makers. It isn't just an instrument-it's your gateway to the world of music production and audio synths.
PGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
… Read morePGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 25 $319.18
(No payment required now - pay when released)
FORTHCOMING
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Cre8audio Boom Chick Pure Analogue Drum Machine (drum machine)
Cat: 1081031 • View all Drum machines
Analogue drum machine offering a wide range of sonic possibilites and a tactile user experience.
Notes: Introducing Boom Chick, a revolutionary analog drum machine built on the warmth and character of Pittsburgh Modular's newly designed analog drum circuits. These powerful, expressive percussion voices are paired with an advanced sequencer designed for intuitive creativity and deep rhythmic exploration. Inspired by the hands-on performability of iconic analog drum machines, Boom Chick redefines analog percussion with exceptional flexibility and sonic precision, tailored for modern musicians and producers.
Compact yet incredibly powerful, the Boom Chick ensures frustration-free jamming and tweaking through its intuitive knob-per-function layout and straightforward interface conventions. It's hands-on, immediate, and built for musicians who want a drum machine that feels alive. Turn up the dirt, push the limits, and make some serious noise.
Created by the Pittsburgh Modular Synthesizers team, Boom Chick features five meticulously crafted drum voices, each designed for maximum flexibility and expressiveness. The sounds are raw, dynamic, and laser sharp, built to drive and slice through any mix. The electricity creating the analog sounds is directly shaped using the knob-per-function interface. No menus, no hassle, just pure, tactile beat-making analog magic at your fingertips. By focusing on creative, new analog designs, Pittsburgh Modular ensured that Boom Chick doesn't just mimic the past, but kick starts a new future of analog beats.
Every voice has been meticulously engineered for maximum sonic impact, making Boom Chick a true drum synthesizer, not just a drum machine. Starting with a massive bottom end, the Kick drum sculpts a specialized sine-wave oscillator using gritty overdrive, pitch manipulation, and a precise, percussive envelope allowing you to dial in everything from low and long or clean and punchy rhythms to aggressive, overdriven beats. The Snare drum showcases the power of modern analog with powerful snare hits that can mimic a physical snare drum or venture into creative new territories. Drum channels 1 and 2 offer even deeper sound-design possibilities. By utilizing two oscillators, wave shaping, frequency modulation, and noise you can generate everything from subtle nuanced percussion to wild, expressive sonic textures. Toms, claps, snares, kicks, cymbals, rim shots, cowbells, congas, claves, space sounds, and outer space sounds can all be dialed in and reimagined. Hats utilize a custom oscillator noise matrix to create crisp, bright metallic tones ideal for intricate rhythmic patterns.
Boom Chick's sequencer is designed to offer profound depth while maintaining intuitive simplicity. It features two powerful modes: Step Mode, for meticulous programming of each drum step, and Live Mode, allowing real-time rhythm creation and expressive performance. Tools such as Step Shift enable quick and precise timing adjustments for intricate rhythmic patterns, while Step Roll and Chance introduce engaging complexity and variation. Timing functions like Humanize, Swing, and Quantize provide refined control over groove and rhythm, allowing for perfectly locked or naturally loose-feeling sequences. Swing adds groove by shifting even steps slightly behind the beat, while Humanize introduces subtle timing variations to simulate natural playing styles. With up to 64-step sequences and polyrhythm capabilities, Boom Chick encourages experimentation by removing the boundaries to live performance and making beats.
At the heart of Boom Chick is a 6-track sequencer that gives you deep rhythmic control while staying easy to use. With design inspiration taken from Pittsburgh's Voltage Research Lab 2, Boom Chick's sequencer will take you from quick jams to mind-bending polyrhythms. This sequencer is not only designed to keep up with you, but also propel you to new territory.
Boom Chick is modular-friendly, MIDI-capable, and performance-ready. This makes it a perfect addition to any studio or live rig. Individual trigger inputs and individual drum outs allow each drum to be sent to a mixer or DAW separately for external processing or recording. MIDI in and out to send and receive clock, trigger drums, or sequence external percussion. Analog clock in and out allows Boom Chick to easily integrate with Eurorack setups and other gear. Separate Line and Headphone outputs make personal jams, recording, or live performances easy.
… Read moreCompact yet incredibly powerful, the Boom Chick ensures frustration-free jamming and tweaking through its intuitive knob-per-function layout and straightforward interface conventions. It's hands-on, immediate, and built for musicians who want a drum machine that feels alive. Turn up the dirt, push the limits, and make some serious noise.
Created by the Pittsburgh Modular Synthesizers team, Boom Chick features five meticulously crafted drum voices, each designed for maximum flexibility and expressiveness. The sounds are raw, dynamic, and laser sharp, built to drive and slice through any mix. The electricity creating the analog sounds is directly shaped using the knob-per-function interface. No menus, no hassle, just pure, tactile beat-making analog magic at your fingertips. By focusing on creative, new analog designs, Pittsburgh Modular ensured that Boom Chick doesn't just mimic the past, but kick starts a new future of analog beats.
Every voice has been meticulously engineered for maximum sonic impact, making Boom Chick a true drum synthesizer, not just a drum machine. Starting with a massive bottom end, the Kick drum sculpts a specialized sine-wave oscillator using gritty overdrive, pitch manipulation, and a precise, percussive envelope allowing you to dial in everything from low and long or clean and punchy rhythms to aggressive, overdriven beats. The Snare drum showcases the power of modern analog with powerful snare hits that can mimic a physical snare drum or venture into creative new territories. Drum channels 1 and 2 offer even deeper sound-design possibilities. By utilizing two oscillators, wave shaping, frequency modulation, and noise you can generate everything from subtle nuanced percussion to wild, expressive sonic textures. Toms, claps, snares, kicks, cymbals, rim shots, cowbells, congas, claves, space sounds, and outer space sounds can all be dialed in and reimagined. Hats utilize a custom oscillator noise matrix to create crisp, bright metallic tones ideal for intricate rhythmic patterns.
Boom Chick's sequencer is designed to offer profound depth while maintaining intuitive simplicity. It features two powerful modes: Step Mode, for meticulous programming of each drum step, and Live Mode, allowing real-time rhythm creation and expressive performance. Tools such as Step Shift enable quick and precise timing adjustments for intricate rhythmic patterns, while Step Roll and Chance introduce engaging complexity and variation. Timing functions like Humanize, Swing, and Quantize provide refined control over groove and rhythm, allowing for perfectly locked or naturally loose-feeling sequences. Swing adds groove by shifting even steps slightly behind the beat, while Humanize introduces subtle timing variations to simulate natural playing styles. With up to 64-step sequences and polyrhythm capabilities, Boom Chick encourages experimentation by removing the boundaries to live performance and making beats.
At the heart of Boom Chick is a 6-track sequencer that gives you deep rhythmic control while staying easy to use. With design inspiration taken from Pittsburgh's Voltage Research Lab 2, Boom Chick's sequencer will take you from quick jams to mind-bending polyrhythms. This sequencer is not only designed to keep up with you, but also propel you to new territory.
Boom Chick is modular-friendly, MIDI-capable, and performance-ready. This makes it a perfect addition to any studio or live rig. Individual trigger inputs and individual drum outs allow each drum to be sent to a mixer or DAW separately for external processing or recording. MIDI in and out to send and receive clock, trigger drums, or sequence external percussion. Analog clock in and out allows Boom Chick to easily integrate with Eurorack setups and other gear. Separate Line and Headphone outputs make personal jams, recording, or live performances easy.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $307.98
(No payment required now - pay when released)
FORTHCOMING
Related products...
Cre8audio Assembler Vintage Analogue Audio Mixer (studio mixer)
Cat: 1081038 • View all Studio mixers
A synth-focused vintage style audio mixer for the studio.
Notes: Introducing Assembler, a synth-focused audio mixer meticulously engineered to deliver unmatched vintage mixing console sound and intuitive, hands-on control. Developed in partnership with the renowned Pittsburgh Modular Synthesizers team, Assembler builds on the rich history and sonic warmth of classic analog audio mixers while embracing a modern workflow designed specifically for contemporary electronic artists.
The idea behind Assembler was not only to provide a super flexible tool for mixing live or in the studio, but also to provide a sound sculpting tool that could add depth, complexity, and with its special Pittsburgh-designed circuits, help you even to sound better!
Inspired by the sound of iconic analog consoles that shaped decades of music production, Assembler captures the essence of vintage mixers famed for their warmth, character, and dynamic response through tonal shaping and analog tape saturation emulation. These custom circuits, meticulously engineered for Assembler by Pittsburgh Modular utilize signal contouring and soft compression to unify the overall mix. This process emulates the signal chain cherished in vintage recordings, adding the warmth, cohesion, and character that other mixers often lack. The result is a better sounding modern electronic music mixer.
Assembler's ten audio inputs are split into three distinct mixer channel types to seamlessly integrate with various audio scenarios and workflows, however all ten channels have several features in common. Each input includes a powerful preamp capable of up to 20x gain boost, ideal for boosting line level signals, subtle clarity enhancement, or aggressive signal saturation. Three assignable aux sends add flexible audio processing options to each channel. Three segment LED meters, independent headphone Cue, and channel Mutes allow for precise and comprehensive monitoring. Channel 1 and 2 add extensive tonal control with vintage-inspired high and low EQ knobs, each offering i15 dB of boost or cut while all six mono inputs include a dedicated pan control. Two sets of stereo inputs take advantage of the powerful preamps and assignable aux sends to work with both Eurorack and line level signals. This allows for seamless integration of a wide variety of electronic instruments.
The Assembler offers significant flexibility with its three assignable aux send channels, allowing effortless integration of external effects like reverbs and delays or functioning as sub-mix channels. Specifically, two stereo returns and one mono return, each with independent gain adjustments (up to 2.7x gain), enable both creative experimentation and professional-grade signal blending.
Assembler prioritizes ease of use with its intuitive one-knob-per-function design. Every feature, EQ adjustment, auxiliary routing, panning, or level setting, is immediately accessible, providing a seamless, frustration-free mixing experience. Users new to audio mixers will appreciate its straightforward operation, while seasoned artists will instantly feel at home with familiar analog mixer functionalities clearly laid out.
Equally adept at managing both line-level instruments and modular signals, Assembler effortlessly integrates into any studio or live performance setup. A dedicated headphone output with a separate cue mix ensures detailed and reliable monitoring in live situations, enabling performers to preview and adjust their sounds confidently.
Assembler purposefully eliminates extraneous features found in many modern modular mixers, focusing solely on superior audio quality, intuitive user experience, and robust reliability. The result is a professional-quality audio mixer that offers an exceptional analog sound experience at a significantly accessible price point compared to competing products.
Assembler continues this tradition by seamlessly blending revered analog sound processing with modern modular flexibility, and it will also self-oscillate for all the noise artists, if that is important.
… Read moreThe idea behind Assembler was not only to provide a super flexible tool for mixing live or in the studio, but also to provide a sound sculpting tool that could add depth, complexity, and with its special Pittsburgh-designed circuits, help you even to sound better!
Inspired by the sound of iconic analog consoles that shaped decades of music production, Assembler captures the essence of vintage mixers famed for their warmth, character, and dynamic response through tonal shaping and analog tape saturation emulation. These custom circuits, meticulously engineered for Assembler by Pittsburgh Modular utilize signal contouring and soft compression to unify the overall mix. This process emulates the signal chain cherished in vintage recordings, adding the warmth, cohesion, and character that other mixers often lack. The result is a better sounding modern electronic music mixer.
Assembler's ten audio inputs are split into three distinct mixer channel types to seamlessly integrate with various audio scenarios and workflows, however all ten channels have several features in common. Each input includes a powerful preamp capable of up to 20x gain boost, ideal for boosting line level signals, subtle clarity enhancement, or aggressive signal saturation. Three assignable aux sends add flexible audio processing options to each channel. Three segment LED meters, independent headphone Cue, and channel Mutes allow for precise and comprehensive monitoring. Channel 1 and 2 add extensive tonal control with vintage-inspired high and low EQ knobs, each offering i15 dB of boost or cut while all six mono inputs include a dedicated pan control. Two sets of stereo inputs take advantage of the powerful preamps and assignable aux sends to work with both Eurorack and line level signals. This allows for seamless integration of a wide variety of electronic instruments.
The Assembler offers significant flexibility with its three assignable aux send channels, allowing effortless integration of external effects like reverbs and delays or functioning as sub-mix channels. Specifically, two stereo returns and one mono return, each with independent gain adjustments (up to 2.7x gain), enable both creative experimentation and professional-grade signal blending.
Assembler prioritizes ease of use with its intuitive one-knob-per-function design. Every feature, EQ adjustment, auxiliary routing, panning, or level setting, is immediately accessible, providing a seamless, frustration-free mixing experience. Users new to audio mixers will appreciate its straightforward operation, while seasoned artists will instantly feel at home with familiar analog mixer functionalities clearly laid out.
Equally adept at managing both line-level instruments and modular signals, Assembler effortlessly integrates into any studio or live performance setup. A dedicated headphone output with a separate cue mix ensures detailed and reliable monitoring in live situations, enabling performers to preview and adjust their sounds confidently.
Assembler purposefully eliminates extraneous features found in many modern modular mixers, focusing solely on superior audio quality, intuitive user experience, and robust reliability. The result is a professional-quality audio mixer that offers an exceptional analog sound experience at a significantly accessible price point compared to competing products.
Assembler continues this tradition by seamlessly blending revered analog sound processing with modern modular flexibility, and it will also self-oscillate for all the noise artists, if that is important.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $307.98
(No payment required now - pay when released)
FORTHCOMING
Related products...
Clank Proteo Shapeshifting Stereo Oscillator Module (oscillator synth module)
Cat: 1084164 • View all Synth modules
Stereo oscillator module with an internal-pseudo tape recorder.
Notes: The name, indeed, comes from ancient Greek mythology since Proteo was a shapeshifter who could assume whatever shapes he preferred. In this way, our Proteo, has not a precise sound on its own but a clever mechanism that permits to acquire and transform every signal into waveforms. What if you can use your envelopes, LFOs or any other signal as a sound source?
What sets it apart from other oscillators? What's very different in Proteo is its internal pseudo-tape recorder, which is capable of continuously acquiring and transforming any external signal into waveforms and morphing them from a basic sine.
In Proteo, waveforms are not a static digital representation of a sound; they can continuously evolve in a very organic way, and tape loop time is a fundamental factor: changing it will drastically affect the resulting output even with the same sources at the inputs. Slowing down the time will capture a bigger portion of the incoming source with more harmonics. As a result, increasing it allows to capture up to low audio rate signals or really small fragments of the signal.
Exploring the interaction between Proteo, the sources and the time will force you to change your mind about how sounds and harmonics can be generated: visualizing how different shapes can sound and looking for new sources to generate YOUR waveform is the fundamental idea behind Proteo.
Proteo is also stereo, thanks to the Span knob you can easily detune one oscillator from the other to create nice stereo effects. Beside the common pitch the two oscillators have independent acquisition paths and morph controls, each one can emit different waveform.
… Read moreWhat sets it apart from other oscillators? What's very different in Proteo is its internal pseudo-tape recorder, which is capable of continuously acquiring and transforming any external signal into waveforms and morphing them from a basic sine.
In Proteo, waveforms are not a static digital representation of a sound; they can continuously evolve in a very organic way, and tape loop time is a fundamental factor: changing it will drastically affect the resulting output even with the same sources at the inputs. Slowing down the time will capture a bigger portion of the incoming source with more harmonics. As a result, increasing it allows to capture up to low audio rate signals or really small fragments of the signal.
Exploring the interaction between Proteo, the sources and the time will force you to change your mind about how sounds and harmonics can be generated: visualizing how different shapes can sound and looking for new sources to generate YOUR waveform is the fundamental idea behind Proteo.
Proteo is also stereo, thanks to the Span knob you can easily detune one oscillator from the other to create nice stereo effects. Beside the common pitch the two oscillators have independent acquisition paths and morph controls, each one can emit different waveform.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $442.37
(No payment required now - pay when released)
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Cat: 1091787 Rel: 06 Jun 25 • View all Synth modules
VCO Module utilising a waveshaper to open up a wide range of sonic possibities and dynamic control - 14HP
Notes: The idea behind Eclipse is to combine the raw character of vintage analog oscillators with modern features for crafting rich, complex, and expressive sounds.
Eclipse's development started with a high-precision analog triangle oscillator that tracks accurately over 10 octaves, with all the I/O expected from a premium analog oscillator.
While looking for ways to generate complex harmonics without relying on a classic wavefolder, we came across the VCS3's waveshaper. This unique feature of the EMS synth sparked the idea to design our own waveshaper from scratch, opening up a wide range of sonic possibilities and dynamic control to bring sound to life.
During the design process, we discovered the waveshaper's unique potential for stereo processing, which led to a dedicated stereo section to spread and move waveforms across the stereo field while maintaining perfect balance at any setting.
Eclipse offers full CV control across all parameters, with smart normalization enabling global modulation from a single source. With many special features like XFM, ULFO, Stereo Pulse Array Modulation, Stereo Pulsed Saw Modulation, RM/AM capabilities, Eclipse is much more than just a VCO.
… Read moreEclipse's development started with a high-precision analog triangle oscillator that tracks accurately over 10 octaves, with all the I/O expected from a premium analog oscillator.
While looking for ways to generate complex harmonics without relying on a classic wavefolder, we came across the VCS3's waveshaper. This unique feature of the EMS synth sparked the idea to design our own waveshaper from scratch, opening up a wide range of sonic possibilities and dynamic control to bring sound to life.
During the design process, we discovered the waveshaper's unique potential for stereo processing, which led to a dedicated stereo section to spread and move waveforms across the stereo field while maintaining perfect balance at any setting.
Eclipse offers full CV control across all parameters, with smart normalization enabling global modulation from a single source. With many special features like XFM, ULFO, Stereo Pulse Array Modulation, Stereo Pulsed Saw Modulation, RM/AM capabilities, Eclipse is much more than just a VCO.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $422.20
(No payment required now - pay when released)
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Puremagnetik Laps Multitrack Collage Machine Effects Pedal (time effects pedal)
Cat: 1085502 • View all Effects pedals
LAPS is a compact multitrack machine designed for layering soundscapes, crafting tape-style overdubs, and creating intricate sonic collages
Notes: LAPS: A Multitrack Sound Design Tool
LAPS is a compact multitrack machine designed for layering soundscapes, crafting tape-style overdubs, and creating intricate sonic collages. Ideal for everything from glitchy loops to expansive, multi-layered recordings, LAPS offers a trove of creative possibilities.
Features at a Glance:
3 tracks (Laps) with up to 20 seconds of stereo recording each at 24-bit/48kHz.
Two modes: Replica (mirrored layers for melodic shifts) and Multiply (endless layering without erasing).
Stepped pitch shifting, band-pass filters, granular effects, and a tape-style "Age" effect.
Stereo in/out with on-board panning, true bypass, and high-quality A/D/A converters.
Designed for Sound Explorers
LAPS draws inspiration from Puremagnetik's Small Winters - a plugin built in collaboration with sound artist and 12k label manager Taylor Deupree. LAPS takes the concept beyond the digital realm with enhanced features and physical functionality. Whether you're sketching loops or building spacious compositions, LAPS transforms into a powerful, hands-on sound design tool.
… Read moreLAPS is a compact multitrack machine designed for layering soundscapes, crafting tape-style overdubs, and creating intricate sonic collages. Ideal for everything from glitchy loops to expansive, multi-layered recordings, LAPS offers a trove of creative possibilities.
Features at a Glance:
3 tracks (Laps) with up to 20 seconds of stereo recording each at 24-bit/48kHz.
Two modes: Replica (mirrored layers for melodic shifts) and Multiply (endless layering without erasing).
Stepped pitch shifting, band-pass filters, granular effects, and a tape-style "Age" effect.
Stereo in/out with on-board panning, true bypass, and high-quality A/D/A converters.
Designed for Sound Explorers
LAPS draws inspiration from Puremagnetik's Small Winters - a plugin built in collaboration with sound artist and 12k label manager Taylor Deupree. LAPS takes the concept beyond the digital realm with enhanced features and physical functionality. Whether you're sketching loops or building spacious compositions, LAPS transforms into a powerful, hands-on sound design tool.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $374.05
(No payment required now - pay when released)
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Play All Day PlayFader Mnml Cr24 2-Channel CV & MIDI Portable Sequencer (audio sequencer)
Cat: 1085513 • View all Sequencers
Featuring a black recycled ABS PlayCase, custom black flat keycaps and black chrome faders; the mnml Cr24 s a sleek re-interpretation of the classic OG Yellow PlayFader
Notes: The PlayFader 'mnml' Cr24 limited edition!
Featuring a black recycled ABS PlayCase, custom black flat keycaps and black chrome faders!
The Cr24 is a sleek re-interpretation of the classic OG Yellow PlayFader.
All the PlayFader button colours are now represented on the front panel allowing you to still use colour to learn your way around the functions.
Synesthesia is when you hear music, but you see shapes. Or you hear a word or a name and instantly see a colour. That's why Play All Day use colours and words on our panel, it makes learning click- and stick!
Inside every PlayFader you will now also get a handy laminated card with all the main menu button combos. This fits neatly into the lid so it's always with you when you need it.
The green LEDs of the main display finish off the design in style while being super-clear in the darkest and most demanding of situations.
PlayFader mnml has exactly the same functionality as the classic yellow edition and the Cr24 is currently a very limited run.
Please note, PlayFader does not ship with cables or adapters.
You can power PlayFader from any 9v Centre-negative guitar pedal power supply, or chose one of the innovative power solutions offered by myVolts, you can now chose to use USB-B or USB-C power solutions with their Ripcord and StepUp adapters.
You can also pick up 3.5mm to 5-pin Midi Type-A adapters and the awesome myVolts Modular CV Halo to Pedal (floating ring TRS to TS) cable for plugging into Expression inputs.
Supplier's notes:
PlayFader is a 2 channel CV & MIDI portable sequencer.
Each channel of PlayFader features CV and Gate outputs that are controlled by its Fader and Play button. Move the Fader to change the CV level, press the Play button to output a variable-width gate or trigger.
PlayFader also outputs 2 channels of MIDI - select from Notes, Chords, CC's and many more output options. MIDI mirrors the analogue outputs so you can control anything with a MIDI input while also controlling your analogue CV synths, pedals etc.
PlayFader runs either to its own internal clock with full transport controls and tap tempo, or loves making friends with external clocks. Sync can be by CV or MIDI, in or out.
Select from your own fully customisable user scales or smooth voltage ranges of 2, 3, 5 & 8v in addition to live transposition.
Each channel has two recording buffers which you can jump, swap and copy between.
PlayFader also has 7 FUN FX modes... for now.
Based on the TE pocket operator punchFX, there is a dedicated FUN button. The idea is that the FUN modes modulate and influence your recorded pattern contents while using the faders to change relevant parameters for the mode you're in.
All FUN modes will be addressable by the built-in accelerometer in future firmware (coming soon), which should be bonkers amounts of fun.
PlayFader has a protective lid that doubles as a stand and feels great in your hand if you want to hold it and play- this is the PlayCase.
When you're travelling, all the controls are safely protected by the lid, held in place with a handy wristband which supports LGBTQ+ equality around the world.
The lid can then be flipped onto the back of PlayFader when you're ready, giving you some grip and a bit more height, making it perfect to play all day!
PlayFader is a versatile CV, Gate and MIDI sequencer & looper that loves to make friends with modular synths, vintage synths, any synth or sampler with MIDI, guitar pedals, and anything else with CV and expression inputs. It can even be a great controller and sequencer for your DAW & computer-based workflow.
You can also read the official manual and quick reference guides and these are always instantly accessible from the QR code on the back of every PlayFader.
See below for all the technical details, what's in the box and more.
Technical Bits & Pieces
2 x 60mm-Throw Bourns Faders.
Custom Moulded Recycled Plastic Play Case with a protective Lid that doubles as a stand.
Unique Flat Keycap Buttons with Cherry MX Switches.
2 x ChromaCaps Mk2 Silicon Fader Caps.
Ultra Low Profile MultiComp Pro Jack Connectors.
5mm Perspex Laser Cut and Printed Acrylic Front & Rear Panels.
Stonewall Rainbow Wristband to hold Frame Case and Lid together for transport. All profits from sales of Stonewall merchandise go into funding their vital work for LGBTQ+ equality in UK and around the world.
2 x 3.5mm CV Outputs - Adjustable from 0-8v, Continuous or Pitch Quantised. Requires Mono Patch Cable.
2 x 3.5mm Gate Outputs - Adjustable from 3ms Trigger to 95% Duty Cycle. Requires Mono Patch Cable.
1 x 3.5mm Switchable Comms Output - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
1 x 3.5mm Switchable Comms Input - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
MIDI Type-A Communication.
Stackables will fit snugly!
MyVolts 9V Ripcord USB Power Cable included.
2 x 3.5mm to MIDI 5-pin Type-A Adapters included.
1 x 3.5mm to 1/4inch Floating Ring - CV to Expression Cable included.
4 x Knurlies 3M included.
4 x 3m Black Ultra Thin Flat Wafer Head Screws included.
Some nice stickers included, of course.
… Read moreFeaturing a black recycled ABS PlayCase, custom black flat keycaps and black chrome faders!
The Cr24 is a sleek re-interpretation of the classic OG Yellow PlayFader.
All the PlayFader button colours are now represented on the front panel allowing you to still use colour to learn your way around the functions.
Synesthesia is when you hear music, but you see shapes. Or you hear a word or a name and instantly see a colour. That's why Play All Day use colours and words on our panel, it makes learning click- and stick!
Inside every PlayFader you will now also get a handy laminated card with all the main menu button combos. This fits neatly into the lid so it's always with you when you need it.
The green LEDs of the main display finish off the design in style while being super-clear in the darkest and most demanding of situations.
PlayFader mnml has exactly the same functionality as the classic yellow edition and the Cr24 is currently a very limited run.
Please note, PlayFader does not ship with cables or adapters.
You can power PlayFader from any 9v Centre-negative guitar pedal power supply, or chose one of the innovative power solutions offered by myVolts, you can now chose to use USB-B or USB-C power solutions with their Ripcord and StepUp adapters.
You can also pick up 3.5mm to 5-pin Midi Type-A adapters and the awesome myVolts Modular CV Halo to Pedal (floating ring TRS to TS) cable for plugging into Expression inputs.
Supplier's notes:
PlayFader is a 2 channel CV & MIDI portable sequencer.
Each channel of PlayFader features CV and Gate outputs that are controlled by its Fader and Play button. Move the Fader to change the CV level, press the Play button to output a variable-width gate or trigger.
PlayFader also outputs 2 channels of MIDI - select from Notes, Chords, CC's and many more output options. MIDI mirrors the analogue outputs so you can control anything with a MIDI input while also controlling your analogue CV synths, pedals etc.
PlayFader runs either to its own internal clock with full transport controls and tap tempo, or loves making friends with external clocks. Sync can be by CV or MIDI, in or out.
Select from your own fully customisable user scales or smooth voltage ranges of 2, 3, 5 & 8v in addition to live transposition.
Each channel has two recording buffers which you can jump, swap and copy between.
PlayFader also has 7 FUN FX modes... for now.
Based on the TE pocket operator punchFX, there is a dedicated FUN button. The idea is that the FUN modes modulate and influence your recorded pattern contents while using the faders to change relevant parameters for the mode you're in.
All FUN modes will be addressable by the built-in accelerometer in future firmware (coming soon), which should be bonkers amounts of fun.
PlayFader has a protective lid that doubles as a stand and feels great in your hand if you want to hold it and play- this is the PlayCase.
When you're travelling, all the controls are safely protected by the lid, held in place with a handy wristband which supports LGBTQ+ equality around the world.
The lid can then be flipped onto the back of PlayFader when you're ready, giving you some grip and a bit more height, making it perfect to play all day!
PlayFader is a versatile CV, Gate and MIDI sequencer & looper that loves to make friends with modular synths, vintage synths, any synth or sampler with MIDI, guitar pedals, and anything else with CV and expression inputs. It can even be a great controller and sequencer for your DAW & computer-based workflow.
You can also read the official manual and quick reference guides and these are always instantly accessible from the QR code on the back of every PlayFader.
See below for all the technical details, what's in the box and more.
Technical Bits & Pieces
2 x 60mm-Throw Bourns Faders.
Custom Moulded Recycled Plastic Play Case with a protective Lid that doubles as a stand.
Unique Flat Keycap Buttons with Cherry MX Switches.
2 x ChromaCaps Mk2 Silicon Fader Caps.
Ultra Low Profile MultiComp Pro Jack Connectors.
5mm Perspex Laser Cut and Printed Acrylic Front & Rear Panels.
Stonewall Rainbow Wristband to hold Frame Case and Lid together for transport. All profits from sales of Stonewall merchandise go into funding their vital work for LGBTQ+ equality in UK and around the world.
2 x 3.5mm CV Outputs - Adjustable from 0-8v, Continuous or Pitch Quantised. Requires Mono Patch Cable.
2 x 3.5mm Gate Outputs - Adjustable from 3ms Trigger to 95% Duty Cycle. Requires Mono Patch Cable.
1 x 3.5mm Switchable Comms Output - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
1 x 3.5mm Switchable Comms Input - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
MIDI Type-A Communication.
Stackables will fit snugly!
MyVolts 9V Ripcord USB Power Cable included.
2 x 3.5mm to MIDI 5-pin Type-A Adapters included.
1 x 3.5mm to 1/4inch Floating Ring - CV to Expression Cable included.
4 x Knurlies 3M included.
4 x 3m Black Ultra Thin Flat Wafer Head Screws included.
Some nice stickers included, of course.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $333.73
(No payment required now - pay when released)
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Black Lion Audio PBR TRS3 LIT 48-Point Gold-Plated TRS Patchbay (audio patchbay)
Cat: 1075401 • View all Audio Patchbays | Digital Audio Patchbays
Gold-Plated TRS patchbay with customizable LED displays
Notes: Eliminate confusion and non-aesthetic labeling when routing your racks of precious gear with the PBR TRS3 LIT patchbay from Black Lion Audio. Built to proven Black Lion standards of build quality and signal conductivity, the PBR TRS3 LIT patchbay features customisable, brightly-lit LED displays for every input and output. Simply connect a USB keyboard directly to your LIT to customise the displays, or use the included PatchCAD software to create custom text to export directly to your patchbay using a USB drive.
To customise the displays, you have two options: simply connect a USB keyboard to the front of the unit and start typing... or you can use the included PatchCAD software to create your custom digital labels on your computer, and export them to a USB drive to load directly into the unit.
PatchCAD (Mac/Win) lets you customize your digital labels using a quick, familiar spreadsheet-like interface. Simply type out how you want your labels to appear, export the file to a USB drive, and connect the USB drive to your LIT patchbay and press the Update button.
Your studio needs more than accessible patching - audio quality throughout the entire signal chain is essential. Black Lion Audio has been trusted for years to modify the best gear to perform beyond its original spec, and they leveraged every bit of that know-how when designing their patchbays.
Every PBR product uses audiophile-grade connectors. Every contact point is gold-plated; a major factor that's missing from most patchbays that you might have encountered. Black Lion's team of engineers have worked tirelessly to ensure that the PBR series delivers proper quality through-and-through.
The PBR patchbay series is built Black Lion-tough, with black-anodised aluminium faceplates that make for a matched and sophisticated look.
… Read moreTo customise the displays, you have two options: simply connect a USB keyboard to the front of the unit and start typing... or you can use the included PatchCAD software to create your custom digital labels on your computer, and export them to a USB drive to load directly into the unit.
PatchCAD (Mac/Win) lets you customize your digital labels using a quick, familiar spreadsheet-like interface. Simply type out how you want your labels to appear, export the file to a USB drive, and connect the USB drive to your LIT patchbay and press the Update button.
Your studio needs more than accessible patching - audio quality throughout the entire signal chain is essential. Black Lion Audio has been trusted for years to modify the best gear to perform beyond its original spec, and they leveraged every bit of that know-how when designing their patchbays.
Every PBR product uses audiophile-grade connectors. Every contact point is gold-plated; a major factor that's missing from most patchbays that you might have encountered. Black Lion's team of engineers have worked tirelessly to ensure that the PBR series delivers proper quality through-and-through.
The PBR patchbay series is built Black Lion-tough, with black-anodised aluminium faceplates that make for a matched and sophisticated look.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $469.25
(No payment required now - pay when released)
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Hercules DJ Control Inpulse 500 DJ Controller (silver edition) (DJ controller)
Cat: 1085585 • View all DJ controllers
DJ controller with guides for beatmatching and understanding the layout, ideal for learning to DJ.
Notes: The DJ Control Inpulse 500 Silver Edition is more than just a DJ controller - it's a complete package designed to ignite your passion for DJing
This special edition boasts sleek silver-coloured finishes, combining aesthetics with cutting-edge technology to enhance your performance. Whether you are a beginner looking to master the basics or an experienced DJ seeking advanced features for a mobile setup, the Inpulse 500 Silver Edition delivers everything you need to make your mark.
It includes a transport bag, ensuring your gear stays protected anywhere effortlessly, Serato DJ Lite + compatibility with Serato DJ Pro (upgrade licence required), and and a license key to the all-new DJUCED Pro software with performance-ready features for any kind of DJ, such as VJing, Day mode, advanced FX and so much more.
… Read moreThis special edition boasts sleek silver-coloured finishes, combining aesthetics with cutting-edge technology to enhance your performance. Whether you are a beginner looking to master the basics or an experienced DJ seeking advanced features for a mobile setup, the Inpulse 500 Silver Edition delivers everything you need to make your mark.
It includes a transport bag, ensuring your gear stays protected anywhere effortlessly, Serato DJ Lite + compatibility with Serato DJ Pro (upgrade licence required), and and a license key to the all-new DJUCED Pro software with performance-ready features for any kind of DJ, such as VJing, Day mode, advanced FX and so much more.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $391.96
(No payment required now - pay when released)
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Koma Elektronik Chromaplane Analogue & Polyphonic Electromagnetic Synthesiser (analogue electromagnetic synthesiser)
Cat: 1050564 • View all Synthesisers
Analogue & polyphonic electromagnetic synthesiser
Notes: The Chromaplane is an instrument created in collaboration between KOMA Elektronik & Passepartout Duo.
The Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.
The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.
The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.
The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.
The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual
… Read moreThe Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.
The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.
The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.
The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.
The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $375.18
(No payment required now - pay when released)
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Ohm Force Bohm Stereo Dual-Voice Kick Synthesiser Module (drum synth module)
Cat: 1089447 Rel: 30 May 25 • View all Synth modules
Kick synthesiser module featuring nine models, vast scope for sculpting sounds and a randomizer - 18HP
Notes: The Ohm Force Bohm is a stereo dual-voice kick synthesis and percussion module with nine different synthesis modes for all sorts of sounds, plenty of CV-modulation options and hands-on knob control over all of the key parameters. Precision sound-shaping knobs with wide sweet spots make flawless tweaks effortless. The Bohm has multiple CV ooptions for triggering the main kick voice, controlling the length and sustain.
There are two optional expanders for the Bohm, the Bohm Groove expander and the Bohm Performer expander. The Bohm Groove is a rhythm expander that adds a secondary kick voice triggered by clock divisions for rhythmic bass and percussion additions. The Bohm Performer expander adds a stereo FX input for processing, a volume fader, side-chain ducking and various DJ-style effects.
… Read moreThere are two optional expanders for the Bohm, the Bohm Groove expander and the Bohm Performer expander. The Bohm Groove is a rhythm expander that adds a secondary kick voice triggered by clock divisions for rhythmic bass and percussion additions. The Bohm Performer expander adds a stereo FX input for processing, a volume fader, side-chain ducking and various DJ-style effects.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $357.25
(No payment required now - pay when released)
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Cat: 1072843 • View all PA Speakers | PA Speaker Systems
600W Battery-Powered 12-inch Loudspeaker with Bluetooth
Notes: The Alto TX412B is a dream come true for any busker or performer tasked with bringing audio to any space where power is limited. This battery-powered 600-watt speaker is a cable-free solution to high-quality sound without an outlet in sight. Thanks to an impressive battery life, the TX412B can handle playlists and sets up to 10 hours long. For those looking to use the speaker to project two different sources of audio such as a DJ who might need to make announcements during their set or a Wedding MC introducing the bride and groom over music, look no further-the TX412B can run two different inputs simultaneously with grace and clarity.
Thanks to Bluetooth connectivity, the Alto TX Series ensures users can get their PA system up and running completely cable-free. This feature is perfect for any application that requires two simultaneous sources of audio-a Wedding MC announcing the bride and groom's first dance over music, a fitness instructor leading a spin class while energetic tunes pump in the background, a busker playing along to a backing track, etc. In addition, the Alto TX Series' powerful Bluetooth True Wireless connectivity allows users to run multiple units in conjunction with one another without having to purchase any extraneous equipment or cables.
Thanks to an entirely metal grille and sturdy enclosure, you can be sure that these speakers and subwoofers can handle whatever unexpected twists and turns that may lie ahead. As if that weren't enough, users can expect all of this durability with the added bonus of tremendous portability. Not only are these units equipped with ergonomic handles, but they are conveniently lightweight, making setup and transport easier than ever.
The TX412B provides solid and reliable performance in just about any situation. Whether it is mounted on a pole or used as a floor wedge, this powerhouse of a PA Speaker is optimized to deliver rich and crisp sound in any configuration. In addition, the back panel of the TX412B is outfitted with easy-to-use and pared-down parameters that give users control over EQ without weighing them down with a confusing array of knobs and sliders.
… Read moreThanks to Bluetooth connectivity, the Alto TX Series ensures users can get their PA system up and running completely cable-free. This feature is perfect for any application that requires two simultaneous sources of audio-a Wedding MC announcing the bride and groom's first dance over music, a fitness instructor leading a spin class while energetic tunes pump in the background, a busker playing along to a backing track, etc. In addition, the Alto TX Series' powerful Bluetooth True Wireless connectivity allows users to run multiple units in conjunction with one another without having to purchase any extraneous equipment or cables.
Thanks to an entirely metal grille and sturdy enclosure, you can be sure that these speakers and subwoofers can handle whatever unexpected twists and turns that may lie ahead. As if that weren't enough, users can expect all of this durability with the added bonus of tremendous portability. Not only are these units equipped with ergonomic handles, but they are conveniently lightweight, making setup and transport easier than ever.
The TX412B provides solid and reliable performance in just about any situation. Whether it is mounted on a pole or used as a floor wedge, this powerhouse of a PA Speaker is optimized to deliver rich and crisp sound in any configuration. In addition, the back panel of the TX412B is outfitted with easy-to-use and pared-down parameters that give users control over EQ without weighing them down with a confusing array of knobs and sliders.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $346.05
(No payment required now - pay when released)
FORTHCOMING
Related products...
Acid Rain Technology Ripsaw Stereo Super Oscillator Module (oscillator synth module)
Cat: 1088790 Rel: 30 May 25 • View all Synth modules
A stereo super saw/square oscillator featuring 4 voices of 7 detunable saw/square waves - 6HP
Notes: Ripsaw is a 6hp stereo super saw/square oscillator just like chainsaw with a few extra additions:
- 4x voices of 7 detunable saw/square waves to allow for more complex chords
- unique "display" built from 77 blue LEDs
- manual and CV control over wave shape and spread like chainsaw
- a new "shift" parameter that offsets the frequency of a second oscillator that hard syncs each waveform for a unique "supersync" sound
- waves panned across stereo outputs like chainsaw
- fine tune adjustment and optional onboard semitone quantization selectable on the encoder/display
… Read more- 4x voices of 7 detunable saw/square waves to allow for more complex chords
- unique "display" built from 77 blue LEDs
- manual and CV control over wave shape and spread like chainsaw
- a new "shift" parameter that offsets the frequency of a second oscillator that hard syncs each waveform for a unique "supersync" sound
- waves panned across stereo outputs like chainsaw
- fine tune adjustment and optional onboard semitone quantization selectable on the encoder/display
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 May 25 $323.65
(No payment required now - pay when released)
FORTHCOMING
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Cat: 1090384 • View all Drum machines
Notes: The Body Synths Metal Fetishist is a percussion synthesizer that features a loopable randomness sequencer and a CV interface.
Explore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies
The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.
Random sequencing with control
Two randomness generators manage the trigger probability and the step-modulation. Pitch, cutoff or an internal mixer that blends noise (or external audio) can be controlled by it. The STEPS knob locks the randomness into repeatable sequences of 2, 4, 8, 10, 16 or 32 steps.
Audio Input available to process external sounds
The Metal Fetishist can be used as an effect. External sources can be processed through the filter, the distortion and even the sequencer. You can connect a drone instrument and make rythms with its sound.
Digital sound engine and sound processing
Line level mono Output (6.35mm jack)
Line level mono Input (6.35mm jack)
Analog Control Voltage interface
Analog Inputs and Outputs for Clock and Trigger
MIDI Clock Sync Input (3.5mm jack)
MIDI adapter included (5-Pin DIN to 3.5mm, type A)
9V center-negative DC input (5.5/2.1mm)
Current draw: 105mA
Product Dimensions (W x D x H): approx. 190 x 124 x 55 mm
Product Weight: 0.780 Kg
… Read moreExplore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies
The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.
Random sequencing with control
Two randomness generators manage the trigger probability and the step-modulation. Pitch, cutoff or an internal mixer that blends noise (or external audio) can be controlled by it. The STEPS knob locks the randomness into repeatable sequences of 2, 4, 8, 10, 16 or 32 steps.
Audio Input available to process external sounds
The Metal Fetishist can be used as an effect. External sources can be processed through the filter, the distortion and even the sequencer. You can connect a drone instrument and make rythms with its sound.
Digital sound engine and sound processing
Line level mono Output (6.35mm jack)
Line level mono Input (6.35mm jack)
Analog Control Voltage interface
Analog Inputs and Outputs for Clock and Trigger
MIDI Clock Sync Input (3.5mm jack)
MIDI adapter included (5-Pin DIN to 3.5mm, type A)
9V center-negative DC input (5.5/2.1mm)
Current draw: 105mA
Product Dimensions (W x D x H): approx. 190 x 124 x 55 mm
Product Weight: 0.780 Kg
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $446.85
(No payment required now - pay when released)
FORTHCOMING
Related products...
Body Synths Metal Fetishist Percussion Synthesiser (drum machine)
Cat: 1090381 • View all Drum machines
The Body Synths Metal Fetishist is a percussion synthesizer that features a loopable randomness sequencer and a CV interface
Notes: The Body Synths Metal Fetishist is a percussion synthesizer that features a loopable randomness sequencer and a CV interface.
Explore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies
The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.
Random sequencing with control
Two randomness generators manage the trigger probability and the step-modulation. Pitch, cutoff or an internal mixer that blends noise (or external audio) can be controlled by it. The STEPS knob locks the randomness into repeatable sequences of 2, 4, 8, 10, 16 or 32 steps.
Audio Input available to process external sounds
The Metal Fetishist can be used as an effect. External sources can be processed through the filter, the distortion and even the sequencer. You can connect a drone instrument and make rythms with its sound.
Digital sound engine and sound processing
Line level mono Output (6.35mm jack)
Line level mono Input (6.35mm jack)
Analog Control Voltage interface
Analog Inputs and Outputs for Clock and Trigger
MIDI Clock Sync Input (3.5mm jack)
MIDI adapter included (5-Pin DIN to 3.5mm, type A)
9V center-negative DC input (5.5/2.1mm)
Current draw: 105mA
Product Dimensions (W x D x H): approx. 190 x 124 x 55 mm
Product Weight: 0.780 Kg
… Read moreExplore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies
The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.
Random sequencing with control
Two randomness generators manage the trigger probability and the step-modulation. Pitch, cutoff or an internal mixer that blends noise (or external audio) can be controlled by it. The STEPS knob locks the randomness into repeatable sequences of 2, 4, 8, 10, 16 or 32 steps.
Audio Input available to process external sounds
The Metal Fetishist can be used as an effect. External sources can be processed through the filter, the distortion and even the sequencer. You can connect a drone instrument and make rythms with its sound.
Digital sound engine and sound processing
Line level mono Output (6.35mm jack)
Line level mono Input (6.35mm jack)
Analog Control Voltage interface
Analog Inputs and Outputs for Clock and Trigger
MIDI Clock Sync Input (3.5mm jack)
MIDI adapter included (5-Pin DIN to 3.5mm, type A)
9V center-negative DC input (5.5/2.1mm)
Current draw: 105mA
Product Dimensions (W x D x H): approx. 190 x 124 x 55 mm
Product Weight: 0.780 Kg
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $423.32
(No payment required now - pay when released)
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Related products...
BlaknBlu Oscar Tria Triple Mode Stereo VCO Module (oscillator synth module)
Cat: 1081156 • View all Synth modules
VCO module that functions as a stereo oscillator, a super saw/square/triangle/sub and a chord engine,
Notes: Oscar Tria packs a lot of VCO into 10HP. There are three main modes described below.
Green Mode:
A 'traditional' stereo oscillator. In Green Mode you get the usual three waveforms - saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog's 'shark tooth'. Green mode also gives you a square wave sub oscillator - one octave below the main oscillators - and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image - or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode:
Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode:
This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output.
… Read moreGreen Mode:
A 'traditional' stereo oscillator. In Green Mode you get the usual three waveforms - saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog's 'shark tooth'. Green mode also gives you a square wave sub oscillator - one octave below the main oscillators - and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image - or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode:
Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode:
This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $324.77
(No payment required now - pay when released)
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Related products...
Teia OpticShifter 20-Pole Phase Shifter Module (phase shifter module)
Cat: 1091899 Rel: 06 Jun 25 • View all Synth modules
A 20-stage optical phaser module - 12 HP
Notes: OpticShifter is a 20-Stage optical Phaser with flexible feedback and pole selection. Drawing inspiration from classic 70's era phase shifters, it combines vintage charm with modern versatility. Whether you're aiming for subtle movement or dramatic swooshing and whooshing, from phasing to vibing, OpticShifter creates an immersive Phase Shifting experience.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $351.64
(No payment required now - pay when released)
People also bought...
RME Digiface USB 66-Channel Bus-Powered USB 2.0 ADAT Audio Interface (B-STOCK) (USB audio interface)
Cat: 1090671 Rel: 01 Jan 90 • View all Audio interfaces
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***
*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***
This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.
The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.
The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.
The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).
Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.
Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.
Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.
Here are some typical applications for TotalMix:
- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.
… Read more*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***
This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.
The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.
The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.
The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).
Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.
Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.
Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.
Here are some typical applications for TotalMix:
- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.
1 in stock $424.95
People also bought...
Jolin Rosa Infinite Morpher Module (mixer/switch synth module)
Cat: 1063029 Rel: 12 May 25 • View all Synth modules
A multi-mode crossfader, scanner, and switcher that allows seamless morphing between up to four inputs and outputs
Notes: Simple but effective approach to signal routing here from Jolin Rosa. The Morpher is a four-in/four-out crossfader, scanner and switcher, allowing you to shape, route and manipulate any signal with ease.
Supplier's Notes:
ROSA is a multi-mode crossfader, scanner, and switcher that allows seamless morphing between up to four inputs and outputs. With its three operating modes (Scan, Wave, and Pass), you can easily shape and route signals to fit any patch.
A quick overview:
Scan Mode: Morph between up to four inputs with adjustable curves using the KNEE control.
Wave Mode: Independently control the four VCAs for complex dynamic changes.
Pass Mode: Route a single input (or mix multiple inputs) to up to four outputs, perfect for quadraphonic setups or parallel processing.
Infinite Analogue Potentiometer: For smooth, continuous transitions.
Global SHUT Control: CV-controlled mute for immediate silence.
… Read moreSupplier's Notes:
ROSA is a multi-mode crossfader, scanner, and switcher that allows seamless morphing between up to four inputs and outputs. With its three operating modes (Scan, Wave, and Pass), you can easily shape and route signals to fit any patch.
A quick overview:
Scan Mode: Morph between up to four inputs with adjustable curves using the KNEE control.
Wave Mode: Independently control the four VCAs for complex dynamic changes.
Pass Mode: Route a single input (or mix multiple inputs) to up to four outputs, perfect for quadraphonic setups or parallel processing.
Infinite Analogue Potentiometer: For smooth, continuous transitions.
Global SHUT Control: CV-controlled mute for immediate silence.
3 in stock $303.49
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People also bought...
SoMa Laboratory Lyra-4 4-Voice Organismic Analogue Synthesiser (black) (B-STOCK) (analogue desktop synthesiser)
Cat: 1090428 Rel: 01 Jan 90 • View all Synthesisers
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***
Derived from the excellent Lyra-8, the Lyra-4 features a similar 'organismic' approach to synthesis. Four-voice non-linear architecture offers unique tones in a compact, portable format.
Supplier's Notes:
Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.
LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.
The voices are divided into two pairs (12, 34), creating tree-like structure.
The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.
LYRA-4 also has the next blocks:
The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.
The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.
The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.
For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Specifications
Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg
What's included:
LYRA-4 - 1 pc
Power supply - 1 pc
… Read moreDerived from the excellent Lyra-8, the Lyra-4 features a similar 'organismic' approach to synthesis. Four-voice non-linear architecture offers unique tones in a compact, portable format.
Supplier's Notes:
Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.
LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.
The voices are divided into two pairs (12, 34), creating tree-like structure.
The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.
LYRA-4 also has the next blocks:
The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.
The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.
The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.
For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Specifications
Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg
What's included:
LYRA-4 - 1 pc
Power supply - 1 pc
1 in stock $400.11
People also bought...
Pro-Ject VC-E2 Compact Vinyl Record Cleaning Machine (B-STOCK) (vinyl record cleaning machine)
Cat: 1090553 Rel: 01 Jan 90 • View all Vinyl cleaning
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***
Pro-Ject's updated VC-E2 is a compact alternative to the premium VC-S3 record cleaner. A new magnetic clamp seals the label and holds the record for cleaning with Pro-Ject's Wash It 2 cleaning fluid.
Supplier's Notes:
The new VC-E2 is a new compact record cleaning machine with completely new, superior features. Vinyl records need a specific maintenance. The dry brush cleaning before playing the record is good to roughly remove dust. To effectively clean the grooves, you need to wet clean the record.
To achieve the perfect cleaning, we also need a suitable cleaning fluid. Alcoholic cleaning fluids can destroy musical micro information of the grooves. That's the reason Pro-Ject designed a new eco-friendly non-alcoholic cleaning fluid called "Wash it 2". The new Wash it 2 is a pre-mixed liquid, so you don't have to dilute the concentrate yourself anymore. This avoids accidentally
using unsuitable tap water for mixing. With Wash it 2 you can optimize the cleaning performance again. The VC-E2 is very powerful and cleans records completely in one to two revolutions.
Made in Europe!
The new magnetic clamp not only seals the record label from cleaning fluid to avoid damage on the label, it also speeds up the whole cleaning process. Place your record on the machine, put on the clamp, and you are ready to go - no more tedious screwing of the clamp anymore. The robust, easy to use metal arm is mechanically stable and focuses all suction power directly onto the record surface. Paired with new self-adhesive arm strip, your records get cleaned perfectly. The internal container (0,5 liters) collects used fluid and is effortlessly easy to empty. When using Wash it 2 cleaning solution, the fluid will also evaporate in the container, meaning the container will need to be emptied rarely. If you have a big record collection, you should have a look on Pro- premium VC-S3. The new VC-E2 is made in Europe with high quality materials and an excellent build-quality. With many practical features and excellent mechanical operation, the VC-E2 effectively combines industrial design appeal with an easy solution to great sound from your vinyl records.
Technical Specifications
Cleaning speed: 30 RPM
Included accessories:
Brush
Vacuum Arm
Self-Adhesive Arm Strip
Magnetic clamp
Wash it 2 (100ml)
Power cable
Power connection: 230/240 Volt
Power consumption: 230V/800W
Dimensions: 310 x 266 x 210 mm (W x H x D)
Weight: 6,5kg
Please Note: Pro-Ject Record Cleaning Machines are not intended for commercial use. They are home-use products.
… Read morePro-Ject's updated VC-E2 is a compact alternative to the premium VC-S3 record cleaner. A new magnetic clamp seals the label and holds the record for cleaning with Pro-Ject's Wash It 2 cleaning fluid.
Supplier's Notes:
The new VC-E2 is a new compact record cleaning machine with completely new, superior features. Vinyl records need a specific maintenance. The dry brush cleaning before playing the record is good to roughly remove dust. To effectively clean the grooves, you need to wet clean the record.
To achieve the perfect cleaning, we also need a suitable cleaning fluid. Alcoholic cleaning fluids can destroy musical micro information of the grooves. That's the reason Pro-Ject designed a new eco-friendly non-alcoholic cleaning fluid called "Wash it 2". The new Wash it 2 is a pre-mixed liquid, so you don't have to dilute the concentrate yourself anymore. This avoids accidentally
using unsuitable tap water for mixing. With Wash it 2 you can optimize the cleaning performance again. The VC-E2 is very powerful and cleans records completely in one to two revolutions.
Made in Europe!
The new magnetic clamp not only seals the record label from cleaning fluid to avoid damage on the label, it also speeds up the whole cleaning process. Place your record on the machine, put on the clamp, and you are ready to go - no more tedious screwing of the clamp anymore. The robust, easy to use metal arm is mechanically stable and focuses all suction power directly onto the record surface. Paired with new self-adhesive arm strip, your records get cleaned perfectly. The internal container (0,5 liters) collects used fluid and is effortlessly easy to empty. When using Wash it 2 cleaning solution, the fluid will also evaporate in the container, meaning the container will need to be emptied rarely. If you have a big record collection, you should have a look on Pro- premium VC-S3. The new VC-E2 is made in Europe with high quality materials and an excellent build-quality. With many practical features and excellent mechanical operation, the VC-E2 effectively combines industrial design appeal with an easy solution to great sound from your vinyl records.
Technical Specifications
Cleaning speed: 30 RPM
Included accessories:
Brush
Vacuum Arm
Self-Adhesive Arm Strip
Magnetic clamp
Wash it 2 (100ml)
Power cable
Power connection: 230/240 Volt
Power consumption: 230V/800W
Dimensions: 310 x 266 x 210 mm (W x H x D)
Weight: 6,5kg
Please Note: Pro-Ject Record Cleaning Machines are not intended for commercial use. They are home-use products.
1 in stock $309.74
People also bought...
AJH Synth Matrix VCF Vintage 16 Mode Filter & VCA Module (black) (filter/VCA synth module)
Cat: 1085629 Rel: 01 May 25 • View all Synth modules
Multimode filter module based on the Oberhein Matrix 12's filter, featuring 16 different filter modes - 14HP
Notes: Serious versatility from AJH here. Based on the circuits from the Oberheim Matrix 12, the Matrix VCF offers a whopping 16 different fully analogue filter modes, each with two different resonance models. All bases covered.
Supplier's Notes:
Presenting the new AJHSynth Matrix VCF - this may well be the most versatile Eurorack VCF ever.
This amazing multimode filter and VCA offers sixteen different filter types, and two different resonance models on each, totalling an incredible thirty two assorted resonant filters to choose from. AJH Synth have also included manual and CV control of filter type selection, along with 16 LED's that give a clear visual indication of which filter type is currently selected.
The filter core circuitry is based on that of the rare and highly sought after Oberheim Matrix 12 synthesiser, and of course has an all analogue signal path. The Matrix 12 VCF originally offered fifteen filter types, however AJH Synth have expanded this to 16 with the addition of AP4, a full four pole all pass phaser mode.
AJH Synth have added a unique P-Vox resonance distortion and overdrive circuit that changes the character of the resonance completely, and can force all of the filter modes into self oscillation. This effectively doubles the filter variants and hugely broadens what is already a very impressive sound pallet.
Other features include an inbuilt VCA with Input and Output Level controls, a Peak level LED, CV control of resonance, and of course the legendary AJHSynth build quality.
The Matrix VCF in depth
After two years of development AJH Synth have finally released what they consider to be the most versatile Eurorack VCF & VCA ever. Like many other AJHSynth modules it uses the very best vintage analogue circuitry as the starting point for the design, and in this case, the filter was chosen from the rare and very desirable Oberheim Matrix 12 synthesiser. AJH Synth expanded this from the original fifteen filter compliment to sixteen distinct filter types by adding in a really useful four pole phaser!
So, behind the compact 14hp front panel lies sixteen distinct filter types, including all of the favourites: Low Pass filters with a choice of one, two, three or four poles, Band Pass filtering with two or four poles, High Pass filtering with one, two or three pole options, along with Notch filtering and four complex, combination filter types. Finally, a four stage phaser with two types of emphasis that can be forced into tuneful self-oscillation!
However, this is far from the end of the story. AJH Synth decided to use their design expertise to add in some crazy resonance distortion circuitry, that could be switched on from the front panel. This was inspired by the filter from the Soviet Polivoks synthesiser, but again the implementation used here is considerably changed, improved, and best of all this can be applied to all filter types! This completely changes the filter character when engaged, and it forces all of the filters into self-oscillation at higher resonance settings. Better still, the oscillation waveforms are more harmonically rich than the usual sine waves - everything from gloriously fat to screaming and angry! Best of all, this takes the number of different filters up to a massive thirty two variations!
AJH Synth put a lot of thought into the ergonomics and how to select the individual filter type. Filter type can be changed either with the front panel Mode knob, or by using a control voltage patched to the MODE CV input. The selected filter mode is displayed by the LED next to the filter in use. This is also very helpful when using a step sequencer to change filter mode as it gives a real time display of the filter chosen as you take the step CV voltage up or down, while setting up each individual step.
Lastly, AJH Synth have also included a VCA hard-wired to the output - simply patch an envelope or an LFO to the VCA input, connect a VCO to the audio input and you have a synth voice (with a choice from 32 different filters!) using only three modules!
Thirty two Eurorack VCF's and a VCA would most certainly take up a lot of rack space - AJH Synth have got all of this into 14hp and managed to have a really finger-friendly user interface, without it feeling cramped.
Sixteen distinct filter modes to choose from
Here's a list of the different filter modes that are available:
1 - Four Pole Band Pass
2 - Three Pole High Pass combined with One Pole Low Pass
3 - Three Pole All Pass combined with One Pole Low Pass
4 - Two Pole Notch combined with One Pole Low Pass
5 - Two Pole Low Pass
6 - Four Pole All Pass (Phaser)
7 - Four Pole Low Pass
8 - Two Pole Band Pass
9 - Two Pole High Pass combined with One Pole Low Pass
10 - Three Pole High Pass
11 - Three Pole All Pass
12 - Two Pole Notch
13 - One Pole Low Pass
14 - Two Pole High Pass
15 - Three Pole Low Pass
16 - One Pole High Pass
All of the above filter types can be further altered by switching in P-Vox mode, this doubles the list up to thirty two different filter variants!
P-VOX MODE
Transforming the resonant character of every filter type
This magical switch completely transforms the resonance of the filter core by overdriving it in a similar fashion to the filter from the Soviet Polivoks synthesiser, which was renowned for it's powerful, aggressive character.
In common with the Oberheim Matrix 12 VCF, some of the sixteen filter types will not normally go into self-oscillation, however when you switch on P-Vox mode all sixteen filter types can be forced into self-oscillation at higher resonance settings. But that isn't the only change, the self-oscillation waveform is not the usual sine waveform, it is a rather more interesting and harmonically rich waveform that varies according to the filter type chosen - generally Low Pass modes produce the nearest to regular sine waves, whereas other filter types can produce very much more complex waveforms as can be seen in the diagrams below. It does not require any audio input for this, it can be a stand alone oscillator. Most of the filter types will track 1V/Oct reasonably well over a three to five octave range, so it can be used as a VCO with a few interesting waveshapes!
Of course, P-Vox mode isn't just useful for self-oscillation, it adds lots of character to any audio signal as P-Vox resonance is switched in.
Module Width: 14hp
Module Depth: 29mm (Including power lead)
Current Usage: 56mA Positive, 36mA Negative
… Read moreSupplier's Notes:
Presenting the new AJHSynth Matrix VCF - this may well be the most versatile Eurorack VCF ever.
This amazing multimode filter and VCA offers sixteen different filter types, and two different resonance models on each, totalling an incredible thirty two assorted resonant filters to choose from. AJH Synth have also included manual and CV control of filter type selection, along with 16 LED's that give a clear visual indication of which filter type is currently selected.
The filter core circuitry is based on that of the rare and highly sought after Oberheim Matrix 12 synthesiser, and of course has an all analogue signal path. The Matrix 12 VCF originally offered fifteen filter types, however AJH Synth have expanded this to 16 with the addition of AP4, a full four pole all pass phaser mode.
AJH Synth have added a unique P-Vox resonance distortion and overdrive circuit that changes the character of the resonance completely, and can force all of the filter modes into self oscillation. This effectively doubles the filter variants and hugely broadens what is already a very impressive sound pallet.
Other features include an inbuilt VCA with Input and Output Level controls, a Peak level LED, CV control of resonance, and of course the legendary AJHSynth build quality.
The Matrix VCF in depth
After two years of development AJH Synth have finally released what they consider to be the most versatile Eurorack VCF & VCA ever. Like many other AJHSynth modules it uses the very best vintage analogue circuitry as the starting point for the design, and in this case, the filter was chosen from the rare and very desirable Oberheim Matrix 12 synthesiser. AJH Synth expanded this from the original fifteen filter compliment to sixteen distinct filter types by adding in a really useful four pole phaser!
So, behind the compact 14hp front panel lies sixteen distinct filter types, including all of the favourites: Low Pass filters with a choice of one, two, three or four poles, Band Pass filtering with two or four poles, High Pass filtering with one, two or three pole options, along with Notch filtering and four complex, combination filter types. Finally, a four stage phaser with two types of emphasis that can be forced into tuneful self-oscillation!
However, this is far from the end of the story. AJH Synth decided to use their design expertise to add in some crazy resonance distortion circuitry, that could be switched on from the front panel. This was inspired by the filter from the Soviet Polivoks synthesiser, but again the implementation used here is considerably changed, improved, and best of all this can be applied to all filter types! This completely changes the filter character when engaged, and it forces all of the filters into self-oscillation at higher resonance settings. Better still, the oscillation waveforms are more harmonically rich than the usual sine waves - everything from gloriously fat to screaming and angry! Best of all, this takes the number of different filters up to a massive thirty two variations!
AJH Synth put a lot of thought into the ergonomics and how to select the individual filter type. Filter type can be changed either with the front panel Mode knob, or by using a control voltage patched to the MODE CV input. The selected filter mode is displayed by the LED next to the filter in use. This is also very helpful when using a step sequencer to change filter mode as it gives a real time display of the filter chosen as you take the step CV voltage up or down, while setting up each individual step.
Lastly, AJH Synth have also included a VCA hard-wired to the output - simply patch an envelope or an LFO to the VCA input, connect a VCO to the audio input and you have a synth voice (with a choice from 32 different filters!) using only three modules!
Thirty two Eurorack VCF's and a VCA would most certainly take up a lot of rack space - AJH Synth have got all of this into 14hp and managed to have a really finger-friendly user interface, without it feeling cramped.
Sixteen distinct filter modes to choose from
Here's a list of the different filter modes that are available:
1 - Four Pole Band Pass
2 - Three Pole High Pass combined with One Pole Low Pass
3 - Three Pole All Pass combined with One Pole Low Pass
4 - Two Pole Notch combined with One Pole Low Pass
5 - Two Pole Low Pass
6 - Four Pole All Pass (Phaser)
7 - Four Pole Low Pass
8 - Two Pole Band Pass
9 - Two Pole High Pass combined with One Pole Low Pass
10 - Three Pole High Pass
11 - Three Pole All Pass
12 - Two Pole Notch
13 - One Pole Low Pass
14 - Two Pole High Pass
15 - Three Pole Low Pass
16 - One Pole High Pass
All of the above filter types can be further altered by switching in P-Vox mode, this doubles the list up to thirty two different filter variants!
P-VOX MODE
Transforming the resonant character of every filter type
This magical switch completely transforms the resonance of the filter core by overdriving it in a similar fashion to the filter from the Soviet Polivoks synthesiser, which was renowned for it's powerful, aggressive character.
In common with the Oberheim Matrix 12 VCF, some of the sixteen filter types will not normally go into self-oscillation, however when you switch on P-Vox mode all sixteen filter types can be forced into self-oscillation at higher resonance settings. But that isn't the only change, the self-oscillation waveform is not the usual sine waveform, it is a rather more interesting and harmonically rich waveform that varies according to the filter type chosen - generally Low Pass modes produce the nearest to regular sine waves, whereas other filter types can produce very much more complex waveforms as can be seen in the diagrams below. It does not require any audio input for this, it can be a stand alone oscillator. Most of the filter types will track 1V/Oct reasonably well over a three to five octave range, so it can be used as a VCO with a few interesting waveshapes!
Of course, P-Vox mode isn't just useful for self-oscillation, it adds lots of character to any audio signal as P-Vox resonance is switched in.
Module Width: 14hp
Module Depth: 29mm (Including power lead)
Current Usage: 56mA Positive, 36mA Negative
More than 10 in stock $346.05
Click for better price!
or call +44 20 7424 1960
quote 1085629
quote 1085629
People also bought...
Cat: 667567 Rel: 27 Oct 17 • View all DJ turntables
Professional upper torque turntable system - black
Notes: Killer value from DJ brand Reloop. Classic SL1200-inspired design with solid build quality, accurate sound reproduction plus modern features like a 50% pitch option and reverse button.
Supplier's notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.
Sturdy Casing Construction:
By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.
Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:
The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).
Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:
As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.
High-Resolution Pitch Section with Digital Fader:
Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).
High-Quality Connections and Integrated Phono Pre-Amp:
Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.
Powerful Motor with Extensive Adjustment Possibilities:
The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.
… Read moreSupplier's notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.
Sturdy Casing Construction:
By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.
Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:
The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).
Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:
As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.
High-Resolution Pitch Section with Digital Fader:
Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).
High-Quality Connections and Integrated Phono Pre-Amp:
Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.
Powerful Motor with Extensive Adjustment Possibilities:
The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.
! low stock $463.63
People also bought...
Make Noise MultiMod Multi-Modulation Module (modulation synth module)
Cat: 1067782 Rel: 12 Feb 25 • View all Synth modules
Multi-modulation module in 10hp
Notes: A typically clever approach to modulation from Make Noise, the MultiMod takes a control signal and modifies it into eight related outputs, adjustable by phase and timing. Hugely versatile.
Supplier's Notes:
With MultiMod...from one control signal, we create many.
In a modular synthesiser, it is easy to create complex results via complex means - patching an elaborate network of independent control signals, for example. This can be very powerful but also cumbersome to set up, and potentially difficult to control in a meaningful way. MultiMod represents a new approach: it takes a single control signal and copies it 8 times, not unlike a simple mult, except that it allows you to modify those copies by weighted adjustment of their relative phase and speed. The result is modulation that is related to the source, but not identical at each destination.
Phase sets the spacing of the signal copies in time, weighted by channel, with each progressive channel getting more out of phase from the original signal and from each other. Spread allows for varispeeding the copies by different amounts, with each getting progressively faster or slower than the original Signal. Time determines the range of time captured at the input and therefore also the depth of modulation across copies of the input signal when Phase and Spread are manipulated. MultiMod also includes Tempo, Hold, and Reset features, and a variety of Read Shapes for temporal rearrangement of input signals.
When the input is not patched, MultiMod generates an LFO that is copied eight times and manipulated in the same ways.
MultiMod is built with the latest DSP hardware which offers eight high resolution outputs, with signal input and output ranges approaching the upper limits of the analogue eurorack modular system. All I/O is capable of a 20V range at +/-10V, greatly exceeding the typical 0-5V CV input ranges on typical digital modules.
Specifications
Width: 10hp
Max depth (incl power cable): 39mm
Power:
195mA @+12V
10mA @-12V
… Read moreSupplier's Notes:
With MultiMod...from one control signal, we create many.
In a modular synthesiser, it is easy to create complex results via complex means - patching an elaborate network of independent control signals, for example. This can be very powerful but also cumbersome to set up, and potentially difficult to control in a meaningful way. MultiMod represents a new approach: it takes a single control signal and copies it 8 times, not unlike a simple mult, except that it allows you to modify those copies by weighted adjustment of their relative phase and speed. The result is modulation that is related to the source, but not identical at each destination.
Phase sets the spacing of the signal copies in time, weighted by channel, with each progressive channel getting more out of phase from the original signal and from each other. Spread allows for varispeeding the copies by different amounts, with each getting progressively faster or slower than the original Signal. Time determines the range of time captured at the input and therefore also the depth of modulation across copies of the input signal when Phase and Spread are manipulated. MultiMod also includes Tempo, Hold, and Reset features, and a variety of Read Shapes for temporal rearrangement of input signals.
When the input is not patched, MultiMod generates an LFO that is copied eight times and manipulated in the same ways.
MultiMod is built with the latest DSP hardware which offers eight high resolution outputs, with signal input and output ranges approaching the upper limits of the analogue eurorack modular system. All I/O is capable of a 20V range at +/-10V, greatly exceeding the typical 0-5V CV input ranges on typical digital modules.
Specifications
Width: 10hp
Max depth (incl power cable): 39mm
Power:
195mA @+12V
10mA @-12V
7 in stock $376.28
Click for better price!
or call +44 20 7424 1960
quote 1067782
quote 1067782
People also bought...
Cat: 718805 Rel: 14 Mar 19 • View all DJ turntables
Professional direct drive manual turntable - black
Notes: One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.
Supplier notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.
Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.
Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.
Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
… Read moreSupplier notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.
Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.
Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.
Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
5 in stock $405.40
Click for better price!
or call +44 20 7424 1960
quote 718805
quote 718805
People also bought...
Reloop Flux 3-Channel USB-C DVS Interface For Serato DJ Pro (DVS interface)
Cat: 938972 Rel: 26 Jun 23 • View all DJ audio interfaces
A 3-channel (6x6 in/out) USB-C DVS interface for Serato DJ Pro.
Notes: Reloop's next-generation interface is the go-to for connecting turntables and media players to Serato, offering three stereo inputs and three stereo outputs. Studio-quality 24-bit / 96 kHz conversion and built-in USB-A hub.
Supplier's Notes:
Back to the music
The Reloop Flux is a next-generation USB-C interface for using Serato DJ Pro with turntables, CDJs or other media players. The interface boasts superior audio qualities, a well-designed operating concept and a club-ready design. It can transform any conventional mixer into a professional digital vinyl system.
Maximum flexibility
Three stereo inputs provide DJs with maximum flexibility. Turntables, CDJs and similar can be used in any combination. The settings are adjusted using discreet DIP switches, which virtually eliminates any chance of accidental switching in the club. The interface includes three stereo outputs, including an AUX out that can be routed to Serato's internal sampler. Gold-plated, corrosion-resistant RCA jacks ensure high-quality audio transmission.
Full control
The Flux provides the best possible routing overview thanks to clearly visible signal flow LEDs for all inputs and outputs and a Thru status indicator. Connection status (hub, PD, DC) LED indicators on the top of the interface provide additional control options. The Direct Thru buttons on the top of the interface enable you to quickly and easily activate and disable Thru mode, which allows connected turntables and CDJs to be used conventionally. Navigation through the Serato software is no longer necessary.
Hub inside
The Flux includes a built-in 2-port USB-A hub for connecting MIDI controllers and other USB accessories. Aside from the expanded connection options, the hub reduces potential connection faults in a busy club environment by keeping the setup connected even without the laptop.
Studio quality - anytime, anywhere
The Flux offers studio quality in the club and wherever it's needed with 24-bit/96 kHz, high-quality digital/analogue converters and ultra-low latency. For this reason, it's a superior DVS interface which could also be used as an audio interface in the studio.
Always powered
The Flux is bus-powered by a computer, so there's minimal wiring required for audio and power cables. The DVS interface can also be powered by external power sources through the USB-C DC input, allowing turntables and CDJs to be used in Thru mode even without a computer connected. The Flux's second USB-C port provides Power Delivery support for other USB-C devices (max. 60 W), such as a MacBook.
Robust & roadworthy
The interface has a durable metal housing with a scratch-resistant, black surface, ensuring a long service life even with heavy use. The extended edge design keeps the connections well-protected.
Plug & play for Serato DJ
The Reloop Flux unlocks the full version of Serato DJ Pro and Serato DVS. This means DJs can get up and running with the market-leading digital vinyl system in no time. Additional licences are not necessary.
Features:
3-channel (6x6 in/out) USB-C DVS interface for Serato DJ Pro
Turn any mixer into a professional digital vinyl system
Unlocks full version of Serato DJ Pro and Serato DVS
Studio-grade 24-bit sound card with crystal-clear audio and ultra-low latency response
Supports up to 96kHz with high-quality D/A converters for superior audio processing
Also functions as a stand-alone studio interface for recording and playback audio
3x inputs for turntables, CD players or AUX-In for live feed signal, switchable in any combination via dedicated dip switches
Dedicated GND terminal for grounding turntables
Gold-plated, corrosion-resistant audio connections
3x line outputs, including AUX-Out, assignable to the Sampler
Easy, accessible direct thru buttons for analogue deck playback
All terminals are visible from the top of the unit for easy installation in dark surroundings
Bus-powered cable connection for power and audio
Optional USB-C DC in port for external power supply
Power delivery support for USB-C devices (max 60W)
Signal-flow LEDs for all inputs and outputs (L/R) and thru indication for clear visibility
Power LEDs on the top panel for connection status (Hub, PD, DC)
2-port USB-A hub for connecting further accessories
Rugged, heavy-duty metal housing with a scratch-resistant black finish for durability on the road and reliability in the club
Highly robust, extended edge design to protect connection terminals
Supports the use of Serato NoiseMap™ control vinyl (not included) or custom control signal WAV file for use via CDs or USB drive (download available) with no additional license purchase needed
Including: 2x RCA audio cables, 1x USB-A to USB-C, 1x USB-C to USB-C, user manual
Technical Data
Power:
USB bus powered: Yes
Recommended power: 2 A or higher / minimum power: 400 mA
Maximum USB-PD throughput: 60 W
Maximum USB Hub power output: 2 x 0.8 A = 8 W
Supported external USB (type A or C) power supply: 5 V/1 A - 20 V/3 A
Power supply priority: FLUX self-power -> USB Hub -> PD (to PC)
Audio:
S/N Ratio (output reference level 1 kHz, +4 dB):
- Deck In (LINE signal input: 0 dBV): More than 83 dB
- Deck In (PHONO signal input: -32 dBV): More than 73 dB
THD + N:
-LINE signal input: -4 dBV @1K / Less than 0.03% (1 kHz,+0 dB)
-PHONO signal input: -36 dBV @1K / Less than 0.05% (1 kHz,+0 dB, Inverse RIAA)
Maximum Gain:
- Deck In (LINE): +4 dB i 2 dB
- Deck In (PHONO): +36 dB i 2 dB
Maximum Input (1 kHz, THD=1%):
- Deck In (LINE): More than +7 dBV
- Deck In (PHONO): More than -25 dBV
Maximum Output (1 kHz, THD=1%):
- Deck Output: More than +11 dBV
USB:
USB audio interface with 24 bit/44.1 kHz, 48 kHz, 96 kHz
USB 2.0 high-speed (480 Mbit/s)
Class-compliant on macOS
USB Power Delivery Protocol 3.0
General:
Dimensions (W x D x H): 160 x 120 x 34 mm
Weight: 0.85 kg
Accessories: User Manual, 1x USB type C/C cable, 1x USB type C/A cable, 2x RCA cable bit
… Read moreSupplier's Notes:
Back to the music
The Reloop Flux is a next-generation USB-C interface for using Serato DJ Pro with turntables, CDJs or other media players. The interface boasts superior audio qualities, a well-designed operating concept and a club-ready design. It can transform any conventional mixer into a professional digital vinyl system.
Maximum flexibility
Three stereo inputs provide DJs with maximum flexibility. Turntables, CDJs and similar can be used in any combination. The settings are adjusted using discreet DIP switches, which virtually eliminates any chance of accidental switching in the club. The interface includes three stereo outputs, including an AUX out that can be routed to Serato's internal sampler. Gold-plated, corrosion-resistant RCA jacks ensure high-quality audio transmission.
Full control
The Flux provides the best possible routing overview thanks to clearly visible signal flow LEDs for all inputs and outputs and a Thru status indicator. Connection status (hub, PD, DC) LED indicators on the top of the interface provide additional control options. The Direct Thru buttons on the top of the interface enable you to quickly and easily activate and disable Thru mode, which allows connected turntables and CDJs to be used conventionally. Navigation through the Serato software is no longer necessary.
Hub inside
The Flux includes a built-in 2-port USB-A hub for connecting MIDI controllers and other USB accessories. Aside from the expanded connection options, the hub reduces potential connection faults in a busy club environment by keeping the setup connected even without the laptop.
Studio quality - anytime, anywhere
The Flux offers studio quality in the club and wherever it's needed with 24-bit/96 kHz, high-quality digital/analogue converters and ultra-low latency. For this reason, it's a superior DVS interface which could also be used as an audio interface in the studio.
Always powered
The Flux is bus-powered by a computer, so there's minimal wiring required for audio and power cables. The DVS interface can also be powered by external power sources through the USB-C DC input, allowing turntables and CDJs to be used in Thru mode even without a computer connected. The Flux's second USB-C port provides Power Delivery support for other USB-C devices (max. 60 W), such as a MacBook.
Robust & roadworthy
The interface has a durable metal housing with a scratch-resistant, black surface, ensuring a long service life even with heavy use. The extended edge design keeps the connections well-protected.
Plug & play for Serato DJ
The Reloop Flux unlocks the full version of Serato DJ Pro and Serato DVS. This means DJs can get up and running with the market-leading digital vinyl system in no time. Additional licences are not necessary.
Features:
3-channel (6x6 in/out) USB-C DVS interface for Serato DJ Pro
Turn any mixer into a professional digital vinyl system
Unlocks full version of Serato DJ Pro and Serato DVS
Studio-grade 24-bit sound card with crystal-clear audio and ultra-low latency response
Supports up to 96kHz with high-quality D/A converters for superior audio processing
Also functions as a stand-alone studio interface for recording and playback audio
3x inputs for turntables, CD players or AUX-In for live feed signal, switchable in any combination via dedicated dip switches
Dedicated GND terminal for grounding turntables
Gold-plated, corrosion-resistant audio connections
3x line outputs, including AUX-Out, assignable to the Sampler
Easy, accessible direct thru buttons for analogue deck playback
All terminals are visible from the top of the unit for easy installation in dark surroundings
Bus-powered cable connection for power and audio
Optional USB-C DC in port for external power supply
Power delivery support for USB-C devices (max 60W)
Signal-flow LEDs for all inputs and outputs (L/R) and thru indication for clear visibility
Power LEDs on the top panel for connection status (Hub, PD, DC)
2-port USB-A hub for connecting further accessories
Rugged, heavy-duty metal housing with a scratch-resistant black finish for durability on the road and reliability in the club
Highly robust, extended edge design to protect connection terminals
Supports the use of Serato NoiseMap™ control vinyl (not included) or custom control signal WAV file for use via CDs or USB drive (download available) with no additional license purchase needed
Including: 2x RCA audio cables, 1x USB-A to USB-C, 1x USB-C to USB-C, user manual
Technical Data
Power:
USB bus powered: Yes
Recommended power: 2 A or higher / minimum power: 400 mA
Maximum USB-PD throughput: 60 W
Maximum USB Hub power output: 2 x 0.8 A = 8 W
Supported external USB (type A or C) power supply: 5 V/1 A - 20 V/3 A
Power supply priority: FLUX self-power -> USB Hub -> PD (to PC)
Audio:
S/N Ratio (output reference level 1 kHz, +4 dB):
- Deck In (LINE signal input: 0 dBV): More than 83 dB
- Deck In (PHONO signal input: -32 dBV): More than 73 dB
THD + N:
-LINE signal input: -4 dBV @1K / Less than 0.03% (1 kHz,+0 dB)
-PHONO signal input: -36 dBV @1K / Less than 0.05% (1 kHz,+0 dB, Inverse RIAA)
Maximum Gain:
- Deck In (LINE): +4 dB i 2 dB
- Deck In (PHONO): +36 dB i 2 dB
Maximum Input (1 kHz, THD=1%):
- Deck In (LINE): More than +7 dBV
- Deck In (PHONO): More than -25 dBV
Maximum Output (1 kHz, THD=1%):
- Deck Output: More than +11 dBV
USB:
USB audio interface with 24 bit/44.1 kHz, 48 kHz, 96 kHz
USB 2.0 high-speed (480 Mbit/s)
Class-compliant on macOS
USB Power Delivery Protocol 3.0
General:
Dimensions (W x D x H): 160 x 120 x 34 mm
Weight: 0.85 kg
Accessories: User Manual, 1x USB type C/C cable, 1x USB type C/A cable, 2x RCA cable bit
6 in stock $310.21
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Qu-Bit Data Bender Circuit Bent Audio Buffer Module (black) (digital/distortion/sampling/dual/stereo synth module)
Cat: 766026 Rel: 26 Oct 20 • View all Synth modules
audio buffer module
Notes: Glitchy business with this digital module based on the sound of scratched CDs, buggy software and failing hardware. Stereo in and out with up to five minutes sampling time.
Supplier's Notes:
Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The audio buffer can hold up to five minutes of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.
… Read moreSupplier's Notes:
Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The audio buffer can hold up to five minutes of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.
1 in stock $389.72
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Knobula Monumatic Polyphonic Synthesiser Module (synth voice module)
Cat: 1083184 Rel: 15 Apr 25 • View all Synth modules
Fully polyphonic 8-voice synthesiser and a monophonic synthesiser - 12HP
Notes: Part of Knobula's excellent polyphonic Eurorack range, the Monumatic is an eight-voice poly/monophonic synth module with 16 oscillator modes, covering everything from virtual analogue to cutting-edge tone generation algorithms.
Supplier's Notes:
Monumatic is a fully polyphonic 8-voice synthesiser and a monophonic synthesiser packed into a compact 12HP module.
It features16 selectable oscillator modes to provide a diverse range of both classic and futuristic tone generation using exclusively virtual analog algorithms. These include; Roland super-saw, Polymoog vox humana, Casio phase distortion, Solina string synth, percussive drawbar organs , "noisy cassette" strings, pulse width modulation and some gnarly asymmetric sync oscillators, all modelled without samples and each one of these customisable using the Detune control and each providing the foundation for further signal processing though the filter and effects sections.
6 powerful filter types are provided, including a vocal vowel filter, a 24db/oct Butterworth low pass filter, a dual peak notch filter and a phase shifter, each of which features an overdrive setting.
Like its sibling module Poly Cinematic, Monumatic is designed to be simple to use yet versatile, offering minimal controls to access a wealth of sounds, avoiding the need to scroll through 1000s of complex presets.
Monumatic supports full analog control of every parameter, with two instantly assignable CV inputs, as well as dedicated CV inputs for Gate, V/Oct and Filter cutoff, with additional digital control using comprehensive Midi CC and MPE implementation. An altogether unparalleled potential for expansion and integration into the eurorack universe.
As well as full midi capability, the 8 built-in chord presets can be custom programmed to provide polyphonic stabs and pads and using a single CV/Gate input, arpeggios can be layered polyphonically or "plucked" using long release times. The mono/poly function allows the Monumatic to switch between a fully capable poly synth or a mono synth at the touch of a button.
In polyphonic mode Monumatic introduces an advanced micro-tuning system to modular synthesis, it can replicate the organic drift of vintage analogue oscillators or it can apply realtime tuning temperaments to enhance harmonic authenticity using 'just' intonation, this parameter can even be assigned to CV control.
… Read moreSupplier's Notes:
Monumatic is a fully polyphonic 8-voice synthesiser and a monophonic synthesiser packed into a compact 12HP module.
It features16 selectable oscillator modes to provide a diverse range of both classic and futuristic tone generation using exclusively virtual analog algorithms. These include; Roland super-saw, Polymoog vox humana, Casio phase distortion, Solina string synth, percussive drawbar organs , "noisy cassette" strings, pulse width modulation and some gnarly asymmetric sync oscillators, all modelled without samples and each one of these customisable using the Detune control and each providing the foundation for further signal processing though the filter and effects sections.
6 powerful filter types are provided, including a vocal vowel filter, a 24db/oct Butterworth low pass filter, a dual peak notch filter and a phase shifter, each of which features an overdrive setting.
Like its sibling module Poly Cinematic, Monumatic is designed to be simple to use yet versatile, offering minimal controls to access a wealth of sounds, avoiding the need to scroll through 1000s of complex presets.
Monumatic supports full analog control of every parameter, with two instantly assignable CV inputs, as well as dedicated CV inputs for Gate, V/Oct and Filter cutoff, with additional digital control using comprehensive Midi CC and MPE implementation. An altogether unparalleled potential for expansion and integration into the eurorack universe.
As well as full midi capability, the 8 built-in chord presets can be custom programmed to provide polyphonic stabs and pads and using a single CV/Gate input, arpeggios can be layered polyphonically or "plucked" using long release times. The mono/poly function allows the Monumatic to switch between a fully capable poly synth or a mono synth at the touch of a button.
In polyphonic mode Monumatic introduces an advanced micro-tuning system to modular synthesis, it can replicate the organic drift of vintage analogue oscillators or it can apply realtime tuning temperaments to enhance harmonic authenticity using 'just' intonation, this parameter can even be assigned to CV control.
1 in stock $445.72
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Erica Synths Perkons Voice Drum Module (drum synth module)
Cat: 1067659 Rel: 03 Feb 25 • View all Synth modules
Erica Synths Perkons Voice is a eurorack incarnation of the percussion voices from the PERKONS HD-01 Drum machine
Notes: The brilliant Perkons drum machine comes to Eurorack. A single hybrid drum voice with digital sound engine and analogue filter/overdrive, the Perkons Voice is flexible and supremely powerful.
Supplier's Notes:
Erica Synths Perkons Voice is a eurorack incarnation of the percussion voices from the PERKONS HD-01 Drum machine. Like on the drum machine, the module has hybrid architecture, featuring a digital sound engine followed by an analogue multimode filter and overdrive. Users can select among 13 sound generation algorithms and save up to 99 presets that can be recalled easily. Tune and Patch CV inputs are configurable for various CV settings and are tuned to 1V/oct. Module also features a 4-voice poly overlap mode and samples on the "Rompler" engine can be easily replaced.
Specifications:
Audio output: 10Vptp
CV levels configurable: -5V - +5V
Power consumption: +59mA, -30mA
Module width: 14HP
Module depth: 35mm
… Read moreSupplier's Notes:
Erica Synths Perkons Voice is a eurorack incarnation of the percussion voices from the PERKONS HD-01 Drum machine. Like on the drum machine, the module has hybrid architecture, featuring a digital sound engine followed by an analogue multimode filter and overdrive. Users can select among 13 sound generation algorithms and save up to 99 presets that can be recalled easily. Tune and Patch CV inputs are configurable for various CV settings and are tuned to 1V/oct. Module also features a 4-voice poly overlap mode and samples on the "Rompler" engine can be easily replaced.
Specifications:
Audio output: 10Vptp
CV levels configurable: -5V - +5V
Power consumption: +59mA, -30mA
Module width: 14HP
Module depth: 35mm
1 in stock $318.05
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Intellijel Sealegs Multi-Mode Stereo Character Delay Module With Reverb (effect synth module)
Cat: 966771 Rel: 08 Sep 23 • View all Synth modules
Multi-mode stereo character delay module with reverb - 20HP.
Notes: Multi-model stereo delay with reverb, featuring tape, bucket brigade and crossfading digital models, plus saturation, filters, internal modulation plus tons of CV control. Vibey as hell.
Supplier's Notes:
It's all gone a bit wobbly
Intellijel's design goal for Sealegs was to create the warmest, most musical and organic delay module possible - something that would sweeten and enhance any audio one chose to feed into it. As such, great care has gone into modelling the most distinctive and desirable sonic characteristics of three different types of delay circuits: Tape; Bucket Brigade, and Crossfading Digital.
A plethora of onboard controls enable you to dial in exactly the sound you want; synced or un-synced delays times (for both left and right channels); a built-in modulator with seven morphing waveshapes, a Wow & Flutter emulation, and an envelope follower; plus dedicated low- and high-pass filters; built-in hiss & crackle noises; per-model colour controls; a spacious reverb; and a re-configurable signal flow through the unit. In addition, attenuverted modulation inputs abound - ensuring the delay ebbs and flows with your musical needs.
Features
Three Unique delay models with per-model "Color", modulation behaviour, and saturation/limiting
Three Stereo configurations (PONG, L/R, Time/Width)
Built-in modulator with multiple, morphing wave shapes
Lush, routable 1970s-inspired reverb
Noise control to introduce hiss and crackle.
Highpass and lowpass filters for filtered repeats
Input drive with level trim
Per-model Freeze functionality for holding the delay contents and looping
Delay times up to 6 sec (L channel) and 8 sec (R channel, Width adds 33% to Time)
9 CV inputs (with attenuverters)
Stable external clock syncing (or tap tempo)
96 kHz, 32-bit stereo floating point processing
Size: 20HP
Depth: 29mm
Power: 116mA @ +12V 10mA @ -12V
… Read moreSupplier's Notes:
It's all gone a bit wobbly
Intellijel's design goal for Sealegs was to create the warmest, most musical and organic delay module possible - something that would sweeten and enhance any audio one chose to feed into it. As such, great care has gone into modelling the most distinctive and desirable sonic characteristics of three different types of delay circuits: Tape; Bucket Brigade, and Crossfading Digital.
A plethora of onboard controls enable you to dial in exactly the sound you want; synced or un-synced delays times (for both left and right channels); a built-in modulator with seven morphing waveshapes, a Wow & Flutter emulation, and an envelope follower; plus dedicated low- and high-pass filters; built-in hiss & crackle noises; per-model colour controls; a spacious reverb; and a re-configurable signal flow through the unit. In addition, attenuverted modulation inputs abound - ensuring the delay ebbs and flows with your musical needs.
Features
Three Unique delay models with per-model "Color", modulation behaviour, and saturation/limiting
Three Stereo configurations (PONG, L/R, Time/Width)
Built-in modulator with multiple, morphing wave shapes
Lush, routable 1970s-inspired reverb
Noise control to introduce hiss and crackle.
Highpass and lowpass filters for filtered repeats
Input drive with level trim
Per-model Freeze functionality for holding the delay contents and looping
Delay times up to 6 sec (L channel) and 8 sec (R channel, Width adds 33% to Time)
9 CV inputs (with attenuverters)
Stable external clock syncing (or tap tempo)
96 kHz, 32-bit stereo floating point processing
Size: 20HP
Depth: 29mm
Power: 116mA @ +12V 10mA @ -12V
4 in stock $444.60
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Make Noise Mimeophon Multi-Colour Zone Stereo Repeater Module (effects synth module)
Cat: 732819 Rel: 21 Oct 19 • View all Synth modules
Audio repeater synth module - 16HP
Notes: Freaky stereo digital delay from the Eurorack gods at Make Noise. Typically creative stuff, packed full of interesting features for creating complex echoes, modulating sounds and generating loops.
Supplier notes:
The Mimeophon music synthesiser module is a stereo, multi-zone colour audio repeater by Make Noise and soundhack, coded by Tom Erbe.
The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a modern take on various historical sound copying, echo and repeating devices. It allows for Stereo modulations of Time, Space and Timbre of Mono or Stereo sound sources. The Mimeophon is capable of modulating and morphing time scales of repeated sound from micro-sound to note to phrase length while also colouring and spatializing the repeats.
… Read moreSupplier notes:
The Mimeophon music synthesiser module is a stereo, multi-zone colour audio repeater by Make Noise and soundhack, coded by Tom Erbe.
The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a modern take on various historical sound copying, echo and repeating devices. It allows for Stereo modulations of Time, Space and Timbre of Mono or Stereo sound sources. The Mimeophon is capable of modulating and morphing time scales of repeated sound from micro-sound to note to phrase length while also colouring and spatializing the repeats.
3 in stock $412.12
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Befaco Oneiroi Complex Synth Voice Module (synth voice synth module)
Cat: 1019659 Rel: 18 Jul 24 • View all Synth modules
Complex synth voice module - 30HP
Notes: A really interesting synth voice module from Befaco, the Oneiroi specialises in ambient pads, drones and soundscapes thanks to a combination of oscillators, looping, effects and randomisation. True stereo textures from a single module.
Supplier's Notes:
Experimental synth voice focused on ambient pads and drone-like soundscapes.
Shape your performance
At its core, there is a Sine Wave Oscillator, Wavetable/Supersaw, and a joyful Looper. This is followed by an FX section featuring a Multimode filter, a Resonator, a Delay, and a Reverb.
His randomizer creates instant patches at the touch of a button.
The Looper can record the external input or the output with "Sound On Sound" looping.
5-second Looper records either the stereo input or the module's output, the Wavetable oscillator uses the Looper buffer
The atmosphere creator
A full-stereo synthesiser that easily creates dense atmospheres for hypnotic music or cinematic sound design.
Featuring three oscillators, four effects, a looper, modulation with complex routing, and a randomizer.
Powerful randomizer with four different targets that acts in different ways depending on the position of the two switches, three levels of intensity and undo/redo.
Specs
Current needs: +12V=200mA, -12V=60mA
Width: 30 HP
Depth Assembled Version: 25mm
Designed, kits prepared and assembled in Barcelona.
… Read moreSupplier's Notes:
Experimental synth voice focused on ambient pads and drone-like soundscapes.
Shape your performance
At its core, there is a Sine Wave Oscillator, Wavetable/Supersaw, and a joyful Looper. This is followed by an FX section featuring a Multimode filter, a Resonator, a Delay, and a Reverb.
His randomizer creates instant patches at the touch of a button.
The Looper can record the external input or the output with "Sound On Sound" looping.
5-second Looper records either the stereo input or the module's output, the Wavetable oscillator uses the Looper buffer
The atmosphere creator
A full-stereo synthesiser that easily creates dense atmospheres for hypnotic music or cinematic sound design.
Featuring three oscillators, four effects, a looper, modulation with complex routing, and a randomizer.
Powerful randomizer with four different targets that acts in different ways depending on the position of the two switches, three levels of intensity and undo/redo.
Specs
Current needs: +12V=200mA, -12V=60mA
Width: 30 HP
Depth Assembled Version: 25mm
Designed, kits prepared and assembled in Barcelona.
2 in stock $444.60
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Nektar Panorama CS12 Channel Strip Controller For Logic Pro (channel strip controller)
Cat: 1003602 Rel: 23 Apr 24 • View all MIDI controllers
Channel strip controller for Logic Pro
Notes: Logic Pro users, pay close attention. Full channel strip control via one of the most ergonomic, effectively designed options around. Take charge via a 100mm motorised fader, dedicated pan knob and 12 assignable pots.
Supplier's Notes:
The Best Channel Strip Controller for Logic Pro
Panorama CS12 does what no other controller can do: Give full control of all Logic Pro channel strip parameters including plugins. There is nothing vanilla about Panorama CS12. The entire workflow is designed from the ground up, which enables astonishing features, with a workflow never seen on a control surface before.
High Resolution Fader with a Touch of Class!
A 100mm ALPS motorized fader follows the selected mixer channel when you work. With up to 14 bit resolution, you get detailed control with touch sensing enabling automation override and update captures in real time.
Paired with a dedicated pan control, as well as buttons for solo, mute and record arm, you have instant access to all main mixer parameters on the selected channel.
Create Clean Automation, Easy and Fast
Recording automation can get messy with lots of data generated even when a simple fader is needed. Panorama CS12 solves the problem by giving you the option to insert automation points.
Touch the fader, set the value with the fader, and done!
Jump to the next position in the timeline and insert another automation point. Clean, easy and fast.
Complete Insert FX Plugin Control
Panorama CS12 excels at controlling plugins. You can control any plugin without looking at the plugins' UI so you can focus on creating, composing and editing.
Many commonly used plugins are pre-mapped including of course Logic Pro's own. Panorama CS12 dedicates 12 RGB illuminated 360 pots, 4 display buttons and an additional 4 RGB LED buttons to plugin control. Every control can be assigned on multiple pages ensuring as a complete plugin experience, with no parameter left behind.
Via the ControlCore mapping system, it stores all settings in unique files so they can be ported to other computer systems and ensure compatibility with other DAWs in the future.
Any Plugin? ....Really?
Any plugin that presents its parameters for automation in Logic Pro, can be controlled from Panorama CS12. That includes Logic Pro's own plugins and any AU plugin hosted in Logic Pro.
There is no wrapper or plugin host. It just works.
Plugin Slot Selection
CS12 control insert plugins like no controller has ever done before. The 8 plugin slot select buttons are illuminated when plugins are present in the first 8 slots and the top button toggles between slots 1-8/9-16. Press a button and control the insert plugin immediately. Press another button and now control that plugin.
Control Any Parameter NOW
Control any parameter by simply clicking on it. The 100mm ALPS fader immediately jumps to the clicked parameters position and you take over from there. The fader or pan rotary, can be used to control any parameter in the currently selected Logic Pro channel, at any time.
Activate the Select button and the motorized fader now controls any parameter you click. Any mixer channel, instrument or insert effect plugin parameters. Click, control, click control. Super easy.
Plugin Parameter Learn
A plugin quick learn feature enables assignments on the fly. It's as simple as moving a parameter and moving a control to complete assignment. And while you are at it, change the LED colour of the control too.
Nektarine Map Creation
For the ultimate in control mapping, use the included Nektarine application/plugin. Assign parameters to controls using drag and drop, create your page structure and name parameters and pages so they are optimized for CS12. Once saved, plugin maps are picked up by ControlCore for use with CS12.
Precision control at 10x resolution
14 bit control resolution is not limited to the motorized fader. With the Fine button (magnifier icon) enabled each of the 12 pots control at 14 bit resolution. In practice this means you'll be able adjust parameters with the same fine grained values available through your plugins UI or up to 10 x regular control resolution.
Features & specifications
Panorama CS12
1 100mm ALPS motorized fader.
4 RGB LED control buttons.
6 segment LED meter.
3.5" TFT colour display.
4 display buttons.
4 channel strip LED buttons.
18 Function and navigation LED buttons
2 encoders for zoom and tempo.
1 encoder with push button for Data/Menu
13 endless or 360 potentiometers with RGB LED illumination.
11 RGB LED buttons for selection of channel strip sections.
1/4" TRS Footswitch socket for basic handsfree DAW control.
Connect up to two foot switches using TRS to TS Y-cable splitter.
System requirements
USB class compliant, no driver needed.
Nektar ControlCore installation required. Unit doesn't operate on its own.
A Nektar account for registration and download of support files.
USB Power Requirement: 500 mA minimum, connect to a USB high power port recommended.
MacOS: 11.5 or later.
Logic Pro: 10.7.8 or higher.
Dimensions & weight
39 cm (L) x 11,5 cm (D) x 3,2 cm (H), 0,49 kgs
In the box
Panorama CS12
Quickstart guide and functional overview. All other documentation is part of the download package.
USB A to C cable.
… Read moreSupplier's Notes:
The Best Channel Strip Controller for Logic Pro
Panorama CS12 does what no other controller can do: Give full control of all Logic Pro channel strip parameters including plugins. There is nothing vanilla about Panorama CS12. The entire workflow is designed from the ground up, which enables astonishing features, with a workflow never seen on a control surface before.
High Resolution Fader with a Touch of Class!
A 100mm ALPS motorized fader follows the selected mixer channel when you work. With up to 14 bit resolution, you get detailed control with touch sensing enabling automation override and update captures in real time.
Paired with a dedicated pan control, as well as buttons for solo, mute and record arm, you have instant access to all main mixer parameters on the selected channel.
Create Clean Automation, Easy and Fast
Recording automation can get messy with lots of data generated even when a simple fader is needed. Panorama CS12 solves the problem by giving you the option to insert automation points.
Touch the fader, set the value with the fader, and done!
Jump to the next position in the timeline and insert another automation point. Clean, easy and fast.
Complete Insert FX Plugin Control
Panorama CS12 excels at controlling plugins. You can control any plugin without looking at the plugins' UI so you can focus on creating, composing and editing.
Many commonly used plugins are pre-mapped including of course Logic Pro's own. Panorama CS12 dedicates 12 RGB illuminated 360 pots, 4 display buttons and an additional 4 RGB LED buttons to plugin control. Every control can be assigned on multiple pages ensuring as a complete plugin experience, with no parameter left behind.
Via the ControlCore mapping system, it stores all settings in unique files so they can be ported to other computer systems and ensure compatibility with other DAWs in the future.
Any Plugin? ....Really?
Any plugin that presents its parameters for automation in Logic Pro, can be controlled from Panorama CS12. That includes Logic Pro's own plugins and any AU plugin hosted in Logic Pro.
There is no wrapper or plugin host. It just works.
Plugin Slot Selection
CS12 control insert plugins like no controller has ever done before. The 8 plugin slot select buttons are illuminated when plugins are present in the first 8 slots and the top button toggles between slots 1-8/9-16. Press a button and control the insert plugin immediately. Press another button and now control that plugin.
Control Any Parameter NOW
Control any parameter by simply clicking on it. The 100mm ALPS fader immediately jumps to the clicked parameters position and you take over from there. The fader or pan rotary, can be used to control any parameter in the currently selected Logic Pro channel, at any time.
Activate the Select button and the motorized fader now controls any parameter you click. Any mixer channel, instrument or insert effect plugin parameters. Click, control, click control. Super easy.
Plugin Parameter Learn
A plugin quick learn feature enables assignments on the fly. It's as simple as moving a parameter and moving a control to complete assignment. And while you are at it, change the LED colour of the control too.
Nektarine Map Creation
For the ultimate in control mapping, use the included Nektarine application/plugin. Assign parameters to controls using drag and drop, create your page structure and name parameters and pages so they are optimized for CS12. Once saved, plugin maps are picked up by ControlCore for use with CS12.
Precision control at 10x resolution
14 bit control resolution is not limited to the motorized fader. With the Fine button (magnifier icon) enabled each of the 12 pots control at 14 bit resolution. In practice this means you'll be able adjust parameters with the same fine grained values available through your plugins UI or up to 10 x regular control resolution.
Features & specifications
Panorama CS12
1 100mm ALPS motorized fader.
4 RGB LED control buttons.
6 segment LED meter.
3.5" TFT colour display.
4 display buttons.
4 channel strip LED buttons.
18 Function and navigation LED buttons
2 encoders for zoom and tempo.
1 encoder with push button for Data/Menu
13 endless or 360 potentiometers with RGB LED illumination.
11 RGB LED buttons for selection of channel strip sections.
1/4" TRS Footswitch socket for basic handsfree DAW control.
Connect up to two foot switches using TRS to TS Y-cable splitter.
System requirements
USB class compliant, no driver needed.
Nektar ControlCore installation required. Unit doesn't operate on its own.
A Nektar account for registration and download of support files.
USB Power Requirement: 500 mA minimum, connect to a USB high power port recommended.
MacOS: 11.5 or later.
Logic Pro: 10.7.8 or higher.
Dimensions & weight
39 cm (L) x 11,5 cm (D) x 3,2 cm (H), 0,49 kgs
In the box
Panorama CS12
Quickstart guide and functional overview. All other documentation is part of the download package.
USB A to C cable.
More than 10 in stock $342.69
Click for better price!
or call +44 20 7424 1960
quote 1003602
quote 1003602
People also bought...
Cat: 718811 Rel: 14 Mar 19 • View all DJ turntables
Professional direct drive manual turntable - silver
Notes: One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.
Supplier's notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.
Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.
Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.
Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
… Read moreSupplier's notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.
Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.
Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.
Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
1 in stock $417.67
Click for better price!
or call +44 20 7424 1960
quote 718811
quote 718811
People also bought...
Xaoc Devices Timiszoara 1970 Voltage Controlled DSP Effektor Module (effect synth module)
Cat: 860474 Rel: 06 Jun 22 • View all Synth modules
Stereophonic/dual DSP unit based on the acclaimed, 24-bit Spin FV1 engine from Spin Semiconductor.
Notes: Another cracker from Xaoc, the Timiszoara is a take on digital multi-effects with stereo in and out, an intuitive interface and CV control of effect parameters. Big power with 176 factory programs.
Supplier's Notes:
Timiszoara is a stereo, Eurorack compatible, voltage-controlled multi-effect signal processor based on the popular Spin Semiconductor FV-1 DSP chip. It features a full stereo signal path with two adjustable audio inputs, two outputs, and a stereo voltage-controlled wet/dry mixer. In addition, there is a microSD memory card slot on the front panel that allows for loading factory and custom effects without any restrictions or copyright protection, which means you can use many effects available on the Internet and even create your own.
Effect programs are organized in banks of 8 and can be selected using a rotary encoder, as well as CV and trigger signals. Timiszoara features a crisp OLED screen that displays the program parameters and its name. It also facilitates navigating the list of banks. Up to three parameters per effect can be controlled from the front panel with illuminated slider potentiometers and dedicated CV inputs.
Xaoc Devices have prepared quite a few banks of algorithms (176 in total) that cover most effects needs: delays, reverbs, filters, modulation effects (such as choruses and flangers), pitch shifters, and, of course, shimmers (no multi-effects unit would be complete without its share of those). However, Xaoc Devices wanted to ensure that users had access to some more adventurous programs, so some special banks have been created to allow you to take a walk on the wild side.
For detailed description, please refer to the manual.
Technical details:
10hp, skiff friendly
Current draw: +120/-45 mA
Reverse power protection
… Read moreSupplier's Notes:
Timiszoara is a stereo, Eurorack compatible, voltage-controlled multi-effect signal processor based on the popular Spin Semiconductor FV-1 DSP chip. It features a full stereo signal path with two adjustable audio inputs, two outputs, and a stereo voltage-controlled wet/dry mixer. In addition, there is a microSD memory card slot on the front panel that allows for loading factory and custom effects without any restrictions or copyright protection, which means you can use many effects available on the Internet and even create your own.
Effect programs are organized in banks of 8 and can be selected using a rotary encoder, as well as CV and trigger signals. Timiszoara features a crisp OLED screen that displays the program parameters and its name. It also facilitates navigating the list of banks. Up to three parameters per effect can be controlled from the front panel with illuminated slider potentiometers and dedicated CV inputs.
Xaoc Devices have prepared quite a few banks of algorithms (176 in total) that cover most effects needs: delays, reverbs, filters, modulation effects (such as choruses and flangers), pitch shifters, and, of course, shimmers (no multi-effects unit would be complete without its share of those). However, Xaoc Devices wanted to ensure that users had access to some more adventurous programs, so some special banks have been created to allow you to take a walk on the wild side.
For detailed description, please refer to the manual.
Technical details:
10hp, skiff friendly
Current draw: +120/-45 mA
Reverse power protection
2 in stock $311.33
People also bought...
OXI Instruments Coral Polyphonic Multi-Engine Synth Voice Module (oscillator synth module)
Cat: 938984 Rel: 01 Jun 23 • View all Synth modules
An 8 full voice polyphonic, multipart, multi engine synthesiser module with sample playback, sweet reverb and chorus in 14HP.
Notes: Hugely powerful multi-engine synth module, offering up to eight voices and eight oscillators, sample playback, custom wavetables and much more. Ultra versatile.
Supplier's Notes:
8 full voice polyphonic, multipart, multi engine synthesizer module with sample playback, sweet reverb and chorus.
Create pads, basslines, riffs and drums. All in one module.
Group voices into parts and assign each voice a different engine or parameter settings to create complex patches.
Features:
Big Sound
Lots of computing power to deliver rich sounding engines, in an 8 voice package.
One voice can have 8 oscillators depending on the engine, which means up to 64 oscillators at the same time!
Polyphonic
Coral features 8 full voices with independent filter, amplifier and modulation envelopes per voice.
Individual FX sends and individual parameter can be set per voice!
Multiengine
Different sound engines can be assigned to each voice from the 10 available.
New engines will be available through firmware updates.
Multipart
The 8 voices can be freely split into different parts. Every single parameter (filter, envelope settings, engine, FX sends, pan, etc.) can be independently set for each part or voice to create complex patches out of the box.
Sample playback
CORAL supports almost any kind of wav file: 16, 24 and 32 bit mono and stereo files, no limit to playback time!
Add overdrive to your samples, sculpt them using the filter and envelopes, pitch them up and down in tune and even modulate the sample file or folder in real time using the CV inputs or CC MIDI commands!
Custom wavetables
You can load any wavetable .wav file to the SD card for the Wavetable engine. The wavetable can be morphed in 3 dimensions. Use our OXI Wave APP to create and edit 3D wavetables.
MIDI Integration
Control any part's parameter via MIDI CC, from FXs sends to sample selection.
Combine it with CV signals for a killer compact combo.
Effects
Space engine to create deep atmospheres and rich ensemble chorus.
Every effect send can be set per voice
… Read moreSupplier's Notes:
8 full voice polyphonic, multipart, multi engine synthesizer module with sample playback, sweet reverb and chorus.
Create pads, basslines, riffs and drums. All in one module.
Group voices into parts and assign each voice a different engine or parameter settings to create complex patches.
Features:
Big Sound
Lots of computing power to deliver rich sounding engines, in an 8 voice package.
One voice can have 8 oscillators depending on the engine, which means up to 64 oscillators at the same time!
Polyphonic
Coral features 8 full voices with independent filter, amplifier and modulation envelopes per voice.
Individual FX sends and individual parameter can be set per voice!
Multiengine
Different sound engines can be assigned to each voice from the 10 available.
New engines will be available through firmware updates.
Multipart
The 8 voices can be freely split into different parts. Every single parameter (filter, envelope settings, engine, FX sends, pan, etc.) can be independently set for each part or voice to create complex patches out of the box.
Sample playback
CORAL supports almost any kind of wav file: 16, 24 and 32 bit mono and stereo files, no limit to playback time!
Add overdrive to your samples, sculpt them using the filter and envelopes, pitch them up and down in tune and even modulate the sample file or folder in real time using the CV inputs or CC MIDI commands!
Custom wavetables
You can load any wavetable .wav file to the SD card for the Wavetable engine. The wavetable can be morphed in 3 dimensions. Use our OXI Wave APP to create and edit 3D wavetables.
MIDI Integration
Control any part's parameter via MIDI CC, from FXs sends to sample selection.
Combine it with CV signals for a killer compact combo.
Effects
Space engine to create deep atmospheres and rich ensemble chorus.
Every effect send can be set per voice
2 in stock $335.96
Click for better price!
or call +44 20 7424 1960
quote 938984
quote 938984
People also bought...
Cat: 667568 Rel: 26 Jan 18 • View all DJ turntables
Professional upper torque turntable system - silver
Notes: One of our favourite DJ turntables, courtesy of German DJ brand Reloop. Classic Technics-inspired design updated with nice features like reverse mode, 78rpm setting and second start/stop button.
Supplier notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.
Sturdy Casing Construction:
By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.
Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:
The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).
Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:
As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.
High-Resolution Pitch Section with Digital Fader:
Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).
High-Quality Connections and Integrated Phono Pre-Amp:
Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.
Powerful Motor with Extensive Adjustment Possibilities:
The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.
… Read moreSupplier notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.
Sturdy Casing Construction:
By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.
Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:
The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).
Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:
As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.
High-Resolution Pitch Section with Digital Fader:
Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).
High-Quality Connections and Integrated Phono Pre-Amp:
Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.
Powerful Motor with Extensive Adjustment Possibilities:
The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.
5 in stock $460.29
People also bought...
Sonicware CyDrums Expressive Drum Machine (drum machine)
Cat: 1064160 Rel: 13 Feb 25 • View all Drum machines
A wavetable-based, 8-track expressive drum synthesiser
Notes: Sonicware's 'neo-hyperactive' drum machine takes a proudly digital approach to rhythm, offering some fascinating creative takes on synthesis and beat making. Create and perform with generative patterns and randomisation.
Supplier's Notes:
CyDrums | Expressive Drum Synthesiser
4D Drum Sound Evolution
22 Custom-Built Sound Structures
Versatile Effects & Flexible Routing
Powerful 8-Track Beat Making
Endless Creative Possibilities
Included:
- CyDrums unit
- 32GB SD card preloaded with many preset programs
- Power Supply Unit
- Warranty
*Batteries, USB cable and the other connection cables sold separately.
4D Drum Sound Evolution
Wavetable x Velocity & Pressure Modulation = 4D Drum Sounds That React, Transform, and Evolve
22 Custom-Built Sound Structures
22 Sound Structures Tailored to Each Instrument for Endless Sonic Possibilities
Versatile Effects & Flexible Routing
Two Insert Effects, Reverb, and Master Effects with Flexible Routing for Versatile Sound Processing
Powerful 8-Track Beat Making
Non-Stop, Intuitive Beat Making Powered by an 8-Track Drum Sequencer
Endless Creative Possibilities
Generative Patterns with Randomization and Probability, Plus Numerous Performance Features incl. VariSpeed and Snip Loop
Wavetable x Velocity & Pressure Modulation = 4D Drum Sounds That React, Transform, and Evolve
CyDrums offers 64 original wavetables, each comprising up to 256 single-cycle waveforms. With full control over start/end positions, playback directions with modes, speed, and curves, the sonic possibilities go far beyond imagination.
22 Sound Structures Tailored to Each Instrument for Endless Sonic Possibilities
CyDrums features 22 sound structures specifically tailored to each instrument, combining dual Wavetables, Noise, and Pulse sources to deliver sounds that range from classic drum machine tones to deep, innovative sonic exploration.
No need to start from scratch
CyDrums offers 520 ready-to-use preset sound patches, covering classic drum machine tones, synth bass, and FX.
Find them quickly with the tag search feature.
Two Insert Effects, Reverb, and Master Effects with Flexible Routing for Versatile Sound Processing
CyDrums delivers five versatile effect routing modes, allowing you to assign any track to specific effects via BUS Routing.
Non-Stop, Intuitive Beat Making Powered by an 8-Track Drum Sequencer
CyDrums boasts a powerful 8-track, 128-step sequencer based on the acclaimed workflow of the Lofi-12 XT. Unlock the freedom to experiment with odd time signatures and evolving polyrhythms.
Store up to 128 patterns per project, enabling you to create complex song arrangements or seamlessly switch patterns during live performances.
Generative Patterns with Randomization and Probability, Plus Numerous Performance Features incl. VariSpeed and Snip Loop
CyDrums empowers your creativity with powerful generative pattern tools.
Randomization lets you craft unique variations per track or control all parts in real time, while Probability allows you to set trigger chances from 25% to 100% for tracks or individual notes-sparking endless possibilities and new musical discoveries.
Seamless Integration with Your Setup
TRS analogue output, digital output via USB, MIDI in/out, and AudioSync for effortless DAW and hardware compatibility.
Compact, Battery-powered, and Built-in Speaker
CyDrums is designed for inspiration anywhere-from your living room to the outdoors.
- A single project contains:
128 patterns (incl. 32 preset patterns)
16 songs
Up to 256 projects can be stored.
- 1,024 sound patches (incl. 520 preset sounds)
- 256 effect patches
- 128 drum kits
- Polyphony: 1 voice per track + USB & External stereo audio
- Realtime non-quantize recording (with MicroTiming edit)
- Directly enter notes for each step when playback is on or off
- Duplicate to extend a sequence
- Copy and paste function for various parameters between tracks
- Parameter Lock function to record parameter settings for each step
- Drum roll with the D-pad
- Play chromatic/scales in Pad mode
- Enter longer notes (Tied notes)
- Diverse Mute features?
- Pattern BPM / Global BPM can be set
- Switching between half-speed and double-speed BPM
- Metronome and pre-count function
Hardware specifications
Pads: 15 velocity-sensitive pads with RGB LEDs
Controllers: Control knob x 5, Directional pad with 2 button controls
Display: 1.5 inch OLED display
Built-in Mic: Mono x1 (Omni-directional, 94dBSPL)
Built-in Speaker: Mono x1 (1.5W 4O)
Audio Inputs
INPUT L/Guitar (Switchable 10k and 1M impedance)
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
INPUT R/Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB
Audio Outputs
STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)
USB port
micro USB Type-B
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit Input: 2 channels, Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately
MIDI ports
MIDI IN connector (5-Pin DIN type)
MIDI OUT connector (5-Pin DIN type)
Other connectors
SYNC IN jack (mono 3.5mm mini jack type)
SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot (Standard size *Supports SDHC cards up to 32 GB)
DC IN connector
Bottom side hole
1/4-20UNC screw for tripod mount
Size and weight
Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz
Power supply
DC12V output AC adapter (500mA, Inner Diameter: 2.5mm, Outer Diameter: 5.5mm, Polarity: Center +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately
Accessories
32GB SDHC card preloaded with many preset programs
Power Supply Unit
Warranty
*USB cable and the other connection cables sold separately
… Read moreSupplier's Notes:
CyDrums | Expressive Drum Synthesiser
4D Drum Sound Evolution
22 Custom-Built Sound Structures
Versatile Effects & Flexible Routing
Powerful 8-Track Beat Making
Endless Creative Possibilities
Included:
- CyDrums unit
- 32GB SD card preloaded with many preset programs
- Power Supply Unit
- Warranty
*Batteries, USB cable and the other connection cables sold separately.
4D Drum Sound Evolution
Wavetable x Velocity & Pressure Modulation = 4D Drum Sounds That React, Transform, and Evolve
22 Custom-Built Sound Structures
22 Sound Structures Tailored to Each Instrument for Endless Sonic Possibilities
Versatile Effects & Flexible Routing
Two Insert Effects, Reverb, and Master Effects with Flexible Routing for Versatile Sound Processing
Powerful 8-Track Beat Making
Non-Stop, Intuitive Beat Making Powered by an 8-Track Drum Sequencer
Endless Creative Possibilities
Generative Patterns with Randomization and Probability, Plus Numerous Performance Features incl. VariSpeed and Snip Loop
Wavetable x Velocity & Pressure Modulation = 4D Drum Sounds That React, Transform, and Evolve
CyDrums offers 64 original wavetables, each comprising up to 256 single-cycle waveforms. With full control over start/end positions, playback directions with modes, speed, and curves, the sonic possibilities go far beyond imagination.
22 Sound Structures Tailored to Each Instrument for Endless Sonic Possibilities
CyDrums features 22 sound structures specifically tailored to each instrument, combining dual Wavetables, Noise, and Pulse sources to deliver sounds that range from classic drum machine tones to deep, innovative sonic exploration.
No need to start from scratch
CyDrums offers 520 ready-to-use preset sound patches, covering classic drum machine tones, synth bass, and FX.
Find them quickly with the tag search feature.
Two Insert Effects, Reverb, and Master Effects with Flexible Routing for Versatile Sound Processing
CyDrums delivers five versatile effect routing modes, allowing you to assign any track to specific effects via BUS Routing.
Non-Stop, Intuitive Beat Making Powered by an 8-Track Drum Sequencer
CyDrums boasts a powerful 8-track, 128-step sequencer based on the acclaimed workflow of the Lofi-12 XT. Unlock the freedom to experiment with odd time signatures and evolving polyrhythms.
Store up to 128 patterns per project, enabling you to create complex song arrangements or seamlessly switch patterns during live performances.
Generative Patterns with Randomization and Probability, Plus Numerous Performance Features incl. VariSpeed and Snip Loop
CyDrums empowers your creativity with powerful generative pattern tools.
Randomization lets you craft unique variations per track or control all parts in real time, while Probability allows you to set trigger chances from 25% to 100% for tracks or individual notes-sparking endless possibilities and new musical discoveries.
Seamless Integration with Your Setup
TRS analogue output, digital output via USB, MIDI in/out, and AudioSync for effortless DAW and hardware compatibility.
Compact, Battery-powered, and Built-in Speaker
CyDrums is designed for inspiration anywhere-from your living room to the outdoors.
- A single project contains:
128 patterns (incl. 32 preset patterns)
16 songs
Up to 256 projects can be stored.
- 1,024 sound patches (incl. 520 preset sounds)
- 256 effect patches
- 128 drum kits
- Polyphony: 1 voice per track + USB & External stereo audio
- Realtime non-quantize recording (with MicroTiming edit)
- Directly enter notes for each step when playback is on or off
- Duplicate to extend a sequence
- Copy and paste function for various parameters between tracks
- Parameter Lock function to record parameter settings for each step
- Drum roll with the D-pad
- Play chromatic/scales in Pad mode
- Enter longer notes (Tied notes)
- Diverse Mute features?
- Pattern BPM / Global BPM can be set
- Switching between half-speed and double-speed BPM
- Metronome and pre-count function
Hardware specifications
Pads: 15 velocity-sensitive pads with RGB LEDs
Controllers: Control knob x 5, Directional pad with 2 button controls
Display: 1.5 inch OLED display
Built-in Mic: Mono x1 (Omni-directional, 94dBSPL)
Built-in Speaker: Mono x1 (1.5W 4O)
Audio Inputs
INPUT L/Guitar (Switchable 10k and 1M impedance)
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
INPUT R/Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB
Audio Outputs
STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)
USB port
micro USB Type-B
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit Input: 2 channels, Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately
MIDI ports
MIDI IN connector (5-Pin DIN type)
MIDI OUT connector (5-Pin DIN type)
Other connectors
SYNC IN jack (mono 3.5mm mini jack type)
SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot (Standard size *Supports SDHC cards up to 32 GB)
DC IN connector
Bottom side hole
1/4-20UNC screw for tripod mount
Size and weight
Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz
Power supply
DC12V output AC adapter (500mA, Inner Diameter: 2.5mm, Outer Diameter: 5.5mm, Polarity: Center +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately
Accessories
32GB SDHC card preloaded with many preset programs
Power Supply Unit
Warranty
*USB cable and the other connection cables sold separately
More than 10 in stock $400.93
Click for better price!
or call +44 20 7424 1960
quote 1064160
quote 1064160
People also bought...
Matthews Effects The Technician Dual Channel Auditory Manipulator Effect Pedal (time effects pedal)
Cat: 1062851 Rel: 19 May 25 • View all Effects pedals
A dual-channel audio manipulator crafted for musical exploration, combining reverb, delay, modulators, a resonance filter, and a stereo looper to build everything from basic delays to complex layered soundscapes
Notes: Delay modes
Digital
Starting as a crisp digital delay, this mode, when paired with the tap footswitch, covers a lot of ground for your delay needs. The "Red" modulator lets you adjust the dampening of the delay, making the repeats either brighter (emulating towards a tape or HIFI sound) or darker
Reverse
Instead of reading the delay buffer in a forward direction like the "Digital" delay we read the buffer backwards creating unique sound possibilities. You can further modify this sound with the "Red" modulator to adjust the dampening of the repeats to grow brighter or darker.
Granular
Takes the delay buffer and chops it up into "Grains" and then plays those grains back. The size of the grains, direction (forward/reverse), the speed (pitch) and location in the buffer is all randomized so every time you experience this mode it will be a unique exploration into granular synthesis. The "Red" modulator allows you to adjust the max size of the randomized "size" of the grains and the amount of grains from 1-5.
Re-sample
What if you want a more complex soundscape like other instruments are playing with you? Re-sample accomplishes this by playing the delay buffer at different speeds which changes the pitch and timing of the delayed phrases creating a more complex musical expression of what you are playing. "Red" lets you adjust the mix of the octave down and the octave up.
Reverb modes
Hall
The least diffused of the reverb modes "Hall" allows you hear the reflective nature of the hallway your sound is in.
Plate
Emulating a classic plate reverb sound that is diffuse and reflective.
Chasm
An exploration into reverb design feedback networks that can allow for unnaturally large decay lengths.
Grim
Takes the "Chasm" mode and splits the output to a parallel octave down so you get the normal output + the octave down for a deep rich soundscape.
Looper modes
Gives you latching control over the rec/dub of your looper.
Momentary
Only rec/dub while holding the rec/dub switch.
Quantise
Works like the latching but will trim your loop to a division of the existing delay time.
MOD ONE and MOD TWO allow you adjust the following modulators
Modulators
Delay
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Reverb
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Looper
Clock: fine detail adjustment of the speed and direction of the clock.
Quantized Clock: Quantized adjustment of the speed and direction of the clock locked to octave intervals.
Loop Start: Adjust the starting point of the loop.
Loop End: Adjust where the loop will end.
MIDI: 3.5MM IN/OUT
USB: USB-C
Expression: TRS input
Controls
MIX (mod one)- The mix of the Reverb DSP block
DECAY (mod two)- The time it takes for your instruments reverberations to fade away, or die.
FEEDBACK (mod two)- How many repeats the delay will have
MIX (mod one)- The mix of the Delay DSP block
CLOCK (pre-delay)- Adjusts the "size" of the reverb DSP block
MIX (mod one)- The mix of the Looper DSP block
FREQUENCY (resonance)- Adjusts the Frequency of the Filter DSP block
TIME (dry mix)- Set the time of the Delay DSP block up to 2 sec
Modifiers
Reverb Mode (modulators)- Sets what Reverb Algorithm is active
Looper Mode (modulators)- Sets how you control the Looper DSP block
Tap Division (effect order)- Sets which tap division is active for the Delay DSP block. 1/2: Half note, 1/4: Quarter note, .1/8th: Dotted eighth note, 1/8th: Eighth note
Delay Mode (modulators)- Sets which Delay Algorithm is active
Input/Output: Stereo / mono - stereo / stereo - mono / parallel mono
Bypass: True Bypass / Tails
Power: 9v 400MA
Dimensions: 4.8 x 5.5
MIDI: Yes. 3.5mm Jack
USB: Yes
Jacks: Top Mounted Input And Output Jacks
… Read moreDigital
Starting as a crisp digital delay, this mode, when paired with the tap footswitch, covers a lot of ground for your delay needs. The "Red" modulator lets you adjust the dampening of the delay, making the repeats either brighter (emulating towards a tape or HIFI sound) or darker
Reverse
Instead of reading the delay buffer in a forward direction like the "Digital" delay we read the buffer backwards creating unique sound possibilities. You can further modify this sound with the "Red" modulator to adjust the dampening of the repeats to grow brighter or darker.
Granular
Takes the delay buffer and chops it up into "Grains" and then plays those grains back. The size of the grains, direction (forward/reverse), the speed (pitch) and location in the buffer is all randomized so every time you experience this mode it will be a unique exploration into granular synthesis. The "Red" modulator allows you to adjust the max size of the randomized "size" of the grains and the amount of grains from 1-5.
Re-sample
What if you want a more complex soundscape like other instruments are playing with you? Re-sample accomplishes this by playing the delay buffer at different speeds which changes the pitch and timing of the delayed phrases creating a more complex musical expression of what you are playing. "Red" lets you adjust the mix of the octave down and the octave up.
Reverb modes
Hall
The least diffused of the reverb modes "Hall" allows you hear the reflective nature of the hallway your sound is in.
Plate
Emulating a classic plate reverb sound that is diffuse and reflective.
Chasm
An exploration into reverb design feedback networks that can allow for unnaturally large decay lengths.
Grim
Takes the "Chasm" mode and splits the output to a parallel octave down so you get the normal output + the octave down for a deep rich soundscape.
Looper modes
Gives you latching control over the rec/dub of your looper.
Momentary
Only rec/dub while holding the rec/dub switch.
Quantise
Works like the latching but will trim your loop to a division of the existing delay time.
MOD ONE and MOD TWO allow you adjust the following modulators
Modulators
Delay
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Reverb
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Looper
Clock: fine detail adjustment of the speed and direction of the clock.
Quantized Clock: Quantized adjustment of the speed and direction of the clock locked to octave intervals.
Loop Start: Adjust the starting point of the loop.
Loop End: Adjust where the loop will end.
MIDI: 3.5MM IN/OUT
USB: USB-C
Expression: TRS input
Controls
MIX (mod one)- The mix of the Reverb DSP block
DECAY (mod two)- The time it takes for your instruments reverberations to fade away, or die.
FEEDBACK (mod two)- How many repeats the delay will have
MIX (mod one)- The mix of the Delay DSP block
CLOCK (pre-delay)- Adjusts the "size" of the reverb DSP block
MIX (mod one)- The mix of the Looper DSP block
FREQUENCY (resonance)- Adjusts the Frequency of the Filter DSP block
TIME (dry mix)- Set the time of the Delay DSP block up to 2 sec
Modifiers
Reverb Mode (modulators)- Sets what Reverb Algorithm is active
Looper Mode (modulators)- Sets how you control the Looper DSP block
Tap Division (effect order)- Sets which tap division is active for the Delay DSP block. 1/2: Half note, 1/4: Quarter note, .1/8th: Dotted eighth note, 1/8th: Eighth note
Delay Mode (modulators)- Sets which Delay Algorithm is active
Input/Output: Stereo / mono - stereo / stereo - mono / parallel mono
Bypass: True Bypass / Tails
Power: 9v 400MA
Dimensions: 4.8 x 5.5
MIDI: Yes. 3.5mm Jack
USB: Yes
Jacks: Top Mounted Input And Output Jacks
5 in stock $424.44
Click for better price!
or call +44 20 7424 1960
quote 1062851
quote 1062851
People also bought...
Arturia RackBrute 6U Noir 176HP Powered Synth Module Enclosure Case (synth module enclosure case)
Cat: 909470 Rel: 07 Nov 22 • View all Synth Module Accessories
Armored synth module carrier
Notes: RackBrute 6U
Armoured Eurorack carrier
RackBrute 6U is an all-inclusive Eurorack case ensuring the total security of your modules and maximum practicality in all conditions of use. Its multi-position configuration and included dependable power supply make it the true specialist solution.
Artists may have a bodyguard; modules deserve armour-plating.
RackBrute 6U provides you with 176HP to store and secure your enviable collection of Eurorack modules in an everlasting yet lightweight aluminium chassis flanked by two wood panels. Once you're locked and loaded, your modular setup will look and feel like a monolith, yet more flexible than ever thanks the Link fastening system and the paired handle. When on the move, it will make the transport of your modular equipment a walk in the park. When in position, it will let you organize your command centre the way you want it. Modules don't live on love alone, and RackBrute 6U keeps everything alive with its +12V / -12V / +5V power supply.
When you have to hold your position for hours, it's better to be well set up and to have a clear view of the surroundings. For this reason, we developed the Link system, a convenient and simple-to-use fastening system that allows you to orientate the dedicated handle so that you can give your modular the most tactically advantageous position. Whether prone, crouching, or standing to attention, RackBrute 6U will always be on the lookout, ready for orders.
Troops are nothing if they are not properly fed. No problem, RackBrute 6U is not just a box. It includes a formidable +12V / -12V / +5V power supply ensuring your firepower up to 1600mA. This is coupled with a military-grade power rail with 32 available slots, including advanced noise filtering technology that guarantees optimum conditions.
With RackBrute 6U, even the most headstrong modules fall into line.
Uniting your forces under the same banner
May all modular units meet at the rallying point and be ready for further orders!
The RackBrute 6U fully takes advantage of the Link System, and it's not alone. You'll also find the Arturia Link on the more compact RackBrute 3U, as well as the self-contained MiniBrute 2 and MiniBrute 2S synthesizers. What solution will you go for? Will your field of operations be fully based on Eurorack, or the powerful force of analogue monosynth flagship supported by a fleet of complementary modules?
This technology is the brainchild of our secret research department, but we wanted it to be patent-free so that all our allies could adopt and benefit from it. The modular music battleground is likely to get crowded with an ever-growing variety of Link-enhanced system.
You are not alone on this mission. You have your trustworthy equipment to keep you company.
Equipment checking!
All present and correct, ready for inspection. We trust you'll find everything to your liking.
Go, go, go!
Don't worry, RackBrute 6U will keep mishaps at bay.
The success of your operation depends on your sensitive material arriving in perfect working order. RackBrute 6U is up to the challenge. The handle, the chassis, the threaded nut strips, each of its strategic components is made aluminium or steel. RackBrute will carry your setup no matter the context, not matter the weight, the distance and the destination. The built-in spacers will also make sure that no collisions occur when transporting two RackBrute units or a RackBrute and MiniBrute 2. Maybe you also want to keep your modular away from prying eyes. Then, trust the optional RackBrute Travel Case for more covert missions.
RackBrute 6U is the complete transport solution for when you need to take your show on the road.
What's in the box:
Box content
RackBrute 6U unit
Power cord
Instrument dimensions
Size : 19 x 13.2 x 3.3 inches (484 x 300 x 83mm)
Weight: 8.3 lbs. (3.76 Kg)
Main Features
Eurorack format, 176 HP
Aluminium Chassis
Provided with a 5 HP power module
Up to 1600mA on +12V and 1600mA on -12V (4 separate circuits of 800mA)
Up to 900mA on 5V
Power rail with
Noise filtering
32 standard power slots
20-slot zone with up to 800mA on +12V and -12V
12-slot zone with up to 800mA on +12V and -12V
Link system and smart handle to fasten a MiniBrute 2/2S or another RackBrute unit in various configurations
Built-in Spacers for the highest protection in transport configuration
… Read moreArmoured Eurorack carrier
RackBrute 6U is an all-inclusive Eurorack case ensuring the total security of your modules and maximum practicality in all conditions of use. Its multi-position configuration and included dependable power supply make it the true specialist solution.
Artists may have a bodyguard; modules deserve armour-plating.
RackBrute 6U provides you with 176HP to store and secure your enviable collection of Eurorack modules in an everlasting yet lightweight aluminium chassis flanked by two wood panels. Once you're locked and loaded, your modular setup will look and feel like a monolith, yet more flexible than ever thanks the Link fastening system and the paired handle. When on the move, it will make the transport of your modular equipment a walk in the park. When in position, it will let you organize your command centre the way you want it. Modules don't live on love alone, and RackBrute 6U keeps everything alive with its +12V / -12V / +5V power supply.
When you have to hold your position for hours, it's better to be well set up and to have a clear view of the surroundings. For this reason, we developed the Link system, a convenient and simple-to-use fastening system that allows you to orientate the dedicated handle so that you can give your modular the most tactically advantageous position. Whether prone, crouching, or standing to attention, RackBrute 6U will always be on the lookout, ready for orders.
Troops are nothing if they are not properly fed. No problem, RackBrute 6U is not just a box. It includes a formidable +12V / -12V / +5V power supply ensuring your firepower up to 1600mA. This is coupled with a military-grade power rail with 32 available slots, including advanced noise filtering technology that guarantees optimum conditions.
With RackBrute 6U, even the most headstrong modules fall into line.
Uniting your forces under the same banner
May all modular units meet at the rallying point and be ready for further orders!
The RackBrute 6U fully takes advantage of the Link System, and it's not alone. You'll also find the Arturia Link on the more compact RackBrute 3U, as well as the self-contained MiniBrute 2 and MiniBrute 2S synthesizers. What solution will you go for? Will your field of operations be fully based on Eurorack, or the powerful force of analogue monosynth flagship supported by a fleet of complementary modules?
This technology is the brainchild of our secret research department, but we wanted it to be patent-free so that all our allies could adopt and benefit from it. The modular music battleground is likely to get crowded with an ever-growing variety of Link-enhanced system.
You are not alone on this mission. You have your trustworthy equipment to keep you company.
Equipment checking!
All present and correct, ready for inspection. We trust you'll find everything to your liking.
Go, go, go!
Don't worry, RackBrute 6U will keep mishaps at bay.
The success of your operation depends on your sensitive material arriving in perfect working order. RackBrute 6U is up to the challenge. The handle, the chassis, the threaded nut strips, each of its strategic components is made aluminium or steel. RackBrute will carry your setup no matter the context, not matter the weight, the distance and the destination. The built-in spacers will also make sure that no collisions occur when transporting two RackBrute units or a RackBrute and MiniBrute 2. Maybe you also want to keep your modular away from prying eyes. Then, trust the optional RackBrute Travel Case for more covert missions.
RackBrute 6U is the complete transport solution for when you need to take your show on the road.
What's in the box:
Box content
RackBrute 6U unit
Power cord
Instrument dimensions
Size : 19 x 13.2 x 3.3 inches (484 x 300 x 83mm)
Weight: 8.3 lbs. (3.76 Kg)
Main Features
Eurorack format, 176 HP
Aluminium Chassis
Provided with a 5 HP power module
Up to 1600mA on +12V and 1600mA on -12V (4 separate circuits of 800mA)
Up to 900mA on 5V
Power rail with
Noise filtering
32 standard power slots
20-slot zone with up to 800mA on +12V and -12V
12-slot zone with up to 800mA on +12V and -12V
Link system and smart handle to fasten a MiniBrute 2/2S or another RackBrute unit in various configurations
Built-in Spacers for the highest protection in transport configuration
3 in stock $332.60
People also bought...
Arturia Keystep Pro Chroma 37-Key USB MIDI Keyboard Controller & Step Sequencer (dark grey) (MIDI keyboard controller/sequencer)
Cat: 986578 Rel: 21 Dec 23 • View all MIDI keyboards
A special-edition version of the unparalleled 4-track sequencer & keyboard, embellished with a sleek dark grey finish, great-feeling knob caps and customizable track colours
Notes: Chroma version of Arturia's flagship KeyStep Pro, a brilliantly versatile sequencer and controller keyboard capable of controlling MIDI synths, drum machines and analogue gear via CV.
Supplier's Notes:
KeyStep Pro Chroma
Sequencing mastermind recoloured
KeyStep Pro Chroma is a special-edition version of the unparalleled 4-track sequencer & keyboard, embellished with a sleek dark grey finish, great-feeling knob caps and customizable track colours. The same all-in-one power, with more edge.
The future is sequenced
Rediscover the controller keyboard that changed the sequencing game, upgraded with a futuristic exterior and supercharged with unique creative functionality.
Chroma aesthetic
Retrofit your musical setup with sleek cyberpunk attitude. KeyStep Pro Chroma features a dark grey casing, vivid blue LEDs, and striking knob caps.
Customize your flow
Exclusive to KeyStep Pro Chroma, you can customize the LED colours for each of your tracks - so every project and composition looks as unique as it sounds.
The must-have sequencer
KeyStep Pro remains the benchmark for hardware & software sequencing and creative performance alike. Chroma is no exception: your sequencing mastermind
Abundant connectivity
From Eurorack modules, to analogue synths and VST's, synchronize all your gear and unleash your creativity in style.
Enterdark mode
Fusing utility with aesthetics, creativity with beauty, and sleek design with vivid colour, KeyStep Pro Chroma delivers next-level performance with pure style.
Exterior
A dark grey shell simultaneously gives this controller space station futurism and classic car attitude.
Lights
Icy blue LEDs illuminate Chroma's metal exterior, while customizable track colours inject perfectly-contrasting vibrancy.
Controls
Complementing the cool grey shell and vivid LEDs, Chroma's controls feature premium, great-feeling stylish caps.
Control hardware, software & DAW at the same time
Looking for the best modular sequencer?
How about a MIDI controller for Ableton? Or a live performance keyboard that can sync all of your favourite synths to a DAW click track? KeyStep Pro's extensive list of controls, connections, and creative functions are designed to tick every box - let's take a closer look:
The ultimate multi-function controller
Command complex hardware setups, entire DAW setlists, modular racks, and more - all with a user-friendly workflow that prioritizes creativity.
KeyStep Pro remains unique and unmatched in its balance of performance-oriented playability, massive connectivity, and creative depth.
Main Features
Unique dark grey design with blue LEDs and stylish knob caps
Customizable track colours
37 note slim keys, velocity and aftertouch sensitive
LED above each key for efficient visual feedback
Four track step sequencer
16 step buttons, up to 64 steps per sequence
Up to 16 notes of polyphony per step
Melodic sequencer
Real-Time recording, step recording, step editing
Pitch, velocity, gate length, time shift and probability for each note
Scale quantization with user scales
Polyphonic CV outputs
Drum sequencer
24 part drum sequencer
Polyrhythm
Performance-oriented sequencer
Forward and two random playing modes
Pattern randomization
Quantized or unquantized recording
Looper
Arpeggiator
7 arpeggiator modes, 5 octave range
What's in the box
Box content
KeyStep Pro unit
Registration card
Quick Start
USB cable
Power supply
Dimensions
Size : 23.2 x 8.2 x 1.5 inches (589 x 208 x 38mm)
Weight : 5.9 lbs. (2.7 Kg)
… Read moreSupplier's Notes:
KeyStep Pro Chroma
Sequencing mastermind recoloured
KeyStep Pro Chroma is a special-edition version of the unparalleled 4-track sequencer & keyboard, embellished with a sleek dark grey finish, great-feeling knob caps and customizable track colours. The same all-in-one power, with more edge.
The future is sequenced
Rediscover the controller keyboard that changed the sequencing game, upgraded with a futuristic exterior and supercharged with unique creative functionality.
Chroma aesthetic
Retrofit your musical setup with sleek cyberpunk attitude. KeyStep Pro Chroma features a dark grey casing, vivid blue LEDs, and striking knob caps.
Customize your flow
Exclusive to KeyStep Pro Chroma, you can customize the LED colours for each of your tracks - so every project and composition looks as unique as it sounds.
The must-have sequencer
KeyStep Pro remains the benchmark for hardware & software sequencing and creative performance alike. Chroma is no exception: your sequencing mastermind
Abundant connectivity
From Eurorack modules, to analogue synths and VST's, synchronize all your gear and unleash your creativity in style.
Enterdark mode
Fusing utility with aesthetics, creativity with beauty, and sleek design with vivid colour, KeyStep Pro Chroma delivers next-level performance with pure style.
Exterior
A dark grey shell simultaneously gives this controller space station futurism and classic car attitude.
Lights
Icy blue LEDs illuminate Chroma's metal exterior, while customizable track colours inject perfectly-contrasting vibrancy.
Controls
Complementing the cool grey shell and vivid LEDs, Chroma's controls feature premium, great-feeling stylish caps.
Control hardware, software & DAW at the same time
Looking for the best modular sequencer?
How about a MIDI controller for Ableton? Or a live performance keyboard that can sync all of your favourite synths to a DAW click track? KeyStep Pro's extensive list of controls, connections, and creative functions are designed to tick every box - let's take a closer look:
The ultimate multi-function controller
Command complex hardware setups, entire DAW setlists, modular racks, and more - all with a user-friendly workflow that prioritizes creativity.
KeyStep Pro remains unique and unmatched in its balance of performance-oriented playability, massive connectivity, and creative depth.
Main Features
Unique dark grey design with blue LEDs and stylish knob caps
Customizable track colours
37 note slim keys, velocity and aftertouch sensitive
LED above each key for efficient visual feedback
Four track step sequencer
16 step buttons, up to 64 steps per sequence
Up to 16 notes of polyphony per step
Melodic sequencer
Real-Time recording, step recording, step editing
Pitch, velocity, gate length, time shift and probability for each note
Scale quantization with user scales
Polyphonic CV outputs
Drum sequencer
24 part drum sequencer
Polyrhythm
Performance-oriented sequencer
Forward and two random playing modes
Pattern randomization
Quantized or unquantized recording
Looper
Arpeggiator
7 arpeggiator modes, 5 octave range
What's in the box
Box content
KeyStep Pro unit
Registration card
Quick Start
USB cable
Power supply
Dimensions
Size : 23.2 x 8.2 x 1.5 inches (589 x 208 x 38mm)
Weight : 5.9 lbs. (2.7 Kg)
4 in stock $423.32
People also bought...
Noise Engineering Gamut Repetitor Quad Looping Random Quantized Pitch & Gate Generator Module (black) (sequencer synth module)
Cat: 1027964 Rel: 02 Jul 24 • View all Synth modules
4-channel loopable quantized random voltage & trigger generator module
Notes: Quad random, highly controllable, quantized-voltage generator and generative CV sequencer
Gamut Repetitor is a four-channel random quantized voltage generator with looping, range, key, and scale settings. It features a built-in quantizer with 27 scales grouped across a selection of three CV-controllable switches, so it's easy and fun to generate patterns you'll love. The trigger outputs can simply pass through the input trigger or they can generate random triggers for more modular merrymaking.
Patching GR is as simple as sending in a trigger pattern and turning Length up. Then you can use the built-in quantizer, key, and range controls to change the way voltages are generated. Once you hear something you like, turn the Length down to a sequence length you like (up to 32) and loop away!
Size and Power
10HP Eurorack
+12v: 55mA
-12v: 15mA
Gamut from medieval Latin: "a complete scale of musical notes; the compass or range of a voice or instrument."
Repetitor from Latin repetito with suffix -tor to make the noun: "thing which repeats"
"Thing which repeats all the things"
What's in the box
Module
Power cable
*** Noise Engineering no longer include screws with newly packaged modules. Bulk screws are available for purchase. ***
… Read moreGamut Repetitor is a four-channel random quantized voltage generator with looping, range, key, and scale settings. It features a built-in quantizer with 27 scales grouped across a selection of three CV-controllable switches, so it's easy and fun to generate patterns you'll love. The trigger outputs can simply pass through the input trigger or they can generate random triggers for more modular merrymaking.
Patching GR is as simple as sending in a trigger pattern and turning Length up. Then you can use the built-in quantizer, key, and range controls to change the way voltages are generated. Once you hear something you like, turn the Length down to a sequence length you like (up to 32) and loop away!
Size and Power
10HP Eurorack
+12v: 55mA
-12v: 15mA
Gamut from medieval Latin: "a complete scale of musical notes; the compass or range of a voice or instrument."
Repetitor from Latin repetito with suffix -tor to make the noun: "thing which repeats"
"Thing which repeats all the things"
What's in the box
Module
Power cable
*** Noise Engineering no longer include screws with newly packaged modules. Bulk screws are available for purchase. ***
2 in stock $368.44
Click for better price!
or call +44 20 7424 1960
quote 1027964
quote 1027964
